江戸子守唄 (Edo Lullaby)

For Two Flutes, Clarinet, Trumpet, and Violin

Sean Harold 2011

Instrumentation:

Flute I

dbl. Alto Flute

Flute II

dbl. Alto Flute

dbl. Bass Flute

Clarinet in Bb

dbl. Bass Clarinet

Trumpet in Bb

Harmon Mute

Violin

Duration:

5’ 00”

Microtonal notation:

Ç - Flat pitch lowered approximately 1/6th tone (31 cents)

C - Flat pitch lowered approximately 1/8th tone (14 cents)

à - Pitch lowered approximately 1/6th tone (31 cents)

- - Pitch lowered approximately 1/8th

tone (14 cents)

Î - Sharp pitch lowered approximately 1/6th

tone (31 cents)

D - Sharp pitch lowered approximately 1/8th tone (14 cents)

Other Notation:

All:

Ord. – Ordinario

Wild Vib! – Very fast vibrato with an exaggerated width

Slow Wide Vib. – Very slow vibrato with an incredibly exaggerated width

Senza Vib. – Straight tone, without any vibrato

Winds:

Timb. Tr. – Timbral Trill

Br. – Breathy

Fl. – Flutter Tongue

Throat Fl. – Throat Flutter

Harm. Gliss – Harmonic gliss, a rapid glissando up and down the overtone series of a given fundamental

Didgeridoo – A low, exaggerated vibrato that emulates the sound of the didgeridoo

Trumpet:

Valve Trem. – Rapidly alternate between two different fingering for the given pitch

Insert Harmon Mute – Slowly insert the mute over the given duration

Harmon Wah – Wahwah effect at the given speed (if no speed is given, a medium pace should be assumed)

Fl. – Flutter Tongue

Violin:

MSP – Molto Sul Ponticello

SP – Sul Ponticello

ST – Sul Tasto

MST – Molto Sul Tasto

Moltissimo ST – Moltissimo Sul Tasto (Bow over the neck, near the left hand without impeding the fingering)

Col Legno Tratto – With the wood of the bow

L.H. Pizz – In this piece, left handed pizzicati will always be immediately followed by the same pitch being bowed. The pizz.

should be treated as a grace note

Harm. Tr. – Harmonic trill, a trill between a harmonic and its open string, or between two harmonics. In these moments, the

notation will show the fundamental (open string) and harmonic nodal point (like with an artificial harmonic, but on an open

string and with the natural harmonic circle above the pitch)

SCORE IS TRANSPOSED

&

&

&

&

&

4

4

4

4

4

4

4

4

4

4

Flute 1 (alto)

Flute 2 (alto)

Clarinet in Bb

Trumpet in Bb

Violin

Œ

œ œ œ@

j

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.

j

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5:4œ

r

!

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j

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q = 60

P F #

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Vib.

Ord. MSP

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au point

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Br. Air Ord.

Ord.Br. Ord.

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Vib.

Ord. MSP Ord.

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Fl. 1

Fl. 2

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Bb Tpt.

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Wild

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&

Slow Wide

Vib.Wild

Vib!

Senza Vib.

MST

Slow Wide

Vib.

Edo Komoriuta

Sean Harold

©2011

(w/clarinet)3rd partialof C4

(w/II)

(w/I)

(w/clarinet)

(w/I) (w/II)

(w/clarinet) (w/clarinet)

(w/I)

(w/I)

IV

Mvt. I: Talea

&

&

&

&

&

Fl. 1

Fl. 2

Bb Cl.

Bb Tpt.

Vln.

~~~~~~~~~~~

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Senza Vib.

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Slow Wide

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Slow Wide

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Vib!

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Timb.

Tr. Fl.

Ord.

L.H.

pizz.

arco

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Fl. 1

Fl. 2

Bb Cl.

Bb Tpt.

Vln.

~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Tr.

Br.

Ord.

2 Edo Komoriuta

(w/clarinet)

(w/trumpet)

III

Trill slows

Slowly insert mute (Harmon)

*

* Trill between the natural harmonic and the open string rapidly.Over the course of the final 4 beats, the trill should slow downsteadily leading into the held natural harmonic. No specific rhythmshould be used in the trill or slow down.

&

&

&

&

&

Fl. 1

Fl. 2

Bb Cl.

Bb Tpt.

Vln.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~

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w

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Throat

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Tr.

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Col Legno Tratto(Ord.)

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4

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2

4

2

4

2

4

2

Fl. 1

Fl. 2

Bb Cl.

Bb Tpt.

Vln.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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arco

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Senza Vib.

Timb.

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p Ø

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Br.

Br.

MST

3Edo Komoriuta

&

&

&

&

&

4

4

4

4

4

4

4

4

4

4

Flute

Bass Flute

Bass Clarinet

Trumpet in Bb

Violin

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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w

!

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!

" p

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Timb.

Tr.

Slow Wide

Vib.

Harmon Mute

(Entire Movement)

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Valve

Trem.

&

&

&

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&

Fl.

B. Fl.

B. Cl.

Bb Tpt.

Vln. ~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~

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n p

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Tr.

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Br.

Slow Wide

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Harm.

Tr.

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Throat Fl.

Harmon

Wah

MSP (Ord.)

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w

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p

p

p

p

Ord.

©2011

Mvt. II: Chaconne

[ ]*

* Harmonic trills on the third and fourth strings.Open G with the touch third on the fourth string;Touch fifth with the touch third on the third string.The trills are non-specific in rhythm, and therhythms on the two strings should not line up witheach other.

4

&

&

&

&

&

Fl.

B. Fl.

B. Cl.

Bb Tpt.

Vln.

~~~~~~~~~~

9

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Tr.

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Vib.

Ord.

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w

w!

˙

Ó

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%

˙

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p

n

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Ord.

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Ord.

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Vib.

Ord.

MSP Ord.

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&

&

&

&

Fl.

B. Fl.

B. Cl.

Bb Tpt.

Vln. ~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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w

w

13 .œ

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˙

‰

˙

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Ord.II

I

œ

Œ Œ ‰

J

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‰

œ œ .œ

j

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3:2œ

j

.˙

‰j

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˙

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˙

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.

œ

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˙

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Harm.

Tr.

n F

pF

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p

p F

F

Ord.

Br.

Br.Fl.

Didgeridoo

Harmon

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œ

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˙æ

j

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w

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o

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w

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j

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Tr.Br.

Br.

Slow Wide

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Wild

Vib.

5Edo Komoriuta

[ ]*1 A staggered vibrato coupled with a embouchure trill played in rhythmic tandem.

*2 Harmonic trills on the third and fourth strings. Open G drones; Touch fifth touch third, and the open D on the third string. The trills are non-specific in rhythm, and the rhythms on the two strings should not line up with each other.

*2

*1

&

&

&

&

&

Fl.

B. Fl.

B. Cl.

Bb Tpt.

Vln.

~~~~~~~~~

~~~~~~~~~~~~~~~~

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B. Cl.

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Vln. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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6 Edo Komoriuta

[ ]* Harmonic trills on the third and fourth strings.Open G with the touch third on the fourth string;Open D with the touch third on the third string.The trills are non-specific in rhythm, and therhythms on the two strings should not line up witheach other.

*

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~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~

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Slow Wide

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~~~~ ~ ~

7Edo Komoriuta

1"

[

[

]

]

2"

2"

2"

2"

2"

5"

5"

5"

5"

5"

3"

3"

3"

3"

3"

8"

8"

8"

8"

8"

*

*

+sung

+sung

* Rapidly gliss up and down the partials of the given overtone series.No strict or steady rhythm should be played, but the speed should be as fast as possible while making the partials sing.The fundamental pitch should also be sung by the performer in a

comfortable octave (preferably either C3/Db

3 or C

4/Db

4).

The technique should be maintained during the fermata.

*2

*2

*2

*2

*2 Move to a pitchless air sound during the fermatawhile maintaining the technique indicated.(By the end of the fermata, only the violin should besounding a pitch)

1"

1"

1"

1"

&

&

&

&

&

44

44

44

44

44

Flute

Bass Flute

Bass Clarinet

Trumpet in Bb

Violin

~~~

~~~~~~

!

wD

wD

Œ ‰ Jœ! ˙

w"

#

#

p

#

Senza Vib.

(thru mvt.)

Senza Vib.

(thru mvt.)

Senza Vib.

(thru mvt.)

Senza Vib.

(thru mvt.)

Senza Vib.

(thru mvt.)

Br.

Ord.(insert mute)

Moltissimo

ST

Br.

Ó ‰ $ jœ jœ ‰5:4œr

œ Œ Œ ‰ jœD

œ Œ Œ ‰ jœD

œ jœD œ .jœ ‰ ‰ JœD3:2œj

5:4œr

œ Œ Œ ‰ jœ"

P

%

%

F p

%

Br.

Br.

Harmon

MuteHarmon

Wah

Moltissimo

ST

Br.

Œ œ Œ œ

w

w

œ Œ œD Œ

w

P p

F

p

Timb.

Tr.

Br.

Ord. Air

.œD ‰ Ó

w

w

Œ ‰ jœ! ˙

w

p

F

Ord.

Ord.

&

&

&

&

&

Fl.

B. Fl.

B. Cl.

Bb Tpt.

Vln.

~~~~~~~~~~~~~~~~ ~~~

~~~~~~~~~~~~~~~~ ~~~~

5

Ó Œ ‰ Jœ@

w

w5

jœ œD æ œæ œæ jœ@ ‰3:2œj

5

w

F

#

p F

Fl.

Fl.

œæœ Jœ .œD

jœ ‰ Œ Œ ‰œD3:2œj

jœ

‰ Œ Œ ‰œD3:2œj

Œ œD Jœ .œ

jœ ‰ Œ Œ ‰œ"3:2œj

p F

# p

pp

p F

# p

Br.Timb.

Tr.

Br.

Br.

Ord.Harmon

Wah

ST

œ œ JœD ˙

jœ3:2œj

5:4œj

w

w

.œ ‰ Ó jœD5:4œj

w

P F

F

Very Br.

Timb.

Tr.

Harmon

Wah

jœ .œD .œæ ‰

.˙Jœ

Œ3:2œj

.˙j

œŒ3:2œj

jœ .œ Œ ‰ jœD @

.˙ jœŒ3:2œj

p F p

#

#

p p

#

Br. Fl.

Ord. Fl.

Moltissimo

ST

©2011

Mvt. III: Hocket

(untilnoted)

(w/trumpet)

(w/trumpet) (w/trumpet)

(w/trumpet)

(w/flute)(w/flute)

(w/flute) (w/flute)

(w/bass clarinetand violin thru mvt)

(w/bass flute and violin thru mvt)

(w/bass flute and bass clarinet thru mvt)

8

&

&

&

&

&

43

43

43

43

43

Fl.

B. Fl.

B. Cl.

Bb Tpt.

Vln.

~~~

~~~~~

9

!

Œ ˙D Œ

Œ .˙D

9

wæ

9

Œ rœ+ .˙"

P

P

P

Ord.

Ord.

Ord.

Œ ‰ JœD œ œ

Œ ‰ JœD ˙

Œ ‰ jœ ˙

.jœ@ jœ! jœ ‰ Ó5:4œr

Œ ‰ jœ#

˙

P p

p

p

p

F

Ord. Br.

Ord.

Ord.

Ord. Air

Ord.

Œ œ Œ ‰ jœ

˙ Jœ ‰ Œ

˙ jœ ‰ Œ

œD Œ .œD ‰

˙ jœ ‰ Œ

P P

n

n

n

F p

Timb.

Tr. Br.

Ord.Harmon

Wah

MSP

jœ Ó Ó5:4œj

ŒœD œ

œD

ŒœD œ

œ

‰ ˙D jœ œ! œ5:4œj3:2œj

Œœ"

œœ#

p $

p $

p $

F p

Br.

Br.

Br.Br.

Ord. Sans Mute(remove mute)

MST Ord.

&

&

&

&

&

43

43

43

43

43

Fl.

B. Fl.

B. Cl.

Bb Tpt.

Vln.

13

!

œ ˙D

œ ˙D

13 .œ ‰ Œ

13

œ ˙"

Br. Air

Br. Air

MSP

% n

% n

% n

9Edo Komoriuta

L.H. Pizz.

& 44Alto Flute.œ" Jœ œ œ-

!

Hushed, breathy, and songlike

œ Jœ", œ- œ" œ-

U3:2œj

‰ jœ œ- œ" .œ- Jœ" œ- œ" ˙-

& 425

œ Œ .œ- jœ-n !

œ œ-,

œ jœ œ jœ- œ" œ-U

‰ jœ- œ œ œ- ˙

& 429

˙n

Air

©2011

Berceuse

fine

10