Dysphonia, for solo violin, chamber ensemble and live electronics
Transcript of Dysphonia, for solo violin, chamber ensemble and live electronics
![Page 1: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/1.jpg)
University of Iowa University of Iowa
Iowa Research Online Iowa Research Online
Theses and Dissertations
Spring 2015
Dysphonia, for solo violin, chamber ensemble and live electronics Dysphonia, for solo violin, chamber ensemble and live electronics
Jason Andrew Palamara University of Iowa
Follow this and additional works at: https://ir.uiowa.edu/etd
Part of the Music Commons
Copyright © 2015 Jason Andrew Palamara
This dissertation is available at Iowa Research Online: https://ir.uiowa.edu/etd/1718
Recommended Citation Recommended Citation Palamara, Jason Andrew. "Dysphonia, for solo violin, chamber ensemble and live electronics." PhD (Doctor of Philosophy) thesis, University of Iowa, 2015. https://doi.org/10.17077/etd.lywr7ikf
Follow this and additional works at: https://ir.uiowa.edu/etd
Part of the Music Commons
![Page 2: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/2.jpg)
![Page 3: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/3.jpg)
![Page 4: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/4.jpg)
![Page 5: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/5.jpg)
![Page 6: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/6.jpg)
![Page 7: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/7.jpg)
![Page 8: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/8.jpg)
![Page 9: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/9.jpg)
![Page 10: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/10.jpg)
![Page 11: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/11.jpg)
![Page 12: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/12.jpg)
![Page 13: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/13.jpg)
![Page 14: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/14.jpg)
![Page 15: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/15.jpg)
![Page 16: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/16.jpg)
![Page 17: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/17.jpg)
![Page 18: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/18.jpg)
![Page 19: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/19.jpg)
![Page 20: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/20.jpg)
![Page 21: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/21.jpg)
![Page 22: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/22.jpg)
![Page 23: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/23.jpg)
INSTRUMENTATION
Flute
Alto Saxophone in Eb
Tenor Saxophone in Bb
Trombone
Percussion (two players):
Percussion 1
Tam-Tam*, Floor Tom, Crash Cymbal*, Snare Drum, 2 Bongos, Tambourine, Hi-Hat
Percussion 2
Tam-Tam*, Large Bass Drum, Ride Cymbal, Floor Tom, Crash Cymbal*, Snare Drum,
Kick Drum, Conga Drum, Hi-Hat, Tom Drum
*shared by both percussion players
Piano
Laptop (PC preferred13
, with at least 6 GB of RAM, Windows 8.1 or higher preferred)
(HIDI, version 3.5.15 or higher / Max5 or higher, or Max5 Runtime14
or higher,
USB footswitch and high quality two channel audio interface),
Laptop cues performed on the footswitch by a human performer
Dancer/Glove System15
, worn by a dancer
Solo Amplified Violin (preferably a clip on pickup, not a microphone)
Laptop (PC/Windows 8.1 or higher or Mac/OSX 10.10 or higher, running Max5 or
higher), Keith McMillen 12STEP USB MIDI Footswitch
Amplified Viola (preferably a clip on pickup, not a microphone)
Amplified Contrabass (preferably a clip on pickup, not a microphone),
C Extension preferred, or with E string tuned down to C)
![Page 24: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/24.jpg)
SOUND REINFORCEMENT REQUIREMENTS
Each instrument (or at the very least, every two instruments) must be supplied with a
monitor speaker, and Laptop-generated sounds. It is suggested that a digital mixer such as
the Yamaha LS9 or better be used. This piece requires an audio engineer, running sound
throughout the rehearsals and the performance.
It is intended that this piece be played at a very loud volume, but that the sound of each
instrument is clearly and distinctly audible.
![Page 25: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/25.jpg)
Flute
Alto Sax
Tenor Sax
Trombone
Percussion 1
Percussion 2
HIDI (Sound Files)
Violin
Viola
Double Bass*
Piano
10"
10"
10"
Slowly, mournful and mysterious, semi ad lib.
Footswitch:
Slowly, mournful and mysterious, semi ad lib.
Slowly, mournful and mysterious, semi ad lib.
Digital cloud and distortion:
2
10"
2
10"
2
10"
sotto voce, molto esspressivo
1
DYSPHONIA
Jason Palamara
Transposed Score Mvmt. I.
The Bastards in Bondage
o
![Page 26: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/26.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
35"
35"
35"
45"
45"
45"
55"
55"
55"
2
o
![Page 27: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/27.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
63"
63"
6
3"
75"
75"
7
5"suddenly harsh, menacing...sotto voce, as before
85"
85"
8
5"
L.H. muting (no pitch)
3
![Page 28: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/28.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
9 4"
9 4"
9 4"
breath only, no pitch
1010"
1010"
1010"
Conga, dead stroke
pizz.
key click
Footswitch:
Distorted echoes over digital cloud:
4
![Page 29: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/29.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
115"
115"
115"
breath only, no pitch
arco, L.H. muting (no pitch)
12
7"
127"
127"
breath only, no pitch
Distorted echoes fade away, digital cloud remains:
5
![Page 30: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/30.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
13 4"
13 4"
13 4"
breath only, no pitch
143"
143"
143"
natural harmonic
6
![Page 31: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/31.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
157"
15 7"
157"
Footswitch:
(in tempo)
Low sine wave glissando:
16
16
16
Continuously pleading and lamenting
Continuously pleading and lamenting
Continuously pleading and lamenting
pizz.
flutter tongue
2 Congas
2 Bongos
Violin pizzicato sounds:
7
![Page 32: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/32.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
17
17
17
pizz.
18
3
18
18
19
19
19
To Crash Cymbal, soft yarn mallets
20
20
20
5
Digital cloud and distortion:
8
![Page 33: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/33.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
21
21
21
To Floor Tom, snare sticks, QUICK!
22
22
22
Footswitch:
wide vibrato
23
23
23
Popping sound:
24
24
24
Crash Cymbal, soft yarn mallets
Floor Tom, snare sticks
norm.
25
25
25
arco
arco
Digital cloud and distortion:
26
26
26
(in tempo)
27
27
27
L.V.To Tambourine, QUICK!
Violin pizzicato sounds:
9
![Page 34: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/34.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
28
28
28
29
29
29
Tambourine
Floor Tom, snare sticks
30
30
30
31
31
31
32
32
32
10
![Page 35: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/35.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
33
33
33
To Crash Cymbal, snare stick
34
34
34
35
35
35
pizz.
36
36
36
pizz.
37
37
37
11
![Page 36: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/36.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
38
38
38
39
39
39
Crash Cymbal, snare stick
Floor Tom, snare sticks
L.V.
40
40
40
41
41
41
arco
L.V.
12
![Page 37: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/37.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
42
42
42
arco
43
43
43
44
44
44
45
45
45
L.V.
13
![Page 38: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/38.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
46
46
46
47
47
47
L.V.
48
48
48
To 2 Congas, QUICK!
Take soft yarn mallets, QUICK!
49
49
49
14
![Page 39: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/39.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
50
3 3
3
3
50
3 3
50
Crash Cymbal, soft yarn mallets
2 Congas
51
3 3
3
3
51
3 3
51
52
52
52
Hand percussion sound:
15ATTACCA-->
![Page 40: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/40.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
Driving, menacing
Driving, menacing
Driving, menacing
To Hi-Hat, 2 snare sticks, QUICK!
To Hi-Hat, 2 snare sticks, Kick Drum, QUICK!
2
2
2
L.V.
3
3
3
Hi-Hat and Snare Drum, 2 snare sticks
16
Mvmt. II.
Blood Stagnation
![Page 41: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/41.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
4
4
4
Hi-Hat, 2 snare sticks
Kick Drum
5
5
5
6
6
6
17
![Page 42: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/42.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
7
7
7
8
8
8
9
9
9
18
![Page 43: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/43.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
10
10
10 natural harmonic
Low Murky Rumble:
rim shot
11
11
11
12
12
12
19
![Page 44: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/44.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
13
13
13
L.V.
14
14
14
15
15
15
20
![Page 45: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/45.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
16
16
16
17
17
17
18
18
18
21
![Page 46: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/46.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
19
19
19
20
20
20
21
21
21
22
![Page 47: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/47.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
22
22
22
23
23
23
24
24
24
23
![Page 48: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/48.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
25
25
25
26
26
26
27
27
27
24
![Page 49: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/49.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
28
28
28
To Snare Drum and Floor Tom, snare sticks, QUICK!
29
29
29
Hi-Hat, 2 snare sticks
(L.V. throughout)
30
30
30
Snare Drum and Floor Tom, snare sticks
31
31
31
25
![Page 50: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/50.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
32
32
32
33
33
33
34
34
34
26
![Page 51: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/51.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
35
35
35
36
36
36
27
![Page 52: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/52.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
37
37
37
38
38
38
28
![Page 53: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/53.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
39
39
39
To Floor Tom and Snare Drum (same sticks), Kick Drum, QUICK!
40
40
40
Floor Tom, Snare Drum, snare sticks
Kick Drum
29
![Page 54: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/54.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
41
41
41
rim shot
42
42
42
43
43
43
30
![Page 55: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/55.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
44
44
44
45
45
45
L.V.
46
46
46
47
47
47
31
![Page 56: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/56.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
48
48
48
49
49
49
50
50
50
51
51
51
32
![Page 57: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/57.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
52
52
52
53
53
53
To Ride Cymbal, with 2 snare sticks, QUICK!
rim shot
54
54
54
key clicks
key clicks
55
55
55
33
![Page 58: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/58.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
56
56
56
Ride Cymbal, with 2 snare sticks
57
57
3 3 3 3
57
sul pont.
sul pont.
sul pont.
58
58
3 3 3 3
58
To Hi-Hat, 2 snare sticks
Kick Drum
59
59
3 3 3 3
59
60
60
3 3 3 3
60
34
![Page 59: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/59.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
61
61
3 3 3 3
61
62
62
3 3 3 3
62
norm.
norm.
63
63
3 3 3 3
63
3 3 3 3
64
64
3 3 3 3
64
3 3 3 3
3 3 3 3
Hi-Hat, 2 snare sticks
Kick Drum
65
65
3 3 3 3
65
3 3 3 3
3 3 3 3
35
![Page 60: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/60.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
66
66
3 3 3 3
663 3 3 3
3 3 3 3
3 3 3 3
67
67
3 3 3 3
67 3 3 3 3
3 3 3
3 3
68
3 3 3 3
68
3 3 3 3
68 3 3 3 3
69
3 3 3 3
69
3 3 3 3
69 3 3 3
3
36
![Page 61: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/61.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
70
3 3
70
3 3 3 3
70
71
3 3
71
3 3 3 3
71
72
72
3 3 3 3
72
To Hi-Hat, Snare Drum and Floor Tom, 2 snare sticks, QUICK!
73
73
3 3 3 3
73
37
![Page 62: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/62.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
74
74
3
3 3 3 3
74
75
75
3
3 3 3 3
75
Hi-Hat, Snare Drum and Floor Tom, 2 snare sticksrim shot
To Tam-Tam, tam-tam beater
Large Suspended Bass Drum, bass drum beater, QUICK!
76
76
3
3 3 3 3
76
77
77
3
3 3 3 3
77
38
![Page 63: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/63.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
78
78
3
3 3 3 3
78
Tam-Tam, tam-tam beater
Large Suspended Bass Drum, bass drum beater
79
79
3
3
3 3 3 3
79
3
(L.V. throughout)
80
80
3
3
3 3 3 3
80
3
81
81
3
3
3 3 3 3
81
3
39
![Page 64: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/64.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
82
82
3
3
3 3 3 3
82
3
83
83
3
3
3 3 3 3
833
3
3
84
84
84
High pitched "optimistic" digital cloud:
To Kick Drum, QUICK!
85
85
85
L.V.
L.V.
40
![Page 65: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/65.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
86
86
86
Kick Drum
87
87
87
88
88
88
Hi-Hat, 2 snare sticks
(L.V. throughout)
89
89
89
41
![Page 66: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/66.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
90
90
90
91
91
91
92
92
92
93
93
93
42
![Page 67: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/67.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
94
94
94
95
95
95
96
96
96
97
97
97
98
98
98
99
99
99
L.V.
43
![Page 68: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/68.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
100
100
100
To Tam-Tam, tam-tam beater
101
101
101
102
102
102
103
103
103
104
104
104
44
![Page 69: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/69.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
105
105
105
106
106
106
107
107
107
108
108
108
45
![Page 70: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/70.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
109
109
109
110
110
110
pizz.
111
111
111
112
112
112
46
![Page 71: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/71.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
113
113
113
114
114
114
115
115
115
116
116
116
117
117
117
118
118
118
47
![Page 72: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/72.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
11910"
11910"
11910"
solo, sweetly, ad lib.
solo, sweetly, ad lib.
120
5"
1205"
1205"
solo, sweetly, ad lib.
48
ATTACCA-->
![Page 73: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/73.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
10"
10"
10"
Mysteriously anticipating
Mysteriously anticipating
Mysteriously anticipating
sul G, flautando, in the background
Footswitch:
Downward sweeping glissando:
25"
25"
25"
Sine waves and feedback:
49
Mvmt. III.
Sacrificing the Virgins to Moloch
![Page 74: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/74.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
35"
35"
35"
46"
46"
4
6"
tone begins to get crunchy, yet still in the background...
50
![Page 75: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/75.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
5
5
5
Building, growing in intensity...
Building, growing in intensity...
Building, growing in intensity...
accelerando (follow tempo of HIDI SF)
accelerando (follow tempo of HIDI SF)
accelerando (follow tempo of HIDI SF)
Crunchy bass sound:
Footswitch:
6
6
6
7
7
7
8
8
8
9
9
9
10
10
10
11
11
11
51
![Page 76: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/76.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
12
12
12
13
13
13
14
14
14
15
15
15
16
16
16
52
![Page 77: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/77.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
17
17
17
18
3
3 3
18
18
19
19
19
Tam-Tam, tam-tam beater
20
20
6 6
20
bring out!
53
![Page 78: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/78.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
21
21
21
Tom-Tom Drum, Floor Tom with snare sticks
Kick Drum
22
22
22
L.V.
To Crash Cymbal and Floor Tom, 2 soft yarn mallets
Kick Drum
23
23
23
24
24
24
25
25
25
54
![Page 79: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/79.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
26
26
26
27
27
27
28
28
28
29
29
29
55
![Page 80: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/80.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
30
30
30
Crash Cymbal and Floor Tom, 2 soft yarn mallets
Kick Drum
31
31
31
L.V.
High pitched squeal:
32
32
32
Low pitched bass thump:
33
33
33
56
![Page 81: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/81.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
34
34
34
35
35
35
36
36
36
57
![Page 82: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/82.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
37
37
37
38
38
38
39
39
39
40
40
40
58
![Page 83: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/83.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
41
41
6
6
41
Fast beep:
Tom-Tom Drum, Floor Tom with snare sticks
Kick Drum
42
42
6
6
42
43
43
43
Crunchy bass sound:
59
![Page 84: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/84.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
44
44
44
45
45
45
46
46
46
60
![Page 85: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/85.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
47
47
47
48
48
48
49
49
49
61
![Page 86: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/86.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
50
50
50
51
51
51
52
52
52
To Tam-Tam, scrape with triangle beater, QUICK!
62
![Page 87: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/87.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
53
53
53
548"
548"
548"
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
Tam-Tam, scrape with triangle beaterL.V.
63
![Page 88: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/88.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
555"
555"
555"
566"
566"
566"
L.V.
573"
573"
573"
64
![Page 89: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/89.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
58
7"
587"
587"
L.V.
59
10"
5910"
5910"
sul G
65
![Page 90: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/90.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
60
10"
60 10"
60 10"
pizz.
L.V.
61
10"
6110"
61
10"
66
![Page 91: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/91.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
6210"
62
10"
6210"
L.V.
Take tam-tam beater, QUICK!
6310"
63
10"
63
10"
6410"
64
10"
64
10"
Tam-Tam, tam-tam beater
67
ATTACCA-->
![Page 92: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/92.jpg)
Dancer
HIDI SF
Vln.
HIDI
Activate D.G.S.
Dancer, laying on top of the gurney,
raises gloved hand...
The timing of this movement is totally ad lib., based on the movement of the dancers
2
2
1
"Analog" button
Gurney begins to move across the stage,
from SR to SL)...
Dancer
HIDI SF
Vln.
HIDI
3
3
Dancer begins to gesture with the glove
(Gurney still moving slowly from SR to SL)...
"Change" button
( )
4
4
5
"Change" button
( )
Dancer continues gestures with the glove,(Gurney still moving slowly from SR to SL)...
Dancer
HIDI SF
Vln.
HIDI
5
5
2
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney approaches center stage)...
sul D
6
6
6
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney slows for a moment at SR)...
68
Mvmt. IV.
Affliction
![Page 93: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/93.jpg)
Dancer
HIDI SF
Vln.
HIDI
7
7
Oct+10
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney begins to move upstage)...8
8
Oct+10
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney stops at target upstage)...
Dancer
HIDI SF
Vln.
HIDI
9
9
3
"AI" button*
( )
Dancer pauses gestures, hands down... 10
10
7
Dancer raises hands in a menacing final gesture...
Dancer
HIDI SF
Vln.
HIDI
11
11molto accelerando,louder, crazier, building into next movement...
*Note: From this point until measure 87 of Movement V., the HIDI SF System chooses for herself when to trigger the glove sounds)
Watch for cue from dancer to begin Movement V.
Dancer brings hands down to begin Movement V.
HIDI fades out...
69 ATTACCA-->
![Page 94: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/94.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
Cataclysmically violent with the utmost brutality
Cataclysmically violent with the utmost brutality
Cataclysmically violent with the utmost brutality sul pont., all notes acceptable, AFAP, extremely harsh!
Loud Bass Drum Sound:
2
2
2
3
3
3
Snare Drum, with snare stick
Floor Tom, with snare stick
Kick Drum
70
Mvmt. V.
The Neo-Primogenitor
![Page 95: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/95.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
4
4
4 (continue similar)
5
5
5
6
6
6
7
7
7
71
![Page 96: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/96.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
8
8
8 (continue similar)
9
9
9
10
10
10
11
11
11
72
![Page 97: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/97.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
12
12
12 (continue similar)
13
13
13
14
14
14
15
15
15
73
![Page 98: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/98.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
16
16
16 (continue similar)
17
17
17
18
18
18
19
19
19
74
![Page 99: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/99.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
20
20
20
21
21
21
22
22
22
23
23
23
75
![Page 100: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/100.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
24
24
24
25
25
25
26
26
26
27
27
27
76
![Page 101: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/101.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
28
28
28
29
29
29
30
30
30
31
31
31
77
![Page 102: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/102.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
32
32
32
33
33
33
34
34
34
35
35
35
78
![Page 103: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/103.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
36
36
36
37
37
37
38
38
38
39
39
39
79
![Page 104: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/104.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
40
40
40
Snare Drum, 2 snare stickssnares on
41
41
41
42
42
42
43
43
43
80
![Page 105: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/105.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
44
3
44
44
45
45
45
46
46
46
47
3 3
47
47
81
![Page 106: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/106.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
48
3
48
48
49
3
493 3
3 3
49
50
3 3
503 3
3 3
50
51
3
513 3
3 3
51
82
![Page 107: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/107.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
52
3 3
52 3 3
3 3
52
53
533 3
3 3
53
54
543 3
3 3
54
55
3 3 3
553 3
3 3
55
83
![Page 108: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/108.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
56
3 3 3
56 3 3
3 3
56
* First sound cue for dancers so they can time the end of the piece.
57
573 3
3 3
57
58
583 3
3 3
58
59
3 3 3
593 3
3 3
59
84
![Page 109: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/109.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
60
3
60 3 3
3 3
60
61
3
613 3
3 3
61
62
623 3
3 3
62
63
3 3 3
633 3
3 3
63
85
![Page 110: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/110.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
64
3
64 3 3
3 3
64
65
3
653 3
3 3
65
66
663 3
3 3
66
67
3 3 3
673 3
3 3
67
86
![Page 111: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/111.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
68
3
68 3 3
3 3
68
69
3
693 3
3 3
69
70
703 3
3 3
70
71
3 3 3
713 3
3 3
71
87
![Page 112: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/112.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
72
3
72 3 3
3 3
72
* Second sound cue for dancers so they can time the end of the piece.
73
733 3
3 3
73
74
743 3
3 3
74
75
3 3 3
753 3
3 3
75
88
![Page 113: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/113.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
76
3
76 3 3
3 3
76
77
3
773 3
3 3
77
78
783 3
3 3
78
79
3 3 3
793 3
3 3
79
89
![Page 114: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/114.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
80
3
80 3 3
3 3
80
*Third and final sound cue for dancers so they can time the end of the piece.
81
813 3
3 3
81
82
823 3
3 3
82
83
3 3 3
833 3
3 3
83
90
![Page 115: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/115.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
84
3
84 3 3
3 3
84
"AI" button - OFF!
85
3
853 3
3 3
85
86
863 3
3 3
86
87
3 3 3
873 3
3 3
87
91
![Page 116: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/116.jpg)
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
88
3
88 3 3
3 3
88
89
89
89
905"
905"
905"
Fade out HIDI Glove analog sounds
slowly as the lights fade out...
92
![Page 117: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/117.jpg)
BIBLIOGRAPHY
Booher, Amanda K. 2010. “Docile Bodies, Supercrips, and the Plays of Prosthetics.”
International Journal of Feminist Approaches to Bioethics 3 (2): 63–89.
Bosma, Hannah. 2003. “Bodies of Evidence, Singing Cyborgs, and Other Gender
Issues in Electrovocal Music.” Organised Sound 8 (1): 5–17.
Collins, Nicholas. 2006. Handmade Electronics Music: The Art of Hardware Hacking.
New York: The Taylor & Francis Group.
Cope, David. 1996. Experiments in Musical Intelligence. Madison, WI: A-R Editions.
_______. 2005. Computer Models of Musical Creativity. Cambridge, MA: Massachusetts
Institute of Technology Press.
_______. 2001. Virtual Music: Computer Synthesis of Musical Style. Cambridge, MA:
Massachusetts Institute of Technology Press.
Demers, Joanna. 2010. Listening Through the Noise: The Aesthetics of Experimental
Electronic Music. New York: Oxford University Press.
Desain, Peter. 1992. Music, Mind, and Machine: Studies in Computer Music, Music
Cognition, and Artificial Intelligence. Amsterdam: Thesis Publishers.
Glinsky, Albert. 2000. Theremin: Ether Music and Espionage. Chicago: University of
Illinois Press.
Griffiths, Paul. 1979. A Guide to Electronic Music. London: Thames and Hudson.
Haraway, Donna. 1991. “A Cyborg Manifesto: Science, Technology, and Socialist-
Feminism in the Late Twentieth Century.” In Simians, Cyborgs, and Women:
The Reinvention of Nature, 149–181. New York: Routledge.
![Page 118: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/118.jpg)
Hayles, N. Katherine. 1999. How We Became Posthuman: Virtual Bodies in
Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press.
Iverson, Jennifer. 2006. “Dancing out of the Dark: How Music Refutes Disability
Stereotypes in Dancer in the Dark.” In Sounding Off: Theorizing Disability in
Music, edited by Neil Lerner and Joseph N. Straus, 57–74. New York:
Routledge.
_______. (forthcoming). “Mechanized Bodies: Technology and Supplements in Björk’s
Electronica,” Oxford Handbook of Music and Disability Studies, ed. Blake Howe,
Stephanie Jensen-Moulton, Neil Lerner, and Joseph N. Straus. New York: Oxford
University Press.
Knuth, Donald. 1997. The Art of Computer Programming, Vol. 2. Upper-Saddle River,
NJ: Addison-Wesley.
Manning, Erin. 2006. “Prosthetics Making Sense: Dancing the Technogenic Body.”
The FibrecultureJournal 9. http://nine.fibreculturejournal.org/fcj-055-
prostheticsmaking-sense-dancing-the-technogenetic-body/ (accessed April
20, 2015)
Manning, Erin. 2007. Politics of Touch: Sense, Movement, Sovereignty. Minneapolis:
University of Minnesota Press.
Manning, Peter. 1985. Electronic and Computer Music. Oxford: Oxford University
Press.
Miranda, Eduardo Reck. 2011. A-Life for Music: Music and Computer Models of Living
Systems. Middleton, WI: A-R Editions, Inc.
![Page 119: Dysphonia, for solo violin, chamber ensemble and live electronics](https://reader036.fdocuments.net/reader036/viewer/2022071520/613c76ecc957d930775e2aab/html5/thumbnails/119.jpg)
Roads, Curtis, ed. 1989. The Machine Music. Cambridge, MA: Massachusetts Institute
of Technology Press.
Rowe, Robert. 2001. Machine Musicianship. Cambridge, MA: Massachusetts Institute
of Technology Press.
Schaeffer, Pierre. 2008. "Acousmatics" in Audio Culture: Readings in Modern Music, ed.
Christopher Cox and Daniel Warner. New York, Continuum.
Schwartz, Elliott. 1975. Electronic Music: A Listener’s Guide. New York: Praeger
Publishers.
Winsor, Phil. 1987. Computer-Assisted Music Composition: A Primer in BASIC.
Princeton: Petrocelli Books
Winkler, Todd. 1998. Composing Interactive Music: Techniques and Ideas Using Max.
Cambridge, MA: Massachusetts Institute of Technology Press.