Duke bio 2020 by D Sherman - Dynamic Artists...

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Whether it’s a song, a style, an idiom or an image, Duke Robillard will render it with mastery, power, nuance and an unerring grasp of its essence. Born Michael John Robillard on October 4, 1948, in Woonsocket, R.I., Duke has carved out one of blues’ most illustrious legacies, while also trodding some lofty related territories as a guitarist, vocalist, songwriter, bandleader, studio sideman, producer, label operator and educator. After showing an early affinity for music and guitar, he founded Roomful Of Blues with pianist Al Copley in Westerly, R.I., in 1967. By adding horns, Roomful announced itself emphatically as the prototypical jump blues band, and became a New England legend and a fixture beyond, as did Duke himself. His unsurpassed mastery of the guitar style of TBone Walker (later crystallized memorably in his 2004 release “Blue Mood”) was deservedly heralded, but his breadth was also headturning — from swing, standards and ballads to rockers, gutbucket Chicago blues and rockabilly. By the time Duke left Roomful after a dozen years, he was firmly established in the upper echelon of contemporary blues guitarists. Duke went from Roomful to a stint with rockabilly revivalist Robert Gordon and then to the first iteration of the Legendary Blues Band, composed primarily of thenrecent Muddy Waters sidemen. The Duke Robillard Band debuted in 1981, reemerging as The Pleasure Kings with their eponymous 1984 album on Rounder. It and its sequel, “Too Hot To Handle,” burnished Duke’s songwriting portfolio; the 1987 jazz outing “Swing” (with saxophonist Scott Hamilton) underscored his versatility and remains a highlight. Continuing his solo career, Duke replaced Jimmie Vaughan with The Fabulous Thunderbirds in 1990. He cut his own muchawaited straight blues album “Duke’s Blues” in 1993 for Canadian imprint Stony Plain, leading eventually to a rewarding, continuing and prolific alliance, along with releases during the ensuing years on Point Blank/Virgin and Shanachie, as well as instructional videos. He has also launched his own labels with Jesse Finkelstein, Blue Duchess/Shining Stone. Duke's prolificity has included producing albums by Billy Boy Arnold, Joe Louis Walker, Rosco Gordon, Jimmy Witherspoon and Jay McShann, Zuzu Bollin, Billy Price and Otis Clay, Sunny Crownover, Bryan Lee and Al Basile as well as recording two collaborations with Herb Ellis, a pairing with his successor in Roomful, Ronnie Earl, a seat in the New Guitar Summit with J. Geils and Gerry Beaudoin, additional studio credits with Bob Dylan (the wellregarded 1997 “Time Out Of Mind”), Ruth Brown, Johnny Adams, Pinetop Perkins, Snooky Pryor, Al Copley, Todd Sharpville and Tony Z, and touring with Tom Waits in 2006.

Transcript of Duke bio 2020 by D Sherman - Dynamic Artists...

Page 1: Duke bio 2020 by D Sherman - Dynamic Artists …...!!!!Duke’s!resume!is!decoratedwithGrammy!nominations,!Handy!Awards!andBlues!Music! Awards,!and!other!honors!for!his!artistry,!recordings!and!productions!within!the

                                                                                                       Whether  it’s  a  song,  a  style,  an  idiom  or  an  image,  Duke  Robillard  will  render  it  with  mastery,  power,  nuance  and  an  unerring  grasp  of  its  essence.      Born  Michael  John  Robillard  on  October  4,  1948,  in  Woonsocket,  R.I.,  Duke  has  carved  out  one  of  blues’  most  illustrious  legacies,  while  also  trodding  some  lofty  related  territories  as  a  guitarist,  vocalist,  songwriter,  bandleader,  studio  sideman,  producer,  label  operator  and  educator.      After  showing  an  early  affinity  for  music  and  guitar,  he  founded  Roomful  Of  Blues  with  pianist  Al  Copley  in  Westerly,  R.I.,  in  1967.    By  adding  horns,  Roomful  announced  itself  emphatically  as  the  prototypical  jump  blues  band,  and  became  a  New  England  legend  and  a  fixture  beyond,  as  did  Duke  himself.    His  unsurpassed  mastery  of  the  guitar  style  of  T-­‐Bone  Walker  (later  crystallized  memorably  in  his  2004  release  “Blue  Mood”)  was  deservedly  heralded,  but  his  breadth  was  also  head-­‐turning  —  from  swing,  standards  and  ballads  to  rockers,  gutbucket  Chicago  blues  and  rockabilly.        By  the  time  Duke  left  Roomful  after  a  dozen  years,  he  was  firmly  established  in  the  upper  echelon  of  contemporary  blues  guitarists.  Duke  went  from  Roomful  to  a  stint  with  rockabilly  revivalist  Robert  Gordon  and  then  to  the  first  iteration  of  the  Legendary  Blues  Band,  composed  primarily  of  then-­‐recent  Muddy  Waters  sidemen.        The  Duke  Robillard  Band  debuted  in  1981,  re-­‐emerging  as  The  Pleasure  Kings  with  their  eponymous  1984  album  on  Rounder.  It  and  its  sequel,  “Too  Hot  To  Handle,”  burnished  Duke’s  songwriting  portfolio;  the  1987  jazz  outing  “Swing”  (with  saxophonist  Scott  Hamilton)  underscored  his  versatility  and  remains  a  highlight.          Continuing  his  solo  career,  Duke  replaced  Jimmie  Vaughan  with  The  Fabulous  Thunderbirds  in  1990.  He  cut  his  own  much-­‐awaited  straight  blues  album  “Duke’s  Blues”  in  1993  for  Canadian  imprint  Stony  Plain,  leading  eventually  to  a  rewarding,  continuing  and  prolific  alliance,  along  with  releases  during  the  ensuing  years  on  Point  Blank/Virgin  and  Shanachie,  as  well  as  instructional  videos.    He  has  also  launched  his  own  labels  with  Jesse  Finkelstein,  Blue  Duchess/Shining  Stone.        Duke's  prolificity  has  included  producing  albums  by  Billy  Boy  Arnold,  Joe  Louis  Walker,  Rosco  Gordon,  Jimmy  Witherspoon  and  Jay  McShann,  Zuzu  Bollin,  Billy  Price  and  Otis  Clay,  Sunny  Crownover,  Bryan  Lee  and  Al  Basile  as  well  as  recording  two  collaborations  with  Herb  Ellis,  a  pairing  with  his  successor  in  Roomful,  Ronnie  Earl,  a  seat  in  the  New  Guitar  Summit  with  J.  Geils  and  Gerry  Beaudoin,  additional  studio  credits  with  Bob  Dylan  (the  well-­‐regarded  1997  “Time  Out  Of  Mind”),  Ruth  Brown,  Johnny  Adams,  Pinetop  Perkins,  Snooky  Pryor,  Al  Copley,  Todd  Sharpville  and  Tony  Z,  and  touring  with  Tom  Waits  in  2006.  

Page 2: Duke bio 2020 by D Sherman - Dynamic Artists …...!!!!Duke’s!resume!is!decoratedwithGrammy!nominations,!Handy!Awards!andBlues!Music! Awards,!and!other!honors!for!his!artistry,!recordings!and!productions!within!the

       Duke’s  resume  is  decorated  with  Grammy  nominations,  Handy  Awards  and  Blues  Music  Awards,  and  other  honors  for  his  artistry,  recordings  and  productions  within  the  United  States  and  internationally.      On  his  latest  release,  Ear  Worms  CD,  release  May  2019  Produced  by  Robillard  and  recorded  at  Lakewest  Recording  and  Duke’s  Mood  Room,  Ear  Worms  features  Duke  (guitars,  vocal)  and  his  long-­‐time  band:  Bruce  Bears  (piano,  Hammond  organ);  Brad  Hallen  (acoustic  and  electric  bass);  and  Mark  Teixeira  (drums).  Both  Bears  and  Teixeira  also  sing  lead  vocal  on  one  track  each.  Joining  them  on  the  sessions,  besides  some  stellar  additional  musicians  are  several  special  guest  vocalists:  Chris  Cote,  Sunny  Crownover,  Mark  Cutler,  Julie  Grant,  Dave  Howard,  Klem  Klimek  and  Brian  Templeton.              “Ear  Worms  was  conceived  as  an  album  of  songs  that  I  heard  and  was  attracted  to  growing  up,”  says  Duke  Robillard  about  the  new  disc’s  genesis.  “They  are  not  of  one  particular  genre  or  style,  but  rather  songs  I  heard  in  my  pre-­‐teens  to  my  later  teens.                      Duke  remains  based  in  Rhode  Island  and  a  whirlwind  as  a  musician,  producer,  gardener  and  photographer.  But  wait,  there’s  more:  he’s  now  creating  fine  art  abstract  paintings,  too!    At  this  point  for  Duke,  versatility  and  mastery  should  come  as  anything  but  a  surprise;  it  just  means  more  richness  in  a  superlative  career  for  us  to  celebrate.  by  Dick  Shurman    -­‐  Noted  blues  historian  and  producer  

"One  of  the  great  players"  BB  King                                                                                                                                                                                              

“Robillard  is  a  soloist  of  stunning  force  and  originality.”  the  New  York  Times  

 “Most  everything  Duke  Robillard  has  done  as  a  guitarist  during  the  past  four-­‐plus  decades...bears  witness  to  his  musical  intelligence  and  his  dedication  to  his  craft”.  -­‐  Downbeat  

“Robillard’s  ability  to  play  across  the  spectrum  of  blues  is  legendary.  Few  players  can  move  stylistically  from  Texas  to  Kansas  City  to  Chicago’s  West  Side,  but  Robillard  makes  it  seem  easy.”-­‐  Guitar  Player  

“A  guitarist’s  guitarist,  prolific  producer,  and  master  of  all  things  blues,  Duke  Robillard  walks  the  tightrope  between  traditionalism  and  experimentation...He’s  a  master  of  many  styles  who  moves  forward  while  maintaining  a  firm  grounding  in  the  past.”  -­‐  Blues  Revue  

GRAMMY  Nominations  for  Best  Traditional  Blues  Album  for  2010  Stomp!  The  Blues  Tonight  and  2006  Guitar  Groove-­‐a-­‐Rama  

The  Blues  Music  Awards  (formerly  W.C.Handy  Awards)  have  named  Duke  Robillard  "Best  Blues  Guitarist"  four  years  out  of  five  (2000,2001,2003,2004)  making  him  the  second  most  honored  guitarist  for  that  award!  He  was  also  nominated  in  that  category  in  2005,  2007  and  2008