Dominant Seventh Chords Inversions - Pentecostal … · Ab Dominant Seventh Chord R 1 1 2 Root...

13
* Memorize Root position, First inversion, Second inversion and Third Inversions * Listen to the difference in the sound of each position * Feel the intervals underneath your hand. * Speed Practice moving the positions forwards and backwards up and down the keyboard. Dominant Seventh Chords & Inversions © 2000 Pamela T. Rentzel - all rights reserved. Pentecostal Musicians - MPR Productions

Transcript of Dominant Seventh Chords Inversions - Pentecostal … · Ab Dominant Seventh Chord R 1 1 2 Root...

* Memorize Root position, First inversion,Second inversion and Third Inversions

* Listen to the difference in the sound of each position

* Feel the intervals underneath your hand.

* Speed Practice moving the positionsforwards and backwards up

and down the keyboard.

Dominant Seventh Chords &

Inversions

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

Ab Dominant Seventh Chord

R1

1

2

Root Position of the Ab Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the Ab Dominant Seventh Chord.

The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the Ab Dominant Seventh Chord.

The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: Ab - Eb

R

3

5R5

Right Hand: Eb - Gb - Ab - C

7

b

1

R

3

5R 5

Right Hand: Ab - C - Eb - GbLeft Hand: Ab - Eb

7

b

R1

R 5 R

3

5

Right Hand: C - Eb - Gb - AbLeft Hand: Ab - Eb

7

b

1

R

3

5R 5

Right Hand: Gb - Ab - C - EbLeft Hand: Eb - Ab

7

b

Third Inversion of the Ab Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the bottom of the chord.

(Move higher one octave)

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

Root Position of the A Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the A Dominant Seventh Chord. The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the A Dominant Seventh Chord. The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Third Inversion of the A Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the bottom of the chord.

A Dominant Seventh Chord

1

1

2

Left Hand: A - E

R

3

5 R5

Right Hand: E - G - A - C#

7b

1

R

3

5R 5

Right Hand: A - C# - E - GLeft Hand: A - E

7b

R 5 R

3

5

Right Hand: C# - E - G - ALeft Hand: A - E

7b

1

R

3

5R 5

Right Hand: G - A - C# - ELeft Hand: E - A

7b

(Move higher one octave)

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

Bb Dominant Seventh Chord

R1

1

2

Root Position of the Bb Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the Bb Dominant Seventh Chord.

The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the Bb Dominant Seventh Chord.

The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: Bb - F

R

35

R

5

Right Hand: F - Ab -Bb - D

7

b

1

R

3 5

R

5

Right Hand: Bb - D - F - AbLeft Hand: Bb - F

7

b

R1

R

5

R

3 5

Right Hand: D - F - Ab - BbLeft Hand: Bb - F

7

b

1

R

3 5

R

5

Right Hand: Ab - Bb - D - FLeft Hand: Bb - F

7

b

Third Inversion of the Bb Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the bottom of the chord.

(Move higher one octave)

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

B Dominant Seventh Chord

R1

1

2

Root Position of the B Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the B Dominant Seventh Chord. The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the B Dominant Seventh Chord. The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: B - F#

R

35

R

5

Right Hand: F# - A -B - D#

7b

1

R

3 5

R

5

Right Hand: B - D# - F# - ALeft Hand: B - F#

7b

R1

R

5

R

3 5

Right Hand: D# - F# - A - BLeft Hand: B - F#

7b

1

R

3 5

R

5

Right Hand: A - B - D# - F#Left Hand: B - F#

7b

Third Inversion of the B Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the bottom of the chord.

(Move higher one octave)

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

R1

1

2

C Dominant Seventh Chord

Root Position of the C Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the C Dominant Seventh Chord. The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the C Dominant Seventh Chord. The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: C - G

R 35 R5

Right Hand: G - Bb - C - E

7

b

1

R 3 5R 5

Right Hand: C - E - G - BbLeft Hand: C - G

7

b

R1

R 5 R3 5

Right Hand: E - G - Bb - CLeft Hand: C - G

7

b

1

R 3 5R 5

Right Hand: Bb - C - E - GLeft Hand: C - G

7

b

Third Inversion of the C Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the bottom of the chord.

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

Root Position of the Db Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the Db Dominant Seventh Chord.

The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

R1

1

2

C# - Db Dominant Seventh Chord

Second Inversion of the Db Dominant Seventh Chord.

The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: Db - Ab

R

3

5 R5

Right Hand: Ab - Cb - Db - F

7b

1

R

3

5R 5

Right Hand: Db - F - Ab - CbLeft Hand: Db - Ab

7b

R1

R 5 R

3

5

Right Hand: F - Ab - Cb - DbLeft Hand: Db - Ab

7b

1

R

3

5R 5

Right Hand: Cb - Db - F - AbLeft Hand: Db - Ab

7b

Third Inversion of the Db Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the bottom of the chord.© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

R1

1

2

D Dominant Seventh Chord

Root Position of the D Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the D Dominant Seventh Chord. The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the D Dominant Seventh Chord. The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: D - A

R

3

5 R5

Right Hand: A - C - D - F#

7b

1

R

3

5R 5

Right Hand: D - F# - A - CLeft Hand: D - A

7b

R1

R 5 R

3

5

Right Hand: F# - A - C - DLeft Hand: D - A

7b

1

R

3

5R 5

Right Hand: C - D - F# - ALeft Hand: D - A

7b

Third Inversion of the D Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the bottom of the chord.

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

R1

1

2

Eb Dominant Seventh Chord

Root Position of the Eb Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the Eb Dominant Seventh Chord.

The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the Eb Dominant Seventh Chord.

The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: Eb - Bb

R

3

5 R5

Right Hand: Bb - Db - Eb - G

7

b

1

R

3

5R 5

Right Hand: Eb - G - Bb - DbLeft Hand: Eb - Bb

7

b

R1

R 5 R

3

5

Right Hand: G - Bb - Db - EbLeft Hand: Eb - Bb

7

b

1

R

3

5R 5

Right Hand: Db - Eb - G - BbLeft Hand: Eb - Bb

7

b

Third Inversion of the Eb Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the bottom of the chord.© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

R1

1

2

E Dominant Seventh Chord

Root Position of the E Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the E Dominant Seventh Chord. The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the E Dominant Seventh Chord. The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: E - B

R

3

5 R5

Right Hand: B - D - E - G#

7b

1

R

3

5R 5

Right Hand: E - G# - B - DLeft Hand: E - B

7b

R1

R 5 R

3

5

Right Hand: G# - B - D - ELeft Hand: E - B

7b

1

R

3

5R 5

Right Hand: D - E - G# - BLeft Hand: E - B

7b

Third Inversion of the E Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the bottom of the chord.

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

F Dominant Seventh Chord

R1

1

2

Root Position of the F Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the F Dominant Seventh Chord. The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the F Dominant Seventh Chord. The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: F - C

R 35 R5

Right Hand: C - Eb - F - A

7

b

1

R 3 5R 5

Right Hand: F - A -C - EbLeft Hand: F - C

7

b

R1

R 5 R3 5

Right Hand: A - C - Eb - FLeft Hand: F - C

7

b

1

R 3 5R 5

Right Hand: Eb - F -A - CLeft Hand: F - C

7

b

Third Inversion of the F Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the bottom of the chord.

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

F# - Gb Dominant Seventh Chord

R1

1

2

Root Position of the Gb Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the Gb Dominant Seventh Chord.

The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the Gb Dominant Seventh Chord.

The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: Gb - Db

R 35 R5

Right Hand: Db - Fb - Gb - Bb

7b

1

R 3 5R 5

Right Hand: Gb - Bb - Db - FbLeft Hand: Gb - Db

7b

R1

R 5 R3 5

Right Hand: Bb - Db - Fb - GbLeft Hand: Gb - Db

7b

1

R 3 5R 5

Right Hand: Fb - Gb - Bb - DbLeft Hand: Gb - Db

7b

Third Inversion of the Gb Dominant Seventh Chord.

The triad is in the ROOT position. Add the 7b to the bottom of the chord.© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions

G Dominant Seventh Chord

R1

1

2

Root Position of the G Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the top of the chord.

First Inversion of the G Dominant Seventh Chord. The triad is in the FIRST inversion. Add the 7b one whole step below the root note.

Second Inversion of the G Dominant Seventh Chord. The triad is in the SECOND inversion. Add the 7b one whole step below the root note.

Left Hand: G - D

R 35 R5

Right Hand: D - F - G - B

7b

1

R 3 5R 5

Right Hand: G - B - D - FLeft Hand: G - D

7b

R1

R 5 R3 5

Right Hand: B -D -F - GLeft Hand: G - D

7b

1

R 3 5R 5

Right Hand: F - G - B - DLeft Hand: G - D

7b

Third Inversion of the G Dominant Seventh Chord. The triad is in the ROOT position. Add the 7b to the bottom of the chord.

© 2000 Pamela T. Rentzel - all rights reserved.Pentecostal Musicians - MPR Productions