Dezyne E'cole college fashion design student work

DRAPING

Tasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole

Art Of Draping

ARCHITECTURAL MOTIFTRADITIONAL TEXTILES MOTIFS

Concept - Concept of saree is tradational percianmotif these flowers of egypt are very spritual. These motifs are mostly seen in their jwellary and spritual fabrics.

Concept

colour

Embroidery

Embroidery used in this dress are with silk thread on silk blink fabric.

c70,m56,y84,k71

c53,m78,y73,k78

c23,m100,y100,k27

c15,m33,y58,k0

Arrangement Of Motif

Streching ,Sliming and or ThickningOf Motif.

The variation obtainas a circle divide withstraight and curved linesmay develop simple and intricate design.

1 Grouping2 Repeating3 Overlapping4 Turning

Egyptian lotus motif

SUIT DESIGNPROJECT

36”

36”

Seat L

engt

h

Seat L

engt

h

Seat Length

1/3 of Length+1”

½ R

ound

L

eg

½ R

ound

Bot

tom

+1/2”

1/3 of Total Length1/4 of Total Length

½ R

ound

Bot

tom

½ Round Bottom

CHURADAAR PYJAMI

On Fold

Total Length-36”Round Leg -14”Round Bottom-12”Seat Length-13”

Cut 4 Piece

Cut 2 piece

Full Length-23.1”Cap Height-6.3”Bicep Circumference-12.4”Elbow Circumference-10.6

SLEEVE MEASUREMENT

On F

old

Fu

ll L

en

gth

Cap Height

½ BicepCircumference

½ Elbow Circumference

36”

7”

3” KAMEEZ MEASUREMENT

Full Length-36”Round Chest- 34”Shoulder-3”Neck Depth-7”Round Waist-26”Round Hip-36”Back Neck-9”

On

Fol

d

5”

3”

FRONT BACK

36”

Length of dupatta 95”width of dupatta-30”width of border-3”circular motif- 3”

Design Detaling


Trims

Vardhman Thread Ykk Zipper

Pantone 138 C Pantone 7526 C

Pantone 720 CPantone 5797 C

Printed Chiffon and cotton checks

Chiffon

Composition

Desig

n O

n C

AD

Back View

Composition

Composition

Fabric Color Ways

Upper Part

Seam Line

Front View

Side View

Cap sleeve

Back

Attached with

Upper & Lower

Part

Round

Neckline

Front

Circular

Hemline

Assymetric

curved dart

Composition

Fabric

Trims

Vardhman Thread

Color Ways


Printed Chiffon

Chiffon

Composition

De

sig

n O

n C

AD

Front ViewBack View

Side View

Upper Part

Seam Line

Composition

Ykk Zipper

Attached with gathers

Upper & Lower

Part

Back

Front

Gathers

Uneven

Hemline

Composition

Fabric

Trims

Vardhman Thread Ykk Zipper

Color Ways



Printed Chiffon

Chiffon

Composition

Desi

gn O

n C

AD

Front View

Back View

Side View

Lower Part

Seam Line

Gathers

Yoke

Aline Flared Dress

Uneven

Hemline

Belt(2”)

Attached with

Upper & Lower

Part

Asymmetric

Neckline

Front Back

Composition

Composition

Fabric

Trims

Vardhman Thread

Color Ways

Pantone 364 Pantone 463 C

Printed Chiffon

Chiffon

Composition

De

sig

n O

n C

AD

Front View Back ViewSide View

Upper Part

Seam Line

Composition

Ykk Zipper

Attached with gathers

Upper & Lower

Part

BackFront

Gathers Uneven

Hemline


Garment Construction Through Cad

Composition

Fabric

Vardhman Thread

Color Ways


Plain cotton

Chiffon

Composition

Desi

gn O

n C

AD

Front ViewSide View

Upper Part

Seam Line

Composition

Ykk Zipper

Trims

Back View

Back FrontYoke

one piece

short dress

Composition

Fabric

Vardhman Thread

Plain and printed cotton

Chiffon

Composition

Desi

gn

On

CA

D

Side View

Lower Part

Seam Line

Composition

Trims

Color Ways



Front View

Back View

Back Front

one piece short dress

Armhole princess style line

Ykk Zipper

Composition

Fabric

Trims

Vardhman Thread

Color Ways

Pantone 464 CComposition

Desi

gn O

n C

AD

Front ViewBack View

Side View Composition

FrontBack

cap sleevecap sleeve

Round hemline Round hemline

cotton

Plain cotton

Composition

Fabric

Vardhman Thread

Striped fabric cotton

Cotton

Composition

De

sig

n O

n C

AD

Side View

Seam Line

Composition

Trims

Color Ways


Front View Back View

BackFront

Kimono

sleeve

t-shirt

Garment Construction Through CadTasmiya SiddiquiAdvance Diploma Fashion TechnologyDezyne E’cole

FUCHSIA RED

PALACE BLUE LUCITE GREEN

SUPER LEMON

LAVENDER VIBRANT GREEN

SLATE GRAY

SALMON ROSE

ROSE DUST

PANTONE2328

PANTONE16-1026

PANTONE18-4043

PANTONE18-4043

PANTONE14-0754

DARK CITRON

PANTONE16-0436

PANTONE15-3817

PANTONE16-5804

PANTONE14-1307

PANTONE16-6338

FASH

ION

DES

IGN

ER

TASMIYA SIDDIQUI

PORTFOLIO

BEAUTY OF

CURVES

This dress is made for a person whose age is 20-25. she has a good heightand a mature body with a fair completion her height is 5.7. Feeling of mo-dernityare shown by girl by her silhouette and the way she carry the dress and her carefree attitude. A dress is about curves and curves are shown byfolds of fabric to bring out sensual curves. It shows feeling of softness, delicacy. Cuts of dress express feeling of sensuousness proper fitting of dress makes her look attractive makes her silhouette beautiful accessories are very beautiful and delicate which reflect light. Hair color are deep blackwhich suits her completion and dress type her hairs are with soft curls andmedium height. Shoes are high heel but not very slopy.eye color is little lighter other dress and eye makeup is little darker to dress lipstick is dull and little lighter and highlited fromdark shades of same color. Color of dress may differ from party ware to casual ware for party ware vivid color aroused and for casual ware deep and dark color are used. Fabric for my dress vary from party ware to casual ware silk, satin, net, chiffon, georgette, with very light gsm and for casual ware spandex and Lycia type of fabric which gives perfect fitting.

storyboard

ha i r s

lip colour

nail p

olish

shoes

textu

re

fa b r ic

f o l ds

assesor

ies

col

o r

ey

e m a k eup

material

hairs with soft curls and and black color

matching dull lip color with dark lip liner

light color eye shadewith dark highligher

matching dull nail polishretro red 147

high heel without slope

self texture and net

fabric folds on silk, satinand velvet

stone assessories

suitable color

velvet, georget,and silk

MY CREATION

LAYOUT

origami dress


Submitted to

Dezyne E’cole College towards the

partial fulfilment fot the awards of

Advance Diploma in Fashion Technology

By

TASMIYA SIDDIQUI


Project Advisor

Mrs. PRIYANKA SAXENA

Dezyne E’cole College Ajmer2009-2011

tremiendous values and has enabled me to complete this project

successful.

MRS. VINITA MATHUR,Director of Dezyne E’cole College, Ajmer

who has given me an opportunity to work on my project in their

Organisation.

Finally I am grateful to a those who have help me come out with

such a volume in this from.

ACKNOWLEDGEMENT

I am deeply greatful to all those whose guidance has been of

TASMIYA SIDDIQUI


CONTENT

Traditional Indian Motif

Concept Board

New Motif Development

Material Board

Saree Layout

4.SALWAR KAMEEZ PROJECT

Layout Of Draft Of Salwar Kameez

Salwar Kameez

5.CONCULISION

6.BIBLOGRAPHY

1. INTRODUCTION

2. TRADITIONAL MOTIF USED IN INDIAN SAREES

3.SAREE PROJECT

Paisley Motif

Rudraksh Motif

Floral Motif

Human Motif

Geometric Motif

Mythological Motif

Animal And Birds MotifTempel motof

INTRODUCTION

Design is backbone of graphic art, design that is a part of art actually a part of our life Personality and influences the enjoyment of everything to do and of everything to select. Textile designs developed from three sources the quality of the fibers, the size and type of yarn and the way they are combined if more than one is used. The process by which they are woven and any ornament incorporated during the weaving and the Ornamentation applied after the weaving. Design is classified into two types:

Structural and Decorative Designs: Structural design is a form of construction that is built into the cloth during the Process of its manufacturing. Decorative design is applied to the surface of the cloth to ornament it. Like weaving knitting, lace making printing, dyeing, embroidery, appliqué and painting. Motif: the most important factor in any design, determines the family to which the Pattern belongs. This is the basic image –a rose, a square, a clown a paisley Layout: It describes the arrangement of the motif- whether it is spaced widely or closely On the ground, in neat order or apparently at random, or in rows that form stripes. Color: designs are so classified when a particular dye- indigo, madder or Turkey red Say –is the strongest element of their look. Naturalistic designs / conversational: This depicts real objects in a natural manner. Flowers, animals, plant forms, Stylized designs/ floral designs: These distort real objects. In this natural designs are simplified, exaggerated, rearranged or even distorted to achieve the purpose of the design.

a) All over non-directional b) Allover set c) Baskets, flowerpots and vases d) Bouquets and nosegays

Geometric designs: These are based on pure forms of the circle, rectangle and triangles etc. Geometric motifs include stripes, dots, checks, and plaids Abstract designs: These have little or no reference to real object. Abstract implies an element of impression and a greater freedom than is found in most geometric designs. This type of design is used in modern art. Ethnic designs: The ethnic styles have their day in western design and then submerge, to reappear Examples are American Indian look, batik and Indonesian look, Egyptian look, Mexican design and paisley, tie and dye patterns. Art movements and period styles: Designs like these are often the links between cloth and the fine arts. Examples are Jacobean looks and super graphics. 7 Repeats in Motifs • Side repeats pattern. • Half drop pattern • Brick pattern • Border pattern • Spotted pattern • Striped pattern

The Half –Drop repeat: In half drop repeat given size will not come just straight across to the next repeat, but will move up or down half of one repeat in the vertical direction. Brick pattern: It is structured, as a brick wall Might be build. The repeat line up perfectly Horizontally Border designs: Most border designs are composed of units or series of units or lines repeated at Intervals over the given area. Stripe pattern: They can be anything from plain stripes, all exactly the same width, to After doing this project I got knowledge about traditional textiles of India whole India In fabrics I personally like silk fabric of different variety or in surface design techniques Like weaving in colors I like traditional Indian colors in motifs I like kalash and paisley Motifs or in textiles I like ikat patola

Placement of motifs

Step-1 Draw a motif by difference sources.

Step-2 Simplify to motif with straight line or curve line using a ruler or a compas

Step-3 Stylising a motif by stretching, sliming, or thickning.

Step-4 Rotate the motif.

Step-5 The variation obtain as a circle divide with straight and curve line may develope

simple and intricate design

PAITHANE SAREE OF HYDRABAD

IKAT SAREE

CHANDEREE SAREEBROCADE OF BANARS

MAHESHWARE SAREE OF MADHYA PRADESH

STYLIZE MOTIF

RUDRAKSHA MOTIF

Rudraksha motifs are mostly used in all types of saree but specially used in pochampally saree of Orissa and rajasthan

silk saree

Paisley moifs originaed in maxico, America are mostly used in all types of saree but Rajasthan, Brocade of Banaras, West Bengal, Kashmir, and Uttar Pradesh.

PAISLEY MOTIF

KANTHA SAREE OF BENGOL

PAOLA SAREE OF GUJRAT

CHANDERI SAREE OFMADHYA PRADESH

SILK SAREE OF MAHARSATRA

BROCADE OF BANARS

STYLIZE MOTIF

KALASH MOTIF

Kalash motifs are mostly used in all types of saree but specially use in gujraty and rajasthane saree.

STYLIZE MOTIF

DIFFERENT TEXTILES KALASH MOTIF SAREE

FLORAL MOTIF

SILK BROCADE SAREE

PAITHANE SAREE OF HYDREBAD

BROCADE OF BANARS



Floral motifs are mostly used in all types of saree but specially use inGujrat, Rajasthan, Himachal Pradesh, Orissa, Maharastra, Uttar pradesh,Kashmir, Punjab, Bengal, Bihar.

STYLIZE MOTIF

GEOMETRIC MOTIF

Geometric motifs are mostly used in all types of saree but specially use in

Orissa ,Gujarat, Madhya Pradesh, Rajasthan, Maharashtra

BROCADE OF BANARAS

PATOLA SAREE OF GUJRAT

POCHAMPALY SAREEOF ORISSA

MAHESHWAREE SAREE OF MADHYA PRADESH

STYLIZE MOTIF

TEMPEL MOTIF


BROCADE OF BANARS

BROCADE OF BANARS



Tempel Motifs are used all over the world according to their tradations like persian and egyptians used coin tempel motifsin India is used all parts but specially Andra pradesh, Orissa.

STYLIZE MOTIF

SILK PERSIAN TABREEZ WORK

BATIKWORK

SILK EMBROIDERY



Animal and bird motif are using every region according to their local style. These motifs are using in following places:Bihar, Maharashtra, Jammu & Kashmir, Punjab, West Bengal.

ANIMAL AND BIRD MOTIF

STYLIZE MOTIF

MYTHOLOGICAL MOTIF

Mythological motifs are mostly used in all types of sareethese motifs are telling stories of God and Godesses specially use in bihar, Andra pradesh, Orissa.

KALAMKAREE SAREE OF MADHYA PRADESH

BALUCHARE SAREE OF WEST BENGOL

PESHWA SAREE OF HYDRABAD

MAHESHWARE SAREE OF MADHYA PRADESH

KALAMKAREE SAREE OF ANDHRA PRADESH

BALUCHARY SAREE

BALUCHARY SAREE

BALUCHARY SAREE

MADHUBANY OF BIHAR

MADHUBANY OF BIHAR

HUMAN MOTIF


MADHUBANE SAREE OF BIHAR CHAMBA RUMAL SAREE OF

ORISSA

CHAMBA RUMAL SAREE OF ORISSA

KALAMKARE SAREE OF ANDHRA PRADESH

KALAMKARE SAREE OF ANDHRA PRADESH

BALUCHARE SAREE

Human motifs are mostly used in all types of sareebut specially use in Bengal, Rajasthan and Bihar.

Biblography

In this project I got help from internet and from that

Google and yahoo are best among them some web

sites are there.

www.thebeautygirl.com

www.expat.or.id

www.jaintextiles.com

www.textilearts.com

www.baliblog.com

www.timorousbeasties.com

www.btsadventures.com

www.mexicantextiles.com

www.jaintextiles.com

www.dreamstime.com

www.goodreads.com

www.seasonsindia.com

www.bestindiansites.com

www.chillibreeze.com

www.pubarticles.com

Conclusion

Before doing this project I think there is no need to do this project but After completing this project I realized I got the knowledge about all traditional textiles, and all traditional designs of India. I got the knowledgeofall textiles of India Motifs, Tradational Colors, Embroidery, etc.

Igot knowledge that Indian tradational motifs are Temple motif, flowers, lotus, buta, kalga, peeple , sun, peacock, parrot, fish, elephant, tortoise, hunting scene, etc

Indian tradational motifs are Kalash, Flora, Fauna, Rudraksha, Geometric,Mythological Paisley, Human, Tempel etc

At last I can say this project was very necessary for me because I got a lots of knowledge and experience about Traditional Textiles. I got the knowlwdge about all fibres, yarns, fabrics(natural and man made and their uses and properties, and formation too.I learnt about all design techniques surface or decorative.

India has a diverse and rich textile tradition. The origin of Indian textiles can be traced to the Indus valley civilization.

The first literary information about textiles in India is available in the RigVeda, which refers to

weaving. The ancient Hindu epics, the Ramayana and the Mahabharatamention a variety of

fabrics in vogue during those times. The Ramayana refers to the rich garments worn by the

aristocracy,

Dezyne E'cole college fashion design student work

Design

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