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D NAPOLÉON Mario Bürki - musikverlag-frank.ch · On 20 April 2008 was the 200th anniversary of...
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DEMO SCORE NAPOLÉON Mario Bürki DAS WERK „In Frankreich gibt es nichts, das ewig ist. Diese Worte sollten aus dem Wörterbuch der Franzosen gestrichen werden.“ Gleich wie die Bemerkung Napoleons dem dritten, nachdem ihm sein Verteidiger mitteilte, er sei zu “ewiger Haft“ verurteilt, gibt es auch in der Musik nichts, was ewig ist. Ganz nach diesen Worten gerichtet, versuchte ich in meiner Komposition, altes mit neuem zu vermischen. So wechselt sich französisches Gedankengut, ganz im Stile der Musik des 19. Jahrhunderts, mit modernen Ideen stetig ab, wobei sich der französische (gothische) Einfluss mit kurzen Leitmotiven (aus Tschaikowskys „1812“ und der „Marseillaise“) stehts bemerkbar macht. Das Werk endet mit dem selben Thema wie es begonnen hat und soll damit zeigen, dass sich die Vergangenheit nicht leugnen lässt, dass sie zumindest im Geiste immer vorhanden sein wird. Am 20. April 2008 jährt sich der Geburtstag von Prinz Louis Napoleon, dem späteren Napoleon III. und einzigen Ehrenbürger des Kantons Thurgau, zum 200. Mal. Aus diesem Anlass entstand diese Komposition im Auftrag der „Jugend Brass Band Forum Ostschweiz“ mit finanzieller Unterstützung der Thurgauer Kantonalbank. DER KOMPONIST Mario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studien- aus-weis das Prädikat „Sehr Gut“. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes gros- ses Werk - Szenen aus: Max und Moritz - erreichte am Kompositionswettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausge- zeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester „La Artistica Buñol“ in Valencia aufgeführt. Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario erhält regelmässig Kompositionsaufträge. D
Transcript of D NAPOLÉON Mario Bürki - musikverlag-frank.ch · On 20 April 2008 was the 200th anniversary of...
DEMO SCORE
NAPOLÉON Mario BürkiDAS WERK
„In Frankreich gibt es nichts, das ewig ist. Diese Worte sollten aus dem Wörterbuch der Franzosen gestrichen werden.“ Gleich wie die Bemerkung Napoleons dem dritten, nachdem ihm sein Verteidiger mitteilte, er sei zu “ewiger Haft“ verurteilt, gibt es auch in der Musik nichts, was ewig ist. Ganz nach diesen Worten gerichtet, versuchte ich in meiner Komposition, altes mit neuem zu vermischen. So wechselt sich französisches Gedankengut, ganz im Stile der Musik des 19. Jahrhunderts, mit modernen Ideen stetig ab, wobei sich der französische (gothische) Einfluss mit kurzen Leitmotiven (aus Tschaikowskys „1812“ und der „Marseillaise“) stehts bemerkbar macht. Das Werk endet mit dem selben Thema wie es begonnen hat und soll damit zeigen, dass sich die Vergangenheit nicht leugnen lässt, dass sie zumindest im Geiste immer vorhanden sein wird.
Am 20. April 2008 jährt sich der Geburtstag von Prinz Louis Napoleon, dem späteren Napoleon III. und einzigen Ehrenbürger des Kantons Thurgau, zum 200. Mal. Aus diesem Anlass entstand diese Komposition im Auftrag der „Jugend Brass Band Forum Ostschweiz“ mit finanzieller Unterstützung der Thurgauer Kantonalbank.
DER KOMPONISTMario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studien-aus-weis das Prädikat „Sehr Gut“. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes gros-ses Werk - Szenen aus: Max und Moritz - erreichte am Kompositionswettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausge-zeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester „La Artistica Buñol“ in Valencia aufgeführt.Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario erhält regelmässig Kompositionsaufträge.
D
DEMO SCORE
E NAPOLÉON Mario BürkiTHE COMPOSITION
„In France there is nothing that lasts for eternity. Those words should be erased from the French dictionary.“
Just like the remark of Napoleon III after his attorney informed him that he had been sentenced to „eternal imprisonment“, in music there is also nothing that lasts forever. Following these words I tried to mix old with new in my composition. French musical ideas of the 19th century are constantly alternating with modern ideas. The French Gothic influence becomes apparent through the constant presence of short motives from Tchaikovsky’s 1812 or the “Marseillaise”. The theme from the beginning reappears at the end, showing how the past can not be denied, showing that the past is always is always present.
On 20 April 2008 was the 200th anniversary of Prince Louis Napoleon’s birthday. The prince, later known as Napoleon III, is the only honorary citizen of the Swiss Canton of Thurgovia, and for that reason the Youth Brass Band of Eastern Switzerland, with the financial backing of the “Thurgauer Kantonalbank”, commissioned this composition.
THE COMPOSER
Born the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory. He also followed courses in composition with Urs Peter Scheider and conducting under the direction of Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a second place in the composition contest in Lucerne organized by the World Association for Symphonic Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were premiered at the Mid-Europe Conference in Schladming and several have been chosen as set test-piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet and theory. Mario himself plays the trumpet, the piano and the organ.
DEMO SCORE
NAPOLÉON Mario Bürki
Dauer / Durée / Duration: 7.30´´Schwierigkeitsgrad / Degré de difficulté / Grade: 4
Blasorchester / Musique d´harmonie / Wind Band
Piccolo1st Flute2nd FluteOboeBassoonClarinet Eb1st Clarinet Bb2nd Clarinet Bb3rd Clarinet BbAlto Clarinet EbBassclarinet Bb1st Alto Saxophone Eb2nd Alto Saxophone EbTenor Saxophone BbBaritone Saxophone Eb1st Trumpet Bb2nd Trumpet Bb3rd Trumpet Bb1st Horn Eb/F2nd Horn Eb/F3rd Horn Eb/F1st Trombone Bb/C 2nd Trombone Bb/C3rd Trombone Bb/CEuphonium Bb/CTuba Bb/Eb/CTimpaniPercussion 1Percussion 2Mallets
musikverlag frank, Industriestrasse 30, CH-4542 Luterbachphone +41 (0)32 685 48 80 fax +41 (0)32 685 48 [email protected], www.musikverlag-frank.ch
Inst
rum
enta
tion
© 2008 by
DEMO SCORE
Fiero (h=80)
© 2008 by musikverlag frank, Schulhausstrasse 22, CH-4528 Zuchwil, Switzerland
NAPOLÉONAuftragskomposition des JBBFO zum 200. Geburtstag von Napoleon III.
Die Thurgauer Kantonalbank hat die Idee grosszügig unterstütztUraufführung am 7. August 2008 auf Arenenberg TG
Mario Bürki
Soprano Cornet Eb
Solo Cornet Bb
Repiano Cornet Bb
2nd Cornet Bb
3rd Cornet Bb
Flugelhorn
Solo Horn Eb
1st Horn Eb
2nd Horn Eb
1st Bariton Bb
2nd Bariton Bb
1st Trombone Bb
2nd Trombone Bb
Bass Trombone
Euphonium
Bass in Eb
Bass Bb
Timpani
Percussion 1
Percussion 2
Xylophon
p
Tenor Drum
DEMO SCORE
9Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
p p
p p
p p
p
Tamburin
p
2
DEMO SCORE
1825
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
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2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
mf
mf
mf
B.D.
mf
3
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26 accelerando
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
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2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
p cresc. mf
p cresc. mf
p cresc. mf
p cresc. mf
p cresc. mf
p cresc. mf
p cresc.
mf
p cresc. mf
p cresc. mf
p cresc. mf
mp
p
mp p
Vibrapone
p cresc.mf
4
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3439 Pomposo (h=116)
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
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2nd Bar.
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2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f f
mf
div. f
mf cresc. f
mf cresc. f
mf cresc. f
f
cresc. f
cresc.
f
cresc.
f
cresc.
mf
cresc.
mf
cresc. f
cresc. f
f
cresc.
mf
cresc.
f
cresc. f
f
f
S. C.
f
Tamb.
ff
cresc.
mf f ff
5
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41
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
6
DEMO SCORE
4754 Lugubre!
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
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2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
ff
ff
ff
ff
ff
ff
ff
ff
ff
f
ff
f
f
ff
f
ff
ff ff
Hihat
ff
Xylophone
7
DEMO SCORE
55
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
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Perc. 1
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Mallets
mf
mf
mf
mf
mf
mf
f ffff
f ff
f ff
ff f
f
ff f
ff f
f ff
ff
f ff f
f ff
f
ff
S.D.
Tam Tam
mf
mf
8
DEMO SCORE
61
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
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2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
ff mf
ff mf
ff mf
ff mf
ff mf
ff mf
ff f ffff
ff f ff
ff
f ff
f ff f
ff f
f ff f
f ff f
ff f
f ff f
ff f ff
ff f ffff
ff
Tam Tam
mf
ff mf
9
DEMO SCORE
6870
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f
f
f
f
f
f
f
f
f
mf
mf
mf
f
f
f
f
f
10
DEMO SCORE
74
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
mf f
mf f
mf f
mf f
mf
f
mf f
mf f
mf f
mf f
mf f
mf mf f
mf mf f
mf mf f
mf
f
mf
mf f
mf
f
mf f
mf
mf f
11
DEMO SCORE
79
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
Crash
mf
f
12
DEMO SCORE
84 Marciale
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
ff
ff
div.
ff
ff
ff
f
f
f
f
f
mute
mute
f
f
mute
f
ff
ff
ff
Hihat
f
ff
13
DEMO SCORE
90
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f ff
14
DEMO SCORE
95
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f
f
f
mf
mf
mf
mf
15
DEMO SCORE
100Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f
f
ff
div.
f
f
f
f
f
ff
ff
ff
f
f
ff
open
ff
open
ff
open
f
f
f
ff
f
f
16
DEMO SCORE
105
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f
S. C.
ff
17
DEMO SCORE
110
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f
S. C.
18
DEMO SCORE
116Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
f
f
ff
f
f
f
ff
ff
ff
ff
f
f
ff
f
f
f
f
f
ff
B.D.
f
f
19
DEMO SCORE
126132
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
ff
f
f
ff
f
ff
f ff
ff
ff
ff
20
DEMO SCORE
135
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
21
DEMO SCORE
144 ritardando 148 Tempo Primo (h=80)
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
decresc.
decresc. mf
decresc. mf
decresc. mf
mute
p
decresc. mf
mf decresc. p
mf decresc. p
p
mute
p
mute
mf decresc. p
decresc. decresc. p
decresc. decresc. p
decresc. decresc. p
decresc.
decresc.
p
Tenor Drum
Tambourine
p
S.C.
p mf
22
DEMO SCORE
150 rit.Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Mallets
open
p
p
p
23
DEMO SCORE
157 Grave (q=60)
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Perc. 2
Vib.
pp
open
pp
open
pp
pp
pp
pp
Glockenspiel
p
Vibraphone
pp
6 6 6 6 6 6 6 6 6 6 6 6
24
DEMO SCORE
160
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
pp
mute
mp pp6 6
pp
mute
mp pp
6 6
mute
pp mp pp
6 6
mute
pp mp
6 6
mute
pp mp
6 6
6 6 6 6 6 6 6 6
25
DEMO SCORE
162
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
pp
pp
pp
pp
6 6 6 6 6 6 6 6
26
DEMO SCORE
164
165Con Dolcezza
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
mf
open
open
mp
open
mp
p mp
p
mp
mp
sim.
6 6 6 6 6 6 6 6
27
DEMO SCORE
166
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
one, muted
one, muted
open
open
6 6 6 6 6 6 6 6
28
DEMO SCORE
168
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
f
solo
pp mp mf
one, open6 6
pp mp
mf
one, open6 6
pp mp
6 6
pp mp
6 6
f
f
6 6 6 6 6 6 6 6
29
DEMO SCORE
170
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
f
f
all
f
all
f
all
mf
mf
f
f
f
mf
6 6 6 6 6 6 6 6
30
DEMO SCORE
173 Lamentoso
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
p
mute
mute
p
mute
p
f
f mp
f mp
mp
open
mf mf mp
mf
f
mp mf mf
mf
mf
p
S.C.
mp
p
31
DEMO SCORE
175
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
mp mf mp
mp mf mf
p
S.C.
mp
32
DEMO SCORE
177
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
f
open
f
mf
mf
f
one, open
f
mf f
f
f
f
mp mf
mp mf
mp mf
mf
p
S.C.
mp
33
DEMO SCORE
179 Maestoso
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
ff
div.
ff
open
f
f
f
f
f
f
f
f
Xylophone
f
34
DEMO SCORE
182
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
unis.
mf
mf
mf
f
35
DEMO SCORE
185
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
mf
mf
mf
mf
f
f
f mf
f mf
f mf
f
mf
mf
S.C.
mf
mf
6 6 6 6
36
DEMO SCORE
188189 Marciale (q =132)
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
mp
mf
mp
mf
mp
Snare Drum
3 3 3 3
6 6 6 6
37
DEMO SCORE
192
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
mp
mp
mute
p
mute
p
mute
p
mp
mf mp
mf mp
3 3 3 3 3 3 3 3
38
DEMO SCORE
197
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
mute
p
open
f
mute
p
open
f
open
f
open
mf mf
3
open
mf mf
3
open
mf mf 3
mp mf
mf
mf
cresc.3 3 3 3 3 3 3
39
DEMO SCORE
202
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
f
ff
f
div.
f ff
f
ff
f
ff
mf f ff
mf ff
mf ff
mf ff
mf ff
mf ff
cresc.
ff
3 3 3 3 3
3 3
cresc.
ff
3 3 3 3 3 3 3
cresc.
f
3 3 3 3 3
3
3
ff
f
ff
f ff
ff
ff
3 3 3 3 3 3 3
C.C.
ff
Xylophone
mf f ff
40
DEMO SCORE
207208
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Glock.
Vib.
mf
mf
mf
mf
mf
f mf
f mf
mf
mf 3 3 3 3 3 3
Tamburin
41
DEMO SCORE
212216
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
mf
mf
unis.
mf
p
p
p
mf mf
one
mf
mf
mf
3 3 3 3 3 3
mp
B.D.
mf
42
DEMO SCORE
217
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
mf
f
mf
mf
mf
f
mf
mf
mf
all
f
mf
mf
3
mf
43
DEMO SCORE
221 accel.
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
mf
mf
mf
mp
fp
mf
p
p
p
mf
mf
mp
fp
fp
fp
fp
fp
fp
fp3 3 3 3
fp
44
DEMO SCORE
226Con Forza (q = 148)
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
3 3 3 3 3 3
f
f
45
DEMO SCORE
230
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
f
f
f
3 3 3 3 3 3
46
DEMO SCORE
234
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
Tambourine
47
DEMO SCORE
238 cresc.
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
3 3 3 3
f
48
DEMO SCORE
242244
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
C.C.
ff
ff
49
DEMO SCORE
246 poco accelerando
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
3
B.D.
f
50
DEMO SCORE
251
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
3
51
DEMO SCORE
253
Sop. Cor.
Solo-Cor.
Rep.-Cor.
2nd Cor.
3rd Cor.
Flhn.
Solo-Hn.
1st Hn.
2nd Hn.
1st Bar.
2nd Bar.
1st Trb.
2nd Trb.
B. Tbn.
Euph.
Bass in
Bass in Bb
Tmp.
Perc. 1
Tamb.
Vib.
ff fff
3
3
ff fff
3
3
ff fff
3
3
ff fff
3
3
ff fff
3 3
ff fff
3 3
ff fff
ff fff
ff fff
ff fff
3 3
ff fff
3 3
ff fff
ff fffff fff
ff fff
3 3
ff fff
3
3
ff fff
3 3
ff fff
ff fff
3
3
fff
ff fff
3
3
52
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