Deconstruction Architecture
Click here to load reader
-
Upload
husam-almuzainy -
Category
Design
-
view
1.329 -
download
3
description
Transcript of Deconstruction Architecture
ARCHITECTURE
Deconstruction
“When we deconstruct anything, we simply do not destroy, dissolve or cancel the legitimacy of what we will be constructing”.
-Jacques Derrida-
ABSTRACT
Then, what is the Deconstruction?
INDEX
1• INTRODUCTION
2• PHILOSOPHY
3• HISTORICAL BACKGROUND
4• DESIGN CHARACTERISTICS
5• CRITIQUES
INTRODUCTION
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Basic Shape
Fragmentation
Transformation
Recombining
It is an architectural movement that began in the early 1980s. It is influenced by the theory of "Deconstruction". It is characterized by fragmentation, and interest in manipulating a structure's surface or
skin through transform the basic Volumes of architecture (Cube, Cuboid, Pyramid & sphere) in order to recombine it in a new hybrid shapes.
INTRODUCTION - What?
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Deconstructivism rejected the postmodern acceptance of the historical references, as well as the idea of ornament as an after-thought or decoration.
INTRODUCTION - Why?
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Modern
Postmodern
Deconstruction
Deconstructivism attempts to move away from the supposedly constricting 'rules' of modernism such as:
INTRODUCTION - Goals
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Truth to materialsPurity of formform follows function
HISTORICAL BACKGROUND
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
HISTORICAL BACKGROUND
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Deconstructivism came to public notice with the 1982 Parc de la Villette architectural design competition.
(especially the entry from Jacques Derrida and Peter Eisenman and Bernard Tschumi's winning entry).
HISTORICAL BACKGROUND
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
The Museum of Modern Art’s (MoMA) 1988 Deconstructivist Architecture exhibition in New York, organized by Philip Johnson and Mark Wigley.
Philip Johnson
Mark Wigley
HISTORICAL BACKGROUND
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
and the 1989 opening of the Wexner Center for the Arts in Columbus, designed by Peter Eisenman.
HISTORICAL BACKGROUND
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
The New York exhibition featured works by Frank Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Coop Himmelb(l)au, and Bernard Tschumi.
HISTORICAL BACKGROUND
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Since the exhibition, some architects associated with Deconstructivism have distanced themselves from it.
Nonetheless, the term has stuck and has come to embrace a general trend within contemporary architecture.
PHILOSOPHY
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Deconstruction is a literary theory and philosophy of language derived principally from Jacques Derrida's 1967 work Of Grammatology.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
AnalyzeDescribe
the clearest explanation on Derrida’s thinking, which I also found to be notoriously difficult. it’s fundamental to Derrida’s extraordinary view of the world that nothing has much meaning anyway.
That’s why he struggles so hard not to communicate with us; he actually intends it to be difficult for us to find out what he says, if he has anything to say at all!
Many attempts to explain or to analyze Deconstruction have been violently rebutted on the grounds that such approaches violate the very nature of Deconstruction.
Its proponents insist that "it cannot be described and stated as other positions can" because it is a new form of logic that has superseded the old traditional logic in which such analyses are couched.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Subjects
1. Metaphysics 2. Clarity 3. Logocentrism 4. Meaning 5. Feelings 6. Binary Thinking 7. Phonocentrism 8. Palimpsest
Derrida tends to work not so much by initiating ideas as by reacting, forcibly, to what others have written already.
In each case Derrida aims to refute thinkers with arguments derived from the author’s own writings, to demonstrate -successfully in many cases- that the very premises on which the authors base their cases will, if pursued to their logical conclusions, defeat the original arguments.
Deconstruction, after all, is literally concerned -as Derrida insists- with written texts. His attacks are especially focused on subjects such as:
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Metaphysics is the age-old search for “truth” and the “essence of being” that has been the center of occidental Philosophy. Derrida despises this search through the centuries
for the ultimate truth, for the reason of our existence & the idea that there should be some kind of "absolute knowledge", "prime mover" or "God".
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
1. Metaphysics
This is relevant to architecture in that, for Derrida, there is no "one best way", no "International Style", no roots from which all architecture has grown. So there are no received truths - Classical, Modernist or other.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Absolute knowledge
Absolutesin
Architecture
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
To "deconstruct" at all -program, form or structure- is to demonstrate one's view that there are no absolutes in architecture, that attempts, such as Heidegger's (in philosophy) or Le Corbusier’s, Wright’s and others (in architecture) to find such absolutes are doomed to failure.
Church of the year 2000, Rome by Eisenman.(Deconstruction itself rejects the existence
of God)
Clarity in Structuralist predecessors is to write simply, directly, clearly and unambiguously, Derrida is part of the Post-Structurlist movement
that strongly reacted against the clarity.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
2. Clarity
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Ambiguous
Diffuseincoherent Ambiguous
Struggle to Understand
Give up
Accept as it is
“It is my evident desire to insinuate my thoughts into your brain, and thus ‘colonize’ your mind! That is why they write deliberately in such an unclear, diffuse, incoherent and ambiguous way that will get you so angry that, in your struggle to understand, you will be forced into having your own thoughts.” -Broadbent-.
Deconstructivist architecture is ambiguous as a Deconstructivist text, whereas clarity is what we see when analyzing Modern architecture, simplicity in its structure, coherence in its programme.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Robert Venturi, an exponent of Post-Modernism, had demonstrated a parallel kind of thinking in architecture when in "Complexity and Contradiction" (1966) he attacked "Modernist transparency". Outside of a building should not be molded
according to its inside logic
Logocentrism: analyzing the structure of our language -in believe that language is what allows us to think- to unveil the structure of our thoughts and thus arrive at those "ultimate truths".
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
3. Logocentrism
Derrida despises Logocentrism and even rejects any relationship between a word and its meaning. That is why he uses words in any way he pleases, and makes it so difficult for us to understand him.
He wants words (and presumably buildings) to literally have no single meaning.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Word / Building
Single Meaning
He sees Deconstruction as our attempt to recover from the Tower of Babel! “The builders of the Tower sought political domination by imposing on the world their universal language and their universal architecture, exactly as Modern Architecture.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Tower of Babel
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
According to Derrida, our aim should not have been to find another "only absolute" view but to seek a diversity of views.” This is a view clearly contrary to that of Modernism.
Some architects took literally the notion of no single meaning and tried to create buildings with no meaning at all, organized according to pure geometric rules that
would convey no meaning.
Meaning: “Syntagmatic / Associative” ,“Signifier / Signified” Saussure, like many others before him, tended to think in pairs, or "binary oppositions".
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
4. Meaning
The denial of meaning from Derrida was taken by Deconstructivist architects and translated as an architecture of pure "syntax" without any "semantic" meaning.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
Eisenman's aim when designing most of his early buildings was this, he used extremely pure, geometric "syntaxes" with no semantic references of the kind we loosely call "meaning".
Semantic architecture
Peter Eisenman says: "People have been concerned with relating themselves to their physical environment as a source of security. I believe that if the physical environment makes them anxious they might turn inward and the true source of security is internal. The physical environment can never provide that, it can provide physical comfort, shelter, but it can never provide psychological shelter."
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
5. Feelings
When it comes to Eisenman buildings, he creates a really disturbing spacing completely dislocated and every time you don't know where you are, or at what level you are, you never know.
PHILOSOPHY
HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
INTRODUCTION PHILOSOPHY
For Heinrich Klotz, Deconstruction is "an indication of how we perceive our lives today and a good part of it is the uncertainty we feel".
Eisenman is concerned in causing an uncertainty in people
DESIGN CHARACTERISTICS
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
Deconstruction Style
Layering Angular Organic (Curvilinear) Chaos
DESIGN CHARACTERISTICS - Classification
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
DESIGN CHARACTERISTICS - Common
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
No physically pure basic volume. Fragmented Mass. New Material (Metals, Glass, Concrete). Complicated Structure, and thus advanced structural systems. Relatively high Void percentage. Open Plan. Distinguishing from Context.
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Definition: essentially based on fragmenting pure basic Volumes into vertical & horizontal Planes which create different layers.
Basic Shape
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Notable Architects:
Richard Meier
Nationality: American.
Born: 1934.
Qualifications: BCS of Architecture
degree from Cornell University.
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Lines: Straight parallel lines & Arch.
1
2
3
4
5
The Getty C
enter - California, U
SA
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5 Corners: Right Angle.
The Getty C
enter - California, U
SA
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5 Appearance of Original Basic Volumes: Still visually.
The Getty C
enter - California, U
SA
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Articulation: through relation between layers & Masses.
The Getty C
enter - California, U
SA
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Openings: by Subtraction & Addition.
The Getty C
enter - California, U
SA
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Burda Museum
, Baden-Baden, Germ
any
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
International Center for Possibility
Thinking - California, USA
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
House III - Connecticut, U
SA
Peter
Eise
nman
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Rosenthal C
enter for
Contem
porary Art - O
hio, USA
Richard
Meie
r
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Church of 2000 - Rom
e, Italy
Richard
Meie
r
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Definition: essentially consists of complicated composition of hybrid volumes with Acute angles.
Basic Shape
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Notable Architects:
Daniel Libeskind
Nationality: American.
Born: 1946.
Qualifications: BCS of Architecture
degree from University of Essex.
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Lines: Almost Straight Non-parallel lines.
1
2
3
4
5
Daniel
Libe
skind
DEN
VER
AR
T MU
SEUM
-
Colorado, USA
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5 Corners: Acute angles.
Daniel
Libe
skind
DEN
VER
AR
T MU
SEUM
-
Colorado, USA
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Appearance of Original Basic Volumes: Disappear.
Daniel
Libe
skind
DEN
VER
AR
T MU
SEUM
-
Colorado, USA
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Articulation: through relation between Masses.
Daniel
Libe
skind
DEN
VER
AR
T MU
SEUM
-
Colorado, USA
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Openings: Mainly by Subtraction .
Daniel
Libe
skind
DEN
VER
AR
T MU
SEUM
-
Colorado, USA
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS Dan
iel L
ibesk
ind
PALA
ZZO D
ELL’EDILIZIA O
F
ALESSA
ND
RIA
, Alessandria, Italy
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS Dan
iel L
ibesk
ind
RO
YAL O
NTA
RIO
MU
SEUM
Toronto, Canada
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS Dan
iel L
ibesk
ind
The Villa - Libeskind Signature
Series
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
OMA
CC
TV H
eadquarters- Beijing,
China
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Terry
Farr
ell
The Deep A
quarium- H
ull, UK
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Definition: essentially consists of complicated sculptured volumes with curvy lines.
Basic Shape
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Notable Architects:
Dame Zaha Mohammad Hadid
Nationality: Iraqi-British.
Born: 1950.
Qualifications: BCS of Architecture degrees
from Architectural Association in London.
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Lines: Curvy lines.
1
2
3
4
5
Zaha
Had
id
Heydar A
liyev Center- Baku,
Azerbaijan
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Corners: Almost No Corners but curves.
Zaha
Had
id
Heydar A
liyev Center- Baku,
Azerbaijan
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Appearance of Original Basic Volumes: Disappear.
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Articulation: sculpturing.
Zaha
Had
id
Heydar A
liyev Center- Baku,
Azerbaijan
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Openings: Mainly by Subtraction.
Zaha
Had
id
Heydar A
liyev Center- Baku,
Azerbaijan
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Ron A
rad
Archite
cts
Design M
useum H
olon- Holon,
Israel
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Mix-use Building - Belgrade, Serbia
Zaha
Had
id
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Interfaith Chapel Proposal -
Florida, USA
Bro
oks +
Sca
rpa
Archite
cts
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Dalian Planning M
useum - D
alian,
China
10 D
esign
DESIGN CHARACTERISTICS - Organic
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Galaxy Soho - Beijing, China
Zaha
Had
id
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Definition: essentially consists of complicated composition of hybrid volumes with wide variety of lines & angles.
Basic Shape
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Notable Architects:
Frank Gehry
Nationality: Canadian-American.
Born: 1929.
Qualifications: BCS of Architecture degrees
from University of Southern California.
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Lines: Both Straight & Curvy lines.
1
2
3
4
5
Fran
k Geh
ry
Guggenheim
Museum
- bilbao,
Spain
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Corners: Both Right &Acute angles & curves.
Fran
k Geh
ry
Guggenheim
Museum
- bilbao,
Spain
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5
Fran
k Geh
ry
Guggenheim
Museum
- bilbao,
Spain
Appearance of Original Basic Volumes: Disappear.
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5 Articulation: through relation between Masses.
Fran
k Geh
ry
Guggenheim
Museum
- bilbao,
Spain
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
1
2
3
4
5Openings: by Subtraction & Addition.
Fran
k Geh
ry
Guggenheim
Museum
- bilbao,
Spain
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS Fr
ank G
ehry
Vitra D
esign Museum
and Factory-
Weil am
Rhein, Germ
any
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS Fr
ank G
ehry
The Lou Ruvo Brain Institute-
Nevada, U
SA
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS Fr
ank G
ehry
Walt D
isney Concert H
all- Los
Angeles, U
SA
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Vlad
o Milu
nić &
Fran
k Geh
ry
Walt D
isney Concert H
all- Prague,
Czech
DESIGN CHARACTERISTICS - Chaos
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
The Hotel M
arques de Riscal-
Elciego, Spain
Fran
k Geh
ry
DESIGN CHARACTERISTICS - Layering
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Other Notable Architects:
1. Peter Eisenman
Nationality: American.
Born: 1932.
Qualifications: Ph.D. of Architecture degrees
from the University of Cambridge.
DESIGN CHARACTERISTICS
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Other Notable Architects:
2. Bernard Tschumi
Nationality: American.
Born: 1944.
Qualifications: BCS of Architecture degrees
from ETH in Zurich.
DESIGN CHARACTERISTICS
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Other Notable Architects:
3. Wolf D. Prix (Coop Himmelblau)
Nationality: Austrian.
Born: 1942.
Qualifications: Ph.D. of Architecture degrees from
Southern California Institute of Architecture.
DESIGN CHARACTERISTICS
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Other Notable Architects:
4. Helmut Swiczinsky (Coop Himmelblau)
Nationality: Polish.
Born: 1944.
Qualifications: BCS of Architecture degrees from
Architectural Association in London.
DESIGN CHARACTERISTICS - Angular
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Notable Architects:
5. Rem Koolhaas
Nationality: Dutch.
Born: 1944.
Qualifications: BCS of Architecture degrees
from Architectural Association in London.
CRITIQUES
INTRODUCTION PHILOSOPHY HISTORICAL BACKGROUND CHARACTERISTICS CRITIQUES
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Certainly arrowheads directed to School of Architecture deconstruction is ready, and the most important principle of causality or function architecture, it is possible to find a column in the dining room unnecessarily, or find a weapon of iron and glass cutter roof of the building without a cause functional convincing except for the art form outside.
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
As well as the abandonment of the cultural heritage of civilization, it approaches disassembly abandon motifs and architectural elements and replace it with other elements sharp and vehicle and shocking to the eye.
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Geometric movement calling for the demolition of all the bases Engineering Alakulaidsah.
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Calls for the dismantling of facilities to the parts.
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Difficult to understand for the general public.
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
work needs to be seen by reading about it.
Wall house
Theo Van Doesberg
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
You need to understand a catalog of ideas.
CRITIQUES
PHILOSOPHY HISTORICAL BACKGROUND CRITIQUES
INTRODUCTIONCHARACTERISTICS
Building cracker and asymmetry and non-consistency.
Done by:Husam AlMuzainyAlaa AlbdourAli AthamnehAbdullah OdatAhmad Sdoudi
ARCHITECTURE
Deconstruction