DEGREE COURSES - BIMM · Gambale, F. (1989) The Frank Gambale Technique Book 2. Manhattan Music...

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BA (HONS) IN: COMMERCIAL MODERN MUSIC DEGREE COURSES EUROPE’S MOST CONNECTED MUSIC COLLEGE YOUR MUSIC CAREER STARTS HERE BIMM.IE

Transcript of DEGREE COURSES - BIMM · Gambale, F. (1989) The Frank Gambale Technique Book 2. Manhattan Music...

BA (HONS) IN:COMMERCIAL MODERN MUSIC

DEGREE COURSES

EUROPE’S MOST CONNECTED

MUSIC COLLEGE

YOUR MUSIC CAREER STARTS HERE BIMM.IE

WELCOME

BIMM Institute Dublin opened in September 2011. With a portfolio of degree and diploma courses in performance, music production and music business, our student population has grown to over 800.

BIMM Institute Dublin’s tutors have amassed a vast body of experience working in education and the domestic and international music industry, and many combine their teaching with professional music industry profiles as performers, writers, arrangers, producers and entrepreneurs. This ensures that our students benefit from the tutors’ current first –hand experiences and expertise throughout our courses. This approach to curriculum delivery together with our unique masterclass programme is designed to provide a creative environment that’s challenging, stimulating, relative and connected, enabling the music professionals of tomorrow to hone their skills in the best possible way.

We have the finest, up-to-date equipment and resources available for students to use here in the college as well as providing many live and recording opportunities.

Whatever your ambitions within the modern music industry, BIMM Institute Dublin’s unparalleled level of career relevant expertise, facilities and support networks assures that you will be given the best guidance, assistance and opportunities to achieve your individual goals.

I look forward to welcoming you to BIMM Institute Dublin for the 2019/20 academic year.

ALAN CULLIVAN College Principal

WELCOME TO YOUR BIMM INSTITUTE DUBLIN 2019/20 ACCEPTANCE BROCHURE AND CONGRATULATIONS ON BEING OFFERED A PLACE! I AM DELIGHTED THAT YOU HAVE CHOSEN TO STUDY AT IRELAND’S LEADING ESTABLISHMENT FOR MODERN MUSIC EDUCATION.

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04 INDUCTION AND ENROLMENT05 COURSE INFORMATION06 BA(HONS) IN COMMERCIAL MODERN MUSIC BASS07 BA(HONS) IN COMMERCIAL MODERN MUSIC DRUMS08 BA(HONS) IN COMMERCIAL MODERN MUSIC GUITAR09 BA(HONS) IN COMMERCIAL MODERN MUSIC VOCALS10 BA(HONS) IN COMMERCIAL MODERN MUSIC SONGWRITING11 A FEW WORDS ON MUSIC THEORY12 A FEW WORDS ON MUSIC BUSINESS13 A FEW WORDS ON ACADEMIC FOCUS14 RECOMMENDED RESOURCES15 STUDENT SUPPORT18 TRANSPORT19 STUDENT LIFE21 GET CONNECTED AT BIMM22 FRESHERS’ GUIDE23 FACULTY INFORMATION

CONTENTS

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IN ORDER TO PREPARE YOU FOR STUDYING AT BIMM INSTITUTE DUBLIN, WE HOLD AN EXCITING INDUCTION AND ENROLMENT WEEK.Here you will meet key members of staff and be given important information about the College and your course.

We will also hold Induction and Freshers events in venues across Dublin city during the week of the 9th September. These will be a fantastic opportunity to hear from some industry professionals, guests and tutors, meet lots of students from BIMM and watch some brilliant bands. You will also be encouraged to start networking right away

It is essential to attend these sessions so keep in mind that enrolment will take place any time from the week of September 9th. Exact dates and times will be confirmed via e-mail at the beginning of September, so please keep us updated if your contact details change.

IF YOU DO NOT ATTEND YOUR ENROLMENT SESSION, YOU WILL NOT BE ABLE TO START YOUR COURSE.

PRE-ENROLMENT FOR YOUR COURSEAll students are required to complete pre-enrolment information prior to your enrolment day. You will have been sent an email with information regarding this.Below is a list of things that MUST be completed:

Pre-enrolment form must be completed in full and submitted – the link to this form will have been sent to you by email

Passport style photo – This will be used for your student ID card. You can upload the photo via the pre-enrolment form. Please ensure you follow the instructions on the pre-enrolment form

Proof of ID – Acceptable forms of ID are passports, driving licences or Garda Age cards. Please let us know as soon as possible if you don’t have any of these. This should also be uploaded via the pre-enrolment form. If you cannot upload it, please bring it to the enrolment session.

PRE-ENROLMENT FORMS MUST BE COMPLETED BEFORE ENROLMENT WEEK. PLEASE NOTE: Timetables cannot be provided before enrolment. This is a full-time course and the timetables given to you at enrolment are not flexible. Any part-time jobs must work around the timetable given.

INDUCTION AND ENROLMENT

USEFUL CONTACTS

ADMISSIONS: [email protected] SUPPORT: [email protected]

TERM DATESENROLMENT WEEK: 9th September 2019 - 13th September 2019

Term 1: 16th Sep 2019 - 13th Dec 2019Term 2: 6th Jan 2020 - 3rd April 2020Term 3: 20th April 2020 - 22nd May 2020(dates subject to change)

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COURSE INFORMATION

BA(Hons)

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COMMERCIAL MODERN MUSIC BASS

Bellson, L. (2000) Modern Reading Text in 4/4. Alfred Music Clayton, S. (2013) The Bass Guitarist’s Guide to Reading Music. (s.l.): Bassline Publishing

Coryat, K. (2000) The Bass Player Book: Equipment, Technique, Styles and Artists. Backbeat UK

DR. Licks (1989) Standing in the Shadows of Motown: The Life and Music of legendary Bassist James Jamerson. Hal Leonard Publishing

Please note that this is a recommended reading list and therefore not essential.

HEAD OF BASS PAUL MOORE

There are many opportunities for musicians in the music industry and bass players in particular are in high demand. Our aim is to help you to become a well-rounded player so that you have the versatility to play in a variety of situations, which will increase your employment possibilities.

Some of our graduates have gone on to work with artists that are recording successful albums and touring the world such as James Vincent Mc Morrow.

Our courses feature high quality tuition from seasoned players who are all currently active in the music industry and have a full understanding of what is demanded of today’s bass player.Techniques, Styles, Studio Musicianship, Theory and Reading, Upright Bass and Music Business are all covered, which will enable you to make the most of your career as an in-demand professional musician.

BA(Hons) in

ESSENTIAL EQUIPMENT

Bass and cable in a gig bag

Tuner and Metronome (Paul Recommends Tempo App – Metronome with set lists, Frozen Ape)

Headphones and 1/4 inch jack adapter

Pen, Pencil and Manuscript paper

USB memory stick

RECOMMENDED READING

All students are strongly advised to wear ear protection when in class, practising or performing.

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COMMERCIAL MODERN MUSIC DRUMS

RECOMMENDED READINGChester, G. (1985) The New Breed Modern Drummer Publications

Stone Lawrence, G (1963) Stick Control: For the Snare Drummer bnpublishing

Morello, J. (1989) Master Studies Modern Drummer Publications

Garibaldi, D. (1996) Future Sounds Alfred Music Publishing

Moore, S. (2010) Groove Alchemy Hudson Music

Zoro (2013) The Commandments of The Half-Time Shuffle Alfred Music Publishing

Please note that this is a recommended reading list and therefore not essential.

HEAD OF DRUMS JOHNNY BOYLE

By choosing to study drums at BIMM Institute Dublin you have already taken a huge leap in taking ownership of your own personal development as a drummer. BIMM will provide you with unique opportunities in the industry as well as world-class tuition and support that will help you achieve your professional and personal goals. You will have the chance to network with thousands of like-minded musicians in Dublin, one of the world’s most vibrant and diverse music scenes.

The course will provide you with the highest standards of tuition and will help you develop your own voice on your instrument and excellence in your chosen discipline. You will receive the support and guidance from tutors who have the experience of working in the music industry at the highest level and they will aid you in realising your full potential. Subjects such as styles, performance, technique, music production, preproduction, sight-reading, music business and theory are all covered in-depth at our world class facilities by industry professionals that not only have a proven track record in their own field but education as well.

All students are strongly advised to wear ear protection when in class, practising or performing.

ESSENTIAL EQUIPMENT

Sticks and brushes

Practice pad

Headphones and 1/4 jack input

Metronome/Metronome app (Pro Metronome)

Stationery and manuscript paper

Ear plugs

BA(Hons) in

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COMMERCIAL MODERN MUSIC GUITAR

RECOMMENDED READINGGambale, F. (1989) The Frank Gambale Technique Book 1. Manhattan Music Publications

Gambale, F. (1989) The Frank Gambale Technique Book 2. Manhattan Music Publications Govan, G. (2002) Creative Guitar 1 and 2. Sanctuary Publishing Ltd.

Greene, T. (1981) Chord Chemistry. Dale Zdenek Publications

Please note that this is a recommended reading list and therefore not essential.

HEAD OF GUITAR RAY BOYLE

The guitar tutors at BIMM Institute, Dublin will provide you with the skills and knowledge that will help you to become a ‘complete’ guitarist, ready for the ever-expanding world of contemporary music.

Musical elements, techniques, and styles, will be linked together, and you will be encouraged to apply this knowledge to your own personal passion for music, and to collaborate creatively with other musicians.

Along with working on your technical playing skills and general musicianship, you will be encouraged to develop the wider skill-set required by the contemporary professional guitarist.

ESSENTIAL EQUIPMENT

Guitar and lead

Tuner

Metronome/Metronome app (Pro Metronome)

Headphones and 1/4 jack input

Stationery and manuscript paper

Spare strings

Ear plugs

Capo

Slide

Various plectrums

All students are strongly advised to wear ear protection when in class, practising or performing.

BA(Hons) in

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COMMERCIAL MODERN MUSIC VOCALS

RECOMMENDED READINGRiggs, S. (1993) Singing for the Stars: A Complete Program to Training Your Voice. Alfred Music Publishing

DeVore, K & Cookman, S. (2009) The Voice Book: Caring For, Protecting, and Improving Your Voice. Chicago Review Press

Baxter, M, (1989) The Rock ‘n’ Roll Singer’s Survival Handbook. Milwaukee: Hal Leonard Corporation

Thompson, J (2014) Find Your Voice. lulu.com

Please note that this is a recommended reading list and therefore not essential.

HEAD OF VOCALS SHELLEY BUKSPAN Dublin is a vibrant, creative city, the epicentre of the music industry in Ireland where you’ll have many opportunities to hone and showcase your talent. Your third level education and your career both begin here, and the reputation that you build in BIMM, your work ethic, diligence and reliability will stand to you in the years ahead.

Over the next four years you’ll learn many things about the international music industry and you’ll be encouraged to pursue your creative interests through a range of core and elective modules. As a vocalist, we intend to help you maximise your existing talent, the ability and potential that we identified at your audition. To achieve this, it’s essential that you consider the course material in relation to your own instrument, constantly reflecting on how, why and when it’s of value to you and your career.

This is the beginning of a lifelong journey, the students around you will be your music industry colleagues for years to come and the friendships you forge at BIMM will play a vital role in your personal and professional lives. We expect you to work hard, but we also hope that you enjoy yourself and make the most of student life. Engage with your peers, your tutors, the facilities available to you and the opportunities that present themselves. Welcome to BIMM!

ESSENTIAL EQUIPMENT

Notepad (one for each module)

Pens/pencils/highlighter/eraser

Recording device (phone/tablet/laptop)

All students are strongly advised to wear ear protection when in class, practising or performing.

BA(Hons) in

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RECOMMENDED READING

Zollo, P. 2003. Songwriters on Songwriting (Revised and Expanded). Da Capo Press

How to Make it in the Music Business. Virgin Books (2007)

Webb, J. 1999. Tunesmith: Inside the Art of Songwriting. Hachette Books

Pattison, P. 2010. Writing Better Lyrics. Writer’s Digest Books

Senior, M. 2014. Recording Secrets for the Small Studio. Focal Press

Please note that this is a recommended reading list and therefore not essential.

HEAD OF SONGWRITING OLLIE COLIE

The outstanding stable of tutors at BIMM Institute Dublin will provide you with the knowledge you need to hone your skills in song composition and performance. Your learning experiences here will get you ready for the ever-expanding world of contemporary music. Compositional elements will be linked with arrangement analysis and performance in ways that allow you to apply these techniques to your own passion for songwriting. In doing this you will also have multiple opportunities to collaborate with other talented musicians and songwriters.

The common ground between different styles and genres will be delivered while giving you the encouragement to develop your unique and original approach. A variety of tutors will deliver songwriting techniques that allow you to work creatively and effectively in the music industry. I hope you make the most of the journey you are about to embark on and allow yourself the opportunity to experiment, create and collaborate in ways that exceed your own expectations. I wish you the best of luck and a prolific time here at BIMM Institute Dublin. Enjoy every moment!

ESSENTIAL EQUIPMENT

Microphone, lead and stand

Guitar or Keyboard

Stationery and manuscript paper

Recording device (preferably multi track)

Ear plugs

All students are strongly advised to wear ear protection when in class, practising or performing.

COMMERCIAL MODERN MUSIC SONGWRITING

BA(Hons) in

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HEAD OF MUSIC THEORY KARL BREEN

The study of music theory is the study of music. An understanding of the fundamental principles on which all music is built will bring a greater depth to your musicianship, and will enable you to explore new areas of improvisation and composition.

Communication is at the core of all great musical endeavors; between composer and orchestra, artist and audience, or record producer and studio musician. The study of music theory equips the professional musician with the vocabulary and skills they need to communicate their ideas quickly and accurately, and to better understand the creative concepts of others. When approaching the study of music theory for the first time, musicians often feel a sense of fear. At BIMM, our goal is to dispel those fears, and to equip students with the tools they will need to work in a professional environment.

BIMM aims to get you using music theory concepts to explore many areas of rhythm, pitch and harmony, allowing you to become a more accomplished and well-rounded musician. More importantly, an intimate knowledge of music theory should serve to enhance your creativity, and benefit your own music.

MUSIC THEORYA few words on

MUSIC THEORY IS AN IMPORTANT PART OF THE BA (HONS) IN COMMERCIAL MODERN MUSIC. STUDENTS STUDY THEORY MODULES IN THE FIRST YEARS, WITH THE OPTION OF CONTINUING WITH MORE ADVANCED STUDIES IN FINAL YEAR. MUSIC THEORY CONCEPTS ARE APPLIED IN MANY OTHER MODULES THROUGHOUT THEIR STUDIES AT BIMM.

www.musictheory.netwww.teoria.comwww.good-ear.comLevine, M. (1995) The Jazz Theory Book. Petaluma: Sher Music

Harrison, M. (2002) Contemporary Music Theory Levels 1-3. Hal Leonard Corporation.

Please note that this is a recommended reading list and therefore not essential.

RECOMMENDED READING

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At BIMM Institute Dublin, our goal is to equip students with the necessary tools and knowledge needed to navigate this business landscape successfully.

The various facets of the domestic and international industry will be analysed, painting a clear picture of how they all fit together.

By examining real world case studies and work practices, students will explore the Recording, Publishing and Live Music sectors, developing their understanding of key industry building blocks such as intellectual ownership and campaign management.

Students will then put this knowledge into action, establishing how best to build their own career paths and relationships, with focus on developing the pragmatic skills, self-sufficiency and strategic thinking needed to flourish.

MUSIC BUSINESSA few words on

TO SURVIVE AND THRIVE IN THE MODERN MUSIC INDUSTRY IT IS ESSENTIAL THAT YOU DEVELOP A CLEAR UNDERSTANDING OF HOW IT WORKS.

Knopper, S. (2010) Appetite for Self-Destruction: The spectacular crash of the record industry in the digital age. London: Schuster and Schuster

Harrison, A. (2017) Music: The Business: The essential Guide to the Law and the Deals: Virgin

Passman, D. (2015) All you need to know about the Music Business. Penguin

Cooke, C. (2018) Dissecting the Digital Dollar: The Streaming music business explained and discussed. CreateSpace Independent Publishing Platform

Please note that this is a recommended reading list and therefore not essential.

RECOMMENDED READING

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Research modules will enable students to take an informed approach in forging their own artistic identity and creating impact in the professional and artistic spheres both during and beyond the degree.

Music history and modes of interpreting it through cultural studies will empower students with the knowledge to locate their own artistic aims in relation to historical and contemporary social, political, and economic debates. Successful artists possess an environmental awareness which informs their creative practice, and this aspect of the curriculum will support students in their exploration of different creative traditions, practices, and ways of thinking about music.

ACADEMIC FOCUSA few words on

AT BIMM INSTITUTE DUBLIN WE ARE COMMITTED TO IMPARTING A BROAD UNDERSTANDING OF COMMERCIAL MODERN MUSIC THROUGH ACADEMIC SUBJECTS WHICH COMPLIMENT AND STRENGTHEN STUDENTS’ ABILITY TO NAVIGATE PROFESSIONAL AND CREATIVE PRACTICE IN THE INDUSTRY.

Bell, J. (2014) Doing Your Research Project: A Guide for First Time Researchers. 6th edn. Maidenhead: Open University Press.

Longhurst, B. and Bogdanovic, D. (2014) Popular Music and Society. 3rd edn. Cambridge: Polity Press. Storey, J. (2015) Cultural Theory and Popular Culture: An Introduction. 7th edn. London: Routledge.

Please note that this is a recommended reading list and therefore not essential.

RECOMMENDED READING

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RECOMMENDED RESOURCESBIMM INSTITUTE DUBLIN RECOMMENDS THAT ALL STUDENTS START TO EXPLORE THE RESOURCES HIGHLIGHTED BELOW BEFORE TERM STARTS.

JOURNALS/MAGAZINES

Hotpress

The Thin Air

District Magazine

Totally Dublin

The Ticket (Supplement in Irish Times on Friday)

Music Week (Main UK Music Industry Magazine)

WEBSITES/ BLOGS

CMU completemusicupdate.com

HypeBot hypebot.com

Music Business Worldwide musicbusinessworldwide.com

IMRO imro.ie

PPI ppimusic.ie

RAAP raap.ie

First Music Contact firstmusiccontact.com

Breaking Tunes breakingtunes.ie

Nialler9 Nialler9.com

Golden Plec goldenplec.com

The Thin Air thethinair.net

State state.ie

Pitchfork pitchfork.com

BBC 6 Music

TWITTER FEEDS TO FOLLOW

@IMROireland

@IRMA_Org

@thetwicket

@choiceprize

@RAAP_Ireland

@MusicFrmIreland

@hwchfestival

@musicbizworld

@MusicWeek

@lastmixedtape

@nialler9

@girlsrockdublin

@mnasome_blog

@acrosstheline

@culture_ireland

@artscouncil_ie

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STUDENT SUPPORT

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PASTORAL SUPPORTThe Student Services team holds individual one-on-one sessions with students to discuss any issue they may be struggling with. These are strictly confidential and can include any topic ranging from personal issues, attendance and assessment related queries, discussion of special considerations we may need to take into account to support your studies and booking into one of the other support services we offer. We actively encourage students to book appointments to come and meet us at any point during their studies for extra support; the Student Services team are always available on site for a chat between 9am and 6pm. Students can also book pastoral tutorials with their Heads of Department through reception.

STUDENT SUPPORT SERVICESWe are committed to helping students fulfil their potential during their time at BIMM Institute Dublin and we place an emphasis on supporting the development of our students both academically and personally. With this in mind, the Student Services team is available at every step of the student journey to offer confidential support and guidance on issues such as stress, alcohol and drugs, disability and learning support, family/friends/relationship problems, sexual health, eating disorders, depression and anxiety issues; as well as on-going academic and practical learning support and advice. We also offer a wide range of additional support services that are designed to meet students’ academic and welfare needs and to enrich the BIMM Institute Dublin experience.

ACADEMIC TUTORIALSStudents are encouraged to book regular one-to-one tutorials to work on technique, master their academic writing and discuss their skills, development and long/short term career goals. Tutorials give students a unique opportunity to be individually guided by the most experienced industry professionals in the country.

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BIMM INSTITUTE DUBLIN IS COMMITTED TO A POLICY OF EQUAL OPPORTUNITIES AND PROVIDES CONFIDENTIAL ADVICE AND SUPPORT TO STUDENTS WITH VARYING DISABILITIES AND SPECIFIC LEARNING DIFFICULTIES.

We are committed to ensuring that students with specific needs are provided with equal access to their chosen course of study and facilities. The College is working towards removing any barriers which might prevent an individual from actively participating in student life.

If students indicate on their application and/or pre-enrolment form that they require further support, then a member of the Student Services team will be in contact to arrange an individual consultation. This is to ensure all requirements are catered for. Students with learning difficulties or disabilities are also encouraged to book a meeting with their Student Support Officer early in term 1.

Students with specific learning difficulties/ a disability, and up to date supporting documentation may register for supports such as exam accommodations, learning support, up-to-date assistive technology.

Students who do not have an up to date supporting evidence, or just suspect a specific learning difficulty, should contact the Student Services team, who will advise you on how to arrange the relevant assessments and access the relevant support.

We advise that students apply for this as early as possible to ensure that support can be put in place at the start of the academic year, though there is no formal deadline for applications to be received. Please contact [email protected] for more information.

We work with students with a wide range of disabilities, including but by no means restricted to: Specific learning difficulties (such as dyslexia,

dyspraxia, ADHD) Mental health difficulties (such as depression,

bi-polar disorder, anxiety) Students with autistic spectrum and ASD and

Asperger’s Syndrome Long-term medical conditions (such as HIV, cancer,

multiple sclerosis) Unseen disabilities (such as diabetes, asthma, epilepsy) Sensory impairments (such as visual/hearing

impairment) Mobility or physical impairments (such as paralysis,

arthritis)

COUNSELLINGRegardless of the course you’re studying at BIMM Institute Dublin, you will be able to avail of free and confidential counselling from highly experienced and qualified professionals. This provision offers individuals the opportunity to discuss and explore a wide range of emotional and psychological issues that may be affecting their studies.

DISABILITY AND LEARNING SUPPORT

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BUSBIMM Institute Dublin’s Francis Street and Coombe buildings are well serviced by buses from all over the city. There are bus stops on Patrick Street, Thomas Street and Cork Street that are just a stone’s throw away from BIMM Institute Dublin.

27 Clare Hall – Jobstown

151 Docklands (East Rd.) – Foxborough

56a, 77a Ringsend – Tallaght/Citywest

49, 54a Pearse Street – Tallaght/Ellensborough

13 Harristown – Grange Castle

40 Finglas Village – Liffey Valley Shopping Centre

123 Walkinstown – Marino

For details about service times and route information please refer to dublinbus.ie

TRAIN/LUASBIMM is easily accessible from Dublin’s four main railway stations – Heuston, Connolly, Pearse Street and Tara Street. The LUAS stops at St. Stephen’s Green, James’s Street and the Four Courts are all within walking distance of BIMM. Have a look at irishrail.ie and luas.ie for more information on trains and LUAS.

BIKE/WALKDublin’s centre is compact and easily walkable and good for cycling. The terrain is flat and routes are well-marked. Dublinbikes is the bike sharing scheme for Dublin city. The stations are distributed throughout the city centre to enable easy access and optimal use. More info can be found at dublinbikes.ie

TRANSPORTBIMM INSTITUTE DUBLIN IS WELL CONNECTED TO THE REST OF THE CITY VIA PUBLIC TRANSPORT.

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STUDENT LIFEDUBLIN HAS AN ABUNDANCE OF SOCIAL RICHES THAT ARE SUITED TO ALL TASTES - LOADS OF LIVE MUSIC, EXCELLENT PUBS AND CLUBS, GREAT PLACES TO EAT, FABULOUS SHOPS, BEAUTIFUL PARKS, THE SEA, THE SAND, AND A VIBRANT ATMOSPHERE THROUGHOUT THE WHOLE CITY.

CULTURE

Dublin is a highly creative city with a diverse cultural scene and a wealth of theatres, galleries, live music and cinemas. Some of the most popular places exhibiting the best of culture in Dublin can be seen below:

Abbey Theatre, Lower Abbey Street – Ireland’s national theatre, founded by W. B. Yeats and Lady Gregory in 1904. It produces an annual programme of diverse, engaging and innovative Irish and international theatre.

Vicar Street, Thomas Street – one of Dublin’s main events venues. It is a popular setting for a wide range of acts including stand-up comedy, drama performances and a variety of concerts.

Light House Cinema, Smithfield – an art cinema that shows many independent films along with the latest popular releases. It also has many themed screenings and fun events.

Hugh Lane Gallery, Parnell Square North – a public gallery of modern and contemporary art, housing one of the foremost public collections of contemporary art in Ireland. Free music performances on Sundays.

IMMA, Kilmainham – Ireland’s leading national institution for the collection and presentation of modern and contemporary art. Many talks, events and festivals throughout the year.

The National Concert Hall, Earlsfort Terrace – one of Dublin’s largest music venues with a focus on classical, traditional and jazz performances.

Smock Alley Theatre, Temple Bar – Originally built in 1662. Smock Alley is known as ‘ Dublin’s oldest newest theatre’. You’ll find a hugely varied programme of plays, concerts and literary events across 3 different spaces. Enjoy contemporary takes on the classic and the excitement of the emerging artist.

A highlight of the cultural year is the annual Dublin Fringe Festival. The festival is held in September. It is a curated, multi-disciplinary festival focusing on fresh and innovative approaches to the arts from Irish and international makers.

Culture Night is a very popular date on the cultural calendar. It also happens in September and comprises hundreds of events across the country. Arts and cultural organisations open their doors until late with many free events, tours, talks and performances to enjoy.

The Dublin LGBTQ Pride Festival is an annual series of arts, social and cultural events which celebrates lesbian, gay, transgender and queer life in Dublin. It is the largest LGBTQ pride festival in Ireland. The festival culminates in a pride parade in June, which is the biggest in the country.

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STUDENT LIFE

NIGHTLIFE

Whelan’s, on Wexford Street, is a venue that has become legendary over the last couple of decades, not just as the crucible for local acts, but for playing host to international artists. Towards the city centre you hit Dame Street, where in recent years a host of smaller venues have opened up. The Mercantile and Sweeney’s have small but excellently equipped live rooms, Bello Bar, the Bowery, and Sin É have small but excellent live set-ups perfect for acts developing their stage craft. On either side of the Liffey, are The Workman’s Club and The Grand Social, both of which define the concept of venues run by obsessive music fans for obsessive music fans. For clubbing in Dublin hit The Button Factory or Wigwam.

SHOPPING

Grafton Street is the first call for most people with its vibrant and colourful array of high-end stores and street musicians. Across the liffey is Henry Street, the northside’s principal shopping street. More interesting is the antiques quarter of Francis Street (BIMM territory), and All City Records in Temple Bar doubles up as both a record label and a vast repository for CDs and vinyl.

THE GREAT OUTDOORS

The magnificent Phoenix Park is one of Europe’s biggest walled city parks and it can be found by walking west of the Liffey. There are many other beautiful parks that are more central – Merrion Square, Iveagh Gardens, Stephen’s Green. The DART provides easy access to picturesque seaside villages on both sides of the city, such as Howth and Malahide to the north and Killiney and Dalkey to the south.

EATING OUT

Whatever your taste and budget you’ll find plenty of places to eat in Dublin. Popular highlights include Bunsen for burgers, Musashi/Zakura for sushi, Kimchi for Korean, 777 for proper Mexican and Dublin’s Chinatown area of Parnell Street for an affordable array of excellent Asian eateries.

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BIMM GIGSOnce you’ve got your band together and had some rehearsals, you can audition for BIMM’s End of Term and Live & Lyrical gigs. We hold one of each per term, and utilise the amazing venues that are on our doorstep, such as Opium Rooms, The Button Factory and Whelan’s. These are ticketed events and are a great opportunity for students to get some live performance experience and put on a brilliant show for their peers, friends, families and the public.

BIMM ALBUMThe BIMM album is a showcase of BIMM’s best songwriting talent. Students have the opportunity to submit their demos to be reviewed by our industry A&R panel, and a selection of these songs will be professionally recorded in our in-house studio and available to buy as a CD or digital download.

NETWORKING EVENTSBIMM hold networking events during enrolment week, which is a great opportunity to get together with other students from different courses that have similar musical interests. Not only is it a great way to find new friends and swap some phone numbers, but it’s also a good place to start finding band members.

GET CONNECTED AT BIMM

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FRESHERS’ GUIDE

COMMON FEELINGSMoving away from home to a new city and starting college is a really exciting opportunity for a big change. You get to make a whole new start in a new place with new people. You might feel a mixture of great excitement and nervousness – what will the course really be like? Will I get on with my housemates? Will I make friends? How do I look after myself?

Please remember that you are not alone in feeling this way. These are all questions that everyone in your situation is asking themselves. If you’re worried about making friends, or not knowing the city, or how to make a Bolognese; remember that every other person around you feels the same way, and within just a couple of days you will feel more at home and comfortable than you can even imagine.

STRATEGIES FOR COPINGThere are some important things to keep in mind when going through this experience of moving away from home. These will prepare you and help you to cope with any situation you stumble across.

Look after yourself – It takes time for new friends to really know you properly, which means you need to put your own welfare, health and safety at the top of your priorities.

Know yourself and what you can handle – This is a time when you can experiment and find a way of living that really suits you, but this can take time. Try not to be pressured or influenced by others’ opinions and actions. Try to make decisions about life choices in the cold light of day, so that you know how you want to respond if you end up in a tricky situation.

Confront difficulties – In a new environment it’s easy to waste time worrying about things you don’t understand or can’t control. Don’t be afraid to ask the Student Services team and many other agencies external to BIMM who are ready and willing to help you with any problem or query, big or small. Begin to see challenging situations as a chance to overcome something rather than a problem in your way.

Be healthy – Maintain a good diet, get adequate sleep and try to be active when you can; people are often happier if they are healthy. Register with a local doctor’s surgery so that if you fall ill you can get the right care. If you are feeling stressed or sad talk to the Student Services team, they will find you the right support; know when you need to get some extra help.

Make a budget – Work out how much money you have for the term, and how much you will have to spend on unavoidable costs like rent, food and bills. This way you will know how much you have left to spend on yourself. Doing this will avoid running out of money half way through the term, which can be very stressful.

Don’t work all the time – As independent study is so important at college, it can sometimes be hard to give yourself time off. Give yourself regular breaks and occasional days off.

Do work some of the time – Being away from home and with so much to do in a new city, it can be easy to neglect your work and fall behind in the course. Make sure you find the time for your studies to avoid a stressful situation.

Be yourself! – People can’t get to know and like you for who you really are if you don’t act like yourself. There are so many people to potentially become friends with, be yourself and you will find the right friends for you.

EVENTS DURING INDUCTION WEEK ARE A GREAT WAY TO MEET PEOPLE AND MAKE FRIENDS; WE’LL PROVIDE YOU WITH INFORMATION ABOUT THESE PRIOR TO INDUCTION WEEK. YOU CAN EXPECT SOCIAL NIGHTS, NETWORKING AND INDUCTION EVENTS.

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FACULTY INFORMATION

STUDENT CARDS

You will be issued with a TUD student card at the start of your course. This will entitle you to discounts at many outlets around Dublin.

STUDENT COMMON ROOMSYou will be issued with a TUD student card at the start of your course. This will entitle you to discounts at many outlets around Dublin. There are water coolers and sofas for your use between lectures.

PRACTICE FACILITIESAt BIMM Institute Dublin we make teaching spaces available in the Francis Street building for students to book and rehearse in for free, timetable permitting.

There are a number of other rehearsal studios in Dublin, such as Loop Studios, Temple Lane Rehearsal Studios and Troubadour Reheatsal Studio.

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WE’RE HERE TO HELP YOU THROUGHOUT YOUR TIME AT BIMM INSTITUTE DUBLIN

62-64 Francis StreetDublin 8Ireland

+353 1 5133 666

[email protected]

We are committed to helping you throughout your

studies with us at BIMM Institute Dublin and offer

a wide range of support services designed to meet

your academic and welfare needs, don’t hesitate to

speak to us whenever required: T: +353 1 5133 666 E: [email protected]

BRITISH & IRISH MODERN MUSIC INSTITUTE BIMM.IE

YOUR MUSIC CAREER STARTS HERE

BIMM Institute Dublin

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