Slide 1

Do Now Use the following four Surrealist paintings as primary sources, what can you infer about the early 1900s?

Slide 2

The Metamorphosis of Narcissus

Slide 3

Geopolitical Child Watching the Birth of the New Man

Slide 4

The Angel of the Home

Slide 5

Europe After Rain

Slide 6

Slide 7

Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Overt sexuality. 5.Violence & savagery.

Slide 8

Edvard Munch: The Scream (1893) Expressionism Using bright colors to express a particular emotion.

Slide 9

Franz Marc: Animal Destinies (1913)

Slide 10

Wassily Kandinsky: On White II (1923)

Slide 11

Gustav Klimt: Judith I (1901) Secessionists Disrupt the conservative values of Viennese society. Obsessed with the self. Man is a sexual being, leaning toward despair.

Slide 12

Gustav Klimt: Wrogie sily (1901) Gustav Klimt: Wrogie sily (1901)

Slide 13

Gustav Klimt: The Kiss (1907-8)

Slide 14

Gustav Klimt: Danae (1907-8)

Slide 15

Henri Matisse: Carmelina (1903) Henri Matisse: Carmelina (1903) FAUVE The use of intense colors in a violent, and uncontrolled way. Wild Beast.

Slide 16

Henri Matisse: Open Window (1905) Henri Matisse: Open Window (1905)

Slide 17

Georges Braque: Violin & Candlestick (1910) CUBISM The subject matter is broken down, analyzed, and reassembled in abstract form. Cezanne The artist should treat nature in terms of the cylinder, the sphere, and the cone.

Slide 18

Georges Braque: Woman with a Guitar (1913) Georges Braque: Woman with a Guitar (1913)

Slide 19

Georges Braque: Still Life: LeJeur (1929)

Slide 20

Pablo Picasso: Les Demoiselles dAvignon (1907)

Slide 21

Picasso: Studio with Plaster Head (1925)

Slide 22

Pablo Picasso: Woman with a Flower (1932) Pablo Picasso: Woman with a Flower (1932)

Slide 23

Paul Klee: Red & White Domes (1914)

Slide 24

Paul Klee: Senecio (1922)

Slide 25

George Grosz Grey Day (1921) George Grosz Grey Day (1921) DaDa Ridiculed contemporary culture & traditional art forms. The collapse during WW I of social and moral values. Nihilistic.

Slide 26

George Grosz: Daum Marries Her Pedantic Automaton George in May, 1920, John Heartfield is Very Glad of II (1919-1920) George Grosz: Daum Marries Her Pedantic Automaton George in May, 1920, John Heartfield is Very Glad of II (1919-1920)

Slide 27

George Grosz The Pillars of Society (1926) George Grosz The Pillars of Society (1926)

Slide 28

Raoul Hausmann: ABCD (1924-25)

Slide 29

Marcel Duchamp: Fountain (1917)

Slide 30

Marcel Duchamp: Nude Descending a Staircase (1912) Marcel Duchamp: Nude Descending a Staircase (1912)

Slide 31

Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War), 1936 Surrealism Late 1920s-1940s. Came from the nihilistic genre of DaDa. Influenced by Feuds theories on psychoanalysis and the subconscious. Confusing & startling images like those in dreams.

Slide 32

Salvador Dali: The Persistence of Memory (1931)

Slide 33

Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach (1938)

Slide 34

Salvador Dali: Geopoliticus Child Watching the Birth of a New Man (1943)

Slide 35

Functionalist Architecture Bauhaus A utopian quality. Based on the ideals of simplified forms and unadorned functionalism. The belief that the machine economy could deliver elegantly designed items for the masses. Used techniques & materials employed especially in industrial fabrication & manufacture steel, concrete, chrome, glass.

Slide 36

Walter Gropius: Lincoln, MA house (1938)

Slide 37

FRQ Use at least three examples from philosophy, art, literature, or science to explain the changes in European attitudes after WWI.