DePadova Casa 2010 (UK)
-
Upload
emotiv-sas -
Category
Documents
-
view
240 -
download
2
description
Transcript of DePadova Casa 2010 (UK)
casa 2010
ai nostri maestri
Achille CastiglioniCharles e Ray EamesDieter RamsGeorge NelsonVico Magistretti e a Maddalena De Padova
De Padova s.r.l.strada Padana superiore, 280a20090 Vimodrone (Mi)Italy
customer serviceTel. +39 02 27 43 97 95Fax +39 02 27 43 97 [email protected]
contract departmentTel. +39 02 77 72 02 [email protected]
Press office & PRTel. +39 02 77 72 02 [email protected]
showroomcorso Venezia, 1420121 Milano (Mi)ItalyTel. +39 02 77 72 01Fax +39 02 77 72 02 70
® and ®are registered trademarks of De Padova s.r.l.
© 2010 De Padova s.r.l.
all rights reserved. No part of this catalogue may be reproduced or transmitted in any form or by any means, electronic or mechanical, including printing, photocopying, recording, or any information storage and retrieval system without prior permission in writing from De Padova s.r.l., excepting reproduction intended to support the sale of De Padova products privately.This catalogue is available free of charge subject to the condition that it shall not, by way of trade or otherwise, be sold or hired out totally or partly.
De Padova supports aMREF’s “children in need” programme.www.amref.it
african Medical and Research Foundation
Printed in Italy by Grafiche Milani
’58 ’65
Wire Chair Aluminum Group
H e r m a n m i l l e r
’57
MMG Modern Management GroupFabric’s patterns
’56
a lva r a a lto | k ay b oj e s e n | a r n e j a c o b s e n | f i n n j H u l | p o u l k j a e r H o l m | H a n s w e g n e r
Stool 60 Sea puffin Egg chair Chair 45 Pk24 Chair 44
c H a r l e s & r ay e a m e s | a l e x a n d e r g i r a r d | g e o r g e n e l s o n
Founding of IcF De Padova, with headquarters in Vimodrone, near Milan, for the production in Italyof the office furnishings of Herman Miller. From her encounters with that company ’s american designers, Maddalena De Padova absorbs the secrets that would become the core of her philosophy: the importance of the environmental context, from George Nelson, of “connections” from charles Eames, the role of objects, from alexander Girard, a métissage of technology and everyday useful things, often produced by the folk tradition.
The large showroom is opened at corso Venezia in Milan, for the display and sale of collections of furnishings and accessories for the home and office, produced by IcF De Padova. The shop becomes a launching pad for emerging young designers like Ingo Maurer, whose first lamps and objects are introduced by De Padova.
1958 icf de padova plant 1960 the icf showroom 1965 the store at corso venezia
(protest)(consumption)
On a trip to Basel Maddalena
De Padova happens to discover the
Wire Chair by charles Eames.
The encounter changes her life.
a few months later, in fact, through
Willi Fehlbaum, the founder of
Vitra, Maddalena meets with the
american company Herman Miller
and acquires a license to produce the
products designed by charles Eames
(Aluminum Group and Lounge Chair)
and George Nelson in Italy.
FiFties the boom of the fiat 500 and a mcdonald’s advertisement.
1969 moon landing
1968 poster from the may protests in france
(international style)
Fernando and Maddalena De Padova begin their business activities by importing scandinavian furniture and objects, sold at the store on via Montenapoleone in Milan. This marks the debut of design from Northern Europe in Italy: a revolution that has had a permanent impact on our way of living. “…I chose what I liked, I was blown away by certain pieces of furniture, by those lines, by the diversity. I think I had an instinctive sense of aesthetics… let’s just say I understood perfectly when something was ugly”. (Maddalena De Padova).
1956 milan, store on via montenapoleone 1956 the de padova sign 1956 shop window on via montenapoleone
De PADOVA HistORY AND PLACes
De PADOVA tHe eNCOUNteRs
De PADOVA AND tHe WORLD
1958 seagram building, new york city. ludwig mies van der rohe in collaboration with philip johnson 1959 Some Like it Hot,
by billy wilder with marilyn monroe, tony curtis and jack lemmon.
m a d d a l e n a a n d fe r n a n d o d e pa d o v a
7
’84
Shaker rocking chairr e n z o p i a n o
’90’80’70
v i c o m a g i s t r e t t i | a c H i l l e c a s t i g l i o n i | d i e t e r r a m s
Screen 606 U.S.S.MaroccaPLR
r o s s l i t t e l l
De Padova introduces a new collection of office furniture (home/office) that completely overthrows the traditional concept of furnishings and spaces for work. achille castiglioni designs a series of displays for the De Padova shop windows, adding another unique aspect to the company ’s style.
“It was an epoch-making event. We discovered an unknown people, the Shakers, and it brought heightened credibility to De Padova”. This is how Pierluigi cerri, who did the graphic design for the exhibition on the shakers, recalls the evening of 27 February 1984, when the De Padova shop windows introduced Italy, for the first time, to the furniture of a previously unfamiliar community from Maine.
(deconstructivism)
sHaker exHib it ion, de pad ova sHowroom, 1984 display by acHille castigl ioni | grapHics by p ierluigi cerri
1993 showroom, display by a. castiglioni and p. cerri
1993 showroom, display by a. castiglioni1992 showroom, display by a. castiglioni
Important steps are also taken in the contract sector. at the end of the Nineties the company begins to work with Renzo Piano on the furnishings of the cafe of the centre Georges Pompidou in Paris. This collaboration would continue in the future, with the furnishings for the Morgan Library ’s restaurant in New York and the headquarters of Il sole 24Ore daily newspaper in Milan.
ca f e t e r i a c e n t r e g e o rg e s p o m p i d o u pa r i s | H e a d Q ua rt e rs o f t H e n e w s pa p e r i l s o l e 2 4 o r e m i la n
1980 Portland Public Service Building by michael graves
1987 reagan and gorbachev sign the inf treaty
1997bilbao, Guggenheim Museum by frank o. gehry
1989 fall of the berlin wall
De Padova cedes the IcF brand with the license to make Herman Miller products, and launches a line of furniture and objects under the De Padova trademark. “Edizioni De Padova” is founded, which would later become “è De Padova”, with the collaboration of great designers like achille castiglioni and Dieter Rams, and above all Vico Magistretti.
after Fernando’s death, Maddalena De Padova runs the company herself, supervising production and distribution. Besides the Herman Miller products, for several years De Padova has already been making pieces that would become icons of the era, like the Sofabank by Rolf Heide, the PLR chair by Ross Littel and, under license, the Interparete by Herbert Hirche: an aesthetic and functional revolution whose force was immediately understood by De Padova. Vico Magistretti begins his long collaboration with the company in this period, designing a collection of office furniture.
1984 showroomseventies displays in the store at corso venezia
(postmodern)(high-tech)
Technologically advanced products are mixed with traditional and ethnic objects chosen by Maddalena De Padova. The store on corso Venezia is like an eye, open to distant worlds: that of the shakers represents the high point.
1970 Zabriskie Point by michelangelo antonioni
1969-74 paris, Centre Georges Pompidou by renzo piano and richard rogers
1970Flowers by andy warhol
seVeNtiesthe punk fashion
De PADOVA HistORY AND PLACes
De PADOVA tHe eNCOUNteRs
De PADOVA AND tHe WORLD
’06 ’09
Framura NidoRokumaru
n e n d o | d a m i a n w i l l i a m s o n | j a s p e r m o r r i s o n | a k s u / s u a r d i
AtalanteSpring
’99 ’04
Crédence Bergère-Légère
g a e ta n o p e s c e x av i e r lu s t | pat r i c i a u r Q u i o l a
The 50th anniversary of the founding of the company is celebrated with a book and an exhibition, retracing its history through encounters, interviews, comments and images.
Maddalena De Padova completes the phase of transition in the company, passing the helm to her children Valeria and Luca, who further develop its managerial structure. They begin to work with new designers like Jasper Morrison, and consolidate De Padova’s presence in both traditional and emerging foreign markets.
(neo-ecology)
2009 showroom, display by f. laviani2008 showroom, christmas2007 showroom, christmas, display by f. laviani
2007 showroom, display by f. laviani
Patricia Urquiola, who was manager of the R&D division of De Padova from ’91 to ’96, begins to work with the company as a designer: she creates the Ola chair, soon to be followed by other successful pieces that have become part of the collection.The Japanese design studio Nendo creates several new products for De Padova, combining functional quality and oriental delicacy.
2006paris, Musée du Quai Branly by jean nouvel
2008barack obama time magazine’s Person of the Year
2001 apple introduces the ipod
When Gaetano Pesce and De Padova join forces in september 1999, it is the meeting of two unique entities: the uniqueness of the works of Pesce, and that of the De Padova showroom, a crossroads of ideas and stimuli. “A store ought to move, to produce sensations, to offer visitors a meeting place for cultural initiatives that generate interest, curiosity, emotion.”(Maddalena De Padova).
Maddalena De Padova wins the compasso d’Oro for her career, in the 20th edition of the prestigious award. The jury ’s reasoning: “The great commitment of Maddalena De Padova in the production and spread of design, as a shared culture and field of interaction for different international spheres, represents a unique case of consistency and quality in our country.”
(the fluid society)
2001 showroom, display by f. laviani2000 showroom, exhibition Middle of the Woods
1995 Balloon Dog by jeff koons
1997 Harry Potter and the Philosopher’s Stone
YeARs 2000spread of the low cost airlines
De PADOVA HistORY AND PLACes
De PADOVA tHe eNCOUNteRs
De PADOVA AND tHe WORLD
“i multipli” by gaetano pesce
B o o k c a s e s a n d c a B i n e t s
1 .6 0 6 U N I V E R s a Ls H E LV I N G s Y s T E M> 2 9 i n f o > 2 2 0
2 .K a N T> 3 5 i n f o > 2 2 0
3 .Ta N I M O T O> 3 6 i n f o > 2 2 1
4 .s H I G E T O> 3 9 i n f o > 2 2 1
5 .c R é D E N c E> 4 0 i n f o > 2 2 1
6 .s W I N G> 4 3 i n f o > 2 2 2
7.R E F L E x s E c R é Ta I R E> 4 9 i n f o > 2 2 3
8 .R E F L E x > 4 9 i n f o > 2 24
9 .s H I N E > 5 1 i n f o > 2 24
1 0 .T O O L s> 5 2 i n f o > 2 24
a r m c h a i r s a n d s o f a s
1 1 .B a s K E T> 5 5 i n f o > 2 2 5
1 2 .L O U I s I a N a> 5 6 i n f o > 2 2 5
1 3 .c L U B> 5 9 i n f o > 2 2 6
1 4 .TaT T O M I> 6 1 i n f o > 2 2 6
1 5 .s P R I N G L O W> 6 2 i n f o > 2 2 6
1 6 .s U s a N N a> 6 5 i n f o > 2 2 6
1 7.T O N D O 0 5> 6 6 i n f o > 2 2 7
1 8 .L é G è R E – L é G E R> 6 8 i n f o > 2 2 7
1 9 .B E R G è R E> 7 1 i n f o > 2 2 7
2 0 .B E R G E R> 7 2 i n f o > 2 2 8
2 1 .a s s U a N> 7 5 i n f o > 2 2 8
2 2 .aTa L a N T E> 7 6 i n f o > 2 2 8
2 3 .s U I T E> 8 0 i n f o > 2 3 0
24 .H O V E R c R a F T> 8 2 i n f o > 2 3 0
2 5 .P I L L O W> 8 4 i n f o > 2 3 0
2 6 .s q U a R E> 8 8 i n f o > 2 3 1
2 7.z I P !> 9 0 i n f o > 2 3 2
2 8 .T U a R E G> 9 2 i n f o > 2 3 2
2 9 .Pa L E s T R O> 9 4 i n f o > 2 3 3
3 0 .c H E s T E R F I E L D > 9 6 i n f o > 2 3 3
3 1 .P O U F c a P I T O N N é> 9 6 i n f o > 2 3 3
3 2 .R a F F L E s> 9 9 i n f o > 2 3 4
3 3 .R E G E N T ’ s> 1 0 0 i n f o > 2 3 4
B e d s
3 4 .T W I s T> 1 0 2 i n f o > 2 3 4
3 5 .P I L G R I M> 1 0 5 i n f o > 2 3 5
3 6 .a s s E M a N> 1 0 6 i n f o > 2 3 5
3 7.s L E E P I N G c a R> 1 0 9 i n f o > 2 3 5
t a B l e s
3 8 .M a N T I s> 1 1 1 i n f o > 2 3 6
3 9 .c a M P O D ’ O R O> 1 1 5 i n f o > 2 3 6
4 0 .B E Y L E> 1 1 8 i n f o > 2 3 7
4 1 .B L O s s O M> 1 2 1 i n f o > 2 3 7
4 2TaV O L O ‘ 9 5> 1 2 2 i n f o > 2 3 7
4 3 .D I N N E R> 1 24 i n f o > 2 3 8
4 4 .V I D U N> 1 2 7 i n f o > 2 3 8
4 5 .s H I N E> 1 2 8 i n f o > 2 3 9
4 6 .N a R a> 1 3 1 i n f o > 2 3 9
4 7.O T I s> 1 3 2 i n f o > 24 0
4 8 .q U a D R aT O> 1 3 5 i n f o > 24 0
4 9 .T O O L s> 1 3 6 i n f o > 24 0
5 0 .P I ù> 1 4 0 i n f o > 24 1
c h a i r s
5 1 .L aV E N H a M E x E c U T I V E> 1 4 2 i n f o > 24 2
5 2 .M a R O c c a > 1 4 5 i n f o > 24 2
5 3 .c I R E N E 0 3 > 1 4 5 i n f o > 24 2
5 4 .c I R E N E> 1 4 6 i n f o > 24 3
5 5 .O L I M P I a> 1 4 6 i n f o > 24 3
5 6 .F L O W E R> 1 4 9 i n f o > 24 3
5 7.I N c I s a> 1 5 0 i n f o > 24 4
5 8 .L aV E N H a M> 1 5 2 i n f o > 24 4
5 9 .P O L L a c K> 1 5 5 i n f o > 24 4
6 0 .P O L L a c K I I> 1 5 5 i n f o > 24 5
6 1 .s I LV E R> 1 5 6 i n f o > 24 5
6 2 .s P R I N G > 1 5 9 i n f o > 24 6
6 3 .U R a G a N O> 1 6 0 i n f o > 24 6
6 4 .s U N D a N c E> 1 6 2 i n f o > 24 6
a c c e s s o r i e s
6 5 .c a M P O a R aT O > 1 6 5 i n f o > 24 7
6 6 .T E T R I s> 1 6 5 i n f o > 24 7
6 7.q U a D R aT O E s P O s I T O R E> 1 6 5 i n f o > 24 7
6 8 .s aT U R N O > 1 6 7 i n f o > 24 8
6 9 .D a N > 1 6 7 i n f o > 24 8
7 0 .s W I s s> 1 6 7 i n f o > 24 8
7 1 .M aT E > 1 6 8 i n f o > 24 9
7 2 .M I N I M aT E > 1 6 8 i n f o > 24 9
7 3 .c H a B -Ta B L E > 1 6 8 i n f o > 24 9
74 .s c R I T Ta R E L L O > 1 7 1 i n f o > 2 5 0
7 5 .c O N s O L E > 1 7 1 i n f o > 2 5 0
7 6 .T R I O > 1 7 2 i n f o > 2 5 0
7 7.D T L I G H T > 1 7 2 i n f o > 2 5 1
7 8 .F I N D E R > 1 7 5 i n f o > 2 5 1
7 9 .B O O K > 1 7 5 i n f o > 2 5 1
8 0 .M O B Y 1 E M O B Y 2> 1 7 7 i n f o > 2 5 2
8 1 .N a R c I s O > 1 7 8 i n f o > 2 5 2
8 2 .P R ê T- à - P O R T E R > 1 7 8 i n f o > 2 5 2
8 3 .R O K U M a R U > 1 8 1 i n f o > 2 5 3
8 4 .R a I N Y D aY > 1 8 1 i n f o > 2 5 3
o u t d o o r
8 5 .F R a M U R a / c H a I s E + P O U F > 1 8 3 i n f o > 2 5 3
8 6 .F R a M U R a /D O N D O L O> 1 8 3 i n f o > 2 5 3
8 7.F R a M U R a /N I D O> 1 8 7 i n f o > 2 5 4
8 8 .F R a M U R a /L E T T I N O P R E N D I s O L E> 1 8 8 i n f o > 2 5 4
8 9 .L aV E N H a M O U T D O O R> 1 9 1 i n f o > 2 5 4
i n d e X
f lo w e r tav o lo ‘ 9 5 6 0 6 u n i v e r s a l s H e lv i n g sys t e m lo u i s i a n a d a n
There are rooms you have to cross along paths. Some are practically empty, some full of light. They are the
ta n i m oto s w i s s l é g e r l é g è r e ta n i m oto s p r i n g v i d u n
result of the objects that inhabit them, that put you at ease. Things that may not have a value, others that are
s w i s s s Q u a r e r e f l e x i n c i s a b e y l e f i n d e r s H i n e
full of life, a sort of city, and anything can exist in there, a whirlwind of stuff, even useless things, but it makes
s p r i n g ot i s s w i n g to o l s c H a b ta b l e s l e e p i n g c a r m o by 2
you feel good. There are objects that fade like postcards on dressers, and objects that go on living.
n a r c i s o r e f l e x s e c r é ta i r e f lo w e r s w i n g s at u r n o t u a r e g s p r i n g lo w t r i o
They don’t go with the others, because they have timeless signs and lives. There are seas painted on walls, women
b a s k e t t e t r i s s u i t e k a n t p i lg r i m t r i o d t l i g H t
on buildings, some say it’s the same, but instead it is not, we like different things, the ones that have an
s w i n g b o o k r o k u m a r u s c r i t ta r e l lo s w i n g d a n t w i s t s u s a n n a s w i n g
authenticity that speaks and gets noticed, leaps out at you and makes you wonder: how did they do that?m a r c o c i r i e l l o
1 . 6 0 6 U N I V E R s a L s H E LV I N G s Y s T E M 2 . K a N T 3 . T a N I M O T O 4 . s H I G E T O 5 . c R é D E N -
c E 6 . s W I N G 7 . R E F L E x s E c R é T a I R E 8 . R E F L E x 9 . s H I N E 1 0 . T O O L s 1 1 . B a s K E T 1 2 .
L O U I s I a N a 1 3 . c L U B 1 4 . T a T T O M I 1 5 . s P R I N G L O W 1 6 . s U s a N N a 1 7 . T O N D O 0 5 1 8 .
L é G è R E – L é G E R 1 9 . B E R G è R E 2 0 . B E R G E R 2 1 .a s s U a N 2 2 .a T a L a N T E 2 3 . s U I T E 2 4 .
H O V E R c R a F T 2 5 . P I L L O W 2 6 . s q U a R E 2 7 . z I P ! 2 8 . T U a R E G 2 9 . P a L E s T R O 3 0 . c H E -
s T E R F I E L D 3 1 . P O U F c a P I T O N N é 3 2 . R a F F L E s 3 3 . R E G E N T ’ s 3 4 . T W I s T 3 5 . P I L-
G R I M 3 6 . a s s E M a N 3 7 . s L E E P I N G c a R 3 8 .M a N T I s 3 9 . c a M P O D ’ O R O 4 0 . B E Y L E 4 1 .
B L O s s O M 4 2 . T a V O L O ‘ 9 5 4 3 . D I N N E R 4 4 . V I D U N 4 5 . s H I N E 4 6 . N a R a 4 7 . O T I s 4 8 .
q U a D R a T O 4 9 . T O O L s 5 0 . P I ù 5 1 . L a V E N H a M E x E c U T I V E 5 2 . M a R O c c a 5 3 . c I -
R E N E 0 3 5 4 . c I R E N E 5 5 . O L I M P I a 5 6 . F L O W E R 5 7 . I N c I s a 5 8 . L a V E N H a M 5 9 . P O L-
L a c K60 .P O L L a c K I I61 .s I LV E R62 .s P R I N G63 .U R a G a N O64 .s U N D a N c E65 . c a M P O -
a R aT O 6 6 . T E T R I s 6 7 .q U a D R aT O E s P O s I T O R E 6 8 . s aT U R N O 6 9 . D a N 7 0 . s W I s s 7 1 .
M aT E72 .M I N I M aT E73 . c H a B Ta B L E74 .s c R I T Ta R E L L O75 . c O N s O L E76 . T R I O77 .D T-
L I G H T7 8 . F I N D E R7 9 . B O O K8 0 .M O B Y 1 - M O B Y 2 8 1 .N a R c I s O 8 2 . P R ê T- à - P O R T E R8 3 .
R O K U M a R U 8 4 .R a I N Y D a Y 8 5 . F R a M U R a / c H a I s E + P O U F 8 6 . F R a M U R a / D O N D O L O
87 . F R a M U R a / N I D O88 . F R a M U R a / L E T T I N O P R E N D I s O L E89 . L aV E N H a M O U T D O O R
2 9
6 0 6 u n i v e r s a l s h e l v i n g
s y s t e m
d e s i g n D i e t e r R a m s
1 9 8 4
1
2 8 B O O K c a s E s a N D c a B I N E T s |
“a b o o k c a s e s h o u l d
b e n e u t r a l , i t s l i fe c o m e s
f r o m t h e b o o k s i t c o n t a i n s ”.
a g a i n s t t h e w a l l o r a s
a r o o m d i v i d e r, t h e p r o j e c t
b y D i e t e r R a m s s t a r t s
w i t h t h i s p r e m i s e .
a f l u i d , e x t r e m e l y f l e x i b l e
p r o g r a m D e P a d o v a o f fe r s
e n t i r e l y i n n a t u r a l o r w h i t e
p a i n t e d a l u m i n i u m . L i g h t ,
l u m i n o u s , s c r a t c h p r o o f.
I n t h e h o m e , i t i s a b o o k c a s e ,
a s t o r a g e u n i t , a w a r d r o b e .
I n t h e o f f i c e i t c a n b e u s e d
fo r f i l e s , i n a s h o w r o o m
t o d i s p l a y o b j e c t s a n d
a c c e s s o r i e s . Yo u d o n ’ t
n o t i c e i t , b u t i t ’s t h e r e .
i n fo > 2 2 0
3 0 3 1B O O K c a s E s a N D c a B I N E T s |
3 2 3 33 3| B O O K c a s E s a N D c a B I N E T s
N o t j u s t a b o o k c a s e b u t
a t r u e , v e r s a t i l e s y s t e m ,
r e a d y fo r d i f fe r e n t u s e s .
T h e 6 0 6 U n i v e r s a l s h e l v i n g
s y s t e m b e c o m e s a w a r d r o b e
w i t h r o d s fo r h a n g i n g c l o t h i n g ,
c o m b i n e d w i t h s h e l v e s
a n d d r a w e r s . T h e m o d u l e s
w i t h s l i d i n g d o o r s a r e i d e a l
fo r b a r a r e a s i n t h e h o m e ,
w h i l e c D s a n d DV D s c a n b e
s t o r e d i n s p a c i o u s d r a w e r s .
3 5
k a n t
d e s i g n F o r m f ü r s o r g e
1 9 9 3
2
3 4 B O O K c a s E s a N D c a B I N E T s |
a s i n g l e p i e c e o f c u t ,
p e r fo r a t e d , fo l d e d
a n d p a i n t e d s h e e t m e t a l .
N o s c r a p . a n d a b o o k c a s e
c o l u m n i s r e a d y. W h i t e , e a s y,
o n i t s o w n o r i n g r o u p i n g s .
a s t o r a g e u n i t w i t h a n
i n d u s t r i a l t o n e , u n d e r s c o r e d
b y t h e h o l e s o f t h e fo l d s
a n d t h e r i v e t s t h a t h o l d
t h e s h e l v e s . I t i s i d e a l fo r
t h e l i v i n g r o o m o r b e d r o o m
fo r b o o k s . I n t h e k i t c h e n
i t c a n c o n t a i n j a r s a n d
s p i c e s , i n t h e b a t h t o w e l s
a n d p e r f u m e s . O r f i l e fo l d e r s ,
i n t h e o f f i c e .
i n fo > 2 2 0
3 6
t a n i m o t o
d e s i g n V i c o M a g i s t r e t t i
1 9 9 1
3
3 7| B O O K c a s E s a N D c a B I N E T s
a r m c h a i rl é g è r e
> 6 8
Japanese de l i cac y fo r
a se l f-suppor t ing modular
bookcase , fo r inf in i te
and a lso corner conf igurat ions .
a few s imple l ines g ive
fo rm to a t rue c lass i c
fo r the home or off i ce .
The st ructur e , in oak o r beech ,
i s b r ightened by the i vor y
co lour of the d iv iders
and she lves .
The s lender interna l par ts
can be ad justed for storage
of books of d i f fe r ent s izes .
info > 221
3 9
4
3 8
s h i g e t o
d e s i g n V i c o M a g i s t r e t t i
1 9 8 9
B O O K c a s E s a N D c a B I N E T s |
Oak and c lean forms in an
interpr etat ion of a t rad i t iona l
i tem, with over tones
of zen min imal ism.
To stor e c r ysta l and ch ina ,
sh igeto i s a modern , sk i l l fu l l y
const ructed cupboard , so l id
yet v isua l l y l ight . Beaut i fu l
when c losed , w i th i ts so l id
wood st ructur e , gorgeous
when open, w ith i ts she lves
and d iv iders e xposed . a lso
for use as a d isp lay cab inet .
i n fo > 2 2 1
4 0
5c r é d e n c e
d e s i g n x a v i e r L u s t
2 0 0 3
4 1| B O O K c a s E s a N D c a B I N E T s
shiny, l i ke a rac ing car,
w i th cur ved l ines that appea l
to the sense of touch .
Pur e tact i le and v isua l
p leasur e combined .
Furn i tur e -scu lptur e generated
by the sk i l l o f c raftsmen
in the shap ing of meta l .
The cab inet of the futur e ,
in a l imited , s igned
and number ed ed i t ion .
a work of a r t , ba lanced
bet ween indust r ia l des ign
and hand ic rafts .
i n fo > 2 2 1
s w i n g
d e s i g n M o r i t z E n g e l b r e c h t /
l e m o n g r a s
2 0 0 1
6
4 34 2 B O O K c a s E s a N D c a B I N E T s |
a big fami ly with a shared
feature : the “swing ”, or
the spec ia l bend in the doors .
This aesthet ic but a lso
funct ional s ign is a handle .
a system of containers
or wardrobes, independent
or in composit ions,
swing is des igned for both
the home and the off ice .
P layful , with i ts tones of
orange, lemongrass, china
red and terracotta red.
ser ious, in shades of white ,
gray, s i lver and earth beige ,
a l l with a part icu lar matt
s i lk f in ish. swing comes
with e ither s lender shiny
a luminium runners or a
lacquered base or wheels .
i n fo > 2 2 2
4 4 4 5| B O O K c a s E s a N D c a B I N E T s
s w i n g i s e x t r e m e l y
a d a p t a b l e : i n t h e d i n i n g a r e a
t h e l o n g l o w c a b i n e t o f fe r s
a h e l p f u l s u r fa c e fo r d i s h e s ,
g l a s s e s a n d f l a t w a r e .
t a B l eB e y l e
> 1 1 8
c h a i rp o l l a c k
> 1 5 5
4 74 6 B O O K c a s E s a N D c a B I N E T s |
4 9
r e f l e X s e c r é t a i r e
d e s i g n V i c o M a g i s t r e t t i
1 9 9 2
7
4 8
r e f l e X
d e s i g n V i c o M a g i s t r e t t i
1 9 9 0
8
c h a i rf l o w e r > 1 4 9
B O O K c a s E s a N D c a B I N E T s |
T h e s e c r é t a i r e c a n b e
r e i n v e n t e d . T h i s c a b i n e t
o f a n t i q u e o v e r t o n e s
b e c o m e s a m o d e r n c o n t a i n e r
t h a n k s t o i t s e s s e n t i a l l i n e s ,
w h e e l s a n d c o m b i n a t i o n s
o f d i f fe r e n t m a t e r i a l s .
T h e s a t i n -f i n i s h a l u m i n i u m
i n t e r a c t s w i t h c h e r r y
o r o a k i n t h e v a n i s h i n g
r o l l -t o p a n d t h e s l i d i n g
d e s k t o p , a p r a c t i c a l p l a c e
t o w r i t e n o t e s o r e - m a i l .
L i k e a j e w e l r y b o x ,
i t i s e q u i p p e d w i t h a l o c k .
i n fo > 2 2 3
L u m i n o u s , t h a n k s t o t h e
a l u m i n i u m . Wa r m , t h a n k s
t o t h e w o o d i n d i f fe r e n t t o n e s
o f o a k , c h e r r y o r w e n g e s t a i n .
P r a c t i c a l , o n w h e e l s , fo r u s e
i n t h e h o m e o r t h e o f f i c e
b e s i d e a d e s k .
T h e t o p i s d e e p , o f fe r i n g
s p a c e fo r a p r i n t e r o r a fa x
m a c h i n e . T h e l o c k s o n
t h e d r a w e r s p r o t e c t e v e n
t h e m o s t p r i v a t e d o c u m e n t s .
B u t i t c a n a l s o b e u s e d
i n t h e b e d r o o m : t h e s p a c i o u s
d r a w e r s c a n c o n t a i n l i n g e r i e ,
w h i l e b e s i d e t h e b e d i t m a k e s
a n a t t r a c t i v e n i g h t s t a n d .
i n fo > 2 24
5 1
s h i n e c o n t e n i t o r i
d e s i g n V i c o M a g i s t r e t t i
1 9 9 5
L I B R E R I E E c O N T E N I T O R I | r e f l e X s e c r e t a i r e | i n f o > 1 3 5
9
5 0 B O O K c a s E s a N D c a B I N E T s |
I n t h e l i v i n g r o o m ,
fo r d i s h e s a n d g l a s s e s ,
o r fo r a c o l l e c t i o n o f f i l m s .
I n t h e o f f i c e , fo r d o c u m e n t s
t o b e k e p t u n d e r l o c k
a n d k e y. a v e r s a t i l e c a b i n e t
w i t h d o o r s a n d d r a w e r s ,
a r o o m y b u t d i s c r e e t p r e s e n c e .
T h e s a t i n -f i n i s h a l u m i n i u m
i s c o m b i n e d w i t h a s t r u c t u r e
i n w o o d , a d d i n g l u s t e r. s h i n e
t a k e s t h e n a m e o f t h e t a b l e
d e s i g n e d b y V i c o M a g i s t r e t t i ,
w i t h w h i c h i t fo r m s a p e r fe c t
p a i r. But i t a lso works we l l in
any conte xt . In the d in ing room,
i t can be used as a ser v i ce un i t .
i n fo > 2 24
10
5 2 5 3
t o o l s
d e s i g n st u d i o ce r r i
& a s s o c i a t i
2 0 0 1
| B O O K c a s E s a N D c a B I N E T s
a s y s t e m o f s t o r a g e a n d
d r a w e r u n i t s , fo r f r e e
c o m p o s i t i o n s . To o l s c a n b e
a l o w o r h i g h c a b i n e t , a g a i n s t
t h e w a l l o r a s a s p a c e d i v i d e r.
I t s c l e a n fo r m s a n d t o t a l
w h i t e n e s s m a k e i t e s s e n t i a l .
T h e p o l i s h e d a l u m i n i u m
h a n d l e s s t a n d o u t a g a i n s t
t h e p a i n t e d s t e e l . P r a c t i c a l ,
a p l a c e fo r e v e r y d a y o b j e c t s ,
i t i s p e r fe c t fo r b o t h
t h e h o m e a n d t h e o f f i c e .
s m a l l d e s i g n t o u c h e s ,
l i k e t h e w h e e l s a n d t h e l o c k s ,
m a k e t h e d r a w e r u n i t i d e a l
fo r u s e b e s i d e a d e s k .
i n fo > 2 24
B a s k e t
d e s i g n V i c o M a g i s t r e t t i
2 0 0 4
11
5 4 5 55 5a R M c H a I R s a N D s O Fa s |
T h i s o n e g e t s n o t i c e d .
I n s p i r e d b y s c a n d i n a v i a n
d e s i g n , w i t h c u r v e d , g r a p h i c
l i n e s fo r t h e e n v e l o p i n g
b a c k a n d a r m r e s t s .
T h e B a s k e t a r m c h a i r h a s
e n o u g h p e r s o n a l i t y
t o b e s t r i k i n g o n i t s o w n .
I t c o m p l e t e s a c o n v e r s a t i o n
z o n e i n t h e l i v i n g a r e a ,
o r o f fe r s a c o m fo r t a b l e e x t r a
s e a t i n t h e b e d r o o m .
B o r n t o t r a n s fo r m , i n fa b r i c
o r l e a t h e r, i t c h a n g e s i t s
m o o d d e p e n d i n g o n t h e b a s e :
f i x e d , fo r q u i e t m o m e n t s a t
h o m e , s w i v e l i n g fo r d y n a m i c
d a y s i n t h e o f f i c e , r o c k i n g
fo r a b i t o f g o o d c h e e r, j u s t
a b o u t a n y w h e r e .
i n fo > 2 2 5
5 6 5 7
l o u i s i a n a
d e s i g n V i c o M a g i s t r e t t i /
ce n t r o D e s i g n B i n fa r é
1 9 9 3
12
| a R M c H a I R s a N D s O Fa s
B o o k c a s e6 0 6 u n i v e r s a l
s h e lv i n g s y s t e m> 2 9
a n a r m c h a i r t h a t c o m e s
f r o m a s a d d l e . a m a s t e r p i e c e
o f c r a f t s m a n s h i p , t o t o u c h ,
fo l l o w i n g t h e s t i t c h e s .
T h e f i n g e r s c a r e s s t h e h a n d -
f i n i s h e d c o w h i d e .
T h e a r t f u l l y r o u n d e d c u r v e s
g a i n b e a u t y o v e r t i m e ,
a s t h e l e a t h e r a g e s w i t h u s e .
W h e n y o u s t r e t c h o u t
y o u r l e g s o n t h e p o u f,
t h e a t m o s p h e r e s h i f t s
t o s e r i o u s r e l a x a t i o n .
T h e s u p p o r t s t r u c t u r e
e n c l o s e s a s o f t , p a d d e d
h e a r t . D e t a i l s , l i k e t h e c o t t o n
r i b b o n fo r t h e e d g e s
o f t h e r e m o v a b l e i n n e r
c o v e r, r e v e a l a v e r y
B r i t i s h e l e g a n c e .
i n fo > 2 2 5
5 9
c l u B
d e s i g n V i c o M a g i s t r e t t i
1 9 9 8
13
5 8 a R M c H a I R s a N D s O Fa s |
c l a s s i c a n d r e a s s u r i n g ,
i t ’s t h e a r m c h a i r w e a l l
h a v e i n o u r i m a g e - b a n k .
a p r o t a g o n i s t i n t h e l i v i n g
r o o m , c l u b i s i d e a l
fo r l o n g b o u t s o f r e a d i n g
o r i n t e n s e c o n v e r s a t i o n .
T h e d e e p , s o f t s e a t w i t h
g o o s e d o w n f i l l e r m a k e s
i t v e r y c o m fo r t a b l e .
T h e s m o o t h c u r v e s o f
t h e a r m r e s t s a n d b a c k
s h a v e t h e t i m e l e s s l i n e s
o f p i e c e s t h a t g e t p a s s e d
d o w n f r o m o n e g e n e r a t i o n
t o t h e n e x t . a n t i q u e c o m fo r t
w i t h s o m e t h i n g m o r e : t h e
b r u s h e d a l u m i n i u m fo o t r e s t s
a d d a m o d e r n t o u c h .
i n fo > 2 2 6
14
6 16 16 06 0
c h a i rl a v e n h a m e X e c u t i v e > 1 4 2
a R M c H a I R s a N D s O Fa s |
T h r e e i n o n e . a r m c h a i r,
c h a i s e l o n g u e a n d b e d .
M u l t i p l e f u n c t i o n s m a d e
p o s s i b l e b y c h a n g i n g
t h e p o s i t i o n o f t h e d i f fe r e n t
p a r t s o f t h e f r a m e .
F o r a n u n e x p e c t e d g u e s t .
F o r a p a u s e t h a t t u r n s i n t o
a n a p . O n e g e s t u r e a n d v o i l à ,
Ta t t o m i o p e n s .
O r fo l d s b a c k u p . M i n i m a l
l i n e s o f J a p a n e s e i n s p i r a t i o n ,
b e c a u s e i t s t a y s c l o s e
t o t h e f l o o r, a n e s s e n t i a l
p r e s e n c e . co m fo r t a b l e w h e n
y o u ’ r e a l o n e , t o w a t c h a g o o d
f i l m . I n t h e d o u b l e v e r s i o n
i t ’s e v e n m o r e c o m fo r t a b l e ,
fo r c o u p l e s o r j u s t f r i e n d s .
i n fo > 2 2 6
t a t t o m i
d e s i g n J a n a r m g a r d t
a n d I n g o M a u r e r
1 9 8 5
6 2
s p r i n g l o w
d e s i g n D a m i a n W i l l i a m s o n
2 0 0 7
15
6 3| a R M c H a I R s a N D s O Fa s
B o o k c a s ek a n t
> 3 5
s m a l l t a B l et r i o > 1 7 2
L i g h t a n d f l e x i b l e .
s p r i n g , i n t h e s e n s e
o f a f l e x i n g s u p p o r t .
T h e c a n t i l e v e r e d a r m r e s t ,
s e p a r a t e f r o m t h e b a c k ,
a d d s e l a s t i c i t y t h a t
a c c o m p a n i e s t h e m o v e m e n t
o f t h e s e a t e d b o d y.
a c o m fo r t a b l e a r m c h a i r
fo r c o n v e r s a t i o n i n t h e l i v i n g
a r e a , o r t o c o m p l e t e
t h e d e c o r o f t h e b e d r o o m .
M a d e w i t h s o l i d a s h
i n n a t u r a l , w h i t e - s t a i n e d
o r w e n g e - s t a i n e d f i n i s h ,
w i t h a w o o d e n s e a t ,
o r p a d d e d a n d c o v e r e d w i t h
l e a t h e r. T h e s l e n d e r p a d d i n g
i s s u r p r i s i n g l y s o f t a n d
c o m fo r t a b l e , b e c a u s e i t i s
r e c e s s e d i n t h e s t r u c t u r e
o f t h e f r a m e . a l i t t l e t r i c k .
i n fo > 2 2 6
6 5
16s u s a n n a
d e s i g n V i c o M a g i s t r e t t i
1 9 9 0
6 4 a R M c H a I R s a N D s O Fa s |
a woman’s name for a minute ,
g racefu l a rmcha i r. D isc r eet
and compact , just c lass i c
enough, susanna i s per fect
fo r d i f fe r ent env i ronments ,
wher e space i s at a p r emium
but comfor t i s a lso a must .
I t works in the bedroom,
fo r r ead ing, o r in the l i v ing
a r ea , ne xt to the sofa .
cover ed in white den im or
other fabr i cs , w i th complete ly
r emovab le covers , i t has
a f r esh look of youthfu l candor.
info > 226
6 6
17
6 7| a R M c H a I R s a N D s O Fa s
t o n d o 0 5
d e s i g n V i c o M a g i s t r e t t i
w i t h B i r g i t Lo h m a n n
2 0 0 2 / 2 0 0 5
a h i g h b a c k . a c o m fo r t a b l e
h e a d r e s t . T h e c o n t e m p o r a r y
i n t e r p r e t a t i o n o f t h e c l a s s i c
b e r g è r e i s c o m p a c t , w i t h
a s i m p l e d e s i g n a n d a l i g h t
p r e s e n c e . Tw o c u r v e d l i n e s
fo r m t h e a r m r e s t s a n d s i d e s ,
l i k e a p r o t e c t i v e s h e l l .
a p l a c e fo r r e a d i n g t h a t
i s a l s o a b i t o f a r e f u g e ,
fo r m a x i m u m c o m fo r t :
i n t h e q u i e t e s t c o r n e r
o f t h e l i v i n g r o o m , o r i n
t h e b e d r o o m . a l o n e a t l a s t ,
i n y o u r To n d o.
i n fo > 2 2 7
6 9
18l é g è r e / l é g e r
d e s i g n P a t r i c i a U r q u i o l a
2 0 0 7
6 8 | a R M c H a I R s a N D s O F a s
s i s t e r a n d b r o t h e r, w i t h
a s h a r e d fe a t u r e : t h e l o w
b a c k t h a t fo l d s t o fo r m
a c o m fo r t a b l e s u p p o r t .
Lé g è r e i s t h e a r m c h a i r,
Lé g e r t h e s o fa . B o t h h a v e
t h e s a m e b a s e , i n c h r o m e -
p l a t e d o r p a i n t e d m e t a l ,
w i t h s q u a r e d l i n e s .
a n d b o t h w e a r t h e s a m e
c l o t h i n g : t h e c o v e r i n g
i n fa b r i c o r l e a t h e r i s e a s y
t o r e m o v e t h a n k s t o a z i p p e r.
a c o m fo r t a b l e g a r m e n t ,
w i t h c o t t o n b o r d e r t r i m , a l s o
a v a i l a b l e i n a c o n t r a s t i n g
s h a d e .
i n fo > 2 2 7
19B e r g è r e + p o u f
d e s i g n P a t r i c i a U r q u i o l a
2 0 0 7
7 17 0 a R M c H a I R s a N D s O Fa s |
a h igh-back r ead ing a rmcha i r,
based on t rad i t iona l fo rms,
but with an updated look .
Bergèr e has a c lass i c a i r
but a modern character.
The squar ed base in chrome -
p lated or pa inted meta l has
a surpr is ing rock ing movement :
the dua l ang le of the seat
offers t wo pos i t ions , fo r
conversat ion o r r e la xat ion .
The cover ing in fabr ic
or leather, with cotton border
t r im, a lso in a contrast ing
shade, can be removed thanks
to a z ipper. L itt le touches
that make this p iece unique .
The pouf is perfect for
stretching out one’s legs,
in a state of complete
re la xat ion.
i n fo > 2 2 7
7 2 7 3
B e r g e r
d e s i g n P a t r i c i a U r q u i o l a
2 0 0 7
20
7 3| a R M c H a I R s a N D s O Fa s
s m a l l t a B l et e t r i s
> 1 6 5
an e legant sofa with a wide ,
fu l l back . For decorous
seat ing and conversat ion ,
sh ie lded f rom pr y ing eyes .
Berger has bygone charm,
but in a contemporar y way.
The fabr i c o r leather cover
w ith cotton border t r im,
a lso in a contrast ing co lour,
i s easy to r emove for c lean ing
thanks to the z ipper.
The feet a r e in chrome -p lated
or pa inted meta l .
a st r ik ing cho ice .
i n fo > 2 2 8
7 5
21a s s u a n
d e s i g n V i c o M a g i s t r e t t i
2 0 0 0
74 a R M c H a I R s a N D s O Fa s |
a r m c h a i rB a s k e t > 5 5
E s s e n t i a l a n d m o d e r n ,
fo u n d w h e r e v e r g o o d d e s i g n
i s a p p r e c i a t e d . a fe w c l e a r
l i n e s fo r t h e c o n t o u r s .
co v e r e d i n fa b r i c , t h e s e a t
i s s m o o t h a n d a l w a y s i n
o r d e r. F r o m m o r n i n g t o n i g h t ,
n o m a t t e r w h o s i t s t h e r e ,
a s s u a n i s a l w a y s i m p e c c a b l e .
B e s i d e s t h e s o fa , t h e fa m i l y
a l s o i n c l u d e s a n e x t r a - l a r g e
a r m c h a i r a n d a p o u f.
a l l o f t h e m h a v e s l e n d e r
p o l i s h e d a l u m i n i u m fe e t .
i n fo > 2 2 8
7 6 7 7
22a t a l a n t e
d e s i g n J a s p e r M o r r i s o n
2 0 0 9
| a R M c H a I R s a N D s O Fa s
M i n i m a l i s t c o m p o s u r e ,
b u t w i t h i n f i n i t e s o l u t i o n s .
at a l a n t e i s t h e m o s t f l e x i b l e
o f s o fa s : l i n e a r a n d c o r n e r
m o d u l e s i n d i f fe r e n t s i z e s ,
fo r f r e e c o m b i n a t i o n s .
Ea s y t o a s s e m b l y
a n d r e a r r a n g e i n d i f fe r e n t
c o n f i g u r a t i o n s , w i t h e a s i l y
r e m o v a b l e c o v e r s .
a c o m p o n e n t s y s t e m i n s t e p
w i t h t h e t i m e s , i n c l u d i n g
m o d u l e s w i t h o u t b a c k s ,
a l o w t a b l e a n d t w o p o u fs .
T h e d e e p s e a t a n d
h a r m o n i o u s l i n e s g i v e i t
d i s c r e e t c h a r a c t e r, w i t h g r e a t
c a p a c i t y fo r a d a p t a t i o n .
i n fo > 2 2 8
7 97 8 | a R M c H a I R s a N D s O Fa s
8 0
s u i t e
2 0 0 8
23
8 1| a R M c H a I R s a N D s O Fa s
B o o k c a s et o o l s
> 5 2
s m a l l t a B l et e t r i s
> 1 6 5
F o u r v o l u m e s a d m i r a b l y
i n t e r l o c k e d . I t s b u l k
i s r e d u c e d t o a m i n i m u m .
I d e a l w h e r e s p a c e
i s a t a p r e m i u m .
s u i t e h a s a s e a t t h a t
i s n o t v e r y d e e p ,
a n d c a n b e p o s i t i o n e d
a g a i n s t t h e w a l l , b e c a u s e
t h e b a c k i s s t r a i g h t ,
w i t h t h e s a m e h e i g h t
a s t h e a r m r e s t .
i n fo > 2 3 0
8 2 P O LT R O N E | h o v e r c r a f t | i n f o > 1 3 5
h o v e r c r a f t
d e s i g n V i c o M a g i s t r e t t i
1 9 9 6
24
8 3| a R M c H a I R s a N D s O Fa s
s m a l l t a B l ec a m p o a r a t o
> 1 6 5
s i m p l e , c l e a n l i n e s , b a s e d
o n t h e r o u n d s h a p e s
o f a m p h i b i o u s v e h i c l e s .
a r e s e r v e d p r e s e n c e .
N e u t r a l a n d v e r s a t i l e ,
s u i t a b l e fo r a n y s p a c e .
s o f t l y s q u a r e d , w i t h c l a s s i c
o v e r t o n e s , b u t a l w a y s u p
t o d a t e . T h e d e e p , s o f t
g o o s e d o w n s e a t m a k e s
i t v e r y c o m fo r t a b l e .
i n fo > 2 3 0
8 4 8 5
25p i l l o w
d e s i g n V i c o M a g i s t r e t t i
2 0 0 4
| a R M c H a I R s a N D s O Fa s
I n fo r m a l a n d n o n c h a l a n t .
P i l l o w h a s l o t s o f c u s h i o n s
c o v e r e d w i t h c o o l fa b r i c s ,
l i k e p i l l o w s t o s h a p e
a n d a d j u s t , a n d a s o f t
g o o s e d o w n c o r e . a p e r fe c t
s o fa fo r c o n v e r s a t i o n :
t h e s i d e s , h i g h a n d s l i m ,
l i k e t h e b a c k , w r a p
t h e s c e n e a n d fo r m
a s p a c e o f i n t i m a c y.
W i t h l i m i t e d b u l k ,
i t c o n s e r v e s i t s e t h e r e a l
a i r i n t h e c o m p o n e n t
v e r s i o n a s w e l l .
i n fo > 2 3 0
8 6 8 7| a R M c H a I R s a N D s O Fa s
26
8 8 8 9
s q u a r e
2 0 0 4
a R M c H a I R s a N D s O Fa s |
a r i g o r o u s , c l e a r, s q u a r e d
s i l h o u e t t e , s o f t e n e d
b y d o w n c u s h i o n s .
s q u a r e h a s h a r m o n i o u s
p r o p o r t i o n s .
T h e s l e n d e r s t e e l fe e t
a r e a r e m i n d e r o f t h e s i x t i e s .
a s o p h i s t i c a t e d s o fa ,
b o t h i n t h e v e r s i o n w i t h
r e m o v a b l e fa b r i c c o v e r i n g
a n d t h e l e a t h e r m o d e l .
T h e c o m fo r t a b l e s e a t s h o w s
a l l i t s p o t e n t i a l i n t h e
c o m b i n a t i o n s o f c o m p o n e n t s ,
i n c l u d i n g a c h a i s e l o n g u e
e l e m e n t .
i n fo > 2 3 1
9 0
27
9 19 1| a R M c H a I R s a N D s O F a s
z i p !
d e s i g n V i c o M a g i s t r e t t i
w i t h B i r g i t Lo h m a n n
2 0 0 3
O n e z i p a n d t h e j o b ’s d o n e …
t h e c o v e r i s r e m o v e d
i n t h e b l i n k o f a n e y e .
a b r i l l i a n t s o fa s o l u t i o n
fo r e a s y, q u i c k m a i n t e n a n c e .
T h e c o v e r i s m a d e w i t h fo u r
p i e c e s . a z i p p e r j o i n s t h e m
a n d b e c o m e s a d e c o r a t i v e
fe a t u r e . T h e s e a t i s n o t t o o
d e e p , b u t v e r y c o m fo r t a b l e .
T h e a r m r e s t s a n d b a c k h a v e
t h e s a m e h e i g h t .
T h a n k s t o i t s c o m p a c t s i z e
a n d s i m p l e fo r m , i d e a l
fo r y o u n g , i n fo r m a l s e t t i n g s .
i n fo > 2 3 2
| x x x x x x
t u a r e g
d e s i g n V i c o M a g i s t r e t t i
1 9 9 4
9 2 9 3
28
| a R M c H a I R s a N D s O Fa s
L i k e d e s e r t s a n d , t h e s e a t
h a s t h e g e n t l e c u r v e s
o f d u n e s . T h e s l e n d e r,
p r o f i l e d b a c k h i n t s
a t a n a r c h . T h e e l e g a n t ,
e s s e n t i a l l i n e s o f Tu a r e g
w e r e d r a w n b y a m a s t e r,
V i c o M a g i s t r e t t i .
H i s u n i q u e t o u c h c a n b e s e e n
i n t h e d e t a i l s : t h e v e r t i c a l
o p e n i n g a t t h e c o r n e r,
t h e s c a t t e r e d c u s h i o n s .
a s o fa w i t h c h a r a c t e r, a l s o
v e r y a p p e a l i n g i n c o r n e r
c o m p o s i t i o n s .
i n fo > 2 3 2
29p a l e s t r o
d e s i g n V i c o M a g i s t r e t t i
1 9 9 8
9 59 4 | a R M c H a I R s a N D s O F a s
T h e n a m e i s a t r i b u t e
t o M i l a n , a n d i n a w a y i t
r e s e m b l e s t h a t c i t y.
s o b e r, c o n c r e t e , c o m fo r t a b l e ,
w i t h j u s t o n e c o n c e s s i o n t o
c h a r m : t h e fo l d a t t h e c o r n e r
o f t h e c u s h i o n . a n i m p o r t a n t
d e t a i l , a s o r t o f s i g n a t u r e .
P a l e s t r o i s e l e g a n t , l i k e
t h e s t r e e t fo r w h i c h i t i s
n a m e d , b o r d e r i n g t h e P u b l i c
G a r d e n s . I n t h e l i v i n g r o o m ,
a m i d s t b o o k s a n d p a i n t i n g s ,
i t i s t h e p e r fe c t s o fa fo r
c h a t t i n g a b o u t a n e x h i b i t i o n ,
o r r e a d i n g t h e p a p e r.
i n fo > 2 3 3
9 6
c h e s t e r f i e l d 0 4
1 9 8 3 / 2 0 0 4
30
9 7
31p o u f c a p i t o n n é
2 0 0 4
| a R M c H a I R s a N D s O Fa s
B o o k c a s e6 0 6 u n i v e r s a l
s h e lv i n g s y s t e m> 2 9
The c lass ic Engl ish c lub sofa,
rev is ited. Updated in terms
of forms and proport ions,
s lender, with l ighter st itching.
In fabr ic or leather,
the capitonné work adds
rhy thm to the cover ing
only on the back and armrests ,
whi le the seat is a s ingle ,
soft cushion. Rel iable
comfort , outstanding image.
i n fo > 2 3 3
Big or b iggest , a pouf
that p lays a leading ro le .
In the l iv ing room it becomes
a centra l is land, for art books
and trays. In f ront of the sofa,
i t welcomes outstretched
legs, or offers a seat for one
more guest . a prec ious square
e lement , covered in soft
leather.The capitonné work
is done by hand.
To admire and to touch.
i n fo > 2 3 3
9 9
32r a f f l e s
d e s i g n V i c o M a g i s t r e t t i
1 9 8 8
9 89 8 a R M c H a I R s a N D s O Fa s |
F o r a b o o k y o u c a n ’ t p u t
d o w n , o r a l o n g n i g h t
o f c i n e m a . a s o fa - r e f u g e ,
fo r c o d d l i n g a n d c u d d l i n g .
T h e s e a t i s d e e p , t h e
l o w e r b a c k c u s h i o n s o f t ,
fo r e x c e p t i o n a l c o m fo r t .
R e l a x a t i o n p a r e x c e l l e n c e .
R a f f l e s h a s a n i n b o r n ,
t y p i c a l l y E n g l i s h e l e g a n c e ,
w i t h t h a t e x t r a t o u c h t h a t
c a n b e s e e n i n t h e s m a l l e s t
d e t a i l s , l i k e t h e f r o n t fe e t
i n t u r n e d w o o d , o n s m a l l
w h e e l s . s e a t e d o n g o o s e d o w n
c u s h i o n s , t h e r e ’s r o o m fo r
t h e w h o l e fa m i l y. O n c e y o u ’ r e
a l o n e , l y i n g d o w n i s a m u s t .
I m p o s s i b l e t o r e s i s t .
i n fo > 2 3 4
| x x x x x x
33r e g e n t ’ s
1 9 8 3
1 0 0 1 0 1| a R M c H a I R s a N D s O Fa s
T h e c l a s s i c , t i m e l e s s m o d e l ,
a s a l w a y s . D e P a d o v a
r e i n v e n t s t h e s o fa :
w i t h a r e m o v a b l e w h i t e
c o v e r, i t b e c o m e s c o o l
a n d l i g h t . a n e w l i fe .
a b i g h i t . G o o s e d o w n d o e s
t h e r e s t , f i l l i n g t h e c u s h i o n s
a n d h u g g i n g t h e b o d y
i n a s o f t e m b r a c e .
i n fo > 2 3 4
34t w i s t
d e s i g n Va l e r i a D e P a d o v a
2 0 0 6
1 0 2 1 0 3| a R M c H a I R s a N D s O Fa s
Live ly and l ight , w i th a Twist .
a s imple bed , idea l fo r young
coup les , o r a vacat ion house .
The st ructur e i s s imple ,
in s i l ve r-tone tub ing.
The headboard i s cover ed
with a weave of e last i c
be l t ing in éc ru mélange ,
o r sand- co lour ed cotton
be l t ing with saff ron edges .
The weave i s p leasant
to look at and touch , even
f rom beh ind , w i th the bed
at the center of the room.
i n fo > 2 3 4
35p i l g r i m
d e s i g n V i c o M a g i s t r e t t i
1 9 97
1 0 4 1 0 5B E D s |
Ve r y s i m p l e , b u t w i t h a n
a d d e d s i g n . T h e u p h o l s t e r e d
h e a d b o a r d fo r m s j u s t t h e
h i n t o f a n a r c h . a c o m m a ,
a b r e a t h , t o s i t b a c k i n
c o m fo r t , i m m e r s e d i n
r e a d i n g . P i l g r i m w o r k s w e l l
i n t h e m i d d l e o f t h e r o o m ,
fa r f r o m t h e w a l l s .
T h e a l u m i n i u m fe e t e n h a n c e
t h e e s s e n t i a l o v e r a l l f i g u r e .
i n fo > 2 3 5
1 0 6 L E T T I | a s s e m a n | i n f o > 1 3 5
36a s s e m a n
d e s i g n P a t r i z i a ca g l i a n i
1 9 8 4
1 0 7| B E D s
s m a l l t a B l es c r i t t a r e l l o
> 1 7 1
o u t d o o rf r a m u r a /
l e t t i n o p r e n d i s o l e
> 1 8 8
a c a n o p y b e d , u n d e r a w h i t e
c l o u d . R o m a n t i c , w i t h i t s
m o s q u i t o n e t o f d r a p e d
t u l l e ; m o d e r n , w i t h i t s w h i t e
c o t t o n t o p . T h e s t r u c t u r e
i n w h i t e t u b i n g fo r m s t h e
p e r i m e t e r, w i t h a l i g h t t o u c h .
i n fo > 2 3 5
x x x x x x |
37s l e e p i n g c a r
d e s i g n V i c o M a g i s t r e t t i
2 0 0 4
1 0 91 0 8 B E D s |
a b e d fo r r e a d i n g o n l a t e i n t o
t h e n i g h t . T h e c o m fo r t a b l e
h e a d b o a r d , h i g h a n d p a d d e d ,
s u p p o r t s t h e p i l l o w s .
I t i s a l a r g e , r e l i a b l e s u p p o r t .
s l i g h t l y r e c l i n e d , w i t h
a h o r i z o n t a l o p e n i n g t h a t
u n d e r l i n e s t h e b e n t fo r m .
a p r e c i s e g r a p h i c s i g n
o f p e r s o n a l i t y.
i n fo > 2 3 5
1 1 1
m a n t i s
d e s i g n P a t r i c i a U r q u i o l a
2 0 0 8
38
1 1 0 Ta B L E s |
c h a i rl a v e n h a me X e c u t i v e> 1 4 2
“an object that f l ies , on four
legs ”. That ’s how Patr ic ia
Urquio la descr ibes Mantis ,
her “gent le table”. Gent le
l ike sheet metal , a mal leable
industr ia l mater ia l , bent to
create the form of the legs.
Jo ined to the centra l beam,
they make a backbone
for the s lender, tapered top,
l ike the wing of an a i rp lane .
Mantis is an impressive ,
long or ver y long table ,
to seat many people .
a synthesis of innovat ion
and craftsmanship, so l id ity
and l ightness, i t is perfect
for a large d in ing room
or for a board room.
i n fo > 2 3 6
1 1 31 1 2 | Ta B L E s
x x x x x x |
39
1 1 51 1 4 Ta B L E s |
c h a i r s i lv e r> 1 5 6
Ve r s a t i l e a n d d y n a m i c ,
ca m p o d ’o r o n e v e r c e a s e s
t o a m a z e . W h e n c l o s e d i t
i s s q u a r e , b u t w h e n o p e n
i t ’s a t a b l e i n a s t a t e o f
b e c o m i n g . T h r e e t r a p e z i u m
t o p s r o t a t e o n t w o h i n g e s
a n d t h e m a g i c h a p p e n s .
T h e f r e e l y p o s i t i o n e d t o p s
o p e n a n d c l o s e , i n d i f fe r e n t
c o m b i n a t i o n s .
F o r d i n i n g , w o r k , s t u d y.
F o r t w o, t h r e e o r m a n y
p e r s o n s , ca m p o d ’o r o b r e a k s
d o w n b a r r i e r s a n d a d a p t s
t o a l l n e e d s . I n f l u i d , o p e n
s p a c e s , fo r t o t a l l i v i n g
f l e x i b i l i t y. a c h o i c e o f g r e a t
h a r m o n y a n d g r e a t f r e e d o m .
i n fo > 2 3 6
c a m p o d ’ o r o
d e s i g n P a o l o P a l l u c c o
a n d M i r e i l l e R i v i e r
2 0 0 5
1 1 71 1 71 1 6 Ta B L E s |
40B e y l e
d e s i g n V i c o M a g i s t r e t t i
1 9 9 4
1 1 8 1 1 9| Ta B L E s
a table with minimal ,
apparent ly s imple l ines.
The sol id structure
in natura l or wenge-stained
oak is l ightened by a detai l ,
in the point of connect ion
to the base : a careful ly
c rafted inter lock
of the t r iangular leg.
Highly sk i l led workmanship,
for d in ing or work ing.
info > 237
1 2 1
41B l o s s o m
d e s i g n V i c o M a g i s t r e t t i
2 0 0 2
1 2 0 Ta B L E s |
c h a i r c i r e n e 0 3> 1 4 5
P o e t i c a n d l i g h t .
T h e l e g s o f B l o s s o m s e e m
t o b l o o m , l i k e f l o r a l c h a l i c e s .
T h e m a g i c o f c u r v e d p l y w o o d ,
a r t f u l l y s h a p e d .
a d i n i n g t a b l e w i t h a N o r d i c
b a c kg r o u n d , fo r h o m e s t h a t
a r e a l w a y s o p e n t o f r i e n d s .
N e v e r w i t h a t a b l e c l o t h ,
t h o u g h : f l o w e r s n e e d l i g h t .
i n fo > 2 3 7
1 2 2
t a v o l o ‘ 9 5
d e s i g n a c h i l l e ca s t i g l i o n i
1 9 9 5
42
1 2 3| Ta B L E s
c h a i ru r a g a n o
> 1 6 0
a t i m e l e s s t a b l e , f r o m
t h e c r e a t i v e b r i l l i a n c e
o f a c h i l l e ca s t i g l i o n i .
R e f i n e d d e t a i l s , l i k e
t h e h e l i c o i d a l p r o f i l e
o f t h e b o r d e r a n d p r e c i o u s
m a t e r i a l s m a k e i t s p e c i a l .
T h e t o p i n w h i t e a r a b e s q u e
m a r b l e f l o a t s l i g h t l y,
a s i f s u s p e n d e d o v e r
t h e b a s e . s l e n d e r h i d d e n
b r a c k e t s s u p p o r t i t
a n d g e n e r a t e t h i s p a r t i c u l a r
v i s u a l e f fe c t .
s o s o l i d , y e t s o e t h e r e a l .
T h e l e g s a r e s t u r d y, i n s o l i d
b e e c h , a n d n i c e l y s h a p e d .
i n fo > 2 3 7
43d i n n e r
d e s i g n V i c o M a g i s t r e t t i
2 0 0 4
1 2 51 24 | Ta B L E s
Enti re ly in wood, Dinner
has a d iscreet character
and a s l im f igure .
The top, of minimal th ickness,
a lso in an extensib le vers ion,
is attached to the base
at just a few points ,
as i f i t were f loat ing on a i r.
The structure , with a square
sect ion, is in natura l
or wenge-stained sol id oak.
The open-pore f in ish
br ings out the natura l
beauty of the mater ia l .
info > 238
1 2 7
v i d u n
d e s i g n V i c o M a g i s t r e t t i
1 9 8 7
44
1 2 6 Ta B L E s |
c h a i r s p r i n g> 1 5 9
In Mi lanese d ia lect i t means
a b ig screw: Vidun.
The screw, a smal l , useful
object , generated the idea
of the f i rst table in the
De Padova co l lect ion.
The b ig wooden screw
is a masterpiece of inter locks,
made in the f i rst prototype
by P ier lu ig i Ghianda,
the master cabinet maker.
In natura l or b lack beech,
or co loured in coordinated
tones: v io let with turquoise
and green, red with ye l low
and goose-bi l l . Theatr ica l ,
l ike a sculpture . The tempered
g lass top offers a v iew
of the base . “ I t is a lways
the conceptual detai l that
attracts people’s attent ion”,
V ico Magistrett i sa id .
info > 238
1 2 8
s h i n e
d e s i g n V i c o M a g i s t r e t t i
1 9 9 1
45
1 2 9| Ta B L E s
c h a i rc i r e n e
> 1 4 6
shiny l ike i ts base , in pol ished
a luminium. shine is the most
versat i le of tables . at home,
for d in ing and study, in the
off ice , as a prest ig ious desk
or for meet ing rooms.
Oval , rectangular or square ,
the top in white laminate
is jo ined by d ifferent types
of wood: amer ican cherr y,
natura l or wenge-stained oak.
The rounded sol id wood border
makes i t extremely l ight .
i n fo > 2 3 9
1 3 1c a s a | TaV O L I | n a r a | i n f o > 1 3 5
46n a r a
d e s i g n V i c o M a g i s t r e t t i
1 9 9 8
1 3 0 Ta B L E s |
c h a i r s i lv e r> 1 5 6
a d i n i n g t a b l e w i t h l i g h t
l i n e s . T h e s a t i n a l u m i n i u m
o f t h e b a s e i m p e r c e p t i b l y
s u p p o r t s t h e e x t r a - c l e a r
e t c h e d g l a s s t o p .
a s i f s u s p e n d e d , t h e t o p
f l o a t s l i g h t l y. N a r a c a n a l s o
b e e x t e n d e d , t w o w i n g s s l i d e
t o i n c r e a s e t h e s u r fa c e w i t h
a s i m p l e g e s t u r e .
i n fo > 2 3 9
1 3 2
47o t i s
d e s i g n Lo r e n z * Ka z
2 0 0 7 / 2 0 0 8
1 3 3| Ta B L E s
c a B i n e ts w i n g
> 4 3
c h a i rl a v e n h a m
> 1 5 2
F o r a t ê t e - à -t ê t e ,
o r a fo u r s o m e , fo r t e a .
O t i s i s a r o u n d t a b l e
fo r t h e s m a l l d i n i n g a r e a s
o r c a fe s . T h e b a s e i s i n
b e n t s h e e t m e t a l , l i k e o l d
i n d u s t r i a l s t o o l s . W i t h t h r e e
o r fo u r l e g s , d e p e n d i n g
o n t h e d i a m e t e r o f t h e t o p .
i n fo > 24 0
1 3 5TaV O L I | q u a d r a t o | i n f o > 1 3 5
48q u a d r a t o
1 9 8 6
1 3 4 Ta B L E s |
c h a i r f l o w e r> 1 4 9
G r a p h i c , m i n i m a l i s t ,
t h e e s s e n c e o f t h e t a b l e .
a t h i n w h i t e l i n e d e f i n e s
t h e b a s e i n p a i n t e d s t e e l .
T h e t o p r e v e a l s i t s l a y e r s
a l o n g t h e e d g e s : a d i s t i n c t i v e
q u a d r a t o t r a i t t h a t h a s
l e d t o m a n y i m i t a t i o n s .
s o s i m p l e i t b e c o m e s
s o p h i s t i c a t e d , s o N o r d i c
i n i t s fo r t h r i g h t s p i r i t .
a t a b l e fo r d i n i n g o r w o r k ,
a p l a c e t o p u t b o o k s a n d
s c u l p t u r e s . E x t r e m e l y
v e r s a t i l e , i t w o r k s w i t h a l l
t y p e s o f c h a i r s , i n a l l t y p e s
o f s p a c e s .
i n fo > 24 0
1 3 6
49t o o l s
des ign stud io cer r i & as soc iat i
2 0 0 2
1 3 7| Ta B L E s
c a B i n e t s t o o l s
> 5 2
c h a i s e s i lv e r
> 1 5 6
p i Ù s t o r a g e
a c c e s s o r i e s> 1 4 0
t o o l s +
design Lorenz*Kaz
2007
Even more pract ica l .
The Tools table gets outf itted
with a system of accessor ies
for people who study or work.
They increase the usable
surface without adding bulk .
i n fo > 241
M u c h m o r e t h a n j u s t a t a b l e .
To o l s i s r e a l l y a w o r k i n g
t o o l . F u n c t i o n a l q u a l i t y
a n d g o o d l o o k s c o m b i n e d
i n a fe w p a r t s . T h e s h i n y
c a s t a l u m i n i u m b a s e r e f l e c t s
t h e c l a s s i c l i n e s o f g r e a t
a m e r i c a n d e s i g n .
D e s i g n e d t o b e a s c o m p a c t
a s p o s s i b l e , i t c a n e a s i l y
b e f i t t e d w i t h a d r a w e r u n i t .
T h e t o p , i n w h i t e l a m i n a t e ,
h a s a t r a n s p a r e n t P Vc
b o r d e r t o r e s i s t i m p a c t .
I n t h e h o m e , fo r d i n i n g
o r fo r t h e s t u d y.
I n t h e o f f i c e , a s a d e s k .
i n fo > 24 0
| x x x x x x1 3 8 1 3 9| Ta B L E s
1 4 1
p i Ù
d e s i g n Lo r e n z * Ka z
2 0 0 2
50
1 4 0 1 4 1| Ta B L E s
Two t r est les and a top .
With someth ing mor e .
Idea l in the home for the
stud io zone or the ch i ldern’s
room, P iù i s a s imple tab le ,
but not bana l .
The r ectangular top , in white
laminate with a natura l
border o r temper ed g lass ,
r ests on tubu lar stee l
t r est les . K ids l i ke the sheet-
meta l f i l e box to hang on the
tab le’s edge : a conta iner w ith
compar tments fo r d ra wings ,
notepads and books .
i n fo > 241
1 4 2
l a v e n h a m e X e c u t i v e
d e s i g n P a t r i c i a U r q u i o l a
2 0 1 0
51
1 4 31 4 3| c H a I R s
t a B l eq u a d r a t o
> 1 3 5
For d in ing and meet ing
tables , or behind a desk.
Lavenham Execut ive
repr ises the qui l ted pattern
on the back of the chassis
of the Lavenham chai r.
a versat i le , t ransformable
seat : nude, with a smal l
cushion, or covered with
a matelassé housse ,
put on or removed with
a s ingle gesture .
The base p lays with the
mater ia ls and f in ishes.
The legs are in oak-stained
ash wood, whi le the swivel
vers ion has a base in
a luminium, pol ished or with
white or b lack paint f in ish.
i n fo > 24 2
1 4 5
c i r e n e 0 3
d e s i g n V i c o M a g i s t r e t t i
2 0 0 3
52 53m a r o c c a
d e s i g n V i c o M a g i s t r e t t i
1 9 8 7
1 4 4 c H a I R s |
Based on c lass ic b istro
seat ing, but updated in terms
of co lours , proport ions
and detai ls . The beech
of the structure and the seat
is sta ined in a soft tea co lour,
or takes on graphic impact
in b lack lacquer. The s imple
image conceals c rafted detai ls
of great ref inement . also
in a vers ion with armrests ,
Marocca is the perfect chai r
for the d in ing table .
i n fo > 24 2
a d ist ingu ish ing graph ic
featur e : the t wist
of the a rmr est . a movement
of the wood, inv i t ing
to the touch . The ash wood
cur ves thanks to the effects
of steam. Workmansh ip
t yp ica l of Nord ic des ign ,
ent i r e ly f in ished by hand.
i n fo > 24 2
c i r e n e
d e s i g n V i c o M a g i s t r e t t i
1 9 9 9
54 55o l i m p i a
2 0 0 8
1 4 6 1 4 7| c H a I R s
Ve r s a t i l e a n d c o m fo r t a b l e ,
c i r e n e h a s a n a n a t o m i c a l
c h a s s i s i n c u r v e d b e e c h
a n d a s l e n d e r s t r u c t u r e i n
s h i n y p o l i s h e d c h r o m e d s t e e l .
W i t h o r w i t h o u t a r m r e s t s ,
i n f i x e d o r s w i v e l v e r s i o n s
w i t h w h e e l s , a l s o c o v e r e d
i n fa b r i c o r l e a t h e r.
I n a l l o f i t s m a n y v a r i a t i o n s ,
i t c o n s e r v e s a d i s t i n c t i v e
s e n s e o f e l e g a n c e .
i n fo > 24 3
a s t a c k a b l e s t o o l w i t h s i m p l e
l i n e s a n d a N o r d i c i m a g e ,
i d e a l fo r a n y t y p e o f s p a c e .
I n h i g h a n d l o w v e r s i o n s ,
w i t h a n a n a t o m i c a l w o o d e n
c h a s s i s . a l w a y s c o m fo r t a b l e ,
t h a n k s t o t h e b a c k s u p p o r t
a n d fo o t r e s t .
i n fo > 24 3
56
1 4 91 4 8 c H a I R s |
f l o w e r
d e s i g n V i c o M a g i s t r e t t i
w i t h P a t r i c i a U r q u i o l a
1 9 9 6
an upholstered armchair,
l ike the corol la of a f lower.
The armrests and back are
rounded petals. a comfortable
embrace in wel l-proportioned
and gentle forms. In f ixed
or swivel versions, covered
with fabric , Flower is perfect
in the home or off ice.
i n fo > 24 3
1 5 1
i n c i s a
d e s i g n V i c o M a g i s t r e t t i /
ce n t r o D e s i g n B i n fa r é
1 9 9 2
57
1 5 0 1 5 1| c H a I R s
t a B l ev i d u n
> 1 2 7
a swive l a rmcha i r w i th outer
cowhide cover, l i ke a sadd le .
Hand st i tch ing adorns
the back and s ides , fo rming
soft cur ves , p r ec ious to
the touch . The padded inner
cover ing, w i th cotton t r im,
can be r emoved thanks
to a z ipper. With a desk ,
at home or in the off i ce ,
a g r eat image f rom a l l ang les .
i n fo > 24 4
1 5 2
l a v e n h a m
d e s i g n P a t r i c i a U r q u i o l a
2 0 0 8
58
1 5 3| c H a I R s
Ver y g lossy b lack or white .
Eye catching. The matelassé
motif moulded on the chassis
is i ts d ist inct ive feature .
Lavenham gets i ts name
from the Engl ish town,
the home of d iamond-qui l ted
fabr ic . With or without
armrests , stackable ,
with a s lender steel structure
that enhances the design.
a qui l ted pattern to touch,
for a ver y mater ic chai r.
i n fo > 24 4
1 5 4 1 5 5
p o l l a c k i i
d e s i g n V i c o M a g i s t r e t t i
1 9 9 9
59
60
p o l l a c k
d e s i g n V i c o M a g i s t r e t t i
1 9 9 8
1 5 4 c H a I R s |
B o o k c a s e6 0 6 u n i v e r s a l s h e lv i n g s y s t e m> 2 9
U p h o l s t e r e d c h a i r
a n d a r m c h a i r. E x t r e m e l y
c o m fo r t a b l e , t h a n k s t o
t h e f l e x i b l e b a c k , i d e a l
fo r d i n i n g , e v e n w h e n
t h e m e a l l a s t s t o o l o n g .
P e r fe c t w i t h a n y t a b l e ,
t h e s i m p l e l i n e s a l l o w fo r
d r a m a t i c t r a n s fo r m a t i o n s :
l e g s i n a l u m i n i u m o r w o o d ,
r e m o v a b l e fa b r i c c o v e r s ,
o r f i x e d l e a t h e r c o v e r i n g .
P o l l a c k I I c a n a l s o w e a r
a l o n g h e m l i n e , fo r fo r m a l
o c c a s i o n s .
i n fo > 24 4 a n d 24 5
1 5 6
s i l v e r
d e s i g n V i c o M a g i s t r e t t i
1 9 8 9
61
1 5 7| c H a I R s
F ixed , swive l , w i th
o r w ithout a rmr ests ,
fo r indoor and outdoor use ,
a lso in stackab le vers ion :
s i l ve r i s 20 years o ld now,
but st i l l l ooks b rand new.
V ico Magist r ett i based
i ts des ign on the propor t ions
of the legendar y Thonet cha i r,
fo r a seat in po lypropy lene
and a lumin ium that
i s comfor tab le , l ight ,
ve rsat i le and sturdy.
around the d in ing tab le
o r in the stud io, i t adapts
to any env i ronment .
s i l ve r : a new c lass i c .
i n fo > 24 5
1 5 9
s p r i n g
d e s i g n D a m i a n W i l l i a m s o n
2 0 0 6
62
1 5 8 c H a I R s |
s m a l l t a B l es c r i t t a r e l l o> 1 7 1
a l i g h t , e s s e n t i a l , v e r y N o r d i c
s t a c k a b l e c h a i r. I n s o l i d a s h
w o o d , w i t h i n c i s i o n s o n t h e
b a c k t o t a k e a d v a n t a g e o f
t h e n a t u r a l e l a s t i c i t y o f t h e
m a t e r i a l . T h e v e r y f l e x i b l e
b a c k m a k e s t h e c h a i r e v e n
m o r e c o m fo r t a b l e .
i n fo > 24 6
1 6 0
u r a g a n o
d e s i g n V i c o M a g i s t r e t t i
1 9 9 2
63
1 6 1| c H a I R s
a modern des ign ,
but with a h int of r et ro.
Uragano i s based on the
c lass i c bamboo armcha i r,
r eworked for today ’s homes.
The st ructur e i s in wood,
whi le the cur ved wicker
p ieces of the seat and
s ides a r e c rafted by hand.
On the verandah,
in the winter garden ,
a round a d in ing tab le ,
o r f i t ted with a cush ion
for a f r iend ly conversat ion .
i n fo > 24 6
1 6 3
s u n d a n c e
d e s i g n P a o l o G o l i n e l l i
2 0 1 0
64
1 6 2 c H a I R s |
F o l d i n g , l i g h t , h a n d y.
T h e d i r e c t o r ’s c h a i r,
i n a n e w i n t e r p r e t a t i o n ,
b e c o m e s a c o m fo r t a b l e s e a t
w i t h p a d d e d a r m r e s t s .
T h e h i n g e , w i t h i t s i n d u s t r i a l
l o o k , i s b a s e d o n c a m p c o t s .
I d e a l fo r o u t d o o r u s e ,
i n t h e g a r d e n o r o n t h e p a t i o ,
b u t a l s o i n t h e h o u s e , t o s e a t
a n u n e x p e c t e d d i n n e r g u e s t .
i n fo > 24 6t a B l ed i n n e r> 1 24
1 6 5TaV O L I N I | q u a d r a t o e s p o s i t o r e | i n f o > 1 3 5
q u a d r a t o
e s p o s i t o r e
1 9 9 6
67t e t r i s
d e s i g n N e n d o
2 0 0 7
66c a m p o a r a t o
d e s i g n P a o l o P a l l u c c o
2 0 0 8
65
1 6 4 a c c E s s O R I E s |
s e e n f r o m a b o v e i t i s l i k e
t h e c o u n t r y s i d e , w i t h i t s
g e o m e t r i c p a t t e r n s o f f i e l d s
a n d p l o w e d f u r r o w s .
T h e t h r e e t r a p e z o i d a l p a r t s ,
j o i n e d b y h i n g e s , o p e n a n d
c l o s e t o c h a n g e t h e t a b l e ’s
fo r m . s o l i d , i n o a k a n d a s h
h a r d w o o d , w i t h a t r i a n g u l a r-
s e c t i o n m i l l e d s u r fa c e .
i n fo > 24 7
O p e n a n d c l o s e d s e g m e n t s ,
l i k e a c h e s s b o a r d . Te t r i s .
F r o m t h e n a m e o f a g a m e ,
a l o w t a b l e . T h e u p p e r
s u r fa c e s a r e c a n t i l e v e r e d ,
a s i f s u s p e n d e d i n m i d - a i r
a t t h e c e n t e r.
The empty spaces for storage
compartments, for magazines,
books, or a p lant .
i n fo > 24 7
I n f r o n t o f t h e s o fa ,
fo r b o o k s a n d m a g a z i n e s .
I t ’s a l o w t a b l e w i t h
a n e x t r a s h e l f. a l l w h i t e ,
w i t h t e m p e r e d g l a s s t o p .
a c l a s s i c i s a l w a y s
t h e r i g h t c h o i c e .
i n fo > 24 7
1 6 7TaV O L I N I | s a t u r n o | i n f o > 1 3 5
s a t u r n o
d e s i g n D ’ U r b i n o – Lo m a z z i
2 0 0 8
68s w i s s
d e s i g n M i r t o zo c c a
2 0 0 3
70d a n
1 9 9 2
69
1 6 6 a c c E s s O R I E s |
L i k e a p l a n e t w i t h i t s
s a t e l l i t e s . s a t u r n o h a s t w o
s t a g g e r e d c i r c u l a r t o p s
o f d i f fe r e n t s i z e s .
Ea c h t o p r o t a t e s a n d t h e y
b o t h r o t a t e t o g e t h e r, a r o u n d
a c e n t r a l a x i s . N e a r a c h a i r,
t h e l a r g e r t o p i s a h a n d y
s u r fa c e fo r e a t i n g , w o r k i n g
w i t h a c o m p u t e r, d r i n k i n g
c o f fe e . T h e s m a l l e r t o p
o f fe r s s o m e a d d e d s p a c e .
G r e a t n e x t t o t h e b e d ,
fo r a r e a d i n g l a m p o r b o o k s .
i n fo > 24 8
a t a b l e w i t h a N o r d i c l o o k ,
a n a l u m i n i u m b a s e , a w h i t e
o r b l a c k t o p . R o u n d o r o v a l ,
i n d i f fe r e n t s i z e s , i t a d a p t s
t o a n y s p a c e , a n y u s e .
I n t h e l i v i n g r o o m o r b e s i d e
t h e b e d . F r o m t h e b i g g e s t
t o t h e s m a l l e s t , o n e D a n
t a b l e f i t s u n d e r a n o t h e r.
i n fo > 24 8
U p a n d d o w n .
s w i s s i s h e i g h t- a d j u s t a b l e .
W i t h a s i m p l e g e s t u r e ,
t h e c h r o m e d s t e e l b a s e
e x t e n d s o r l o w e r s . T h e t o p
h a s a m i n i m a l t h i c k n e s s ,
i n w h i t e l a m i n a t e o r w e n g e .
a s e r v i c e t a b l e t h a t f i t s
i n a n y w h e r e .
i n fo > 24 8
1 6 8
m a t e
d e s i g n a c h i l l e ca s t i g l i o n i
1 9 9 2
71c h a B - t a B l e
d e s i g n N e n d o
2 0 0 5
73
72m i n i m a t e
d e s i g n a c h i l l e ca s t i g l i o n i
1 9 9 3
1 6 9| a c c E s s O R I E s
F r o m t h e J a p a n e s e n a m e
c h a b u d a i , m e a n i n g a t e a
t a b l e , fo r a d e l i c a t e ,
i n t e l l i g e n t s u r fa c e .
T h e w h i t e t o p w i t h b o r d e r
i n c u r v e d b e e c h r e s t s
o n a c r i s s c r o s s b a s e .
a l i g h t s t r u c t u r e t h a t c a n b e
r e p o s i t i o n e d t o o b t a i n t w o
d i f fe r e n t h e i g h t s , fo r g r e a t e r
u s a g e f l e x i b i l i t y.
T h e t o p i s a c t u a l l y a t r a y,
a l s o fo r s e p a r a t e u s e .
i n fo > 24 9
a t a b l e , a t r a y, a fo o t r e s t .
a d i s c r e e t c o m p a n i o n n e x t
t o a n a r m c h a i r o r a s o fa .
a c h i l l e ca s t i g l i o n i p l a y s
a n d d r a w s a s u m m a r y
o f s i m p l i c i t y. Ea s y t o m o v e
i t a r o u n d . s e a t e d o n t h e
s o fa , t r a y o n l e g s , fe e t
r e s t i n g o n t h e b e l t i n g .
B u t a l s o b e s i d e t h e b e d ,
a s a n i g h t s t a n d . I n t w o s i z e s ,
M a t e b e c o m e s M i n i , s m a l l e r
a n d h i g h e r.
i n fo > 24 9
1 7 1
s c r i t t a r e l l o
d e s i g n a c h i l l e ca s t i g l i o n i
1 9 9 6
74c o n s o l e
2 0 0 3
75
1 7 0 a c c E s s O R I E s |
a m a s t e r p i e c e o f l i g h t n e s s ,
i n s p i r e d b y t h e I t a l i a n
r a t i o n a l i s t s c h o o l o f t h e
1 9 3 0 s- 4 0 s . I t m a k e s y o u
w a n t t o w r i t e , d r a w,
o r j u s t t h i n k . s c r i t t a r e l l o .
a l i t t l e w r i t i n g d e s k , a l m o s t
a n e o l o g i s m , fo r r e l a x e d
a c t i v i t y w i t h p e n a n d p a p e r.
a s i m p l e s u r fa c e fo r w o r k ,
w i t h t w o s h e l v e s a t t h e
s i d e s . T h e s l e n d e r l e g s a r e
i n n a t u r a l b e e c h ; t h e t o p s
c o m e i n w h i t e l a m i n a t e ,
w i t h b i r c h p l y w o o d b o r d e r s .
P e r fe c t i n t h e b e d r o o m
o r i n a c o r n e r, fo r s t u d y i n g
a n d r e a d i n g .
i n fo > 2 5 0
B e s i d e t h e w a l l i n t h e
v e s t i b u l e o r a c o r r i d o r,
b e h i n d t h e s o fa i n t h e l i v i n g
r o o m , o r t o o f fe r a h a n d y
s u r fa c e i n t h e b e d r o o m .
co n s o l e i s a l w a y s u s e f u l ,
a n d w h e n i t ’s g o n e y o u m i s s
i t . I n n a t u r a l o r w e n g e -
s t a i n e d o a k , w i t h s t e e l t i e s
t h a t r e v e a l i t s y o u t h .
i n fo > 2 5 0
1 7 2
t r i o
d e s i g n V i c o M a g i s t r e t t i
1 9 97
76d t l i g h t
d e s i g n P h i l L u i t h l e n
2 0 0 3
77
1 7 3| a c c E s s O R I E s
B e dp i l g r i m
> 1 0 5
T h r e e s l e n d e r, s h i n y
a l u m i n i u m l e g s .
a s m a l l t a b l e w i t h a r o u n d
t o p , t o p u t n e a r t h e s o fa
o r t h e b e d . a l s o o n w h e e l s ,
fo r e a s y m o v e m e n t
w h e n i t ’s n e e d e d e l s e w h e r e .
i n fo > 2 5 0
L i k e t h e M o b i l e s o f a l e x a n d e r
ca l d e r, t h i s h a n g i n g l a m p
i s a l i g h t g a m e o f b a l a n c i n g
p a r t s . T h e s h a d e f l o a t s i n
t h e a i r, s u s p e n d e d o n a l o n g ,
s l e n d e r, a l m o s t i m p e r c e p t i b l e
a r m . T h e h e i g h t- a d j u s t a b l e
l a m p i s b a l a n c e d , o n t h e
f l o o r, b y a c o u n t e r w e i g h t ,
a n d c a n r o t a t e 3 6 0 ° .
i n fo > 2 5 1
1 7 5
B o o k
d e s i g n P e t r a R u n g e
2 0 0 0
79f i n d e r
d e s i g n x a v i e r L u s t
2 0 0 1
78
1 74 a c c E s s O R I E s |
a r e f l e c t i n g b o o k , t o o p e n
w h e n e v e r y o u w a n t t o .
at t a c h e d t o t h e w a l l ,
B o o k i s a m i r r o r
a n d a d e c o r a t i v e o b j e c t .
F o r e v e r y s p a c e i n t h e h o m e ,
b u t a l s o i n t h e o f f i c e .
I f y o u d o n ’ t fe e l l i k e s e e i n g
y o u r r e f l e c t i o n , j u s t c l o s e
t h e m i r r o r a n d i t d i s a p p e a r s .
i n fo > 2 5 1
a m a g a z i n e o r d o c u m e n t
r a c k t o h a n g o n t h e w a l l .
F i n d e r p u t s e v e r y t h i n g
i n o r d e r : o n t h e v e r s i o n
w i t h a w h i t e l a c q u e r
s u r fa c e , m a g n e t s c a n b e
u s e d t o d i s p l a y i n v i t a t i o n s ,
p h o t o g r a p h s a n d m e m o s .
i n fo > 2 5 1
1 7 7
m o B y 1 e m o B y 2
d e s i g n M a r c o za n u s o J r.
2 0 0 8
80
1 7 6 a c c E s s O R I E s |
a T V t r o l l e y, w i t h o n e
o r t w o s h e l v e s , i n s i z e s
s u i t a b l e fo r t h e n e w s c r e e n s .
L i g h t , t h a n k s t o s l e n d e r,
s u p e r- s t r o n g m a t e r i a l s ,
e n h a n c e d b y a g l o s s y f i n i s h .
B e l o w t h e t o p , o n t h e b r a c k e t
s t r u c t u r e , a s m a l l e r s h e l f
c a n b e u s e d fo r a c a b l e b o x
o r DV D p l a y e r.
i n fo > 2 5 2
1 7 8
p r Ê t - à - p o r t e r
d e s i g n a n n e t t e La n g
1 9 8 7
82
n a r c i s o
d e s i g n E n r i c o F r a n z o l i n i
1 9 8 7 / 1 9 97
81
1 7 9| a c c E s s O R I E s
The c lass i c accessor y
becomes modern .
P rêt-à-por ter i s the c lothes
va let w ith s lender l ines ,
in pa inted stee l . a wrapped
leather b ind ing cover keeps
the garments f rom s l ipp ing.
i n fo > 2 5 2
F o r t h e fa i r e s t o f t h e m a l l ,
a m i r r o r t h a t fo l l o w s h e r
e v e r y w h e r e . O n w h e e l s ,
N a r c i s o h a s a h a n d l e
a t t h e c e n t e r, fo r m o v i n g
i t h e r e o r t h e r e .
T h e fo l d i n g s t a n d h a s h o o k s
fo r g a r m e n t s o n t h e b a c k ,
fo r a q u i c k c o s t u m e c h a n g e .
i n fo > 2 5 2
r a i n y d a y
d e s i g n x a v i e r L u s t
2 0 0 3
84r o k u m a r u
d e s i g n N e n d o
2 0 0 8
83
1 8 11 8 0 a c c E s s O R I E s |
T h e e n j o y a b l e s i d e o f r a i n .
a n u m b r e l l a s t a n d i n s t e e l
s h e e t , i n t h e fo r m o f
a c r o s s . L i t t l e r e f i n e m e n t s
m a k e i t s p e c i a l : t h e t r a y
i n t h e b a s e fo r r e m o v i n g
w a t e r, t h e i n t e r n a l s h e l f fo r
s m a l l e r fo l d i n g u m b r e l l a s .
i n fo > 2 5 3
a p o e t i c v i s i o n o f a t r e e
t h a t b e c o m e s a c o a t r a c k .
N e n d o i n t e r p r e t s n a t u r e w i t h
o r i e n t a l s y m b o l i s m : t h e s i x
b r a n c h e s a r e t h e r a d i i o f a n
i m a g i n a r y c i r c l e , t h e u n i o n
o f t h e J a p a n e s e w o r d s r o k u –
s i x - a n d m a r u - c i r c l e .
s i m p l y p e r fe c t , i n i t s
d i s g u i s e d c o m p l e x i t y.
T h e t h r e e l e g s h a v e
a r h o m b o i d a l s e c t i o n .
T h e a n g l e d b r a n c h e s a r e c u t
a t t h e e n d s , t o h a n g j a c k e t s
a n d o v e r c o a t s .
i n fo > 2 5 3
1 8 3
85
86
1 8 2
f r a m u r a
c h a i s e + p o u f
d e s i g n a k s u / s u a r d i
2 0 0 9
f r a m u r a
d o n d o l o
d e s i g n a k s u / s u a r d i
2 0 0 9
O U T D O O R |
a r o c k i n g c h a i r fo r r e l a x i n g
i n t h e s h a d e o f a n o l i v e t r e e ,
a c h a i s e fo r s n o o z i n g w i t h
y o u r fe e t r e s t i n g o n t h e p o u f.
M a d e i n w e l d e d a l u m i n i u m
t u b i n g , t h e s e a t a n d b a c k
h a v e s o f t c u s h i o n s a t t a c h e d
t o t h e s t r u c t u r e w i t h
c o l o u r e d b e l t i n g . Wa t e r t i g h t
i n c a s e o f r a i n , t h e y d r y
i m m e d i a t e l y w h e n t h e s u n
c o m e s b a c k o u t .
i n fo > 2 5 3
f r a m u r a
d e s i g n a k s u / s u a r d i
2 0 0 9
F r o m t h e n a m e o f t h e
v i l l a g e i n L i g u r i a , n e s t l e d
o n h i l l s o v e r l o o k i n g t h e s e a .
F r a m u r a i s a fa m i l y o f h y b r i d
f u r n i s h i n g s , fo r i n d o o r
o r o u t d o o r u s e , w i t h a f r e s h ,
n o n c h a l a n t l o o k . s p i r i t e d ,
i r o n i c p i e c e s fo r m o m e n t s
o f r e l a x a t i o n a n d i n fo r m a l
s o c i a l i z i n g .
1 8 4 1 8 5| O U T D O O R
1 8 7
87f r a m u r a
n i d o
d e s i g n a k s u / s u a r d i
2 0 0 9
1 8 6 O U T D O O R |
N i d o i s a s e a t fo r m o r e t h a n
o n e p e r s o n : a s h e l l m a d e
o f t u b i n g , a d e n s e w e a v e
o f c o l o u r e d r i b b o n s ,
t o f i l l w i t h s o f t c u s h i o n s .
a n e n c l o s u r e t o t i l t a t
d i f fe r e n t a n g l e s , t o d e t a c h
a n d h a n g o n t h e w a l l i n
t h e w i n t e r, w a i t i n g fo r s p r i n g .
i n fo > 2 5 4
1 8 8
88
1 8 9
f r a m u r a
l e t t i n o p r e n d i s o l e
d e s i g n a k s u / s u a r d i
2 0 0 9
| O U T D O O R
B y t h e p o o l , o n t h e t e r r a c e ,
i n t h e g a r d e n . T h e s u n c o t
h a s a n a d j u s t a b l e b a c k a n d
c u s h i o n s t o a t t a c h t o t h e
s t r u c t u r e w i t h c o l o u r e d
b e l t i n g . T h e w h e e l s a r e
r u b b e r, fo r e a s y m o v e m e n t
o n a n y t e r r a i n . T h e l a t e r a l
t a b l e , a t t a c h e d t o t h e s i d e ,
a d d s m a x i m u m c o m fo r t .
i n fo > 2 5 4
1 9 1
89l a v e n h a m o u t d o o r
d e s i g n P a t r i c i a U r q u i o l a
2 0 0 9
1 9 0 O U T D O O R |
O n t h e t e r r a c e , i n t h e g a r d e n ,
a r o u n d a d i n i n g t a b l e ,
La v e n h a m d r e s s e s
u p fo r o u t d o o r u s e .
T h e q u i l t e d p a t t e r n m o u l d e d
o n t h e c h a s s i s , i n g l o s s y
w h i t e o r b l a c k , s h o w s
i t s c o n t o u r s i n t h e s u n l i g h t ,
a n d s t a n d s u p t o a l l k i n d s
o f w e a t h e r. st a i n l e s s s t e e l
b a s e w i t h s a t i n f i n i s h .
i n fo > 2 5 4
léger > 68
info > 227
berger > 72
info > 228
assuan > 75
info > 228
atalante > 76
info > 228
suite > 80
info > 230
hovercraft > 82
info > 230
pillow > 84
info > 230
square > 88
info > 231
zip! > 90
info > 232
tuareg > 92
info > 232
chesterfield > 96
info > 233
raffles > 99
info > 234
regent’s > 100
info > 234
cH
es
te
rf
iel
d
ra
ff
le
s H
ov
er
cr
af
t s
uit
ea
tal
an
te
pouf capitonné > 96
info > 233
palestro > 94
info > 233
zip
! l
ég
èr
e
sofas for conversing
and relaxing, thanks
to different fillers,
in goosedown or blended.
The finely crafted structures
in wood or metal,
the construction details
and the wide range
of fixed or removable covers,
in fabric or leather,
make the De Padova sofas
recognizable always,
everywhere.
The armchairs have
goosedown or blended
filler to guarantee the best
support for reading, waiting,
conversing or relaxing.
The fabric or leather covers
can be fixed or removable,
and are available in a large
range of colours.
basket > 55
info > 225
louisiana > 56
info > 225
club > 59
info > 226
tattomi > 61
info > 226
spring low > 62
info > 226
tondo 05 > 6 6
info > 227
bergère > 7 1
info > 227
susanna > 65
info > 226
légère > 6 8
info > 227
De Padova sofas and armchairs: a vast range of different proposals with a unique style. The sofas include models with classic lines, based on the timeless forms of English sofas, and contemporary models with clean, rigorous silhouettes. Models with two seats or more, to adapt to all requirements of space and comfort. The armchairs are traditional or modern, ample or minimalist. Their character and shape may differ, but they all have a strong personality. In the living area, the bedroom or waiting rooms.
sofas and armchairs
mantis > 111
info > 236
campo d’oro > 115
info > 236
beyle > 118
info > 237
blossom > 121
info > 237
tavolo ‘95 > 122
info > 237
shine > 128
info > 239
tools > 136
info > 240
dinner > 124
info > 238
vidun > 127
info > 238
nara > 131
info > 239
quadrato > 135
info > 240
più > 140
info > 241
otis > 132
info > 240
blo
ss
om
Wood, in the different
tones of its many varieties,
brings warmth to the whole
collection. But not on its
own. Different materials
used for tops and legs
are combined to generate
surprising contrasts: bases
in aluminium, wood or steel
sheet support tops in glass,
marble or laminate.
skilled craftsmanship adds
refined construction details
for striking effects.
Tops that seem to magically
float over the base, wood
worked with steam in the
form of a corolla, hinges that
alter the geometric form
of the tops, masterpieces
of cabinet making featuring
daring grafts and forms that
have written the history
of design, like the giant bolt
of the Vidun table.
campo arato > 1 6 5
info > 247
tetris > 1 6 5
info > 247
quadrato espositore > 1 6 5
info > 247
saturno > 1 6 7
info > 248
dan > 1 6 7
info > 248
swiss > 1 6 7
info > 248
mate > 1 6 8
info > 249
mini mate > 1 6 8
info > 249
scrittarello > 171
info > 250
console > 171
info > 250
trio > 172
info > 250
chab table > 1 6 8
info > 249
tables and small tablesVersatility of use and unmistakable details for the collection of large and small tables by De Padova.The large tables can be used for dining, but also in work spaces in the home or office, as a desk or a meeting table. Their measurements can be compact to adapt to limited space, or reach surprising lengths for vivid visual impact. The small tables can be placed by a sofa or used as coffee tables, but with an added touch: ingenious solutions like height adjustment, tops that rotate or can be used as trays, make them valuable allies in the home, for the living area, or as a nightstand in the bedroom.
lavenham executive > 142
info > 242
marocca > 145
info > 242
cirene 03 > 145
info > 242
cirene > 146
info > 243
olimpia > 146
info > 243
flower > 149
info > 243
incisa > 150
info > 244
lavenham > 152
info > 244
pollack > 155
info > 244
silver > 156
info > 245
spring > 159
info > 246
uragano > 160
info > 246
sundance > 162
info > 246
pollack i i > 155
info > 245
sil
ve
ru
ra
ga
no
Materials and lines inspired
by Nordic design, with light
wood, aluminium and slender
steel for the bases, combined
with moulded plastic frames
for striking materic effects.
The seats can also be padded
and covered with fabric
or leather, available in a wide
range of colours. Precious
construction details reveal
the savoir-faire of the
craftsman: the stitching
of cowhide, the lathe-work
of wooden legs and armrests,
the flexibility of a back made
with special techniques
to increase comfort.
The outdoor collection
is made with waterproof
materials: satin-finish
stainless steel and a plastic
chassis for the Lavenham
Outdoor chair, aluminium
tubing and polyester
for the cushions and belting
of Framura.
framura | chaise + pouf > 183
info > 253
framura | dondolo > 183
info > 253
framura | nido > 187
info > 254
framura | lettino prendisole > 188
info > 254
lavenham outdoor > 191
info > 254
chairs and outdoora large, historic collection of chairs and a small, fresh outdoor furnishings collection. De Padova reinvents classic models like the famous Thonet, the traditional tavern chair or wicker verandah seating, and combines them with striking contemporary creations. chairs with or without armrests, swiveling, stackable, folding. chairs for all the spaces in the home, from the dining room to the work zone, and models for the office: all the chairs shown in the catalogue are easily combined with the tables of the De Padova collection.
The new outdoor collection includes seats that can also be used indoors, featuring ironic, unconventional designs for armchairs with pouf, rocking chairs and group seating, combining great comfort with sturdy construction and durability. On the terrace, in the garden, by the pool, on the patio… but also inside the home.
descriptions and dimensions
NOTEs The measurements of products are indicated in cm (in inches for the Us market) and can vary by +/- 2 cm (+/- 1 inch) for the upholstered furniture and +/- 1 cm (+/- 1/2 inch) for the other furniture and accessories.
The colours of the products shown in the photographs are indications, and may not correspond to the real colours.
De Padova products stand out for their use of fine materials treated to enhance their natural, characteristic beauty. The workmanship makes it possible to appreciate all the specific qualities of the materials utilized, making every product unique. Products made with natural materials like wood and marble, and with natural dyes and colours, may differ slightly from one another in terms of both colour and grain. Exposure of the products to natural or artificial light can cause alterations of the original colours.
De Padova reserves the right to eliminate, aesthetically modify or improve its products without prior notice.
The products are manufactured in compliance with the safety regulations that apply in their intended markets: please contact our customer service department ([email protected]) for specific information.
For information on conditions of sale and warranties please contact customer service.
The De Padova distribution network is shown at the website www.depadova.it in the section ‘distribution’.
2 2 0
01
02
6 0 6 U N i V e R s A L s H e LV i N g s Y s t e m > 29
k A N t > 35
2 2 1
03
04
05
tA N i m O t O > 36
C R é D e N C e > 40
s H i g e t O > 39
design Dieter Rams, 1984
design Formfürsorge , 1993
type Bookcase, a very flexible storage device. Freestanding or wall-mounted. material
Uprights and sections in anodized extruded aluminium. shelves, containers and mobile
internal shelves in anodized aluminium sheet. Drawer units with two or three draw-
ers in anodized aluminium sheet. finish/colour Uprights: anodized satin-finish silver.
sections, shelves, containers, mobile internal shelves for containers, drawer units: ano-
dized satin-finish silver or white epoxy powder coated. notes The uprights are used for
floor-to-ceiling installation and can be adjusted by 4 cm at the top and the bottom. Up-
rights are always paired with sections. supports: used when the uprights are placed on
the wall, to attach the bookcase to the wall. Highly recommended for bookcases bearing
heavy loads, and for all uprights taller than 3 m. Reinforcement crossbars in anodized
aluminium, used only for bookcases with uprights; inserted in every span, one for each
meter of height. The section is directly attached to the wall or combined with the up-
right, in the case of a divider bookcase. section of 57, 114, 171 cm have a perforation
interval of 7 cm and can be put one over the other. The sections with heights of 11 and
39.5 cm can only be used for the positioning of the single shelf (11 cm) and the single
container (with door or drawers, 39.5 cm). In the case of use of wall-mounted sections,
test the consistency of the wall to find the best attachment point.
type column bookcase. material structure made with a single steel sheet, 200x100 cm,
bent and riveted, without scrap. finish/colour White powder paint coating.
b o o k c a s e s a n d c a b i n e t s
6,2 6,2
· · 91 · 91 · 66,5 · ·
· 11
4 ·
114
·
· 33,5 ·· 47,5 ·
· 54 ·· 82 ·
1 1
1 1
· · 66,5 · 66,5 · 66,5 · 66,5 · · · 25 ·· 39 ·
· 40
·
50 ·
35
· 35
· 3
5 · 1
1 ·
· · 66,5 · 91 · 91 · 91 · ·
· 39
,5 ·
· 26 ·
· 19
7 ·
· 30 ·
design Vico Magistrett i , 1991
design xavier Lust , 2003
design Vico Magistrett i , 1989
type Modular bookcase. material structure in solid oak or beech. Wood particle-board
panels, veneered in oak or beech. Mobile internal shelves and vertical dividers in painted
wood particle board. Base (feet/wheels) adjustable feet. finish/colour Oak finished
with open-pore acrylic varnish, natural beech finished with closed-pore polyurethane
varnish. shelves and vertical dividers painted in eggshell white. notes The internal
shelves can be placed in five positions, at a perforation interval of 32 mm.
Type Two-door cupboard with three shelves and four vertical dividers. Material struc-
ture in solid natural oak. Doors, sides, shelves, back and internal dividers made with
particle-board panels, veneered with natural oak. Base (feet/wheels) swivel castors
with front wheel blocking. Finish/Colour Natural oak, open-pore acrylic varnish. Notes
For the 160 cm models, a fifth central wheel is provided in case of heavy load.
type Two-door cabinet with vertical divider and internal shelves. Limited edition of 150
signed, numbered pieces. material Outer structure in painted aluminium sheet. Inner
structure, doors, vertical divider and shelves in satin-finish anodized aluminium sheet.
steel frame. Base (feet/wheels) adjustable aluminium feet, coated with polyurethane
paint. finish/colour structure and doors painted on the outside with polyurethane
paint in china red, Rover green or midnight blue. anodized satin silver internal finish.
b o o k c a s e s a n d c a b i n e t s
· 20
7 ·
· 80 · 80 ·
· 120 ·
· 60 · 60 ·
· 160 ·
· 45,5 ·
· 17
2,5
·
· 140 · · 71 ·
· 79
·
· 60
·
· 13
2 ·
· 33 ·· 104 ·
06
2 2 2
s W i N g _ U N i t s & C H e s t U N i t s > 43
s W i N g _ U N i t s 6 07
2 2 3
s W i N g _ U N i t s b O x
R e F L e x s e C R é tA i R e > 49
design Mor itz Engelbrecht / lemongras, 2001
design Mor itz Engelbrecht / lemongras, 2001
type system of independent cabinets with doors, internal shelves or drawers. Wall con-
sole with one drawer and open side compartment. material structure, doors and tops
in wood particle-board panels, drawers with birch plywood panels on slide runners with
cushioning mechanism. Base (feet/wheels) available on different bases: runners in pol-
ished aluminium section; rubber swivel castors with chromed-plated support and front
wheel blocking; painted wood particle-board base with height-adjustable feet. finish/
colour silkmat lacquer finish in the colours: earth beige, orange, stone gray, dark gray,
silver, ivory white, china red, lemongrass, terracotta red. Internal finishes: lacquered like
the exterior, or in white melamine. notes Units 1, 2 and 3 are supplied already assembled.
One of the internal shelves is always fixed in a lower position. For compositions the tops
should always be ordered together with the modules. It is not possible to attach tops to
existing single elements; in case of additions or modifications, indicate that the modules
are to be used for compositions.
type Wardrobe system. material structure and doors in wood particle-board panels,
drawers in particle-board panel mounted on slide runners with cushioning mechanism.
Base (feet/wheels) available on different bases: rubber swivel castors with chromed-
plated support and front wheel blocking; painted wood particle-board base with height-
adjustable feet; runners in polished aluminium section. finish/colour silkmat lacquer
finish in the colours: earth beige, orange, stone gray, dark gray, silver, ivory white, china
red, lemongrass, terracotta red. Internal finish in white melamine. accessories Interior
equipped with wooden shelves and drawers, and metal hanger rod, for personalized
configuration.
b o o k c a s e s a n d c a b i n e t s
· 40
·
·18,
5·
wall unit - sw / r wall unit - sw / l
10 ··15
· 38
·
unit / 1 - cHest unit / 1 unit / 2 - cHest unit / 2
unit / 3 - cHest unit / 3 unit / 4 unit / 5
·18,
5·
unit / 6a unit / 6b
· 100 · · 100 ·
· 40
·
· 45 ·· 110 ·10 ··1
5 ·
74
·· 90 · · 45 ·
· 90 · · 45 ·
10 ··15 ·
11
0 ·
· 90 · · 45 ·
· 90 · · 45 ·
· 90 · · 60 ·
·6·1
0·15
·
178
·
· 16
1 ·
·15·
146
·
· 19
7 ·
·15·
182
·
design Mor itz Engelbrecht / lemongras, 2001
design Vico Magistrett i , 1992
type secrétaire with four drawers. material structure, internal dividers and extractable
writing shelf in particle-board panels, veneered with american cherry or natural oak.
Roll-top in solid american cherry or natural oak. Drawers in plywood panel veneered
with american cherry or natural oak, on metal runners. Drawer fronts in satin-finish
anodized aluminium. Base (feet/wheels) swivel castors with front wheel blocking. fin-
ish/colour aniline stained american cherry with closed-pore polyurethane varnish, or
natural oak with open-pore acrylic varnish. accessories Equipped with lock.
type Wardrobe system. material structure and doors in wood particle-board panels,
drawers in particle-board panel mounted on slide runners with cushioning mechanism.
Base (feet/wheels) available on different bases: rubber swivel castors with chromed-
plated support and front wheel blocking; painted wood particle-board base with height-
adjustable feet; runners in polished aluminium section. finish/colour silkmat lacquer
finish in the colours: earth beige, orange, stone gray, dark gray, silver, ivory white, china
red, lemongrass, terracotta red. Internal finish in white melamine. accessories Interior
equipped with wooden shelves and drawers, and metal hanger rod, for personalized
configuration.
b o o k c a s e s a n d c a b i n e t s
unit / 6c unit / 6d unit / 6e
box / a box / b
· 78 · · 60 ·
·6·1
0·15
·
178
·
box / ebox / c bo x / d
· 100 · · 50 ·
· 60
,5
·
· 85 ·
· 10
0 ·
08
09
10
2 2 4
R e F L e x > 49
s H i N e C O N t e N i t O R i > 51
t O O L s > 52
11
12
2 2 5
b A s k e t > 55
L O U i s i A N A > 56
design Vico Magistrett i , 1990
design Vico Magistrett i , 1995
design studio cerr i & assoc iat i , 2001
type Three drawers unit. material structure in particle-board panels, veneered with
american cherry or natural oak. Drawers in birch plywood, stained in the various wood
tones, all with white wood particle-board bottoms, on metal runners. aluminium drawer
fronts and doors. Base (feet/wheels) swivel castors with front wheel blocking. finish/
colour aniline stained american cherry with closed-pore polyurethane varnish, natural
or wenge-stained oak with open-pore acrylic varnish. Drawer fronts in silver satin-finish
anodized aluminium or white powder coated, only for the version in natural oak. acces-
sories Lock positioned to the upper right.
type cabinets with internal movable shelf. material structure in particle-board panels,
veneered with american cherry or natural oak. Drawers in birch plywood, stained in the
various wood tones, all with white wood particle-board bottoms, on metal runners. alu-
minium fronts for drawers and doors. Base (feet/wheels) structure in powder-coated
steel and legs in polished anodized aluminium tubing, or painted white, only for the
natural oak version. adjustable plastic feet. finish/colour aniline stained american
cherry with closed-pore polyurethane varnish, natural or wenge-stained oak with open-
pore acrylic varnish. Drawer fronts in silver satin-finish anodized aluminium or white
powder coated, only for the version in natural oak. accessories Drawer units with lock
positioned inside the door (inside the lateral compartment on the divider upright).
type Drawer and storage units. material structure in powder-coated steel. Ties of open
unit in chromed-plated steel. Polished anodized aluminium handles. Tops in layered
laminate (thickness 4 mm) equipped with magnets to be fixed to storage units. Base
(feet/wheels) adjustable feet in polished anodized aluminium. finish/colour White
powder coating. White laminate top. accessories Drawer units also available with lock.
notes stacked elements should always be attached to the wall.
b o o k c a s e s a n d c a b i n e t s
· 85 · · 60 ·
· 60
,5
·
· 170 · · 48 ·
· 65
·
· 48 ·
· 65
·
· 48 ·· 255 ·
· 80 · · 45 ·
· 80
·
· 40
·
· 80 · · 45 · · 80 · · 45 · · 80 · · 45 ·· 80 · · 45 ·
· 80
·
· 170 ·
· 65
·
design Vico Magistrett i , 2004
design Vico Magistrett i - centro Design Binfaré, 1993
type Drawer unit on wheels with two or three drawers, including one equipped for hang-
ing file folders. material structure in powder-coated steel. Polished anodized alumin-
ium handles. Base (feet/wheels) Thermoplastic swivel castors. finish/colour White
powder coating. accessories Drawer unit with lock and numbered keys; the drawer out-
fitted for hanging folders has a front wheel to prevent overturning. Internal accessories:
stationery tray and inclined dividers in black plastic, redactor for hanging folders with 29
cm (Us format) span, in black metal.
type armchair. material structure in steel with elastic seat belting and polyurethane
foam. Base Fixed, on four legs, or rocking in satin-finish stainless steel, sliding blocks
in solid natural or wenge-stained ash, or swiveling base with four chromed-plated steel
spokes. finish/covering Fabric or leather, not removable cover.
type armchair with pouf. material structure in steel with elastic seat belting and poly-
urethane foam. seat cushion in polyurethane foam covered with polyester batting.
Lower back cushion with down filler. Pouf with rigid polyurethane frame, cushion in poly-
urethane foam covered with polyester batting. Base Painted steel legs, swivel castors,
including one wheel with braking device. Pouf on swivel castors, including one wheel
with braking device. finish/covering Outer cover in cowhide, in the colours natural, Bul-
garian red, brown or black. Removable inner cover with zipper, in fabric or leather, padded
with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel,
rust, brown, black, gray, blue, dark blue or red. The lower back cushion is covered in fabric,
also in the leather version.
b o o k c a s e s a n d c a b i n e t s | a r m c H a i r s a n d s o f a s
· 42 · · 52,4 ·
· 55
,5
·
· 42 · · 52,4 ·
· 55
,5
·
· 72 ·
· 42
·
· 82
·
· 56 ·
· 72 · · 72 ·· 56 ·
· 82
·
· 82
·
· 73 ·
· 78 · · 62 ·
· 35
·
· 85 ·
· 86
·
· 86 ·
· 40
·
· 42
·
· 45
·
13
14
15
16
2 2 6
C L U b > 59
tAt t O m i > 61
s P R i N g L O W > 62
s U s A N N A > 65
17
18
19
2 2 7
t O N D O 0 5 > 66
L é g è R e / L é g e R > 68
b e R g è R e > 71
design Vico Magistrett i , 1998
design Jan armgardt and Ingo Maurer, 1985
design Damian Wi l l iamson, 2007
design Vico Magistrett i , 1990
type armchair. material structure in steel with seat springs, padded with polyurethane
foam covered with polyester batting. Goosedown seat cushion with polyurethane foam
support. Base Feet in cast satin-finish aluminium or wood, upon request. finish/cover-
ing Non-removable fabric or removable technical fabric cover.
type Multifunctional unit, converted by changing the angles of the frame parts: chair,
chaise longue, bed. material structure in steel with elastic belting, covered with poly-
urethane foam and polyester batting. Base Runners in black painted wood. finish/
covering Removable fabric cover. notes Not available in austria, Germany and swit-
zerland.
type armchair. material structure and seat in solid ash. also available with padded seat
with sheet steel support, filled with polyurethane foam and down. finish/covering
Natural, wenge-stained or white-stained ash, finished with open-pore acrylic varnish.
Leather cover for the version with padded seat.
type armchair. material structure in steel with elastic seat belting, polyurethane foam
filler covered with polyester batting. seat cushion filled with goosedown. Base Wooden
feet. finish/covering Removable fabric cover.
a r m c H a i r s a n d s o f a s
· 75 ·
· 76
·
· 80 ·
· 43
·
· 95 / 125 ·
· 77
·
· 45
·
·20·
· 215 ·
· 65 ·
· 75
·
· 62 ·
· 38
·
· 58
·
· 62 ·
· 78
·
· 85 ·
· 44
·
· 90 · · 185 / 195 ·
design Vico Magistrett i with Bi rg it Lohmann, 2002 f i rst edit ion - 2005 modif ied re- issue
design Patr ic ia Urquio la , 2007
design Patr ic ia Urquio la , 2007
type Bergère armchair. material steel structure with elastic seat belting, polyurethane
foam covered with polyester batting. Base Painted steel legs with front swivel cas-
tors or fixed wheels, in wenge-stained oak. finish/covering Removable fabric or fixed
leather cover.
type armchair and two or three-seater sofa. material structure in steel with elastic
seat belting, padded with polyurethane foam. seat cushion in polyurethane foam.
Lower back cushion filled with down. Base Powder-painted steel in white, black, red or
chrome-plated. finish/covering Removable zippered cover in fabric or leather, padded
with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel,
rust, brown, black, gray, blue, dark blue or red.
type Bergère with two positions swing movement and pouf. material structure in
steel with elastic seat belting, padded with polyurethane foam. seat cushion in poly-
urethane foam. Lower back cushion filled with down. Pouf with cushion in polyurethane
foam covered with polyester batting. Base Powder-painted steel in white, black, red or
chrome-plated. finish/covering Removable zippered cover in fabric or leather, padded
with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel,
rust, brown, black, gray, blue, dark blue or red.
a r m c H a i r s a n d s o f a s
· 73 ·
· 10
0 ·
· 84 ·
· 43
·
· 73 ·
· 10
0 ·
· 84 ·
· 43
·
· 86
·
· 40
·
· 86
·
· 38
·
· 40
·
· 10
6 ·
· 36
·
· 80 · · 79 · · 90 ·· 205 / 240 ·
· 80 / 90 ·· 80 · · 60 · · 40 ·
20
21
22
2 2 8
b e R g e R > 72
A s s UA N > 75
AtA L A N t e > 76
2 2 9
design Patr ic ia Urquio la , 2007
design Vico Magistrett i , 2000
design Jasper Morr ison, 2009
type Two or three-seater sofa. material structure in steel with elastic seat belting, pad-
ded with polyurethane foam. seat cushion in polyurethane foam. Lower back cushion
filled with down. Base Powder-painted steel in white, black, red or chromed-plated.
finish/covering Removable zippered cover in fabric or leather, padded with polyester
batting, bordered with cotton ribbon, in the colours: natural, raw, camel, rust, brown,
black, gray, blue, dark blue or red.
type armchair, two to five-seater sofa and pouf. material structure in steel with elas-
tic seat belting, padded with polyurethane foam and polyester batting. Throw cushions
filled with goosedown (45x45 and 45x60 cm). Base steel with polished aluminium legs
and adjustable feet. finish/covering Removable fabric cover.
type Two to five-seater sofa, or modular sofa, and pouf. attachment system for infinite
compositions. material structure in wood and steel with variable-density polyurethane
foam filler, covered with polyester batting. The seat is made more comfortable by elastic
belting and a down-filled pad built into the structure. Base adjustable steel feet. finish/
covering Removable fabric cover. The back separated from the seat for easy removal.
accessories Table with white powder-coated tubular steel base, top in gray painted wood
particle board. notes armrests cannot be added to or removed from existing composi-
tions.
a r m c H a i r s a n d s o f a s
· 10
6 ·
· 205 / 240 ·
· 36
·
· 95 ·
· 240 · · 390 ·
· 140 ·
· 75
·
· 95 ·
· 43
·
· 140 · · 72 ·
· 210 ·
· 43
·
a r m c H a i r s a n d s o f a s
· 95 · 95 ·
· 67
·
· 190 · · 95 ·
· 38
·
ata / 190
· 120 · 95 ·
· 215 ·
ata / 215
· 120 · 120 ·
· 240 ·
ata / 240
· 285 ·
· 95 · 95 · 95 ·
ata / 285
· 21
5 ·
· 285 ·
· 95
·
· 310 ·
· 21
5 ·
· 95
·
· 28
5 ·
· 285 ·
· 95
·
· 310 ·
· 95
·
· 28
5 ·
·38·
· 95 ·
· 95
·
·36·
· 93 ·
· 93
·
· 310 ··
310
·
· 95
·
· 310 ·
· 95 · 95 · 120 ·
ata / 310
· 120 · 95 · 120 ·
· 345 ·
ata / 345
comp a / p comp a / a comp b / p comp b / a
comp c / p comp c / a comp d / p comp d / a
comp e / p comp e / a
·38·
· 73 ·
· 73
·
ata / p73 ata / p95 ata / tav
23
24
25
2 3 0
s U i t e > 80
H O V e R C R A F t > 82
P i L L O W > 84
26
2 3 1
s q UA R e > 89
2008
design Vico Magistrett i , 1996
design Vico Magistrett i , 2004
type Two or three-seater sofa. material structure in steel and wood with elastic seat
belting, variable-density polyurethane foam covered with polyester batting. Base ad-
justable steel feet. finish/covering Removable fabric or leather cover.
type Two or three-seater sofa. material structure in wood with elastic seat belting,
filler in polyurethane foam covered with polyester batting. seat cushions filled with
goosedown, reinforced with expanded polyurethane inserts. Goosedown throw cushions
(45x45 cm). Base adjustable steel feet. finish/covering Removable fabric cover.
type Two to four-seater sofa, or modular sofa, also with chaise longue unit. Two throw
cushions included. material structure in wood and steel with elastic seat belting, varia-
ble-density polyurethane foam filler covered with polyester batting. seat and back cush-
ions filled with goosedown mixed with polyurethane foam particles. Base adjustable
steel feet. finish/covering Removable fabric cover.
a r m c H a i r s a n d s o f a s
· 175 / 225 / 250 ·
· 200 / 230 / 250 ·
· 42
·
· 76
·
· 97 ·
· 86
·
· 47
·
· 190 · · 92 ·
· 44
·
· 86
·
· 78 ·
· 230 / 275 ·
· 86
·
· 150 · · 81 ·
2004
type Two or three-seater sofa or modular sofa, also with chaise longue unit. material
structure in wood with elastic seat belting, variable-density polyurethane foam filler
covered with polyester batting. seat and back cushions filled with goosedown mixed
with polyurethane foam particles. Base adjustable stainless steel feet. finish/cover-
ing Removable fabric or fixed leather cover. technical notes The armrest is a character-
istic element of this sofa: compositions without armrests are not available. In composi-
tions, the corner unit is integrated only in the two-seater side unit. armrests cannot be
added to or removed from existing compositions.
a r m c H a i r s a n d s o f a s
· 15
0 ·
· 231 · · 296 ·
· 23
9 ·
· 239 ·
· 23
9 ·
· 304 · · 239 ·
· 30
6 ·
· 92
·
· 142 ·
· 73
·
· 85 ·
· 45
·
· 206 ·
· 85
·
· 15
5 ·
· 270 ·
· 279 ·
· 217 ·
· 28
1 ·
· 155 ··
155
·
· 21
7 ·
· 85
·
· 21
7 ·
· 217 · · 279 ·
· 28
1 ·
· 155 ·
· 85
·
· 85
·
· 85
·
· 85
·
· 206 ·
· 15
0 ·
· 304 ·
· 30
6 ·
· 92
·
· 92
·
· 92
·
· 92
·
· 92
·
27
28
2 3 2
z i P ! > 90
t UA R e g > 92
29
30
31
2 3 3
P A L e s t R O > 94
C H e s t e R F i e L D > 96
P O U F C A P i t O N N é > 96
design Vico Magistrett i with Bi rg it Lohmann, 2003
design Vico Magistrett i , 1994
type Two or three-seater sofa. material structure in wood with elastic seat belting, poly-
urethane foam filler covered with polyester batting. Base adjustable feet in walnut-stained
wood. finish/covering Removable fabric cover. The cover is composed of four segments
joined by zippers, a decorative feature that makes its removal easy.
type Two or three-seater sofa, or modular sofa, also with chaise longue unit, throw cush-
ions in polyester batting included. material structure in steel and wood with elastic seat
belting, variable-density polyurethane foam filler covered with polyester batting. Base
adjustable steel feet. finish/covering Removable fabric cover. notes armrests cannot
be added to or removed from existing compositions.
· 180 / 200 / 220 / 240 · · 78 ·
· 75
·
· 44
·
· 234 ·· 168 ·
· 77
·
· 84 ·
· 44
·
· 234 · · 234 · · 234 ·
· 15
0 ·
· 84
·
· 23
4 ·
· 300 ·
· 15
0 ·
· 300 ·
· 23
4 ·
· 84
·
· 30
0 ·
· 84
·
· 84
·
· 84
·
design Vico Magistrett i , 1998
1983 f i rst edit ion - 2004 modif ied re- issue
2004
type armchair, two to four-seater sofa and pouf. material steel structure with elastic
seat belting, polyurethane foam filler. Back and armrests cushions in polyurethane foam,
covered with polyester batting. Goosedown seat cushions reinforced with expanded
polyurethane inserts. Goosedown throw cushions, (45x45 cm). Base Polished aluminium
feet. finish/covering Removable fabric cover.
type Three or four-seater sofa. material structure in wood with elastic seat belting. In-
ternal filler in variable-density polyurethane foam covered with polyester batting. seat
cushion in polyurethane foam covered with polyester batting for the version in fabric.
seat cushion in goosedown for the leather version. Base Wooden feet, stained black for
the fabric sofas and mahogany for the leather sofas. finish/covering Fixed cover in fab-
ric or leather, with capitonné work on the back and armrests.
type Pouf. material structure in wood. Internal filler in polyurethane foam. Base In
wood. finish/covering Fixed cover in leather, with capitonné work.
· 195 · · 275 ·· 235 ·
· 135 ·
· 71
·
· 93 ·
· 46
·
· 100 · · 80 ·
· 46
·
· 205 / 235 / 275 ·
· 80
·
· 98 ·
· 46
·
· 120 / 150 ·
· 40
··
120
/ 150
·
32
33
34
2 3 4
R A F F L e s > 99
R e g e N t ’ s > 100
t W i s t > 102
36
37
2 3 5
A s s e m A N > 106
s L e e P i N g C A R > 109
P i L g R i m > 10535design Vico Magistrett i , 1988
1983
design Valer ia De Padova, 2006
type armchair, two to five-seater sofa and pouf. material structure in wood with elastic
seat belting; internal filler in polyurethane foam with polyester batting. Goosedown seat
cushions. For more support, the seat cushions are also available with blended down and
polyurethane particles. Lower back cushions filled with polyester batting. Base Front feet
in wood with swivel castors (except for the five-seater model), back feet in wood. finish/
covering Removable fabric cover.
type armchair, two to five-seater sofa and pouf. material structure in wood with elastic
seat belting; internal filler in variable-density polyurethane foam, covered with polyester
batting. cushions with goosedown filler or, upon request, with polyurethane foam insert
(only for seat cushions). Base Wooden feet. finish/covering Removable fabric cover.
type Double bed. material Headboard: tubular steel structure with silver powder paint
finish, covered with cotton or stretch fabric belting. Base in aluminium with beech staves.
structure Demountable structure in satin-finish anodized extruded aluminium. finish/
covering Headboard belting available in écru mélange stretch fabric, or stripes with écru
central part and white and saffron lateral stripes, in cotton.
a r m c H a i r s a n d s o f a s | b e d s
· 165 / 202 · · 245 / 302 ·
· 80 ·
· 83
·
· 110 ·
· 45
·
· 80 · · 52 ·
· 33
·
· 98 ·
· 85
·
· 90 ·
· 46
·
· 218 / 243 · · 312 ·
· 75 · · 55 ·
· 175 / 218 ·
· 46
·
· 176 ·
· 10
7 ·
· 220 ·
· 30
·
design Patr iz ia cagl iani , 1984
design Vico Magistrett i , 2004
type Double bed. material Headboard: steel structure with polyurethane foam padding,
covered with polyester batting. Wooden borders upholstered with polyester batting.
Base with beech staves. structure Demountable structure in extruded aluminium on ad-
justable feet. finish/covering Removable fabric cover for headboard and base.
type Double canopy bed. material Tubular steel structure, white powder coated. Base in
painted beech plywood. The headboard has two poplar plywood panels with polyester
filler and fabric cover as pillow supports. finish/covering canopy available with fabric
ceiling or mosquito curtain. White cotton fabric ceiling with lateral laces. Tulle mosquito
curtain with lower and upper borders in white cotton. The headboard has a removable
fabric cover.
type Double bed. material Headboard: steel structure with polyurethane foam, covered
with polyester batting. Wooden borders upholstered with polyester batting. Base with
beech staves. structure Demountable structure in extruded aluminium, on adjustable
feet. finish/covering Removable fabric cover for headboard and base.
b e d s
design Vico Magistrett i , 1997
· 182 ·
· 20
0 ·
· 211 ·
· 33
·
· 181 ·
· 10
0 ·
· 196 ·
· 218 ·
· 32
·
· 181 ·
· 89
·
· 185 ·
· 227 ·
· 32
·
38
39
2 3 6
m A N t i s > 111
C A m P O D ’ O R O > 115
40
41
42
2 3 7
b e Y L e > 118
b L O s s O m > 121
tAV O L O ‘ 9 5 > 122
design Patr ic ia Urquio la , 2008
design Paolo Pal lucco and Mire i l le Riv ier, 2005
type collection of tables. top Wood particle-board panel covered with laminate, with
beveled edges, or wood particle-board veneered in oak, with beveled solid oak border
and shaped ends. Base In folded metal sheeting with aluminium central beam. adjust-
able feet. finish/colour Top: white laminate with white painted border; natural oak
with open-pore acrylic varnish. Base: steel sheet and central aluminium beam, powder-
painted in white or rust. accessories The tops (from 3 m) can be equipped with one or
more electrical or telephone sockets. The set is composed of two boxes, containing:
schuko socket, normal socket, two RJ45 data/telephone sockets, complete with cables;
wiring channel; vertical wire spiral channel.
type Table with a modular structure. a game of hinges and three trapezoidal parts that
form the top permit movement to create a table with different forms. When closed,
it is square; moving the parts, the table takes on different configurations, all the way
to a trapezoidal form. top Birch plywood panels covered with laminate, or aluminium
laminate flush with the structure. Base Base composed of three structures in steel sec-
tion. Hinges and adjustable feet in stainless steel. finish/colour Top: white laminate
or satin-finish aluminium laminate. Base: steel with white or aluminium-tone powder
paint coating.
ta b l e s
· 74
·
· 220 ·
· 10
0 ·
· 74
·
· 11
0 ·
· 12
0 ·
· 14
0 ·
· 74
·
· 74
·
· 74
·
· 70 · 70 ·
· 140 ·
· 87
·
53
·
· 14
0 ·
· 72
·
· 280 ·
· 87
·
· 53
·
· 360 · · 420 ·
· 260 · · 300 ·
design Vico Magistrett i , 1994
design Vico Magistrett i , 2002
design achi l le cast ig l ioni , 1995
type Rectangular table. top Particle-board panel veneered in oak, set into the shaped
solid oak frame with internal steel reinforcements. Base solid oak legs with 45° joint at
top. finish/colour Top: natural or wenge-stained oak, open-pore acrylic varnish. Base:
natural or wenge-stained oak, open-pore acrylic varnish.
type Rectangular or square table. top Particle-board panel veneered in maple or lami-
nated, with shaped solid maple border. Base Legs in curved beech plywood with ash
veneer. finish/colour Top: maple with transparent acrylic varnish; white laminate with
solid maple border. Base: maple-stained ash with open-pore acrylic varnish.
type Rectangular or square table. top In marble with shaped border. Base steel frame
with cast aluminium brackets. Legs in solid evaporated beechwood. finish/colour Top:
white arabesque cervaiole marble. Base: aluminium-tone powder painted aluminium
brackets. Legs in solid evaporated beechwood finished with polyurethane varnish.
ta b l e s
· 240 / 260 ·
· 10
0 / 1
20
··
75
·
· 180 / 220 ·
· 98
·
· 72
·
· 140 ·
· 14
0 ·
· 72
·
· 140 ·
· 73
·
· 210 ·
· 73
·
· 85
·
· 14
0 ·
43
44
2 3 8
D i N N e R > 124
V i D U N > 127
45
46
2 3 9
s H i N e > 128
N A R A > 131
design Vico Magistrett i , 2004
design Vico Magistrett i , 1987
type square, rectangular and extendable-rectangular table. top Particle-board panel
veneered in oak. The extendable top includes aluminium segments. Base In solid oak,
with aluminium mechanism in the extendable version. finish/colour Top: natural or
wenge-stained oak with open-pore acrylic varnish. Base: natural or wenge-stained oak
with open-pore acrylic varnish.
type Rectangular or round table. top Tempered plate-glass, thickness 12 mm. Base
Natural beech with three feet, height-adjustable from 63 to 80 cm by means of the
big wooden screw. finish/colour Top: transparent plate-glass. Base: natural or aniline-
stained beech, in the colour combinations violet-turquoise-green or red-yellow-goose-
beak, finished with polyurethane varnish or black paint.
ta b l e s
· 180 ··
90
·
· 220 · · 260 ·
· 10
0 ·· 200 ·
· 140 ·
· 73
·
· 14
0 ·
· 73
·
· 73
·
· 90
·
· 10
0 / 1
20
·
· 220 / 250 ·
· 63
› 80
·
· 130 ·
· 73
·
design Vico Magistrett i , 1991
design Vico Magistrett i , 1998
type collection of oval, rectangular and square tables. top Wood particle-board panel
covered with laminate, with beveled border, or wood particle-board panels with oak
veneer and beveled solid oak border. Base In tubular aluminium section with internal
steel reinforcements; cross-pieces and supports of the top in steel. finish/colour Top:
aniline-stained american cherry finished with closed-pore polyurethane varnish; natu-
ral or wenge-stained oak finished with open-pore acrylic varnish; white laminate with
white painted border. Base: mirror-finish aluminium protected by transparent varnish;
cross-pieces and supports in aluminium-tone powder coated steel.
type Rectangular or extendable-rectangular table. top Tempered plate-glass, thick-
ness 12 mm. Base In aluminium. adjustable feet. finish/colour Top: extra-clear etched
glass. Base: satin-finish anodized aluminium.
ta b l e s
· 13
0 ·
· 73
·
· 300 · · 480 ·
· 240 ·
· 150 ·
· 360 / 420 ·
· 73
·
· 200 ·
· 10
0 ·
· 20
0 ·
· 200 / 240 ·
· 73
·
· 180 / 200 ··
73
··
90 /
100
·· 260 ·
· 73
·
· 10
0 ·
· 200 ·
47
48
49
2 4 0
O t i s > 132
q UA D R At O > 135
t O O L s > 136
50
2 4 1
t O O L s + > 136
P i ù > 140
P i ù > 140
design Lorenz*Kaz, 2007 - 2008
1986
design studio cerr i & assoc iat i , 2002
type Round table. top Birch plywood covered with laminate. Base With three or four
legs, in shaped steel sheet. finish/colour Top: black or white laminate, with birch ply-
wood trim finished with closed-pore polyurethane varnish. Base: white or black powder
coated steel.
type square or rectangular table. top Wood particle-board panels covered with laminate,
with plywood border. Base In steel. finish/colour Top: white laminate with exposed ply-
wood border, finished with transparent varnish. Base: white powder coated steel.
type Rectangular table. material Top in birch plywood covered with laminate, PVc bor-
der. Base cast aluminium and aluminium section. finish/colour Top: birch plywood
covered with white laminate, semi-transparent PVc border (thickness 1 cm). Base: pol-
ished aluminium.
ta b l e s
· 100 · · 124 ·
· 71
·
· 130 / 140 / 155 ·
· 73
·
· 13
0 / 1
40 /
155
·
· 160 / 180 ·
· 80
/ 90
·
· 80
/ 90
/ 100
·
· 160 / 180 / 200 ·
· 73
·
· 71
·
design Lorenz*Kaz, 2007
design Lorenz*Kaz, 2002
design Lorenz*Kaz, 2002
type system of accessories for Tools tables, composed of: side extension, computer
rack, cable slot, rail for attachment of accessories-stand bracket, bracket with bookshelf
and bracket with paper shelf. material side extension: in curved birch plywood covered
in white laminate, semi-transparent white PVc border (thickness 1 cm). adjustable feet
and separators: anodized aluminium. computer rack: polished anodized aluminium.
cable slot: satin-finish anodized aluminium. Rail for attachment of accessories-stand
bracket: satin-finish anodized extruded aluminium. Bracket with bookshelf and bracket
with paper shelf: satin-finish anodized aluminium. notes The cable slot can be attached
to the rail or, if accessories are not used, directly to the table top using the brackets
already supplied.
type Hanging space savers. material sheet steel. finish/colour Powder coated in silver
metallic matt or white. notes available in two sizes and adaptable to tops of different
thickness: for tops up to 22 mm and tops up to 40 mm. They come with rubber inserts
to adjust the thickness of the opening to that of the top. Removable shelves permit
great usage flexibility. The hanging space savers can also be used with tables other than
those of the Più series.
ta b l e s
type Trestle table. top Melamine coated panel with PVc border, or tempered plate-
glass (thickness 12 mm). Base Tubular steel trestle with 4-cm height regulation. fin-
ish/colour Top: white melamine coated panel with maple-colour border, or transparent
tempered glass. Trestle: powder coated in aluminium gray or white.
· 26 ·
· 52
·
· 21 ·· 45 · · 77 ·
· 68
·
· 90 / 110 / 130· · 45 · · 26 ·
· 13 ·
· 24 · · 25 ·
· 13 ·
17
·
· 90 / 110 / 130·
· 80 · · 39 ·
· 69 ·
· 72
·
· 160 / 180 / 200 ·
· 80
/ 90
·
· 31 ·· 24 ·
· 26
·
· 16,5 ·
· 31 ·· 24 ·
· 43
·· 16,5 ·
51
52
53
2 4 2
L AV e N H A m e x e C U t i V e > 142
m A R O C C A > 145
C i R e N e 0 3 > 145C i R e N e 0 3 > 145
54
55
56
2 4 3
C i R e N e | C i R e N e i m b O t t i tA > 146
O L i m P i A > 146
F L O W e R > 149
design Patr ic ia Urquio la , 2010
design Vico Magistrett i , 1987
design Vico Magistrett i , 2003
type armchair. material chassis in moulded plastic. Base Fixed base in steel, powder
coated in white or black, legs in oak-stained ash wood. Plastic feet. Four-spoke swivel
base in cast aluminium, polished or powder coated in white or black. Plastic feet. Five-
spoke swivel base in cast aluminium, polished or powder coated in white. swivel cas-
tors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel
castors with soft treads, in gray, with safety brake, for hard floors like wood or marble.
finish/colour chassis in white or black with mat surface and quilted motif moulded on
the outer surface. By request: seat cushion: padded with polyurethane foam; removable
cover in fabric or leather, with slip-proof lower surface; cover: in removable quilted fabric
with elastic borders.
type chair, with or without armrests. material Beech structure. seat in beech plywood,
or padded with polyurethane foam and covered with leather. finish/colour structure:
tea-colour aniline-stained beech, finished with polyurethane varnish or painted semi-
polished black. seat: tea-colour aniline stained beech, finished with polyurethane var-
nish or painted semipolished black; covered in black leather.
type armchair. material structure in solid steam-bent ash wood, with anatomical chas-
sis in beech plywood. Upholstered version padded with polyurethane foam. finish/col-
our structure: blanched, maple-stained or wenge-stained ash, finished with transpar-
ent varnish. seat in white laminate with exposed beech plywood border, or veneered in
natural maple or wenge-stained oak, finished with transparent varnish. Upholstered
seat: removable fabric cover, for dry cleaning, or fixed leather cover.
c H a i r s
· 69 · · 56 ·
· 83
·
· 56 ·
· 77
·
· 46
·
· 46 · · 49 ·
· 46
·
· 57 · · 51 ·
· 64
·
· 77
·
· 76
·
· 46
·
· 54 · · 54 ·
· 64
,5
·
· 69 · · 69 ·
· 81
·
· 61 ·
· 81
·
· 45
·
· 66
·
· 44
·
· 65
·
· 44
·
· 65
·
design Vico Magistrett i , 1999
2008
design Vico Magistrett i with Patr ic ia Urquio la , 1996
type stackable stool in two heights. material anatomical seat in laminated beech ply-
wood, veneered in maple or oak. Base steel tubing with stainless steel footrest. Plastic
feet. finish/colour seat: beech covered with white laminate, with exposed border; ve-
neered in natural maple or wenge-stained oak, finished with transparent varnish.Base:
polished chromed-plated steel, stainless steel footrest.
type Fixed or swivel armchair. material structure in rigid polyurethane, seat padded
with polyurethane foam and polyester batting. Base Fixed base with four steel legs.
swivel base with five steel spokes, height-adjustable; swivel castors in black plastic,
with safety brake, for soft floors or carpeting; upon request, swivel castors with soft
treads, in gray, with safety brake for hard floors in wood or marble. finish/colour Base
in polished chromed-plated steel. Removable fabric cover.
c H a i r s
type chair with or without armrests, stackable (up to ten units) or swiveling. material
anatomical chassis in beech plywood. Upholstered version padded with polyurethane
foam. Fixed chair in steel. swivel chair with five steel spokes: gas-piston height adjust-
ment mechanism. With swivel castors in black plastic, with safety brake, for soft floors
or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake,
for hard floors like wood or marble. finish/colour Base: polished chromed-plated steel.
chassis: anthracite gray painted beech; white laminate with exposed beech plywood
border, or veneered in wenge-stained oak, natural maple or red aniline-stained beech,
finished with transparent varnish. Upholstered version: removable fabric cover, for dry
cleaning, or fixed leather cover. technical notes Hook for lateral connection in polished
chromed-plated steel. The hook calls for a special drilling in the structure of the chair, so
it cannot be used with previously purchased chairs.
· 53,5 ·
· 75
·
· 54 ·
· 46
·
· 56 ·
· 75
·
· 52 ·
· 46
·
· 64
,5
·
· 60 ·
· 76
› 83
,5
·
· 57,5 ·
· 44
› 51
,5 ·
· 60 ·
· 76
› 83
,5
·
· 57,5 ·
· 44
› 51
,5 ·
· 64
› 71
,5
·
· 85
·
· 48 · · 49 ·
· 65
·
· 10
0 ·
· 80
·
· 49 · · 51 ·
· 59 ·
· 80
·
· 57 · · 59 ·
· 80
› 86
·
· 57 ·
· 47
› 53
·
· 47
,5
·
· 66
› 72
·
· 66
·
57
58
59
2 4 4
i N C i s A > 150
L AV e N H A m > 152
P O L L A C k > 155
60
61
2 4 5
P O L L A C k i i > 155
s i LV e R > 156
design Vico Magistrett i - centro Design Binfaré, 1992
design Patr ic ia Urquio la , 2008
design Vico Magistrett i , 1998
type swivel armchair. material structure in rigid polyurethane, seat padded with poly-
urethane foam. Outer cover in cowhide. Inner cover, removable with a zipper, in leather
or fabric, padded with polyester batting, cotton ribbon trim. Base Four-spoke fixed base
in steel. Five-spoke, swivel base in steel, on wheels. swivel castors in black plastic, with
safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads,
in gray, with safety brake, for hard floors in wood or marble. finish/colour Base in pol-
ished chromed-plated steel. Outer cover: natural, Bulgarian red, brown or black cowhide.
Trim: natural, raw, camel, rust, brown, black, gray, blue, dark blue or red cotton.
type stackable chair (up to six units), with or without armrests. material chassis in
moulded plastic. Base In steel. finish/colour chassis: white or black with glossy sur-
face and quilted motif moulded on the inner surface. Base: chromed-plated steel, or
with white or black mat paint finish.
type small armchair. material structure in steel with elastic seat belting, padded with
polyurethane foam wrapped in polyester batting. Base Legs in beech, oak or aluminium,
with or without wheels. The version on wheels comes with swivel castors in black plastic,
with safety brake, for soft floors or carpeting; upon request, swivel castors with soft
treads, in gray, with safety brake, for hard floors in wood or marble. finish/colour alu-
minium legs: polished or satin anodized. Wooden legs: natural beech, natural or wenge-
stained oak, finished with transparent varnish. Removable fabric or fixed leather cover.
c H a i r s
· 58 ·
· 84
·
· 58 ·
· 48
·
· 58 ·
· 84
·
· 58 ·
· 48
·
· 69
·
· 69
·
· 78
·
· 57 · · 51 ·
· 46
·
· 57 · · 51 ·
· 78
·
· 46
·
· 65
·
· 59 ·
· 76
·
· 49 ·
· 47
·
· 59 ·
· 76
·
· 49 ·
· 47
·
design Vico Magistrett i , 1999
design Vico Magistrett i , 1989
type Upholstered chair. material structure in steel with elastic seat belting, with flex-
ible back, padded with polyurethane foam wrapped in polyester batting. Base Legs in
beech, oak or aluminium. finish/colour Legs: natural beech, natural or wenge-stained
oak, finished with transparent varnish; polished or satin-finish anodized aluminium.
Removable fabric cover, also for the chair with long cover.
type seating system composed of a chair, with or without armrests, a stackable chair
(up to six units), a swivel chair on wheel, and multiple bar-mounted chairs. material
Fixed chair: structure in aluminium tubing, seat frame in die-cast aluminium, polypro-
pylene seat and back. swivel chair: structure in aluminium tubing, seat frame in die-
cast aluminium, five-spoke steel base with swivel castors in black plastic, with safety
brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray,
with safety brake, for hard floors in wood or marble. Height-adjustable seat. Multiple
bar-mounted chairs: in steel with die-cast aluminium supports. finish/colour Fixed
chair: structure in polished or satin-finish anodized aluminium. seat frame in polished
aluminium coated with transparent powder, or aluminium-tone powder coated, for the
satin-finish version. Fixed stackable chair: structure in polished anodized aluminium.
seat frame: polished aluminium coated with transparent powder. swivel chair: struc-
ture in polished or satin-finish anodized aluminium. seat frame in polished aluminium
coated with transparent powder, or aluminium-tone powder coated, for the satin-finish
version. Base in aluminium-tone powder coated steel. Multiple bar-mounted chairs:
structure in satin-finish anodized aluminium. cross-bar and bases in aluminium-tone
powder coated steel. seat and back: black, white, gray, warm gray, orange or cobalt blue.
accessories Hook for side connection in black plastic, for use only on stackable silver
chairs without writing surfaces. Writing surface in plywood covered with plastic lami-
nate, complete with die-cast aluminium joint. Trolley for transport of up to six chairs, in
polished anodized aluminium with rubber wheels. cushion in polyurethane foam, cov-
ered with black, white, gray, warm gray, orange or cobalt blue cotton, removable for dry
cleaning. attached to the seat with a plastic snap button. notes available upon request
with special protective treatment for outdoor use. Multiple bar-mounted chairs: for all
back-to-back double configurations two joint bars are needed.
c H a i r s
· 44 ·
· 86
·
· 50,5 ·
· 47
·
· 44 ·
· 86
·
· 50,5 ·
· 47
·
· 45 ·
· 80
·
· 51 ·
· 46
·
· 61 ·
· 80
·
· 51 ·
· 67
·
· 46
·
· 45 ·
· 62 ·
· 78
› 84
·
· 57 ·
· 44
› 50
·
· 63 ·
· 62 ·
· 78
› 84
·
· 57 ·
· 44
› 50
·
· 65
› 71
·
sil. s / 1 sil. p / 1
sil. s / ii sil. p / ii
· 52 ··
80
·· 51 ·
· 46
·
sil. s / 1im
· 59 ·
· 80
·
· 51 ·
· 46
·
· 68
,5
·
sil. p / 1im
· 50 ·
· 78
·
· 186 / 246 / 306 ·
· 60 · 60 ·
· 44
·
sil. p / b
· 162 / 216 / 270 · · 50 ·
· 78
·
· 45 · 9 · 45 ·
· 44
·
sil. s / b
62
63
64
2 4 6
s P R i N g > 159
U R A g A N O > 160
s U N D A N C e > 163
66
67
65
2 4 7
t e t R i s > 165
q UA D R At O e s P O s i t O R e > 165
C A m P O A R At O > 165design Damian Wi l l iamson, 2006
design Vico Magistrett i , 1992
design P a o l o G o l i n e l l i , 2 0 1 0
type stackable chair (up to six units). material structure in solid ash wood. finish/
colour structure: natural, wenge-stained or white-stained ash, finished with open-pore
acrylic varnish.
type armchair. material structure in solid beech. Back and seat woven in natural wicker.
single back-seat cushion padded with polyester batting. finish/colour structure: ani-
line-stained beech in goosebeak yellow. seat and back in natural wicker with transpar-
ent acrylic varnish. cushion: covered in natural cotton fabric.
type Folding armchair. material structure in natural teak. Hinge in brushed stainless
steel. seat, sides and back in fabric; armrests padded with polyurethane foam. Base Fold-
ing teak base. Plastic feet. finish/covering Base in natural teak. Removable fabric cover
in white or black.
c H a i r s
· 81
·
· 45
·
· 46 · · 52 ·
· 57 ·
· 75
·
· 61 ·
· 45
·
· 61 ·
· 81
·
· 40 ·
· 44
·
· 63
,5
·
design Nendo, 2007
1996
design Paolo Pal lucco, 2008
type small table with a modular structure. a game of hinges and three trapezoidal
parts that form the top and permit movement to create a table with different forms.
When closed, it is square; moving the parts, the table takes on different configurations,
all the way to a trapezoidal form. top Poplar plywood covered with solid ash wood. Base
Legs and top frame in solid oak. stainless steel hinges. adjustable feet. finish/colour
Top: natural oak-stained ash wood, with triangular milled surface, treated with open-
pore acrylic varnish. Base: natural oak with open-pore acrylic varnish.
type square table. top Wood particle-board panels. Base structure in steel. finish/
colour Tops: finished with goffered polyurethane paint in white or black. Base: powder
coated steel, in white or black.
type square table. top Lower level: wood particle-board panel. Upper level: tempered
glass, thickness 12 mm. Base In steel. finish/colour Top: lower level in white faced
chipboard; upper level in transparent glass. Base: white powder coated steel.
a c c e s s o r i e s
· 38 ·
· 31
,5
·
· 80 ·
· 80
·
· 120 ·
· 12
0 ·
· 40
·
· 12
1 ·
· 121 ·
· 38
·
69
68
70
2 4 8
D A N | D A N O VA L e > 167
s At U R N O > 167
s W i s s > 167
72
71
2 4 9
73
m i N i m At e > 168
m At e > 168
C H A b - tA b L e > 168
1992
design D’Urbino – Lomazzi , 2008
design Mirto zocca, 2003
type Round or oval small table. top Dan: wood particle-board panel. Dan oval: wood
particle-board panel covered with laminate, with beveled border. Base In aluminium.
finish/colour Dan: white or embossed black paint finish. Dan oval: white laminate with
white painted border. Base: satin-finish anodized aluminium.
type side table. Made up of two staggered circular tops of different sizes mounted on
a diagonal support bar. The tops rotate independently and together on the central axis
welded to the support bar. top Wood particle-board panels. Base structure in steel and
layered laminate. finish/colour Top: goffered paint, white or black. structure powder
coated in white or black; base in white or black layered laminate.
type Round or oval height-adjustable small table. top Layered laminate panel with alu-
minium core. Base In steel. finish/colour Top: black layered laminate with aluminium
core and white surface; black layered laminate with aluminium core and surface in wenge
veneer, finished with open-pore acrylic varnish. Base: polished chromed-plated steel.
a c c e s s o r i e s
· 48 / 58 / 85 ·
· 40
/ 42 ·
· 150 ·
· 108 ·
· 63 ·
· 45 ·
· 62
·
· 41
·
· 55 ·
· 49
› 80
·
· 64 ·
· 45
,3
·
· 40
·
· 13
0 ·
design achi l le cast ig l ioni , 1993
design achi l le cast ig l ioni , 1992
design Nendo, 2005
type Tray with folding base. top Edges in solid beech, birch plywood panel with beech
veneer. Base Folding base in solid beech with cotton belting. finish/colour Tray: Natu-
ral beech finished with closed-pore polyurethane varnish. Base: natural beech finished
with closed-pore polyurethane varnish and blue cotton belting.
type Tray with folding base. top Edges in solid beech, birch plywood panel covered in
laminate. Base Folding base in solid beech with cotton belting. finish/colour Tray: Nat-
ural beech finished with closed-pore polyurethane varnish, top in white laminate. Base:
natural beech finished with closed-pore polyurethane varnish and blue cotton belting.
a c c e s s o r i e s
type small table with tray. The base rotates to obtain two heights, increasing usage
flexibility. The top can also be used as a tray. top Beech plywood covered with laminate,
border in curved solid beech. Base In steel. finish/colour Tray: white laminate with
waxed beech border. Base: white powder coated steel.
· 58
·
· 40
·
· 48 ·
· 55
·
· 45 ·
· 42
·
· 41
·
· 59 ·
· 48
·
· 45 ·
· 60 ·
· 53
·
· 60 ··
37
·
74
75
76
2 5 0
s C R i t tA R e L L O > 171
C O N s O L e > 171
t R i O > 172
77
78
79
2 5 1
D t L i g H t > 172
F i N D e R > 175
b O O k > 175
design achi l le cast ig l ioni , 1996
2003
design Vico Magistrett i , 1997
type Desk. top Birch plywood panel covered in laminate. side trays in curved birch ply-
wood covered in laminate. Base In shaped solid beech. Footrest and tie-rods in steel. fin-
ish/colour Top and side trays: covered in white laminate. Base: natural beech with closed-
pore polyurethane varnish. Footrest and tie-rods powder coated in aluminium colour.
type small table. top Wood particle-board panel. Base In anodized aluminium, fixed
or on wheels. finish/colour Top: embossed white lacquer. Base: polished anodized
aluminium.
type console. top Wood particle-board panel with oak veneer. Base In shaped solid oak.
Tie-rods in stainless steel, aluminium crossbar. finish/colour Top: natural or wenge-
stained oak finished with open-pore acrylic varnish. Base: natural or wenge-stained oak
finished with open-pore acrylic varnish. Tie-rods in satin-finish stainless steel, crossbar
in natural anodized aluminium for the console in natural oak, or tie-rods in black painted
stainless steel and crossbar in black anodized aluminium for the wenge-stained version.
a c c e s s o r i e s
· 129 ·
· 72
·
· 65
·
· 159 ·
· 65
·
· 40
·
· 72
,5
·
· 61
·
· 70 ·· 70 · · 70 ·
· 55
·
design Phi l Luith len, 2003
design xavier Lust , 2001
design Petra Runge, 2000
type suspension lamp composed of an arm with three lengths suspended from the
ceiling and balanced on the floor by a steel cable with counterweight that allows the
lamp to rotate 360° and to be adjusted in terms of height and angle. material arm and
counterweight in aluminium. shades in parchment paper, percaline or PVc, supported
with plastic. finish/colour arm and counterweight in satin-finish aluminium. shades:
white parchment paper, silver-gray percaline, chrome metallized PVc. notes The cable
supplied covers a maximum floor-ceiling height of 4.5 m. For bigger heights (up to 8 m)
order the special cable. small lamp, shade ø 32 cm, E14 max 60 W bulb. Medium and
large lamps, shade ø 42 cm, E27 max 100 W bulb.
type Hanging magazine-document rack. available in vertical format with four pock-
ets, horizontal with six pockets, and horizontal with sixteen pockets. material steel or
stainless steel. finish/colour Glossy white painted steel or super mirror stainless steel.
notes Normal non-permanent markers can be used to write on the surface. The white
painted version can be used with magnetic paper clips. The open pocket version stores
small documents or postcards.
type “Book-shape” rectangular or square mirror, mounted on the wall, with 180° panel
rotation. material structure in aluminium sheet with aluminium hinges. Mirror in extra-
clear glass. finish/colour structure and hinges: satin-finish anodized aluminium.
a c c e s s o r i e s
· 124 / 170 / 201 ·
· 32 / 42 ·
·8·· 38 ·
· 88
·
·8·· 90 ·
· 56
·
·8·· 90 ·
· 56
·
·10·
· 88
·
· 116 ·
· 75 · · 37,5 ·
· 82
·
· 75
·
· 90 ·
· 12
9 ·
· 47 ·
· 12
2 ·
80
81
82
2 5 2
m O b Y 1 e m O b Y 2 > 177
N A R C i s O > 178
P R Ê t - à - p or t e r > 178
84
85
86
83
2 5 3
R A i N Y D AY > 181
F R A m U R A | C H A i s e + P O U F > 183
F R A m U R A | D O N D O L O > 183
R O k U m A R U > 181design Marco zanuso j r, 2008
design Enr ico Franzol in i , 1987 f i rst edit ion - 1997 modif ied re- issue
design annette Lang, 1987
type Trolley for LcD televisions and DVD players, with one or two shelves. top Lay-
ered laminate. Base structure, brackets and DVD stand in steel. Rubber swivel castors
with steel support, blocking for the front wheels. finish/colour Top: layered laminate
in glossy white or black, or with satin aluminium finish. Base: structure, brackets and
wheel support in polished chromed-plated steel. small shelf: in gray powder coated
steel.
type Mirror on wheels. The chromed-plated handle, like a ring at the center of the mirror,
facilitates movement. On the back, four hooks can be used to hang garments. material
Glass mirror, supported by a faced wood particle-board panel and a steel frame. Base
Industrial wheels, two fixed, one swivel. finish/colour support of the mirror: black or
light gray. Frame: gray aluminium-tone powder coating. chromed-plated handle.
type clothes-rack. material steel structure. The surface for clothes is finished with
wound cowhide cord to prevent slipping. finish/colour aluminium gray powder coated
steel. Natural cowhide cord.
a c c e s s o r i e s
· 100 ·
· 42
·
· 100 ·
· 25
·
· 42
·
· 42
·
· 45 ·· 50 ·
· 17
5 ·
· 45 · · 32 ·
· 65
·
· 11
7 ·
design xavier Lust , 2003
design aksu / suardi , 2009
design aksu / suardi , 2009
design Nendo, 2008
type coat rack. material structure in solid ash with rhomboid section. Base Plastic feet.
finish/colour Natural or wenge-stained ash, finished with open-pore acrylic varnish.
type Umbrella stand with internal shelf for small umbrellas. material structure in steel
sheet. Internal plastic tray for water removal. finish/colour Powder coated steel in mat
metallized silver, glossy metallized gray, white or black.
type chaise and pouf. material Tubular aluminium structure with steel reinforcement.
cushions padded with polyester fiber, with semirigid insert in the lower part in contact
with the structure. cushions are attached to the structure with polyester belting. fin-
ish/covering structure powder coated in white or silver. cushions covered in fabric for
indoor use, polyester for outdoor use. Belting in orange, green or gray polyester.
type Rocking chair. material Tubular aluminium structure with steel reinforcement.
cushions padded with polyester fiber, with semirigid insert in the lower part in contact
with the structure. cushions are attached to the structure with polyester belting. fin-
ish/covering structure powder coated in white or silver. cushions covered in fabric for
indoor use, polyester for outdoor use. Belting in orange, green or gray polyester.
a c c e s s o r i e s | o u t d o o r
· 48
·
· 36 ·
· 39
·
· 84 ·
· 99
,5
·
· 105 · · 65 · · 53 ·
· 34
·
· 39
·
· 97
·
· 118 ·· 84 ··
161
·
· 62 ·
· 60 ·
· 60 ·
87
88
89
2 5 4
F R A m U R A | N i D O > 187
F R A m U R A | L e t t i N O P R e N D i s O L e > 188
L AV e N H A m O U t D O O R > 191
design aksu / suardi , 2009
design aksu / suardi , 2009
design Patr ic ia Urquio la , 2009
type Multiple seat. material Tubular aluminium structure with steel reinforcement,
woven with polyester belting. central cushion in polyurethane foam, through cushions
in polyester fiber. Base Jointed plastic feet. finish/covering structure powder coated in
white or silver. cushions covered in fabric for indoor use, polyester for outdoor use. Belt-
ing in orange, green or gray polyester. The central cushion comes only in white polyester
fabric. notes The structure can be reclined as desired. Five cushions are recommended
for the Nido.
type sun cot. material Tubular aluminium structure with steel reinforcement. cushions
padded with polyester fiber, with semi-rigid insert in the lower part in contact with the
structure. The cushions are attached to the structure with polyester belting. adjust-
ment handle in stainless steel. finish/covering structure powder coated in white or
silver. cushions covered in fabric for indoor use, polyester for outdoor use. Belting in or-
ange, green or gray polyester. accessories side table with structure in aluminium sheet
and tubing, powder coated in white or silver. notes Back adjustable in three positions.
type stackable chair (up to six units), with or without armrests, for outdoor use. mate-
rial chassis in moulded plastic. Base stainless steel. finish/colour chassis: white or
black, with glossy surface and quilted motif moulded on the inner surface. Base: satin-
finish stainless steel.
o u t d o o r
· 175 ·
· 42
·
· max
74
·
· 54
/ 69
/ 80
·
· 57 · · 51 · · 57 · · 51 ·
· 70 ·
· 80
·
· 39
·
· 214 ·
min 22·
·
· 78
·
· 46
·
· 78
·
· 46
·
· 65
·
We would like to thank the following companies for their cooperation, with their products, on the sets used for the photographs in this catalogue.
apple archivio Pietro consagraartemide Bocconi Trovato & Partners –Tivoli audioBodum Danese Flos Guido De zan Luceplan Mc selvini O Luce Orizzonti Paola c Plinio il giovane Radio Forniture sony Italia sounders Targetti