Digital Distribution of Course Materials* Steve Rosen Attorney Office of General Counsel The...
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Transcript of Digital Distribution of Course Materials* Steve Rosen Attorney Office of General Counsel The...
Digital Distribution of Course Materials*
Steve RosenAttorney
Office of General CounselThe University of Texas System
* And other things you’ve always wanted to know about intellectual property law but were afraid to ask. . .
Overview: What Are We Talking About Today? (1/2)
• Primarily: How course materials may be properly transmitted in a digital context.
• Secondarily: “Fair Use”. A little law goes a long way (punctuated with references to Seinfeld and Barbie Dolls (really)). . . .
Overview: An Outline Of Today’s Discussion (2/2)
• The Evolution of Course Material Distribution.
• The Black Box That Is Fair Use (Law Stuff).
• Where We Go From Here.
What You Need To Know In One Slide• All: Read the informative ARL
brochure “Know Your Copyrights”, available at http://www.knowyourcopyrights.org/resourcesfac/kycrbrochure.shtml
Use Links.• All: Digital media is powerful and
should be used to enhance the educational experience.
The Distribution Of Academic Course Material (1/2)
• Discussion is a form of educational information.– Ounce of prevention . . .
• No one has been sued yet. . .• Fair use’s flexibility gives us a false sense of
security– AAP has threatened UC San Diego, Cornell and 6
other universities, including A&M.
• We should develop acceptable practices without being threatened with a lawsuit.
The Distribution Of Academic Course Material (2/2)
• Digitizing and distributing copies occurs all over campus (the library, within CMS, on Websites), and on every campus within UT System.
Defining Digital Distribution (1/2)
• Institutional use of any digital means to supply students with copies of class-related materials– Readings– Images– Audio files– Audiovisual materials
Defining Digital Distribution (2/2)
• Accomplished through –– Electronic reserves.– Posting within course management
systems.– Posting to an institutional server.– Electronic coursepacks.
Reserves And Coursepacks (1/2)
• Traditional reserves.– Placement of books in special room. – Time-limited access to resources for
“supplemental” reading.
• Next came photocopies.– Chapter; article; small number of copies.– Considered fair use by many.
• Then came electronic reserves.
Reserves And Coursepacks (2/2)
• Coursepacks– Originally photocopied collections of
readings that “supplemented” the textbook• Articles
• Chapters
– In some cases, coursepacks included all readings for a class (no textbook used).
– Commercial coursepacks have been ruled by two courts to not be fair use.
Copyright And Fair Use: It’s The Law. . .• The benefits of copyright ownership: The
exclusive right to:copy;modify;distribute;publicly display; andpublicly perform.
• Grants a monopoly in order to encourage the development of new ideas.
Fair Use – 4 Factors (1/5)
• Exception to copyright monopoly: Protects copying for use in “criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research.” 17 USC § 107.
• Purpose also is to encourage the development of new ideas.
Fair Use – 4 Factors (2/5)
• Factor No. 1: Purpose and Character of the Use. Two facets: Whether the defendant’s work is commercial or non-commercial in nature.
Whether the work is transformative. * “Dungeon Dolls” = transformative.* Seinfeld Aptitude Test = not
transformative.
Fair Use – 4 Factors (3/5)
• Factor No. 2: Nature of the copyrighted work.
The more creative a work, the greater the protection.
Cataloguing, indexing are not protected as vigorously.
Fair Use – 4 Factors (4/5)
• Factor No. 3: Amount and Substantiality of the Portion Used.
Sliding Scale.
Fair Use – 4 Factors (5/5)
• Factor No. 4: Potential Effect on the Market.
Whether alleged infringer’s work usurps demand for plaintiff’s work.
Transformative work less likely to have an adverse impact.
What Do The Courts Tell Us? (1/2)
• Texaco (1994): Copying articles from a journal for routing may not be fair use.
• Kinkos (1991) and MDS (1996): Commercial copy centers may need to secure permission to distribute coursepacks.
• Perfect 10 (2007): Google’s thumbnails of larger photos are fair use.
What Do The Courts Tell Us? (2/2)
• Different judicial philosophies.
Potential (MDS) vs. actual (Perfect 10) market harm.
Market theory vs. constitutional theory (Georgia Harper).
Summary of the legal standard
• Fair use is unavoidably vague.• Historically distinct practices
have merged.– Library reserves– Coursepacks
• Status of nonprofit coursepacks uncertain.
Observations I
• E-reserves policiesfollow coursepack policies.
• Same range of policy choices are reflected in electronic reserve policies.
Observations II
• Guidelines To Assist In The Creation Of Coursepacks: Limit coursepack materials to
– single chapters, single articles from a journal issue, several charts/graphs/illustrations and other similarly small parts of a work. Include any copyright notice on the originals and appropriate attribution. Obtain permissions for materials used repeatedly.
Observations III
• Decision to rely on fair use is individual and decentralized.
• Academic control requires centralization.
• CCC subscription license (next slide).
• CCC/Bb collaboration.
• Campus copyright offices.
Working Toward A Comprehensive Solution• Copyright Clearance Center’s “Annual
Copyright License for Academic Institutions” Covers most, but not all materials faculty members might want to use. More helpful when coverage expands.
• UT Task Force on Digital Distribution of Course Materials
Questions. . .
Thank You!
• Steve Rosen– Attorney, UT System – Copyright, Trademark
and Intellectual Property Matters– [email protected]
• Georgia Harper– Outside Counsel to UT System for Copyright
Matters– UT Libraries Scholarly Communications Advisor– [email protected]– http://copyright.lib.utexas.edu/