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The Chinese New Year Party was an unforgettable evening filled with

delightful musical performances, ‘not-so-challenging’ quizzes, delicious

food, and a lucky draw! Here I’m helping this prize-winner discover the

possibilities of her new toy — an MP3 player! Memories of the party, as

well as the Cantonese Music in Hong Kong Concert, which took place the

evening before, can be found on pages 5-9. I am glad to tell you that both

events were filmed and have been made available for viewing on Radio 4’s

website: radio4.rthk.hk.

There is always a sense of rejuvenation on Radio 4 in April. I think it’s partly

to do with our annual coverage of the Hong Kong Schools Music Festival.

From now till end of June, on Sundays at 8pm, feel the excitement of the

Choir Finals and celebrate the joy of music-making in the Winners’ Concerts.

Widely recognised as the ‘Father of Contemporary Music in Hong Kong’,

Doming Lam has just celebrated his 60th year as a composer. At 86, he

still devotes himself wholeheartedly to his musical art. Jonathan Douglas

and Calvin Lai will host a special programme entitled Sixty Years of Music

Creativity - Doming Lam to place the Maestro into a well-deserved limelight.

To whet your appetite, Kathy Lam, Radio 4’s presenter, will tell you about

Doming Lam from the angle of a daughter!

On the subject of contemporary music, please turn to the Cover Story for

Radio 4’s coverage of The Intimacy of Creativity (IC) 2013, a project which

looks into the interplay of music creativity and interpretation. This year,

the project’s line-up includes three distinguished artists, violinist Cho-liang

Lin, composer and pianist Bright Sheng, and bassist Edgar Meyer, who will

appear at RTHK Studio One. They will play for us, and share with us their

musical thoughts. Jointly presented by the Hong Kong University of Science

and Technology and RTHK Radio 4, the two sessions entitled From Bach to

Bright, and The Versatile Virtuoso are part of the IC project.

Last month, we repeated a special series in remembrance of the late Father

Ciaran Kane. In April and May, every Sunday at noon, you can listen to

episodes of Gloria from his longstanding series on sacred music. I am

pleased to tell you that three Gloria programmes will also be put onto the

RTHK Memory website, as a special tribute to Father Kane. You can find

them at rthk.hk/special/rthkmemory.

Jimmy Shiu Head, Radio 4

恭喜這位幸運觀眾 — 她在送龍迎蛇新春派對中贏得MP3播放器一部，我正在與她研究如何操作這新玩意！除了大抽獎之外，當晚還有精彩的音樂表演、美食和別開生面的燈謎遊戲。想重溫新春派對的歡樂，以及於之前一晚舉行的香江之聲音樂會的盛況，請翻到第5至9頁。另外，這兩次盛會的視像版已上載於第四台網頁，請瀏覽 radio4.rthk.hk。

每年4月，在第四台總有春回大地的感覺 — 這可能與香港學校音樂節有關。4月至6月，逢星期日晚上8時，你可以感受到合唱決賽的緊張氣氛，而在不同表演形式的優勝者音樂會裡，更往往為我們帶來驚喜。

在很多樂迷眼中，林樂培是「香港現代音樂之父」，亦被尊稱為林大師。六十年來，林大師不斷創作。今天，八十六歲高齡的他，仍然醉心音樂藝術，樂此不疲。杜格尊和賴建群會在林樂培創作六十年中為你介紹林樂培，而林家琦則會從女兒的角度，為你分享大師的點滴。

談到現代音樂，封面故事介紹第四台播放創意間的親暱2013的詳情 — 一項讓作曲家和表演者可以盡情交流的計劃。今年的多項活動之中，包括有三位優秀的音樂家 — 林昭亮、盛宗亮和艾加‧美亞亮相於香港電台一號錄音室，為觀眾演奏及分享有趣的音樂經歷。兩個聚會由香港科技大學及香港電台第四台合辦，並作為「創意間的親暱2013」的活動之一。

上月，我們特別重播了由冀世安神父主持的一系列節目。為延續我們對這位良師益友的懷念，4至5月份逢星期日正午，我們會重播由冀神父主持，曾大受歡迎的Gloria，這聖樂專輯的其中三集更會存放在「歲月‧港台」網站(rthk.hk/special/rthkmemory)，以表達我們對冀神父的敬意。

第四台節目總監　蕭樹勝

Radio 4 would like to thank the patrons for their generous support. If you would like to become a patron of ‘FM’ Fine Music, please call us on 9073 3474 for

further information during office hours.

香港電台第四台謹向以下贊助者的慷慨支持致以最深謝意。有興趣成為「美樂集」贊助者的朋友，可在辦公時間內致電 9073 3474 查詢有關詳情。

DIAMOND PATRON 鑽石贊助者 Sir Gordon & Lady Wu 胡應湘爵士伉儷

PLATINUM PATRON 白金贊助者 M Restaurant Group

GOLD PATRON 黃金贊助者 Anonymous 無名氏

SILVER PATRON 白銀贊助者 Ms. Rayne Chai Chih-hui 蔡之慧女士

SHARE Your LOVE of Music with US,

Become a PATRON『美樂集』of ‘FM’ !

FOREWORD 前言

1 April 2013 | FINE MUSIC

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CONTENTS 目錄

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01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿05 Cantonese Music in Hong Kong Concert Flashback

香江之聲音樂會剪影

09 Friends of Radio 4 – Chinese New Year Party Flashback 第四台之友送龍迎蛇新春派對剪影

11 RTHK Quartet Spring Concerts on Campus 香港電台弦樂四重奏 — 春日校園音樂會

12 Van Cliburn – Man of the Moment 格拉賓 ─ 破冰的鋼琴家

15 In Conversation with Li Xincao

COVER STORY 封面故事17 The Intimacy of Creativity 2013

創意間的親暱 2013

COLUMNS 專欄27 Sunday Opera 歌劇世界33 One Heart, One Voice 生命的高歌35 Doming Lam 一個鮮為人知的林樂培37 Music from China 樂在神州39 Happy Hour 歡樂時光41 All or Nothing 情有獨鍾43 New Releases 新唱片大本營45 Concert Highlights 音樂會轉播精選49 Main Programme Chart 節目時間表 50 Programme Highlights 節目精華59 ‘FM’ Classified Board 《美樂集》分類廣告60 Coda

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SPECIAL FEATURES 特稿

On 20 February, RTHK Studio One was packed

with an enthusiastic audience, enjoying the unique

music developed in Hong Kong – ‘spirit music’. It

was popular in Hong Kong after the Second World

War where traditional Cantonese music was fused

with the dance beats from the west, and authentic

Chinese music instruments such as gaohu, yangqin

and xiao co-existed with the Western violin,

xylophone and bass guitar.

In this Cantonese Music in Hong Kong Concert,

the veteran musicians not only brought back the

nostalgia of the good old days but also showcased

the creative achievement of the former local

musicians which nowadays may be overlooked.

2月20日，一眾知音𦲷臨香港電台一號錄播室，出席「香江之聲音樂會」，欣賞充滿本地特色的粵樂。早於上世紀四十年代，粵樂吸

收了西方音樂的養份，發展出中西合璧的獨特風格。當晚音樂會，台上中西樂器並用，一眾音樂家把粵樂韻味和「舶來」的樂聲節奏

結合，為聽眾奏出獨一無二的「香江之聲」！

1. Yu Mau, xiao 余茂，簫

2. Chow Chung-nga, vocal 周頌雅，演唱

3. Guo Jiaying, yangqin 郭嘉瑩，揚琴

4. Hon Hung, hawaiian guitar 韓洪，夏威夷結他

賴建群

Calvin Lai

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Do listen and watch the concert again at :

你可於香港電台網上廣播站重溫音樂會盛況。

錄音和錄像版本俱備！網址：

radio4.rthk.hk



1. Tse Chi-ming, violin 謝子明，梵鈴

2. Wan Kai-ho, bass guitar 溫啓豪，低音結他

3. Szeto Siu, xylophone 司徒紹，木琴

4. Radio 4’s Daphne Lee and Jonathan Douglas interview To Wing 李德芬和杜格尊訪問杜泳

5. Ho Kang-ming, pipa 何耿明，琵琶

6. To Wing, gaohu 杜泳，高胡

7. Chan Kwok-fai, zheng 陳國輝，箏

8. Production team with the artists 台前幕後大合照

The Cantonese Music in Hong Kong Concert was co-presented by: 香江之聲音樂會合辦機構：

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An evening of Chinese music, lantern riddles, delicacies and lots of prizes, the Friends of Radio 4 New Year Party was held on 21 February, bringing lots of fun to the participants. This year, we invited pianists Yim Wan and Grace Lau, and Young Music Makers 2012 sheng soloist Kevin Cheng Ho-kwan, sanxian and pipa soloist Nickolas Chan Hiu-fung, and guqin soloist Sunny Chung Siu-sun

to bring us cheerful and festive Chinese music.

充滿喜慶的音樂、猜燈迷、幸運大抽獎、豐富美食⋯⋯第四台和第四台之友協會於2月21日舉辦了熱鬧的新春派對，與第四台之友一起送龍迎蛇！

派對邀請了精通中外各類樂曲的鋼琴家閻韻和劉活石，演奏親切的中國鋼琴作品；兩位「樂壇新秀2012」的中樂好手 — 彈奏三弦和琵琶的陳曉鋒聯同吹奏笙的鄭浩筠，為派對注入更多生氣和活力。《美樂集》的助理編輯鍾兆燊當晚亦帶來家中古琴，演奏第四台台號和一曲《醉漁唱晚》。

Do listen and watch the party again at : 你可於香港電台網上廣播站重溫派對盛況。錄音和錄像版本俱備！網址：

radio4.rthk.hk

賴建群

Calvin Lai

1. Two of our Young Music Makers - sanxian and pipa soloist Nickolas Chan Hiu-fung and sheng soloist Kevin Cheng Ho-kwan

兩位「樂壇新秀」再次在一號錄播室亮相－彈奏三弦和琵琶的陳曉鋒和吹奏笙的鄭浩筠

2. Sunny Chung Siu-sun on the guqin 鍾兆燊以古琴音樂會友

3. A piano duo with lots of fun – (from left) pianists Yim Wan and Grace Lau

充滿歡樂的二重奏－鋼琴家閻韻(左)和劉活石(右)

4. The lucky attendees receive the grand prizes from the representatives of the Friends of Radio 4 Society

兩位幸運聽眾從第四台之友協會的代表接過大獎

Enjoying refreshments after the music performances除了精神食糧，大會亦預備了豐富美食。

Riddles session for the enthusiastic audience現場觀眾踴躍猜燈謎

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Friends of Radio 4 Society’s committee members join the artists to wish you a Happy New Year of the Snake第四台之友協會委員會委員與一眾音樂家恭祝大家蛇年快樂

9 FINE MUSIC | April 2013


鍾子豪

香港電台弦樂四重奏成立三年以來走訪各地演出，除了去年於意大利羅馬和法國第戎 (Dijon) 巡迴表演外，早前亦到過汕頭大學作文化交流。今個春天，四位成員 (李海南、一丸綾子、陳子信以及貝樂安) 亦會在本地四所大專院校分別舉行四場校園音樂會。

除了演奏海頓、舒曼和舒伯特等弦樂四重奏作品外，他們更肩負推廣本地音樂創作的使命，在校園音樂會中分別演出兩首香港作曲家的近期創作。

早前3月底於嶺南大學演出後，香港電台弦樂四重奏於4月10日晚上8時在香港大學陸祐堂舉行「香港電台弦樂四重奏三週年音樂會」，演奏陳慶恩的《好風過處》*作為香港首演。這首為弦樂和笙而編寫的五重奏於去年11月底在羅馬首演，歐洲觀眾十分喜愛，樂曲揉合了中西音樂元素，充份體現香港中西文化的匯合。作曲家陳慶恩對中國樂器認識深厚，而且鑽研西方近代作曲技巧多年，他先後編寫過以「風」為題的新音樂，也用上了中國笙為主奏樂器。至於今次校園音樂會中擔任笙獨奏的盧思泓更與陳慶恩合作無間，首演過多首由陳慶恩創作的新曲，對他的創作了解甚深。盧思泓在去年的歐洲音樂會中與香港電台弦樂四重奏已合作純熟，今次演出定必更見火花。

另外，四位成員在4月16日晚上於香港科技大學的音樂會亦會送上年青作曲家劉泳浲的《氣味》。這首簡短雋永的作品將本地新一代創作人的音樂風格表露無遺。在音樂會中觀眾還可以欣賞到中樂作品《瑤族舞曲》的弦樂四重奏版本。

Following their European tour, the four members of the RTHK Quartet, Le Hoai-nam, Ayako Ichimaru, Elvis Chan and Laurent Perrin plan to visit 4 local universities and academy, and bring audiences with their performances of standard repertoires, as well as local composers’ modern works!

On the evening of 10 April, the RTHK Quartet will celebrate their Third Anniversary at Lok Yew Hall, University of Hong Kong with a commissioned work written by Hong Kong composer Chan Hing-yan entitled As the Wind Goes By*. Hong Kong sheng player Loo Sze-wang will join the 4 members in the Hong Kong première. The Quartet will also perform a work written by a young local composer, Galison Lau, at the Hong Kong University of Science and Technology on the evening of 16 April. Moreover, they will be performing one of the audiences’ favourites, a traditional Chinese work called Dance of the Yao People.

Raymond Chung

Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話　（Day 日間）　（Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Please return the completed form to:Radio 4, P.O. Box 70200 Kowloon Central Post Office請郵寄至九龍中央郵箱70200號，香港電台第四台

Fax 傳真：2339 6427 Enquiries 查詢：2339 6425

Date 日期： 10/4/2013 (Wed 星期三)Time 時間： 8:00pm Venue 地點： Lok Yew Hall, University of Hong Kong 香港大學陸佑堂

Date 日期： 16/4/2013 (Tue 星期二)Time 時間： 7:00pm Venue 地點： Tsang Shiu Tim Art Hall, Hong Kong University of Science and Technology 香港科技大學曾肇添展藝廳

Please fill in the number of tickets in the boxes below (maximum 4 per concert) 請填寫門票數量(每場最多四張)

* 香港電台第四台2012年委約創作，並獲得香港作曲家及作詞家協會贊助。

Commissioned by RTHK Radio 4 in 2012, with sponsorship from the Composers and Authors Society of Hong Kong. 11 FINE MUSIC | April 2013

Van Cliburn and President Nikita Kruschev, photo taken after Van won the Tchaikovsk y Competitio n

格拉賓與蘇聯領袖赫魯曉夫，攝於柴可夫斯基國際鋼琴大賽後

Some 55 years ago, the Soviet Union shocked the world by launching Sputnik, the first satellite, into the earth’s orbit. Six months later, in April 1958, the United States responded by launching the 23-year-old Van Cliburn to the First International Tchaikovsky Piano Competition. ‘American Sputnik, developed in secret’ was what Moscow Radio said of the 6-foot-4 gold medallist from Texas.

When Van Cliburn passed away on 27 February, the Moscow victory, along with the piano competition he founded in 1962, is what the 78-year-old pianist is mostly remembered.

But how many know Van Cliburn was a great grand-pupil of Franz Liszt? And his pledge to be a concert pianist was inspired by a live performance of Rachmaninov the Great?

Born Harvey Lavan Cliburn Jr., Van, as most people called him, began piano lesson at 3 under his mother, Rildia Bee O’Bryan Cliburn, who had studied under Arthur Friedheim, a pupil of Franz Liszt.

One day in 1939, Van got sick at home and missed a concert his mother had got tickets for. It was a recital by Rachmaninov. Lucky for the 5-year-old boy, the concert was broadcast live on radio. ‘Mommy, I think I want to be a concert pianist when I grow up’ is what he said as mother returned and told him about the concert.

Eight years later, in 1947, the 13-year-old made his concerto debut with a professional orchestra, the Houston Symphony. And the work? Tchaikovsky’s B flat minor Concerto, the very work that made him a national hero eleven years later.

The 1958 Moscow triumph was such a sensation that many forgot Van’s growing mastery over the work since his 1947 debut. Successively, the blond teenage Texan had perfected it with the New York Philharmonic under then-Music Director Dimitri Mitropolous, and with the Cleveland Orchestra and its legendary George Szell. ‘Extraordinary skills and projection,’ remarked the maestro, a brilliant pianist in his own right.


Van Cliburn playing during the Tchaikovsk y Competitio n in April 1958 格拉賓於1958年4月參加首屆柴可夫斯基國際鋼琴大賽

All this attests to one thing: Van Cliburn’s success at the Tchaikovsky competition wasn’t an overnight phenomenon (though it might be in terms of Cold War politics), but a long process of artistic growth plus some hereditary element. The one consoling thought for the Russian hosts, while they were giving away the top prize, would have been that the American’s coach was a Russian - the late Madame Rosina Lhevinne taught Van Cliburn at The Juilliard School.

Van’s success led him to some of the most-coveted engagements any performing artists would dream of. Aside from recording with Fritz Reiner and the Chicago Symphony (the Beethoven Fourth Piano Concerto was the last for the late maestro’s glorious discography), he performed at the White House from the Truman through the Obama administrations.

His early fame, however, took a heavy toll on his artistic growth. He was burned out, and he knew it. In 1978, he withdrew from concert life, and, although he returned eleven years later, the magic was gone for good.

But his legacy will continue with Van Cliburn International Piano Competition. Over the years, the quadrennial contest has produced a league of brilliant pianists around the world, including Radu Lupu, Cristina Ortiz, winners of the 1966 and 1969 rounds respectively. The 14th in the series, starting in May 2013, will be the first without the towering man that made it all happen. But his spirit of dedication, diligence, and giving will always be there.

周光蓁

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President Obama honoured Van Cliburn with the National Medal of Arts in 2011

格拉賓於2011年獲美國總統奧巴馬頒贈「國家藝術勳章」以表揚他對古典樂壇的貢獻

Young Van Cliburn performs 年青時的格拉賓

藝壇快訊Arts Happenings

The former Director of the Taipei Chinese Orchestra (TCO), renowned pipa virtuoso and conductor Professor Wong Ching-ping passed away on 21 February 2013 at the age of 65 due to a stroke.

A student of pipa master Lui Pui-yuen, Wong moved to Taiwan from Hong Kong in 1967. He had been a strong advocate in Chinese music even when he was a student at the National Taiwan University. When the TCO was established in 1979, he was made its first conductor and Deputy Director. From 1991-2005, he served as the Orchestra’s Director. During his term, he was active in encouraging musical exchanges between Taiwan and China, introducing new Chinese compositions, and establishing a sound foundation for the Orchestra. Wong was much involved in the performing technique of modern pipa playing. He premièred many pipa works, including the challenging work The Pipa, composed by Hsu Po-yun. Wong was awarded the National Award for Arts and Most Outstanding Asian Artists in Taiwan.

One day following the death of Wong Ching-ping, renowned German conductor Wolfgang Sawallisch died on 22 February 2013 at the age of 89. Sawallisch was born in Munich in 1923. After graduated from that city’s Academy of Music, Sawallisch began his conducting career in 1947 at the Opera Theater of Augsburg. In 1953, he became the youngest conductor to lead the Berlin Philharmonic. He served as Music Director of the Vienna Symphony Orchestra and the Hamburg Philharmonic Orchestra, and was Artistic Director of Geneva’s Orchestre de la Suisse Romande. He was most remembered as Philadelphia Orchestra’s conductor laureate and its sixth music director, and for his directorship at the Bavarian State Opera. In 1997, he led the Philadelphia Orchestra in the first live internet concert ‘cybercast’ made by a major American orchestra. His artistry was recognised with many awards including the Toscanini Gold Baton, honourary degrees from various universities and the Pennsylvania Governor’s Distinguished Artist Award.

琵琶名家王正平及指揮家沙華利舒辭世前台北市立國樂團團長、知名琶琵演奏家及指揮家王正平�授，在2月21日因中風不幸離世，享年六十五歲。

王正平早年於香港師從琵琶名家呂培原，1967年移居台灣，畢業於台灣大學，在學時已積極推動國樂發展。王正平曾任中廣國樂團團員及指揮；台北市立國樂團在1979年成立時，他是首任指揮兼副團長。他在1991至2005年間任台北市立國樂團團長，任內領導樂團積極拓展兩岸國樂交流，大量引進海內外優秀國樂作品，為台灣國樂界奠下深厚基礎。他一生投入研究現代琵琶演出技法，並首演前衞琵琶曲如許博允的《琵琶隨筆》等。王正平曾獲頒台灣國家文藝獎、亞洲最傑出藝人獎。

就在王正平離世的第二天，德國著名指揮沙華利舒以八十九歲高齡辭世。沙華利舒1923年生於慕尼克。他在德國的音樂學院畢業後，在奧格斯堡歌劇院展開其指揮生涯。1953年沙華利舒以最年輕指揮的姿態領導柏林愛樂樂團；他曾當過多隊樂團的音樂或藝術總監，如維也納交響樂團、漢堡管弦樂團和瑞士羅曼第樂團等。最為人傳誦的，是他和費城樂團以及巴伐利亞市立歌劇院的緊密關係。於1997年，他曾帶領費城樂團，成為全美首隊透過互聯網演出的大型樂團。沙華利舒一生獲頒多項殊榮，包括托斯卡尼尼金指揮棒獎和多間院校的榮譽學位，以及由賓夕凡尼亞州州長頒發的傑出藝術家獎。

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上世紀美蘇冷戰時期的音樂奇葩，首選美國鋼琴家格拉賓。

今年2月27日以七十八歲高齡病逝的這位德州小子，在1958年4月的首屆柴可夫斯基國際鋼琴大賽，擊敗60多位高手，從蘇聯領袖赫魯曉夫手上領取金牌，銀牌由中國的劉詩昆和蘇聯選手奪得。

格拉賓奪冠絕非僥倖。劉詩昆形容這位美國對手音樂中的「伸縮、吊放、鬆緊、虛實」，讓他得第一，「我是心服口服的」。

也許不甚為人所知，是格拉賓的母親是鋼琴皇帝李斯特的徒孫，兒子三歲時便親自�授。加上後天的勤奮，成功並非偶然。

但是有代價的。國家英雄式的頻密演出、錄音滯礙了他的藝術昇華。他決定閉關十一年，可是復出時光華已去。

然而，他以自己的名字成立鋼琴比賽，自1962年首屆以來，每四年一次讓大批鋼琴家上位。今年5月是第十四屆，可說是透過音樂平台，遺愛人間。


J : You’re playing in Hong Kong the Mozart and Beethoven, is this your choice?

L : In the beginning the orchestra asked me to do Beethoven Symphony No. 5, but I didn’t accept it because I told them that, for me, Beethoven’s Fifth is very, very difficult. Mozart is very easy but for me Beethoven is not. Finally we came to an agreement and I accepted it. I have conducted this piece many times, but after every concert of Beethoven’s Fifth, I feel that it is more difficult than before.

J : What do you think are the main challenges of putting across a convincing performance?

L : I think Beethoven is the greatest musician and almost everybody in the world knows this piece. Everyone knows the motif. But for every professional musician, especially for professional orchestral players, almost everybody is scared of this, scared of every note of Beethoven’s Fifth. This is strange, right? Most popular, most difficult. For the audience, this is very popular and familiar. For the professional musicians, this is the most difficult piece.

J : The rhythm of that opening motif is not easy, is it?

L : No, not at all. When I first listened to this beginning motif, I felt that this is nothing like what is written in the score, I felt like this is a triplet, with the first note on the beat, but actually this first note is after the rest. So the first time I listened to this, I didn’t think it was very difficult. Also, now I think that if we change the rhythm, and move the first note to the downbeat, it would be a lot easier. But after an eighth rest, it’s a hundred or a thousand times more difficult. The musicians have to understand the intentions of the conductor, everybody has to have the same feeling of the conductor’s upbeat. If somebody understands a different meaning from what the conductor intended, it would be a disaster.

J : You’re also doing the Mozart Piano Concerto No. 22; do you see opera in the piano concertos? I speak to a lot of pianists and they say that when they play Mozart concertos, it’s almost like playing opera on the piano.

L : Exactly! If people don’t know Mozart’s operas, I don’t think they can play any of his instrumental pieces very well. They cannot understand. You have to know what Mozart’s operas are about, at least three or four of them. His writing, especially for the major melody or voice of any piece, particularly for the piano, strings or any other instruments, comes from the feeling of a singer’s voice. When he wrote the melodies for instruments, I think, at that time, he was thinking about how singers would sing it.

J : Like an operatic aria.

L : If someone can understand Italian, and then study the operas,

it would be a lot easier to understand Mozart!

- transcribed by Jacqueline Leung

J : Jonathan Douglas

L : Li Xincao

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As one of China’s leading conductors of his generation, Li Xincao’s international career has taken him to many of the most prestigious venues around the world. Maestro Li discusses with Jonathan Douglas the challenges of conducting Beethoven’s iconic Fifth Symphony and shares his insights on understanding the various facets of Mozart’s creations.

Li Xincao and Macau-born piano prodigy Lio Kuok-wai‘s performance with the Hong Kong Sinfonietta will be broadcast on 19 April (Fri) at 8pm and repeated on 24 April (Wed) at 2pm.

指揮家李心草與澳門年青鋼琴家廖國瑋，聯同香港小響樂團演出之音樂會，由第四台錄播，於4月19日(星期五)晚上8時播出，並於4月24日(星期三)下午2時重播。


The ‘scary’ motif of the ‘difficult’ symphony (Beethoven’s Fifth)


IC Programme Enquiries 「創意間的親暱」節目查詢：2358-5882

Jenny Lee

COVER STORY 封面故事

Hailed by The Financial Times as ‘the city’s most innovative musical experience’, The

Intimacy of Creativity (IC), now in its third year, is an innovative and public dialogue

between composers and performers, like that of Brahms and Joachim, with the goal

of creating masterpieces of this century through challenging questions and tireless

revisions. It is presented by the Hong Kong University of Science and Technology.

Leading this groundbreaking project is the Artistic Director, renowned composer,

and pianist, Bright Sheng, joined by two world-class guest artists: double-bass player

Edgar Meyer and violinist Cho-liang Lin. In addition, 6 young composers and other

distinguished performers provide depth of imagination and skill to realize the dream.

IC will be in residence at RTHK Radio 4, its media partner, with three exciting events

presented in Studio One: ‘Creative Dialogue’ on 25 April, ‘From Bach to Bright’: Meet-

the-Artist with Cho-liang Lin and Bright Sheng on 26 April, and ‘The Versatile Virtuoso’

with Edgar Meyer on 1 May. In the ‘Creative Dialogue’, there will be discussions by

composers and performers on two works, Roger Zare’s Geometries and Dai Bo’s Kong

Gu You Lan. Last year, the discussion was so vigorous as everyone gathered around the

piano to talk, that they completely forgot the departure time! In the two Meet-the-Artist

sessions, you will hear three maestros, who will share their insights and musical stories

with you. More details can be found on page 19.

RTHK Radio 4 will also record the two World Première Concerts, on 28 April and 5

May, at the Hong Kong City Hall Theatre. These concerts will be recorded and broadcast

on Radio 4. The concerts will present the final result of the two weeks of collaboration

and revision. RTHK Quartet will also perform on 16 April, at the Tsang Shiu Tim Art

Hall, as part of the HKUST Music Alive! Please refer to P.11 for the ticket request form.

This springtime, come and join us in this creative and wonder-filled exploration of

new music and great performances.

被《金融時報》形容為「全城最具

創意性的音樂體驗」，「創意間的

親暱」由香港科技大學主辦、著名

作曲家和鋼琴家盛宗亮擔任藝術總

監，旨在推動作曲家與演奏家的交

流，攜手送上富深度和創意的現代

音樂。作為媒體合作夥伴，第四台

會轉播兩場世界首演音樂會，而香

港電台弦樂四重奏將於4月16日在

香港科技大學的 Music Alive！中

獻藝。另外，一眾作曲家和演奏家

會親臨香港電台一號錄播室，為第

四台呈獻三項活動：「創意對談

工作坊」、「由巴赫至盛宗亮」和

「闖出低音新天地」。有興趣參與

另一項活動－ Music Alive!，欣賞

香港電台弦樂四重奏演出的聽眾，

可參閱第11頁。

在萬物欣欣向榮的春天裡，讓我們

一起感受創意的力量！


Mee


• a much sought after violinist for more than three decades in the international music scene

• 活躍於國際樂壇逾三十載

• named by Musical America as ‘Instrumentalist of the Year’ in 2000

• 曾獲《音樂美國》雜誌評選為2000年「年度器樂演奏家」

• champion in the interpretation of new works in a variety of styles

• 演繹不同風格的新作，屢獲殊榮

• faculty member at Julliard since 1991, when he was 31

• 自1991年起(三十一歲時)任�於茱莉亞音樂學院

• a fervent lover of chamber music – Music Director of the Hong Kong International Chamber Music Festival and La Jolla Chamber Music Summerfest

• 熱衷推廣室樂 — 擔任香港國際室內樂音樂節和組拿夏季音樂祭的音樂總監

• 2001 MacArthur Foundation ‘Genius’ Award Winner

• 2001年麥克亞瑟基金會「天才」獎得主

• a prolific composer with works performed by almost all major orchestras in the world

• 多產作曲家，作品由世界各主要樂團演出

• a highly-accomplished pianist and conductor

• 深具才華的鋼琴家及指揮家

• he once followed Zhang Qian’s footstep to collect folk music in northwest China on an extended journey

• 效法張騫踏足中國西北部採集民間曲調

• Bernstein became his mentor at Tanglewood and taught him privately in composition and conducting

• 在鄧肯活私下跟隨伯恩斯坦學習作曲及指揮法

Jimmy Shiu

I first saw Cho-liang Lin on stage in the early 80s when he joined the Hong Kong Philharmonic in a sensational interpretation of Saint-Säens’ Violin Concerto No. 3. I vividly remember that the harmonics he played in the second movement were clear and loud. The audience loved him, and I counted the number of curtain calls – 7! He returned to Hong Kong on quite a few other occasions, but the most unforgettable performance I found was in Tan Dun’s Ghost Opera at the Jockey Club Amphitheatre. He walked around, yelled, hit a gong, and even played water, as well as his violin.

Bright Sheng is one of the most successful composers today. He was born in Shanghai in 1955. During the Cultural Revolution he was sent to the remote Qinghai, and there established a strong tie with Chinese music. I first listened to his delightful arrangements of folksongs on the piano, played by the celebrated Chinese pianist Bao Huiqiao. Yet, his music also can be extremely driving, as in the case of Nanking! Nanking! , a threnody to the Nanking Massacre. Sheng is a great communicator, not only with music but also in words and as the key promoter behind The Intimacy of Creativity project.

Join us in April as RTHK Studio One plays host to three world-renowned international artists! On 26 April (Friday) and 1 May (Wednesday), Studio One will be the place to be!

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• one of the most famous double bass players in the world

• 當今最享負盛名的低音大提琴演奏家之一

• mastery of multiple instruments – piano, guitar, mandolin, banjo, double bass

• 擅長演奏多種樂器 — 鋼琴、結他、曼陀林、班祖琴及低音大提琴

• Grammy Award Winner and MacArthur Award recipient

• 格林美獎及麥克亞瑟獎得主

• a musician which crosses the boundaries - classical, bluegrass, jazz and more

• 穿梭於古典、鄉村音樂、爵士樂及其他音樂風格之間

• those who have played with him include Joshua Bell, Yo-yo Ma, Emmanuel Ax and Mark O’Connor

• 曾與貝爾、馬友友、艾斯及奧康那等音樂家合作演出

The word ‘difficult’ seems to be non-existant in Edgar Meyer’s vocabulary. I was amazed to listen to his playing of Sarasate’s Gypsy Air on the double bass! He transcribed and played Bach’s cello suites on his double bass, imbuing them with a special flavour. You can find him one moment playing in Schubert’s Trout Quintet, and the next moment jamming with banjo player Béla Fleck in a bluegrass style. He is a gifted composer too. One of his works is a violin concerto dedicated to Hilary Hahn. I am always intrigued by the unique sound and rhythm created by Meyer in his compositions. His music is lyrical, unconventional, yet very approachable.


From Bach to Bright In RTHK Studio One, Cho-liang Lin will play a solo violin piece by Bach on his 1715 Titian Stradivarius. Along with pianist Nolan Pearson (The Intimacy of Creativity 2013 Guest Artist), and in the presence of the composer, Lin will play selections from Bright Sheng’s Three Fantasies. Bright Sheng will also play a piano work of his own, My Song.

Lin and Sheng will talk about their exciting careers; how different people, pieces, and events have inspired them. As two Asian musicians most celebrated in the west, Lin and Sheng will share with us the Asian musical influences they see around the world. They will also have an inspiring dialogue from the perspectives of composer and interpreter.

The Versatile Virtuoso The double bass may not be the most famous solo instrument, but it is certainly one of the most impressive. Edgar Meyer will bring his huge instrument to RTHK Studio One to let you feel the magic of the double bass. He will also play a number of pieces including his work Concert Duo, together with violinist and The Intimacy of Creativity 2013 Guest Artist, Katie Hyun, and share some of his stories about his instrument, which may include how he

The two events will be hosted by Radio 4’s Jonathan Douglas. A Q&A will be included. Request your free tickets now! Please refer to P. 25.

From Bach to Bright and The Versatile Virtuoso are co-presented by the Hong Kong University of Science and Technology and RTHK Radio 4 as part of The Intimacy of Creativity 2013.

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has traveled with it! Meyer’s distinct background has helped him to merge skilfully his art in musical performance and creation, and in different styles. How does he balance between playing and composing, classical and folk styles? We think he does it beautifully!


香港觀眾熟悉的林昭亮、當今最成功的作曲家之一 ─ 盛宗亮，以及世上少有的低音大提琴獨奏家兼作曲家艾加‧美亞，將為你現場

演奏，並分享他們多姿多彩的音樂世界。

80年初，我首次欣賞林昭亮在台上演出。當時只是二十出頭，頭髮及肩的他，與香港管弦樂團合作，熱情地演出了聖桑的第三小提

琴協奏曲。我清楚地記得，他在第二樂章結尾部份的泛音奏得響亮清脆。觀眾很喜歡他的演出 ⋯⋯ 我心裡數著，他一共返到台前七

次接受觀眾熱烈的掌聲！往後的日子，他多次亮相香港舞台。印象最深的，是他在賽馬會綜藝館演出譚盾的《鬼戲》。除了拉琴之

外，他還四處行走、呼叫、打鑼，甚至「玩水」！

蕭樹勝

第四台不只是播放美樂的頻道，也經常舉辦精彩的現場演出，讓樂迷眼界大開。今年我們更請來三位殿堂級的音樂家，在一號錄播室與聽眾聚首一堂！

兩次聚談皆由杜格尊以英語主持，歡迎以粵語或普通話發問。免費入場，請早留位。門票索取表格請參閱第25頁。

「從巴赫到盛宗亮」和「闖出低音新天地」乃「創意間的親暱」活動的一部份，由香港科技大學及香港電台第四台聯合主辦。

從巴赫到盛宗亮

在一號錄播室中，林昭亮會以那部1715年製造的Stradivarius拉

奏巴赫的無伴奏小提琴作品，也會與「創意間的親暱2013」客

席藝術家之一的鋼琴家彼亞遜 (Nolan Pearson) ，為我們演出盛

宗亮的三首幻想曲選段。作為一位鋼琴家，盛宗亮也會現場演

奏他的創作《我的歌》。當然，林昭亮和盛宗亮亦會談到他們

的音樂人生，包括有甚麼人與事曾啟發他們創作或演奏。兩位

來自亞洲的音樂奇才，對於今天亞洲如何影響世界樂壇，別有

一番見解。作曲家能與演奏家交流會面，定必有熱烈的討論。

闖出低音新天地

低音大提琴肯定不是最常見的獨奏樂器，卻令人留下

深刻印象。艾加‧美亞將帶來他那龐然大樂器演奏多

首音樂，並會聯同「創意間的親暱2013」客席藝術家

Katie Hyun 演奏他的《音樂會二重奏》，讓你領略

低音大提琴的魅力。他會講述他與「它」的故事，其

中可能提到如何與它一同巡迴世界各地！艾加‧美亞

獨特的音樂背景有助他巧妙地融合不同風格。究竟他

在演奏和作曲、古典和民族之間又如何取得平衡？

盛宗亮是當今最享負盛名的作曲家之一。他在上海出生，在文化大革命期間被

下放到青海，這經歷卻強化了他對民族音樂的熱愛。我第一次是在中國鋼琴家

鮑蕙蕎的錄音中，認識到盛宗亮的音樂 ─ 那是由他改編多首優美的中國旋律。

然而，他的音樂亦極具震撼力 ─ 《南京！南京！》就是其中的例子，當中的樂

音太澎湃了！盛宗亮善於溝通，不單止以音符，更是在語言上，自然而然他成

為了「創意間的親暱」背後的靈魂人物。

在艾加‧美亞的字典裡似乎沒有「艱難」這兩個字。聽他以低音大提琴拉奏薩

拉沙替的《流浪者之歌》，�我目瞪口呆！他也曾改編並演奏巴赫的無伴奏大

提琴組曲。艾加‧美亞經常穿梭於不同樂種之間，有時他會參與演出舒伯特的

《鱒魚》五重奏，有時候他會與拍檔費拉克以美國風格即興演奏。他更是一位

傑出的作曲家，曾為漢恩譜寫小提琴協奏曲。我常常被他獨一無二的琴音和節

奏所吸引。他的作品充滿動感、著重線條，非一般的，卻易於接受。


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音樂「傑作」如《紅樓夢》

華裔作曲家盛宗亮說，讀《紅樓夢》，各人有各人的偏好：對研

究文本的紅學家而言，角色的一句閒聊或許暗藏深意；而對普

通讀者來說，浪漫故事和詩文本身，已足夠吸引。一首音樂作品

若稱得上「傑作」，在盛宗亮看來，也需像《紅樓夢》那樣，

「各方面都比較完美」，既能感動愛樂者，又經得起行內人研究

推敲。他擔任藝術總監的「創意間的親暱」，為的是聯繫創作

者、演奏者和聽眾，打破台上台下看與被看的既有模式。

香港科技大學人文社會科學學院主辦的第三屆「創意間

的親暱」，將於4月22日至5月5日在港舉行，官方名稱是

「盛宗亮與國際作曲家 / 演奏家聚會香港」。盛宗亮說，活動辦

了三屆，名聲有了，參與者也愈發踴躍。今年，他們從一百四十

四份申請中挑選六位年青作曲家，也請來低音大提琴家兼作曲家

艾加‧美亞和小提琴家林昭亮擔任傑出客席藝術家。在十數天的

討論中進行修改，並安排世界首演這些作曲家的室樂作品。「作

品可能是幾年前已完成，也可能是剛剛寫好，不過當音樂擺在我

們面前，就需要重新雕琢。」盛宗亮說，眾人圍坐討論後，作曲

家將作品帶回去修改，改好後在香港科技大學預演，預演後如有不

滿意再改。這樣來回三、四次之後，最後安排在香港大會堂首演。

今次演出的作品，既有二十四歲失明作曲家代博的小提琴與鋼琴

合奏作品《空穀幽蘭》和美國作曲家史奴頓 (Steven Snowden)

為鋼琴和弦樂五重奏而寫的三樂章作品《魔鬼的九道難題》，

也有盛宗亮和艾加‧美亞兩位知名作曲家的新作。「我們希望

觀眾體會，一首作品從雛形到最後完成，當中會經歷怎樣的過

程。」盛宗亮說。而且，除最後兩場首演音樂會外，其餘的活

動如公開排練和午間講座等，全部免費開放讓樂迷參與。

作曲家與演奏家和聽眾溝通的機會

類似「創意間的親暱」的活動，在盛宗亮看來，不單能夠

令到觀眾參與討論，也給了作曲家與演奏家和聽眾溝通的

機會，打破過往觀念中「創作者主動聽眾被動」的二元對

立。他說，如今當一名作曲家，既幸福又困難重重。幸福

在於現今的音樂世界「沒有框框」，每個人都在寫自己喜

歡的風格，而且「任何風格都可以被接受」。同樣，困

難也不少。過去的作曲家，比如貝多芬和莫扎特，都是非

常出色的演奏家。這樣的傳統，到我們這時代，「已經流

失了」。當大部份作曲家不演奏而演奏家大多不作曲時，

「脫節」不可避免地產生。「作曲家不懂演奏，會造成一種

『閉門造車』的可能。」盛宗亮說。因此，就愈見溝通的重

要。對他來說，一首好作品一定要具備兩方面要素：對音樂專

業的人來說，這曲子有深度，值得推敲；至於並沒有掌握太

多樂理知識的普通樂迷，聽了好曲子，也會喜歡，「因為有動

人的地方」。「比如布拉姆斯的作品，搞音樂的人研究它分析

它，能看到各種各樣的邏輯性。」盛宗亮說：「就算不懂音樂

的人聽了也會被感動，因為好聽。」

箬笠

Composers, performers and even the audience is connected with The Intimacy of Creativity. 「創意間的親暱」把作曲家、演奏者，甚至觀眾緊密地聯繫在一起。



The third season of HKUST’s The Intimacy of Creativity 2013

(IC) will be held in Hong Kong from 22 April to 5 May. During

the two-week partnership, six young composers, selected from

more than 140 candidates, will revise and present their chamber

music works after in-depth discussion with other artists and the

audience. The revised pieces will have their debut in World

Première Concerts at City Hall on 28 April and 5 May.

As Bright Sheng, the Artistic Director of IC 2013, said in an

interview with RTHK Radio 4, this kind of partnership connects

composers and performers as well as the audience. And

acceptance of the audience, in his opinion, is an important

indicator to access whether or not a composition could be

regarded as ‘masterpiece’.

Sheng, one of the foremost composers of our time, also spoke

about the happiness and difficulties of being a composer.

‘Luckily, there are few “limits” in today’s music world, so that

composers are able to develop their own styles in a relatively

free way. However, since fewer and fewer composers are equally

interested in being performers, a kind of “disjointedness” may

appear, which may affect the quality and performability of

their works.’ Sheng hopes that The Intimacy of Creativity will

encourage and promote communication between not only

performers and composers but also the audience, both on the

stage and off.

The Intimacy of Creativity is presented by:

Media Partner and co-presenter of ‘From Bach to Bright’ and ‘The Versatile Virtuoso’:

IC website 創意間的親暱網址 : ic.shss.ust.hk


Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話　（Day 日間）　（Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Please return the completed form to:Radio 4, P.O. Box 70200 Kowloon Central Post Office請郵寄至九龍中央郵箱70200號，香港電台第四台

Fax 傳真：2339 6427 Enquiries 查詢：2339 6425

Creative Dialogue 「創意對談工作坊」Date 日期： 25/4/2013 (Thu 星期四)Time 時間： 10:45am Venue 地點： RTHK Studio 1, BH 香港電台一號錄播室

From Bach to Bright – Meet-the-Artist with Cho-liang Lin and Bright Sheng 「由巴赫至盛宗亮」─與林昭亮及盛宗亮聚談Date 日期： 26/4/2013 (Fri 星期五)Time 時間： 8:00pm Venue 地點： RTHK Studio 1, BH 香港電台一號錄播室

The Versatile Virtuoso – Meet-the-Artist with Edgar Meyer 「闖出低音新天地」─ 與艾加‧美亞聚談 Date 日期： 1/5/2013 (Wed 星期三)Time 時間： 11:00am Venue 地點： RTHK Studio 1, BH 香港電台一號錄播室

Please fill in the number of tickets in the boxes below (maximum 4 per concert) 請填寫門票數量(每場最多四張)

THE INTIMACY OF CREATIVITY 2013Ticket Request Form

「創意間的親暱」2013 門票索取表格


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14 April : Verdi’s Aida

Giuseppe Verdi (1813-1901) accepted a commission from the Egyptian Viceroy to create a grandiose new work for the opening of the new opera house in Cairo scheduled for 1870. Because of the proximity of the dates of the two major events, it has often been mistakenly reported that Aida was written to celebrate the inauguration of the Suez Canal.

In any case, although the opera was completed in time, the world première could not take place as intended due to the fact that the costumes and scenery were being made in Paris, and Paris was under siege by the Germans in 1870 during the Franco-Prussian war. In the end, Aida was presented in Cairo in December 1871, a year later than the scheduled date.

In Aida, Verdi wanted to show that he was capable of great variety, moving from grandiose crowd scenes to individual characters, from mass emotions to intimate drama. Despite the over-emphasis many productions place on the massive triumphant scene which often distorts the focus of this opera, Aida is really an intimate love story expressing powerful inner emotions of the four main protagonists. This is great music not to be missed.

In our famous recording of 1955, the title role is sung by the legendary Maria Callas, possibly the greatest singing actress of all time. The Egyptian general Radames is sung by tenor Richard Tucker; the Ethiopian king Amonasro is interpreted by baritone Tito Gobbi;

Teresa Berganza and Luigi Alva are the leads in this broadcast

Sundays 2:00pm

Lo King-man

The Sunday Opera listing for April consists of a lively opera buffa, a French adaption of a great Shakespearean tragedy,

a heroic drama set in ancient Egypt, and a story about the life and romance of a famous actress.

7 April : Rossini’s La Cenerentola

The main cast of this broadcast – (from top left) Maria Callas, Tito Gobbi, Fedora Barbieri and Richard Tucker.

Partly due to the limitations of the stage mechanism of the Teatro Valle of Rome and partly on the advice of the librettist Giacomo Ferretti, the theatre manager commissioned this version of the Cinderella fairy-tale from Gioacchino Rossini (1792-1868) with the specification that all supernatural elements in the story should be ignored.

Thus, instead of losing one of her slippers, the protagonist leaves one of her bracelets for the handsome prince to find her. Instead of the fairy godmother, we have the prince’s tutor, whose wisdom and benevolence ensure the victory of virtue over greed and cruelty.

Rossini wrote this sparkling comedy when he was 25 years old, one year after his famous Barber of Seville. It took him three weeks to complete the entire opera, somewhat longer than usual for this composer of extraordinary speed. Its première in January 1817 was truly successful, and it was revived every season for the next 63 years, until 1880.

This work has regained its former popularity in recent decades with the re-emergence of superb bel canto singers with beautiful voices and brilliant technique such as mezzo-soprano Teresa Berganza, tenor Luigi Alva, and baritone Renato Capecchi in this legendary studio recording with the London Symphony Orchestra conducted by Claudio Abbado.

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and the jealous Princess Amneris is portrayed by mezzo soprano Fedora Barbieri. The Orchestra and Chorus of La Scala, Milan, are conducted by Tullio Serafin.


Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

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21 April : Thomas’s Hamlet

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Ambroise Thomas

Francesco Cilea

Thomas Hampson and June Anderson

(From left) Renata Scotto will be singing the title role, Plácido Domingo as Maurizio, and Elena Obraztsova as the Princess.

Poster of the première of Hamlet in 1868

Promotional material for the première of Adriana Lecouvreur in 1902

28 April : Cilea’s Adriana Lecouvreur

Adriana Lecouvreur by Francesco Cilea (1866-1950) is the last work to be presented in the Sunday Opera series for April. A complete recording featuring the fabulous partnership of soprano Renata Scotto and tenor Plácido Domingo will be played. The cast also includes baritone Sherrill Milnes and mezzo-soprano Elena Obraztsova, with James Levine conducting the Ambrosian Opera Chorus and the Philharmonia Orchestra of London in superb form.

The libretto of Adriana Lecouvreur is based on events in the life of the famous French actress Adrienne Lecouvreur, who achieved great fame during the early 18th century. The plot is built around the real triangle relationship between Adriana, Maurizio the Count of Saxony, and the Princess of Bouillon. The opera ends with the diva’s demise through inhaling the fragrance of a bouquet of poisoned flowers.

This opera is the most successful and enduring work of Francesco Cilea who came under the strong influence of verismo, the realistic style of operatic composition which became the dominant force in Italian music during the end of the 19th and beginning of the 20th centuries. Cilea, however, developed a highly lyrical melodic style combined with harmonic and tonal shadings influenced by French composers of a generation past.

Ambroise Thomas (1811-1896) was an exact contemporary of Wagner and Verdi. He had a special gift for melodies, and at his prime, he was one of the most admired and respected French composers. He won the prestigious Prix de Rome for composition on graduation from the Paris Conservatoire, of which he became the Director later in life. He wrote a score of operas on ambitious subjects based on great literature. On two of these, Mignon and Hamlet, his fame now rests.

First produced in Paris in 1868, Hamlet was set to a libretto by Michel Carré and Jules Barbier that followed Shakespeare’s plot quite faithfully, retaining the key episodes and reducing only the non-essential details and characters. Thomas was, however, too eager to yield to the prevailing French grand opera conventions and fashionable taste of the Parisian public. This explains its less-than-frequent revival in our time. Yet the work received a rapturous welcome and was considered the most important French opera of its age.

The protagonist’s drinking song and Ophélia’s mad scene are amongst the most celebrated highlights of the opera.

Our distinguished cast includes baritone Thomas Hampson in the title role, soprano June Anderson as Ophélia, bass Samuel Ramey as King Claudius, and mezzo-soprano Denyce Graves as Queen Gertrude. The Ambrosian Opera Chorus and The London Philharmonic Orchestra give excellent support under the baton of Antonio de Almeida.

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March has occupied a special place in my calendar. Not so much because it is

typically associated with marking the beginning of Spring in Hong Kong, but because

that, to a lot of students singing in choirs, March signifies the arrival of the ‘Judgment

Day’ — the Choir Finals. When I was a high school student, the sound of Tsuen Wan

Town Hall had such an aura of authority about it that the mere mentioning of its

name in a rehearsal was bound to set off some commotion among the choristers.

Even years after I graduated, the advent of March still keeps reminding me of the

excitement and nervousness uniquely associated with performing in the Choir Finals.

What is important from a music educational view is that through participating

in competitions, musicians can grow together as a team, learn to appreciate one

another, and respect the differences in perspectives.

The Radio 4 production team is proud to be part of this momentous event once

again. Please join us on the radio every week so that we can bring you back to

the stage, where the choristers sang at the top of their voices and from the utmost

bottom of their hearts — for the school, for championship and for music.

Carmen Leung

去年，我首次在荃灣大會堂的合唱團決賽中，欣賞一隊中學男女混聲合唱團演唱由台灣作曲家周鑫泉根據徐志摩的詩作《雪花的快樂》而譜寫的歌曲。聽罷首句，我的心裏已不禁湧起一陣莫名的感動。他們温暖融和的歌聲、優美的樂句處理，固然令人動容不已；可是更令我難忘的，是目睹這群中學生隨著樂句到達頂峰，高聲唱出「——飛揚，飛揚，飛揚，——你看，我有我的方向！」實是令人震撼的一幕。在他們每一個青澀的眼神裡，我看見了理想，我看見了希冀－我看見了徐志摩。詩人完成《雪花的快樂》時也不過是位二十七歲的年青作家。那時候的他，想必也跟台上的同學一樣，正竭力地為生命歌唱，無悔地在空中飛揚！

今年，我再次聯同第四台的團隊在荃灣大會堂為你紀錄歌聲、搜集感動。盼望你也能透過團隊用心的製作，在悠揚的

歌聲中，感受到同學們向生命的高歌！

梁倍嘉

From April to June, Radio 4 will bring you highlights from the 65th Hong Kong Schools Music Festival every Sunday at 8pm with a repeat on Fridays at 2pm. Please refer to the following schedule. 第四台於4月至6月轉播第六十五屆香港學校音樂節的精選節目，詳情如下：

Prize-winners’ Concerts co-produced with the Hong Kong Schools Music and Speech Association優勝者音樂會由香港學校音樂及朗誦協會聯合製作You can listen to the programmes after the live webcast at our archive website 節目播放後可於網上重溫 rthk.hk

首次播出日期重播日期節目 First broadcast Repeat Broadcast Programmes (Sun 日) 8:00pm (Fri 五) 2:00pm

7 / 4 12 / 4 市區小學合唱決賽 ─ 初級組 Primary School Choir Finals (Urban) - Junior

14 / 4 19 / 4 市區小學合唱決賽 ─ 中級組 Primary School Choir Finals (Urban) - Intermediate

21 / 4 26 / 4 市區小學合唱決賽 ─ 高級組 Primary School Choir Finals (Urban) - Senior

28 / 4 3 / 5 中學合唱決賽 ─ 初級 (第一組別) Secondary School Choir Finals - Junior (First Division)

5 / 5 10 / 5 中學合唱決賽 ─ 男聲 (第一組別) Secondary School Choir Finals - Boys (First Division)

12 / 5 17 / 5 中學合唱決賽 ─ 女聲 (第一組別) Secondary School Choir Finals - Girls (First Division)

19 / 5 24 / 5 中學合唱決賽 ─ 混聲 (第一組別) Secondary School Choir Finals - Mixed Voice (First Division)

26 / 5 31 / 5 優勝者音樂會 Prize-winners’ Concert







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林樂培真的叫林樂培？

非也。在出生時，父母給他取名為林嶽培。可是「嶽」字太難寫了，所以他後來把之改

成林岳培。後來又因搞音樂的關係，再改為現有的名字。雖然林樂培是個快「樂」的

人，但他更熱愛音「樂」，所以大家應知道他的名字怎樣唸才對吧！

星期六下午5時至7時

只有一張幼稚園畢業文憑，也能進大學甚至唸到碩士程度？

對！因戰亂和林大師「無心向學、逢二進一」的關係，他讀至中二時已經

快二十歲了。加拿大多倫多大學的�授因著林樂培對音樂的熱誠，和他一

句本著「求學問、不是求學分」的心態而打動了大學�授，准許他旁聽大

學課程。後來又因這一句話而獲得南加州大學電影學院破格取錄，繼續以

旁聽生的身份成為電影《賓虛》的作曲家羅沙博士的得意門生。「畢業」

時林樂培還得全美最優異學生作品獎，甚至香港當年的西報也有報導呢！

林大師的音樂被狠批？

1964年他接受香港電台訪問，利用一台鋼琴和電台的設備，製成他的第一

首電子音樂作品。樂曲後來在他的作品演奏會上發表，卻換來樂評人猛烈

批評，音樂更被形容為「混亂⋯⋯不能接受⋯⋯無聊⋯⋯最不要得」；但

西報卻認為他的音樂極有貢獻。六十年來，林樂培的作品在全球五十二個

城市演出過並獲獎無數。他認同2005年諾貝爾經濟學獎得獎者的講法：

「人家愈反對愈要做」，並寄語年輕人不要被社會主流意見影響，方能突

圍而出。

「林樂培創作六十年」－杜格尊和賴建群會介紹林樂培六十年來的創作

歷程，並帶來著名管弦樂《昆蟲世界》，及其他獨奏和室樂作品。節目於

4月26日(星期五)晚上8時播出，5月1日(星期三)下午2時重播。

(編者按：作者是林樂培的女兒)

相信樂迷從網上或音樂會場刊中，都會閱讀過有「香港新音樂之父」之稱

的林樂培的簡歷。這些資料看來準確，其實有很多「漏洞」。且讓我這位

跟林大師有著「親密關係」的人，來個大披露！

林家琦

1994年林樂培移民加國，一群作曲家朋友送了一塊著有「樂壇大師」的牌匾給他，因此便得了「林大師」的雅號。

林樂培在50年代赴笈加國前留拍。

與多屆金像獎得主及老師羅沙博士(前排中座)合照。

In Sixty Years of Music Creativity - Doming Lam,

Jonathan Douglas and Calvin Lai bring you Doming Lam’s

symphonic masterpiece Insects World and many other

interesting solo and chamber works. Tune in to Radio 4

on 26 April (Fri) at 8pm, with a repeat on 1 May (Wed)

at 2pm.

林樂培是位小提琴和歌唱能手？

一點也不錯。他曾經在香港管弦樂團前身的中英樂團拉奏小提琴多年，

當年的隊友還包括今天港樂董事局主席劉元生先生。此外，因他兒時在

修院讀書的關係，在訓練有素下，唱得一「口」不錯的拉丁經文歌。他

還把這些「技倆」，於加拿大唸書時在聖堂對著空棺木唱安魂曲來賺取

生活費！退休後的林樂培，除了創作室樂作品外，還應�會邀請寫有大

量聖樂和答唱詠，其中包括一百五十首詩篇和廣東話版的「信經」，可

說是晚年的一個小壯舉！


逢星期五下午3時

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少數民族的音樂、文化、歷史和習俗，一向是二十世紀以來，中國音樂

創作的一個靈感泉源。從早期的江文也、馬思聰、丁善德，至當代的朱

踐耳、陳怡、郭文景，都以不同地區少數民族為題材去創作音樂，而這

些題材又同時展現於不同風格和類型的作品中。這些作品揉合中、西形

式，從小提琴和鋼琴到古箏和笛子；從交響樂到大型中樂合奏；從浪漫

主義手法到現代前衛風格，少數民族的音樂和文化，給作曲家帶來了源

源不絕的啟發。

新一輯的「樂在神州」，嘗試由新的角度讓大家認識少數民族的音樂和

文化。在介紹現代創作的同時，我會為大家帶來原始和正宗的少數民

族音樂片段，例如台灣高山族、苗族、瑤族、壯族、彝族、土家族、藏

族、維吾爾族等等。這是一種「原生態音樂」與「現代創作」的對話，

我亦希望通過這種互相對比的形式，讓聽眾對少數民族的音樂，有一個

更全面的瞭解。今日，為迎合現代媒體娛樂和旅遊發展的需要，不少原

生態音樂正面臨自我改造和被改造的命運。這次原型與創作的對話，正

好讓我們重新認識少數民族音樂的面貌。

一連九集的「樂在神州」由白得雲主持，逢星期五下午3時播出。

白得雲 Chris Pak

Music of the ethnic minorities has long been an inspiration for modern Chinese music. These works range from the Romantic style to the avant-garde and employ both Western and Chinese idioms. In our upcoming new series of Music from China (in Cantonese), Chris Pak will introduce the music of the ethnic minorities from a different perspective. He hopes that this audio dialogue between the authentic music of the ethnic minorities and what it has inspired in modern music will give listeners a more dynamic understanding of the ethnic minorities and the world of Chinese music. Tune in on Fridays at 3pm for a new look at traditional music and a new perspective on new music.

土家族 Tujia people

苗族 Miao people

高山族 Gaoshan people on a stamp

彝族 Yi people on a stamp

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劉建婷

4月至6月有爵士結他手包以正、資深樂評人葉積奇及爵士歌手鍾一諾挑選各人所喜愛的，於逢星期五黃昏6時15分「歡樂時光」與你分享「爵士之選」。

From April to June, Gladys Lau invites Eugene Pao (jazz guitarist), Jackie Ip (jazz critic) and Roger Chung (jazz singer) to share their Jazzy Choices every Friday (6:15 – 7:00pm) in Happy Hour (in Cantonese). Stay tuned and be musically inspired.

「即興講求自由度、風格，其實是在有『紋路』的結構、樂理等框架發揮出來。」

自言聽黑膠碟長大，從搖滾樂、披頭四(Beatles)開始，隨後接觸爵士樂。數十年的演奏生涯，曾與多位國際知名樂手合作，如Chick Corea, Herbie Hancock, McCoy Tynor, Bobby McFerrin 等 ⋯⋯，亦獲邀參與格拉斯哥、北京、富士山及倫敦爵士藝術節，剛在今年3月初出席了爪哇爵士藝術節，更會到世界第三大島－加里曼丹島(婆羅洲)於沙灘上演出。期待能與更多別具才華的樂手合作，「‘Jam’出更多『靚』音樂。」

在公共衞生學院研究助理�授的身份背後，是唱作人兼唱片監製。「要知道音樂背後的精神及歷史⋯⋯」爵士歌手鍾一諾汲取前人的技巧，不必想太多即可隨「感覺」演繹，成功找出自己的風格。於急速的生活節奏中，最愛駕車時聽Nat King Cole，覺得「慢板情歌 (Jazz Ballad) 的搖擺 (swing)、起拍 (upbeat)、速度 (tempo) 好好 ‘Feel’」，同時讓情緒、心靈可以暫且休息。正與哥哥鍾一匡合作寫新歌，把人生哲理寄予歌曲中。

專欄作家，喜愛閱讀和聽音樂，音樂品味從歐西流行樂、古典至 ‘Fusion’ (爵士與搖滾的融合)，按生活時序、隨心情細味各類型樂曲，家中爵士樂唱片比例佔六成。因歷史僻好愛尋根，由早期有爵士樂錄音開始聽 ‘Dixieland’ (白人樂手演奏紐奧爾良爵士樂)，經過篩選不同時期及風格後，原來「當代爵士」(Contemporary Jazz) 是他的「最愛」。

Broadcast Time 播放時間 Content 內容

12 April 2013 (Fri/五) My Essential Jazz Album: Miles Davis - Kind of Blue (1959)

3 May 2013 (Fri/五) My Favourite Singer: Ray Charles

24 May 2013 (Fri/五) My Favourite Instrumentalist: John Coltrane

14 June 2013 (Fri/五) My Golden Jazz Song: Lush Life


26 April 2013 (Fri/五) My Essential Jazz Album: Cannonball Adderley - Somethin’ Else (1958)

17 May 2013 (Fri/五) My Favourite Singer: Nat King Cole

7 June 2013 (Fri/五) My Favourite Instrumentalist: Erroll Garner

28 June 2013 (Fri/五) My Golden Jazz Song: I’m in the Mood for Love


19 April 2013 (Fri/五) My Essential Jazz Album: Miles Davis - Kind of Blue (1959)

10 May 2013 (Fri/五) My Favourite Singer: George Benson

31 May 2013 (Fri/五) My Favourite Instrumentalist: Sten Getz

21 June 2013 (Fri/五) My Golden Jazz Song: So What


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為什麼鋼琴以外的樂器甚少單獨亮相？

就以小提琴為例，它是旋律樂器，基本上同一時間只能奏單

音。所以，它要有鋼琴、豎琴或結他伴奏，提供和聲、豐富

音色；在激昂或悲傷的情節，伴奏又可「加鹽加醋」、增強感

情效果。所以，小提琴家單人匹馬上陣，就如同少了掩護的戰

士，必須步步為營，又要盡情發揮，方能傲視全場。對管樂演

奏者來說，吹到「斷氣」之際，遇到伴奏獨挑大樑的過渡段，

更是如逢甘露。

本身演奏技藝高超的作曲家如拜伯 (Heinrich Biber) 就有膽量

向高難度挑戰。在巴赫寫出複雜華麗的無伴奏樂章《夏康舞

曲》(出自D小調第二組曲)之前，拜伯已經創作了結構幾乎同

樣大型的G小調《帕薩加利亞舞曲》。作品建基於四個下行音

符 (G、F、降E及D) 組成的頑固低音。這低音以上的旋律不斷

變奏，小提琴要同時奏兩個、甚至三個音，又要照顧快速的琶

音、高把位等。若不是一心多用者，恐怕早就擲弓而去。

馬盈盈

星期六下午5時至7時

一人分飾多角

超技小提琴家不但能奏多線條、對位風格音樂，更能撇下鋼琴

家，自己包攬伴奏部份。1844年，約甘 (Joseph Joachim) 的

同門師兄安斯特 (Heinrich Ernst) 在倫敦的音樂會上，拉奏了自

己改編的《魔王隨想曲》，讓英國樂迷拍案叫絕。安斯特僅用

一把小提琴同時分飾四個角色 ─ 在高音驚叫的小孩、用泛音迷

惑人的魔王、低沉而故作鎮定的父親和處於中音域的敍事者 ─

再加上馬不停蹄的三連音作背景。誰說小提琴不能像鋼琴一樣

「自給自足」？

此外，克賴斯勒 (Fritz Kreisler）所寫的《宣敍調及諧謔隨想

曲》和巴格尼尼的《心如止水變奏曲》都是音色多變、目不暇

給的精彩作品，其他樂器如大提琴、長笛和雙簧管亦有不少獨

奏作品。4月份的「情有獨鍾」節目會為你一一送上。

進場就座時，台上空空如也。你會覺得不對勁嗎？如果是鋼琴演奏會，台上怎會沒有鋼琴？如果是其他樂器的表演，則九成需要動用鋼琴。餘下的一成機會，大概是小提琴或大提琴家演出巴赫的無伴奏作品，又或是巴格尼尼的隨想曲吧！

In April’s All or Nothing, Tina Ma and Ben Pelletier bring you nothing but a collection of unaccompanied ‘show off’ pieces. Join us on Saturdays from 5pm to 7pm.

克賴斯勒拜伯安斯特


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胡銘堯和彭禮傑邀請你加入「新唱片大本營」，

一同欣賞市面上新近推出的影音製作；節目更可於網上重溫：

radio4.rthk.hk。

Dennis Wu and Ben Pelletier guide you through some of the most interesting new releases to keep you in touch with the latest in fine music recordings.

The programmes are also available on Radio 4’s website for streaming: radio4.rthk.hk

逢星期一晚上8時Mondays 8:00pm


Date 日期 Highlights 重點推介

19/4 (Fri 五) 8:00pm

24/4(Wed 三) 2:00pm

Repeat 重播

Lio Kuok-wai Plays MozartWinner of numerous awards, Macau pianist Lio Kuok-wai was praised by András Schif f as having ‘all the talent to become a remarkable musician on the highest level’. In this concer t, Lio Kuok-wai per forms Mozar t’s Piano Concer to No. 22 in E flat major, K. 482. The Principal Resident Conductor of the China National Symphony Orchestra, Li Xincao, leads the Hong Kong Sinfonietta in the Over ture to Mozar t’s The Magic Flute and Beethoven’s Symphony No. 5 in C minor. A truly classical concer t delivered by Chinese musicians!

廖國瑋的莫扎特

大師安德斯‧舒爾夫曾稱讚鋼琴家廖國瑋「具備成

為頂尖音樂家所有的天份」。在這場演出中，獲獎

無數的廖國瑋會彈奏莫扎特的降E大調第二十二鋼

琴協奏曲，K. 482。同場，還可以欣賞到現任中國

國家交響樂團首席常任指揮李心草，帶領香港小交

響樂團，送上莫扎特的《魔笛》序曲和貝多芬的

C小調第五交響曲。

5/4, 3/5 (Fri 五) 8:00pm

10/4, 8/5(Wed 三) 2:00pm

Repeat 重播

Live at the Wigmore In these recitals from London’s Wigmore Hall, two world-class quar tets bring you chamber music from dif ferent periods: the Emerson String Quar tet plays music by J. S. Bach, Mozar t, and Beethoven whilst The Kopelman Quar tet delights you with Shostakovich’s String Quar tet No. 4 and Brahms’ String Quar tet No. 2. Indulge with exquisite music

making on two Friday evenings!

威格摩音樂廳的迴響

在倫敦威格摩音樂廳的演出中，兩隊世界頂級的四

重奏，會分別送上不同樂期的室樂作品。愛瑪遜

弦樂四重奏會率先帶來巴赫、莫扎特和貝多芬的室

樂；然後有高寶文四重奏演繹蕭斯達高維契的第四

弦樂四重奏和布拉姆斯的第二弦樂四重奏。在兩個

星期五的晚上，我們一起感受室樂的魅力！

Li Xincao, conductor 指揮：李心草

Lio Kuok-wai, piano 鋼琴：廖國瑋

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Emerson String Quartet 愛瑪遜四重奏

The Kopelman Quartet 高寶文四重奏

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Date 日期 Highlights 重點推介

6, 13, 20, 27/4

(Sat 六) 8:00pm

11, 18, 25/4, 2/5

(Thu 四) 2:00pmRepeat 重播

BBC Proms 2012 Every Saturday night, Radio 4 transpor ts you back to the summer of 2012 to experience the wonder ful concer ts from the BBC Proms: Andrew Manze and the BBC Scottish Symphony Orchestra playing three symphonies by Vaughan Williams; Daniel Barenboim and the West-Eastern Divan Orchestra playing symphonic works by Beethoven and Berlioz; Riccardo Chailly and the Leipzig Gewandhaus Orchestra playing spiritual music by Messiaen and Mahler; Marin Alsop and the São Paulo Symphony Orchestra playing exotic music by Villa-Lobos, Tower and Ginastera.

英國廣播公司逍遙音樂節2012

逢星期六晚，第四台帶你回到2012年的夏天，欣賞英

國廣播公司逍遙音樂節的精彩演出：曼茨和英國廣播

公司蘇格蘭交響樂團演奏三套佛漢威廉士的交響曲；

巴倫邦和東西合集管弦樂團演奏貝多芬和白遼士的管

弦樂作品；沙爾和萊比錫布業大廈樂團演奏梅湘和

馬勒富靈性的音樂；艾爾梭和聖保羅交響樂團演奏魏

拉－羅伯士、桃華和希納斯特拿等迷人的異國情調。

Mon - Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes –三分鐘錦囊

Topic 內容 Host 主持

Mon : 1900 - 1950 The Age of Diversity David Gwilt

Tue : Oratorio Ciaran Kane

Wed : Arts News Oliver Chou

Thu : Arts News Jonathan Douglas

星期五 : 今日話當年馬盈盈

Sat : Operetta Lo King-man

星期日 : 新唱片介紹胡銘堯

Andrew Manze, conductor 指揮：曼茨

Riccardo Chailly, conductor指揮：沙爾

Daniel Barenboim, conductor 指揮：巴倫邦

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Marin Alsop, conductor 指揮：艾爾梭

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Monday 星期一

Tuesday星期二

Wednesday星期三

Thursday星期四

Friday星期五

Saturday星期六

Sunday星期日

Aubade 晨曲

Morning Call with Jonathan Douglas 清晨妙韻杜格尊

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Stacey Rodda

盧迪思

Minutes That Matter

Non-stop Classics美樂無休

Stacey Rodda / Bethan Greaves / Ben Pelletier盧迪思 / 紀碧琳 / 彭禮傑

Play by Ear 週末隨想Synthia Ko

高德儀

1900 - 1950 The Age of Diversity

David Gwilt 紀大衛

Church Service 主日崇拜

Artbeat Jonathan Douglas 杜格尊

Gloria Ciaran Kane 冀世安

News at One

Music à la Carte (Tue, Thu : Chinese Music) 午間精點 (星期二及四：中樂篇) Tina Ma / Daphne Lee 馬盈盈 / 李德芬

Piano Exams 2013 鋼琴考試講座

Shirley Gwilt 紀莫樹鈴

Piano Exams 2013 鋼琴考試講座David Gwilt 紀大衛

Live on 4 第四台音樂會

(Repeat 重播)

Hong Kong Schools Music Festival

香港學校音樂節 (Repeat 重播)

R4 Buddies四台插班生

Raymond Chung / Carmen Leung

鍾子豪 / 梁倍嘉

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

Music from China樂在神州

Chris Pak 白得雲

Four for Classics with Daphne Lee愛樂同盟李德芬

Collage點指美樂

All or Nothing情有獨鍾

Ben Pelletier / Tina Ma 彭禮傑 / 馬盈盈

Children’s Corner 親親童樂日

Nancy Loo 羅乃新

News at Six Arts News 藝壇快訊 Tunes to

Remember人約黄昏後

Emma Liu 廖碧楨

Happy Hour 歡樂時光

Kathy Lam / Gladys Lau林家琦 / 劉建婷

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

New Releases新唱片大本營

Ben Pelletier / Dennis Wu 彭禮傑 / 胡銘堯

Live on 4 第四台音樂會

Hong Kong Schools Music Festival

香港學校音樂節

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文

Nocturne with Calvin Lai 夜心曲賴建群

Chamber Fragrance

寫意室樂Stacey Rodda / Calvin Lai

盧迪思 / 賴建群 Jazzing Up

爵士靈感 Jackie Ip 葉積奇

Bilingual 雙語B Cantonese 粵語C English 英語E

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Music for All適合所有樂迷

Music Exploration擴闊音樂領域

Concerts音樂會時段

Artnews藝術資訊

Education�育節目

Religion宗�節目

News新聞

* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk

MAIN PROGRAMME CHART 節目時間表


1/4/2013 (Mon 星期一)11:00am DUTILLEUX 迪蒂耶L’arbre des songes 24’

Renaud Capuçon (v) Radio Phil. Orch. Of France / Myung-Whun Chung樹的夢想雷諾‧卡普森（小提琴）法國電台管弦樂團 / 鄭明勳

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Apollon Musagète QuartetRobin Tritschler (t)Graham Johnson (p)Shostakovich: String Quartet No. 4 in D major, Op. 83 28’

Schubert: Winterreise 70’

謬斯領袖阿波羅四重奏脫斯拿（男高音）莊遜（鋼琴）蕭斯達高維契：D大調第四弦樂四重奏，作品83舒伯特：冬之旅

2/4/2013 (Tue 星期二)11:00am MOSCHELES 莫素利Cello Sonata No. 2 in E major, Op. 121 33’

Jiri Barta (vc) Hamish Milne (p)E大調第二大提琴奏鳴曲，作品121巴達（大提琴）夏米殊‧米拿（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Jean-Yves Thibaudet (p)Royal Concertgebouw Orch. / Markus StenzDebussy (arr. C. Matthews): Orchestral Preludes 17’

Ravel: Piano Concerto for the Left Hand 18’

Gilse: Symphony No. 2 32’

蒂博代（鋼琴）皇家阿姆斯特丹音樂廳樂團 / 史坦斯德布西（馬富士編）：交響前奏曲拉威爾：左手鋼琴協奏曲吉爾斯：第二交響曲

8:00pm LIVE ON 4 第四台音樂會Sibylla Rubens (s)Berlin Radio Cho.Berlin Phil. / Christian ThielemannVerdi: Three Dances from ‘Macbeth’

Ballo della regina from ‘Don Carlos’

Dances from ‘Otello’ Quattro pezzi sacri

8:00pm LIVE ON 4 第四台音樂會Timur Sergeyenia (p)George Enescu Phil. Orch. & Cho. / Misha KatzRachmaninov: Russian Songs, Op. 41 14’ Piano Concerto No. 3 in D minor, Op. 30 42’ Sergei Taneyev: John of Damascus 25’

爍格恩尼亞（鋼琴）艾尼斯高管弦樂團及合唱團 / 米薩‧卡斯拉赫曼尼諾夫：俄羅斯歌曲，作品41 D小調第三鋼琴協奏曲，作品30撤爾基‧坦尼耶夫：大馬士革的約翰

4/4/2013 (Thu 星期四)11:00am ELGAR 艾爾加 Coronation Ode, Op. 44 36’Scottish Nat. Cho. and Orch. / Alexander Gibson加冕頌歌，作品66蘇格蘭國家樂團及合唱團 / 紀遜

2:00pm REMEMBERING FR. CIARAN KANE (REPEAT) 懷念冀世安神父（重播）

8:00pm LIVE ON 4 第四台音樂會Sune Hjerrild (t) Marie Luise Neunecker (fh)The Netherlands Sym. Orch. / Gerd AlbrechtDvorák: Overture Husitska, Op. 67 14’ Overture Carnaval, Op. 92 10’Britten: Serenade for Tenor, Horn and Strings, Op. 31 24’Stravinsky: Suite from ‘The Firebird’ (1919) 22’

何耶利特（男高音）妮歐奈可（圓號）荷蘭交響樂團 / 艾伯克德伏扎克：何賽特序曲，作品67 狂歡節序曲，作品92布烈頓：寫給男高音、圓號及弦樂的小夜曲，作品31史達拉汶斯基：火鳥組曲（1919）

露濱絲（女高音）柏林電台合唱團柏林愛樂樂團 / 菲利曼威爾第：三首舞曲，選自《麥克白》「舞蹈皇后」，選自《唐卡洛斯》「舞曲」，選自《奧賽羅》四首聖歌

3/4/2013 (Wed 星期三)11:00am ARNOLD 雅諾 Clarinet Concerto No.1, Op. 20 33’ Michael Collins (cl) London Musici / Mark Stephenson第一單簧管協奏曲，作品20米高‧哥連斯（單簧管）倫敦室樂團 / 史提芬遜

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Sandrine Piau (s) Antoine Tamestit (va) Markus Hadulla (p)Schubert: Sonata in A minor, ‘Arpeggione’, D. 821 (arr. va & p) An den Mond, D. 193 Dass sie hier gewesen, D. 775 Nacht und Träume, D. 827 (arr. va & p) Die Taubenpost, D. 965a (arr. va & p) Romance der Helen from ‘Die Verschworenen’, D. 787 Der Hirt auf dem Felsen, D. 965

比奧（女高音）譚美斯狄特（中提琴）夏杜拉（鋼琴）舒伯特：A小調奏鳴曲，「琵音提琴」， D. 821（為中提琴及鋼琴改編）對月，D. 193 他們已經在這裡，D. 775 夜與夢，D. 827 （為中提琴及鋼琴改編）和信鴿，D. 965a （為中提琴及鋼琴改編）「海倫的浪漫」，選自《陰謀者》， D. 787 石上的牧羊人，D. 965

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Misha Katz 米薩‧卡斯

PROGRAMME HIGHLIGHTS 節目精華



5/4/2013 (Fri 星期五)11:00am HANDEL 韓德爾 Water Music Suite No.1 36’Amsterdam Baroque Orch. / Ton Koopman第一水上音樂組曲阿姆斯特丹巴洛克樂團 / 高柏文

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Ming-hsiu Yen (p)Bartók: Two Romanian Dances, Sz. 43, No. 1 6’ Romanian Folk Dances, Sz. 56 5’Grieg: Nineteen Norwegian Folk Songs , Op. 66, Nos. 10, 14-16 & 18 12’Ming-hsiu Yen: Two Old Postcards from Formosa 9’ Recorded at RTHK Studio2 on 21/10/2011.

顏明秀（鋼琴）巴托：兩首羅馬尼亞舞曲，Sz. 43，第一首羅馬尼亞民族舞曲，Sz. 56葛利格：十九首挪威民謠，作品66，第十、十四至十六和十八首顏名秀：兩張來自福爾摩沙的舊明信片

2011年10月21日香港電台二號錄播室錄音。

8:00pm LIVE ON 4 第四台音樂會Emerson String QuartetJ. S. Bach (arr. Mozart): Fugue in E major from ‘Wohltemperierte Klavier’, K. 405 3’W. A. Mozart: Adagio and Fugue in C minor, K. 546 8’Beethoven: String Quartet in C sharp minor, Op. 131 37’

愛瑪遜弦樂四重奏巴赫（莫扎特編）：E大調賦格，編自平均律曲集，K. 405莫扎特：C小調慢板與賦格，K. 546貝多芬：升C小調弦樂四重奏，作品131

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Emerson String Quartet 愛瑪遜弦樂四重奏

6/4/2013 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會BBC Scottish Sym. Orch. / Andrew ManzeVaughan Williams: Symphony No. 4 in F minor 32’ Symphony No. 5 in D major 40’ Symphony No. 6 in E minor 35’

英國廣播公司蘇格蘭交響樂團 / 曼茨佛漢威廉士：F小調第四交響曲 D大調第五交響曲 E小調第六交響曲

7/4/2013 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Rossini: La Cenerentola 144’Angelina: Teresa Berganza (ms)Don Ramiro: Luigi Alva (t)Dandini: Renato Capecchi (br)London Sym. Orch. / Claudio Abbado

羅西尼：灰姑娘安祖妮娜：貝根莎（女中音）唐‧拉米洛：艾爾華（男高音）丹第尼：卡柏基（男中音）倫敦交響樂團 / 亞巴度

8:00pm 65th HONG KONG SCHOOLS MUSIC FESTIVAL 第六十五屆香港學校音樂節Primary School Choir Finals (Urban) – Junior市區小學合唱決賽 – 初級組 8/4/2013 (Mon 星期一)11:00am SCHUMANN 舒曼Bunte Blatter, Op.99 36’Sviatoslav Richter (p)雜記簿，作品99力克特（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 3/4/2013, 8pm節目與2013年4月3日晚上8時相同

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Andrew Manze 曼茨

9/4/2013 (Tue 星期二)11:00am RESPIGHI 雷史碧基Church Windows 28’ Cincinnati Sym. Orch. / Jesús López-Cobos�堂窗戶辛辛那提交響樂團 / 路柏斯－高寶士


8:00pm LIVE ON 4 第四台音樂會Pierre-Laurent Aimard (p)Ernst Senff Cho.Berlin Phil. / Ingo MetzmacherGershwin: Cuban Overture 11’Ives: Symphony No. 4 32’Antheil: A Jazz Symphony (1955) 8’Bernstein: Symphonic Dances from ‘West Side Story’ 24’

艾瑪（鋼琴）安斯特辛夫合唱團柏林愛樂樂團 / 麥斯馬赫歌舒詠：古巴序曲艾菲士：第四交響曲安泰爾：爵士交響曲（1955）伯恩斯坦：交響舞曲，選自《夢斷城西》

10/4/2013 (Wed 星期三)11:00am KARŁOWICZ 卡盧域茲 Violin Concerto in A major, Op. 8 27’ Tasmin Little (v)BBC Scottish Sym. Orch. / Martyn BrabbinsA大調小提琴協奏曲，作品8列桃（小提琴）英國廣播公司蘇格蘭交響樂團 / 布拉賓斯


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Ingo Metzmacher 麥斯馬赫



9/4/2013 (Tue 星期二)11:00am RESPIGHI 雷史碧基Church Windows 28’ Cincinnati Sym. Orch. / Jesús López-Cobos�堂窗戶辛辛那提交響樂團 / 路柏斯－高寶士


8:00pm LIVE ON 4 第四台音樂會Pierre-Laurent Aimard (p)Ernst Senff Cho.Berlin Phil. / Ingo MetzmacherGershwin: Cuban Overture 11’Ives: Symphony No. 4 32’Antheil: A Jazz Symphony (1955) 8’Bernstein: Symphonic Dances from ‘West Side Story’ 24’

艾瑪（鋼琴）安斯特辛夫合唱團柏林愛樂樂團 / 麥斯馬赫歌舒詠：古巴序曲艾菲士：第四交響曲安泰爾：爵士交響曲（1955）伯恩斯坦：交響舞曲，選自《夢斷城西》

10/4/2013 (Wed 星期三)11:00am KARŁOWICZ 卡盧域茲 Violin Concerto in A major, Op. 8 27’ Tasmin Little (v)BBC Scottish Sym. Orch. / Martyn BrabbinsA大調小提琴協奏曲，作品8列桃（小提琴）英國廣播公司蘇格蘭交響樂團 / 布拉賓斯


12/4/2013 (Fri 星期五)11:00am BRAHMS 布拉姆斯 Ballades, Op. 10 21’Martin Jones (p)敘事曲，作品10馬田‧鍾斯（鋼琴）

2:00pm 65TH HONG KONG SCHOOLS MUSIC FESTIVAL (REPEAT) 第六十五屆香港學校音樂節（重播）Prog. as 7/4/2013, 8pm節目與2013年4月7日晚上8時相同

8:00pm VAN CLIBURN – MAN OF THE MOMENT 格拉賓─破冰的鋼琴家Van Cliburn (p)Moscow Philharmonic Sym. Orch. / Kirill KondrashinChicago Sym. Orch. / Fritz ReinerLiszt: Liebestraum No. 3 in A flat major, S541 4’Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23 34’Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 34’and more

格拉賓（鋼琴）莫斯科管弦交響樂團 / 干特舒芝加哥交響樂團 / 賴恩納李斯特：降A大調第三首愛之夢，S. 541柴可夫斯基：降B小調第一鋼琴協奏曲，作品23拉赫曼尼諾夫：C小調第二鋼琴協奏曲，作品18及其他樂曲

13/4/2013 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Guy Eshed (f)Hassan Moataz El Molla (vc)West-Eastern Divan Orch. / Daniel BarenboimBeethoven: Symphony No. 6 in F major, ‘Pastoral’ 43’Boulez: Mémoriale 7’ Messagesquisse 12’Beethoven: Symphony No. 5 in C minor 33’

8:00pm LIVE ON 4 第四台音樂會Mihai Ungureanu (p)George Enescu Phil. Orch. & Cho. / Gerd SchallerWagner: Overture to ‘Die Meistersinger von Nürnberg’ 11’Bentoiu: Piano Concerto No. 2, Op. 12 28’Beethoven: Mass in C major, Op. 86 42’

米哈伊‧溫古雷亞努（鋼琴）艾尼斯高管弦樂團及合唱團 / 撒拿華格納：紐倫堡之名歌手序曲賓圖：第二鋼琴協奏曲，作品12貝多芬：C大調彌撒曲，作品86

11/4/2013 (Thu 星期四)11:00am GLAZUNOV 格拉祖諾夫Saxophone Quartet in B flat major, Op. 109 27’Rollin’ Phones Saxophone Quartet降B大調薩克斯管四重奏，作品109Rollin’Phones 薩克斯管四重奏


8:00pm LIVE ON 4 第四台音樂會Boris Berezovsky (p)Hans van Loenen (tr)Netherlands Radio Ch. Phil. / Jaap van ZwedenHaydn: Symphony No. 92 in G major, ‘Oxford’ 26’Shostakovich: Piano Concerto No. 1 in C minor, Op. 35 22’ Piano Concerto No. 2 in F major, Op. 102 17’Tchaikovsky: Serenade for Strings, Op 48 30’

比拉索夫斯基（鋼琴）魯恩蘭（小號）荷蘭電台室樂管弦樂團 / 梵志登海頓：G大調第九十二交響曲，「牛津」蕭斯達高維契：C小調第一鋼琴協奏曲，作品35 F大調第二鋼琴協奏曲，作品102柴可夫斯基：弦樂小夜曲，作品48

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Ingo Metzmacher 麥斯馬赫

Boris Berezovsky 比拉索夫斯基

Van Cliburn 格拉賓


艾撒特（長笛）莫拿（大提琴）東西合集管弦樂團 / 巴倫邦貝多芬：F大調第六交響曲，「田園」布萊茲：紀念猜想貝多芬：C小調第五交響曲

14/4/2013 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Verdi: Aida 146’Aida: Maria Callas (s)Radamès: Richard Tucker (t)Amonasro: Tito Gobbi (br)Amneris: Fedora Barbieri (ms)Cho. and Orch. of La Scala, Milan / Tullio Serafin

威爾第：阿依達阿依達：卡拉絲（女高音）拉達美斯：杜加（男高音）阿莫納斯羅：哥比（男中音）安奈莉斯：巴比艾里（女中音）米蘭史卡拉歌劇院管弦樂團及合唱團 / 薩拉芬

8:00pm 65TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十五屆香港學校音樂節Primary School Choir Finals (Urban) - Intermediate 市區小學合唱決賽 – 中級組

15/4/2013 (Mon 星期一)11:00am HOFFMEISTER 賀夫米士特Parthia No. 24 in E-flat major 25’Consortium Classicum降E大調第二十四組曲古典合奏團


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Daniel Barenboim 巴倫邦


16/4/2013 (Tue 星期二)11:00am GALUPPI 加勞比Gloria 34’Athestis Cho.Academia de li Musici / Filippo Maria Bressan榮耀頌亞典狄斯合唱團音樂學院室樂團 / 布烈遜


8:00pm LIVE ON 4 第四台音樂會Emmanuel Pahud (f)Berlin Phil. / Simon RattleHaydn: Symphony No. 95 in C minor 20’Widmann: Flûte en suite 25’Beethoven: Symphony No. 7 in A major, Op. 92 36’

巴活（長笛）柏林愛樂樂團 / 力圖海頓：C小調第九十五交響曲韋特文：長笛組曲貝多芬：A大調第七交響曲，作品92

17/4/2013 (Wed 星期三)11:00am DUPRÉ 杜佩 Passion Symphony, Op. 23 30’Stefan Engels (o)受難交響曲，作品23恩格斯（管風琴）


8:00pm LIVE ON 4 第四台音樂會Vinicius Moroianu (p)George Enescu Phil. Orch. / Jin WangWagner: Siegfried Idyll 20’Paladi: Piano Concerto 22’Respighi: Fountains of Rome 19’ Roman Festival 27’

莫若亞努（鋼琴）艾尼斯高管弦樂團 / 王進華格納：齊格弗里德牧歌帕拉迪：鋼琴協奏曲雷史碧基：羅馬之泉羅馬節日

18/4/2013 (Thu 星期四)11:00am RIMSKY-KORSAKOV 林姆斯基－高沙可夫Capriccio Espagnol, Op. 34 15’London Sym. Orch. / Igor Markevitch西班牙隨想曲，作品34倫敦交響樂團 / 馬加域治


8:00pm LIVE ON 4 第四台音樂會Royal Concertgebouw Orch. / Mariss JansonsSchubert: Symphony No. 3 in D major, D. 200 22’Bruckner: Symphony No. 3 in D minor 56’

皇家阿姆斯特丹音樂廳樂團 / 楊遜斯舒伯特：D大調第三交響曲，D. 200布魯克納：D小調第三交響曲

19/4/2013 (Fri 星期五)11:00am RICHARD STRAUSS 史特勞斯 Don Quixote 40’Pierre Fournier (vc) Royal Concertgebouw Orch. / George Szell唐吉柯德科尼亞（大提琴）阿姆斯特丹音樂廳樂團 / 史奧爾


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Emmanuel Pahud 巴活

Mariss Jansons 楊遜斯



23/4/2013 (Tue 星期二)11:00am BRITTEN 布烈頓Variations on a Theme of Frank Bridge, Op. 10 27’ Philharmonia Orch. / Herbert von Karajan布里奇主題變奏曲，作品10愛樂樂團 / 卡拉揚


8:00pm LIVE ON 4 第四台音樂會Maurizio Pollini (p)Berlin Phil. / Christian ThielemannMendelssohn: Calm Sea and Prosperous Voyage 13’ Mozart: Piano Concerto No. 21 in C major, K. 467 27’Liszt: Symphonic Poem No. 6 ,‘Mazeppa’ 17’ Symphonic Poem No. 13, ‘From the Cradle to the Grave’ 17’ Les Preludes 16’

普連尼（鋼琴）柏林愛樂樂團 / 菲利曼孟德爾遜：風平浪靜及一帆風順莫扎特：C大調第二十一鋼琴協奏曲，K. 467李斯特：第六交響詩，「馬捷帕」第十三交響詩，「從搖籃到墳墓」前奏曲

24/4/2013 (Wed 星期三)11:00am MOZART 莫扎特 Concertone for 2 Violins in C major, K. 190 28’Shigenori Kudo (f) Salzburg Mozarteum / Jean-Pierre Rampal (f and cond)C大調雙小提琴協奏曲，K. 190工藤重典（長笛）薩爾斯堡莫扎特學院樂團 / 雷波爾（長笛及指揮）


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Maurizio Pollini 普連尼


=8:00pm LIVE ON 4 第四台音樂會Lio Kuok-wai (p)Hong Kong Sinfonietta / Li XincaoMozart: Overture to ‘The Magic Flute’, K. 620 Piano Concerto No. 22 in E flat major, K. 482 Beethoven: Symphony No. 5 in C minor, Op. 67

Presented by the Hong Kong Sinfonietta. Recorded at the Hong Kong City Hall Concrt Hall on 27/3/2013.

廖國瑋（鋼琴）香港小交響樂團 / 李心草莫扎特：《魔笛》序曲，K. 620 降E大調第二十二鋼琴協奏曲， K. 482 貝多芬：C小調第五交響曲，作品67

香港小交響樂團主辦。2013年3月27日香港大會堂音樂廳錄音。

20/4/2013 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Leipzig Gewandhaus Orch. / Riccardo ChaillyMessiaen: Et exspecto resurrectionem mortuorum 34’Mahler: Symphony No. 6 in A minor 77’

萊比錫布業大廈管弦樂團 / 沙爾梅湘：我期待死人復活馬勒：A小調第六交響曲

21/4/2013 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Thomas: Hamlet 156’Hamlet: Thomas Hampson (br)Ophélie: June Anderson (s)King Claudis: Samuel Ramey (b)Queen Gertrude: Denyce Graves (ms)Ambrosian Opera Cho.London Phil. Orch. / Antonio de Almeida

譚馬士：哈姆雷特哈姆雷特：漢普遜（男中音）奧菲莉：安德遜（女高音）國王卡羅迪斯：雷美（男低音）王后葛趣盧特：格雷夫斯（女中音）亞布斯安歌劇合唱團倫敦管弦樂團 / 艾美達

8:00pm 65TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十五屆香港學校音樂節Primary School Choir Finals (Urban) - Senior 市區小學合唱決賽 – 高級組

22/4/2013 (Mon 星期一)11:00am ALKAN 亞爾勤Sonate de Concert in E major, Op. 47 33’ Emmanuelle Bertrand (vc) Pascal Amoyel (p)E大調音樂會奏鳴曲，作品47艾瑪紐爾‧貝德蘭（大提琴）阿慕耶（鋼琴）



26/4/2013 (Fri 星期五)11:00am BUSONI 布梭尼 Fantasia Contrappuntistica 31’András Schiff, Peter Serkin (p)對位幻想曲安德斯‧舒爾夫，彼德‧舒爾健（鋼琴）


8:00pm SIXTY YEARS OF MUSIC CREATIVITY – DOMING LAM 　林樂培創作六十年

27/4/2013 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Nelson Freire (p)São Paulo Sym. Orch. / Marin AlsopDvořák: Symphony No. 9 in E minor 40’Copland: Fanfare for the Common Man 3’Tower: Fanfare for the Uncommon Woman 3’Villa-Lobos: Momoprécoce 23’Ginastera: Estancia 13’

費艾亞（鋼琴）聖保羅交響樂圖 / 艾爾梭德伏扎克：E小調第九交響曲柯普蘭：普通男人的鼓號曲桃華：非凡女人的鼓號曲魏拉－羅伯士：毛毛培理角斯希納斯特拿：留下

28/4/2013 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Ciléa: Adriana Lecouvreur 131’Adriana Lecouvreur: Renata Scotto (s)Maurizio: Plácido Domingo (t)La Principessa di Bouillon: Elena Obraztsova (ms)Ambrosian Opera Cho.Philharmonia Orch. / James Levine

齊里亞：阿德里安娜‧萊古芙露爾阿德里安娜‧萊古芙露爾：史葛圖（女高音）莫妮斯奧：杜鳴高（男高音）波伊蘭公主：奧伯沙素華（女中音）亞布斯安歌劇合唱團愛樂樂團 / 利雲

8:00pm 65TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十五屆香港學校音樂節Secondary School Choir Finals – Junior (First Division) 中學合唱決賽 – 初級（第一組別）

29/4/2013 (Mon 星期一)11:00am TCHAIKOVSKY 柴可夫斯基Act 1 from ‘Sleeping Beauty’, Op. 66 32’ BBC Sym. Orch. / Gennady Rozhdestvensky《睡美人》第一幕，作品66英國廣播公司交響樂團 / 羅狄士雲斯基


30/4/2013 (Tue 星期二)11:00am SCHUBERT 舒伯特German Mass, D. 872 41’Tölzer Boys’ Cho.Bläser Orch. / Gerhard Schmidt-Gaden德國彌撒曲，D. 872托爾澤男聲合唱團木管樂團 / 舒密特－加頓


8:00pm LIVE ON 4 第四台音樂會Berlin Phil. / Riccardo ChaillyMendelssohn: Symphony No. 4 in A major, Op. 90, ‘Italian’ 29’Bruckner: Symphony No. 6 in A major 58’

柏林愛樂樂團 / 沙爾孟德爾遜：A大調第四交響曲，作品90，「意大利人」布魯克納：A大調第六交響曲

1/5/2013 (Wed 星期三)11:00am KROMMER 克魯瑪 Quintet in E flat major, Op. 66 20’Bruno Meier (f) Prague Quartet降E大調五重奏，作品66邁亞（長笛）布拉格弦樂四重奏


8:00pm LIVE ON 4 第四台音樂會Anna Markowicz (vocal)Lutosławski QuartetMozart: String Quartet No. 15 in D minor, K. 421 29’Mykietyn: String Quartet No. 2 12’Markowicz: Verily I Say unto Thee . . . 9’

瑪高維契（演唱）魯杜斯華夫斯基四重奏莫扎特：D小調第十五弦樂四重奏，K. 421馬基坦：第二弦樂四重奏瑪高維契：我實在告訴你. . .

2/5/2013 (Thu 星期四)11:00am HANDEL 韓德爾Chandos Anthem No. 10 28’Lynne Dawson (s) Ian Partridge (t) The Sixteen / Harry Christophers第十首查恩多斯讚美歌杜遜（女高音）柏域殊（男高音）十六合唱團及古樂團 / 基斯杜化士

8:00pm LIVE ON 4 第四台音樂會Isabelle Faust (v)Nat. Polish Radio Sym. Orch. / Alexander LiebreichWebern: Passacaglia 11’Reger: Aria, after J.S. Bach’s Chorale Prelude BWV622 6’Magnus Lindberg: Chorale for Orchestra 7’Mendelssohn: Symphony No. 5 in D minor, Op. 107 29’

伊莎貝爾‧浮士德 (小提琴)波蘭國家電台交響樂團 / 李布拉赫魏本：帕薩卡利亞雷格：詠嘆調，改編自巴赫的聖詠前奏曲 BWV622麥奴斯‧連保：為樂團而編的聖詠孟德爾遜：D小調第五交響曲，作品107

25/4/2013 (Thu 星期四)11:00am BALAKIREV 巴拉基列夫Piano Sonata in B flat minor 30’Alexander Paley (p)降B小調鋼琴奏鳴曲柏里（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Royal Concertgebouw Orch. / Claus Peter FlorDiepenbrock: Symphonic Suite ‘Elektra’ 23’

Robert Dean Smith (t) Waltraud Meier (ms)Netherlands Radio Cho.Royal Concertgebouw Orch./ Riccardo ChaillyStravinsky: Oedipus Rex 50’

Royal Concertgebouw Orch./ Ivan FischerMozart: Symphony No. 41 in C major, K. 551, ‘Jupiter’ 31’

阿姆斯特丹音樂廳樂團 / 科羅狄班布魯克：《埃萊克特拉》交響組曲

羅拔‧典‧史密夫（男高音）華歐特‧美亞（女中音）荷蘭電台合唱團阿姆斯特丹音樂廳樂團 / 沙爾史達拉汶斯基：俄狄浦斯王

阿姆斯特丹音樂廳樂團 / 艾雲‧費殊莫扎特：C大調第四十一交響曲， K. 551「邱比特」

© M

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Alexander Liebreich 李布拉赫




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3/5/2013 (Fri 星期五)11:00am VAUGHAN WILLIAMS 佛漢威廉士 Symphony No. 6 in E minor 34’London Sym. Orch. / André PrevinE小調第六交響曲倫敦交響樂團 / 普列文


8:00pm LIVE ON 4 第四台音樂會The Kopelman QuartetShostakovich: String Quartet No. 4 in D major, Op. 83 26’Brahms: String Quartet No. 2 in A minor, Op. 51, No. 2 31’

高寶文四重奏蕭斯達高維契：D大調第四弦樂四重奏， Op. 83布拉姆斯：A小調第二弦樂四重奏，作品51，第二首


8:00pm LIVE ON 4 第四台音樂會Royal Concertgebouw Orch. / Leonard SlatkinMartinů: The Frescoes of Piero della Francesca 19’

Jörgen van Rijen (tr)Royal Concertgebouw Orch. / Markus StenzVerbey: Lied 19’

Anna Larsson (a) Robert Dean Smith (t)Royal Concertgebouw Orch. / Fabio LuisiMahler: Das Lied von der Erde 62’

阿姆斯特丹音樂廳樂團 / 史拉健馬天奈：弗朗切斯卡的壁畫

利恩（小號）阿姆斯特丹音樂廳樂團 / 史坦斯費比：歌曲

娜桑（女低音）羅拔‧典‧史密夫（男高音）阿姆斯特丹音樂廳樂團 / 路易斯馬勒：大地之歌

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翻譯：鍾兆燊

During my time with Radio 4 I have been fortunate enough to have interviewed many of the world’s leading classical musicians. A related task – and one that I have always found a bit daunting - has been to moderate discussions and debates. This can be tricky. It requires a lot of concentration and sensitivity, and you have to be quite skilful in the way you handle people.

I remember when Richard Tsang, one of Radio 4’s most inspirational heads, returned from the UK to take up the job for the second time in 1999. He got me to host a new and very ambitious programme / public event called Arts Forum. The first of these was a discussion on arts infrastructure in Hong Kong and the wider Pearl River Estuary. My panel of guests was quite distinguished (I remember, for example, the developer, Gordon Wu), and another was participating by phone from Los Angeles. I had to provoke and probe and stimulate discussion, manage the personalities and also the time, so as to give each participant a decent share of airtime, and deal with the technical side of things as well. It was a wonderful but terrifying learning experience. The series (one debate every month) helped me develop skills that made similar events subsequently feel easier – and there have been many.

Highlights on Radio 4 include an unforgettable session introducing Simon Rattle and principals of the Berlin Philharmonic to the Hong Kong press and public. Another Radio 4 highlight has, of course, been the ‘Intimacy of Creativity’ project initiated by the acclaimed composer Bright Sheng. I have enjoyed hosting the so-called ‘Meet-the-Artist’ sessions which take place in our studios, and which involve a rare and close collaboration between

在第四台工作，讓我有機會訪問世界頂尖的

音樂家，與他們分享音樂、社會及人生，實

是我的榮幸。雖然身經百戰，但其中使我心

驚膽跳，且費盡心神的，就是主持座談會和

辯論的場合了。

記得前台長曾葉發在1999年續任後，推出了

新節目「藝術論壇」，第一集便請來份量十

足的嘉賓 — 企業家胡應湘與另一位美國藝

術界專才，一起討論香港以至珠三角的藝術

發展與規劃！當中除了挑起話題、刺探雙方

立場、調節氣氛和控制發言時間之外，所有

技術問題還要「一腳踢」。這系列亦每月上

場，真是一段可歌可泣的學習經歷。

從此，我對各樣的清談節目也漸漸得心應

手，最難忘是為柏林愛樂樂團的指揮力圖及

其首席主持記者招待會。去年，在盛宗亮創

辦的「創意間的親暱」參與「創意對談工作

坊」，與格林美得獎小提琴家奧康那的對話

交流，亦是很值得回味。

今年，我會再與作曲家盛宗亮、格林美得獎

低音大提琴家艾加‧美亞，以及小提琴家林昭

亮一起聚談。詳情請留意今期《美樂集》。

Meet-the-Artist with Mark O’Connor and Jonathan Douglas 杜格尊是去年「與奧康那聚談」的主持人

Hosting the Berlin Philharmonic’s press conference at the Goethe Institute, 2005 杜格尊於2005年在歌德學院為柏林愛樂樂團主持記者招待會

Jonathan Douglas

composers and performers. Last year was made particularly memorable by the session I did with Grammy-award-winning violinist, Mark O’Connor, and I look forward to doing two similar events this year with star participants, Grammy-award-winning double-bass virtuoso and composer, Edgar Meyer, composer and pianist Bright Sheng and, renowned violinist Cho-liang Lin. Broadcast details can be found in our April edition of FM.

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