D I P P E R R E S T O R AT I O N S . M I N N E A P O L I S .

A N D R EW D I P P E R . R E S TO R AT I O N S & MU S EU M S E RV I C E SVIOLIN AND BOW MAKER , HISTORIC MUSICAL INSTRUMENT SPECIALIST

A representative cross-section of the Baroque and Transitional period bows from the workshop of Andrew Dipper that were made in the past or are currently for sale. If you have any particular requirements or a special request, please feel free to contact us and every effort will be made to assist you. Contact details on back page.

Tel : 612.375.0708 Toll Free : 800.279. 4323 Fax : 612.375.0096 andrew@dipperrestorations.com www.dipperrestorations.com

C ATA L O G o f H I S TO R I C B OWS

Andrew Dipper, 2009: Swan headed and fluted snakewood bow with a stabilized-bone button and african-blackwood frog, in the shape of a crouching lion. This is a copy of bow #3389 from the Witten-Rawlins collection of the National Music Museum, Vermillion, SD.

DIPPER RESTOR ATIONS 1004 Marquette Avenue Suite 205 Minneapolis, MN 55403 USA

ANDREW DIPPER has been restoring, conserving and building historic musical instruments for forty-five years. Originally founded in London, his workshop relocated to Minneapolis, Minnesota in 1990. Dipper offers for sale fine examples of original historic instruments and excellent copies of works by the best makers of past times. He has specialized in the restoration and conservation of historically significant and ornate fretted and bowed musical instruments, with a special interest in the period of 1570-1830. A new separate violin catalog will be available.

A box of bow-making tools from the Dipper workshop

2014 No. 1

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Andrew Dipper in his workshop in Minneapolis. He is involved in the first stages of the process of bow making. After sawing the blanks for the sticks out of the logs, the next stage is to shape the rough stick to an intermediate form. This rough stick is then left to season for up to a year before being checked for warping and faults. The next stage, including the bending of the wood and cambering of the bow stick, is done slowly and very carefully by hand using heat and moisture from a small gas burner.

The Dipper Restorations workshop at 1004 Marquette Ave, located in downtown Minneapolis, Minnesota, USA.

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ANDREW DIPPER RESTORATIONAND MUSEUM SERVICES

Andrew Dipper has extensive knowledge of baroque instruments and has lived and worked in London, Oxford, Cremona, and Minneapolis. He continues to work on the restoration of musical instruments for private clients and is a Consultant Conservator for the Yale University Collection of Musical Instruments. Examples of his restoration work can be found in many of the world’s foremost public and private musical instrument collections, including the Metropolitan Museum in New York, the Federal Musical Instrument Museum of Berlin, the National Music Museum in South Dakota, the Kunsthistorisches Museum in Vienna, and the Boston Museum of Fine Arts.

Andrew has a special interest in the works of Antonio Stradivari. He has just published ‘LIBREM SEGRETI DE BVTTEGHA’, a translation of a rare Italian 18th century manuscript on violin making, which is now a part of the Fondo Patetta of the Biblioteca Apostolica Vaticana. Typeset and illustrated by Andrew, it contains footnotes, explanations, illustrations, and interpretations of the manuscript’s historic secrets, rules, and formulas. Andrew Dipper is the co-translator of other technical works on Italian violin making including the English edition of The “Secrets” of Stradivari by Simone Sacconi.

In 1988 he co-translated and published the violin making notes of Count Cozio di Salabue, the first collector of the instruments of the Amati, Stradivari and Guarneri families. He has written other technical works on violin making including a book on the theory of violin geometry and construction. Andrew has also published articles in The Violin Society of America Journal, concerning the works of the Italian makers, their varnishes and working methods. His violin making and restoration has been illustrated in a book on the modern Cremonese makers and in the journal The Strad.

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Andrew Dipper bows are available with sticks made of Caesalpinia grenadilla from South America or Snakewood from Guyana, and frogs made of African Blackwood, Desert Ironwood, Mountain Mahogany, Pink Ivory (wood), stabilized-bone, or silver. A wide variety of eyes and decorations are available.

Unless otherwise specified, stabilized-bone is used for fittings, mammoth ivory is available for additional cost. All fittings and wood are from sustainable sources.

The famous cellist Lise Cristiani holding what appears to be an experimental cello bow, perhaps a model of a novel steel bow by J. B. Vuillaume.

Cristiani bow, tip detail

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Andrew Dipper is involved in the restoration and repair of original historic bows, and these bows are often used as models for the reproduction of new baroque and transitional bows. Templates and measured drawings are made of the originals, and these records act as a database and reference for on-going work.

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A Dutch or Northern French bow with a ‘hatchet’ head modeled after the fashion of bows especially made for the 19th century pedagogue Willhelm Cramer. Pernambuco stick, Ivory frog, and Ivory button. Restored and sold by the Dipper workshop in 2011. The head of this bow is similar in pattern to a known example which is part of a pochette set by Johannes Cuypers.

Most of the bow work is done by hand using traditional tools and techniques.

Andrew Dipper, special order bow 1997 with a carved tip in the shape of a 16th century grotesque mask. The frog and button were fabricated from silver sheet. The inlay in the engraved frog was made from Baltic amber with gold foil backing. The button for the frog mechanism was made of silver with amber and gold trimmings.

French 18th century cello bow in the manner of François Xavier Tourte, probably made between 1800 and 1810. Made of Amourette wood and ivory. The Dipper shop is currently making some copies of this pattern using stabilized bone, mammoth ivory or African blackwood in place of the elephant ivory of the original.

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FX Tourte Transitional model. Pernambuco stick, open hair channel ebony frog with fresh-water pearl eye surrounded by silver or gold pointille work, with an ebony and silver button, copied after a bow from a private collection in Paris.

Violin bow in Snakewood, canellated stick, ebony frog, and stabilized-bone button. Shown 2x larger than life size, this is a copy of bow # 3389 in the Witten-Rawlins Collection of the National Music Museum, Vermillion SD. It was made as a special commission in 2005. The crouching lion frog was copied and carved by Andrew Dipper, from measurements and photographs of the original. A novel feature of the frog is that the hair mortise of the bow frog is hidden inside the body of the lion, which is made in two pieces. The pieces are held, locked together, with small brass screws that can be undone to re-hair the bow. The hair ribbon exits from a channel in the lion’s nose. The frog is fitted to the fluted canalations of the stick. The stabilized-bone button is an Italian model that matches the rest of the work on the stick. This bow was also copied in the 19th century by the famous French luthier J. B. Vuillaume.

French Pochette model. Guyana Snakewood stick, Ebony frog, and stabilized-bone tip and button. This bow was also copied from an original in the collection of a private client in 1997. This bow is typical of the very small bows that accompanied the pochette en Bateau of the French dance masters.

Augsburg Pochette model. Copied from the original in the collection of a private client in 2007. Amourette wood stick inlaid with silver wire, and Ebony frog. This model can also be made as a violin bow.

Pochette Bows

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Stradivari 1690 model. Guyana Snakewood stick, African Blackwood frog and stabilized-bone button with silver pointillé work decoration on the frog faces.

Corelli model. Guyana Snakewood stick, Ebony Frog, and stabilized-bone button.

Italian Model 477. This is a copy of an original Bow, Catalog number 477, in the collection of the Stradivari relics in the Cremona Museum. Guyana Snakewood stick and clip-in frog, with decoration in silver pointillé work on the frog faces. Usually supplied with two heights of frog, one for Summer and one for Winter.

Violin Bows

Italian 1630 model. Viola da Gamba or violoncello bow. Caesalpinia grenadilla stick, Desert Ironwood frog, and stabilized-bone button. This is an affordable model for a beginning student and can be used for a whole range of repertoire. The viola da gamba pattern is substantially longer than the cello model.

French 1760 model. Guyana Snakewood stick, African Blackwood frog, and stabilized-bone button. A copy of an historic bow sold by the Dipper shop in 1998. This model handles very well and is very reliable and a perfect model for demanding performances.

Dodd 1820 model. Copy of an original English bow in the Dipper collection. Caesalpinia grenadilla stick, Mexican Chicozapota wood frog, and stabilized-bone button. A heavy bow for volume and clarity of sound.

Cello Bows

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Italian 1690 model. This model was designed after a bow in the Stradivari Collection in Cremona (ms#477). Guyana Snakewood stick, African Blackwood frog, and stabilized-bone button. This Dipper model has an adjustable frog instead of the clip-in type of the original. The frog pattern is from the collection of the Stradivari relics in Cremona, Italy.

Stradivari 1720 model. Marblewood stick, African Blackwood frog, and stabilized-bone button.

Tourte c. 1790 model. Copy of a bow from the Dipper collection. Amourette wood stick, African Blackwood frog with a mother of pearl shield and stabilized-bone button. This special order was engraved by Andrew Dipper with a coat of arms. This model is usually made with fresh-water pearl for export outside the USA.

Tourte c. 1770 model. Copy of a bow in the National Music Museum, NMM 3409. Amourette wood stick, Mountain Mahogany frog, Mammoth ivory button.

Stradivari 1720 model. This model is designed after the model NMM 4802 in the National Music Museum, SD. Amourette wood stick, African Blackwood frog, and stabilized-bone button.

Stradivari Spanish model. Guyana Snakewood stick, Ebony frog with decoration in gold pointillé work, and stabilized-bone button with gold inlay. The frog model is designed after the frog templates from the collection of the Stradivari relics in Cremona, Italy.

Viola Bows

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Tourte 1789 Model. Caesalpinia grenadilla stick, Mountain Mahogany frog, and stabilized-bone button. This is a copy of an original French bow of the Tourte school restored in the Dipper shop in 1994.

French model. Caesalpinia grenadilla stick, Pink Ivory wood (Berchemia zeyheri) frog, and stabilized-bone button.

French 1770 model. Guyana Snakewood stick, stabilized-bone frog and button. This is a very good bow for the professional musician.

Italian 1700 model. Amourette wood stick, African Blackwood frog, and stabilized-bone button.

German model. Un-figured Snakewood stick, stabilized-bone frog and button.

Italian 1630 model. Caesalpinia grenadilla stick, African Blackwood frog, and stabilized-bone button. This is an affordable student model and can be made as a cello or viola da gamba bow.