Ditson's music for the photoplay [by] Otto Langey [and] … · AVEMARIA. Cello solo R.Gruenwald...

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Ditson's music for the photoplay [by] Otto Langey [and] Christopher O'Hare. Langey, Otto, 1851-1922. Boston, O. Ditson Co. [c1918] http://hdl.handle.net/2027/mdp.39015007828109 Public Domain, Google-digitized http://www.hathitrust.org/access_use#pd-google We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes.

Transcript of Ditson's music for the photoplay [by] Otto Langey [and] … · AVEMARIA. Cello solo R.Gruenwald...

Ditson's music for the photoplay [by] Otto Langey [and] ChristopherO'Hare.Langey, Otto, 1851-1922.Boston, O. Ditson Co. [c1918]

http://hdl.handle.net/2027/mdp.39015007828109

Public Domain, Google-digitizedhttp://www.hathitrust.org/access_use#pd-google

We have determined this work to be in the public domain,meaning that it is not subject to copyright. Users arefree to copy, use, and redistribute the work in part orin whole. It is possible that current copyright holders,heirs or the estate of the authors of individual portionsof the work, such as illustrations or photographs, assertcopyrights over these portions. Depending on the natureof subsequent use that is made, additional rights mayneed to be obtained independently of anything we canaddress. The digital images and OCR of this work wereproduced by Google, Inc. (indicated by a watermarkon each page in the PageTurner). Google requests thatthe images and OCR not be re-hosted, redistributedor used commercially. The images are provided foreducational, scholarly, non-commercial purposes.

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DITSON'SMUSIC FOR THEPHOTOPLAY

2d VIOLIN

1. AGITATO OTTO LANGEYFor scenes of excitement, anxiety, unrest, fear, impending danger, etc.

2. FURIOSO OTTO LANGEYFor scenes depicting riots, fights, tumultuous crowds, etc.

3. AGITATED MYSTERIOSO OTTO LANGEY-— Depicting anguish, fear, or kindred emotions caused by escapes or hiding.

4. HURRY OTTO LANGEYFor riots, fire scenes, street fights, pursuit, scenes of excitement and general use.

5. STORM MUSIC OTTO LANGEYFor thunderstorms, storms at sea, or scenes of a destructive character.

6. PLAINTIVE CHRISTOPHER O'HAREFor Icjve scenes, tender retrospects, etc.

7. COMIC HURRY CHRISTOPHER O'HAREFor live comedies, railroad trains, races, aeroplanes, seriO'Comic pursuit, etc.

8. DRAMATIC ALLEGRO CHRISTOPHER O'HAREFor wild west, mining towns, indians. cowboys and ranch scenes with horse-hoof effects,indian drum, etc.

9. PASTORALE OTTO LANGEYFor scenes of a rural character, waterfalls, woods and brooks, introducing cowbells, birdwhistle, etc.

10. MILITARY SCENE CHRISTOPHER O'HAREFor military pageants, parade or gathering of troops, scenes in camp, trench, "Over theTop," etc.

Organ pans are includedin thecombinations.Piano partsare thoroughlycued

Price, eachnumber: Full Orchestraand Piano, $1.00; SmallOrchestraand Piano, 70 cents;

Piano. 25 cents;Organ, 15cents;othersingleparts,10centseach

The Whole Seriesin oneorder; Full Orchestraand Piano. $5.50; SmallOrchestraandPiano, $4.00;

Piano, 65cents;Organ, 50 cents;otherparts.40 centseach

BOSTON: OLIVER DITSON COMPANYNEW YORK: CHAS. H. DITSON &- CO. CHICAGO: LYON & HEALY

^^^^^^^^■н^мммн-мн^ншм-

SPECIAL NUMBERSFROM OUR

CONCERT EDITION FOR ORCHESTRASUITABLE FOR PHOTOPLAYS

Numbers marked * have organ parts included

Piano parts are thoroughly cued

EditionNo.

43. GIPSY CARAVANA fine character piece with oriental effects. Suitable for gipsy ,-

"

Turkish or Arabian scenes.

149. THE DANCER OF BAGDAD Otto Langer

Adapted for oriental scenes.

156. BRIDAL CHORUS FROM "LOHENGRIN" Richard Wagner

162. A CHINESE EPISODE Theo. Bendix

It is characteristically Chinese.

255. SPIDER DANCE R. Gruenwald

Practically a lively tarantella and good for many reels of a wildcharacter.

265. THE WAYSIDE CHAPEL G. D. Wilson

A beautiful characteristic idyl. It will "fit in" for many scenes.

280. AVE MARIA. Cello solo R. Gruenwald

Suitable for religious and quiet scenes.

329. A LOVE STORY. Idyl Harry Pab«tFor love-making and quiet scenes in the woods or by a quiet lake.

330. THE WHIRLING DERVISHES T. H. Rollin.onA desert episode in a wild style and galop tempo. Good for anywild scene, excitement, etc.

337.

Full SmallOrch. & Orch.& PianoPiano Piano Part

Langey $1.55 $1.05 $ .30

344.

CUBA. Habanera G. С SantistebanFor Spanish, Mexican or South American scenes.

SOBRE LA PLAZA. Mexican Dance T. H. Rollinson

349. MELODY, IN F A. RubinsteinFor quiet scenes.

372. TWILIGHT IN ALABAMA Harry Pab.tDepicts an evening on the wharves of Mobile. Good for southerndock scenes.

376. IN CAIRO. Oriental Patrol

414. BY MOONLIGHT. SerenadeFor boating or canoeing episodes.

421. EVENING CHIMES. With bell effectsFor a balmy pleasant evening, or love-making

427. COMMEMORATION MARCH

A grand march suitable for receptions or religious processionals.

432. EL MAURESQUE Rollin.on Bernier

For oriental and barbaric scenes.

438. A LEAFLET R. GruenwaldIn concert gavotte style. Good for high society receptions.

F. von Blon

T. H. Rollin.on

T. H. Rollinson

R. Gruenwald

1.25 .85

1.15 .85

1.25 .95

1.55 1.05

1.10 .80

1.30 .90

1.25 1.05

1.45 1.05

1.15 .75

1.30

1.25

1.30

1.20

1.10

1.10

1.30

1.20

.90

.80

1.55 1.05

.90

.80

.70

.70

.90

.80

.25

.25

.25

.30

.20

.30

.30

.30

.25

.30

.30

.30

.30

.30

.20

.20

.30

.20

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