D I G I TA L P U B L I C S PA C E ( S ) R E D E F I N I N G PUBL ICNESS

L A R A S A L I N A S - L A N C A S T E R U N I V E R S I T Y

( H E M M E N T & T H O M P S O N , 2 0 1 3 : 3 )

“give everyone everywhere unrestricted access to an open resource of culture and knowledge”

D I G I TA L P U B L I C S PA C E

3

D I G I TA L P U B L I C S PA C E !!!T E C H N O L O G I C A L A P P R O A C H

I N F R A S T R U C T U R E & S E R V I C E S !S O C I A L & C U LT U R A L A P P R O A C H

P U B L I C S PA C E & E X P E R I E N C E !!

4

D I G I TA L P U B L I C S PA C E ( S )

digital public space(s) are neither physical nor digital but the result of a hybridization process by which both spheres intertwine to constitute new typologies of space

contemporary prosumption practices ( R I T Z E R & J U R G E N S O N , 2 0 1 0 )

popular culture archives ( B E E R & B U R R O W S , 2 0 1 3 )

locative media & remixological devices ( L E M O S , 2 0 1 0 ; PA R I K K A & C A P L A N , 2 0 1 3 )

6

T O N Y A G E H , 2 0 1 2

"the internet changes everything it touches, usually in quite fundamental ways"

H O W A R E D P S ( S ) D I F F E R E N T F R O M O T H E R U R B A N S PA C E S ?

physical

place

local

live

private

8

digital

space

global

archive

public

P U B L I C N E S S

fluid and dialogical multi-dimensional approach to publicness based on:

• Lefebvre’s spatial triad (1991)

• literature review (Iveson 2007, Varna & Tisdell 2010, Németh 2012, Carmona 2010a, 2010b, Kohn 2004, Siebel & Wehrheim 2006, Németh & Schmidt 2006, Johnson & Glover 2013)

9

perceived

conceived

lived

control, access & behaviour

ownership & management

social experience

P U B L I C N E S S

P U B L I C N E S S

10

P U B L I C N E S S

physical digital

dps(s)

perceived

conceived

lived

control, access & behaviour

ownership & management

social experience

11

( F E AT H E R S T O N E 2 0 0 0 )

“If everything can potentially be of significance shouldn’t part of the archive fever be to record and

document everything, as it could one day be useful?”

F U T U R E E V E RY T H I N G I D E A S A N D I N N O VAT I O N S U M M I T ( M A N C H E S T E R , 2 1 S T – 2 4 T H M A R C H 2 0 1 3 ) !T O D AY S A RT 2 0 1 3 ( T H E H A G U E , 2 7 T H – 2 8 T H S E P T E M B E R 2 0 1 3 ) !Chattr is a The Creative Exchange project, funded by Arts and Humanities Research Council, by Ben Dalton, Joely Barley, Drew Hemment, Joel Porter, Lara Salinas, Hwa Young Jung and Mel Woods; based on conversations with Kyle McDonald.

F U T U R E E V E RY T H I N G 2 0 1 3

F U T U R E E V E RY T H I N G 2 0 1 3

F U T U R E E V E RY T H I N G 2 0 1 3

T O D AY S A RT 2 0 1 3

T O D AY S A RT 2 0 1 3

T O D AY S A RT 2 0 1 3

T O D AY S A RT 2 0 1 3

T O D AY S A RT 2 0 1 3

F U T U R E E V E R Y T H I N G ( M A N C H E S T E R ) 2 8 C O N V E R S A T I O N S

T O D A Y S A R T ( T H E H A G U E )

8 0 C O N V E R S A T I O N S

C H AT T R

T H E M E S

• General

• System

• Ethics

• Spectacle & appropriation

• Subversion

• Censorship

!HTTPS : / / S TOR I FY.COM/LARACSAL INAS /CHATTR

M E T H O D S

research in temporary spaces (Maxwell, Woods, & Prior, 2013)

rapid ethnography (Millen, 2000)

digital ethnography (Murthy, 2008)

participant observation

semi structured interviews

questionnaires

perceived

conceived

lived

control, access & behaviour

ownership & management

social experience

P U B L I C N E S D P S ( S )

24

phy

sica

l

dig

ital

– S H E L L E R & U R R Y, 2 0 0 3

"both and neither, public and private"

25

perceived

conceived

lived

control, access & behaviour

ownership & management

social experience

phy

sica

l

dig

ital

P U B L I C N E S D P S ( S )

26

– C H AT T R , 2 0 1 3

“I DONT DO TWITTER EITHER.”

@ L A R A C S A L I N A S : : L . S A L I N A S @ L A N C A S T E R . A C . U K T H E C R E AT I V E X C H A N G E : . O R G