Drum Microphone Technique by: elton charles. Microphone Types.
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Transcript of Drum Microphone Technique by: elton charles. Microphone Types.
Drum MicrophoneTechnique
by: elton charles
Microphone Types
Dynamic
• used close to drums• can handle high spl (sound pressure level)• rugged
Condenser• are normally room or overhead mics but
not unusual as close mics• delicate to an extent• require phantom power• more detailed signal
Ribbon• overhead or room mics• very delicate• warm lush sound • best reproduction of instrument sounds
Microphone Positions
• Batter-top head of drum • Resonant- bottom head of drum• close mic• overheads• room mic
Usual mic choice for drums
• dynamic on toms (MD421)• dynamic on batter and resonant snare (i5,SM57)• dynamic on kick (D6, Beta 52, D112)• condenser for overheads usually large diaphragm
(AT4050)• ribbon mic also for overheads usually stereo
(AEA R88)• condenser or ribbon for room mics (earthworks
TC25)
Microphone Placement
Toms
• 1-4 inches from batter head• angled away from other drums/cymbals• out of way of sticks
Kick
• with hole• place inside the middle of the drum
pointed at beater• without hole• place off center of resonant• 4-6 inches away
Snare
• 2-4 inches from batter head• aim at center• 2-4 inches from resonant head• aim at snares
Overheads and Room mics
Overheads• spaced evenly over drumset• one over left shoulder looking at snare and
hi-hat/crash• one over right shoulder looking at
ride/crash and floor toms• within 2-6 feet from top of cymbals
Room• vertical to the floor• placed 3to however far you dare away
from drums• usually about 2-3 feet off ground or 6-12
feet in front of drums