Ear Training Manual For Musicians - Archive
Transcript of Ear Training Manual For Musicians - Archive
![Page 1: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/1.jpg)
DISTRIBUTION STATEMENT A: Approved for public release; distribution is unlimited.
SPECIAL PUBLICATION
February 1986
Ear Training Manual For Musicians
NAVEDTRA 10243
![Page 2: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/2.jpg)
DISTRIBUTION STATEMENT A: Approved for public release; distribution is unlimited.
ACKNOWLEDGEMENT
The contents of this Special Publication were furnished by the courtesy of the United States Army.
![Page 3: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/3.jpg)
i
PREFACE Special Publications (SPs) are manuals or catalogs that provide information of general benefit and career development. SPs have no associated assignments or tests. The Ear Training Manual for Musicians provides a basic reference on rhythm, pitch, and melody. This SP is available ONLY in electronic Portable Document Format from the following web site: http://www.advancement.cnet.navy.mil Refer questions about this SP to: COMMANDING OFFICER SCHOOL OF MUSIC ATTN TRAINING OFFICER 1420 GATOR BLVD NORFOLK VA 23521-2617 DSN: 253-7509 COMM: 757-462-7509 FAX: DSN 253-4836/COMM (757) 462-4836
Provided by NAVAL EDUCATION AND TRAINING
PROFESSIONAL DEVELOPMENT AND TECHNOLOGY CENTER
![Page 4: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/4.jpg)
ii
Sailor’s Creed
“I am a United States Sailor. I will support and defend the Constitution of the United States of America and I will obey the orders of those appointed over me. I represent the fighting spirit of the Navy and those who have gone before me to defend freedom and democracy around the world. I proudly serve my country’s Navy combat team with honor, courage and commitment. I am committed to excellence and the fair treatment of all.”
![Page 5: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/5.jpg)
EAR TRAINING
CONTENTS
Page
CHAPTER 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-1Section I: The Divided Beat in Simple Time.Sect ion I I : The Major Triad in Numeral Notation.
CHAPTER 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-1Section I: The Divided Beat in Compound Time.Sect ion I I : The Major Triad in Staff Notation.
CHAPTER 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-1Section I: The Subdivided Beat in Simple Time.Section IIA: The Minor Triad in Numeral Notation.Section IIB: The Minor Triad in Staff Notation.
CHAPTER 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-1Section I: The Subdivided Beat in Compound Time.Sect ion I I : Major and Minor Scale Activities.
CHAPTER 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-1Sect ion I : Syncopation Involving Beat and Divided Beat in
Simple and Compound Times.Sect ion I I : Intervals and Triads.
ET i
![Page 6: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/6.jpg)
CHAPTER 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1Diatonic Major and Minor Melodies in Simple and Compound Timeswith Divided Beat and Leaps of Thirds in Tonic Triad.
CHAPTER 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-1Diatonic Major and Minor Melodies in Simple and Compound Timeswith Subdivided Beat and Leaps of Thirds and Fourths.
CHAPTER 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-1Diatonic Major and Minor Melodies in Simple and Compound Timeswith Syncopation and Leaps of Thirds, Fourths, Fifths, Sixths,and Octaves.
CHAPTER 9 .. . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1Non Diatonic Melodies in Simple and Compound Times with DividedBeat, Subdivided Beat, and Syncopation. Melodies Contain Leapsof Thirds, Fourths, Fifths, Sixths, and Octaves.
APPENDIX A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1Time Beating Patterns
APPENDIX B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . B-1Counting System
APPENDIX C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-1Performance Procedures
APPENDIX D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-1Performance Guidelines
ET ii
![Page 7: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/7.jpg)
CHAPTER ONE
Section IPART I
PART II
ET 1-1
![Page 8: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/8.jpg)
P A R T I I I
J
ET 1-2
![Page 9: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/9.jpg)
ET 1-3
![Page 10: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/10.jpg)
ET 1-4
![Page 11: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/11.jpg)
Section II
LIST I
LIST II
LIST III
ET 1-5
![Page 12: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/12.jpg)
LIST IV
LIST V
ET 1-6
![Page 13: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/13.jpg)
LIST VI
ET 1-7
![Page 14: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/14.jpg)
ET 1-8
![Page 15: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/15.jpg)
ET 1-9
![Page 16: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/16.jpg)
![Page 17: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/17.jpg)
CHAPTER TWO
Section I
P A R T I
ET 2-1
![Page 18: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/18.jpg)
PART II
ET 2-2
![Page 19: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/19.jpg)
P A R T I I I
ET 2-3
![Page 20: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/20.jpg)
Section IIPART I
ET 2-4
![Page 21: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/21.jpg)
PART II
ET 2-5
![Page 22: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/22.jpg)
PART II I
PART IV
ET 2-6
![Page 23: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/23.jpg)
PART V
ET 2-7
![Page 24: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/24.jpg)
ET 2-8
![Page 25: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/25.jpg)
CHAPTER THREE
Section IPART I
ET 3-1
![Page 26: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/26.jpg)
PART II
ET 3-2
![Page 27: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/27.jpg)
PA
RT
III
ET
3-3
![Page 28: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/28.jpg)
ET
3-4
![Page 29: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/29.jpg)
Section IIL I S T I
L I S T I I
ET 3-5
![Page 30: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/30.jpg)
L I S T I I I
PART I
ET 3-6
![Page 31: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/31.jpg)
PART II
ET 3-7
![Page 32: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/32.jpg)
ET 3-8
![Page 33: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/33.jpg)
C H A P T E R F O U R
S e c t i o n I
P A R T I
ET 4-1
![Page 34: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/34.jpg)
ET 4-2
![Page 35: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/35.jpg)
PART II
ET 4-3
![Page 36: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/36.jpg)
PA
RT
III
ET
4-4
![Page 37: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/37.jpg)
Section II
A. Major LIST I
ET 4-5
![Page 38: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/38.jpg)
L I S T I I
L I S T I I I
ET 4-6
![Page 39: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/39.jpg)
L I S T I V
LIST V
PART I
ET 4-7
![Page 40: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/40.jpg)
ET 4-8
![Page 41: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/41.jpg)
PART II
ET 4-9
![Page 42: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/42.jpg)
B. Minor
L I S T I
L I S T I I
L I S T I I I
ET 4-10
![Page 43: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/43.jpg)
ET 4-11
![Page 44: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/44.jpg)
ET 4-12
![Page 45: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/45.jpg)
CHAPTER FIVE
Section I
PART IA
ET 5-1
![Page 46: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/46.jpg)
PART IB
PART IIA
ET 5-2
![Page 47: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/47.jpg)
P A R T I I B
ET 5-3
![Page 48: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/48.jpg)
PART II IA
ET 5-4
![Page 49: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/49.jpg)
ET
5-5
![Page 50: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/50.jpg)
ET
5
-6
![Page 51: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/51.jpg)
PA
RT
IIIB
ET
5-7
![Page 52: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/52.jpg)
Section II
SING AND RECOGNIZE SIMPLE INTERVALS INCLUDING:
PERFECT INTERVALS
P4 P5 P8
MAJOR INTERVALS
Maj2 Maj3 Maj6 Maj7
MINOR INTERVALS
min2 min3 min6 min7
TRITONE (Aug 4 or dim 5)
TT
SING AND RECOGNIZE ROOT POSITION TRIADS INCLUDING:
ET 5-8
![Page 53: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/53.jpg)
CHAPTER SIX
ET 6 -1
![Page 54: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/54.jpg)
ET 6-2
![Page 55: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/55.jpg)
ET 6-3
![Page 56: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/56.jpg)
ET 6-4
![Page 57: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/57.jpg)
ET 6-5
![Page 58: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/58.jpg)
ET 6-6
![Page 59: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/59.jpg)
ET 6-7
![Page 60: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/60.jpg)
ET 6-8
![Page 61: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/61.jpg)
ET 6-9
![Page 62: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/62.jpg)
![Page 63: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/63.jpg)
CHAPTER SEVEN
ET 7-1
![Page 64: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/64.jpg)
ET 7-2
![Page 65: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/65.jpg)
ET 7-3
![Page 66: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/66.jpg)
ET 7-4
![Page 67: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/67.jpg)
ET 7-5
![Page 68: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/68.jpg)
ET 7-6
![Page 69: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/69.jpg)
ET 7-7
![Page 70: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/70.jpg)
ET 7-8
![Page 71: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/71.jpg)
CHAPTER EIGHT
ET 8-1
![Page 72: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/72.jpg)
ET 8-2
![Page 73: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/73.jpg)
ET 8-3
![Page 74: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/74.jpg)
ET 8-4
![Page 75: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/75.jpg)
ET 8-5
![Page 76: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/76.jpg)
ET 8-6
![Page 77: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/77.jpg)
CHAPTER NINE
ET 9-1
![Page 78: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/78.jpg)
ET 9-2
![Page 79: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/79.jpg)
ET 9-3
![Page 80: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/80.jpg)
ET 9-4
![Page 81: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/81.jpg)
ET 9-5
![Page 82: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/82.jpg)
ET 9-6
![Page 83: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/83.jpg)
ET 9-7
![Page 84: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/84.jpg)
![Page 85: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/85.jpg)
APPENDIX A
TIME BEATING PATTERNS
The following time beating patterns are used in conjunction with ear train-
ing . The following patterns are for the performer’s right hand.
Figure A.1: Beat patterns
Sub-division may be util ized in slow tempi to clarify and control the per-
formance of music. To sub-divide, the conductor adds to each PRINCIPAL beat,
smaller beats moving in the same direction as the main gesture.
ETA -1
![Page 86: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/86.jpg)
![Page 87: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/87.jpg)
APPENDIX B
COUNTING SYSTEM
SIMPLE TIME
Always say a number for the beat whether or not it requires an attack.
Figure B.1: The Beat in Simple Time.
Say “&" (and) on the second half of any beat that has been divided.
Figure B.2: The Divided Beat in Simple Time.
ETB -1
![Page 88: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/88.jpg)
Say “Ta" on any portion of the subdivided beat that is not the beat
(number) or divided beat (and).
Figure B.3: The Subdivided Beat in Simple Time.
COMPOUND TIME
Always say a number for the beat whether or not it requires an attack.
Figure B.4: The Beat in Compound Time
ETB -2
![Page 89: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/89.jpg)
Say “&” (and) on the second third of the beat when that division is
present and “a” (uh) on the last third of the beat when that division is
present.
Figure B.5: The Divided Beat in Compound Time
Say "Ta” on any portion of the subdivided beat that is not the beat
(number) or divided beat (and or a).
Figure B.6: The Subdivided Beat in Compound Time.
ETB -3
![Page 90: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/90.jpg)
![Page 91: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/91.jpg)
APPENDIX C
PERFORMANCE PROCEDURES
RHYTHM PERFORMANCE
Count/Clap Identify the metrical stress and unit of beat.Using the counting system (App. B), perform theexerc ise indicat ing at tacks by c lapping . Countingsyllables (numbers, &, a, or ta) must be audible.
Conduct/Intone Identify the metrical stress and unit of beat.Using the appropriate time beating pattern (App. A),perform the exercise by intoning the rhythm on an e u t r a l s y l l a b l e ( t a ) . The time beating patternmust continue throughout the exercise.
PITCH PERFORMANCE
Number Lists
Notation
Scales
Establish the tonic triad in D Major or minor, asappl i cab le . Perform the list horizontally in DMajor or D minor with one count per number and acount of si lence at the end of each l ine. The tempomust remain constant throughout the list. Scaledegree numbers must be used as syllables for singing.
Identify the clef and key. Establish the tonictriad in the key of D Major or minor, as applicable.Sing in D Major or D minor, regardless of the notatedkey. Perform the exercise with one count per noteand a count of si lence at the bar l ine. The tempomust remain constant throughout the exercise. Scaledegree numbers must be used as syllables for singing.
Using D as a tonic, perform scales with one count pernumber and a count of silence at the end of eachs c a l e . The tempo must remain constant throughout thes c a l e s . Scale degree numbers must be used as sylla-b les for s ing ing .
ETC -1
![Page 92: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/92.jpg)
Intervals
Triads
Triads inInversion
4-note Chords
Sing the given pitch. Sing the pitch a giveninterval above or below as specif ied.
Using D as the root, perform triads with one countper number and a count of silence at the end ofeach tr iad . The tempo must remain constantthroughout the triads. Scale degree numbers mustbe used as syllables for singing.
Sing the given pitch. Sing major and minor triadswith the given pitch as the root, third, and fiftho f the t r iad . The tempo must remain constant whilesinging the triad, but a pause may occur betweent r i a d s . Scale degree numbers must be used assy l lab les for s ing ing . Any pitch order may be usedin the triads as long as syllables and pitches arec o r r e c t .
Using D as the root, perform Maj6, Maj7, Dom7,min7 , and dim7 chords in order, with one count pernumber and a count of silence at the end of eachchord. The tempo must remain constant throughoutthe chords. Scale degree numbers must be used assy l lab les for s ing ing .
MELODY PERFORMANCE
Identify the metrical stress and unit of beat. Select the time beatingpattern. Identify the clef and key. Given the pitch A 440, sing the intervalnecessary to f ind the tonic in the notated key. Using the appropriate timebeating pattern (App. A), perform the melody in the notated key. The timebeating pattern must continue throughout the exercise. Scale degree numbersmust be used as syllables for singing. Fol low a l l per formance d irect ions , i . e .tempo, character, dynamics, and expression markings.
ETC -2
![Page 93: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/93.jpg)
APPENDIX D
PERFORMANCE GUIDELINESI . Rhythm
A. Metrical Stress1.2 .
B . Unit1.2 .3.4 .
Ident i fySelect beat patternof beatDivided BeatSubdivided beatSyncopationBorrowed divisions
C. Perform Rhythm1. Count/Clap2 . Conduct/Intone
I I . PitchA. C l e f ( i d e n t i f y )B. Key ( ident i fy )C. Sing tonic and establish key
1. Sing triad2 . Sing pentachord3. Sing tetrachords4 . Sing scale
D. Ident i fy s tart ing p i tchE. Identify musical elements
1. Triads2. Pentachords3. Tetrachords4 . Sca les5 . Other structures6 . D i f f i c u l t i n t e r v a l s
F. Perform Pitch
I I I . Performance DirectionsA. Character/Tempo (metronome marks)/ tempo changesB. Dynamics/dynamic changesC. Other
1. Accents and articulations2 . Expression marks3. Repeat symbols4 . Fermatas5. Ornaments
IV. PerformA. RhythmB. PitchC. Rhythm and PitchD. Rhythm, Pitch and all performance directions
ETD -1
![Page 94: Ear Training Manual For Musicians - Archive](https://reader031.fdocuments.net/reader031/viewer/2022012102/6169f90f11a7b741a34d6ae4/html5/thumbnails/94.jpg)