Drawing Exhibition Catalogue

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A catalogue of an exhibition of students' drawings in DKSG Gallery, Belgrade 2009.

Transcript of Drawing Exhibition Catalogue

  • c

  • Crtanje

    Izloba prikazuje izbor studentskih radova realizovanih na predmetu Crtanje u klasi docenta Dejana Grbe tokom kolske godine 2008/2009 na Fakultetu likovnih umetnosti u Beogradu.

    Izbor radova reflektuje program klase koji je usmeren ka nadgradnji crtakog iskustva uvoenjem i razumevanjem pojmova strukture, koncepcije, taktike, strategije, politike, jezikih i kulturnih igara i drugih inilaca savremenog umetnikog delovanja.

    http://tinyurl.com/yj4s862

    Crte je tekst? Zar ne.

    Crte je ipak i dalje neka vrsta manuelnog/telesnog traga upisa ili dogaaja na povrini, mada danas moemo govoriti uslovno ili bezuslovno o crteu kao prostornom, vremenskom, bihevioralnom ili medijskom dogaaju upisivanja/ispisivanja ili utiskivanja traga negde i u neto (papir, platno, prainu, ekran, softver, kou, telo koje se kree amo-tamo). Crte je bio jedini vizuelni izvorni izraz, zapravo, arhi-izraz koji prethodi delu, te, zatim, sekundarna praksa beleenja. Danas je crte pre svega dijagram u odnosima vidljivog i nevidljivog proizvodnog umetnikog rada koji svedoi o upisu ili je dijagram koji svedoi o potencijalnosti projekta koji se prevodi sa ideje u vizuelno uputstvo.

    Crte je mogu i hibridizovan.

    Kada je re o tekstu u optem smislu razlikuju se pojam govornog, pisanog, vizuelnog, prostornog, vremenskog, zvunog, bihevioralnog, ekranskog itd. teksta. Crte je vizuelni tekst nastao manuelnim, mainskim ili bilo kojim drugim ostavljanjem traga negde ili na neemu ili kroz neto. Crte je danas pre otvoreno delo nego striktni likovni anr manuelno-telesnog upisa traga na povrinu.

    Crte je neka vrsta vizuelnog teksta-dogaaja. Crte kao tekst je, uopteno, svaka struktura znakova koja posreduje znaenja i odlae prisutnost za pogled ali, danas je crte pre fluks znakova, nego zamrzavanje znakova u odlunom/neodlunom gestu crtaa. Tradicionalni crte bio je zatvorena struktura vizuelnih znakova. U poststrukturalizmu crteom kao tekstom se smatra otvorena struktura znakova koja stie svoja znaenja trenutnim odnosom s drugim znakovima ili tekstovima aktualne ili istorijske javne, odnosno, privatne kulture umetnika i posmatraa. Crteom se naziva i svaka praksa, bez obzira na medij, naina vizuelne komunikacije, proizvodnje, razmene i potronje upisanih znaenja. Crte ispostavlja znaenjske zastupnike: ruka koja crta, maina koja pokree mehaniku ruku crtaa, mlaz elektrona koji pada na katodnu cev, raspored predmeta koji obrazuju liniju u prostoru, digitalni izraz koji se odnosi u bilo kom smislu na istorije/tradicije crtanja i pisanja, ruka robota koji je stohastiki izvoa crtea itd.

    Crtakom tekstualnom produkcijom se, zato, imenuju razliite pluralne, arbitrarne i fikcionalne prakse ili postupci proizvodnje, razmene i potronje znaenja-traga ili znaenja-traga-afekta u kulturi koje odlau neposrednu prisutnost tela umetnika.

    Miko uvakovi

  • Nemanja Nikoli | +381 64 439 9896 | nemanja_nikolic@ymail.com

    Isidora Krsti | +381 64 511 7547 | cirokumulus@hotmail.com

  • Nina Ivanovi | +381 64 502 3264 | ninachkaivanovic@gmail.com

  • Nikola Krsti | +381 62 255 890 | nikrstic@gmail.com

  • Lidija Deli | +381 64 184 6319 | lidija.delic@gmail.com

  • Nataa Stojanovi | +381 63 751 0436 | natasastojanovic10@yahoo.com

  • Sava Kneevi | +381 64 526 5441 | savaknezevic@yahoo.com

  • Ivan Iliev | +381 62 174 9778 | ilievivan06@gmail.com

  • Jelena oli | +381 64 263 2560 | jelena.cholic@gmail.com

    Velimir Popovi | +381 64 359 3827 | velimirpopovic@yahoo.com

  • Drawing

    This exhibition presents a selection of students' projects created in 2008/2009 in the Drawing class of Dejan Grba at the Faculty of Fine Arts in Belgrade.

    It reflects the class programme that expands the drawing experience by creatively exploring the structure, concept, tactics, strategy, politics, language- and cultural games, and other qualities of contemporary art.

    http://tinyurl.com/yg5xep7

    Drawing is a Text? Isnt It.

    Drawing is still a kind of manual/corporeal mark of the inscription or the event on the surface. Today, however, we can, arguably or not, also talk about drawing as a spatial, temporal, behavioral or media event of input/output or insertion of the mark somewhere and into something (paper, canvas, dust, screen, software, skin, body that moves here and there). Drawing used to be the only archetypal visual expression that precedes the final work, and subsequently the secondary practice of registration. The contemporary drawing is primarily a diagram of the relations between the visible and invisible artistic production that gives the testimony of the inscription, or it is a diagram that verifies the potential of the project which is translated from the idea into the visual instruction.

    Drawing is possible and hybridized.

    We generally discern the aspects of the text as spoken, written, visual, spatial, aural, behavioral, screen-projected, etc. Drawing is a visual text generated by manual, mechanic or any other means of leaving the trace somewhere or in something or through something. Today, drawing is more an open work than a strict visual technique of manual/bodily inscription.

    Drawing is a kind of visual text-event. Drawing as text is, generally, any structure of signs that negotiates the meaning and postpones the presence for the gaze but drawing is more a flux of signs than a suspension of signs in the confident/unconfident draughtsmans gesture. The traditional drawing was a self-contained structure of visual symbols. The post-structuralism considers the drawing as text to be an open symbolic structure that acquires its meanings through the instant relation with other signs or texts of the present, historic or private culture of the artist and the observer. Drawing is also considered to be any practice, regardless of the medium, of visual communication, production, exchange and consumption of the inscribed meanings. Drawing brings about the agents of meaning: a drawing hand, a machine that actuates the draughtsmans hand, a stream of electrons falling on the cathode tube, a set of objects arranged into the spatial line, a digital rendering that relates in any sense to the histories/traditions of drawing and writing, a robotic arm that performs the drawing stochastically, etc.

    A drawing textual production, therefore, designates the diverse, arbitrary and fictional cultural practices or procedures for the creation, exchange and consumption of the meaning-trace or the meaning-trace-affect that suspend the immediate presence of the artists body.

    Miko uvakovi

  • Izdaje: Dom kulture Studentski gradBulevar Zorana inia 179Novi Beograd011/2691 442

    Dizajn: Lidija Deli, Ivan IlievKorice: Dejan Grba tampa: Cakum pakum, BeogradTira: 300

    CIP - Katalogizacija u publikacijiNarodna biblioteka Srbije, BeogradISBN 86-7933-036-1COBBIS.SR-ID 119239948

    Umetniki savet Galerije Doma kulture Studentski grad:Milorad I. Vukanovi - Miel; Marko Laui, vanredni profesor FPU u Beogradu;Gordan Nikoli, redovni profesor FLU u Beogradu; Maja Stankovi, magistar istorije umetnosti

    Dejan Grba | +381 62 207 749 | dejan.grba@gmail.com | http://dejangrba.dyndns.org

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