EDGAR ALLAN POE “The Importance of the Single Effect in a Prose Tale”
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Transcript of EDGAR ALLAN POE “The Importance of the Single Effect in a Prose Tale”
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EDGAR ALLAN POE
“The Importance of the Single Effect in a Prose
Tale”
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CHARACTERISTICS OF THE SHORT STORY
30 minutes to 1 or 2 hours to
its reading
Must be able to be read at one
sitting
Must contain a unique or
single effect
Incidents in the story must be
created and organized to achieve
that single effect
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THE CASK OF AMONTILLADO
By Edgar Allan Poe
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SETTING
Dusk, carnival season
Narrator’s palazzo
Montresor catacombs (family burial vaults)
Damp, covered with mold, walls of piled
bones
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CHARACTER
Montresor: the narrator, cunning, vengeful, a
mason (bricklayer), psychotic, dressed in a dark
suit with a cape
Fortunato: the victim, a wine connoisseur,
dressed in a court jester’s outfit (motley), name
means “good fortune”
Luchesi: NOT A CHARACTER, just mentioned as
part of the bait to lure Fortunato into the trap
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CHARACTERIZATION
Narrator’s thoughts
Narrator’s actions
Narrator’s speech
Physical appearance
What another character says
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PLOT
Exposition• Introduces the characters• Describes the setting• Hints at the conflict (Point of Conflict)
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PLOT
Rising Action• Meets Fortunato • Lures him to his palazzo• Gets him to go down into the catacombs• Shackles Fortunato to the wall• Montresor builds a wall in front of Fortunato
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PLOT
Climax• “For the love of God, Montresor!”• “Yes,” I said, “for the love of God!”
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PLOT
Falling Action• Finished the wall• Replaced a skeleton
Denouement• “In pace requiescat!”• May he rest in peace!
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POINT OF VIEW
1st Person Narrator• Told through Montresor’s point of view• Only know what Montresor is thinking• Creates an unreliable narrator• Narrator presents himself as completely in
the right to do what he does• Until the climax, the reader could possibly by
sympathetic• Only until the end does the reader realize
what has happened
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THEME
How far does one go to get
even?
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IRONY
Technically these really don’t become ironic
until the reader realizes that Montresor has
buried Fortunato alive
Verbal• “. . . you are luckily met.” (468)• “. . . your health is precious.” (469)• “And I (drink) to your long life.” (469)• The last line of the story (rest in peace)
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IRONY
Situational • Fortunato is dressed in motley (court
jester)• The joke is on him.
• Montresor’s profession is that of a mason• Fortunato mistakenly thinks he is of
the Masonic Order• Fortunato’s name means “good fortune”
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IRONY
Dramatic• Montresor Coat of Arms• Gold foot crushing a serpent
whose fangs are imbedded in the heel
• Montressor Motto• No one wounds me without
being punished.
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THE FALL OF THE HOUSE OF USHER
E. A. Poe
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SETTING
Dreary tract of country
Evening, “melancholy House of Usher”
Establishes gloom
Mere house, simple landscape, bleak walls, vacant
eye-like windows, rank sedges, white trunks of decayed
trees
An utter depression of soul
An iciness, a sinking, a sickening of the heart
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SETTING
• “Minute fungi overspread the whole exterior, hanging in a fine tangled web work form the eaves. . .”• “. . . A barely perceptible fissure,
which, extending from the roof of the building in front, made its way down the wall in a zigzag direction until it became lost in the sullen waters of the tarn.”
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SETTING
Studio• Very large and lofty, long and narrow windows,
black oaken floor• Gleams of encrimsoned light through trellised
panes• Dark draperies• Comfortless furniture• Books and musical instruments lay scattered
about• An atmosphere of sorrow• Stern, deep, and irredeemable gloom
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CHARACTER
Roderick• Cadaverousness of complexion• Large, liquid eye• Lips somewhat thin and very pallid• Delicate Hebrew nose• Chin in want of prominence• Hair of a web-like softness and tenuity
(tenuous: delicate and fine) “fell about the face”
• Ghastly pallor of the skin
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Roderick (cont.)• Suffers from a condition that causes a
morbid acuteness of the senses• Extreme sensitivity• Could only eat certain food• Could only wear certain garments of
certain textures• Odors were oppressive• Light and sound sensitivity
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CHARACTER
Madeline• Roderick’s sister• Has a disease that causes
gradual wasting away• Has incidents of cataleptic
seizures
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CHARACTERIZATION
Character’s actions
Character’s thoughts
Physical appearance
Speech
Other character’s actions
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PLOT
Exposition: includes the narrator’s description
of the exterior of the house, of the studio, of
Roderick, and of Madeline; introduces an
internal conflict that the narrator is having
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PLOTRising Action: Narrator is greeted by Roderick; discussion
Roderick’s and Madeline’s afflictions; narrator attempts to
alleviate Roderick’s melancholy through painting, reading, and
conversing; Madeline “dies”; entombed her in the burial chambers
beneath the Usher mansion; Roderick becomes increasingly more
agitated; “Mad Trist” of Sir Launcelot evokes loud noises from
beneath the mansion; Madeline breaks from her tomb
Climax: doors to the room open; Madeline rushes at Roderick
Falling Action: Narrator flees the mansion; the mansion crumbles
being swallowed entirely by the tarn
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CONFLICT
Internal: narrator’s perceptions of the House of
Usher and his desire to help alleviate Roderick’s
depression and help him
Physical: Roderick’s struggle with his physical and
emotional maladies; Madeline’s struggle with her
affliction; Madeline’s struggle to escape from her
tomb
Psychological: Roderick’s inability to deal with reality
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POINT OF VIEW
Told through the first-person
narrator - his thoughts and
perceptions
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THEME
3 Possibilities• Simply supernatural• Workings of the human mind• Role of the Romantic artist
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THEME
Simply Supernatural• Suggests that the story was written primarily for entertainment purposes• A horrific story that fits into the Gothic Tales for which Poe was so famous
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THEMEWorkings of the Human Mind
• On the brink of insanity• Madeline (unconscious) and Roderick
(conscious) • When the conscious strives to deny the
existence of the unconscious, the human mind (the Usher mansion) must fall into destruction
• Symbolism involves the use of vivid description of the house as the exterior of the mind and body and of the studio which is the inside of the mind
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THEME
Role of the Romantic artist • Roderick is an artist (poetry, paintings, music)• The realm of creativity and the desire to achieve the ideal creative plane• Roderick leaves the real world behind in search for the sublime (beautiful, heavenly, of the highest moral or spiritual value)
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THEME
• No contact with the external world that might serve as the subject matter of his art
• Shut down his senses with no source for his art but his own subjectivity
• Metaphorically, he must “feed” upon himself
• The price the artist must pay for cutting himself off is annihilation