Daniel Kientzy - Les Sons Multiples Aux Saxophones

81
Daniel KIENTZY LTSSONS IVItLI'IPLTS AT-IX SAXOPHO\TS pour saxophones sopranino, Sopraho, alto, tenor et baryton i."J"+ l-;* ,.i; ! .*; ' lr'j :i5 :.t'1t :t--:J F,qe :i:+ i {}Ei .l*l-il: f"-ri:: F{:fi

description

Daniel Kientzy - Les Sons Multiples Aux Saxophones

Transcript of Daniel Kientzy - Les Sons Multiples Aux Saxophones

Page 1: Daniel Kientzy - Les Sons Multiples Aux Saxophones

Daniel KIENTZY

LTS SONS IVItLI'IPLTSAT-IX SAXOPHO\TSpour saxophones sopranino, Sopraho,al to, tenor et baryton

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Page 2: Daniel Kientzy - Les Sons Multiples Aux Saxophones

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Sch6nra c les c l6s de saxol lhone / Sc l ten ln o f saxo l lhot le keys

Nonret rc la ture

- [ l r t r l r - l ru t l ' cxcr r rp les : lv ( .c cx l l l i ca t ions / T i lb le o f exnt r l l l les wi th exp ln t r i l t io t rs

( o r t co t ' t l : t t t c cs

L is te c le sot rs t r l t t l t ip les / Mul t i l l le sot ruc l l i s t :

| ) Soprat r i t t<)

2 | Soprr t t t l

3 ) A l t o

4 l - l - i t t t t r / - f e r t o r

5 ) l l a r y to t r / l l a r i t one

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Page 4: Daniel Kientzy - Les Sons Multiples Aux Saxophones

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NOMENCLATU RE DES SYMBOLES

E T L E U R S I G N I F I C A T I O N

{ | l4 dc ton err c lcss<tus

b 314 de to r r en dessous

N t lq de ton en clessus

i 314 cle ton en clessus

t haut ( d rnoins de I l4cle ton eu dessous)

I bnr ( f r r ro ins de | l2 ton en dessus)

( f ) ld 'q, t i rcrncnt l r l r r t

t{f ldge\rc'nrert t bns

(p)p entre pP et p

(m)p entre p et np

(mJ) entre m p et nd

(n)f entre mJ et t

$rj entre { "t t{

: l le : r t rcor rp de souf f ' l c

: un l )eu c le sr lu f f le

: prenc l re l l lus de bec

; serrer

: lacher

* : brui ts de clef

(Xt : brui ts de clef l6gers

: ba t t e r i e l en te (avec ce t t e n0 te )

: ba t t e r i e l en te (avec ce S . \ 1 . r

LIST OF SY] \ IBOLS

\ \ ITH TI IE IR i \ IEANINGS

u p ( t

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Filf

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d I /4 tone belorv

b 3/4 tone below

+ | l4 tone above

# 3/4 tone above

less thar r l /4 tone be low)

less than l /2 tone above)

( t ) s l ieh t ly up

( l ) s l ieht lv dorvn

between pP and p

between p and tnp

between mp and nf,

between nf and f

betrveen J and f{

f S : a l o t o f t l r e n t l t

S : s l ight breath

< : take nlore reed

F : tisfutenI

+tg : key noises

IX) ,s l i -eht key noises

Affi :slo*' shake

d

(w i th th is no te)

nrul t ip le sound )

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E . { . S 1 7 5 4 3

(*g l , sk rw shake ( rv i th th is

Page 5: Daniel Kientzy - Les Sons Multiples Aux Saxophones

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Bat te r iesPossibles

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Exen rp le d ' u t i l i sa t i on de I sons n ru l t i p l es

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Page 6: Daniel Kientzy - Les Sons Multiples Aux Saxophones

l t l

I V

IIItlIlIIIltlIIIIIIIII

I I No tes co tnposa l r t l e son n ru l t i l t l e . I . e . s t t o t t ' . s t l o t t t i n ; t r t i ( ; ' r ) t t I g t ; t t t ; t ' u l e tnc t t t ce l l ( JS t l t t i T t cu re t t l A t re(.\ | t ' ( t i | ( . \ ( t 'olott t tc L' I )l )ur6e l t l l lus brevc c lans lar luc l l t 'on l )eut la f l i re er r tendre. .S, r r r_ l i r t t l i t 'u t io t t lu c lur t t t ' lu p l t ts lor tg t tc

t t a t l c l sc t t t l quc c l u . t o t t J ' J ' I c ; l u ( o t t . \ o tnn tu t i o t t t l ' t t i t ' t ' s t l t l t t t g ra t t t l e t l t t t ' pou r une t t o l e < t t t t r t tm le r .

Ot t t ta pcut ( t i qua lqut ' , \ ( ' . \ ( ' ( ' l ) l io t t .s pr t ) .s ) t t l i l i s t ' t ' l t ' \ { t t tJ . l ' le (ont i tu t .

Cer ta ins sor rs rnu l t i l t les ne l reuvent <<sor t i r>> s ' i l s ne sont prdcedes que d 'une des notes qu i les con ' t -g rosen t ou d ' un au t re son n ru l t i p l e . La l l e t i t e no te i nc l i que l a du rde n r i n imun r de l a no te ou du sonrtrult i l t le l l relraratoire. 1:.r ' : . \ol trutt i t tr t | . Ttt t tr) t ' ' \0l - c , s 1 t l t t . s . l ' t t t ' i l c , s t t . s r t r t i r . \ ( ) n l ( ' ( u . \ ' t l o t t l l u t ' u l c t t t ' l ) ( u t t ; t r t ' l u l t l t t . s l t r i t ' t 'L t , ,s l t l t t .s . luc i l t , ,s i t t ' t tc l r t t i t t t ' r sot r l ( ' ( ' r l . \ (n l r ( l t ' . t t1ut ' l l t ' s ( )n l )L 'u t J i t i t ' t ' t l t ' .s l tu t ter i t ' s ( r 'o lor t t tc l ' ) .

Ryt l r r r re le l l lus brc f c lans le t lue l on l )cut re l rd ter le son nru l t ip lc ' . Dur t .s t t ' t ' t t t i t t .s .sot t .s r t t t t l l i1 r l r ' .s i l ts -tu l t lcs , l t ' . t t ' r i l tc l i t io t ts . ;c . fo t t l tn ' t ' t d t ' .s ru l t l to t ' l .s d ' i t t t t ' t t .s i la rur iu l t lc . \ L 'n l t 'L , l t ' .s t to t t 's ( lu i les (ontpo-

. \ ( n l .N ru r r r ccs l l oss ib l cs .

l )< r ig t c ' n i cess : t i r c l \ l ' ( ' r t t i ss io t t t l u son t t t t t l t i l l l c ( r ' o i i ' . s t ' l t < t t t t u )( l 'c t t dc , \ ( ) l ) t ' (nto 1to. : ,s t \ t l t ' lu t l t ; ( ' ( t )

Ntr r r r6ro c les sc lns nru l t i l l les avec lescpre ls i l es t poss ib le de fa i re c les bat ter ies 6 .C( ' r tu i r res but t t ' -r ia .s p t ,Lu ' t ,n t tn 'o i r t t t t t ' c l t r r ic l i r t t i te t ' . 1 j .v ; .so l t rur t i r ro , but tc t ' i t ' l0 l , t l0 ) tMt ; t ' t t tu . t i t t t ror r i ' .Notes avec lesquel les i l es t poss i t r le c le fa i re c les bat ter ies @ . C. t tes-c i s 'obt iennent a l la r t i r dudoig le co lonnt ' IV l tvec les r t rod i f ica t ions inc l iquees. 1 : ' . r ' . ' p l 'h . -1 . c l r ' . .( ' c t ' lu i t ta .s bu l tc r ic ,s .sot t .s n t t t l l i l t l c .s I r to l ( . \ 1 t t ' t t t ' t ' t t l tn 'o i r u t t t 'd t t r t ; t ' l i t t t i t t i t ' .o . 6 " I o 1 " I 7 . . j " i o u t l l i l t i r u n t

E X P L I C A T I O \ S t ) L

Nurr r6ro c lu son r r ru l t ip le ( ru t i r t 'u ,s .s t ' t t ( ) .f rans l ros i t ion i r I 'usage des saxol r l ton is tes.

On peut ext ra i re cer ta ines t ro tes cotnposant le

1xt .s lc n t t ) tn t , t i t t t l t rc ( l t t 'u t ' ( ( ' l c do ig lc t tor t t tu l (

t l r tc ,s l tur lc sot t n t t t l t i l t l c )

T \ t ] L E . \ U

s o r r r t r r r l t i p l e . . s r ( ' ( ' . \ o n t d t ' . s I , b , , , , \ a l t e s n ' o n tl ' t t i t ' t ' r t l o t t t t t ' l ' I I . . r r t ' l / r , . s r t t ' t l o i t ' t ' t t I t )us t t r ( t ) re (a -

V I

v t l Out rc I ' t r l i l i s : r l i on r l c sons n ru l t i p r l c ' s i t t t c r c l t l t i s e t r t r e c l cs no t c . s <<nu rnu r l r - s , ( . 1 ou c t r cha inees id ' i t u t r cs sons n lu l t i l l l c s @. l l es t g ra r l ' o i s l l oss ib l e de ' f a i r r . p rece t l e r u , , , . i i i r . ' l e son n ru l t i p l e .c l 'u t rc c les I ro tes <1ui le corn-pose ut i l i sant le ckr ig te s l lec i f i r lue :co lonrre lV @L. ' i r rc l ica t ion c lc durcc de l r t note extmi tc est In p lus br t \ve l loss ib lc . Sr r l . / i t rd i< 'u t ior t t 'o t t tn t i r t ' . t t tdttrctt ' r t ' t ' .s ' I I i t t t i | ( t ' t1 trt , l t t t r lc sott. l . ' l ' l t 'Le sot r nru l t i l r le a les caracter is t iques i r rd iqudes co lonnes I I e t I I I . Snuf i r rc l ica t ion cont ra i re , Iesnuances de la note ext ra i te sont ce l les ind iquees co lonne VI .Le ry thnre c lo t rne i es t le l l lus bref poss ib le . la lenteur : sauf i rn l ross ib i l i te r ro tee. n 'a pas de l in r i te .La dur6e c lonnde en DJ ^est ce l le l lour les cas o t i on d6passe la s inr l l le sequence note ext ra i te - sonmul t ip le - note ext ra i te @ .Cet te dur6e s 'ac l resse a lors nuss i b ien Aux sons nru l t ip les qu ' l ) la note ext ra i te .0 t t 1 l< , t t | t , t l t t t l l i t t a r | cs t l i . | , J . e r t , t t | t , ' s1 l t l ' s . x i h i | i r e . s t l t , c t , t t t , t , o | t l t t t t t , ' I : . . t . c r l n t t l l ( , | t ( a rpu ru | l ec l es t ' r l t t t p t -sat t l ( , \ t '1 , ( tu t t t pu. \ . \c 1nr lc . ;or t n t t t l t iT t l t . / i r t i r ' l )ur tu t ( uut r ( ' . s i t ' t , l t t , t l t , r t t i< \ re ,p(ut appura i t re apr isI t , , \ o t t t t t t t l t i l t l c @ .Ur t do ig t6 de so l t rnu l t ip le l ) r 'n le t p t r fo isd 'ernet t re des r ro tes iso ldes ne fa isant pas par t ie de ce lu i -c ig i t tc ru l t ' tnat t t d t t t t .s l t , .s r t ru tgr t , , i . , i . ' ,1 \ l t ' t tn I t ,n t a t l t t tu tu t t ( ' ( , . l 'o r t t @.l - ' t ' r t t ' l tu i t t (n tc t t I t to l ( c ' \ ' / / . , ' , ' ' . , , ) ; t t l t l t l l i l t l t ' cs l l t l t t .s o t t t t to i t t .s y t rog l 'c .s ' . r i . l ' (J l tn t lu) . rdrenr(n l se( ' .I . a , s s r t t t , v t t tU l t i l t l t ' . s ( l l t i t ( ) t 1 " , ; . , : . , " . , r l r t r t t t . l ' l ' l t ' , , S > ( cO lo l t t ( I I I ) y t aUr t ' t t l t ; t r t ,U l l t , r t t ( t s Sg t t J f ' l e , I SOntttu l t ipl t ' .I'. '.t' : .\o1tt'ttttitto, .l <

- : \ I 'except ion t lc l : r- le nrouverr tent est

. ( 5 5 5c o l o r r r r c l . t r r ' . 1 [ g ] : l r i c r i t c r t s o t r r d e l .

1 = a :

iv'tt lu

: \ s 1 7 5 4 3

Page 7: Daniel Kientzy - Les Sons Multiples Aux Saxophones

I

N o

Trarry

I I

Sounds

I I I

Repetition

Dynamb

I V

Firge!tr

V

ShakesPossible

With

V I

Separate

Sounds

v t l

Other possib i l i t ies BARITONE

98

a-. -a . t -. r t ^

v r- --lz?t-lw---------tal

N

-

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mp

{

tg A

ks C t1

(e) (r0 (i6) 19(90) (e3) (2r) p9-l t - 7 t - 7 9 - 7 9 -€9

l-trbi

A .

bl\r kt\

- f f i . 1n

VT-,r?Ei--'rt'+-|----l= = = = =

pdn

u - +* l r7

t9

r L

/ f =t , N

r-1

mpa

J

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P-tutu..t#l

{s-l u - f+7-

W.p+a +' ----f-+7 +4

F

Example of the use of 2 multiple sounds

Baritone : 28 and 29

J:60 l ibr .errrerr tr:l

t-ratc,f

6)

L^ -r* c t€ - '

=

-$ le?$ Tc,V ^-i\ ;,_(g/+

6

dp fh.eep this

fingering-q-.'

_-I

, ^ h , ^

- - fi?̂co7

4,

.snEc,7

E . A . S . | 7 s 4 3

Page 8: Daniel Kientzy - Les Sons Multiples Aux Saxophones

I I I

IV

V

IIIIIIIIIt

IIII

vIIIIIIIII

VI

E X P L A N A T O R \ ' \ O T E

I Number of the multiple sound. (See cassette recorcing)Transposition for the use of saxophone players.

II Notes comprising the multiple sound. Tlte predorninatirtg tlotes are generally 11rot, which can beplayed separately (column VI).Slrortest duration for which it is audible. Urtless otlterx'ise indicated the longest duration dependsonly upon the lengthof breath ;t lrc amountof air rteeded is greater than for a (normal> note. Con-tinuous breathing (with a few exceptions) is intpossible.Certain multiple sounds cannot be produced if they are preceded or followed by another-multiplesound. The small note indicates the minimum length of the notes or of the preparatory multiplesound. Ex . Sopranino l, Tertor 80.The easiest to produce are those whose value can be tlte shortest.The easiest tct join are those between which shakes are possible (coluntn V).

Tlre quickest rhythm in which a multiple sound can be releated. In certain unstable multiplesounds repetitions are made with varying degrees of intensity among their component notes.Possible dynamic levels.

Fingering required for production of the multiple sound. ( See sclrcma).(Few soprano saxophones have the C 6 key).

Number of the multiple sounds with which shakes are possibl. ($ . Certain shakes may have a li-mited duration. Ex : sopranino, shake 1011102 :maximum duratiM 5".Notes with which shakes are possible @ The latter can be obtained by modifying the fingeringin the manner indicated in column IV. E.r ' . + Eb, - 4, etc. . .Certain shakes between notes and multiple sounds may have a linited duratictrt :o . 6 " I o 4 " I f ' 3 " I o a d l i b i t u n t .

Certain component notes of a multiple sound can be played separatelv. If these are $ , h o, tthey do not have the same tone-qualit.1, et witlt norrnal fingering. (See in column VI if thel' mu\tnot be preceded by tlrc ntult iple sound).

Over and above the useglnrultiple sounds interposed between <<nornral>> notes O or joined tootlter multiple sounds (D , it is sometimes possible to precede or follorv the mdltiple iound byone of its component notes by using the fingering expecially indicated : column IV O'l 'he indication for the length of the note thus extracted is that of the shortest possible. t/nlessotherwise indicated its length is limited only by one's breatlt.The multiple sound has the characteristics given in columns II and III. Unless otherwise indicatedthe dynamic levels of the extracted note are those given'in column VI.Tlte rhytltm given is the quickest possible, slowness of tempo being unlimited (unlessis indicated).

impossibility

the simple sequence extracted note - multiple

This lenghtinconsequence applies as much to the multiple sounds as to the extracted note. It is pos-sible to combine the different possibilities of this column. For exantple, one ntay begin with one ofthe component elements and,ltaring passed by' the multiple sound, end v,it l t another, if this can fot-low the muttiple sound @The fingering sometimes allou's the production of individual notes which are not to be found in thecorresponding multiple sound . This is generally the case in the uppennost register ancl at the dyna-mic leiet fori @ :The ioining of the extrocte.l ,: :e '. ' . i : i t the rnultiple sound is rnore or /e.s.s gradual(merging) rarelyabrupt.The multiple sctundsmultiple sound.Ex : Sopranino, 35.

rv l t ic l : i - ' , , : : : : , : :J :c brear l t s ign < S > (c 'o l tunn I I I ) r 'an be a l ternated: breath I

apart from column I.the tempo is

gr i t ten a t sounding p i tch.

The lenght given in sl applies to inrtances in whichsound - extracted note is exceeded @

a l l n o I e . 3 r . 3

I

N.B.

E { . S . 1 7 5 4 3

Page 9: Daniel Kientzy - Les Sons Multiples Aux Saxophones

l Ju l I t , n t t ' t t l ( t l t r ) ( u rcc )

lJ t t t t t ' t ' i< ' .s /c ' / i i c ' . t( ' l t u t t g t ' t t t c ' n I t l t ' I i t t t l t r < '

( 1 t t ' i t r < ' i 7 t u l ( t n ( t t t r l t t L u l )(p , t t ' t ' up l t r t r t a I l - i )

( - l t r r t n t t t I i ( l t t ( . .

( - l e 7 u t l t ' t t t i

l ) , t t t . ; ( ( ' . r ( / / i ntu l t ip l t ' . l t ' I -u

t I l t t ;nt t t t l )ut ' t 'd l ) l ) ( ) t ' t i t

Tso.s.s ib le t l ' t t l tcr t t t , t ' I 1

t ' r ' t l nne ud l i l t i t u t r t .

C O N C O I T I ) \ \ C L

. S l t t l , ' . , "

5 / r , , t t r , ' i . / , ^ . . '

( ' l t u t i t t t , , r ! . . , .( n t , t i t i i ' . i . / . . , . i i ( t( t l s t t t t t ; 1s . i l c . , r . ; ; ) 1 , 1 i - | I

( ' l t r r t t t t , t t i t

I t / i t l t l ; t , . t -

i : . i t_ t . t , l ta r l

I t t l l t i . s n t i r i i t l ; l t , t r t t u t t l i l t t . . 1 i s t t r i t , t t u : . t i t c il i t t on t l t r t t ' l : o i t t t i t l t r l t t t t ( ) . 1 I 1 l l i . t 1 t r . , r . r / / r r tI o d l i t ' t ' t t c t t t ' I L i t t d ) 1 i t t a r l t r t l r n rud l i b i t t r t t t

, l lu.r t ba prt,ct, t l ct l ( J ol lotrt ' t l ) b)., l lu .s t l t t , l t r t , tc t l t ' t l l t ) ' tnu l t i l ) l ( sor r t td / r , , i . , \ ' . i( ' t t c I t 'u t ' ( u r t ,s t u b I t , ) c r t r t r t t , t , I i r t t t( rru.sc,.r sl igl t t lowt' t ' i t tg

l : i r tgcr - r ibru I o , ' ( - lo .se .s l tu l ; t , ( o t r )Kt 'c1t t I r i .s . l ' i r tgt, t ' i t t g

.5/r, ,rr ' ( or . fust ) gl i .s.suttt lo

T-l t t ' .sttrrrt , u.s h4. wit lr l ' - 'tt' t'u l; c r ( .t t t'r t t t gt' r )

I t i .s di. f . f i t ' t t l t t() l rold t l t t ,

t I t r a c' ,s t t t t t t t l .s .s i t t t t t I t u t t a t t u,s I l .I t i .s l to.s.si l t lc to cl i t t t i t ruta t l ta E l t

Jiott t t l ra ntu I t i l t le .sotrt t t l

{ i t r ,s t t tb lc ( u t t t l tv i t l to t t t t , ib ru to ). , ' l l tc r r ru t io t r .q i l r , . r u k i t td o . l ' .1 ' i r t14t ' r . - t ' i l t ru to

ott l l t ( l : '

7 ' l t t ' r l r . t ' t l t r t r o . l ' t l tc D b i .s u t l l ib i t t t t r tTltc . r tol tr tr . t Jtt .st, t tot ioo lottgTlte B h appcur,t wit l t l ; t ,) ' . j' l-i

t,tl rtr v,' i I ltott I u | | tt<. l;mf to i t l r t ,r '<, (t t ' ( , l )( ,ut. \

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Page 26: Daniel Kientzy - Les Sons Multiples Aux Saxophones

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Page 27: Daniel Kientzy - Les Sons Multiples Aux Saxophones

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Page 28: Daniel Kientzy - Les Sons Multiples Aux Saxophones

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Page 30: Daniel Kientzy - Les Sons Multiples Aux Saxophones

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