Design Projects Rearch 1

download Design Projects Rearch 1

of 121

Transcript of Design Projects Rearch 1

  • 8/14/2019 Design Projects Rearch 1

    1/121

  • 8/14/2019 Design Projects Rearch 1

    2/121

  • 8/14/2019 Design Projects Rearch 1

    3/121

  • 8/14/2019 Design Projects Rearch 1

    4/121

  • 8/14/2019 Design Projects Rearch 1

    5/121

  • 8/14/2019 Design Projects Rearch 1

    6/121

  • 8/14/2019 Design Projects Rearch 1

    7/121

  • 8/14/2019 Design Projects Rearch 1

    8/121

  • 8/14/2019 Design Projects Rearch 1

    9/121

  • 8/14/2019 Design Projects Rearch 1

    10/121

  • 8/14/2019 Design Projects Rearch 1

    11/121

  • 8/14/2019 Design Projects Rearch 1

    12/121

  • 8/14/2019 Design Projects Rearch 1

    13/121

  • 8/14/2019 Design Projects Rearch 1

    14/121

  • 8/14/2019 Design Projects Rearch 1

    15/121

  • 8/14/2019 Design Projects Rearch 1

    16/121

  • 8/14/2019 Design Projects Rearch 1

    17/121

  • 8/14/2019 Design Projects Rearch 1

    18/121

  • 8/14/2019 Design Projects Rearch 1

    19/121

  • 8/14/2019 Design Projects Rearch 1

    20/121

  • 8/14/2019 Design Projects Rearch 1

    21/121

  • 8/14/2019 Design Projects Rearch 1

    22/121

  • 8/14/2019 Design Projects Rearch 1

    23/121

  • 8/14/2019 Design Projects Rearch 1

    24/121

  • 8/14/2019 Design Projects Rearch 1

    25/121

  • 8/14/2019 Design Projects Rearch 1

    26/121

  • 8/14/2019 Design Projects Rearch 1

    27/121

  • 8/14/2019 Design Projects Rearch 1

    28/121

  • 8/14/2019 Design Projects Rearch 1

    29/121

  • 8/14/2019 Design Projects Rearch 1

    30/121

  • 8/14/2019 Design Projects Rearch 1

    31/121

  • 8/14/2019 Design Projects Rearch 1

    32/121

  • 8/14/2019 Design Projects Rearch 1

    33/121

  • 8/14/2019 Design Projects Rearch 1

    34/121

  • 8/14/2019 Design Projects Rearch 1

    35/121

  • 8/14/2019 Design Projects Rearch 1

    36/121

  • 8/14/2019 Design Projects Rearch 1

    37/121

  • 8/14/2019 Design Projects Rearch 1

    38/121

  • 8/14/2019 Design Projects Rearch 1

    39/121

  • 8/14/2019 Design Projects Rearch 1

    40/121

  • 8/14/2019 Design Projects Rearch 1

    41/121

  • 8/14/2019 Design Projects Rearch 1

    42/121

  • 8/14/2019 Design Projects Rearch 1

    43/121

  • 8/14/2019 Design Projects Rearch 1

    44/121

  • 8/14/2019 Design Projects Rearch 1

    45/121

  • 8/14/2019 Design Projects Rearch 1

    46/121

  • 8/14/2019 Design Projects Rearch 1

    47/121

  • 8/14/2019 Design Projects Rearch 1

    48/121

  • 8/14/2019 Design Projects Rearch 1

    49/121

  • 8/14/2019 Design Projects Rearch 1

    50/121

  • 8/14/2019 Design Projects Rearch 1

    51/121

  • 8/14/2019 Design Projects Rearch 1

    52/121

  • 8/14/2019 Design Projects Rearch 1

    53/121

  • 8/14/2019 Design Projects Rearch 1

    54/121

  • 8/14/2019 Design Projects Rearch 1

    55/121

  • 8/14/2019 Design Projects Rearch 1

    56/121

  • 8/14/2019 Design Projects Rearch 1

    57/121

  • 8/14/2019 Design Projects Rearch 1

    58/121

  • 8/14/2019 Design Projects Rearch 1

    59/121

  • 8/14/2019 Design Projects Rearch 1

    60/121

  • 8/14/2019 Design Projects Rearch 1

    61/121

  • 8/14/2019 Design Projects Rearch 1

    62/121

  • 8/14/2019 Design Projects Rearch 1

    63/121

  • 8/14/2019 Design Projects Rearch 1

    64/121

  • 8/14/2019 Design Projects Rearch 1

    65/121

  • 8/14/2019 Design Projects Rearch 1

    66/121

  • 8/14/2019 Design Projects Rearch 1

    67/121

  • 8/14/2019 Design Projects Rearch 1

    68/121

  • 8/14/2019 Design Projects Rearch 1

    69/121

  • 8/14/2019 Design Projects Rearch 1

    70/121

  • 8/14/2019 Design Projects Rearch 1

    71/121

  • 8/14/2019 Design Projects Rearch 1

    72/121

  • 8/14/2019 Design Projects Rearch 1

    73/121

  • 8/14/2019 Design Projects Rearch 1

    74/121

  • 8/14/2019 Design Projects Rearch 1

    75/121

  • 8/14/2019 Design Projects Rearch 1

    76/121

  • 8/14/2019 Design Projects Rearch 1

    77/121

  • 8/14/2019 Design Projects Rearch 1

    78/121

  • 8/14/2019 Design Projects Rearch 1

    79/121

  • 8/14/2019 Design Projects Rearch 1

    80/121

  • 8/14/2019 Design Projects Rearch 1

    81/121

    T H E

    S K A

    S - H E I G R E

    C A N A L - R E S T O

    R I N G WA T E R

    Q U A L I T Y

  • 8/14/2019 Design Projects Rearch 1

    82/121

    T H E

    S K A

    S - H E I G R E

    C A N A L - R E S T O

    R I N G WA T E R

    Q U A L I T Y

  • 8/14/2019 Design Projects Rearch 1

    83/121

    T H E

    S K A

    S - H E I G R E

    C A N A L - R E S T OR I N

    G WA T E R

    Q U A L I T Y

  • 8/14/2019 Design Projects Rearch 1

    84/121

    B I O-

    C O C O ON

    B I O-

    C O C O ON

  • 8/14/2019 Design Projects Rearch 1

    85/121

    B I O-

    C O C O ON

  • 8/14/2019 Design Projects Rearch 1

    86/121

    B I O-

    C O C O ON

    B I O-

    C O C O ON

  • 8/14/2019 Design Projects Rearch 1

    87/121

    B I O-

    C O C O ON

  • 8/14/2019 Design Projects Rearch 1

    88/121

    B I O-

    C O

    C O ON

    B I O-

    C O

    C O ON

  • 8/14/2019 Design Projects Rearch 1

    89/121

    B I O-

    C O

    C O ON

  • 8/14/2019 Design Projects Rearch 1

    90/121

    B I O-

    C O

    C O ON

    PRIVELIGIED AREASFOR CONSTRUCTIONJULIEGAUTERIN

  • 8/14/2019 Design Projects Rearch 1

    91/121

    B I O-

    C O

    C O ON

    B I O-

    C O

    C O ON

  • 8/14/2019 Design Projects Rearch 1

    92/121

    B I O-

    C O

    C O ON

  • 8/14/2019 Design Projects Rearch 1

    93/121

    B I O-

    C O

    C O ON

    B I O-

    C O

    C O ON

  • 8/14/2019 Design Projects Rearch 1

    94/121

    B I O-

    C O

    C O ON

  • 8/14/2019 Design Projects Rearch 1

    95/121

    B I O-

    C O C O ON

    B I O-

    C O C O ON

  • 8/14/2019 Design Projects Rearch 1

    96/121

    B I O-

    C O C O ON

    Ze Maps drawn by ze Hand of Evil

    MA P

    S O F

    U L T I MA T E

    J O Y

  • 8/14/2019 Design Projects Rearch 1

    97/121

  • 8/14/2019 Design Projects Rearch 1

    98/121

    P R O P E R T Y

    M O R A I N E

    C I T Y

    / U R B A N I T Y I N

    P R O D U

  • 8/14/2019 Design Projects Rearch 1

    99/121

    R O A D

    S

    U C T I V E L A N D

  • 8/14/2019 Design Projects Rearch 1

    100/121

    M O R A I N E

    C I T Y

    / U R B A N I T Y I N P R O D U

  • 8/14/2019 Design Projects Rearch 1

    101/121

    WA T E R

    S U R F A

    C E

    U C T I V E L A N D

    M A P S O F J O Y

  • 8/14/2019 Design Projects Rearch 1

    102/121

    C O N T O U R L I N E S

    M O R A I N E

    C I T Y

    / U R B A N I T Y I N P R O D

    U C

  • 8/14/2019 Design Projects Rearch 1

    103/121

    B U I L D I N

    G S

    C T I V E L A N D

    Today the region of Stavanger are undergoing changes that are be-yond the scope of the dominant view on the urban.

    To deal with the issues that The Morain City adresses I have based

    M O R A I N E

    C I T Y

    / U R B A N I T Y I N P R O D

    U C

  • 8/14/2019 Design Projects Rearch 1

    104/121

    To deal with the issues that The Morain City adresses I have basedmy approach on a hypothesis saying that the agriculturalelds of theregion will be urbanized in some way or another. We can observe thattodays process of urbanization goes on without particular care to-wards landscape. When productive land are subject to development,it is consumed completely by construction. In order to deal with this,I have studied the patterns of the general tendency of developmentand discovered some recurrentgures, based on the lot structure.

    I consider thesegures to be emblematic of the urbanization process

    that goes on in the region. As such, they represent a basis for devel-oping new conseptual strategies for the Moraine City.

    I have assembled thegures in a catalogue, categorized them andanalysed their capacity for receiving urbanity. I have then focused onthose gures that are sited in the productive land and the develop-ment of residential housing.

    Productive land has specic properties in organizing urbanization. Ihave explored these properties and proposed a set of rules which canbe applied when dealing with urbanization in productive land.

    I have:

    [Move 1] analyzed the internal relations in eachgure in terms ur-banization pattern, density and distribution.

    [Move 2] explored the property of eachgure as a structuring ele-ment in an overall urban system, regarding (a) the relation betweenthe gures and (b) thegures specic relation to the landscape.

    [Move 3] strengthen the role of the traditional parcel structure andalso add a new role: The stone fence is used as a device to structurevegetation corridors, water environments and residential housing in-side the gures.

    MORAINE CITY URBANITY IN PRODUCTIVE LANDSCAPE

    I N T E N T I O N

    S

    C T I V E L A N D

  • 8/14/2019 Design Projects Rearch 1

    105/121

    MA P

    O F F I G

    U R E S

  • 8/14/2019 Design Projects Rearch 1

    106/121

    C A T A L O

    G U E

    O F F I G

    U R E S

    C A T A L O

    G U E

    O F F I G

    U R E S

  • 8/14/2019 Design Projects Rearch 1

    107/121

    The buildings are following the contour lines1.Leaving the void behind the buildings2.Most road ef cient (ca. 1500 m)3.

    Keeps production buildings direct access to theeld1.Housing is kept close to the road, thus in close contact with2.

    the urban system of

    ows.Works as threshold beween the upper and lower part of the3.valley, and between the road and the productive land behindStrengthen the linearity of the string and as a connector.4.

    FIGURE: RSVOLL [PARALLELL LOTS+SINGULAR STRINGS]

    FIGURE 34-2A [SINGULAR STRING + REGULAR LOTS] ALTERNATIVE A

  • 8/14/2019 Design Projects Rearch 1

    108/121

    Housing are perpendicular to the contour lines1.The topography creates sun exposure for the residences2.Less road ef cient (ca. 2100 m)3.

    Follows the contour lines and utilized the topographical levels1.and are better for adopting to the specic situation where theremore hills.

    Accentuates the parcel structure in the direction where it is2.the dening the limit of thegure, which is determined by thetopography (hilltop).Less road ef cient ca. 2000 m)3.

    Buildings follow the contour lines5.

    FIGURE 34-2A [SINGULAR STRING + REGULAR LOTS] ALTERNATIVE A

    FIGURE 34-2A [SINGULAR STRING + REGULAR LOTS] ALTERNATIVE A

    FIGURE: RSVOLL [PARALLELL LOTS+SINGULAR STRINGS]

    ALTERNATIVE B

    FIGURE: RSVOLL [PARALLELL LOTS+SINGULAR STRINGS]

    ALTERNATIVE B

    Keeps the productive land open to the roads1.Keeps production buildings in theeld2.Create neighbourhoods that are integrated in the landscape of 3.production.Favours low density and single family housing.4.

    Adds to the stone fence and atrengthens the parcel landscape5.Creates connections with the green infrastructure and canal sys-6.tems which becomes more available to the public as recreationalareasBuildings are perpendicular to the contour lines, allthough the7.slope is quite slow.

    Urbanizes the whole lot and leaves lots in between for produc-1.tion. Creates various possibilities for urban pattern that can givedifferent prospect, exposition and spatial qualities.It is a weaker tool for structuring a wanted development, and2.implementation would be hard to execute since the fugures arenot denite. If one whole lot would be urbanized, the rest prob-ably follow, giving the same tendency which this project criticizes.It also weakens the main structural character of this landscape3.and thus its specicity.

  • 8/14/2019 Design Projects Rearch 1

    109/121

    Look at the urbanity in the region as a result of different cycles of urbanization. I observe 1st systemis a city rooted in the harbor in the beginning of thefjord; 2nd system is heavy industry structure rootedin the meeting point of main road and the bottom of fjord, the development happened between 1st cityand 2nd city. There have some development outsideof the band city. New cycle of urbanization not strictlylocated with in the band city. That I call is the third

    city.

  • 8/14/2019 Design Projects Rearch 1

    110/121

    I N T R

    O D

    U C T I O N

    1st CITY

    1860 1945 2007

  • 8/14/2019 Design Projects Rearch 1

    111/121

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    2nd CITY

    vvvvis a process which goes along witheconomic development, use landscape as inner logic,to prepare an urban structure that can hold a completesystem when economy enters into a recession.

    Economy declines - and the start of thethird city

    The Second city started withheavy industry and is nowbased on the oil production.

    Because of the harbour bythe Atlantic Ocean, Stavangergrew into an important south-west coast market town around1100-1200.

    time ?economy

    urbanization pat-terns

  • 8/14/2019 Design Projects Rearch 1

    112/121

    ME T H

    O D

    S

    Oil industry hold economy increase, and stimulategrowth in the urban development. Urbanizationfollows the three different patterns, on the basis of theprevious urban system starts to build a new system,which is the 3rd city.

    Oil industry lost the leadership in economy becausethe oil resource is approaching vanishing point. Urbandevelopment keep growing though economy goes intoa recession.

    a new urban structure run well, without economypushing.

    Economic growth stagnated.

    phase i today [t]

    phase ii t + x

    phase iii t + 2x

    phase iv t + 3x

    plus plus

  • 8/14/2019 Design Projects Rearch 1

    113/121

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    Coastal slopes

    TYPES FIGURES NATURE SETTLEMENT

    Wooded slopes

    with estate land

  • 8/14/2019 Design Projects Rearch 1

    114/121

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    Rolling openfarmland

    River valleys

    Farmland withwoodland andwetlands

    Retain the farmland Avoid building at exposed areas.

    Keep wooden slopes which are not economy to

    12

    3

    Principles:

  • 8/14/2019 Design Projects Rearch 1

    115/121

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    OBSERVED AREAS

    development. Adapt the settlements to the scale of landscapefeatures.

    4

  • 8/14/2019 Design Projects Rearch 1

    116/121

    coastal slope

    lake valley

    wooden slops

    rolling land

    settlement in coast slope

    settlement in lake valley

    settlement in wooden slops

    settlement in rolling land

    new development

    2nd city

    growing city

    service center

    street

    airport

    rolling land lake valley coastal slope wooden slope

    pictures of different landscape characters

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    rolling land lake valley coastal slope wooden slope

    pictures of different landscape characters

    settlement

    large

    60% housings40% services

    URBAN CENTER

    SCALE

    RESIDENTIAL AREAS

    FUNCTION80% housings20% services

    90% housings10% services

    medium small

    RESIDENTIAL AREAS MUST BEE ROOTED IN THELANDSCAPE

    h d d l ll h

  • 8/14/2019 Design Projects Rearch 1

    117/121

    n rolling land settlement in lake valley settlement in coastal slope

    pictures of different areas in the landscape

    settlement wooden slope

    urban centers

    urban areas

    STRUCTURE MAP

    URBAN CENTER INCLUDES:

    kindergarten

    middle school

    high school

    hospital

    healthy center

    sport center

    shopping center

    hotel

    of ce building

    culture center

    transport

    station

    settlement

    we assume the 3rd city, development will happenaccording to valuable areas. So, when economydeclines and the city shrink, we remain with an urbansettlement concentrated around the most valuableareas. Therefore, we have to organize an urbansystem according to this logic of settlements.

    urban centers are formed during the proess of urbanization. after the decline of development, theyremain close to valuable areas. F R

    A G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    STAGES OF DEVELOPMENT

    LANDSCAPE CONDITIONS

  • 8/14/2019 Design Projects Rearch 1

    118/121

    building + street

    sea side buildings agriculture hill trees

    coastal slope town

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

  • 8/14/2019 Design Projects Rearch 1

    119/121

    valley

    high area forest hillside

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    we assume the 3rd city, development will happenaccording to valuable areas. So, when economydeclines and the city shrink, we remain with an urbansettlement concentrated around the most valuable

    Th f h i b

  • 8/14/2019 Design Projects Rearch 1

    120/121

    Taliesin I, Spring GreenFrank Lloyd Wright

    Falling Water1935 Frank Lloyd Wright

    areas. Therefore, we have to organize an urbansystem according to this logic of settlements.

    urban centers are formed during the proess of urbanization. after the decline of development, theyremain close to valuable areas.

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N

    Settlements on mountain valley settlements on coastal slope

  • 8/14/2019 Design Projects Rearch 1

    121/121

    settlements on mountain valleysettlements on rolling farmland

    Cabin on Little Island1965 Wenche Selmer

    Farnsworth House at Plano1945-1950 Mies van der Rohe

    House in Porto Petro1971-1972 Jrn Utzon

    F R A

    G ME N T E D

    / C O N N E

    C T E D

    -

    D E S I G N