Eb HARLEM NOCTURNE - Sheets Daily

Concert Band

Eb Alto Saxophone Solo and Concert Band

"HARLEM NOCTURNE"

Music by Earle Hagen

Conductor Full Score

Earle Hagen ______________________________________

Earle Harry Hagen was born in Chicago, Illinois on July 9, 1919. As a boy he moved with his family to Los Angeles, California, where he learned to play the trombone in junior high school, and graduated from Hollywood High School. He left home to join traveling big bands, at age 16, and played with Tommy Dorsey, Benny Goodman and Ray Noble. While with Noble he wrote "Harlem Nocturne", on the road in 1939, as a tribute to Duke Ellington and Johnny Hodges. The piece was recorded by several artists, including Earl Bostic, The Viscounts, Sam Taylor, Herbie Fields, Randy Brooks, and The Lounge Lizards, and was later used as the theme to television's Mickey Spillane's Mike Hammer. In order to make extra money he began teaching trombone in the 1930s. He went to work for CBS in

1940, as a staff musician, but then enlisted in the military in 1941. Hagen was an orchestrator and arranger for motion picture studio 20th Century Fox in 1940s and early 1950s, and worked on films like Call Me Madam and Gentlemen Prefer Blondes. He began writing for television when he left Fox in 1952 with partner Herbert Spencer. Hagen met television show producer Sheldon Leonard when he scored the Danny Thomas series Make Room for Daddy. Hagen's most ambitious body of work, however, came from his work on I Spy, for which he won an Emmy in 1968. Sheldon Leonard, the producer and creator of I Spy, bucked the trend of using canned music for television shows and instead decided to create original soundtracks for every episode. Since every episode of I Spy was set in a different location, Hagen made liberal use of world music in his soundtracks which were mostly written and performed within the West coast jazz genre. (Hagen did not claim the West coast jazz affiliation for himself, instead inventing the term "semi-jazz", which he defined as a union of global themes with American jazz.) Other television theme songs that Hagen composed were the themes for The Dick Van Dyke Show, Gomer Pyle - USMC, That Girl (along with I Spy Thomas and Leonard productions), Eight Is Enough, and The Mod Squad. At the end of his life he continued teaching and wrote books on music arranging and scoring. Sometimes his only fee was a box of golf balls because of his passion for golfing. He wrote one of the first textbooks on scoring, Scoring for Films: A Complete Text, and Memoirs of a Famous Composer Nobody Ever Heard Of was his autobiography published in 2000. One of his students was fellow Emmy-winning composer and orchestrator Harvey Cohen. He was married for fifty-nine years to Elouise "Lou" Sidwell, a former big-band singer, until her death in 2002. He then married his second wife, Laura, in 2005. Hagen died of natural causes in Rancho Mirage on May 26, 2008.

NOTE TO CONDUCTOR

This new arrangement of Earle Hagen’s jazz standard, for Solo Eb Alto

Saxophone and Band, follows very closely the original recording arrangement by the composer which was made for the Ray Noble orchestra in 1940 and will be found to recreate the slow jazz style of that time for the Modern Concert Band. Only a minimum effort on the part of the players is required.

Depending on the size of the Band and the acoustical conditions under which

the performance is to take place (indoors; presence or electrical amplification for the soloist or not, etc) the conductor may find it advisable to reduce the number of Brasses, Clarinets, Basses, etc. during those portions of the music where the soloist is playing. An audible balance should be maintained throughout in order to insure the clarity of the solo line without strain or forcing.

The score has been thoroughly cued and cross cued to make the allowance for

any weak or missing instruments and, once again, the conductor should not hesitate to avail himself of these aids in securing proper balances where necessary.

The plungers called for as mutes for the Cornets (Trumpets) and Trombones

are the ordinary plumber’s plunger, without any holes. However, the articulations on the notes to be played with the plungers are still to be made very carefully by the brass players, especially where two notes, one “closed” and the other “open” come immediately after one another with no rest in-between; here the effect of “Doo-Wa”, as indicated in the parts the first time it appears, must be heard distinctly. Dots on the notes and accents, in addition, must all be carefully observed so that the effect will be crisp and rhythmical, as well as colorful.

If possible, the use of a Dance Set of Drums would be advisable, provided that

the band is not too large. The Bass, Snare and Cymbal parts can be played by one man as a single unit, as in a dance band. This will help insure a greater degree of rhythmic accuracy than trying to synchronize the individual performance of three different players.

Careful attention to dynamics, phrasing and accentuations will result in a highly

compelling performance of this great jazz classic by a Modern Concert Band.

Alfred Reed

ConductorFull Score Slow and smooth

HARLEM NOCTURNEEarle HagenEb Alto Saxophone Solo and Concert Band

Copyright © MCMXL and MCMLXVIII by Shapiro, Bernstein & Co. Inc. Ney York, N.Y .International Copyright Secured ALL RIGHTS RESERVED Including Public Performance for Profit. Made in U.S.A.

Solo Eb Alto Sax.

Piccolo/Flute 1, 2

Oboe 1, 2

Bassoon 1, 2

Eb Clarinet

Bb Clarinet 1

Bb Clarinet 2, 3

Eb Alto Clarinet

Bb Bass Clarinet

Bb ContrabassClarinet

Eb Alto Sax. 1, 2

Bb Tenor Sax.

Eb Baritone Sax.

Bb Trumpet 1, 2, 3

F Horn 1, 2

F Horn 3, 4

Trombone 1, 2, 3

Baritone T.C.

Tuba

String Bass

Timpani

MalletsXylophone, Bells

Percussion 1Sus. Cym., Triangle

Percussion 2Drum Kit

Cls, Sxs.

f

mf

ff

+Picc

mf

3

ff

mf

3

f

Trbs.

mp soli

mf

a2

3

ff

mf

3

f

mf

f

mf

3

f

mf

3

Trbs.

mf

f

mf

f

mf

3

mf

Str. Mute

sfz

(remove Str. Mute; prepare Plunger)

mp

All

soli

Bs. Cl.

f

Trbs.

mp soli

3

mf

pizz.

Xylo

sffz

Suspended Cymbal

f

(soft sticks)

p

let ring

p

Triangle

A

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

Solo

f

5

6

f

6

2nd

ff

5

f

p

Cls. 2, 3

pp

f

p

pp

mf

p

pp

mf

p

ff

5

6

f

6

pp

pp

Plunger + closed

o Open

(Doo-Wa)

p

p

mf

mfz

(stopped)

pp

mf

mfz

(stopped)

pp

Plunger

(Doo-Wa)

p

p

pp

1 Baritone only

mf

p

p

mf

p

p

mf

p

susp.cym

mp

p

Brushes on snare

(soft sticks)B.D.

mp pp

p

Earle Hagen - HARLEM NOCTURNEConductor2

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

3

pp

Unis

pp

pp

pp

pp

Bs. Cl.

p

pp

susp.cym

p

Earle Hagen - HARLEM NOCTURNE Conductor3

B

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

p

mf

Solo

mf

- Picc.

p

mf

3

3

3

3

Fls.

mf

p

1st only

mf

3

3

3

3

div.

mf

pp

Cls. 2, 3

pp

mf

p

pp

p

Alto Cl

p

p

p

ppz

mp

ppz

mp

p

pp

1 Baritone only

pp

pp

pp

p

ppp


Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

pp

3

p

mf

ten. mf

mf

3

3

3 3

3

p

mf

3 3

3

pp

mf

Flts., Ob.

mf

3 3

3

Unis

pp div.

mf

pp

mf

pp

pp

Alto Cl.

pp

Bs. Cl.

mpz

(stopped)

mpz

p

pp

p

susp.cym

p

p

ppp

Rim Shots


C

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

W.W.

Sxs.

Solo

mp

pp

a2

ff

soli

+ Picc. 8vb

a2

ff

soli

ff

soli

pp ff

soli

pp ff

soli

Unis

pp ff

soli

p

ff

f

f

f

p

a2

ff

p

ff

soli

f

f

open

ff

f

3 3

pp

a2

f

open

ff

f

mp

a2

f

open

ff

f

openf

All

f ff

f

3 3

ff

All

ff

ff

p

(hard felt sticks)

f

sec.

3 3

sticks

f

3 3


D

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

- Picc.

p

+ Picc. 8vb

ff

ten.

All

a2

p

ff

ten.

Baritone Sax.

ff

p

ff

ten.

Alto Sax.

p

ff

ten.

Alto, Ten Sax.

p

ff

ten.

Baritone Sax.

ff

ten.

Baritone Sax. ff

mf

1st only

p smoothly

p

ff

a2

ten.

p smoothly

p

ff

ten.

p smoothly

ff

f

ff

soli

All

ff

3 3

p

f

p f

a2

f

ff

soli

All ff

3

3

Baritone Sax.

ff soli

f

f

f

p

Brushes on Cym.

mf

f

f

3 3 3 3 33 3


Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

W.W.

mf

Solo

mf

p

p

p very smoothly

p

p

very smoothly

p

very smoothly

3

3

p

very smoothly

p

very smoothly

mf

pp

mp

p

very smoothly

sfz

pp

p

very smoothly

Bssn.

very smoothly

mf

pp

p

sfz

pp

sfz

pp

p

(Pedal tone)

p

Bssn.

very smoothly

mp

(Trbs. Pedal tone)

mf

(pizz.)

mp

(let ring)

XyloBells

mf

soli

p

p


E

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

3

mf

- Picc.Solo

p

mf

p

mf

p

ten.3

3

3

3

3

3

Fls.

mf

p

1st only

mf

p

3

3

3

3

Cls. 2, 3

pp

Unis

pp

pp

pp

plunger

plunger

pp

1 Baritone only

p

p

p

pp p


F

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

pp

W.W.

Sxs.

mf

mf

pp

f

+ Picc.

sempre

3 3

3

mf

f

sempre

3 3

3

pp

mf

f

Fls. Obs

mf

mf

pp

f

sempre

3 3 3

div.

mf

pp

f

sempre

mf

pp

f

sempre

mf

pp

f

sempre

pp

mf

f

pp

mf

f

Alto Cl.

mf

pp

f

a2

sempre

mf

pp mf

f

sempre

pp

Bs. Cl.

mf

f

snore

open

mf f

soli

mpz

mf

open

f

mpz

mf

open

f

open

mf f

soli

pp open

mf

f

solo

pp mf

ff

pp

ff

p

pp

ff

(hard soft sticks)

susp.cym

p

p

ppp

f


Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

f

ff

mp

3

f

ff

soli

mp

Picc. only.

soli

3

f

mp soli

3

ff

3

f

ff

soli

mp

3

f

ff

mp

3

f

ff

mp

3

f

ff

mp

3

mp

a2

f

ff

mp

Cls. 2, 3

3

f

ff

Bs. Cl.

mp

3

3 3

ff

sffz

ff

sffz

ff

3 3

f

ff

f

3 3

f

ff

f

3 3

ff

sffz

ff

sffz

ff

3 3

ff

3

sec. 3 3

Rim Shots

mp

Brushes on Cymb.

3 3


G

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

Solo

mp

3 3 3 3 3 3 5

mp

pp

p

a2

2nd div.

p

a2

p

p

mp

mp

Bassn

Bs. Cl.

mp

mp

p


Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

ff

Soli with W.W.

mp

mf

Solo

3 3

- Picc.

p

pp

Fls.

p

pp

Soli Alto Sax.

mp

div. mp

pp

mp soli

3

3

mp soli

mp soli

mf

pp

mp

mpz

Hrns.

pp

mp soli

pp

Bs. Cl.

mp soli

pp

mf

pp

mpz

pp

mpz

pp

mf

(pedal tone)

Bs. Cl.

mp soli

mf

Trb Pedal tone)

mf

(pizz.)

mp

(soft felt sticks)

(let ring)

Susp. Cymb (soft stick)

p

(let ring)


H

Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

3

mf

soli

p

mf

p

ten.3

3

3

3

mf

soli

p

3

3

Cls. 2, 3

pp

Unis

pp

pp

p

p

pp

1 Baritone only

p

p

p

pp Brushes on Snare Drum

p


Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

mf

a2

pp

mf

p

mf

3

3

3

3

3

3

mf

pp

mf

p

mf

3

3

3

3

3

3

pp

sempre

pp

sempre

pp

pp

sempre

pp

pp

sempre

pp

sempre

pp

pp

p

susp.cym

p


Eb Solo A. Sax.

Picc./Fl. 1, 2

Ob. 1, 2

Bsn. 1,2

Eb Cl.

Bb Cl. 1

Bb Cl. 2, 3

Eb Alto Cl.

Bb B. Cl.

Cb. Cl.

Eb A. Sax. 1, 2

Bb T. Sax.

Eb B. Sax.

Bb Tpt. 1, 2, 3

F Hn. 2,3

F Hn. 3,4

Tbn. 1, 2, 3

Bart. T.C.

Tba.

S. Bass

Timp.

Mallet.

Perc. 1

Perc. 2

p

mf

pp

3

3

p

mf

pp

3

3

p

div.

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

(Plunger fully closed)

mf soli

p

mf

p

mf

mp soli

p

Alldiv.

mf

p

mf

mf

mp

(let tone ring)

mf

Brushes on Cymb.


Slow and smooth

Solo Eb Alto Saxophone

Copyright © MCMXL and MCMLXVIII by Shapiro, Bernstein & Co. Inc. New York, N.Y .International Copyright Secured ALL RIGHTS RESERVED Including Public Performance for Profit. Made in U.S.A.

Earle HagenHARLEM NOCTURNEEb Alto Saxophone Solo and Concert Band

Cls, Sxs.

f

mf

A

Solo

mf

3

B

p

mf

3

C

pp

W.W.Sxs.

Solo

mp

D

W.W.

mf

Solo

mf

E

pp

3

F

W.W.

Sxs.

f

3

ff

mp

Solo

mp

G

3 3 3 3 3 3

ff

5 3 3

Soli with W.W.

mp

mf

Solo

H

3

Solo Eb Alto Saxophone

HARLEM NOCTURNE - Earle Hagen

2

Slow and smooth

PiccoloEarle Hagen

HARLEM NOCTURNEEb Alto Saxophone Solo and Concert Band

ff

mf

3

pp

5

A B

Change to Flute

Flute

mf

Solo

p

mf

3

3

3

3

p

mf

p

ten. mf

3

3

3

3

C

ten.

Change to Piccolo

Piccolo

ff

3

D

ff

ten.


E

p

Change to Flute

Flute

mf

Solo

p

3

3

mf

p

mf

p

ten.3

3

3

3

mf

ten.

Change to Piccolo3

3 3

F

f sempre

Piccolo

f

ff

soli

mp soli

3

G

Change to Flute

H

Flute

p

mf

soli

3

3

p

mf

p

ten. mf

3

3

3

3

pp

mf

p

mf

3

3

3

3

p

mf

pp

3

3

Piccolo


2

Slow and smooth

Flute 1Earle Hagen


ff

mf

3

f

pp

5

A B

mf

Soli

p

mf

3

3

3

3

p

mf

p

ten. mf

3

3

3

3

C

mf

pp ff

soli

3

D

p

ff

ten.

Copyright © MCMXL and MCMLXVIII by Shapiro, Bernstein & Co. Inc. New York, N.Y.International Copyright Secured ALL RIGHTS RESERVED Including Public Performance for Profit. Made in U.S.A.

p

E

mf

Soli

p

mf

3

3

3

3

p

mf

p

ten. mp

3

3

3

3

F

mf

pp

f

sempre

3

f

ff

soli

3

G

Picc.

mp soli

H

p

pp

mf

soli

p

mf

p

ten.3

3

3

3

mf

pp

mf

p

mf

3

3

3

3

3

3

p

mf

pp

3

3

Flute 1


2

Slow and smooth

Flute 2Earle Hagen


ff

mf

3

f

6

A B

mf

Soli

3

3

p

mf

p

mf

3

3

3

3

p

ten. mf

mf

3 3

3

C

pp ff

soli

D

p

ff

ten.


E

p

mf

Solo

p

3

3

mf

p

mf

p

ten.3

3

3

3

mf

mf

pp

3 3

3

F

f

sempre

f

ff

soli

3

G H

p

pp

mf

soli

3

3

p

mf

p

ten. mf

3

3

3

3

pp

mf

p

mf

3

3

3

3

p

mf

pp

3

3

Flute 2


2

Slow and smooth

Oboe 1, 2Earle Hagen


ff

mf

3

f

6

A B

Fls.

mf

p

33

mf

1st only

p

mf

3

3

3 3

C

ff

a2

soli

3

D

p

a2

ff

ten.


E

p

Fls.

mf

p

33

1st only

mf

p

mf

3

3

3 3

F

f

sempre

3

f

ff

mp

3

G

soli

H

Fls.

p

pp

mf

soli

3

3

p

mf

pp

3

3

mf

p

mf

p

3

3

3

3

mf

pp

3

3

Oboe 1, 2


2

Slow and smooth

Bassoon 1, 2Earle Hagen


f

a2 Trbs.

mp soli

3

mf

a2

2nd

A

pp

B

pp

ff

a2

soli

C

Baritone Sax.


D

ff

p very smoothly

E

pp

F

mf

f

ff

mp

3

G

H

pp

p

div.

mf

Bassoon 1, 2


2

Slow and smooth

Eb ClarinetEarle Hagen


ff

mf

3

ff

5

A B

Flts., Obs.

mf

mf

pp ff

soli

3 3

3

C


D

p

ff

ten.

p

E

Fls. Obs

mf

mf

3 3 3

F

pp

f

sempre

f

3

ff soli

mp

G

Solo Alto Sax.

mp

H

Eb Clarinet


2

Earle HagenSlow and smooth

Bb Clarinet 1 HARLEM NOCTURNEEb Alto Saxophone Solo and Concert Band

f

mf

f

div.

A

p

pp

Cls. 2, 3

Unis

pp

div.

mf

B

pp

pp

Cls. 2, 3

Unis

pp

div.

mf

pp ff

soli

Unis

C

div.

Unis

Alto Sax.

p

D


ff

ten.

p

very smoothly

E

pp

Cls. 2, 3

Unis

pp

mf

div.

F

pp

f

sempre

f

ff

mp

3

G

pp

p

div. mp

H

pp

pp

Cls. 2, 3

Unis

pp

sempre

pp

p

mf

Bb Clarinet 1


2

Slow and smooth

Bb Clarinet 2Earle Hagen


f

mf

f

A

p

pp

mf

B

p

pp

pp

mf

pp ff

soli

C

div

Tenor Sax.

p

D


ff

ten.

p

very smoothly

E

pp

3

mf

pp

F

f

sempre

f

3

ff

mp

G

p

div.

a2

pp

3

H

pp

sempre

pp

p

mf

Bb Clarinet 2


2

Slow and smooth

Bb Clarinet 3Earle Hagen


f

mf

3

f

A

pp

mf

p

B

pp

pp

C

mf

p ff

soli

div,

Unis

D

p

ff

ten.


p

very smoothly

3

E

pp

mf

pp

F

f

sempre

f

ff

mp

3

G

p

mp soli

3

H

pp

pp

sempre

pp

p

mf

Bb Clarinet 3


2

Slow and smooth

Soprano Saxophone(á déf. Oboe) Earle Hagen


ff

mf

3

f

6

A B

Fls.

mf

p

33

mf

p

mf

3

3

3

3

C

ff

soli

3

D

p

ff

ten.


E

p

Fls.

mf

p

33

mf

p

mf

3

3

3

3

F

f

sempre

3

f

ff

mp

3

G

soli

H

Fls.

p

pp

mf

soli

3

3

p

mf

pp

3

3

mf

p

mf

p

3

3

3

3

mf

pp

3

3

Soprano Saxophone


2

Slow and smooth

Eb Alto Clarinet in Eb



f

mf

3

A

mf

p

mf

B

p

C

p

ff

D

Baritone Sax.

ff

ten.

p

very smoothly

E

mf

F

pp

f

sempre

f

ff

3

mp

G

p

mp soli

H

pp

sempre

pp

p

mf

Eb Alto Clarinet in Eb


2

Slow and smooth

Bb Bass ClarinetEarle Hagen


Trbs.

f

mf

pp

A B

pp

C

pp

f

f

Baritone Sax.

D

ff


p

very smoothly

E

mf

pp

F

pp

mf

f

mp

G

p

mp soli

H

mf

pp

pp

sempre

pp

p

mf

Bb Bass Clarinetin Bb


2

Slow and smooth

Bb Contrabass Clarinet

Eb Alto Saxophone Solo and Concert Band Earle HagenHARLEM NOCTURNE

mf

p

A B

pp

C

pp

f

mf

D

E

mp

pp

F

mf

f

G

mp

H

mp

sempre

pp


p

mf

Slow and smooth

Eb Alto Saxophone 1


f

mf

f

5

A

Alto Cl

B

p

Alto Cl.

p

f

C

p smoothly

p

D


ten.

p

Cls. 2

very smoothly

Hrns.

pp

E

Alto Cl.

mf

pp

F

f

sempre

f

ff

Cls. 2

mp

3

G

Hrns.

pp

H

p

mf

Eb Alto Saxophone 1


2

Slow and smooth

Eb Alto Saxophone 2Earle Hagen


f

mf

6

A

Alto Cl

B

p

Alto Cl.

p

f

C

D


ten.

p

Cls. 2,3

very smoothly

Hrns.

pp

E

Alto Cl.

mf

pp

F

f

sempre

f

ff

Cls. 3

mp

3

G

Hrns.

pp

H

p

mf

Eb Alto Saxophone 2


2

Slow and smooth

Bb Tenor SaxophoneEarle Hagen


f

mf

3

f

6

A

mp

B

p

mp

p

ff

C

D

p smoothly

p

ff

ten.


p

very smoothly

E

F

mf

pp mf

f

sempre

f

3

ff

mp

Bs. Cl.

G

mp

soli

pp

H

p

mf

Bb Tenor Saxophone


2

Slow and smooth

Eb Baritone Saxophone

Earle Hagen


mf

pp

A B

pp

Bs. Cl.

C

pp

Bs. Cl.

f

f

p smoothly

D

ff

Bssn.

very smoothly

E

mf

pp

pp

Bs. Cl.

mf

Soli

F

f

sempre

3

3

G

Bs. Cl.

mp

H


pp

mf

pp

p

mf

Slow and smooth

F Horn 1

Earle Hagen


mf

mfz

(stopped)

A B

pp

ppz

mp

C

mpz

(stopped)

pp

ff

f

D

f

E

sfz

pp

mpz

F

mf

open

f

f

ff

f

3 3

G

Bassn

H


mpz

pp

p

mf

Slow and smooth

F Horn 2


Earle Hagen


mf

mfz

(stopped)

A B

pp

ppz

mp

C

mpz

(stopped)

pp

open

f

ff

f

D

f

E

sfz

pp

mpz

F

mf

open

f

f

ff

f

3 3

G

Bassn

H

mpz

pp

p

mf

Slow and smooth

F Horn 3

Earle Hagen


mf

A

mfz

(stopped)

pp

ppz

mp

B C

ppz

mp f

open

ff

f

D

p

f

E

sfz

pp

F

mpz

mf

open

f

f

ff

f

3 3

G


H

mpz

pp

p

mf

Slow and smooth

F Horn 4

Earle Hagen


mf

A

mfz

(stopped)

pp

ppz

mp

B C

mpz

mp

open

f

ff

f

D

p

f

E

sfz

pp

F

mpz

mf

open

f

f

ff

f

3 3

G H


mpz

pp

p

mf

Slow and smooth

Bb Trumpet 1

Earle Hagen


Str. Mute

sfz


Plunger

mf

+ closedo Open

(Doo-Wa)

A

p

p

B

p

C

f

open

ff

f

3

3

D


f

ff

soli

3

3

ff

p

E

plunger

p

F

open

mf f

soli

ff

sffz

ff

sffz

ff

3 3

G H

p


mf soli

Bb Trumpet 1


2

Slow and smooth

Bb Trumpet 2

Earle Hagen


sfz

Str. Mute


Plunger

mf

+ closedo Open

(Doo-Wa)

A

p

p

B

p

C

f

open

ff

f

3

3

D


f

ff

soli

3 3

ff

p

E

plunger

p

open

mf

F

f soli

ff

sffz

ff

sffz

ff

3 3

G H

p


mf soli

Bb Trumpet 2


2

Slow and smooth

Bb Trumpet 3Earle Hagen


sfz

Str. Mute

(remove Str. Mute; prepare Plunger) Plunger

mf

+ closedo Open

(Doo-Wa)

A

p

p

B

p

C

f

open

ff

f

3 3


D

f

ff

soli

3 3

ff

p

E

plunger

p

open

mf

F

f soli

ff

3 3

G H

sffz

ff

sffz

ff

Plunger

p


mf soli

Bb Trumpet 3


2

Slow and smooth

Trombone 1Earle Hagen


mp soli

Plunger

mf

(Doo-Wa)

p

A

p

B

p

C

open

f

f ff

f

3 3

D


f

ff

soli

3

3

ff

p

E

(Pedal tone)

plunger

p

F open

mf f

soli

ff

sffz

ff

sffz

ff

3 3

G H

(pedal tone)

mf

p

mp soli

Trombone 1


2

Slow and smooth



mp soli

Plunger

mf

(Doo-Wa)

p

A

p

B

p

C

open

f

f

f ff

f

3 3

D


f

ff

soli

3

3

ff

p

E

(Pedal tone)

plunger

p

F open

mf f soli

ff

sffz

ff

3 3

G H

sffz

ff

p

mp soli

Trombone 2


2

Slow and smooth



mp soli

Plunger

mf

(Doo-Wa)

p

A

p

B

p

open

f

C

f

f ff

3 3

f

f

3

3

D


ff soli

p

E

(Pedal tone)

mp

plunger

p

F

open

mf f

soli

ff

3 3

G

sffz

ff

sffz

ff

H

p

mp soli

Trombone 3


2

Slow and smooth

Baritone T.C.Earle Hagen


Bs. Cl.

f

Trbs.

mp

3

A

pp

1 Baritone only

p

pp

B

pp

1 Baritone only

p

pp

C

ff

All Baritones

D

Baritone Sax.

ff soli


p

Bssn.

E

mp

pp

1 Baritone only

p

pp

openmf

(All Baritones)

F

f solo

ff

3

G

Bs. Cl.

Bs. Cl.

mp soli

H

mp

pp

1 Baritone only

p

pp

p

All Baritonesdiv.

mf

Baritone T.C.


2

Slow and smooth

Baritone B.C.Earle Hagen


Bs. Cl.

f

Trbs.

mp

3

A

pp

1 Baritone only

p

pp

B

pp

1 Baritone only

p

pp

C

ff

All Baritones

D

Baritone Sax.

ff soli


p

Bssn.

very smoothly

E

mp

pp

1 Baritone only

p

pp

openmf

(All Baritones)

F

f solo

ff

3

G

Bs. Cl.

Bs. Cl.

mp soli

H

mp

pp

1 Baritone only

p

pp

p

All Baritonesdiv.

mf

Baritone B.C.


2

Slow and smooth

Basses (Tubas)

Earle Hagen


mf

A

p

p

B

pp

C

pp

f

f

D


E

(Trbs. Pedal tone)

p

pp mf

F

ff

G

mp

H (Trb Pedal tone)

mf

p

p

mf

Basses (Tubas)


2

Slow and smooth

String Bass

Earle Hagen


mf

pizz.

p

A

p

pp

B

C

ff

D

f


mf

(pizz.)

E

p

F

pp

ff

G

mp

(pizz.)

mf

H

p

mf

String Bass


2

Slow and smooth

Percussion 1(Suspended Cymbal, Triangle)


Sus. Cym

f

(soft sticks) p

let ring

Triangle

p

A

susp.cym

mp

p

B

susp.cym

p

p

susp.cym

p

p

C D E

F

susp.cym

p

p

G H

p

Susp. Cymb (soft sticks)(let ring)

susp.cym

p


Slow and smooth

Percussion 2(Drum Kit)


Earle Hagen


mp

B.D.

(soft sticks)

Brushes on snare

A

pp

p (4)

(6)

B

(9)

ppp

(4)

(8)

C

ppp

Rim Shots

sticks

f

3 3

D

p

Brushes on Cym.

mf

f

3 3 3

f

3 3 3 3

p

p

E

pp

p (4)

(6)

F

(9)

ppp

f

Rim Shots

3 3

G

mp

Brushes on Cymb.

p

(3)

p

(5)

H

pp

Brushes on Snare Drump

(4)

(8)

(10)

(13)

Brushes on Cymb.

Percussion 2 2

Slow and smooth

Mallets(Xylophone, Bells) Eb Alto Saxophone Solo and Concert Band Earle Hagen

HARLEM NOCTURNE

Xylo

sffz

A B

C D

Xylo

Bellsmf

soli

E F G

H


mf

Slow and smooth

Timpani

Earle Hagen


mf

p

A B

pp

C

p

p

(hard felt sticks)

f

3 3

D

sec.

f

mp

(let ring)

E F

p

pp

ff

(hard soft sticks)

sec. 3 3

G H

(soft felt sticks)

mp

(let ring)

p


mp

Eb HARLEM NOCTURNE - Sheets Daily

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Transcript of Eb HARLEM NOCTURNE - Sheets Daily