Duos for Violin and Small Irish Harp - Free-scores.com · 2^i Duos for Violin and Small Irish Harp...
58
HAKP >(*;>
Transcript of Duos for Violin and Small Irish Harp - Free-scores.com · 2^i Duos for Violin and Small Irish Harp...
2^i
Duos for Violin and Small Irish Harp
COMPRISING GRADED MELODIOUS DUOS, FOR• VIOLIN AND SMALL IRISH HARP,
CONCERT HARP OR
PIANO.
They played, and their soft tones mingled
in harmonies divine.
GERTRUDE INA ROBINSON
Price $2.00 net
CARL FISCHER g88X62 NEW YORKBOSTON
3»0-3«2 BOYtSTONSTCHICAGO
335-338 SO.WABASH AVE.
Hoo^oosoooooooooooooooooooooop
Digitized by the Internet Archive
in 2011 with funding from
Brigham Young University
http://www.archive.org/details/duosforviolinsmaOOrobi
Preface
The Small Irish Harp, not fully appreciated as to its musical possi-
bilities in the past, has recently attained such perfection, both in its con-
struction and tonal quality, thanks to the skill of Melville A. Clark, that it
may now be justly considered as a permanent -addition to the long list of es-
tablished, legitimate musical instruments of the world.
As a solo instrument it has long since proved its value, and its im-
provements, as above mentioned, are creating a rapid demand for its use
in connection with small orchestras, as well as an accompanying instrument
for voice or the violin.
Repeated requests for duets for violin and small harp, have resulted in
the following collection, and an effort has been made to provide standard
compositions, as nearly as possible in their original forms, besides includ-
ing attractive original numbers.
These duos have been arranged with the small, harp tuned in the key
of C flat, in the open string, where the signature is in flats; and with the
harp tuned in the key of C natural, when the signature is in the sharp keys,
the tuning being indicated for each selection.
The duos have been graded, as nearly as possible, so that they maybe used as progressive studies, for pupils,- or the advanced player may se-
lect, ad libitum. It should also be mentioned that these arrangements are
equally serviceable as simple numbers on the concert harp.
This collection is graciously submitted to the Irish harpists, with
the hope that it will meet their demands, and will contribute additional
pleasure to their work.
The Author
18841-1
Contents
Page
1 Bill lade Gertrude Inn Boktneon. . . 3
•) 2 Romance de Mignon Awtkroiee Thomas. . . 5
• > 3 The Meeting of the Waters Thomas Moon-. . . 8
4 The, Old Folks at Home.(Way down upon the Swanee Ribber) & CFosttr. . . 10
• ' 5 Ave Maria Stella CM. v. Weber. . . 14
6 Scherzo H. M. Parkhurtt . . . 17
• / Largo G.F. Handel. . . 20
8 Fairyland Waltz Gertrudi In>i Bobineon. . 22
• ' 9 Auf Fliigeln des Gesanges (On Wings of Song). . ,F. Mendeltenkn. . . 24
*i 10 All PrintempS. (TO Spring^ ('has. Gounod. . . 27
• Arranged Ay Gertrude fnn Mobinson,
18841- I
3
Ballade.Tune Harp in Key of C\> in the open string.
INTRODUCTION.
Andante sostenuto.
GERTRUDE INA ROBINSON.
Violin.
Harp.
±S SImfpggpp
iBE ^^^m5/
SH^ £=!=£
KI f ff^
£e£ *EE
PI
sv a tempo
n
p l J rrr^ r * i J f-rr ~|mf
fc
riV. .*»y —
^^^ r*/. -^
g tempomf El)8
_2_fe^EE*
f f r r
m\y
sJ> 4 Pi*
p ir r f^w-p-* E
gk ^«E[>3
s=^*'*
JL_JtBl]3"
B|?3
3IZZf=f f
PJ^/
* H fej| :
f::y=£
yJ
Copyright MCMXV by Carl Fischer, New York.1&841- 38
fr r r p ir
,:fe
^ > U cue= -fr+PF-rf**
:•
p n,f^S HJ2 _2_ 7
5?Ui
• • # # m m- • •
r=F f=F ft r
*-' •
•
»
*
feu-
15i
Bl;3
B!>3
":/
<tI i^J^ 1
?c 'f fr
a t< mpof *
4yL
iU) CJi Bgrf ^^gl'^^^-^j^%^^ 1=EE
f L^U" f
•
* j itf= ^*
-
mm-•
: J
-I 'k
') :
; '•»f -
1 1 hi i
#mm':
/'/>
i' * r .?
.-"-•
?
i
rit
. ! - :ts
5
Romance de Mignon.
Tune Harp in the Key of C in the open string.
Allegretto sostenuto.
Violin.
Harp.
V*ii HAMBROISE THOMAS.
/T\
4ftmSE|
mfi
It#
F^*
a£3E
Fl7 J3 ! ^,
=3t
ffB
J^-^
rit.
r\
Andante.m w'J -Hi- l f-g n i
j. j ^p
j»
w>ff
fts $ 3=3E 3EEE 3E3E fcEE
Pn^r I iEE± Ieee $=3E £E3E
gill rni
jp^p Si
a dim.
£E3 &E * 3=E£f ?i? mm G#2 E#8 Etj3 G |,
2
*:
£^ *=E :¥=^"Z?
iife=* *S Jit »| 'J lgP
_^p
Iftrf fc & *^ft 3eees-5-
215E1Gf
* 1. 1
—
E#4
3=E£
1N841- 38
Copyright MGMXV by Carl Fischer, New York.
6
m w r^ l r~"J tI > 1
nz
%P^i
apElj4 G#4
^8!Gjfi
ste
!!*:
,^^-7 ^^ iH3>
f^ j ij i
J-f - f f f -
ily -*^—
¥=*£
poco cresc.
*#= ps±=£«J
S ifli51
1 ^oc6> cresc.
18841-38
/ a tempo
m **—¥
¥$^mf a tempo
#:
«i *=F
# ISf£Hj E TF^Gils
Gl|«.. G(ti Gl]l
Jg I I
^ii J~J^ J"TJ i E«
s*=£G#a GJja
D#3 Cl]2
3=E f 3SE
^ V/TV
tn 3 n
iI
»o r ^j§= f
» > t n
il ^ /T\ ^Jlfc£
i-Q,
¥ 7 i i
f C#2Dlj3
^^ I/7S £&E 7 | 5±=3t
18841- 38
s
The Meeting of the Waters,
Tune Harp in the Key of C in the open string.
Bioderato.THOMAS MOOKK.
Violin.
Harp.
/7\ v
9^2= m
s>
ms*Hm /?N
a..?= =Z3
9
a-na-w?
££3zff
5 I_ S -&l
*^' £
9* J* ^ *—
*
mmrit. _
'w^ J]W^J5i*=-
18841-38
10
The Old Folks at Home.(Way Down Upon the Swanee Ribber.)
Tune Harp in the Key of C in the open string.
ModerateV.. H
B. C. FOSTER.Arr. hy A. J. Vans.
Violin.
#feN^I 3N=N* *S
P
X
Harp. /py^ * J J J& x
>;
f' t
v n
-o
«' r>
*•
g i
E» j r fl^ i^Oj 1
rrfri
«£fe
+-f—f-tff
&ejot
*>M - * v ''
;» jj * *
N*^*==
^?
i
i\
m^ v n
J JIr ^^Jf^^ rffffr
#fe»• __^_ / ^F^^ k
5EE£ £E£»#/ —
=
v-- tf i <, p r
r* £e£ £Efe
i *
^—
«
3^ J
**" P»f:
f
/>
j' i i r if
nf. .
t m>
.;>•
^mc
rit. .
a c
ISS41-8H*rif(ht I >,,/ r„rl A, trA,r, X, w )
11
fif
tempo
—
_
4 4
iMr i
V. —*-
_1
i—« ;
c
wwt-
=f=t=f=J m ' »< i
i r ^ ^T '
M
—
(3
m
J> *-»
5 tempo—*U«L
f
3^—•> y *
H* 1
F a m mJ 4 S J S #—
. * S—mh-#- l-J-
^if i
Tm
siifat rr pf, r mWe^e
rtV. .rnf
m« W s+-d-0 w *
rit.
&& m ¥Ei £ £
b r r i fa tempo
mu m i ^?
«—*-*
« tempo
gg S1IZZIB
#^fe# ^=f£LT r r
^riV.
^tf £3* *J # #-^r//.
^§£Ei £ ^18841-38
IXAllegro.
*zl i
"/
•^ pHjlp] • JJJJ/NJJJJ 't^JJjsimile-'M'M'M
W i < iK
.
J v J » J v3=1^=5
Hi•f
9 '"' \
P*fr= =J= =P
».= =«=: - ....— .
'' . i ; -!
i'
i ,i i i i ; -. i i i i i a i i i i i a c
J h hW-H+iV
j
^ „ . !>
s t=i5 g^^^^E^j
^Fftjfl^
ik
:
':
B|8 Bl]3
b
T
b
T
b
T
fsee*
*».=
,<Jiy Ki+yr
i i ii
» m • - X^"^~*
i i i ii
i^- • • . - -»^H;
:=
h ., h
J f f \x • *
/*J# L v i
^
• =j£ '
=P HHH 1
=V ' J IP #-' *
^¥ J »
JV
JV
Jj»
^t^ 'J
'
J
^ » P » JM
u I m 3= IP p' _^ \ /y_ * m _ \ / .mn \mLff-*-*
m&l 7 I 7 if
iP ' P ' P ?= ?
.^c
£g ^ &E? £f j^h^pi ^ 7j
dj\ u .
JtrT3
Itf^ k innl £ fe:i^ 4
1 7 1 :7=1 7
W k k
f1
-7 « 7-7=7 f
4 ¥ flTTpJTTTfiJTTTO/CN
/?\
wmmm* , r m ^1/
«jltd* £=^EFEE5 hr\
fe^i ' 7 ^^ 5 k/7\
3=7: ±
rt k kJ^ 7 P 7 J^gE^
X/C\Ji y P 7 ^Eg1 7=7
18841-38
14
Ave Maria Stella.
Tune Harp in the Key of Cl> in the open string.
C. M. v. WEBER.Adagio.
J J J J I J. S^=j*?CTViolin.
feHarp. mf
m«ij~T^
J=J
3¥ *Fl
2
*
t?^ t'
^ Jj J7 i
J'_ju >i r > ff i r~' J JJ ' CLJ <U l
is nm J
vr *
-«—
•
i*"*-*i
ss 5 Ja
r
s W^ ? *
4 iJ^jjJ i J^J > [jj O i Qtg f
nb
J»rfl n!.-
3g P ^E* J
?*=39-
fP*
!- 1*J
S^^SR V
<S —zJ—r- « ;
d
*: *
1SS*'wrt^kl MCMXr A ¥ Carl Fi»cK«r, Atw Ynrk.
15
mmv^ ^
mif
n, r * $
-%\ \>\, J—=_-
—
fr-V- 1-£} 2_U £
1>> . ^w j i u
#
—
j J =p *
—m-. *-J m *
—1^£^£ —<* •— ——tf
4): , k -
#-= «L-^
>
p r L—
—
*-f—
\=
~^-H
—
* -j *
i *s
i
v i"i. rJ
iT IS"-*-
pm =^=
^
4^£pS £ *HE
18841-38
16
,'; <.. tJ> J ^
4*> •7' .' J^rrrr
my I X I
Scherzo.17
Tune harp in the Key of C\> in the open string.
Quasi vivace.
v n
$ ^^ £=i
H. E. PARKHURST.
v rv
Violin ^^ ^•if
^ ^Piano mf
=3=£ m m
:*=» %*ZE
9 » %
v
T^f^^
m I g2? §
4
±•&•
p *
I^m i £ £ £5^-
t2^^^ S r r r r r r t
eresc.
i S
/
iffS^-
£^P? z: Ji 5?-s^
cresc.
« •^^ *±4§ £ 5^- *5^
# 1» ^^te£
fc Upl<2^-
* i £P ±: ^^
^ fP *I
§ i £Sk
s
18841-38Copyright MCMXV by Carl Fischer, New York.
is
-k'"
'r f i
f~r ffnf '
I mi
!|^ I!i i *
A!; •
i i
j
J
Blj 2
I
<z
}
H 3z
•p- **
• •
*,' -^
(<•>"
\%f-
'^ j i
: 2
e
;*"
*?:
dim
t:
I-
a*
; 2:
g \m m J
i- .
19
f-t1
r frf-Hmf
£
br^S^ £e« ^M^i i J.
/
^^ %9^-
i _^pr/ mf P
mf
j=* %J
/
S »- G
^1=J: *:* g^
r jtj J ^ j'i r r r r r
p* * $ $
mEt] 4
wt *&£ ?=p=t fcp—
*
§
^ •—
p
^^ £ M 1»
i
n ) acresc. f */ *f
¥^i i M*f
53±-^ *
cresc. f ifs¥"
&.9£gEEg
£ J
18841-38
•^o
Largo.
Turn- H.irp in t! t Kr\ of C in tht- open string.
Violin.
Harp.
(i. P. HANDEL.
mm*::: • : :
» r (•-#[.-
,
* • * • .
J-
t**4'
fkt MCM
j
fL«Hr-rrM=ipEn4 S v n..
pPg^F^Pfi^ 3j»
i*fFl
4I
m •—•m m
^^m-m-
m m
P Dtj'
*
f»—• #
a m \
% f3 mmm*=£ =
9 # ^ # #
^i n
a tempo
* |"'j» j
»m sS^ m :£
"if 5 /-= ./7
£*=^ mm ^^ i
»—
»
—
»
«t=jt
¥E^:;
« tempoC#a
*^£# (
»—*-» 1
Clj2
f
sS^afe* 0—t—t_=i* st
jpoco r#.
*
/oco rit.
dpi;§ i
*p^^ £
*
£ ^^=I
^3
fcfe
1N841-3N
Fairyland Waltz.
Tune harp in the Kej Ol Cp in the open string.
Mwderatov_
CJERTKUDK INA ROBINSON.
Viol in.
p_ '--'
Harp.
^mvP
9= v • % t
f
Ii *=*
**
t=E0
f ^E£
J
' * it
? .? I
< I
£-i
> i
=JIi
ii
* *
$
Jl
i *
< *
^
w > i 4 i -rrr^ i ^i^j^^- • ^^^§pJr. t * * if - £ / / /
' ! •e-eife
1SH41• fart f,*rA*r .V.w, Y'.rk
23
^£ a^ ^ ^^/:
it k if if
);Lif \fep \
~
i ^sif it it
^v ^££±• ^L
s « ;e=e* * y=
£ * ^=fc
# Jee^i 1=Vl, p
t ^ * &E5f ic£e££
m i &i
.^ *B3 S^3. v n.
£e3E§ fi
f f ^r i
f ^H&
£> * JL ip Jl->ri s* -^r £e£ 1 tfef\r
S 3=gG>> l t)
Ai;3^i"y 7 I j
Ab 2
Be £*
n
1= £e=§ i f i
rit.
h=t > > s A>—
^
** -\d VpEJ=£ fe*-*rzY. —
^r-+f is £^ As */?. £«/ Fine
18841-38
Auf Fliigeln des Gesanges.On Wings of Song.
Tune harp in I of C\> in the open string.
F. MENDELSSOHN.
Violin.
Andante tranqnillo. v
i*>:
-=w^Harp. PP
•> 9 i .1=1.
sempre p t legato
ri.p3 ••
I -. . . a i 1=^ • • • • - > -•
. Wa> Im:„ :.. ,r ,P'HJ" r
•
_
• »
! I •
,.
25
iiliktdoE^P
dim.'-r p
=^TJ»
|^&
^=^f « f#F^-^m-
mdo E« fl/Z« u - en
&~ado pp
&=&m p f
IV f- gr
p r p» »
cresc. P
mvy 7
A^2
bw £J P
sa v
Gl>2
>)£^=4s
MG^2At 8
Jfit
GtaS^flJ
Dili
p—y-
f #5
f
^ 1If
t*^±£ lSr?V.
^=t
3E#— Ft 4
*M G^3 r/'/.
07
f
^ Me<z tempo
H ^
Ms ?=g
^ g tempo
vy 7
cresc.« ej
—
g g j—
s
f rr18841-38
26
|g fe^
/ cresc.
GV»
*> & libE^ OJ
.-Dfa8' „ i
/•
Ft 4
J_5U '-..
..
,s£ .^i-. '
***
flj" " '•
/I*5^p
f *j=f*.
».
y /,fp tfr
ijeeeE. t. i.
r'
r
I...
•• /-.•
•
r
p'J'
im^ifm%
rit.
f aS
/V>^/?s
^fc3
7 * **
27
Au Printemps.
(To Spring.)
Tune harp in the Key of C in the open string
Lento
Violin
CHAS. GOUNOD
Piano
=*MMa tempo^ ^S ^E
#H=Hi
cresc.^
a tempo
-FTT^1^3 i^icresc.®rr-*
rt i 3EE£ EE^£
sempre rail.Andantino
v
18841-38Copyright MCMXV by Carl Fischer, Ncv) York
28
poco rit.
Animaton
/ V --L-'
- AAA*
•>'tmm
piiM rit.
a tempo
v.
29
^
poco rit Piu lento y
1884t-38
ADVANCED LESSONS EOR THE HARP
COMPRISING PRELUDES IN MINOR KEYS,
Ol.lSSANDOS AND SOLOS IN CHARACTERISTIC KORMS
FOR HARPACCORDING TO THE FAMOUS
HASSELMANS METHOD
-Waft* *i<o vrf-.4 ••«* J'""' ttHrtm
And j~i-+ *h* MtumJtmg »*."
BY
GERTRUDE INA ROBINSON
VIOLIN
®®®®®®®®®®®®®®®®®®®®®®®®®®®®®l®
Duos for Violin and Small Irish Harp
COMPRISING GRADED MELODIOUS DUOS, FOR
VIOLIN AND SMALL IRISH HARP,
CONCERT HARP OR
PIANO.
D
They played, and their soft tones mingledIn harmonies divine.
BY
GERTRUDE INA ROBINSON
Price $2.00 nil
§
CARL FISCHER S88S62 NEW YORKBOSTON CHICAGO
360-382 B0YL3T0N3X 335 -338 SO.WABASH AVft
®®®®®®®®®®®®®®®®®®®®®®®®®®®®®®
Preface
The Small Irish Harp, not fully appreciated as to its musical possi-
bilities in the past, has recently attained such perfection, both in its con
struction and tonal quality, thanks to the skill of Melville A. Clark, that it
may now be justly considered as a permanent addition to the long list of es-
tablished, legitimate musical instruments of the world.
As a solo instrument it has long since proved its value, and its im-
provements, as above mentioned, are creating a rapid demand for its use
in connection with small orchestras, as well as an accompanying instrument
for voice or the violin.
Repeated requests for duets for violin and small harp, have resulted in
the following collection, and an effort has been made to provide standard
compositions, as nearly as possible in their original forms, besides includ-
ing attractive original numbers.
These duos have been arranged with the small harp tuned in the key
of C flat, in the open string, where the signature is in flats; and with the
harp tuned in the key of C natural, when the signature is in the sharp keys,
the tuning being indicated for each selection.
The duos have been graded, as nearly as possible, so that they maybe used as progressive studies, for pupils; or the advanced player may se-
lect, ad libitum. It should also be mentioned that these arrangements are
equally serviceable as simple numbers on the concert harp.
This collection is graciously submitted to the Irish harpists, with
the hope that it will meet their demands, and will contribute additional
pleasure to their work.
The Author
18841-1
Contents
Pa^e
1 Ballade Gertrude Ina Robinson. . . 3
*) 2 Romance de Mignon Ambroise Thomas. . . 5
• ) 3 The Meeting of the Waters Thomas Moore. . . 8
4 The Old Folks at Home. (Way down upon the Swanee Ribber) S.C. Foster. . . 10
• » 5 Ave Maria Stella CM. v. Weber. . . 14
6 ScherZO H. S. Parkhurst. . . 17
•) 7 LargO G. F. Handel. . . 20
8 Fairyland Waltz Gertrude Ina Robinson. 22
•) 9 Auf Fliigeln des Gesanges (On Wings of Song). . . F. Mendelssohn. . . 24
• )10 Au Printemps. (To Spring). Chas. Gounod. . . 27
* Arranged hy Gertrude Ina Robinson.
Ballade,
VIOLIN.
4
INTRODUCTION.
Andante sostenuto.
GERTRUDE INA ROBINSON.
1 ir
BE % §^ « tempo
mm #-=—
#
fi'i$
*v /#5/ r/7.w/*
4k
3.0 4
S% rr*u grp 3Pi k k i
jfo
i'^ » _ "1 ss* *
#-^~* ^?—
*
^ — ^
i k . : i fl)m J m ^Sg iicffI 3Eg^>
«y
^fcki1
^±=b1 ^ ^
Wy y
*k
I4rf §
^ rit
#i ^y
a tempo
t* ^
|;P |>f g ifttv3
1 /'
XI >p
#1k
n 4_.3 ^r #•
^- J5H;iJ. J]k
V
n
02.-
I f$v\* \ %Ff^ £r«7. i» i#*
18841- 38
Copyright MCMXV by Carl Fischer, New York.
Contents
1 Ballade Gertrude Ina Robinson. . . 3
*) 2 Romance de Mignon Amkroi— Thomas. . . 5
• ) 3 The Meeting of the Waters Thomas Moore. . . 8
4 The Old Folks at Home. (Way down upon the Swanee Ribber) -5". C.Foster. . . 10
») 5 Ave Maria Stella CM. v. Weber. . . 14
6 Scherzo H. S. Parkhurst
.
. . 17
•' 7 Largo G. F tlimdel. . . 20
8 Fairyland WaltZ Gertrude Inn Robinson. . . 22
») 9 Auf Kliigeln des Gesanges (On Wings of Song). . F. Mendelssohn. . . 24
• MO Au Printemps. (To Spring* Chas. Gounod. . . 27
*> Arranged 4y (iertrude Ina MoHn
Ballade.
VIOLIN.
4
INTRODUCTION.
Andante sostenuto.
GERTRUDE INA ROBINSON.
BE *1 Sw-'fc-. n'
empo
£ P^P g * m$
*v mf rit.
4k
34
mf
5* * asP ^=p
i k ijfo-
^ » _ ^*
*- r y £* *f *_2*, ZEL
f P — P
i k fff
I1* 7 1 p~#^ zs;£ £=-k
1 g^ p n r r f */«>/
^ii1 jyleff f|Fj^r
=*
wi/"
y
^rk#
#•,
£MtFf m— ritm\m i ^^— /
« tempo
4fc
^ ^fc-
iir pf TTiT^ iz:
V3
* * >P
i*kn 4_
.3 ^ #•
55 jj r •ij. =j b
V
i f j:\~x yTmn
MET P f f ' *r/7. i» ^
18841- 38
Copyright MCMXV by Carl Fischer, New York.
Romance de Mignon.
VIOLIN.
4
Allegretto sostenuto. Andante,
u 3 f>
h g \ *\
\
=s
1 n
AMBROI8S THOMAS
S J J.
I
J J]/-//.
/>
^ ^ s « «*5< n jjjju. j
-^ j---
=— tfVw.
5 ^ i U3j. i i^t'-
SFKs ; -
sp
? -r"™= ^~~» 7"
f " r r *p ^^^ • •-
n
;z£l
»•.? *i
4
M-^tm^n££ £' £ ^ ifer """Mfff:^rr/>f/r<v ( H ft dim. />
=---^ '
n
/«r« «*/.
*r ftJ— # 1MM V
^/V/ tempo
£ :• ? i f ftfj i f fH
i'af ? , fif Jfir i r p> ff^i £#^v
»ifl fTr
|f>
n r a,; !
f,?7 i'
|^^~n- i-
Ih 1
The Meeting of the Waters.
VIOLIN.
THOMAS MOORE.
i *
Moderate
V4—mA • d d -+
P restez
i * i§ s r * J J5S s
* J 7 «Tj ^^=j=J=i
/Cs v^5Va.
i P « W
a tempo
X y y 7£.£ ^
?*#. _ V
j >
cj'
r r is ri
*f r r.r r r* m
in§# #-
i •Eft CJlLfr*'/. a? a tempo
f7\
i t U it ^*
cresc. ~f Prit.
18841-38Copyright MCMXV by Carl Fischer, New York.
The Old Folks at Home.(Way Down Upon the Swanee Ribber.)
VIOLIN.
Moderate
V.
S. C. FOSTER.Arr. by A. J. Vans.
V3
jfhr^ ffp
nJ
l7 '
—' ^n_I^
/
v n
pjr t v - i £f
n v2
/ft»
r r T C£Dff p
ny-pX n^^ ^Hj
////' / ^^4 *
1 t>mp<>» J
P^ ^ ^J
i Mr if c•A/A e
? 2.M /Tpri f ^ r
-r
i
j. ri |
; r K) inm* -#-
4 *i)
•ii £ rir [J£i-'
jrg-R;r[ !
' n
!-M'. >,At MCMXFbn Cmri FiaeUr, I
VIOLIN.
Allegro.
fU-Jff J «
^—^ >r> (ff\ /?f^ 1
i_T .... 7. .—ra• •
z*j 'v^JJ*; v^p
?y v^_- -_-x \l.-
• m\4t—
'
-it-• M P
rrmf x-' '^ simile
=tt*i £ ^ */ ^ jjjjj
g ~/ v.w 4
4
wy Tl S,*
ma O1
1/ 3
«2=m
• V?*-
flit it FBB8== b===^ =====>,
||
|^ ,,| ,
j ,,| ==tj h * r—
i
M\^t \jM jM " P7 7 * • * -P-Z_~rf x^j^y V^-J-J-^y Vf^-W-J-f^ ^^^fl/— v -J-J- y V —
" 4 ' 7
iHiLT 3
: simile
m\ m m \ mWW
mu /^>P~^\ rfy ?w^pii* 00 0-000 **.
ia3^
*Fv? *-*£/
yj/T\ II 2
5££ 5 *-—
^
Vy vJiy v-JJv '^y* !^*£y^
i:>84i-«s
8
Ave Maria Stella.VIOLIN
feAdagio.
2
C. M. v. WEBER.
i
£J J I J. *JJ *
"~-*-
/>
n
-J rji f] j j£
<fo -i * r i ^ HbJ^-*-^ 5
rf^ r-1
P r » ir r j * ^
F =^ f
i it S^ J? |Jj J^J i(P',
4k
n4
^r cj i r ^ jJ fJ
l
-Hj J j *f
M J _^J I JJggili J-
- ~
rTr^
©''» LUrii /T\o
'"./•
r lT 't'-.
. ' !1
INN41, .. • • »••.'. \. a |
Scherzo9
VIOLIN.
Quasi vivace.v
H. E. PARKHURST.
4:tP¥
v n43Ei
r r r t»i*/
cresc.
$— — —m i r i \-
\i £ =
y ^
pi-». je :z n
£#
—
P
fc=Sn v
•
I T r bJ»«y
t^n* r f i f-F ^~
r r r i r t
v n
•
^M s: tV
* * &*-
4
7
f m</ p
%0-F- £ U.' -fl.
n
1
1
1
^-j>f^^cresc. if f
18841-38Copyright MCMXV by Carl Fischer, New York.
DO
VIOLIN
Largo
0. F. HANDEL.
i5
3
3- 3 '• * —(^
; ^4- g
Pr;
4 £=£ ? p; -*
#iP .
i-l j/, -J"" v h v n v"i 1 ^ ^vm m^^ m• • •
P
v n v Yi
n v n v nit v n v,i i n v n^jtj
ij. ^j
•7N V PI
r p r h p £r-r*r-&?//>/
i5 S # » m:+—d : '
p
ip.
V, n v 7
£=fv, a
r ^.r iTjJ e ^^mn
/>
I
allarg.
flfr Mr Pr I ig> JO l [/
y -
' -:"'/ J /- .//•
^>r« r;/. y
<?* ' ' II
. hy rar l f,
n
VIOLIN.Fairyland Waltz.
$k
Moderato.
v n
GERTRUDE INA ROBINSON.
BE1
~7~^ """^-
%p a
V8^ *»'"" "*
,
«=r~_^t ="k-~7™ "*"=-
i—7^ ^~nt-
P-r—0-
1£===£ #--* » *
k4,
4?"
l>T> J * i#-*-
-a-Fine
k -r-=—=~s:
it^=£ ^-M-Tt£
ifBE 1•—^-—
#
y.
B
b £ ffxn
2
¥ * *«-=-
5
k £a * *
5E V.
*' +%
rit. D. C. al Fine
18841-38Copyright MGMXV by Carl Fischer, New York.
12
VIOLIN
Auf Flligeln des Gesanges.
On Wings of Song.
F. MENDELSSOHN.
Andante tranquillo.
fev "
p
-w' l r gcr-T i r
is
$t* S! mm j J3
1j.^"7
>/'
I? 7
=^t -y" ^V •• ^^ T>.'
p
Vl
^
—
T—*~ ^ ^2
i&•g 5 J i r ^ Mr P ltj ir ^^ ™*
/CTf
<//W.
P'l '
i r< m .
J 'H'T pr p&
a t< mpt)
a .rtt v
y n^—„ ^
Qj lU '
^ r >^M^ ^=^^^^r?:r Mr pii!Fi
cresc
*- 5- :.• !. P "
r//w. 1/.. *
< ty * nfc ;i ^^ ^ • n^m^-
" »M P /,„
B
B
BBI
sgsB
B
PB
§3B
B
Duos for Violin and Small Irish Harp
COMPRISING GRADED MELODIOUS DUOS, FOR
VIOLIN AND SMALL IRISH HARP,
CONCERT HARP OR
PIANO.
They played, and their soft tones mingled
in harmonies divine.
BY
GERTRUDE INA ROBINSON
Price $2.00 net
CARL FISCHER 88OPER NEWYORKBOSTON
3M-362 BOYISTONSTCHICAGO
335 -338 SQWABASH AVE
sab
o
VIOLIN
Au Printemps.(To Spring.)
13
Lento4o
CHAS. GOUNOD.
ff r- u J"]iirT ^ r iV
f!r-ChP
^a tempo
Poco rit.
stmpre rail
{__ rj. | j) y y I y y I y
ucresc.
Andantino poco rit.r\
a tempo.
7 mTf%&VLT'CU i
r FT hgO 34
¥#^4
mia tempo.
mcresc. rit.
poco ritr\
¥ y II jfa tempo
n
toco rit.
• *P-
4
Animaton
/oco W/.
#M f r £^
£Piu lento V
a tempo
In2
v4^ 1JEEE2
^oco rit.
U n2
/?\
r t fyp
n2^
v2
0,
r-v^^^&era//. e/ </m. pp
18841-38Copyright MCMXV by Carl Fischer, New York
ADVANCED LESSONS EOR THE HARP
COMPRISING PRELUDES IN MINOR KEYS,
QLI88ANDOS AND SOLOS IN CHARACTERISTIC FORMS
FOR HARPACCORDING TO THE FAMOUS
HASSELMANS METHOD
'Waha into voicm each sUmU string
And swrqp f/M toutuHng tyrt."
BY
GERTRUDE INA ROBINSON
Vtw* |2.M
