Dot Line Elements of Design

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    ARCHITECTURAL DESIGN

    THEORY

    SEMESTER I

    LECTURE 3

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    ADT 2009 Prof Anil Kumar, GCAD 4

    The Elements and Principles of design are

    the building blocks used to create a work

    of art.

    The Elements of design can be thought of

    as the things that make up a painting,drawing, design etc.

    Good or bad - all designs will contain most

    of if not all, the elements of design.

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    An element is one of those most basic

    visible things. In science, the elements

    are on the periodic chart (hydrogen, iron,

    oxygen, gold, sulfur, etc.). All the complexchemicals are simply combinations of

    these (H2O).

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    An artistic product is createdby a combination of visualelements.

    All that is visible is made upof visual elements.

    An element will be a single

    entity and can not be calledan element if combined withanything else.

    In reality rarely if ever would

    an element exist in isolation.It will be present as a part ofa combination of elements.

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    Dots

    The Dot is the simplest irreducibleminimum unit of visualcommunication.

    Any point has strong visual power

    to attract the eye wherever it existsnaturally or is placed by artists inresponse to a purpose.

    Dots connect, and therefore are

    capable of leading the eye. In great profusion and juxtaposed,dots create the illusion of tone orcolor.

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    Artists have takenthe advantage ofthe qualities of dots

    to create beautifulpaintings asthese in a large

    number createtones.

    A pointillist impressionist painting by

    Seurat a French painter.

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    Line can also be seen as a mark on asurface that describes a shape or outline. It

    can create texture and can be thick andthin. Types of line can include actual,implied, vertical, horizontal, diagonal andcontour lines.

    A line can also be seen as a form that haslength and width but no depth. Lines areused to create edges and outlines of objects

    but by themselves can also be suggestive ofvisual expression. A line is created by themovement of a pen, pencil or brush.

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    Line can be considered in two ways.The linear marks made with a pen orbrush or the edge created when two

    shapes meet.

    Line - is a mark on a surface that

    describes a shape or outline.

    It can create texture and can bethick and thin. Types of line can

    include actual, implied, vertical,

    horizontal, diagonal and contour

    lines.

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    ADT 2009 Prof Anil Kumar, GCAD 13

    Lines are basic to all of the visual

    arts. Drawing is more or less based

    on using lines.

    The odd thing about lines is that they

    do not occur in nature.

    Line in art is an artificial device that

    we have learned to interpret as

    representing something. You have

    learned to read drawings with linessince childhood. The usual meaning

    of a line is that it represents an edge.

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    Line defines the position and direction of the

    design. If you have lines or shapes that

    seem to be running horizontally, then thedesign would seem like it's running in a left

    and right line.

    Make sure your design identifies some sortof line so that the human eye can recognize

    which side is the top of the design or on

    which side the design is suppose to startwith interest.

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    Tips on using lines:

    Decide which part of your display is themost important, and direct attention to it by

    judicious use of line. Do not scatter lines about at random.

    Remember that margins are an invisible

    line. Attention to line does not mean that all

    elements in the design have to be linedup.

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    Line can be used to define the edge of space

    as well as the edge of an object. The line that

    forms the rectangle to the right separates thatshape from the rest of the page. The line

    through its center divides the rectangle in two.

    Implied lines

    Lines can be thick and thin, monochromatic or

    multicolored

    each having a different feel about it.

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    Lines can make a statement by their direction

    Stable and placid

    Unstable, restless, ambitious etc.

    Regressive Progressive

    Lines represent order and give

    the eye explicit directions about

    where to look and how tointerpret what it sees.

    Lines can be straight or curved.

    Lines can be thick and thin.

    Just straight lines can be expressive by

    their direction.

    Horizontal stability

    Vertical ambitionAngular - direction

    Combination of lines can generate

    discernable or suggestive shapes.

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    Curving lines giveunfilled areas a flowing,rhythmic quality.

    The sketch is designedto make us perceiveoptical effects that arenot there.

    These drawings havethe mystery of a figure-ground reversal: wecannot be sure whetherthe design is black orwhite on black.

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    Straight lines can be modulated to create optical illusions

    A f li

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    A few lines can

    generate associative

    mental images. Here,

    however, the line byitself loses its intrinsic

    meaning, as the

    shape becomes more

    prominent.

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