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SALES CATALOGUE 2019/2020Bärenreiter Praha

CZECHMUSIC

I N T E R N AT I O N A L A M B A S S A D O R O F C Z E C H M U S I C

Bärenreiter has received the prestigious Classic Prague Awards 2018 in the “International Ambassador of Czech Music” category, which is accorded to prominent international figures or institutions for consistently and diligently promoting Czech music abroad. The Classic Prague Awards are the pre-eminent classical music awards in the Czech Republic.

With more than 3,000 active titles, Bärenreiter Praha is the largest global supplier of Czech sheet music. The present catalogue contains all our new publications and a wide selection of other works by Czech composers. Our complete range can be browsed at www.baerenreiter.com • www.baerenreiter.cz

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CONTENTS

B Ä R E N R E I T E R U R T E X T

ContentsPiano / Keyboard 3Harpsichord 16Organ 16Accordion 17Violin 18Viola 23Violoncello 25Double Bass 28Harp 28Guitar 28Recorder 30Flute 30Oboe 31Clarinet 31Saxophone 32Bassoon 32

French Horn 33Trumpet 33Trombone 34Percussion 34Chamber Ensembles 35String Orchestra 48Chamber Orchestra 49Symphony Orchestra 51Solo Voice 56Childrens’choir 62Female Choir 62Male Choir 63Mixed Choir 64Choir and Orchestra 70Opera 73Thematic Catalogues 74Index of composers 79Index of edition numbers 80

SALES CATALOGUE 2019/2020Bärenreiter Praha

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This catalogue can be downloaded fromwww.baerenreiter.com www.baerenreiter.cz

Contents valid as of February 2019Errors excepted and delivery terms subject to change without notice

Printed by Bärenreiter Praha sro, náměstí Jiřího z Poděbrad 112/19, 130 00 Praha 3, Czech Republic, in March 2019

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Y O U R N E X T P E R F O R M A N C EI S W O R T H I T

2

Abbreviations and key to figures

B Jarmil Burghauser: Antonín Dvořák Thematic Catalogue

BA Bärenreiter editionsH Bär and its predecessors,

or new titles with contemporary Czech music

H. Harry Halbreich: Bohuslav Martinů Werkverzeichnis und Biografie

TP study score of Bärenreiter editions

ADCE Antonín Dvořák Complete Edition [Complete Edition of the Works of Antonín Dvořák]

AMO Adam Michna z Otradovic – Compositiones

BMCE The Bohuslav Martinů Complete Edition

LJCE Leoš Janáček Complete Edition [Complete Critical Edition of the Works of Leoš Janáček]

MAB Musica Antiqua BohemicaMKCE Miloslav Kabeláč

Complete Edition [Complete Critical Edition of Miloslav Kabeláč’s Works]

Cz CzechEng English Fr French Ger German It Italian Lat LatinRu RussianSp Spanish

arr. arrangeded. / eds. editor / editorsIMC International Music

Competition maj majormin minorrev. revisedvol. volume

COPY Authorised copy on request (offered for selected out-of-print titles)

• Bärenreiter-Verlag Kassel production

Contents

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♦ Performance material available on hire

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Contacts

3

PIANO / KEYBOARD

Piano Solotwo hands

Pieces for Children and Youth / Educational Works / Collections Classics and Their Contemporaries I

Dusík, Rejcha, Škroup, Tomášek, Voříšekrev A Sarauer, D KřížkováH 4497

Classics and Their Contemporaries IIBeethoven, Cimarosa, Clementi, Czerny, Dušek, Haslinger, Haydn, W A Mozart, Mysliveček, Pleyel, Rössler, Steibelt, Vaňhalrev A Sarauer, D KřížkováH 5077

Czech SonatinasJ A Benda, Dusík, Dušek, L Koželuh, Mysliveček, Vaňhal, VoříšekMAB I/17, eds K Emingerová, O KredbaH 1122

Dusík Jan Ladislav(1760–1812)

Twelve Melodic Studies for Piano Op. 16 MAB I/21, ed V J SýkoraH 907 COPY

Dušek František Xaver(1731–1799)

Sonata in Grev E Kleinová, A Fišerová, E MüllerováH 4092

Dvořák Antonín(1841–1904)

Largo from Symphony No. 9 in E min “From the New World” Op. 95arr L Láska in an easy styleH 1810

World-Famous Melodies18 excerpts from composer’s works arr A Pokorný in an easy styleH 1989 vol 1H 4750 vol 2

Dvořák Milan(*1934)

Jazz Piano Studies(Cz/Ger/Eng)H 5020 vol 1H 7082 vol 2

Eben Petr(1929–2007)

The World of Children (Svět malých)20 little compositionsrev I HurníkH 3211

Three Pieces in CH 6421

For Young People from Modern Czech Composers

Blažek, Doubrava, Jirák, Kabeláč, Kaprálová, Krejčí, Martinů, Rychlík, Schulhoff, V Štěpán, D C Vačkářed V JůzlováH 7591

Intermediate-level compositions of eminent Czech composers of the first half of the 20th century

Graham Peter(*1952)

Subversive Etudes (Jinakosti)for pianoillustrations Andrea TachezyBA 9585

These piano miniatures are a distinctive and unusual addi-tion to the teaching literature – simple and entertaining genre paintings for open-minded teachers and inquisitive kidsThe pieces in contrasting styles with musical wit and inven-tive sounds and rhythms help students not only with finger technique, but also to think in terms of counterpoint and to develop an expressive delivery

Miniature recital pieces for piano

A welcome addition to the piano teaching literature

Easy to moderate level of difficulty

Hanuš Jan (1915–2004)

Moments in Nature (Vteřiny v přírodě) Op. 18cycle of ten miniatures for the youngest pianistsrev E DoležalováH 2031

The Story of Ten Brothers (O deseti bratrech) Op. 32easy exercises and etudes for young fingers(Cz/Ger/Eng)H 2242

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Hradecký Emil(*1953)

A Little Jazz Album(Cz/Ger/Eng)H 7325

Jazz Etudes for Young Pianistsed Š Krejčí(Cz/Ger/Eng)H 7974

Hradecký Emil (*1953)

Two-Part Piano Miniatures on One Page (Dvouhlasé klavírní skladbičky na jednu stránku) 16 simple piano pieces for beginnersillustrations Andrea Tachezy(Cz/Ger/Eng)H 8034

The Czech composer and teacher Emil Hradecký has devoted much of his creative output to children and the piano This album offers imaginative piano miniatures of diverse character and style, which are easy to play, have interesting melodies, and are cleverly composed to really have just two parts, one for each hand

Easy and short performance pieces for pianists

Another original Czech contribution to educational piano literature

Bärenreiter PrahaH 8034

Emil Hradecký

Two-Part Piano Miniatures on One Page Zweistimmige Klavierstücke auf einer Seite

Hurník Ilja(1922–2013)

Jazz Piccolo (Džezík)easy piano pieces (Cz/Ger)H 6329

Studies (Etudy)H 6474

Janáček Leoš(1854–1928)

Selected Piano Works → page 8

Korte Oldřich F.(1926–2014)

Excursion (Exkurse)cycle of instructive pieces (Cz/Ger/Eng)H 7948

Martinů Bohuslav(1890–1959)

Christmas H. 167three festive piecesrev K ŠolcH 8081

Fables (Bajky) H. 138five pieces in moderate level of difficultyH 3363

Film en miniature H. 148cycle of six piecesed V Kafková H 5709

Puppets (Loutky) I–III→ page 9

Quatre Mouvements H. 170rev I PopelkaH 6156

Spring in the Garden (Jaro v zahradě) H. 125four children’s pieces ed A BřezinaH 3257


Easy Piano Pieces and Dancesed L Harasim BernáBA 9586

Black Bottom H 165, Foxtrot H 126bis, Crotchets and Quavers (Čtvrtky a osminky) H 257, One-step H 127bis, Foxtrot Born “On the Corner” (Foxtrot narozený „Na růžku”) H 123bis, Christmas (Vánoce) H 167

Though Bohuslav Martinů produced a lot of educational works for the piano, not all of them have been published and many delightful pieces have remained unknown

Six appealing pieces, two of them published for the first time – Crotchets and Quavers (1937) and One-step (1921)

Preface and fingering by the editor (Cz/Eng/Ger)

Easy to moderate level of difficulty

NEW 2018

5

PIANO / KEYBOARD

Metelka Jakub(*1986)

Modern Piano Studies (Moderní etudy pro klavír) illustrations Andrea Tachezy(Cz/Eng/Ger)BA 11559

Are studies meant only for practising? This album of 30 short pieces with original names and amusing illustrations proves that studies are in no way boring The edition covers all the keys, with each study solving a specific technical problem while displaying its own character or even telling a little story With

their tuneful melodies and modern sound, these studies amount to miniature recital pieces

“When you play through all the studies, you will be able to find your way through all the major and minor keys and perfect your grasp of musical notation,” says the author Jakub Metelka, composer, pianist and teacher

Piano studies as miniature recital pieces

30 studies – 30 technical problems to practice

All major and minor keys covered

Mostly of moderate technical difficulty

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Leaky Gutter / Undichte Dachrinne

Jolly Gnome / Fröhlicher Kobold

Slavický Klement(1910–1999)

12 Small Studiesrev E KleinováH 4149

Smetana Bedřich(1824–1884)

A Selection of Piano Compositions Irev V Štěpán, fingering K Šolcmoderate level of technical difficultyH 1979

Innocence (Nevinnost), Love (Láska), Polka in E-flat maj (op posth), Album Leaves (Lístky do památníku) Op 2 Nos 2, 3, 6, Polkas in E maj, E-flat maj, G min, E min, Idyll (Idyla), Souvenir (Vzpomínka), A Pleasant Land-scape (Přívětivá krajina)

Treasure of Melodies (II) five easy instructive pieces in increasing level of difficultyed H SéquardtováH 4499

Sonatinas and Rondos IClementi, Dusík, Kuhlaurev V KurzH 235

Suk Josef(1874–1935)

About Mother (De maman / O matince) Op. 28“Simple piano pieces for my little son”rev B SelvaH 297 COPY

Love Song (Píseň lásky) Op. 7 No. 1arr P Blažek, rev K ŠolcH 2424

Suková Otilie(1878–1905)

Piano Pieces→ page 12

Vaňhal Jan Křtitel(1739–1813)

Easy Sonatinasrev V MillerováH 2825

NEW 2019

NEW 2018

6

PIANO / KEYBOARD

Repertoire Works(including arrangements)Benda Jiří Antonín(1722–1795)

Sonate I–XVIMAB I/24, ed V J SýkoraH 1796

Classici boemici II Dusík, Rejcha, Škroup, Tomášek, VoříšekMAB I/20, ed V J SýkoraH 1356

Czech Piano MusicDusík, Dvořák, Fibich, Janáček, Martinů, V Novák, Smetana, Suk, Tomášek, Voříšekrev K ŠolcH 5033

Czech SonatinasJ A Benda, Dusík, Dušek, L Koželuh, Mysliveček, Vaňhal, VoříšekMAB I/17, eds K Emingerová, O KredbaH 1122


Twelve Melodic Studies for Piano Op. 16 MAB I/21, ed V J SýkoraH 907 COPY

Sonate I–VII MAB I/46, ed V J Sýkora H 3099 COPY

Sonate VIII–XVI MAB I/53, ed V J Sýkora H 3289 COPY

Sonate XVII–XXIIIMAB I/59, ed V J Sýkora H 3413

Sonate XXIV–XXIXMAB I/63, ed V J Sýkora H 3756


Complete Sonatas for Keyboard Urtext, ed V SpurnýBA 11513 vol IBA 11514 vol II

The Czech composer, out-standing pianist and teacher František Xaver Dušek was one of the leading figures in the musical life of late 18th century Prague

Volume I comprises 10 sona-tas that where published in Dušek’s lifetime by Breitkopf The original prints of eight of them were lost, however, and thus the only sources for the current critical edition were period copies of the worksVolume II contains 13 sonatas unpublished in Dušek’s lifetime and preserved in manuscript form Three sonatas from this volume appear here for the first time

First complete scholarly-criti-cal edition

Preface (Cz/Eng/Ger) and critical report (Eng) by the editor

Commentary on perfor-mance practice by the editor

Concert repertoire suitable for professionals and ama-teurs, ideal for teaching purposes


Dumka Op. 12/1 Furiant Op. 12/2 Two Little Pearls (Dvě perličky) B 156 (instructive pieces)ADCE V/3, eds M Nový, K ŠolcH 6676

Humoresque in G-flat maj Op. 101 No. 7Urtext, eds P Kvasničková, M Štědronskápreface (Cz/Eng/Ger), critical report (Cz/Eng) by the editors BA 9503

Humoresques Op. 101ADCE V/4, ed O ŠourekH 1274

Impromptu B 129, Humoresque B 138 ADCE V/3, eds J Burghauser, K ŠolcH 2850

Mazurkas Op. 56ADCE V/2, eds J Burghauser, K ŠolcH 2907

Piano Compositions 1 H 7040-01 COPY

Dumka Op 35, Eclogues B 103, Furiants Op 42, Piano Pieces Op 52, Silhouettes Op 8, Tema con variazioni Op 36, Waltzes Op 54

Piano Compositions 2 H 7040-02 COPY

Mazurkas Op 56, Impromptu in D min B 129, Dumka and Fu-riant Op 12, Poetic Tone-Pictures Op 85, Suite in A maj Op 98, Hu-moresques Op 101, Dances: Polka in E maj B 3, Minuets Op 28 and Scottish Dances Op 41, Album Leaves B 109/2, B 128a, B 158, B 109/1/2/4, B 116, Humoresque in F-sharp maj B 138, Two Little Pearls B 156, Lullaby, Capriccio B 188/1, 2

Piano Compositions Op. 52ADCE V/2, eds A Čubr, K ŠolcH 3177

Eclogue, Gigue, Impromptu, Intermezzo

Poetic Tone-Pictures (Poetické nálady) Op. 85ADCE V/3, eds J Burghauser, A ČubrH 338

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PIANO / KEYBOARD


Silhouettes Op. 8 12 piano piecesADCE V/1, ed K ŠolcH 1763 COPY

Slavonic Dances Op. 46 (Series I)arr K ŠolcH 1359

Slavonic Dances Op. 72 (Series II) arr K ŠolcH 1428 COPY

Suite in A maj Op. 98ADCE V/4, ed K ŠolcH 2226

Symphony No. 9 in E min “From the New World” Op. 95 arr K ŠolcH 1110

Tema con variazioni Op. 36 ADCE V/1, ed O Šourekrev and fingering K ŠolcH 1126 COPY

Waltzes Op. 54ADCE V/2, eds A Pokorný, K Šolc, J BurghauserH 1498

World-Famous Melodies18 excerpts from composer’s works arr A Pokorný in an easy styleH 1989 vol 1H 4750 vol 2


UniversiLiturgical Movement for PianoPrague Spring IMC Commission (2004)H 7917

Veni creator spiritusImprovisation on the Gregorian ThemeH 7744

Fibich Zdeněk(1850–1900)

Images, Impressions et Souvenirs (Nálady, dojmy a upomínky) Op. 41 rev K ŠolcH 384 vol IH 425 vol II H 675 vol IIIH 676 vol IV

Fišer Luboš(1935–1999)

Complete Sonatas for Pianoby one of the most distinctive figures of Czech music of the 20th century His 2nd Sonata (1957) was subsequently re-moved from his compositional repertoire by the composer himselfH 7911 Sonata IH 7957 Sonata IIIH 7988 Sonata IVH 7757 Sonata VH 7758 Sonata VI “Fras”

(The Devil)H 7766 Sonata VIIH 7989 Sonata VIII


Dreams and Waltzes (Sny a valčíky)H 7795


In the Mists (V mlhách)Urtext, eds L Kundera, J Burghauserfingering R Kvapilnew preface J Zahrádka(Cz/Eng/Ger)BA 9500

On an Overgrown Path (Po zarostlém chodníčku) Series I–IIUrtext, eds L Kundera, J Burghauserfingering R Kvapilnew preface J Zahrádka(Cz/Eng/Ger)BA 9502


Selected Piano Works → page 8

Sonata 1. X. 1905Urtext, eds L Kundera, J Burghauserfingering R Kvapilnew preface J Zahrádka(Cz/Eng/Ger)BA 9501

Thema con variazioni (Zdenkas Variations / Zdenčiny variace) rev R KvapilH 6070-01

Ježek Jaroslav(1906–1942)

Bugatti StepThe virtuosic piano foxtrot (1931) was influenced by the com-poser’s fascination with the Bugatti car H 3156

Jírovec Vojtěch(1763–1850)

12 Waltzes for Pianoed V MüllerováH 4738

Kabeláč Miloslav(1908–1979)

Eight Preludes for Piano Op. 30 H 2461 COPY

Motifs from Exotic Lands (Cizokrajné motivy) Op. 38MKCE V/4, ed Z Nouza H 7906

Seven Pieces for Piano Op. 14MKCE V/5, ed Z Nouza H 7857

NEW 2018

8

PIANO / KEYBOARD


Selected Piano Works Urtext, ed O PivodaBA 11545

Thema con variazioni, Ej, danaj!, Moravian Dances: Dance from Čeladná, Pilky), Music for Club Swinging, Piano Miniatures: In Remembrance, [Moderato], [untitled], To the Mrštík Brothers, Reminiscence, Compositions from the Newspaper “Lidové noviny”: Christ the Lord Was Born, [Con moto], [Andante], From the Autograph Book for Kamila Stösslová: [untitled], So That One Could Never Return, I Am Waiting for You! The Golden Ring This Urtext edition of Janáček’s works includes lesser-known piano pieces, which complete our picture of Janáček the piano composer, best known for the cycles On an Overgrown Path and In the Mists

The editor Ondřej Pivoda, the curator of the Moravian State Museum in Brno, has taken the

autograph manuscripts as his principal sources while consult-ing other accessible sources, such as historical editions and copyists’ manuscripts This series of piano miniatures appears for the first time in a scholarly-crit-ical edition, the seven-bar com-position To the Mrštík Brothers is published for the first time ever

Čekám Tě!/I am waiting for you!/Ich erwarte Dich!

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Janáček’s characteristic piano in brief!


Short Pieces for Piano (Drobné skladby pro klavír)MKCE V/6, ed Z Nouza H 7842

Kalabis Viktor(1923–2006)

Entrata, aria e toccata Op. 41 H 6354 COPY

Piano Sonata No. 3 Op. 57H 7415


Sonata for PianoH 184

Less-known piano miniatures for various occasions, folk dances, and very personal pieces

Welcome addition to the com-poser’s masterly repertoire works for piano

Preface (Cz/Eng/Ger) and criti-cal report (Eng) by the editor

17 pieces from easy to virtuoso difficulty

NEW 2018

9

PIANO / KEYBOARD

Koželuch Leopold(1747–1818)

Complete Sonatas for KeyboardUrtext, ed Ch Hogwood BA 9511 vol IBA 9512 vol IIBA 9513 vol IIIBA 9514 vol IVBA 9515 set of all 4 volumes

(special set price)

50 keyboard sonatas from the composer, pianist and piano teacher Leopold Koželuch (also Koželuh), the foremost representative of Czech music in 18th-century Vienna, span his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style, but also the evolution of the “classical sonata” during three decades (1773–1806)

Until now there have been few modern editions of this music Our new edition in four volumes is the first to present all of Koželuh’s sonatas for solo keyboard

First complete scholarly-critical edition

Fills a gap in Central-European Classical repertoire

Suitable for amateurs as well as professionals; ideal for teaching purposes

Detailed preface (Eng/Cz/Ger), critical report (Eng) by the editor and facsimile pages


Christmas H. 167three Christmas piecesrev K ŠolcH 8081

Easy Piano Pieces and Dances→ page 4

Film en miniature H. 148 cycle of six piecesed V Kafková H 5709

Puppets (Loutky) I-III H. 137, H. 116, H. 92ed A Březina

H 7875 vol I H 7946 vol II H 7963 vol III H 7970 all 3 volumes combined

The charming pieces composed between 1912 and 1925 differ from one another in mood They take characters of Italian commedia dell’arte as their theme: Pierrot, Colombina and Harlequin

Detailed preface and critical commentary by the editor (Cz/Ger/Eng/Fr)

Fingering by Giorgio Koukl

Quatre Mouvements H. 170rev I PopelkaH 6156

Mysliveček Josef(1737–1781)

Six Sonatasrev V Němecpreface O Zuckerová(Cz/Ger/Eng) H 7330

Novák Vítězslav(1870–1949)

Sonatinas Op. 54 Nos. 1, 2 rev F RauchH 475 COPY

Youth (Mládí) Op. 55 (selection from the cycle)rev J Večtomovová, J UxováH 3902

Lullaby (Ukolébavka), Desire (Touha), March (Pochod )

Reicha Anton (1770–1836)

36 Fugues for Pianoed V J Sýkora preface R Dykast (Cz/Eng/Ger)BA 9541

The Czech composer Anton Reicha (also Antonín Rejcha) was famous as both an experimental composer and a teacher and theorist His 36 Fugues for Piano testify to this experimentalism; they can be seen as a type of “Well-Tempered Piano of the new ages”, basing the traditional Baroque fugue on radically new fundaments

10

PIANO / KEYBOARD

Schulhoff Erwin(1894–1942)

Jazz Inspired Works Urtext, ed M KubeBA 9559

Partita (1922), Cinq études de jazz (1926), Esquisses de jazz: Six pièces faciles pour piano (1927), Hot Music: Ten Syncopated Studies (1928), Suite dansante en jazz (1931)

Sonatas Nos. 1–3Urtext, ed M KubeBA 9560

Erwin Schulhoff was a Prague German-speaking composer His compositions of the 1920s, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately ex-panded tonality, were fully at-tuned to the tenor of the times

First Urtext editions

Prefaces (Ger/Cz/Eng) and critical report (Eng) by the editor

Simon Ladislav(1929–2011)

Piano Sonata No. 2H 7445


A Selection of Piano Compositions IIIed V Štěpán, rev K ŠolcH 3374

Macbeth and the Witches (Macbeth a čarodějnice) Op posth, On the Seashore (Na břehu mořském), Bohemian Harvest (Slavnost českých sedláků), selection from Czech Dances: Polka in F maj, Furiant, Medvěd, Slepička, Obkročák

Album Leaves (Lístky do památníku)Urtext, ed J Novotnýfingering J Novotnýpreface J Gabrielová(Cz/Eng/Ger)BA 9525

Album Leaves (Lístky do památníku) Opp 2, 3, Sketches (Črty) Opp 4, 5, Posthumous Compositions and Compositions for Various Occasions

Czech Dances (České tance)Series I–IIUrtext, ed J Novotnýfingering J Novotnýpreface J Gabrielová (Cz/Eng/Ger)BA 9507

Series I: Polkas in F-sharp min, A min, F maj, B-flat maj, Series II: Furiant, Slepička, Oves, Medvěd, Cibulička, Dupák, Hulán, Obkročák, Sousedská, Skočná

Early Piano Works (Rané klavírní skladby)Urtext, ed J Novotnýfingering J Novotnýpreface J Gabrielová(Cz/Eng/Ger) BA 9527

Compositions from the years 1840–1849: Bagatelles et impromptus, Six morceaux caractéristiques Op 1, Wedding Scenes (Svatební scény), first Polkas: Louisa’s (Louisina), Dahlia (Jiřinková), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň), Polka in E-flat maj


Macbeth Sketch for the scene of Macbeth and the Witches after Shake-speare Urtext, ed J GabrielováBA 11537 (replaces H 7322)

Smetana’s piano sketch Macbeth, also known as Macbeth and the Witches, originated in 1859 while the composer was living in Sweden

The work’s dark and gloomy mood is also connected with the death of Smetana’s wife Katharina on 19 April 1859 Macbeth only appeared in print posthumously in 1912 It soon entered the piano reper-toire, and in the course of the 20th century it was scored for orchestra by Otakar Jeremiáš and for piano and orchestra by Jarmil Burghauser

This Urtext edition proceeds from the only surviving source, Smetana’s pencil sketch The editor has added as little as possible to the musical text in order to faithfully recreate the challenge of performing a sketch Missing rests and rhythmic ’anomalies’ have been left as in the autograph

Virtuoso concert piece in the “Liszt style”

New Urtext edition


NEW 2018

11

PIANO / KEYBOARD


On the Seashore (Na břehu mořském) / Concert Etude in C maj (Koncertní etuda C dur) / Fantasia on Czech Folksongs (Fantasie na české národní písně)included also Allegro capriccioso and Etude in A minUrtext, ed J Novotnýfingering J Novotnýpreface J Gabrielová(Cz/Eng/Ger) BA 9519

Piano Compositions 1 ed J NovotnýH 7333

Bagatelles et impromptus and other early piano compositions: Polkas (Betty’s, Louisa’s, Dahlia, Polka in E-flat maj), Duet, Impromp-tu I, Impromptu II, Impromptu III, Mazurka – Capriccio, Apparation at the Ball (Vidění na plese), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpo-mínka na Plzeň)

Piano Compositions 5ed J NovotnýH 7460

Six morceaux caractéristiques Op 1, The Curious One (Zvědavý), Forest Emotions and Impressions (Lesní city a dojmy), Waltzes, Album Leaves (Skladby psané do památníku)

Piano Compositions 6ed J NovotnýH 7215

Dreams (Rêves / Sny), Wed-ding Scenes (Svatební scény), Treasury of Melodies I (Poklad melodií I)

PolkasUrtext, ed J Novotnýfingering J Novotnýpreface J Gabrielová(Cz/Eng/Ger) BA 9506

14 Polkas from 1852–1860: Three Drawing-Room Polkas (Tři salonní polky) Op 7, Three Poetic Polkas (Tři poetické polky) Op 8, Souvenir of Bohemia in the Form of Polkas (Vzpomínka na Čechy ve formě polek) Opp 12, 13, Polkas from the 1850s: in E maj, G min, A maj, F min


Rêves (Dreams / Sny)Six morceaux caractéristiques pour le pianoUrtext, ed J GabrielováBA 9529

First scholarly-critical edition of Smetana’s distinctive work


With fingering and pedal markings by Smetana’s contemporary, Jindřich Kàan z Albestů


Love Song (Píseň lásky) Op. 7 No. 1arr P Blažek, rev K ŠolcH 2424

Lullabies (Ukolébavky) Op. 33 rev K ŠolcH 4154

Piano Compositions Op. 7 rev K ŠolcH 5766 COPY

Love Song (Píseň lásky), Humoresque, Recollections (Vzpomínky), Idylls (Idylky), Dumka, Capriccietto

Spring (Jaro) Op. 22afive pieces for piano rev K Šolc H 298

Things Lived and Dreamt (Životem a snem) Op. 30 ten pieces for pianoUrtext, ed J GabrielováBA 9561

Magnum opus of Suk’s piano music

First ever scholarly-critical edition


BA 11537 © 2018 by Bärenreiter Praha

Macbeth

4

7

12

2

4

2

4

[ ]

[ ]

Bedřich Smetana

[ ]

[ ]

[ ] [ ]

[ ]

[ ]

[ ]

[ ]

[ ]

From: Bedřich Smetana, Macbeth • BA 11537

12

PIANO / KEYBOARD

Suková Otilie(1878–1905)

Piano PiecesUrtext, ed E PrchalováBA 11557

Humoresque (Humoreska), Lullaby (Ukolébavka), Joey on the Horsie (Pepča na koníčku), To Dear Daddy (Drahému tatíčkovi)

Otilie Suková, the daughter of Antonín Dvořák and the wife of Josef Suk, was a very gifted musician; she played the piano and wrote several compositions of her own Four of her piano pieces have survived; Suk wrote them down after his wife’s performance Three of them were published four years after Otilie’s death as a supplement to the periodical Zlatá Praha The piece To Dear Daddy ap-pears here for the first time in print It is based on two sources – the first is Suk’s manuscript, the second is Otilie’s clean copy of Suk’s manuscript

First scholarly-critical edition of the sole surviving compo-sitions of Dvořák’s daughter Otilie

Mood pieces both pianist and audience will like, To Dear Dad-dy published for the first time

Moderate technical difficulty, also suitable for advanced students


Tomášek Václav Jan (1774–1850)

Eclogues pour le pianoforte I (Opp 35, 39, 47, 51)MAB I/73, ed A BorkováH 4872 COPY

Eclogues pour le pianoforte II (Opp 63, 66, 83)MAB I/74, ed A BorkováH 5390 COPY


Twelve Sonatines (Dodici Sonatine)rev V Němecpreface O Zuckerová(Cz/Ger/Eng) H 7461

Voříšek Jan Václav Hugo(1791–1825)

Composizioni per piano soloMAB I/52, ed O ZuckerováH 3237

Impromptus Op. 7MAB I/1, ed V HelfertH 2182

XII rhapsodies pour le pianoforte Op. 1, Vol. I (Rhapsodies I–VI)MAB I/78, ed V J SýkoraH 6036

XII rhapsodies pour le pianoforte Op. 1, Vol. II (Rhapsodies VII–XII) MAB I/79, ed V J SýkoraH 6114 COPY

Sonata in B-flat min Op. 20MAB I/4, ed O ZuckerováH 7133

Piano Duetfour hands

Pieces for Children and Youth / Educational WorksDvořák Antonín(1841–1904)

Scottish Dances Op. 41arr of the original piece for two hands (in piano album Dances, ADCE V/1)with fingering, pedal markings and dynamicseds A Fišerová, E MüllerováH 5851


The Little Green Forest (Hájíčku zelený)arr of folk songs with introducto-ry words by the author(Cz/Ger/Eng)rev J Němcová, V Němec H 6657


Jazz Pieces for Twenty Fingerspiano four hands arrangements of popular dances – Waltz, Ragtime, Samba, Tango etc (Cz/Ger/Eng) H 7975

p

Allegro vivo

p

simile

7

13

18

pp

sostenuto a tempo

23

mp

2

4

2

4

Pepča na koníčku/Joey on the Horsie/Joschi auf dem Pferdchen

7

From: Otilie Suková, Joey on the Horsie in Piano Pieces • BA 11557

NEW 2018

13

PIANO / KEYBOARD


Playing with Four Hands(Cz/Ger) H 6155

Kopelent Marek(*1932)

Two (Dva)H 6474

Repertoire Works


From the Bohemian Forest (Ze Šumavy) Op. 68cycle of six characteristic pieces ed A ČubrBA 9565

In the Spinning-room (Na přástkách), By the Black Lake (U Černého jezera), Walpurg’s Night (Noc filipojakubská), In the Wait (Na čekání), Silent Woods (Klid), From Troublous Times (Z bouřlivých dob)

Popular piano miniatures, which can also be played individually and are ideal as encore pieces

New preface by H-J Hinrich- sen and I Rentsch (Ger/Eng/Cz)

Legends (Legendy) Op. 59ADCE V/6, eds F Bartoš, A Pokorný, K ŠolcH 1801

Slavonic Dances (Slovanské tance) Op. 46 and Op. 72ed J BurghauserBA 9547 Op 46 / Series IBA 9548 Op 72 / Series II

Unique concert masterpieces of European music for piano four hands

New preface by H-J Hin-richsen and I Rentsch (Ger/Eng/Cz)


Sonata in B-flat maj Op. 28 eds A Pokorný, K ŠolcH 3879 COPY


Innocenzarev J Němcová, V NěmecH 7717

Hurník Lukáš(*1967)

Hot-Suiterev J Němcová, V NěmecH 7638

Leoš Janáček(1854–1928)

Moravian Folk Dances (Národní tance na Moravě)rev B ŠtědroňH 1089 COPY

Kabeláč Miloslav (1908–1979)

Small Suite (Malá suita) Op. 42 H 3598 COPY


Vltava (The Moldau)symphonic poem from the cycle My Country (Má vlast) in the original version for piano duet Urtext, ed H Macdonaldpreface O Mojžíšová (Cz/Eng/Ger)BA 9549

Concertos and Concertante Works for Piano


Concerto in G min for Piano and Orchestra Op. 33 → page 14


Concerto da camera per piano ed orchestra2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trumpets and stringsH 5422 score ♦


NEW 2018

14

PIANO / KEYBOARD


Concerto in G min for Piano and Orchestra Op. 33 Urtext, ed R van SteijnBA 10420 score ♦BA 10420-90 piano reduction

(Karel Šolc)(replaces H 1790 and H 1780)

Composed in 1876, Dvořák’s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello Performers and editors have often attempted to upgrade this pianistically

unassuming work by adding stylisations of their own Our Urtext edition re-evaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form

The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph The original piano reduction by Robert Keller is so full of mistakes that the editor decided instead to present the version by Karel Šolc

New Urtext edition of Dvořák’s only piano concerto

Solo part free of all unauthoris-ed amendments

Piano reduction by Karel Šolc adapted to fit this new edition

Preface (Eng/Cz/Ger) by D R Beveridge and critical report (Eng) by the editor

Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger)


Capriccio for Piano Left Hand and Wind Ensembleflute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French hornLJCE E/5, eds L Faltus, J ProcházkováBA 6856•/ H 7826-01

cloth bound score with parts

Urtext, eds L Faltus, J Procházkovánew preface J Procházková (Cz/Eng/Ger)BA 9535 score and parts

in slipcover (French horn part included)

The Capriccio was written in the autumn of 1926 at the suggestion of the pianist Otakar Hollmann, an invalid from the First World War Janáček wrote a four-movement work with associations to military music

Concertino for piano, 2 violins, viola, clarinet, French horn and bassoonH 4342 score with parts


Incantation (Concerto for Piano and Orchestra No. 4) H. 358TP 122• study score ♦BA 4318-90• piano reduction

(Karel Šolc)

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Dvořák’s piano concerto in its authentic form


NEW 2018

15

PIANO / KEYBOARD

Martinů Bohuslav(1890–1959)Piano Concertos Nos. 4 and 5BMCE III/1/6, ed I TabakBA 10579-01 cloth bound scorein preparation

Incantation (Concerto for Piano and Orchestra No 4) H 358, Concerto in B-flat for Piano and Orchestra No 5 (Fantasia Concertante) H 366

The fourth piano concerto of Bohuslav Martinů Incantation (1956) boasts an unusual two- -movement structure It was written for the composer’s friend Rudolf Firkušný, who played the piece from his copy of the manuscript until 1970, when the work was finally published

The subsequent Concerto in B-flat for Piano and Orchestra (1957–8), known as Fantasia Concertante, was created on the impetus of the Swiss pianist Margrit Weber, and its formal three-movement structure and techniques show no relation to its predecessor

This volume of the BMCE is based mainly on contemporary copies with markings by Martinů himself

Preface and critical report by the editor (Eng/Cz)

New findings on the genesis of the works

Assessment of early perfor-mance practice

→ the BMCE volumes pp 40 –41

Rösler Johann Joseph(1771–1812)

Concerto for Pianoforte and Orchestra No. 2 in E-flat majUrtext, ed A HönigováBA 11550 score ♦BA 11550-90 piano reduction

(Petr Koronthály) Johann Joseph Rösler was a composer, conductor and pianist who was active in Prague and Vienna Later he was in the service of Prince Franz Joseph von Lobkowitz His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven; indeed,

his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925

Now Rösler’s second Piano Concerto is appearing in print for the first time This is due to editor Alena Hönigová discovering and identifying an autograph score which is the only preserved source in the Prague Conservatoire archive In this Urtext edition Hönigová takes into account the distinctive features of Rösler’s handwriting and the division of parts in the score, as befits the performance practice of his day

First publication of a rediscov-ered piano concerto from the Viennese Classical period

Idiomatic piano reduction with figured bass realisation in the solo part

Preface (Cz/Eng/Ger) and critical report (Eng) by the editor, pianist and musicologist Alena Hönigová

Rediscovered piano concerto from the Viennese Classical period

NEW 2020

NEW 2018

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16

HARPSICHORD / ORGAN

Harpsichord Solo

Repertoire Works Gemrot Jiří(*1957)

Plays for Harpsichord (Hry pro cembalo)Prague Spring IMC Commission (2005)H 7896

Rychlík Jan(1916–1964)

Hommaggi gravicembalistici per cembalorev K ŠromH 5318

Harpsichord Concertos

Benda Jiří Antonín(1722–1795)

Concerto in G min for Harpsichord and Strings violin I II, viola, violoncello / double bassMAB I/10, ed V BělskýH 7438 score with parts ♦

Due concerti per cembalo violin I II, viola, violoncello / double bass in F maj, G majMAB I/77, ed V BělskýH 5805 score ♦ COPY

Tre concerti per cembalo violin I II, viola, violoncello / double bass in F min, B min, G majMAB I/45, ed V BělskýH 2981 score COPY (♦only F min and B min)

Organ Solo (with another instrument)

Repertoire Works (including arrangements)Černohorský Bohuslav Matěj(1684–1742)

Composizioni per organo MAB I/3, ed J ŠafaříkH 4346 COPY


Largo from the Symphony No. 9 in E min “From the New World” Op. 95arr M Kampelsheimer in an easy styleH 1809

Preludes and Fugues for Organ B 302ADCE VII/3, eds J Burghauser, A ČubrH 6334

Symphony No. 9 in E min “From the New World” Op. 95transcription for organarr Z SzathmáryBA 8472•


Musica dominicalis (Nedělní hudba)H 3761

Eben’s most famous composi-tion for organ

Revised edition with notes on interpretation by Jan Hora in cooperation with the composer


Ten Chorale PreludesH 7845

Windows (Okna)Four movements for Trumpet and Organ after Marc Chagall→ page 33


Reliefed P RajnohaH 7967


Organ WorksLJCE F/2, eds M Buček, L FaltusBA 6852-01• cloth bound scoreUrtext, eds M Buček, L Faltuspreface J Zahrádka (Cz/Eng/Ger)BA 9524

Three Pieces for Organ from Prague Studies in 1874–1875 (Overture, Varyto, Choral Fan-tasy), Two Pieces for Organ self-published in 1884, Postludi-um – the penultimate part of the Glagolitic Mass

Pořizování jakýchkoli kopií je podle zákona zakázáno.Vervielfältigungen jeglicher Art sind gesetzlich verboten.

Any unauthorized reproduction is prohibited by law.© 2017 Bärenreiter PrahaISMN 979-0-2601-0776-2 H 8028

© 2017 Bärenreiter Praha

ISMN 979-0-2601-0776-2

Pořizování jakýchkoli kopií je podle zákona zakázáno.

Vervielfältigungen jeglicher Art wird gerichtlich verboten.

Any unauthorised reproduction is prohibited by law.

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iloslav abeláč, op. 32

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From: Miloslav Kabeláč, Fantasy in D minor • H 8028

♦ Performance material available on hire • Bärenreiter-Verlag Kassel production

17

ORGAN / ACCORDION


Four Preludes Op. 48 MKCE V/13, ed J Horaafterword by the editor(Cz/Eng/Ger)H 8022to appear in December 2019


Two Fantasies Op. 32 No 1 in D min, No 2 in G minMKCE V/12, ed J Hora afterword by the editor(Cz/Ger/Eng)H 8028

Novák Jan(1921–1984)

Iubilationes per organoH 7865

Old Czech Organ ChristmasJosef Seger, Jakub V Paus, František X Brixi, Jiří I Linek, Jan K Vaňhal, Jan K Kuchař, Karel B Kopřivaed J SmolkaH 7690

S O U B O R N É K R I T I C K É V Y D Á N ÍK R I T I S C H E G E S A M T A U S G A B E C O M P L E T E C R I T I C A L E D I T I O N

KABELÁČMiloslav

H 8022

BÄRENREITER PRAHA

Čtyři preludia Vier PräludienFour Preludes

op. 48ORGAN

V/13 S O U B O R N É K R I T I C K É V Y D Á N ÍK R I T I S C H E G E S A M T A U S G A B E C O M P L E T E C R I T I C A L E D I T I O N

KABELÁČMiloslav

H 8028

BÄRENREITER PRAHA

Dvě fantazie Zwei FantasienTwo Fantasies

op. 32ORGAN

V/12

Fantasy in D minor was the composer’s first work for solo organ, which he wrote in 1957, the same year that he completed his cult compositions Mystery of Time and Symphony No. 3 (with organ) The following year he completed a commission for Fantasy in G minor (No 2) for the 1st Inter-national Organ Competition of Prague Spring 1958 Kabeláč joined both the Fantasies into a single opus 32, but as yet they had always been published separately This is the first edition to place both Fantasies together in one volume

The succinct Four Preludes Op 48 were written in 1964 as a commission for the 2nd International Organ Competition of Prague Spring 1966 The work is written in proportional notation with graphically expressed durations, which had been used by the composer from 1961 For prac-tical reasons, the editor decided to provide the present edition with standard notation The original musical text is also available via facsimiles of the work

Kabeláč’s organ compositions (his only ones for solo organ) – perma-nent repertoire for organists worldwide

Both publications edited by Jan Hora, the eminent Czech organist and expert on Kabeláč’s organ works

Both Fantasies Op 32 published in one volume for the first time

Four Preludes Op 48 in practical standard notation for the first time, supplemented with facsimiles of the original notation

Organ Compositions of Old Czech Masters

František X Brixi, Jan K Vaňhal, Jan K Kuchař, Karel F Pitsched B Geist, rev M KampelsheimerH 4506

Seger Josef Ferdinand Norbert(1716–1782)

Composizioni per organo (Preludi e fughe) MAB I/56, ed V BělskýH 3364 COPY

Slavický Milan(1947–2009)

Sursum cordaH 7873

Štědroň Miloš(*1942)

Claudio Monteverde: Praga 1595Prague Spring IMC Commission (2006)H 7969

Teml Jiří(*1935)

The Alchemists (Alchymisté)preface J Hora (Cz/Ger/Eng)H 7976

Organ Concertos

Brixi František Xaver(1732–1771)

Concerto Fa maggiore per organo principale2 French horns, violin I II, viola, violoncello / double bass and harpsichordMAB I/26, ed J ReinbergerH 1852 score ♦Due concerti per organoin D maj, G maj2 French horns (G maj), 2 clarinos in D, violin I II, viola, violoncello and double bassMAB I/75, ed V BělskýH 4923 score ♦

Accordion

Havlíček Ilja – Machalíčková Františka – Ondruš Ján

School of Accordion Playing(Cz/Ger)H 3204

NEW 2019

18

VIOLIN

School of Violin Technique Op. 1ed J FoltýnBA 9552 Book 1: 1st PositionBA 9553 Book 2: 2nd–7th PositionBA 9554 Book 3: Changing Positions BA 9555 Book 4: Exercises in Double Stops and Harmonics

School of Bowing Technique Op. 2ed J FoltýnBA 9591 Book 1: Exercises for the Right Arm BA 9592 Book 2: Exercises for the Wrist I BA 9593 Book 3: Exercises for the Wrist II

Forty Variations for the Violin Op. 3ed P Kudelásek BA 11521 (replaces 2627)

Ševčík’s principal works in new Bärenreiter editionsbased on authentic sources, tradition and continuity

Bärenreiter

ŠEVČÍK

BA 9555Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1

Sešit 4 / Book 4 / Heft 4

Bärenreiter Praha · www.baerenreiter.czBärenreiter-Verlag · Kassel · www.baerenreiter.com

Škola houslové technikySchool of Violin TechniqueSchule der Violintechnik

op. 1


Cvičení dvojhmatová a flažoletová Exercises in Double Stops and Harmonics

Übungen mit Doppelgriffen und Flageolett -Tönen

ISMN 979-0-2601-0722-9

1 · 14

1/1 - líc: HKS 41 K, rub: barva papíru Salzer

Bärenreiter

ŠEVČÍK





op. 1


Výměny poloh / Changing Positions / Lagenwechsel

ISMN 979-0-2601-0721-2

1 · 14


Bärenreiter

ŠEVČÍK





op. 1


2.– 7. poloha / 2nd– 7th Position / 2.– 7. Lage

ISMN 979-0-2601-0712-0

1 · 14


Bärenreiter

ŠEVČÍK





op. 1


1. poloha / 1st Position / 1. Lage

ISMN 979-0-2601-0711-3

1 · 14

1/2 - líc: HKS 41 K, rub: barva papíru Salzer + černá barva

Bärenreiter

ŠEVČÍK

BA 9593Ševčík, Škola smyčcové techniky / School of Bowing Technique / Schule der Bogentechnik · op. 2



Škola smyčcové technikySchool of Bowing Technique

Schule der Bogentechnik

op. 2


Cvičení zápěstí IIExercises for the Wrist II

Übungen für das Handgelenk II

ISMN 979-0-2601-0726-7

1 · 14

1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer pozor kod v K.-černá

Bärenreiter

ŠEVČÍK

BA 9592Škola smyčcové techniky / School of Bowing Technique / Schule der Bogentechnik · op. 2





op. 2


Cvičení zápěstí IExercises for the Wrist I

Übungen für das Handgelenk I

ISMN 979-0-2601-0725-0

1 · 14


Bärenreiter

ŠEVČÍK

BA 9557Ševčík, Výměny poloh a průprava ke cvičení stupnic / Changes of Position and Preparatory Scale Studies /

Lagenwechsel und Tonleiter-Vorstudien · op. 8


Výměny poloh a průprava ke cvičení stupnic

Changes of Position and Preparatory Scale Studies

Lagenwechsel und Tonleiter-Vorstudien

op. 8

ISMN 979-0-2601-0727-4

1 · 15

Bärenreiter

ŠEVČÍK

BA 9591Škola smyčcové techniky / School of Bowing Technique / Schule der Bogentechnik · op. 2





op. 2


Cvičení pro pravou rukuExercises for the Right Arm

Übungen für den rechten Arm

ISMN 979-0-2601-0724-3

1 · 14


Bärenreiter

ŠEVČÍK

BA 9556Ševčík, Průprava k trylku a výcvik prstového úhozu /

Preparatory Trill Studies and the Development of Double-Stopping / Triller-Vorstudien und Entwicklung des Finger-Anschlags · op. 7


Průprava k trylku a výcvik prstového úhozu

Preparatory Trill Studies and the Development of Double-StoppingTriller-Vorstudien und Entwicklung

des Finger-Anschlags

op. 7

ISMN 979-0-2601-0760-1

1 · 15

Bärenreiter

ŠEVČÍK

Čtyřicet variací pro housle

Forty Variations for the Violin

Vierzig Variationen für Violine

op. 3

Preparatory Trill Studies and the Development of Double-Stopping Op. 7ed J FoltýnBA 9556

Changes of Position and Preparatory Scale Studies Op. 8ed J FoltýnBA 9557

Legendary Czech violin school, on which whole generations of musicians have grown up all over the world

Popular, widespread, and effective practice method even after 130 years

Open to everyone irrespective of their needs, abilities, or level of maturity

Pragmatic selection of exercises and adequate application – the basis for success

Each book with preface and valuable methodical commentaries by the editor (Cz/Eng/Ger)

NEW 2018

19

VIOLIN

Violin Solo(with accompaniment)

Educational Works

Gola Zdeněk(*1929)

Violin Technique(Cz/Ger/Eng)BA 9550 vol 1BA 9551 vol 2

New method for practising left-hand technique

Around 500 position combi-nations

Progressive method for achieving, renewing and maintaining confidence in both positioning and into-nation

Preface and commentaries to the exercises (Cz/Ger/Eng)

Advanced level of technical difficulty

Krůček Václav(*1927)

School of Violin Studies I1st Position (Cz/Ger)H 5993 vol 1, 2

School of Violin Studies IIPlaying in Positions (Cz/Ger)H 6187 vol 3, 4

Ševčík Otakar(1852–1934)

Changes of Position and Preparatory Scale Studies Op. 8 ← page 18

Forty Variations for the Violin Op. 3 ← page 18

Preparatory Trill Studies and the Development of Double-Stopping Op. 7 ← page 18

Preparatory Exercises in Double-Stopping Op. 9ed N KubátH 2090

School of Violin Technique Op. 1 ← page 18

School of Bowing Technique Op. 2← page 18

Violin School for Beginners Op. 6 ed N KubátH 257 Book 1H 54 Book 4H 55 Book 5H 258 Book 7

Repertoire Works Benda František(1709–1786)

Caprice for violin solorev J ČeledaH 3133 COPY


Cruxfor violin, timpani and bellsreproduction of the autograph from the property of I ŠtrausH 7966 performance score

Hanuš Jan (1915–2004)

A Zest for Life (Chuť žít) Op. 127A Fantasy Variation for Solo Violin in Response to Pierre Teilhard de Chardin’s Thoughtspreface Cz/Ger/Eng rev P MacečekH 7881

Loudová Ivana(1941–2017)

Canto solitariofor violin soloPrague Spring IMC Commission (2003)H 7859

Šporcl Pavel (*1973)

Where Is My Home (Kde domov můj) virtuoso variations on the Czech national anthem for violin soloH 8039

2 Violins Solo(with accompaniment)

Educational WorksMicka Josef(1903–1993)

Elementary Studiesfor violin with the 2nd violin accompaniment H 5450

Repertoire Works (including arrangements)


Humoresque in G-flat maj Op. 101 No. 7for two violinsarr J ŽemlaH 1591-03 parts

Feld Jindřich(1925–2007)

Sonatina for Two ViolinsH 1927 parts

Kramář-Krommer František Vincenc (1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsarr L DanielH 5862 score with 1 part (alto recorder)

20

VIOLIN


Melodyfor two violinsed Z Nouza H 7951 score

Tůma František Ignác Antonín(1704–1774)

Composizioni strumentaliSonatas / Partitas / Sinfonias for two violins and basso con-tinuoMAB I/69, ed V BělskýH 4376 score

Violin and Piano

Pieces for Children and YouthJansa Leopold(1795–1875)

Concertino in D maj Op. 54 for violin and pianoH 2642 score with part COPY

Matys Jiří(1927–2016)

Capriccio violin part rev B KotmelH 5317 score with part


Compositions for Violin and Pianoarr J A Suk, J Kocian in an easy styleH 7823 score with part

Melody (Melodie), Bagatelle (Bagatela), Lullaby (Ukolébavka), Evening Mood (Večerní nálada), Village Serenade (Vesnická sere- náda), Song of Love (Píseň lásky)

Repertoire Works(including arrangements)Benda František(1709–1786)

Quatro sonatein A maj, A min, G maj, A majMAB I/57, eds J Štědroň, B ŠtědroňH 3578 score with part


Sonatas Op. 69 Nos. 1, 2MAB I/41, eds J Štědroň, B ŠtědroňH 2704 score with part


Romance in F min Op. 11arrangement for violin and piano by the composer Urtext, ed J HájekBA 9571 score with part

Romance in F minor, one of Dvořák’s most delightful sin-gle-movement instrumental compositions, was written between 1873–1877 originally with orchestral accompani-ment, and in this version was published by F Simrock in 1879 Our edition publishes Dvořák’s own piano version for the first time It differs from the orchestral version in several important respects and is also one bar shorter

First-ever publication of a piano version based on the composer’s autograph piano arrangement

New edition serves as a piano reduction of the orchestral version with a more authen-tic approach than other, common piano reductions

Detailed preface by D R Beveridge (Cz/Eng/Ger) and critical report (Eng) by the editor


Capriccio B 81Concert RondoADCE IV/1, eds J Burghauser, A ČubrH 5543 score with part

Humoresque in G-flat maj Op. 101 No. 7rev A Pokorný, L LáskaH 1592 score with part

Largo from Symphony No. 9 in E min “From the New World” Op. 95 arr A Pokorný H 1811 score with part

Mazurek Op. 49ADCE IV/1, eds J Hanuš, K ŠolcH 1550 score with part

Romantic Pieces (Romantické kusy) Op. 75eds A Pokorný, K Šolcnew preface D R Beveridgefingering J Micka BA 9576 score with part(arrangement for viola and piano on p. 24)

Slavonic Dances Op. 46 Nos. 1–4arr A PokornýH 3235 score with part

Sonata in F maj Op. 57ADCE IV/1, eds A Pokorný, K Šolc violin part rev S NovákH 2178 score with part COPY

Sonatina in G maj Op. 100ADCE IV/1, ed A Čubr violin part rev J FeldH 1364 score with part

Two Waltzes Op. 54 Nos. 1, 4for violin / viola and piano arr J Kocian, viola part rev K MoravecH 1890 score (violin version)

with viola part

21

VIOLIN


Sonatina semplicefor violin / flute and pianorev B Purger (violin part), V Žilka (flute part) H 2414 score with both parts


Idyll (Selanka) Op. 16for clarinet / violin and piano violin transcription by the com-poserclarinet part rev M KostohryzH 3754 score with both parts

Sonatina Op. 27violin part rev V SnítilH 1442 score with part


Hands (Ruce)Sonata for Violin and Pianoviolin part rev I ŠtrausH 3884 score with part

Hanuš Jan(1915–2004)

Suite to the Paintings of Mánes (Suita podle Mánesových obrazů) Op. 22 rev S ŠormH 465 score with part


A Blown-Away Leaf (Lístek odvanutý)from the piano cycle On an Overgrown Path arr by J ŠtědroňH 2043 score with part

Dumkarevised version based on com-poser’s autograph of the violin part ed A NěmcováH 7743 score with part

Works for Violin and PianoRomance, Dumka, SonataLJCE E/1, eds J Krejčí, A NěmcováBA 6849• cloth bound score

with part

Works for Violin and PianoRomance, Dumka, SonataUrtext, eds J Krejčí, A NěmcováBA 11512 score with part

With a revised version of Dumka based on composer’s autograph of the violin part and with original dynamic markings

New preface by A Němcová (Cz/Eng/Ger)

Kocian Jaroslav(1883–1950)

Serenade in D majviolin part rev V SnítilH 7938 score with part

Three Compositions for Violin and Piano Op. 19 Nos. 1, 2, 3H 7874 score with part

Mélodie, Chanson printanière, Lullaby

Trois pièces d’impression pour violin et piano Op. 18 Nos. 1, 2, 3H 7825 score with part

Méditation du soir, Inter-mezzo pittoresque, Hymne au printemps

Two Compositions for Violin and Piano Op. 17 Nos. 1, 2Serenade in G maj, Humoresqueviolin part rev V SnítilH 7802 score with part


Dialoghi filosofici (Philosofical Dialogues)violin part rev I ŠtrausH 6582 score with part

Kubelík Jan(1880–1940)

Burlesqueviolin part rev V SnítilH 7914 score with part

MinuetH 7817 score with part

Kubička Miroslav(*1951)

Sonata H 7916 score with part


Impromptu H. 166three compositions for violin and pianoed I PopelkaH 5906 score with part

Intermezzo H. 261four compositions for violin with piano accompanimentviolin part rev V Nopppiano part rev K ŠolcH 5259 score with part

Sonatina H. 262violin part rev V NoppH 2172 score with part

22

BA 10422-90

Violino solo

Joseph Joachim zugeeignet

© 2017 by Bärenreiter Praha

Koncert pro housle

Violin Concerto

Konzert für Violine

I

f

Allegro ma non troppo

6

rit.

11

f

dim.

in tempo

14

cresc.

23

ff

rit.

in tempo

27

f

54

ff

59

63

cresc.

66

c

Viol. I

33

Antonín Dvořák, op. 53

cresc.

f

33

6655

66 66

33

4

33

33

33

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22

Viol. I, II

33

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33

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New Urtext edition of a Romantic concerto masterpiece

VIOLIN

Bärenreiter

DVOŘÁKB Ä R E N R E I T E R U R T E X T

Koncert a mollpro housle a orchestr

Concerto in A minorfor Violin and Orchestra

Konzert a-Mollfür Violine und Orchester

op. 53


Sonata super “Hoson Zes…”for violin / flute and piano ed J ČižmářH 7855 score with both parts

Ondříček František (1857–1922)

Scherzo capriccioso Op. 18violin part rev V SnítilH 7915 score with part


From the Homeland (Z domoviny)two duets for violin and pianoUrtext, eds F Bartoš, J Plavec, K Šolcviolin part rev I Štraus new preface M Ottlová(Cz/Eng/Ger)BA 9526 score with part


Sonata per il pianoforte con violino obligatorev by J Panocha, A DítětováH 5445 score with part


Sonata in G maj Op. 5 MAB I/30, eds J Štědroň, B ŠtědroňH 2078 score with part COPY


Concerto in A min for Violin and Orchestra Op. 53 Urtext, ed I CividiniBA 10422 score °BA 10422-90 piano reduction

with solo partTP 422 study score

Dvořák’s Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was

Concertos and Concertante Works for Violin

issued by the publisher Fritz Simrock, Berlin in 1883 Its pre-miere took place in October of that same year with František Ondříček as soloist

This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts) It also takes into consideration Dvořák’s autograph, which served as a master copy for the engraving A fresh assessment of Dvořák’s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions

An important component of our Urtext edition is the original piano reduction, which probably stems from Dvořák himself, and in which Joseph Joachim’s fingering is published

First Urtext edition of the origi-nal piano reduction

Variants in the solo part ren-dered as ossia passages

Preface on the work’s genesis (Ger/Cz/Eng) and detailed criti-cal report (Eng) by the editor


23

VIOLIN / VIOLA


Concerto for Violin and OrchestraH 6696 piano reduction ♦


The Wandering of a Little Soul (Putování dušičky) Violin Concertocritical reconstruction of the scoreLJCE H/4, eds L Faltus, M ŠtědroňH 7738 score ♦H 7504 piano reduction

(Leoš Faltus)


Concerto No. 2 for Violin and Piano Op. 49 violin part rev J SukH 6674 score ♦

Kaprálová Vítězslava(1915–1940)

Concertino for Violin, Clarinet and Orchestra Op. 21 based on the composer’s draft realised by M Štědroň, L FaltusH 7919 score ♦ COPY


Concerto da Camera H. 285for violin, string orchestra, piano and percussioneds S Bergmannová, A Březina, P Žůrekin one volume with Rhapsody- -Concerto for Viola and Orchestra H 337, eds P Silverthorne, A Březina, J ZichováBMCE III/1/ 7, ed A Březina et alBA 10578-01 cloth bound score

→ page 24


Concerto No. 1 for Violin and Orchestra H. 226 violin part rev J SukBA 6720 / H 5798 score ♦BA 11527-90 piano reduction

(Karel Šolc)

Concerto No. 2 for Violin and Orchestra H. 293 violin part rev B BělčíkBA 11529-90 piano reduction

(Karel Šolc) ♦

Key violin concertos of the 20th century in newly engraved piano reductions

Solo parts of both concertos revised by leading Czech violinists and internationally respected performers of Martinů’s music

Both concertos with new prefaces by Martinů scholar S Bergmannová (Cz/Eng/Ger)


Concerto for Two Violins and Orchestra H. 329BA 3842• study score ♦BA 3842-90• piano reduction

(Karel Šolc)

Duo Concertante for Two Violins and Orchestra H. 264BA 4317• study score ♦ COPYBA 4317-90• piano reduction

(Karel Šolc)

Slavický Milan(1947–2009)

The Way of the Heart (Cesta srdce) for violin solo, winds, percussion, celesta and harpH 6931 score – facsimile ♦

Vranický Antonín(1761–1820)

Concerto in B-flat maj for Violin and OrchestraMAB I/16, eds F Krejčí, V Strakaviolin part rev F KrejčíH 916 piano reduction

Viola Solo

Repertoire Works

Vycpálek Ladislav(1882–1969)

Suite for Viola Solo Op. 21H 3729

The Suite from 1929 is one of the major works of the viola literature of the 20th century, alongside the compositions of Paul Hindemith

Viola and Piano

Repertoire Works(arrangements inclusive)


Romantic Pieces Op. 75arr for viola and piano by Bella and Semjon Kalinowsky→ page 24


NEW 2019


NEW 2019

24

VIOLA




Romantic Pieces (Romantické kusy) Op. 75arr for viola and piano by Bella and Semjon KalinowskyBA 10437 score with part(original version for violin and piano on p. 20)

Since the first edition with Simrock in 1887, Romantic Pieces have become some of Dvořák’s most popular works for violin and piano Now they are being made available for violists as well

Bella and Semjon Kalinowsky have arranged the four pieces according to the ADCE The pi-ano part of the original version remains, while the violin part has been adapted for viola

Dvořák’s popular work now arranged for viola and piano

Viola part with fingering and bowing marks

Preface by the arrangers (Cz/Eng/Ger)


Two Waltzes Op. 54 Nos. 1, 4for violin / viola and piano arr J Kocian, viola part rev K MoravecH 1890 score (violin version)

with viola part


Rhapsody-Concerto for Viola and Orchestra H. 337BA 4316• study score ♦BA 4316-90• piano reduction

(Jürgen Sommer)


Concerto in C maj for Viola and Orchestraviola part rev by J Plichta BA 11531-90 piano reduction ♦

(Vilém Blažek)

The Bohemian composer Jan Křtitel Vaňhal/Johann Baptist Vanhal (1739–1813) settled in Vienna around 1763 There he wrote several concertos for various instruments, of which two for viola have survived Both are evidently not original compositions, but arrangements of Vaňhal’s own works by his contemporaries The Viola Concerto in C major is based on Vaňhal’s cello concerto in the same key

Popular repertoire piece from the Viennese Classical period available once again

Solo part with cadenzas for each movement

New preface by P Schmidt (Ger/Cz/Eng)

NEW 2019


Concertante Music for Viola and PianoH 7528 score with part

Viola Concertos


Concerto for Viola and Orchestra H 7987 piano reduction ♦


Rhapsody-Concerto for Viola and Orchestra H. 337eds P Silverthorne, A Březina, J Zichováin one volume with Concerto da Camera H 285, eds S Bergman-nová, A Březina, P Žůrek BMCE III/1/ 7, ed A Březina et alBA 10578-01 cloth bound scorein preparation

While Concerto da Camera for violin, string orchestra, piano and percussion (1941) was the culmination of Martinů’s Ba-roque concerto grosso-inspired years, the 11-years-younger Rhapsody-Concerto for Viola and Orchestra (1952) heralded the author’s fantastic period, characterised by free-flowing forms and expanded tonality

This edition is the first to in-clude significant amendments the composer made to Concerto da Camera, especially the solo violin, in the time before its first publication Rhapsody-Concerto is impacted by the recent dis-covery of previously unknown performance materials

Preface and critical report (Eng/Cz)

New findings on the gen-esis of the works and the circumstances of their first publication

Reception of both works in the composer’s lifetime


NEW 2019

25

VIOLONCELLO

Violoncello Solo(2 Violoncellos)

DV

OŘ

ÁK

· Dum

ky · op. 90 Bärenreiter Bärenreiter

ŠEVČÍK

Škola smyčcové techniky pro violoncello

School of Bowing Technique for Violoncello

Schule der Bogentechnik für Violoncello

op. 2

Sešit V a VI / Sections V and VI / Heft V und VI

DV

OŘ

ÁK

· Dum


ŠEVČÍK




op. 2

Sešit III a IV / Sections III and IV / Heft III und IV

DV

OŘ

ÁK

· Dum


ŠEVČÍK




op. 2

Sešit I a II / Sections I and II / Heft I und II

Educational Works / Pieces for Children and Youth

Key work for right-hand violin techniquein a new arrangement for violoncello

Ševčík Otakar(1852–1934)

School of Bowing Technique for Violoncello Op. 2 arr T Jamník

BA 11547 Sections I and IIBA 11548 Sections III and IVBA 11549 Sections V and VI

Ševčík’s Opus 2 is a fundamental tutor for teaching the violin It focuses on the elementary prob-lems of right-hand technique which Ševčík practises in 4,000 variants of systematically organised exercises for all bowings

This famous tutor has remained in use to the present day and is equally valued by players of other string instruments

The distinguished cellist Tomáš Jamník has arranged the School of Bowing Technique for the violoncello, taking into account its differences from the violin He has transcribed individual exer-cises for the violoncello without neglecting Ševčík’s original peda-gogical aims As a result, this edition differs fundamentally from the only known cello ar-rangement of this opus by Louis R Feuillard

New arrangement for violoncello of one of the most significant violin tutors for the right hand

Preface and valuable methodo- logical commentaries by the arranger (Cz/Eng/Ger)

Exercises in ascending order of difficulty: easy – moderate – difficult

Practical three-volume edition

Insert (in BA 11547) with the themes of the exercises from all 6 sections for easier practice of different bowing variants

An example from Etude No. 7: The transposition into C major corresponds to Ševčík’s choice of the key of G major for violinists, allowing the use of the lowest two left-hand positions on the cello, which correspond to the original first position on the violin.

NEW 2018

26

VIOLONCELLO


Pauer Jiří(1919–2007)

Twelve Duets for Two Violoncellos ed H Velická BA 11561 score

Twelve Duets for Two Violon-cellos by the renowned Czech composer Jiří Pauer captivate with their harmonic and timbral combinations and their dramatic expression These moderately difficult pieces are ideal for re-citals and can be performed by two students or a student and

Repertoire Works


Sonata for Violoncello Solo→ page 27

Kukal Ondřej(*1964)

Violoncelliana – 2nd Rhapsody for Solo Violoncello Op. 32Prague Spring IMC Commission (2012)H 8021

Tichý Vladimír(*1946)

Exclamationfor violoncello soloPrague Spring IMC Commission (2006)H 7949


Slavonic Dances Op. 46for violoncello and pianoarr J GemrotBA 9568 score with part

First complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jiří Gemrot

Includes Dvořák’s own arrangement of Slavonic Dance No. 8

With fingering and bowing by T Jamník

Preface by E Velická (Cz/Eng/Ger)

A welcome addition to the violoncello repertoire

Dvanáct duet pro dvě violoncella

Jiří PAUER

Twelve Duets for Two Violoncellos

Zwölf Duette für zwei Violoncelli

Bärenreiter PrahaBA 11561

teacher, as the upper part is compli-cated by its extended range, which includes higher positions in the tre-ble clef The duets give players the opportunity to use techniques such as sul ponticello, sul tasto, pizzicato, tremolo and staccato Our edition is based on the auto-graph score with added recommen-dations for fingering and bowing Composed in 1969, this collection which has a duration of 15 minutes is dedicated to the cellist Antonín

Kohout, the founder of the fa-mous Smetana Quartet, and his daughter Máša 12 recital pieces of moderate

difficulty, suitable for cellists with four or more years of training

Presents various playing tech-niques on the violoncello

Fingering, bowing and preface by the editor (Cz/Eng/Ger)

Violoncello and Piano

Repertoire Works(including arrangements)Dvořák Antonín(1841–1904)

Cello CompositionsSlavonic Dances Op 46 Nos 3, 8, Polonaise in A maj B 94 ADCE IV/3, ed J Burghausercello part rev J Chuchro H 5305 score with part

Polonaise in A maj Op. post. (B 94)ed K StorckBA 6965• score with part

Rondo in G min Op. 94ADCE IV/3b, ed A ČubrH 1487 score with part

Silent Woods (Klid) Op. 68 No. 5ADCE IV/3, ed A ČubrH 1532 score with part

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Dvanáct duet pro dvě violoncella

Twelve Duets for Two Violoncellos

Zwölf Duette für zwei Violoncelli

© 2019 by Bärenreiter Praha

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NEW 2019

NEW 2019

27


VIOLONCELLO


Suita balladica H 2156 score with part


Sonatas for VioloncelloH 8025 score with parts to appear in May 2019

Sonata for Violoncello and Piano (1975), Sonata for Two Violoncellos and Piano (1980), Sonata for Violoncello Solo (1985–86)

Luboš Fišer was one of the most distinctive figures of twenti-eth-century Czech music, an artist of universal talent who created exquisite music to dozens of films while experi-menting with artificial music and combining traditional and proportional notation His three roughly eight-minute sonatas offer intensely dramatic, expres-sive music with a highly repeti-tive character

All three compositions are effec-tive concert pieces The edition is based on the first printed edi-tions while taking other sources into account

Effective concert pieces

Fingering and bowing in Sonata for Violoncello Solo by the cellist M Jerie

Preface by J Hájek (Cz/Eng/Ger)


Works for Violoncello and PianoUrtext, eds J Fukač, B Havlík, J ZahrádkaBA 9509 score with part

A Tale (Pohádka), Presto With the four-movement

version of A Tale in Supplement (score and part)

Preface by J Zahrádka (Cz/Eng/Ger)


Sonata for Violoncello and Piano Op. 9MKCE IV/3, ed Z Nouza cello part rev D VeisH 7793 score with part


Ritornel Op. 25eds M Štědroň, L FaltusH 7827 score with part


Karrakcello part rev J BártaH 7725 score (facsimile)

with part


Sonata No. 3 for Violoncello and Piano H. 340ed A Březina cello part rev M SedlákH 7893 score with part

Variations on a Slovakian Theme H. 378BA 3969• score with part

Concertos and Concertante Works for Violoncello


Concerto in A maj for Violoncello and Orchestra B 10 ADCE VII/2, eds J Burghauser, K Šolc cello part rev M SádloH 5674 piano reduction ♦ COPY

(Antonín Dvořák)

Concerto in B min for Violoncello and Orchestra Op. 104Urtext, ed J Del MarBA 9045• score °BA 9045-40• critical commen-

tary by the editor (Eng)

BA 9045-90• piano reduction (Antonín Dvořák)

TP 620• study score

With Dvořák’s final and defin-itive version of the solo cello part

With hundreds of corrections in the solo cello part as well as the orchestral parts

Preface in the score by the editor (Eng/Cz/Ger), preface in the study score by J Smaczny (Eng/Cz/Ger)

Concerto in B min for Violoncello and Orchestra Op. 104ADCE III/12, ed F Bartošcello part rev L Zelenka piano part rev K Šolc H 1598 score ♦ COPYH 1200 piano reduction

(Antonín Dvořák)


Sonata da Camera H. 283for violoncello and chamber orchestraBA 4319• study score ♦ BA 4319-90• piano reduction


Concerto in A maj for Violoncello and OrchestraH 6973 piano reduction

(Josef Rut)

SONÁTY PRO VIOLONCELLO

SONATEN FÜR VIOLONCELLO

SONATAS FOR VIOLONCELLO

PARTITURA A HLASYPARTITUR UND STIMMEN

SCORE AND PARTS

BÄRENREITER PRAHA

L U B O Š F I Š E R

NEW 2019

28

DOUBLE BASS / HARP / GUITAR

Double Bass Solo

Educational WorksČerný František(1861–1940)

Technical Studies for Double Bass (Cz/Ger)H 4179

Hertl František(1906–1973)

Four Pieces (Čtyři skladby)for double bass and pianodouble bass part rev S SchäferBA 11556 score with part in preparation

The renowned Czech double bass player, composer and conductor František Hertl led the double bass section of the Czech Philharmonic during the Václav Talich era and served as the artistic director of the famous Czech Nonet for 15 years He later taught at the Prague Con-servatoire and the Academy of Music An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities He also wrote successful concerto and teaching pieces for his instrument New editions of major repertoire works for double bass

Sonata (1946) in three movements – a work of artistic and technical challenges

Solo part in the Sonata revised by respected Czech double bass vir-tuoso Jiří Hudec, preface to the Sonata (Cz/Eng/Ger) by Jan Balcar, Hertl’s last pupil

Concertante Four Pieces (Prelude, Burlesque, Nocturne, Tarantella) from 1968 maintains its popularity to the present day

Revision of the solo part in Four Pieces and preface (Cz/Eng/Ger) by German double bass player Stefan Schäfer, solo bassist of the Hamburg Philharmonic State Orchestra

Double Bass and Piano

Repertoire Works Kubička Miroslav(*1951)

Fierce and Frolicsome (Hrátky hravé i dravé)Rondo for Double Bass and Piano H 7982 score with part

Hertl František(1906–1973)

Sonata for double bass and pianodouble bass part rev J HudecBA 11530 score with part

Harp

Repertoire WorksDusík Jan Ladislav(1760–1812)

Six Sonatinas for HarpMAB I/22, ed M Zunová H 1748

Teml Jiří(*1935)

Calligrams (Kaligramy)seven compositions for harp rev M Šimečková-SpitzerováH 7414

Guitar Solo (2 Guitars)

Educational Works / Pieces for Children and YouthJirmal Jiří(*1925)

School of Guitar Playing for Beginners(Cz/Ger)H 5194

Rak Štěpán(*1945)

Minute Solos (Minutová sóla)short pieces for guitar beginnersH 7236

NEW 2020

29

GUITAR

Sommer Lukáš(*1984)

I Want to Be a Guitarist (Chci být kytaristou)Easy Pieces for Guitarillustrations Jitka NěmečkováBA 11555to appear in May 2019

This children’s collection by renowned Czech composer-gui-tarist Lukáš Sommer reflects the latest trends in playing and teaching the guitar It is suitable for the first three years of les-sons Some of the pieces have even been performed by children and young guitar students at competitions and concerts in Europe Each of these little programme pieces is written in a different

style with brief explanations of its technical features (Cz/Eng/Ger) Several are composed in an open-ended form that allows players to define the rhythm or to add an accompaniment on open bass strings In this way the author grants leeway to the learners’ creativity and stimu-lates their musical imagination

Guitar playing made easy A fun way to learn to read

music and to enhance musical creativity

Wide range of styles and playing techniques

Extraordinary contribution to performance repertoire of guitar beginners

Bärenreiter PrahaBA 11555

Zelenka Milan – Obrovská Jana(*1939 / 1930–1987)

Collection for Guitar I (Album pro kytaru I) short performance pieces for guitar solo from easy to advanced level of difficultyH 6415

Repertoire Works (including arrangements)

Czech and Slovak Guitar and Lute Music

for guitar soloselection, transcription from tablature and editing J JirmalH 5132

Hybler Martin(*1977)

The Scent of Faded Shades (Vůně vyhaslých stínů) Op. 14 for guitar soloH 7876

Jirmal Jiří(*1925)

Guitar Duets (Kytarová dueta)Smetana, Fibich, Janáčekarr J JirmalH 7797

Happy Waltzfor guitar soloH 7792

Joy of Bossa Novafor guitar soloH 7796

Prelude in Jazz / CanzonettaPrelude in Jazz for solo guitar Canzonetta for solo guitar with the 2nd guitar ad lib H 7828

Suite Azure(Recuerdos para Laurindo Almeida) for guitar soloH 7869

Losy Jan Antonín(1650–1721)

Pièces de guitareMAB I/38, ed J PohankaH 2498

5

Naughty PupDer unartige Hund

Relax your right thumb, emphasise the melody over the accompaniment.

Lockere den Daumen der rechten Hand, spiele die Melodie stärker als die Begleitung.

Povol palec pravé ruky,

melodii zahraj silneji než doprovod.

NEW 2019

30

WINDS

Recorder / 2– 3 Recorders(solo / with accompaniment)

A Journey from the Middle Ages to the Present Day (Putování od středověku po současnost) a selection of compositions for descant recordered J KvapilBA 11544 to appear in October 2019

The renowned Czech flautist and author of successful recorder teaching methods Jan Kvapil has compiled an album for pre-inter-mediate to intermediate players with a selection of more than 60 tried-and-true historical compo-sitions (Medieval, Renaissance, Baroque) and 13 contemporary

works in the style of blues, jazz, or Latin by the British flautist Alan Davis

The set includes compositions for solo recorder or with accom-paniment (guitar, piano/harp-sichord) and numerous other combinations for 2–3 recorders The accompaniments for piano/harpsichord and guitar are freely accessible on the publisher’s website, together with record-ings of 32 of the pieces with various tempos and instrument combinations (harpsichord, piano, lute, guitar, viola da gam-ba, percussion) The recorded accompaniments can also be used separately for any kind of performance

For descant recorder with various combinations of instruments and compositional styles

Welcome addition to repertoire of pre-intermediate and inter-mediate players

Accompaniments (guitar and piano/harpsichord) in PDF format and recordings of both compositions and separate ac-companying instruments freely available for download

Kramář-Krommer František Vincenc(1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsarr L DanielH 5862 score with 1 part (alto

recorder)

Nykl Jan

35 Studies for Soprano Recorder for intermediate playersH 7132

Flute Solo(2 Flutes)

Repertoire Works(including arrangements)


Compositions for Flute Solo MKCE IV/5, ed Z Nouza H 7910

Short Suite (Partita piccola) Op 13, Improvisation on the Own Theme Op 29b (from Six Lullabies Op 29 No 3)


Moldau for two flutesarr J SeubelBA 10929• score

Flute (Piccolo) / 2 Flutesand Piano

Pieces for Children and Youth Eben Petr(1929–2007)

Sketch for C. B. (Skica pro C. B.)for 2 flutes and pianoH 7135 score with duet part


Jazz Windsfor flute (oboe / violin) / trumpet (clarinet / saxophone) / trom-bone (bassoon / violoncello)with piano accompanimentH 7931 score with parts

mp3 on-l ine BA 11544 Bä ren re i t e r P raha

PUTOVÁNÍ OD STŘEDOVĚKU PO SOUČASNOST

A JOURNEY FROM THE MIDDLE AGES TO THE PRESENT DAY

EINE ZEITREISE VOM MITTELALTER BIS ZUR GEGENWART

ALBUM SKLADEB PRO SOPRÁNOVOU ZOBCOVOU F LÉTNU

SP I E LBUCH FÜR SOPRANBLOCKFLÖTE

A SELECT ION OF COMPOS I T I ONS FOR DESCANT RECORDER

7

14

20

27

32

2

4

2

4

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Légèrement

57 Le Meguet

Philibert de Lavigne (c. 1700–1750)

S

Fine

D.C. al Fine

38

Pieces for Children and Youth / Educational Works

NEW 2019

NEW 2018

31

WINDS


Repertoire WorksEben Petr(1929–2007)

Sonatina semplicefor violin / flute and pianorev B Purger (violin part), V Žilka (flute part) H 2414 score with both parts


Three Compositionsfor oboe / flute / clarinet and pianoH 4557 score with parts

Hlaváč Miroslav(1923–2008)

Two Pastoralesfor flute and pianoH 7149 score with part


Partita in A per flauto e pianoH 3819 score with part


March of the Blue-Birds (Pochod modráčků)for piccolo and pianoH 4876 score with part


Sonatina for Flute and PianoH 7890 score with part


Sonata super “Hoson Zes…”for violin / flute and piano ed J ČižmářH 7855 score with both parts

Other chamber works with flute – see CHAMBER ENSEMBLES

Flute Concertos

Benda František (1709–1786)

Tre concerti per flauto traverso ed orchestra da camerain G maj, E min, A maj violin I II, viola, violoncello, double bass and harpsichord MAB I/80, ed V BělskýH 6211 score COPY

(♦ only G maj, A maj)


Concerto for Fluteand string orchestra, piano, harp and percussion H 3869 piano reduction ♦

Fils Antonín(1733–1760)

Concerto Re maggiore per flauto ed orchestraMAB I/18, eds H Kašlík, F Suchý cadenza by F SuchýH 53 piano reduction ♦

(František Suchý)


Concerto in D maj for Flute and Orchestraoboe I II, French horn I II and stringsed M MunclingerH 4721 score ♦

Oboe and Piano

Repertoire WorksFeld Jindřich(1925–2007)


Pelikán Jaroslav(*1970)

Sonatina for Oboe and PianoPrague Spring IMC Commission (2008)H 7991 score with part


Suite for Oboe and Piano H 3723 score with part

Other chamber works with oboe – see CHAMBER ENSEMBLES

Oboe Concertos


Concerto in F maj for Oboe and Orchestra Op. 52flute, oboe I II, bassoon I II, French horn I II, trumpet I II, timpani and stringsMAB I/27, ed F SuchýH 1933 piano reduction ♦

(František Suchý)

Clarinet Solo(2 Clarinets)

Pieces for Children and Youth / Educational WorksKramář-Krommer František Vincenc(1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsarr L DanielH 5862 score with 1 part (alto

recorder)

Teml Jiří(*1935)

Chap-Book (Špalíček)easy pieces for two clarinetsrev J KrejčíH 7830 score

Zákostelecký Bedřich(*1942)

School of Clarinet Playing(Cz/Ger)H 5631 vol 1H 6339 vol 2


32

WINDS

Repertoire WorksHusa Karel(1921–2016)

Three Studies for Solo ClarinetPrague Spring IMC Commission (2008)H 7992

Clarinet and Piano

Repertoire Works(arrangements inclusive)Feld Jindřich(1925–2007)



Idyll (Selanka) Op. 16for clarinet / violin and piano violin transcription by the com-poserclarinet part rev M KostohryzH 3754 score with both parts


Sonata for Clarinet and Piano(after the Sonata for Violin and Piano)arr S BrillBA 9581 score with part

Welcome addition to the clari-nettist’s repertoire

Janáček’s masterpiece in a convincing arrangement for clarinet based on the LJCE E/1

Preface by the arranger, Israeli clarinettist Shirley Brill (Eng/Cz/Ger)

Klusák Jan(*1934)

Recitativo e canto per clarinetto e pianoPrague Spring IMC Commission (2002)H 7867 score with part

Matějů Zbyněk(*1958)

Smorfia (Grimace / Škleb) for clarinet and pianoH 7788 score with part

Other chamber works with clarinet – see CHAMBER ENSEMBLES

Concertos and Concertante Works for Clarinet


Concertino for Violin, Clarinet and Orchestra Op. 21 based on the composer’s draft, realised by M Štědroň, L FaltusH 7919 score ♦ COPY

Koželuch Jan Evangelista Antonín(1738–1814)

Concerto in E-flat maj for Clarinet and Chamber Orchestra clarinet I II, French horn I II and strings clarinet part rev J KratochvílH 3888 piano reduction COPY

(Jiří Kratochvíl)


Concerto in E-flat maj for Clarinet and Orchestra Op. 36flute, oboe I II, bassoon I II, French horn I II, trumpet I II, timpani and stringspractical edition based on MAB I/13, ed J Kratochvílclarinet part rev J KratochvílH 888 piano reduction ♦

(Ladislav Simon)


Clarinettino – Concertino for Clarinet and StringsH 7898 piano reduction ♦

(Radek Škeřík)

Saxophone

Educational WorksGruber Rudolf(1944–2011)

Etudes for Saxophone(Cz/Ger)H 5215

Bassoon Solo

Educational WorksPivoňka Karel(1907–1986)

Rhytmical Etudes for BassoonH 3291

Virtuoso Etudes for BassoonH 1217

Bassoon and Piano

Repertoire WorksGemrot Jiří(*1957)

Rapsodia per fagotto e pianoforteH 7406 score with part

Other chamber works with bassoon – see CHAMBER ENSEMBLES

Bassoon Concertos

Neruda Jan Křtitel Jiří(1707–1780)

Concerto Do maggiore per fagotto ed archied E DrápelaH 7567 scoreH 7646 piano reduction (Julie Drápelová)


Concerto per fagotto ed orchestra bassoon part rev K BidloH 2544 piano reduction ♦ COPY (Jiří Pauer)

33

WINDS

Pelikán Jaroslav(*1970)

ConcertinoVariazioni per fagotto, orchestra d’archi, arpa e timpaniPrague Spring IMC Commission (2002)H 7854 piano reduction

(Miloš Bok)

French Horn Solo(2 French Horns)

Educational Works Kaucký Emanuel – Petr Miloš(1904–1953 / 1933–2001)

Short Studies for Horn 50 studies by E Kaucký10 studies by M PetrH 6837

Repertoire WorksKalabis Viktor(1923–2006)

Invocation Op. 90for French horn soloH 7804

Stich-Punto Jan Václav(1746–1803)

24 Duets for French Hornsed and rev F ŠolcH 4422 score

Other chamber works with French horn – see CHAMBER ENSEMBLES

French Horn Concertos


Concerto for French Horn and Orchestra H 2955 piano reduction ♦ (Jiří Pauer)


Windows (Okna)Four Movements for Trumpet and Organ after Marc Chagalltrumpet part rev L Kozderkaorgan part rev M ŠlechtaH 6390 score with part

One of the composer’s most frequently performed pieces worldwide since its creation in 1976

Both instruments retain a great deal of independence, progressing in their own rhyth-mic patterns, intersecting in places

Kučera Jan(*1977)

The Jokerfor trumpet and pianoPrague Spring IMC Commission(2010)H 8001 score with part

Inspired by Chagall’s stained-glass windows for the syna-gogue in Jerusalem


21

H 6390

21

Pieces for Children and Youth Hradecký Emil(*1953)

Jazz Windsfor flute (oboe / violin) / trumpet (clarinet / saxophone) / trombone (bassoon / violoncello)with piano accompanimentH 7931 score with parts

Other chamber works with trumpet – see CHAMBER ENSEMBLES

Repertoire Works

Trumpet and Piano / Organ

34

WINDS


Trombone Solo

Repertoire WorksKurz Ivan(*1947)

A Soloist’s Sustenance (Sólistův chléb) for tenor trombonePrague Spring IMC Commission (2011)rev J SušickýH 8019

Trombone and Piano

Pieces for Children and YouthHradecký Emil(*1953)

Jazz Windsfor flute (oboe / violin) / trumpet (clarinet / saxophone) / trom-bone (bassoon / violoncello)with piano accompanimentH 7931 score with parts

Repertoire WorksSimon Ladislav(1929–2011)

Fantasia per trombone e pianofortePrague Spring IMC Commission (2004)H 7913 score with part

Other chamber works with trombone – see CHAMBER ENSEMBLES

Trombone Concertos

Matěj Josef(1922–1992)

Concerto No. 1 for Trombone and Orchestra H 2726 piano reduction ♦ COPY (Josef Matěj)

Percussion

Educational WorksKubánek Libor(*1964)

School of Percussion Playing (Cz/Ger)H 7745

School of Side Drum Playing(Cz/Ger)easy to advanced level of diffi-cultyH 7753

Tuzar Josef

Studies for Side DrumH 4156

Repertoire WorksFišer Luboš(1935–1999)

Cruxfor violin, timpani and bellsreproduction of the autograph from the property of Ivan ŠtrausH 7966 performance score

Ištvan Miloslav(1928–1990)

Capricciofor vibraphone, marimba and percussionH 7932 score with parts

H 7993

82

From: Miloslav Kabeláč, 8 invenzioni Op. 45 (final bars) • H 7993


8 invenzioni Op. 45per strumenti a percussione for 6 playersMKCE IV/10, ed Z Nouza H 7993 score

8 ricercari Op. 51per strumenti a percussionefor 1–6 playersMKCE IV/11, ed Z Nouza H 7994 score

8 invenzioni – one of the composer’s most famous works

8 ricercari – first printed edition

Both compositions written for and premiered by Les Percussions de Strasbourg

35

CHAMBER ENSEMBLES

Piano Trio

(piano, violin, violoncello – if not stated otherwise)


Dumky Op. 90Urtext, ed Ch FlammBA 9567 score with parts

Dvořák’s magnum opus in the piano trio genre

New Urtext edition based on the original Simrock print while carefully confronting the various reissues with the autograph and taking note of Dvořák’s sketches as well as his later four-hand piano ar-rangement

Detailed preface (Ger/Cz/Eng) and critical report (Eng) by the editor

Supplemented by the initial, draft version of dumka No 3

Dvořák Antonín (1841–1904)

Piano Trio in B-flat maj Op. 21ed A Čubrnew preface D R Beveridge (Eng/Cz/Ger)BA 9578 score with parts

Piano Trio in G min Op. 26eds A Pokorný, K Šolc new preface E Velická (Cz/Eng/Ger)BA 9538 score with parts

Piano Trio in F min Op. 65ed F Bartošnew preface H-J Hinrichsen and I Rentsch (Ger/ Cz/ Eng)BA 9564 score with parts


Trio for Violin / Flute, Violoncello and PianoH 7962 score with parts


Sonata for Two Violoncellos and Piano(part of the volume Sonatas for Violoncello)H 8025 score with partsto appear in May 2019→ more in the Violoncello section on p 27


Frescoes (Fresky) Op. 51H 7860 score with parts

Martinů Bohuslav (1890–1959)

Concertino for Piano Trio and String Orchestra H. 232H 284 score ♦ COPY


Piano Trio in G minUrtext, eds F Bartoš, J Plavec, K Šolcnew preface M Ottlová (Cz/Eng/Ger)BA 9518 score with parts


Elegy Op. 23[a]“Under the Influence of Zeyer’s Vyšehrad” the composer’s own arrange-ment for piano trioH 7807 score with parts(original version for chamber ensemble – see Miscellaneous Ensembles on p. 45)

Škroup František Jan(1801–1862)

Trio in E-flat maj Op. 27for piano, clarinet / violin and violoncelloUrtext, ed M HarlowBA 9521 score with parts

First Urtext edition

Two alternative scorings of the work

Preface (Eng/Ger/Cz ) and critical report (Eng) by the editor

Piano Quartet

(piano, violin, viola, violoncello – if not stated otherwise)


Bagatelles (Maličkosti) Op. 47for two violins, violoncello and piano / harmoniumADCE IV/10, eds A Pokorný, K Šolc H 2271 score with parts

NEW 2019

36

CHAMBER ENSEMBLES


Piano Quartet in D maj Op. 23Urtext, ed R TaitBA 9574 score and parts in

slipcover

New Urtext edition

Detailed preface by Dvořák scholar D R Beveridge (Eng/Cz/Ger)

Critical report by the editor (Eng)


Piano Quartet in E-flat maj Op. 87 eds A Pokorný, K Šolc new preface (Cz/Eng/Ger) E Velická BA 9537 score and parts

in slipcover


Quartet Op. 11for violin, viola, violoncello and pianoH 3331 score with parts COPY


Piano Quartet in A min Op. 1Urtext, ed Z Nouza BA 9546 score with parts

First scholarly-critical edition


Piano Quintet(piano, 2 violins, viola, violoncello – if not stated otherwise)


Piano Quintet in A maj Op. 5 eds J Burghauser, K Šolcnew preface D R Beveridge (Eng/Cz/Ger)BA 11539 score and parts

in slipcover

In 1887 Dvořák revised several of his works from the 1860s and 1870s, most of them he then published for the first time He thoroughly revised also his Piano Quintet in A major Op 5, but he declined to publish it Instead, he wrote a new one in the same key – the famous Op 81 Dvořak’s first Piano Quintet in A major was never published during his lifetime

Piano Quintet in A maj Op. 81 ed A Čubr new preface D R Beveridge (Eng/Ger/Cz)BA 9573 score and parts

in slipcover


Piano QuintetH 7719 score with parts


Quintet in D maj Op. 42for violin I, clarinet / violin II, French horn / viola, violoncello and pianoH 3998 score with parts COPY


Quintet Op. 8 for two violins, viola, violoncello and pianoed by V MusilH 5330 score with parts COPY

String Duo

Kukal Ondřej (*1964)

Present – Duo for Violin and VioloncelloH 7964 score with parts


Twelve Duets for Two VioloncellosBA 11561 score → page 26

String Trio


Miniatures (Drobnosti) Op. 75a / Gavotte B 164Miniatures – for two violins and viola Gavotte – for three violinsADCE IV/4H 3392-01 parts in slipcover

Terzetto in C maj Op. 74for two violins and viola composed as an occasional composition for amateursed J BurghauserBA 9543 parts in slipcover


Serenade No. 2 H. 216 for two violins and violaH 1501 parts COPY H 6508 score COPY

String Trio No. 1 H. 136for violin, viola and violoncelloed E Velickápreface and critical report by the editor (Cz/Ger/Eng/Fr)H 7965-22 parts in slipcoverH 7965 study score

NEW 2019

37

CHAMBER ENSEMBLES


Trio in G maj for violin, violoncello and double bassH 5649 score with parts COPY

Teml Jiří(*1935)

Koledníčekpopular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncellostring parts rev M ŠkampaH 7852 parts in slipcover

String Quartet

Bořkovec Pavel(1894–1972)

String Quartet No. 4H 79 parts in slipcover


Cypresses (Cypřiše) B 152ADCE IV/7, ed F Bartoš H 6663 parts in slipcover H 2306 study score (pocket

score)

Quartet Movement in F maj B 120ADCE IV/7H 6902-01 parts in slipcover

String Quartet No. 1 in A maj Op. 2 eds J Burghauser, A Čubroriginal Burghauser’s preface updated and expanded by H Schick (Cz/Eng/Ger)BA 9539 parts in slipcoverTP 539 study score

String Quartet No. 2 in B-flat maj B 17eds A Pokorný, K Šolcoriginal Burghauser’s preface updated and expanded by H Schick (Cz/Eng/Ger)BA 9540 parts in slipcoverTP 540 study score

String Quartet No. 3 in D maj B 18ADCE IV/5H 3813 parts in slipcover

String Quartet No. 4 in E min B 19ADCE IV/5H 4592 parts in slipcover

String Quartet No. 5 in F min Op. 9eds J Burghauser, A Čubroriginal Burghauser’s preface updated and expanded by H Schick (Cz/Eng/Ger)BA 9545 parts in slipcoverTP 535 study score

String Quartet No. 6 in A min Op. 12 ADCE IV/5H 6549 parts in slipcover

String Quartet No. 7 in A min Op. 16ADCE IV/6H 2849 parts in slipcover

String Quartet No. 8 in E maj Op. 80ADCE IV/6H 1834 parts in slipcover H 1835 study score

String Quartet No. 9 in D min Op. 34ADCE IV/6H 1481 parts in slipcover


String Quartet No. 10 in E-flat maj Op. 51Urtext, ed H SchickBA 11523 parts in slipcover(replaces H 1595)TP 523 study score(replaces H 1599)

When Antonín Dvořák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been per-formed However, this new work quickly achieved international renown and has remained among one of the most popular string quartets by Dvořák

The authoritative Dvořák scholar Hartmut Schick has consulted all accessible sources, most notably the printed score published by Simrock and the autograph In comparison to the old Supraphon edition of 1955, the new publication edited early versions of the middle movements in the appendix

First critical edition of this significant work in decades

Audible alteration in the 4th movement (in the viola part)

Early versions (the endings of the 2nd movement, “Dumka” and the 3rd movement, “Romance”) included in the appendix

Detailed preface (Ger/Cz/Eng) and critical report (Eng) by the editor

From: Antonín Dvořák, String Quartet No. 10 in E-flat major Op. 51 • TP 523

Bärenreiter


Smyčcový kvartet č. 10 Es dur

String Quartet No. 10 in E-flat major

Streichquartett Nr. 10 Es-Dur

op. 51

TP 523 © 2019 by Bärenreiter Praha

Smyčcový kvartet Es dur

String Quartet E-flat major

Streichquartett Es-Dur

Violino I

Violino II

Viola

Violoncello

p dolce

Allegro ma non troppo q = 108

p

p

p

cresc. cresc. f cresc. fz

5

f

cresc. f

cresc. f

dim. p dim. pp

10

dim. p dim.

dim. p dim. pp

dim. p dim. pp

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I

An Jean Becker.


cresc.

pp

An Jean Becker.

Smyčcový kvartet Es durString Quartet in E-flat major

Streichquartett Es-Dur

NEW 2019

38


String Quartet No. 12 in F maj Op. 96 Urtext, ed M KubeBA 11538 parts in slipcover(will replace H 1594)TP 538 study score(will replace H 1304)in preparation

Antonín Dvořák composed his twelfth String Quartet in F maj Op 96, called “American”, dur-ing his summer holiday stay in Spillville, Iowa, in June 1893 It became one of Dvořák’s most popular compositions ever It was published by Simrock in Berlin in 1894, having been proofread by Johannes Brahms himself

The absence of an engraver’s copy complicated the assess-ment of all the differences between the autograph score and the printed edition of the score and parts The complex task was taken up by the expe-rienced editor Michael Kube Following modern practice, the present edition abandons the octave-higher treble clef in the cello part and replaces it with the tenor clef

New Urtext edition

Preface (Ger/Cz/Eng) and critical report (Eng) by the editor

Standard notation of the cello part

CHAMBER ENSEMBLES


String Quartet No. 11 in C maj Op. 61ADCE IV/7H 1791 parts in slipcover


String Quartet No. 12 in F maj Op. 96 “American”ADCE IV/7, ed O ŠourekH 1594 parts in slipcover(will be replaced with BA 11538)H 1304 study score(will be replaced with TP 538)

String Quartet No. 13 in G maj Op. 106ADCE IV/7H 1732 parts in slipcover

String Quartet No. 14 in A-flat maj Op. 105ADCE IV/7 H 1569 parts in slipcover

Two Waltzes Op. 54No 1 in A maj, No 4 in D-flat majADCE IV/6H 2803 parts in slipcover


String Quartet No. 6H 7764 score with parts


String Quartet in A maj H 100 parts COPY


Variations on an Unknown Theme (Variace na neznámé téma) for string quartetfirst printed edition H 8023 score with parts

Bärenreiter


Smyčcový kvartet č. 12 F dur

String Quartet No. 12 in F major

Streichquartett Nr. 12 F-Dur

op. 96

NEW 2020

BA 8100-29 Bach-blueBA 8100-27 Debussy-blueBA 8100-24 Telemann-greenBA 8100 Mozart-red

format A6 (148 x 105 cm) / 32 pages

Universal notebook with handy small format

Ideal student lesson book (pages alternate between ruled and music paper)

Practical gift for every musician

BA 8100-21 Dvořák-orange

Bärenreiter Notes

39

CHAMBER ENSEMBLES

Haas Pavel(1899–1944)

String Quartet No. 2 Op. 7 “From the Monkey Mountains” (“Z Opičích hor”)Urtext, ed O PivodaBA 11525 parts in slipcoverTP 525 study scoreto appear in November 2019

String Quartet No. 2 “From the Monkey Mountains” (1925) repre-sents the first peak of the oeuvre of Pavel Haas, a Czech composer

of Jewish descent, who was one of the most talented pupils of Leoš Janáček In this string quartet, expanded in the fourth movement to include percussion ad libitum, Haas weaves elements of Janáček’s compositional tech-nique with jazz

The new edition provides the very first critical treatment of the work with the assessment of all relevant sources, from sketches to the definitive version of the score, to contemporary performance materials The editor newly sep-arated the percussive version, which was performed at the 1926 premiere in Brno, from the purely quartet arrangement based on the composer’s revision in later years The reconstructed original version from 1926 includes music previously unpublished

First title in the “Terezín Com-posers” series


First-ever published passages in the premiere version


On an Overgrown Path (Po zarostlém chodníčku)arr J BurghauserH 6173 score with parts

String Quartet No. 1 “Inspired by Tolstoy’s Kreutzer Sonata”Urtext, eds L Faltus, M ŠtědroňBA 9520 parts in slipcoverTP 520 study score

String Quartet No. 2 “Intimate Letters”LJCE E/4, eds L Faltus, M ŠtědroňBA 6857 / H 7832 cloth bound score with partsUrtext, eds L Faltus, M ŠtědroňBA 9533 parts in slipcoverTP 533 study score


Youth (Mládí) for string quartet(after the wind sextet Youth)arr K MařatkaBA 11543 parts in slipcoverTP 521 study score

Kryštof Mařatka (b 1972) was able to transform the zestful nature of the winds into the vibrant timbre of strings, thus creating the “third string quar-tet” of Leoš Janáček

A welcome addition to the string quartet repertoire

Janáček’s wind sextet master-piece in a convincing arrange-ment for string quartet

Preface by the arranger (Cz/Eng/Ger)

Bärenreiter

Mládí

úprava pro smyčcové kvarteto

Youth

arrangement for String Quartet

Die JugendBearbeitung für Streichquartett

Hlasy / Parts / Stimmen

JANÁČEK

DV

OŘ

ÁK

· Dum


HAASB Ä R E N R E I T E R U R T E X T

Smyčcový kvartet č. 2

„Z Opičích hor“

String Quartet No. 2

“From the Monkey Mountains”

Streichquartett Nr. 2„Von den Affenbergen“

op. 7

Hlasy / Parts / Stimmen

Bärenreiter

HAASB Ä R E N R E I T E R U R T E X T

Smyčcový kvartet č. 2„Z Opičích hor“

String Quartet No. 2“From the Monkey Mountains”

Streichquartett Nr. 2„Von den Affenbergen“

op. 7

Violino I

Violino II

Viola

Violoncello

Batteria[ad lib.]

f f

Vivace e con fuoco (q = 104)

mf f mf f

mf f mf f

f sfz f sfz

6

f f

f

f

f f

f f

10

f

ff

f

ff f

f

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64

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64

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64

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64

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64

24

64

64

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64

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64

64

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64

64

14

64

64

14

64

IV Divá noc/A Wild Night/Wilde Nacht

§

§

#

§

#

b

sul pont.

[sul pont.] [nat.] [sul pont.] [nat.]

§

# #

[nat.]

# #

b

f

§

sul pont. pizz. arcosul pont.

NEW 2019

KLAVÍR

40

B O H U S L A V M A R T I N Ů

T H E C O M P L E T E E D I T I O NBärenreiter publishes The Bohuslav Martinů Complete Edition (BMCE), a scholarly-critical edition that presents the complete oeuvre of this major twentieth century composer for the first time, encompassing Martinů’s works in all their versions and arrangements, including newly discovered and previously unpublished compositions.

The Team Commissioned by the Bohuslav Martinů Foundation in Prague, Edited by the Bohuslav Martinů Institute in Prague Director of the Institute: Aleš Březina

Editorial BoardPeter Ackermann, Aleš Březina, Jarmila Gabrielová, Jonáš Hájek, Denis Herlin,Kateřina Maýrová, Daniela Philippi, Ivana Rentsch, Giselher Schubert, Arne Stollberg, Eva Velická, Paul Wingfield, Jitka Zichová, Vít Zouhar, Pavel Žůrek

Each cloth-bound volume (255 x 325 cm) includes a detailed Foreword and a Critical Report, both in English and Czech, some- times also an Appendix

The StructureApproximately 100 volumes (indicated by Arabic numerals) are divided into seven series (indicated by Roman numerals):

I Stage works and film music(approx 43 volumes)II Orchestral music(approx 16 volumes)III Concertos and other concertante works (approx 17 volumes)IV Chamber music(approx 9 volumes)V Keyboard works(approx 3 volumes)VI Choral works and songs(approx 8 volumes)VII Supplements and varia(approx 1 volume)

KLAVÍR

41

The First Ten Volumes

Series VI/2/1 The Epic of Gilgamesh H 351, ed Aleš Březina already published BA 10571-01Series II/1/4 Symphony No. 4 H 305, ed Sharon Andrea Choa already published BA 10572-01Series VI/2/2 Field Mass H 279, The Spectre’s Bride H 214A, ed Paul Wingfield to appear in July 2019 BA 10573-01Series IV/4/1 Chamber Music for 6–9 Instruments I, ed Jitka Zichová Les Rondes H 200, Serenade No. 1 H 217, Serenade No. 3 H 218, Stowe Pastorals H 335, Nonet No. 2 H 374 already published BA 10574-01Series VI/2/3 Chamber Cantatas, ed Vít Zouhar

Opening of the Springs H 354, The Legend of the Smoke from Potato Tops H 360, A Dandelion Romance H 364, Mikesh from the Mountains H 375 already published BA 10575-01

Series IV/3/2 String Quartets II, ed Aleš Březina et al String Quartets No. 4 H 256, No. 5 H 268, No. 6 H 312, No. 7

(Concerto da Camera) H 314 already published BA 10576-01Series III/2/4 Quadruple Concertos, ed Christopher Hogwood, Pavel

Žůrek, Marek Pechač String Quartet with Orchestra H 207, Sinfonia Concertante

No. 2 H 322 already published BA 10577-01Series III/1/7 Concerto da Camera / Rhapsody-Concerto, ed Aleš Březina et al

Concerto da Camera for Violin, String Orchestra, Piano and Percussion H 285, Rhapsody-Concerto for Viola and Orchestra H 337 to appear in 2019 BA 10578-01

Series III/1/6 Piano Concertos Nos 4 and 5, ed Ivana Tabak Incantation (Concerto for Piano and Orchestra No. 4) H 358, Concerto in B-flat for Piano and Orchestra No. 5 (Fantasia Concertante) H 366 to appear in 2020 BA 10579-01Series I/1/12 Ariane, lyric opera in one act H 370 BA 10580-01

Information on individual volumes can be found in this catalogue.

The Subscription The volumes are available for a reduced price with a complete or partial subscription by series They can also be purchased individually

42

CHAMBER ENSEMBLES


String Quartet Op. 9H 7958 score with parts


String Quartet with Orchestra H. 207eds Ch Hogwood, P Žůrek in one volume with Sinfonia Concertante No. 2 H 322, eds Ch Hogwood, M PechačBMCE III/2/4 “Quadruple Con-certos”, eds Ch Hogwood, P Žůrek, M Pechač BA 10577-01 cloth bound score

Working on his String Quartet with Orchestra (1931) meant a turning point in the oeuvre of Martinů The composition is the first of the concertante works acknowledged by the composer as being inspired by the Baroque form of concerto grosso and as deliberately ex-perimenting with this genre First scholarly-critical edition

Detailed preface by P Žůrek and M Pechač, critical report by the editors (Eng/Cz)



String Quartet No. 4 H. 256eds A Březina, I ŠtrausH 7844-22 parts in slipcoverH 7844 study score

String Quartet No. 5 H. 268eds A Březina, A KlemensH 7941-22 parts in slipcoverH 7941 study score

String Quartet No. 6 H. 312eds A Březina, I ŠtrausH 7968-22 parts in slipcoverH 7968 study score


String Quartets II BMCE IV/3/2, ed A Březina et al

String Quartet No. 4 H 256 (1937), String Quartet No. 5 H 268 (1938), String Quartet No. 6 H 312 (1946), Concerto da Camera (String Quartet No. 7) H 314 (1947) eds A Březina, J Franková, J Honzíková, J Zichová, P ŽůrekBA 10576-01 cloth bound score

With eight string quartets, Martinů is one of the major representatives of the genre in twentieth-century music The present critical edition differs considerably from all the previous practical editions, including the recent Urtext ones, as it was preceded by thorough heuristic research, which helped uncover numer-ous new musical and non-mu-sical sources


Detailed preface by Aleš Březina and critical report by the editors (Eng/Cz)


Matys Jiří(1927–2016)

String Quartet No. 1 Op. 21H 6428 score with parts

String Quartet No. 3 Op. 37H 3986 score with parts

String Quartet No. 6Prague Spring IMC Commission (2005)H 7944-22 parts in slipcoverH 7944 study score


String Quartet No. 1 in E min “From My Life”Urtext, eds F Bartoš, J Plavec, K Šolcnew preface M Ottlová (Cz/Eng/Ger)BA 9516 parts in slipcoverTP 516 study score

String Quartet No. 2 in D minUrtext, eds F Bartoš, J Plavec, K Šolcnew preface M Ottlová (Cz/Eng/Ger)BA 9517 parts in slipcoverTP 517 study score


Minuet for string quartet ed M NovýH 6967 score with parts COPY

NEW 2018

43

CHAMBER ENSEMBLES



Meditation on the Old Czech Hymn “St Wenceslas” Op. 35a for string quartet Urtext, ed Z Nouza BA 9583 parts in slipcoverTP 583 study score(version for string orchestra on p. 48)

The one-movement composi-tion inspired by the old Czech hymn St Wenceslas was written in connection with the outbreak of World War I It was premiered by the Bohemian Quartet on 27 September 1914; the variant for string orchestra was first performed on 22 November 1914 by the Czech Philharmonic The work was published that very year by Fr A Urbánek, including arrangements for piano and organ

The first Urtext edition was prepared by the musicologist Zdeněk Nouza (1929–2016) for both variants of the work The orchestral stylisation differs from the quartet version in details related to the addition of the double bass


Informative preface (Cz/Eng/Ger) and critical report (Eng) by the editor

Two versions (chamber and orchestral) published in two separate editions


String Quartet No. 1 in B-flat maj Op. 11Urtext, ed Z Nouza BA 9530 parts in slipcoverTP 530 study score


Includes both versions of the 4th movement – the original one from 1896 and the late re-vision from 1915, which could be played also separately as an encore


String Quartet No. 2 Op. 31Urtext, ed Z Nouza BA 9536 parts in slipcoverTP 536 study score



Vranický Pavel(1756–1808)

Quartetti per archi II Op 16 Nos 1–6MAB I/84, ed S Ondráčekpreface O Zuckerová (Cz/Ger/Eng)H 7481 score(parts for each individual quartet available upon request)

Zámečník Evžen(1939–2018)

Meditation for string quartetH 6406 score with parts

String Quintet


String Quintet in A min Op. 1for 2 violins, 2 violas and violon-celloADCE IV/9H 6782-22 parts in slipcover

String Quintet in G maj Op. 77 for 2 violins, viola, violoncello and double basseds F Bartoš, A Pokornýnew preface D R Beveridge (Eng/Cz/Ger)BA 9577 parts in slipcoverTP 577 study score

Dvořák’s famous quintet with double bass in a newly engraved practical format

Intermezzo from the original five-movement version of the quintet included

String Quintet in E-flat maj Op. 97for 2 violins, 2 violas and violon-celloed F Bartošnew preface D R Beveridge (Eng/Cz/Ger)BA 9542 parts in slipcoverTP 532 study score


Dialogues (Rozhovory)for string quintetH 7923 score with parts


Tre quintetti d’archi IV–VI for 2 violins, 2 violas and double bassMAB I/83, ed V BělskýH 7037 score COPY

String Sextet

(2 violins, 2 violas, 2 violoncellos)


String Sextet in A maj Op. 48eds J Burghauser, A ČubrBA 9566 parts in slipcover

Schulhoff Erwin(1894–1942)

Sexteted M Rische BA 7488-22• parts in slipcoverBA 7488• study score

44

CHAMBER MUSIC

Y O U R N E X T P E R F O R M A N C EI S W O R T H I T

What can I expectfrom a Bärenreiter Urtextedition?A trustworthy musical text alone does not yetjustify the label Bärenreiter Urtext Integralparts of Bärenreiter Urtext editions are:

Information on the genesis and history of the work

A description of the sources Valuable notes on performance practice A Critical Commentary explaining all source

discrepancies and editorial decisions

But it’s not all about musicology Bärenreiteralso satisfies your practical needs as a performer Bärenreiter Urtext editions offer:

Page turns, fold-out pages, and cues where you need them

In the case of solo concertos straightforward orchestral reductions

A well-presented layout and a user-friendly format

Excellent print quality Superior paper and binding

Bärenreiter

MARTINŮB Ä R E N R E I T E R U R T E X T

Nonet č. 2

Nonet No. 2

Nonett Nr. 2

H 374

45

CHAMBER ENSEMBLES

Wind Ensembleswith / without piano

Blatný Pavel(*1931)

Scena con ottoni (Scéna pro žestě)for 2 trumpets, 2 trombones and French hornH 6214 score with parts


Six Parthiasfor 2 oboes and bassooned and rev M KlementH 5628 score with parts


Music for Oboe, Bassoon and PianoH 7452 score with parts

Quintetto (Variations on chorale)for 2 trumpets, French horn and 2 trombonesH 5166 score with parts COPY

Quintetto per stromenti a fiatofor flute, oboe, clarinet, French horn and bassoonH 4397 score with parts COPY

Sketch for C. B. (Skica pro C. B.)for 2 flutes and pianoH 7135 score with duet part


Wind Quintet No. 2 for flute, oboe, clarinet, French horn and bassoonH 5196 score with parts COPY


Impromptus Op. 45 for trumpet / flute, oboe, clarinet and pianoH 3843 score with parts COPY

Music of the Tower (Hudba věže) Op. 88 (Tribute to Bohuslav Martinů)for 2 trumpets, French horn and 2 trombones H 6477 score with parts


Capriccio for Piano Left Hand and Wind Ensemble(flute / piccolo, 2 trumpets, 3 trombones and tenor tuba ossia French horn) LJCE E/5, eds L Faltus, J Procházková BA 6856•/ H 7826-01 cloth bound score

with parts Urtext, eds L Faltus, J Procházkovánew preface J Procházková (Cz/Eng/Ger)BA 9535 score and parts in slip-

cover (French horn part included)

→ more in the Piano Concertos section on p 14

Youth (Mládí)Wind Sextet for flute / piccolo, oboe, clarinet, French horn, bassoon and bass clarinetLJCE E/6, eds J Doležal, L FaltusBA 6854 / H 7388 cloth bound score with parts Urtext, eds J Doležal, L Faltusnew preface J Zahrádka (Cz/Eng/Ger)BA 9528 parts in slipcover TP 528 study score


Wind Sextet Op. 8 for flute, English horn, 2 clarinets, French horn and bassoon H 2023 study score ♦ COPY


Piccola musica da camera Op. 27for flute, oboe, clarinet, French horn and bassoonH 4757 score with parts


Trio in F maj and Variations on Pleyel’s Theme for 2 oboes and French horned and rev M KlementH 5808 score with parts COPY


Tre ottetti in E-flat maj, E-flat maj, B-flat maj for 2 oboes, 2 clarinets, 2 French horns and 2 bassoonsMAB I/55, ed C SchoenbaumH 3406 score with parts COPY

Nudera Vojtěch(1746–1811)

Four Polonaisesfor 3 basset horns / 3 clarinetsed J Kratochvíl H 7750 score with parts

Old Hunting FanfareAnonymous, Ondřej Anton, Leopold Koželuh, Albín Mašek, Leopold E. Měchurafor four French hornsed O Zuckerová, rev J ŠtefanH 4562 score

Reicha Anton(1770–1836)

Tre quintetti Op 88, No 3 in G maj, Op 91 No 9 in D maj and No 11 in A majfor flute, oboe, clarinet, French horn and bassoonMAB I/33, eds R Hertl, V SmetáčekH 2323 score

Part I – Op. 88 No. 3 in G maj MAB I/33a, rev M ŠpeťkoH 7140 parts in slipcover COPY

Serenate Boëme, partite e notturniAntonín Kammel, Jiří Družecký, František X. Dušek, Vincenc Mašek for 2 oboes, 2 French horns and bassoon MAB I/35, ed V BělskýH 2304 score

Stich-Punto Jan Václav(1746–1803)

24 Duets for French Hornsed and rev F ŠolcH 4422 score

46

CHAMBER ENSEMBLES


Trojan Václav(1907–1983)

Divertimento per quintetto a fiato for flute, oboe, clarinet, French horn and bassoonH 6250 score with parts COPY

Vranický Antonín(1761–1820)

Marches for Wind Instrumentsfor 2 oboes, 2 clarinets, 2 French horns, trumpet, 2 bassoons and contrabassoon ed A MyslíkH 4890 score with parts

Miscellaneous Ensembleswith / without piano


Serenade in D min Op. 44for 2 oboes, 2 clarinets, 2 bas-soons, contrabassoon ad lib, 3 French horns, violoncello and double bassBA 10424 scoreBA 10424-22 parts in slipcover→ more in the Chamber Orchestra section on p 49


Trio for Violin / Flute, Violoncello and PianoH 7962 score with parts

Fiala Josef(1748–1816)

Two Duetsfor oboe and viola / violoncelloed and rev M KlementH 7787 score with parts

Two Oboe Quartets in E-flat maj, F majfor oboe, violin, viola and vio-loncelloEd and rev by M KlementH 4203 score with parts COPY


Quintet in D maj Op. 42 for violin I, clarinet / violin II, French horn / viola, violoncello and pianoeds A Pokorný, K ŠolcH 3998 score in first instrumen-

tal version and all parts (including alternatives)

COPY


Cruxfor violin, timpani and bellscopy of the autograph from the property of Ivan ŠtrausH 7966 performance score


Sonata da camerafor flute, oboe / violin, violoncel-lo, harpsichord / pianoH 3002 score with parts

Hurník Lukáš(*1967)

Fusion Musicfor oboe, clarinet, bassoon and pianoH 7863 score with parts


Concertino for piano, 2 violins, viola, clarinet, French horn and bassoonrev O ŠourekH 4342 score with parts


8 invenzioni Op. 45per strumenti a percussionfor 6 playersH 7993 score→ more in the Percussion section on p 34

8 ricercari Op. 51per strumenti a percussionfor 1–6 playersH 7994 score→ more in the Percussion section on p 34


Nonet No. 2 “In Honour of Nature” Op. 44 for flute, oboe, clarinet, bassoon, French horn, violin, viola, violon-cello and double bassH 6465 score ♦


Two Oboe Quartets in C maj, F majfor oboe, violin, viola and vio-loncelloMAB I/42, ed J PohankaH 2705 score with parts


Chamber Music for 6–9 Instruments I BMCE IV/4/1, ed J ZichováBA 10574-01 cloth bound score

septet Les Rondes H 200 [with piano], Serenade No. 1 H 217, Serenade No. 3 H 218, nonet Stowe Pastorals (Pastorely ze Stowe) H 335, Nonet No. 2 H 374

The compositions in this volume for mixed wind and string ensembles were written in the period from 1930 to 1959 Apart from Nonet No. 2 H 374, the performing forces consist of uncommon combinations; but extraordinary ensemble choices are not unusual in Martinů’s oeuvre, especially in his Paris period in the 1920s and 30s, which is characterised by experimentation with sound and form

The first four works were published in the composer’s life-time but without his direct supervision The edition is based mainly on the composer’s autographs


Detailed preface and critical report by the editor (Eng/Cz)

Facsimiles of key pages



Les Rondes H. 200suite of dances for oboe, clarinet, bassoon, trumpet, 2 violins and piano H 208 study score ♦

(pocket format)

47

CHAMBER ENSEMBLES



Nonet No. 2 H. 374 for flute, oboe, clarinet, bas-soon, French horn, violin, viola, violoncello and double bassUrtext, ed J ZichováTP 440 study score ♦

Martinů wrote Nonet No. 2 in the last year of his life as a commission for the Czech Nonet, which gave the world premiere at the Salzburger Festspiele on 27 July 1959 Nonet No. 2 was published posthumously in autumn later that year

The main source for the edition is the autograph score The referential sources consists of a copy of the autograph score, the first printed edition, which contains partly authorised amendments by the Czech Nonet, and corrections found in the extant correspondence between Martinů and violinist Emil Leichner, the artistic direc-tor of the Czech Nonet Unlike the BMCE version, this edition transposes the clarinet part to B-flat

First Urtext edition based on the Bohuslav Martinů Com-plete Edition IV/4/1 (Chamber Music for 6–9 Instruments I)

Clarinet part transposed to B-flat

Preface by the editor (Cz/Eng/Ger)


Promenades H. 274for flute, violin and harpsichord BA 3327• score with parts

Serenade No. 1 H. 217 for clarinet, French horn, 3 violins and viola H 1500 parts COPYH 362 study score COPY

(pocket format)(also available on hire)

Serenade No. 3 H. 218 for oboe, clarinet, 4 violins and violoncelloH 1502 parts COPYH 365 study score COPY


Sonata for Flute, Violin and Piano H. 254BA 3326• score with piano


Four Sonatas for flute, violin and violoncelloed M KlementH 6033 score with parts COPY

Reicha Anton(1770–1836)

Tre quartetti Op. 98 Nos. 1–3in G min, C maj, G maj for flute, violin, viola and vio-loncello MAB I/65a, ed K Janetzki, rev J RuisH 3917-22 parts in slipcoverH 3917 score COPY

Tre quartetti Op. 98 Nos. 4–6in E min, A maj, D majfor flute, violin, viola and vio-loncello MAB I/85, I/85a, ed S OndráčekH 7800-22 parts in slipcoverH 7800 score

Rössler-Rosetti František Antonín(1746–1792)

Notturno in D for flute, violin, viola, violoncello and Frech horn in DMAB I/32, ed V BělskýH 2171 score COPY


Bagatelle “Carrying a Bouquet” („S kyticí v ruce“)for flute / violin ad lib, violin and piano H 7820 score with parts

Elegy Op. 23“Under the Influence of Zeyer’s Vyšehrad”for violin solo, violoncello solo, string quartet, harmonium and harped M Svobodováall parts rev K ŘehákH 7404 score with parts(composer’s arrangement for piano trio on p. 35)

Village Serenade (Vesnická serenáda) s. op.for 2 clarinets, 3 violins, viola, violoncello and double bassthe composer’s own arrange-ment (originally for piano solo)ed and preface M Nový (Cz/Ger/Eng)suitable for amateur musicians H 7952 score with parts

Škroup František Jan(1801–1862)

Trio in E-flat maj Op. 27for piano, clarinet / violin and violoncelloUrtext, ed M HarlowBA 9521 score with parts


Two alternative scorings of the work

Preface (Eng/Ger/Cz ) and critical report (Eng) by the editor

Teml Jiří(*1935)

Koledníčekpopular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncellostring parts rev M ŠkampaH 7852 parts in slipcover

Bärenreiter

MARTINŮB Ä R E N R E I T E R U R T E X T

Nonet č. 2

Nonet No. 2

Nonett Nr. 2

H 374


48

ORCHESTRA


String Orchestra(violin I II, viola, violoncello, double bass – if not stated otherwise)concertos and concertante works with string orchestra – see individual instruments


Serenade in E maj Op. 22 for string orchestraUrtext, ed R TaitBA 10423 score °(replaces H 971 – now available on hire)

Serenade in E major (1875) is one of Dvořák’s most popular and frequently played works This edition, based on the composer’s autograph score, corrects nu-merous mistakes in articulation and dynamic markings that the composer himself noted into his own Bote & Bock (1st edition 1879) copy of the work

Dvořák’s original concept pre-sented for the first time many versions of the piece

Included Vi-de passages (in both score and parts) omitted by the composer in the auto-graph score

Detailed preface (Cz/Eng/Ger) by Kateřina Nová, Head of the Dvořák Museum in Prague, and critical report (Eng) by the editor


Nocturne in B maj Op. 40for string orchestraUrtext, ed J HájekBA 11564 score with set of parts(will replace H 6590)parts also available on sale separatelyin preparation

Nocturne in B major Op 40 was published by Bote & Bock in 1883 The editor of this edition discovered a missing source in private ownership – the second authorised manuscript copy of the work, which was used as the engraver’s copy for the first print The present edition thus overcomes the confusion caused by many versions of the piece and provides the authentic text of this graceful supplement to the famous Serenade in E major.

Newly discovered source

Preface by Dvořák expert D R Beveridge (Eng/Cz/Ger)

Critical report by the editor (Eng)


Sinfonietta da camera per archiH 5643 score ♦


Ella-Polkafor string orchestra and triangle in composer’s arrangemented M NovýH 7953 score and parts


Meditation on the Old Czech Hymn “St Wenceslas” Op. 35afor string orchestra Urtext, ed Z NouzaBA 9584 score °(version for string quartet on p. 43)

This first Urtext edition was prepared in two scorings – one for string quartet and another for string orchestra The orches-tral arrangement differs from the quartet version in some details in connection with the added part for double bass


Informative preface (Cz/Eng/Ger) and critical report (Eng) by the editor

Two versions published in two separate editions

Nocturno in B maj Op. 40for string orchestraADCE III/24, eds J Burghauser, M NovýH 6590 score with parts(will be replaced with BA 11564)

NEW 2020

49

ORCHESTRA



Sousedská [a type of Czech folk dance]for strings (violin I–V, double bass / violoncello), cymbals, triangle, snare drum and bass drum ed Z Nouza H 7954 score and parts

Šesták Zdeněk(*1925)

Concerto per orchestra d’archiH 6429 score

Vodička Václav(1720–1774)

Sinfonia in Cviolin I II, viola, violoncello, dou-ble bass, harpsichord rev H Krupka, J SnížkováH 3740 score ♦

Zach Jan(1699–1773)

Cinque sinfonie d’archiviolin I II, viola, double bassMAB I/43, ed J PohankaH 2852 score and parts

Chamber Orchestraconcertos and concertante works with chamber orchestra – see individual instruments

Benda Jiří Antonín(1722–1795)

Sinfonie I–IIIin D maj, G maj, C majflute, oboe, 2 French horns, violin I II, viola, violoncello, double bass, harpsichord MAB I/58, ed J PohankaH 3555 score and parts

Sinfonie IV–VIin F maj, G maj, E-flat maj2 flutes, 2 oboes, 2 French horns, violin solo, violin I II, viola, violon-cello, double bass, harpsichord MAB I/62, ed J PohankaH 3789 score and parts


Serenade Op. 44for wind instruments, violoncello and double bassUrtext, ed R TaitBA 10424 scoreBA 10424-22 set of parts in

slipcoverIn 1878 Dvořák visited Vienna and was so impressed by a performance of Mozart’s Wind Serenade in B-flat major K 361 that he wrote his own wind serenade within the space of two weeks after his return Our new Urtext edition draws on the first print by Simrock while using the autograph to correct a number of mistakes and above all inconsistencies in articulation First Urtext edition of

Dvořák’s popular wind serenade

Detailed preface (Eng/Cz/Ger) by Dvořák expert D R Beveridge and critical report (Eng) by the editor

Fils Antonín(1733–1760)

Sei sinfonie per orchestra2 flutes, 2 French horns, violin I II, viola, double bassMAB I/44, ed J PohankaH 2958 score ♦


Concerto grosso2 trumpets, 2 flutes, piano and stringsH 7554 study score ♦


Tre sinfoniein D maj, F maj, G min2 oboes, 2 bassoons, 2 French horns and stringsMAB I/72, ed M PoštolkaH 4585 score ♦


Divertimento (Serenade No. 4) H. 215violin solo, viola solo, 2 oboes, piano and stringsH 1503 parts H 366 study score COPY



Sinfonia Concertante No. 2 H. 322for violin, oboe, bassoon, violon-cello and small orchestraeds Ch Hogwood, M Pechačin one volume with String Quartet with Orchestra H 207, eds Ch Hogwood, P Žůrek BMCE III/2/4 “Quadruple Concertos”, eds Ch Hogwood, P Žůrek, M Pechač BA 10577-01 cloth bound score

The concerto grosso is the formal basis of both concer-tante compositions for four solo instruments and orchestra included in this volume of the BMCE The works were written nearly twenty years apart and are quite different in style The Sinfonia Concertante No. 2 from 1949 is clear and con-vincing evidence of Martinů’s “Haydnesque” liberated creative approach


Detailed preface by P Žůrek and M Pechač, critical report by the editors (Eng/Cz)


NEW 2018

50

ORCHESTRACHAMBER MUSICORCHESTRA

Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek

The Musica Antiqua Bohemica (MAB) edition series is a collection of the compositions of various authors of Czech origin ranging from the Baroque period to that of early Romanticism It was begun in 1934 by the Brno musicologist Vladimír Helfert; after a wartime break and the death of the origi-nal editor, it was taken up by the Prague publisher Supraphon and later Bärenreiter Praha, and its last volume was published in 2003

The first, instrumental series maps the life and work of Czech compo-sers both in European metropolises

of the 17th and 18th century and at the courts of their domestic nobility The series has published critical editions of the works of Jiří Antonín Benda, Antonín Rejcha, František Xaver Dušek, the most revelational editorial impact can be seen in the multi-volume inclusions of Jan Ladislav Dusík, Pavel Josef Vejvanovský, Jan Václav Hugo Voříšek, and other authors who had previously been largely underestimated It comprises compositions of all genres, ranging from piano and violin works to chamber music and symphonic scores

In 1969 this instrumental series was complemented by another, vocal one, which includes significant representations of works by Jan Dismas Zelenka and Jiří Anto-nín Benda; the youngest author chronologically is Jan Václav Hugo Voříšek (1791–1825)

Although it is merely an incomplete study on Czech music history, the MAB edition series constitutes a unique anthology of compositions of the given period, thus acting as a basic guideline for further research in this field, especially in the region of Central Europe

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MAB A unique collection of

compositions from Central -European music of the 17th, 18th, and early 19th century

All genres of instrumental music and choral works

Each publication includes a detailed preface by the editor, a list of sources and relevant literature, and a critical commentary (Cz/Ger/Eng)

51


Symphony in E-flat maj Op. 41flute, 2 oboes, 2 bassoons, 2 French horns, timpani, stringsMAB I/76, ed V BělskýH 5270 score ♦

Teml Jiří(*1935)

Concerto grosso (Hommage à Haendel)→ see Symphony Orchestra

Tomášek Václav Jan(1774–1850)

Symphony in D maj Op. 30→ see Symphony Orchestra

Vejvanovský Pavel Josef(1640–1693)

Composizioni per orchestraMAB 1/47–49, ed J PohankaH 3079 vol 1 score ♦H 3171 vol 2 score ♦H 3230 vol 3 score ♦

Serenate e sonate per orchestra2 clarinos, strings and basso continuoMAB I/36, ed J PohankaH 2334 score ♦

Voříšek Jan Václav Hugo (1791–1825)

Symphony in D maj → see Symphony Orchestra

Zelenka Jan Dismas(1679–1745)

Composizioni per orchestra IMAB I/61, eds C Schoenbaum, O PulkertH 3788 score ♦

Sinfonia, Hipocondrie, Capriccio I–V

Symphony Orchestraconcertos and concertante works with symphony orchestra – see individual instruments


Czech Suite Op. 39 ADCE III/17, ed O ŠourekH 519 score ♦ COPY

Josef Kajetán Tyl Op. 62incidental music to the epony-mous play by F F Šamberkwith melodramatic text underlay (Cz/Ger)ADCE I/9, eds J Burghauser, J HanušH 5849 score ♦

Slavonic Rhapsody in D maj Op. 45/1 → page 53

Slavonic Rhapsody in G min Op. 45/2→ page 53

Slavonic Rhapsody in A-flat maj Op. 45/3→ page 53

Suite in A maj Op. 98b ADCE III/17H 2307 score ♦

Symphony No. 1 in C min B 9 “The Bells of Zlonice” („Zlonické zvony“)ed F BartošTP 501• study score ♦

Symphony No. 2 in B-flat maj Op. 4ed F BartošTP 502• study score ♦

Symphony No. 3 in E-flat maj Op. 10ed F BartošTP 503• study score ♦

Symphony No. 4 in D min Op. 13ed F BartošTP 504• study score ♦

Symphony No. 5 in F maj Op. 76ed F BartošTP 505• study score ♦

Symphony No. 6 in D maj Op. 60ed F BartošTP 506• study score ♦

Symphony No. 8 in G maj Op. 88ed F BartošTP 508• study score ♦

ORCHESTRA





Symphony No. 7 in D min Op. 70Urtext, ed J Del MarBA 10417• score °BA 10417-40• critical commen-

tary (Eng)TP 617• study score(replaces TP 507)

Dvořák’s Symphony No. 7 re-ceived its premiere on 22 April 1885 in London conducted by the composer himself The fol-lowing June the 2nd movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock The editor of this new scholar-ly-critical edition has drawn on all the available sources includ-ing letters


Original London version of the 2nd movement in the appen-dix of the score as well as in the performance material

Detailed preface (Cz/Eng/Ger) and separately published critical commentary (Eng) by the editor


Symphony No. 8 in G maj Op. 88 Urtext, ed J Del MarBA 10418• score °BA 10418-40• critical commen-

tary (Eng)

The performance material available up till now for Dvořák’s sun-filled cheerful Symphony No. 8 has been notorious for its myriad mistakes The challenge of correcting it has now been taken over by the editor Jona-than Del Mar

Score and orchestral parts in an enlarged format

Informative preface (Eng/Cz/Ger) and separately published critical commentary (Eng) on sources and alternative read-ings by the editor

With facsimile pages

NEW 2018

Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek

52




Symphony No. 9 in E min Op. 95 “From the New World”ed F BartošTP 509• study score ♦


Symphony No. 9 in E min Op. 95 “New World” Urtext, ed J Del MarBA 10419• score °to appear in April 2019

The “New World” Symphony, a jewel of the symphonic rep-ertoire, is finally available in a dependable scholarly-critical edition Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before

Groundbreaking Urtext edition taking new sources into consideration

Offers solutions for controver-sial musical questions

With an informative preface (Eng/Cz/Ger) and a detailed critical report (Eng) by the editor


Symphony No. 2H 7178 score ♦


Symphony No. 3 Op. 38H 2741-66 study score ♦

(pocket format)

Symphony No. 4 for Large Orchestra Op. 49H 3506 study score ♦


Con brio per orchestraH 7803 score ♦


The Danube (Dunaj)symphony (with soprano solo)critical reconstruction of the composer’s unfinished sym-phonyLJCE H/3, eds L Faltus, M ŠtědroňBA 6861 / H 7950 cloth bound

score ♦

The Danube symphony with four movements was written inter-mittently over the course of five years from 1923 to 1928 Janáček’s death prevented it from being finished Based on the compos-er’s autograph draft and other sources, the score was completed by leading Janáček experts and eminent editors of the LJCE, Mi-loš Štědroň and Leoš Faltus This is the first time the complete score was published in print

Two DancesCossack Dance (Kozáček), Serbian Reel (Srbské kolo)ed J BurghauserBA 6171 / H 4657 score ♦

Lachian Dances (Lašské tance)LJCE D/4, eds J Burghauser, R EliškaBA 6845• cloth bound score ♦H 6571 score ♦

(practical edition)H 6065 piano reduction

(Jindřich Máslo)

Entr’actes from the opera The Cunning Little Vixen (Meziaktní hudba z opery Příhody lišky Bystroušky)arr F JílekH 7505 study score

Suite from the opera From the House of the Dead (Suita z opery Z mrtvého domu)arr F JílekH 7506 study score

SinfoniettaH 7741 piano reduction

for four hands ♦ (František Jílek)

Taras BulbaRhapsody for OrchestraLJCE D/7, eds J Burghauser, J HanušBA 6842• cloth bound score ♦H 3616 score ♦ (practical edition)Urtext, eds J Burghauser, J Hanušnew preface J Zahrádka (Cz/Eng/Ger)TP 842 study score ♦


NEW 2019

ORCHESTRA

53

ORCHESTRA


Slavonic Rhapsody in D maj Op. 45/1 Urtext, ed R Simon BA 10401 score ° TP 541 study score to appear in April 2019

Dvořák composed the Slavonic Rhapsodies in 1878, launching his so-called “Slavonic period” When they were issued by the publisher Simrock the following year, these three self-contained orchestral pieces in D major, G minor and A-flat major were gathered together into a single Opus 45

The Slavonic Rhapsodies are now available in separate scholarly- -critical editions, and editor Robert Simon has taken the original print as the principal source, which was authorised by the composer To complement these editions, Bärenreiter now publishes study scores to each rhapsody

Work that marks the beginning of Dvořák’s Slavonic period

New Urtext editions based on all known sources

All three rhapsodies available as scores, complete perfor-mance materials, and now also as study scores

Prefaces (Eng/Cz/Ger) and critical reports in scores (Eng) by the editor

Slavonic Rhapsody in G min Op. 45/2Urtext, ed R Simon BA 10402 score ° TP 542 study score to appear in April 2019

Slavonic Rhapsody in A-flat maj Op. 45/3Urtext, ed R Simon BA 10403 score ° TP 543 study score to appear in April 2019

Bärenreiter


Slovanská rapsodie D dur

Slavonic Rhapsody in D major

Slawische Rhapsodie D-Dur

op. 45/ 1

Bärenreiter


Slovanská rapsodie g moll

Slavonic Rhapsody in G minor

Slawische Rhapsodie g-Moll

op. 45/ 2

Bärenreiter


Slovanská rapsodie As dur

Slavonic Rhapsody in A-flat major

Slawische Rhapsodie As-Dur

op. 45/ 3

Trilogy of Slavonic Rhapsodies in new Urtext edition

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11

From: Antonín Dvořák, Slavonic Rhapsody in D major Op. 45/1 • TP 541

NEW 2019NEW 2019NEW 2019

54

ORCHESTRA



The Fiddler’s Child (Šumařovo dítě)Ballad for OrchestraLJCE D/6, eds J Burghauser, R EliškaBA 6848• cloth bound score ♦H 6798-02 score ♦


Mystery of Time (Mysterium času) Op. 31 Passacaglia per grande orchestraH 2799 study score ♦ COPY (pocket format)


Symphony No. 2 – Sinfonia pacis Op. 18H 3759 study score ♦


The Story of the Flutes (Příběh fléten) symphonic dramaH 3684 study score ♦ COPY


Tre sinfoniein D maj, F maj, G min→ see Chamber Orchestra

Krejčí Iša(1904–1968)

XX variazioni per orchestrato an original theme in folk song styleH 5553 score


Inventions H. 234for large orchestraH 335-S study score ♦

(pocket format)

Memorial to Lidice (Památník Lidicím) H. 296for symphony orchestraH 276-S score ♦ COPY

Martinů Bohuslav(1890–1959)Symphony No. 4 H. 305BMCE II/1/4, ed S A Choa BA 10572-01 cloth bound score

Symphony No. 4 (1945) is the most joyful of the author’s six works in the genre While work-ing on the third movement, Bohuslav Martinů received news of the capitulation of Germany

The first scholarly-critical edi-tion provides the composer’s last authorised version in the main musical text The Appen-dix also publishes sections of the work as they were before their revision for the first edition in 1948, in which the composer made adjustments to the instrumentation and removed three bars from the third movement Conductors are thus given the option of exploring the work in its original form The generously supplied Facsimile section includes all extant working sketches of the composition



Extensive Facsimile and Appendix with original version of certain sections



Symphony in E-flat maj Op. 41→ see Chamber Orchestra


Moravian Dance Fantasias (Moravské taneční fantazie)ed J HanušH 1211-66 study score ♦

(pocket format)

Rhapsodic Variations (Rapsodické variace)for large orchestraH 2888 study score ♦ (pocket format)

Symfonietta IIIConcerto per orchestra H 7004 score ♦


My Country (Má vlast)cycle of six symphonic poems Urtext, ed F Bartošnew preface M Ottlová (Cz/Eng/Ger)TP 557 study score

My Country (Má vlast)cycle of six symphonic poems ed J Burghauserpractical performance revision of each of the poems based on the critical edition

Vyšehrad H 6427-01 score ♦ COPY

Vltava H 6427-02 score ♦ COPY

Šárka H 6427-03 score ♦ COPY

From Bohemian Woods and Fields (Z českých luhů a hájů) H 6427-04 score ♦ COPY

Tábor H 6427-05 score ♦ COPY

Blaník H 6427-06 score ♦ COPY

March for Shakespeare Celebrations (Pochod ke slavnosti Shakespearově)ed F BartošH 3096-66 study score ♦ (pocket format)

Prague Carnival (Pražský karneval)ed F BartošH 4054-66 study score ♦ (pocket format)

55

ORCHESTRA



Vyšehrad Urtext, ed H MacdonaldBA 11534 score ♦to appear in August 2019

Vltava / The MoldauUrtext, ed H MacdonaldBA 9558 score °TP 558 study score(the composer’s own version for piano four hands – see section Piano Duet)

ŠárkaUrtext, ed H MacdonaldBA 11532 score ♦

From Bohemian Woods and Fields (Z českých luhů a hájů) Urtext, ed H MacdonaldBA 11533 score ♦

All the symphonic poems were first published by Urbánek, initially in the composer’s arrangement for four-hands piano (1879–80) The scores and orchestral parts of Vyšehrad and Vltava were issued in 1880 with Smetana’s supervision, the score of From Bohemian Woods and Fields followed in 1881, and the remaining three poems (Šárka, Tábor, and Blaník) were not printed until the composer’s death

The main sources for the new Urtext edition of the first four poems are Smetana’s auto-graphs; the editor also referred to the aforesaid first editions and both the autographs and printed four-hands piano ar-rangements by the composer

Preface by eminent Smetana scholar O Mojžíšová (Cz/Eng)

Editorial notes (Cz/Eng/Ger) and detailed critical report (Eng) by the editor

Tábor and Blaník in the new edition will be available on hire in 2020.


Radúz and Mahulena Op. 13music to a Slovak fairy tale in 4 acts by Julius ZeyerH 1879 piano reductin

(Roman Veselý)

Scherzo fantastique Op. 25rev V MusilH 5183 score

Symphony in C min “Asrael” Op. 27 → page 56

The Winter’s Tale (Pohádka zimního večera) Op. 9 concert overture for large orchestrarev J VogelHM 941 score ♦ COPY

Teml Jiří(*1935)

Concerto grosso (Hommage à Haendel)2 flutes, 2 oboes, clarinet, 2 bas-soons, 2 French horns, 2 trum-pets, timpani and stringsH 7531 study score

Tomášek Václav Jan(1774–1850)

Symphony in D maj Op. 30flute, 2 oboes, 2 clarinets, 2 bas-soons, 2 French horns, 2 clarinos, timpani and strings ed Š JedličkováH 7568 score ♦

Voříšek Jan Václav Hugo (1791–1825)

Symphony in D maj 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trumpets, timpani, stringsMAB I/34, ed F BartošH 2262 score ♦H 7323 piano reduction for four

hands (Karel Šolc)

Masterpieces of symphonic repertoireNew critical edition

NEW 2019

NEW 2018

56

ORCHESTRA / SOLO VOICE


Symphony in C min “Asrael” Op. 27 Urtext, ed J HájekBA 9532 score ♦

Roughly eight months after the death of Antonín Dvořák (1 May 1904), his son-in-law Josef Suk began to compose a funeral

symphony While he was working on it fate struck a second time with the death of his beloved wife, Otilie He dedicated the five-movement symphony to Dvořák and his daughter Otilie and named it after the Angel of Death “Asrael”

The principal source for our edition is the first edition of the score (1907), supplemented by the corrections Suk entered at the suggestion of conductor Václav Talich (1921) The most significant change was the expansion of the orchestra to include ad libitum parts for the fifth and sixth horns


With Suk’s later corrections, including ad libitum parts for the fifth and sixth horns

Detailed preface (Cz/Eng/Ger) and critical report (Eng) by the editor

Solo Voice (Voices)with piano / with other accompaniment

Before Jazz Was Born (Než se narodil jazz)

famous melodies (Deep River, Scarborough Fair etc) with chord symbolsfor voice and variable accompa-niment ad libvocal text: Engselection and arr M D SvobodaH 7502


Biblical Songs (Biblické písně) Op. 99for voice and pianoto the words from the Book of Psalmsvocal text: Cz/Ger/EngADCE VI/2, ed A ČubrH 1758-96 for high voice(will be replaced with BA 10425)H 1560-97 for low voice(will be replaced with BA 10426)

orchestral arrangement by A. Dvořák (the first five songs) and J. Burghauser with J. Hanuš (the second five songs) available on hire (only for low voice)

Biblical Songs (Biblické písně) Op. 99 for voice and pianoto the words from the Book of Psalmsvocal text: Cz/Eng/GerUrtext, ed E Velickápreface D R BeveridgeBA 10425 for high voice(will replace H 1758-96)BA 10426 for low voice(will replace H 1560-97)in preparation

A masterpiece of Dvořák’s songoeuvre The cycle of ten BiblicalSongs was composed in NewYork in spring 1894 While stillin New York, Dvořák preparedorchestral arrangements ofthe first five songs in the firstJanuary week of 1895 The origi-nal piano version of the cycle was first published by Simrock in Berlin in early 1895

First scholarly-critical edition of “Asrael” the famous symphony in memory of Dvořák and his daughter

SUK

· Symphony in C

minor “A

srael” · Op. 27

Bärenreiter Bärenreiter

SUKB Ä R E N R E I T E R U R T E X T

Partitura / Score / Partitur

Symfonie c mollSymphony in C minor

Symphonie c-Moll

„Asrael“

op. 27

°

¢

°

¢

°

¢

°

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Symfonie / Symphony / Symphonie

(Asrael)

Josef Suk, op. 27

© 2018 by Bärenreiter PrahaBA 9532

Flauto piccolo

(Flauto grande)

Flauto grande

Oboe

Corno inglese

Clarinetto

in Sib/B

Clarinetto basso

in Sib/B

Fagotto

Contraffagotto

Corno

in Fa/F

Corno

in Fa/F

Corno

in Fa/F

(ad lib.)

Tromba

in Do/C

Tromba

in Do/C

Trombone

Trombone

Tuba

Timpani

Gran Cassa

Piatti

Violino I

Violino II

Viola

Violoncello

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Andante sostenuto più largamente

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Vznešené památce Dvořákově a Otilčině.

Dem teuren Andenken Anton Dvořáks und seiner Tochter, meiner Gattin Otilie.

I

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NEW 2020

57

SOLO VOICE


Cypresses (Cypřiše) B 11for tenor and pianosong cycle to words by Gustav Pfleger-Moravskývocal text: CzUrtext, ed A FreseBA 9569

First ever Urtext edition of 18 love songs by young Dvořák

Literal translations of the vocal text included (Eng/Ger)

Detailed preface by D R Beve-ridge (Eng/Ger/Cz) and critical report (Eng) by the editor

Evening Songs (Večerní písně) Opp. 3, 9 for voice and piano to words by Vítězslav Hálekvocal text: Cz/EngADCE VI/1, ed A ČubrH 553 COPY(will be replaced with the new edition as part of the volume Songs I – BA 11515, BA 11516)


Gypsy Songs (Cigánské melodie) Op. 55for voice and pianoto words by Adolf Heydukvocal text: Cz/Eng/GerUrtext, ed V VejvodováBA 10431 for high voice (replaces H 1559)BA 10432 for low voice(replaces H 1739)orchestral arrangement by J. Teml available on hire (only for low voice)

Dvořák composed the songcycle Gypsy Songs to the wordsof Czech poet Adolf Heydukin early 1880 by request of thetenor Gustav Walter, a memberof the Vienna Court Opera, towhom the cycle of seven songsis dedicated Dvořák wrote themusic directly for the Germantranslations of the poems, which were provided for this purpose by the poet himself The songs were first published by Simrock in German in sum-mer 1880; the same publisher released another version includ-ing vocal text in Czech and Eng-lish a year later Editor Veronika Vejvodová chose the first edition as the main source

Third volume (from five) of the new Urtext edition of Dvořák’s complete songs for voice and piano

One of the most popular and most famous Romantic song cycles



Love Songs (Písně milostné) Op. 83 to words by Gustav Pfleger-Moravskýnow as part of the new Urtext volume Songs II – BA 11517, BA 11518 (replaces the old edition H 2227)

Moravian Duets (Moravské dvojzpěvy) Opp. 20, 32, 38for two voices (soprano and tenor / soprano and alto) and piano to the words of Moravian folk songs vocal text: Cz/Ger/EngADCE VI/3, ed A ČubrH 337

Rusalka’s Song to the Moon (Píseň Rusalky o měsíčku)aria for soprano and piano from the 1st act of the opera Rusalkavocal text by Jaroslav Kvapil (Cz/Ger/Eng)H 4460 vocal score ♦ (Karel Šolc)

Russian Songs (Ruské písně) for two female voices and piano16 Russian songs from Songs of the Russian People arranged by the composervocal text: Cz/RuADCE VII/5, eds L Láska, O Nebuška, K ŠolcH 441 COPY


Songs I (Písně I) for voice and pianovocal text: Cz/Eng/Ger Urtext, ed V Vejvodová BA 11515 for high voiceBA 11516 for low voice in preparation

Two Songs for Baritone (Dvě písně pro baryton) s op (B 13), Songs to Words by Eliška Krásno-horská (Písně na slova Elišky Krásnohorské) s op (B 23), The Orphan (Sirotek) Op 5, Rosemary (Rozmarýna) s op (B 24bis), Four Songs to the Words of Serbian Folk Poems (Čtyři písně na slova srbské lidové poezie) Op 6, Songs from the Dvůr Králové Manuscript (Písně z Rukopisu královédvorského) Op 7, Evening Songs (Večerní písně) Opp 3, 9, 31

The volume Songs I includes songs from Dvořák’s early pe-riod, many of them are almost unknown and rarely performed Some songs were previously unpublished Now they appear in the first Urtext edition

NEW 2020

58

SOLO VOICE


Songs II (Písně II) for voice and pianovocal text: Cz/Eng/Ger Urtext, ed V Vejvodová BA 11517 for high voiceBA 11518 for low voice

Three Modern Greek Songs (Tři novořecké básně) Op 50 (B 84a, B 84b), Songs on Poems by Gustav Pfleger-Moravský (Písně na slova Gustava Pflegra-Moravského) Op 2 (B 123–124), Two Czech Folk Poems (Dvě písně na lidové texty) s op (B 142), In Folk Style (V národním tónu) Op 73 (B 146), Four Songs (Čtyři písně) Op 82 (B 157), Love Songs (Písně milostné) Op 83 (B 160), Lullaby (Ukolébavka) s op (B 160), Song from The Smith of Lešetín (Zpěv z Lešetínského kováře) op posth (B 204)

The volume Songs II comprises mature works from Dvořák’s late period Besides the well-known cycle Love Songs, the volume also contains some less-known or entirely unknown and previously unpublished pieces

Second volume of the new five-volume Urtext edition of Dvořák’s complete songs for voice and piano

First Urtext edition with de-tailed preface (Cz/Eng/Ger) and critical report (Eng) by the editor

First-ever print of some of the songs


Songs from the Dvůr Králové Manuscript (Písně z Rukopisu královedvorského) Op. 7 for voice and pianovocal text: Cz/Ger/EngADCE VI/1, ed A ČubrH 3082 COPY(will be replaced with the new edition as part of the volume Songs I – BA 11515, BA 11516)

Songs on Poems by Gustav Pfleger-Moravský (Písně na slova Gustava Pflegra-Moravského) Op. 2 now as part of the new Urtext volume Songs II – BA 11517, BA 11518 (replaces H 2829)

Songs to Words by Eliška Krásnohorská B 23 for voice and pianovocal text: Cz/Ger/Eng ADCE VI/1, eds J Burghauser, A ČubrH 2632 COPY(will be replaced with the new edition as part of the volume Songs I – BA 11515, BA 11516)

Three Spiritual Songs (Tři duchovní zpěvy) Op. 19bfor low voice and organvocal text: LatADCE VI/1, eds J Burghauser, A ČubrH 4956

Ave Maria, Hymnus ad laudes in festo SS. Trinitatis, Ave maris stella

Eben Petr (1929–2007)

Nursery Songs (Říkanky)for high voice (children’s) and piano six songs to the words of English limericksvocal text: Eng/Czchildren’s favourite songs, suitable for teaching English H 7810 score with part

Secret Songs (Písně nejtajnější / Heimliche Lieder) for low voice and piano love songs to words by various authors vocal text: Cz/GerH 3533

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Sleep,

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rub,

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dark

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Antonín Dvořák, B 194

100

From: Antonín Dvořák, Lullaby (published for the first time) in the volume Songs II • BA 11517

59

SOLO VOICE

Eben Petr (1929–2007)

Six Songs of Love (Šestero piesní milostných / Sechs Minnelieder)for low voice and pianosix songs to medieval love poetry in original languages (see indi-vidual songs) H 2464

Noc milá (Cz/Ger), Summer is Come (Eng/Cz), Unter der Linden (Ger/Cz), Du bist mÎn (Ger/Cz), Non mi mandar messaggi (It/Cz), Ballade des Dames du temps jadis (Fr/Cz)

Songs from Teschen (Písně z Těšínska / Lieder aus dem Teschnerland)for low voice and pianoto the words of Silesian folk songsvocal text: Cz/GerH 5311

Songs for a Lute (Písně k loutně) for voice and guitarsix songs to medieval love poetry in original languages (see indi-vidual songs) rev J TichotaH 6300

Milovánie bez vídánie (Cz/Ger), I Dare Not Ask (Eng/Cz), Quand ce beau printemps (Fr/Cz), Ach Gott, wie weh tut schei-den (Ger/Cz), Jakž sem tě najprv poznal (Cz/Ger), Stratilať sem milého (Cz/Ger)

A small pendant to the cycle Six Songs of Love

Suitable for an amateur singer and guitarist in one


Songson texts by Johann Wolfgang von Goethe for voice and piano Urtext, ed B Kubečkovávocal text: GerBA 11558 to apper in April 2019

An den Mond, Aus Goethes Wilhelm Meisters Lehrjahren: Lied der Mignon – Heiß mich nicht reden, Mignon – Kennst du das Land, Lied der Mignon – Nur wer die Sehnsucht kennt, Lied des Harfners – An die Türen will ich schleichen, Lied des Harfners – Wer nie sein Brot mit Tränen aß, Philinens Lied – Singet nicht in

Trauertönen, Lied der Mignon – So lasst mich scheinen, Des Harfners Ballade – Was hör’ ich draußen vor dem Tor?, Lied des Harfners – Wer sich der Einsamkeit ergibt

The Czech composer Zdeněk Fibich had a keen interest in classical German literature It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe while still a student at the Leipzig Conservatoire

Between 1865 and 1871 he com-posed 15 songs on texts by this famous German author for voice and piano Ten of them have survived: the song An den Mond (To the Moon), dating from 1869, and nine further songs from Goethe’s novel Wilhelm Meister’s Apprenticeship were written immediately after Fibich’s return to Prague in 1871 All ten now ap-pear in the first scholarly-critical edition; some of them are being published for the first time ever

First Urtext edition of Fibich’s Goethe songs

Literal translations of the vocal text included (Cz/Eng)


BA 11517 Dvořák, Písně II (vyšší hlas) / Songs II (high voice) / Lieder II (hohe Stimme)

Bärenreiter

FIBICHB Ä R E N R E I T E R U R T E X T

Písněna texty Johanna Wolfganga von Goethe

Songson Texts by Johann Wolfgang von Goethe

Lieder

auf Texte von Johann Wolfgang von Goethe

NEW 2019


Fül

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60

SOLO VOICE

Foerster Josef Bohuslav(1859–1951)

Erotikon Op. 23four songs for high voice and pianoto words by August Heinrich Hoffmann von Fallersleben, Wil-helm Osterwald and Karl Stieler vocal text: Cz/GerH 7849


Umbrella from Piccadilly (Deštník z Piccadilly) Op. 103three songs for bass and large orchestra to words by Jaroslav Seifertvocal text: Cz (with literal English and German translations) H 7439 study score ♦


Four Ballads (Čtyři balady)for medium voice and piano to the words of folk poetry vocal text: Cz/Gerrev J TrojanH 6497

Moravian Folk Poetry in Songs (Moravská lidová poezie v písních) for voice and pianovocal text: Cz/GerH 4570

Silesian Songs (Slezské písně) for low voice and piano to the words from a collection of folk songs by Helena Salichovávocal text: Czrev B ŠtědroňH 1403


The Diary of One Who Disappeared (Zápisník zmizelého) for tenor, alto, three female voices and pianoto words by Ozef Kaldavocal text: Cz/Eng/GerUrtext, ed J ZahrádkaBA 9575 score arrangement for chamber orchestra by M. Štědroň and M. Orson Štědroň available on hire

Janáček’s intimate chamber- -music drama about the pas-sionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal master-pieces This cycle of 22 songs was composed in 1917–1919 and premiered in Brno in 1921 from a manuscript prepared by Gustav Homola The same manuscript served as a basis for the first edition with the Brno publisher Oldřich Pazdírek in 1921 as well as for this Bären-reiter Urtext edition



Numbers IX to XI which include the alto and three female voices also available online


Five Romantic Songs about Love to Words by R. M. Rilke (Pět romantických písní o lásce na slova R. M. Rilka) Op. 38for high voice and pianovocal text: Ger/CzH 7841


Love Carol (Koleda milostná) for medium / high voice and piano (together with Love Carol H 259 by Bohuslav Martinů)vocal text: Cz/Gered I PopelkaH 5585


Excited Song (Zjitřený zpěv) for baritone and brass quintet (2 trumpets, French horn, 2 trom-bones) to words by Josef Hora vocal text: CzH 7791 score with instrumental

parts


Four Songs on Czech Folk Poetry (Čtyři písně na slova české lidové poezie) H. 282bisfor voice and piano vocal text: Cz/Ger/Enged A BřezinaH 7809

Horses on a Fallow Field (Koníčky na ouhoře), My Little Lost Shoe (Ztracený pantoflíček), A Song Religious (Píseň nábožná), An Invitation (Pozvání)


61

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Love Carol (Koleda milostná) H. 259for medium / high voice and piano (together with Love Carol by Vítězslava Kaprálová)vocal text: Cz/Gered I PopelkaH 5585

New Chap-Book (Nový Špalíček) H. 288for voice and pianoeight songs to Moravian folk poetry vocal text: Cz/Gered I PopelkaH 6132

Songs on One Page (Písničky na jednu stránku) H. 294for high voice and pianoseven songs to Moravian folk poetryvocal text: Cz/EngH 5094orchestral arrangement by J. Teml available on hire

Songs on Two Pages (Písničky na dvě stránky) H. 302for high voice and pianoseven songs to Moravian folk poetry vocal text: Cz/EngH 5095

Two Songs to the Text of Negro Folk Poetry (Dvě písně na texty negerské poezie) H. 232bisfor voice and pianovocal text: Cz/Gered I PopelkaH 5988

Michna Adam Václav z Otradovic(ca 1600–1676)The Czech Lute (Loutna česká) a collection of 13 songs for two voices, two violins, three violas (only in the last song) and basso continuo to words by the composervocal text: Cz (with literal English translation) eds P Daněk, A Viktora, T DaňkováH 8040 score, short score (particell) and parts in slipcoverto appear in May 2019

The Czech Lute from 1653 in-cludes 13 strophic songs, each introduced by an instrumental ritornello This cycle marks the first instance of the ritornello song in the Czech languageUntil recently the nature of these ritornellos was unknown, as the first and second violin parts had disappeared A copy of the first violin part was dis-covered in 2014 This unique source allowed to present a viable reconstruction of the work even though the second violin part is still unknown

Most famous song collection of the Czech Baroque

Reconstruction of the work based on the newly discov-ered first violin part

First-ever edition of instrumental ritornellos with recon-structed second violin part (A Viktora) and basso contin-uo realization (P Kornfeld)

Preface (Cz/Eng/Ger) and criti-cal report (Eng) by the editors

H 8040 Bärenreiter Praha

LOUTNA ČESKÁ

THE CZECH LUTE

Adam Michna z Otradovic

Bärenreiter Urtext

Bohuslav Martinů

LIEDER AUF EINER SEITESONGS ON ONE PAGE

Canto e Piano


Bohuslav Martinů

LIEDER AUF ZWEI SEITENSONGS ON TWO PAGES

Canto e Piano


NEW 2019

From: Adam Václav Michna z Otradovic, introductory instrumental ritornello of the first song in the collection The Czech Lute • H 8040

62

SOLO VOICE / CHOIR



Tre notturni for 2 sopranos, 2 clarinets, 2 French horns and stringsvocal text: It MAB II/7, ed V BělskýH 5182 score ♦ COPY

Plánický Josef Antonín(1691–1732)

Opella ecclesiasticatwelve sacred cantatas for soprano, alto and bass solo, 2 bassoons, strings and organ vocal text: LatMAB II/3, ed J SehnalH 4496 score

Rychlík Jan(1914–1964)

South Bohemian Folk Songs (Jihočeské písně a písničky) for voice, violin, clarinet, bass clarinet and pianovocal text: Cz/GerH 5489 score with parts

Sluka Luboš(*1928)

Renaissance Songs (Písně renesanční)three songs for mezzo-soprano / baritone and pianovocal text: Cz/GerH 3402


Evening Songs (Večerní písně)five songs for low voice and piano to words by Vítězslav Hálek vocal text: Cz/Ger/Engarr J E Zelinka, rev K ŠolcH 2844

Children’s Choira cappella / with instrumental accompaniment

both secular and sacred works


Alleluiafor children’s and mixed choirs and organorgan version arr Ph Brunellevocal text: GreekH 7900 score

The Twig Grows Green (Zelená se snítka) 14 songs for children’s choir and pianoto the words of Czech poetsvocal text: Cz/GerH 2335 score


Children’s Chorusesa cappella vocal text: CzH 7136 choral score

Missa Vinea Crucisfor children’s / female choir and orchestra / organvocal text: LatH 7768 score (organ version)orchestral version on hire

Pololáník Zdeněk(*1935)

Cantus laetitiaefor children’s / female choir a cappellato the text of Psalms Nos 104 and 150vocal text: LatH 7885 choral score

Female Choira cappella / withinstrumental accompaniment



Of Swallows and Girls (O vlaštovkách a dívkách) nine folk songs for female choir a cappella to the words of folk songsvocal text: Cz H 4233 choral scorevocal text: GerBA 4985• choral score COPY

Greek Dictionary (Řecký slovník)nine female choruses with harp / piano accompaniment to single Greek words harp part rev L VáchalováH 6145 score


Missa Vinea Crucisfor children’s / female choir and orchestra / organvocal text: LatH 7768 score (organ version)orchestral version on hire

Janáček Leoš(1854–1928)Female Choruses (Ženské sbory) for female choir with instrumen-tal accompaniment / a cappellavocal text: Cz/Ger/EngLJCE/C/3, eds M Orson Štědroň, J ZahrádkaBA 6865-01 / H 8041 cloth

bound score

NEW 2018


63

CHOIR

Wolf-tracks (Vlčí stopa), Songs of Hradčany (Hradčanské písničky): 1 Golden Lane (Zlatá ulička) 2 The Weeping Fountain (Plačící fontána) 3 Belvedere (Belveder), Caspar Rutsky (Kašpar Rucký)

The year 1916 was the only time in Janáček’s life when he composed for female choir In January he wrote Wolf-tracks with piano accompaniment ac-cording to the poem by Jaroslav Vrchlický, which was followed in February by the choral cycle with flute and harp Songs of Hradčany from the eponymous collection of František Serafín-ský Procházka and the a cappella chorus Caspar Rutsky from the same poetry collection

The contents of this LJCE volume were taken from the original 2002 Editio Janáček edition based on a licensing agreement

Musical text of all composi-tions critically treated accord-ing to the editorial principles of the LJCE

Preface (Cz/Eng/Ger) by J Zahrádka and critical report (Eng) by the editors

Includes the autograph version of Belvedere and the diplomatic transcription of Caspar Rutsky


Caspar Rutsky (Kašpar Rucký)Ballad for female choir a cappella with soprano solo to words by František S Procházkavocal text: Cz/GerH 6001 choral score

Hradčany Songs (Hradčanské písničky)for female choir with flute and harp accompanimentto words by František Serafínský Procházkavocal text: Cz/Ger/EngH 4248 score

Golden Lane (Zlatá ulička), The Weeping Fountain (Plačící fontána), Belvedere (Belveder)

Wolf-tracks (Vlčí stopa)for female choir and piano to words by Jaroslav Vrchlickývocal text: Cz/GerH 4515 score


Opening of the Wells (Otvírání studánek) H. 354Cantata for soloists (soprano, alto, baritone, reciter), female choir and instrumental accompa-niment (2 violins, viola, piano) to words by Miloslav Bureš vocal text: Cz/Eng/GerH 2122 score with instrumental

parts

Pololáník Zdeněk(*1935)

Cantus laetitiaefor children’s / female choir a cappellato the text of Psalms Nos 104 and 150vocal text: LatH 7885 choral score


Female Chorusesthree three-part female choruses a cappellato words by Bedřich Peška (1) and Josef V Sládek (2 and 3)vocal text: CzH 7811 choral score

1 Má hvězda, 2 Přiletěly vlaštovičky, 3 Za hory slunce zapadá

Male Choira cappella / with instrumental accompaniment



Ave Maria for male choir a cappella to words by Lord Byronvocal text: Czed J TrojanH 6276 choral score

Echoes of Folk Songs (Ohlas národních písní) for male choir a cappellavocal text: Czed J TrojanH 5951 choral score

True Love (Láska opravdivá), I Am Most Astonished (Divím se milému), The Sunken Garland (Vínek stonulý)

Four Male Partsongs (Čtveřice mužských sborů)for male choir a cappellato the words of folk poetry (1–3) and by Jaroslav Vrchlický (4)vocal text: Cz and Ger separatelyH 2486 choral score (Cz)H 2486-01 choral score (Ger)

The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé)

Four Moravian Male Choruses (Čtvero mužských sborů moravských)for male choir a cappella to the words of Moravian folk poetryvocal text: CzH 7769 choral score

You Know (Dež viš), Mosqui-toes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení)

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Male Choruses I (Mužské sbory I)for male choir a cappellavocal text: Cz/Ger/EngLJCE C/1, eds L Faltus, P OlivaBA 6847• cloth bound score

Ploughing (Orání), Fickleness of Love (Nestálost lásky), Lone-some without Solace I (Osamělá bez těchy I), True Love (Láska opravdivá), I Am Most Astonished (Divím se milému), The Sunken Garland (Vínek stonulý), Wailing Melancholy (Zpěvná duma), You Cannot Escape from Fate (Osudu neujdeš), Two Doves in a Fir Tree (Na košatej jedli), At the Ferry (Na prievoze), Four Male Partsongs (Čtveřice mužských sborů): The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krás-né oči tvé), Parting (Loučení), The Dove (Holubička), The Jealous Lover (Žárlivec), Birch Tree (Což ta naše bříza), Seek Repose (Odpočiň si), Festive Chorus (Slavnostní sbor), Lonesame without Solace II (Osamělá bez těchy II)

Male Choruses II (Mužské sbory II) for male choir a cappella vocal text: Cz/Ger/EngLJCE C/2, eds L Faltus, P OlivaBA 6858 / H 7840 cloth bound

score

Ave Maria, The Wreath (Vínek), Four Moravian Male-Voice Choruses on Moravian folk poetry (Čtvero mužských sborů moravských): You Know (Dež viš),

Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení), Halfar the School-master (Kantor Halfar), Maryčka Magdónova (1st version), Maryč-ka Magdónova (2nd version), The Seventy Thousand (Sedmdesát tisíc), The Eiderdown (Perina), The Czech Legion (Česká legie), The Wandering Madman (Potulný šílenec), Our Flag (Naše vlajka), Chorus for laying the foundation stone of the Masaryk University in Brno, various supplements

The Wandering Madman (Potulný šílenec)for male choir a cappella with soprano solo to words by Rabindranath Tagorevocal text: Cz/GerH 6003 choral score

The Seventy Thousand (Sedmdesát tisíc)for mail choir a cappella to words by Petr Bezručvocal text: CzH 6002 choral score

True Love (Láska opravdivá)for male choir a cappella to the words of folk poetryvocal text: Ger/EngH 3026 choral score

Wailing Melancholy (Zpěvná duma)for male choir a cappella to words by František L Čela-kovský vocal text: Cz/Gered J TrojanH 6256 choral score

Martinů Bohuslav (1890–1959)

Brigand Songs (Zbojnické písně) H. 361 ten male choruses a cappella to the words of Moravian folk poetryvocal text: Cz/Ger/Eng)H 2880 choral score COPY


Festive Chorus (Slavnostní sbor) for male choir a cappella to words by Emanuel Züngelvocal text: CzH 5561 choral score COPY

Mixed Choira cappella / with instrumental accompaniment



In Nature’s Realm (V přírodě) Op. 63 for mixed choir a cappella to words by Vítězslav Hálek vocal text: CzADCE VI/4, eds O Šourek, A ČubrH 522 choral score

Mass in D maj Op. 86 for soloists, mixed choir and organvocal text: LatADCE II/7, eds J Burgauser, A ČubrH 4952 choral score with organBA 7511 choral score with organ

(“Choir & Organ” series)(H 4952 + BA 7511 will be replaced with BA 10435)orchestral version on hire

Six Moravian Duets (Šest moravských dvojzpěvů)for mixed choir and pianoto the words of Moravian folk songs arr L Janáček, with original piano parted V Němecvocal text: Cz/GerH 7718 choral score


AlleluiaEpilogue from the composer’s oratorio Apologia Sokratus for children’s and mixed choirs and organorgan version arr Ph Brunellevocal text: GreekH 7900 score

Love and Death (Láska a smrt) for mixed choir a cappella to the words of folk poetryvocal text: CZ/GerH 3863 choral score COPY

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Mass in D maj Op. 86 for soloists, mixed choir and organvocal text: LatUrtext, ed H UtidjianBA 10434 scoreBA 10434-82 violoncello, double

bass partBA 10435 choral score withorgan (“Choir & Organ” series)(BA 10435 will replace H 4952 + BA 7511)to appear in November 2019orchestral version on hire

Dvořák composed the Mass in D major in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel It is written for choir and organ with sporadic passages for soloists, uses simple expressive devices and makes light techni-cal demands Thus, this work is easy to perform, also by amateur church choirs; all that is needed is a small choir and the solo parts can be sung by members of the choir

The full score includes optional violoncello and double bass parts edited for the first time Dvořák had penned them himself in a copy of the organ version

The choral score, likewise based on this edition, is tailored to meet the demands of today’s performers It is compatible with all versions of the work, including Dvořák’s later orchestral version

This edition includes violoncello and double bass parts edited for the first time

Preface (Eng/Cz/Ger) and critical report (Eng) by the editor

Easy to perform also by amateurs church choirs with choir members as soloists

Choral score compatible with all versions of the mass


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NEW 2019

66

Each of the 22 volumes published so far contains a multilingual preface, critical report, and various facsimiles The volumes are cloth bound (265 x 333 cm); some of the older titles (pre-2009) are also available in paperback

The volumes are available for a reduced price with a complete or partial subscription by series. They can also be purchased individually.

Information on individual LJCE volumes can be found in this catalogue

The Complete Critical Edition of the Works of Leoš Janáček (LJCE) was launched with a volume of piano compositions as a joint project of the erstwhile Czechoslovak state publishing house Supraphon and Bärenreiter back in 1978, and it continues by the sole care of Bärenreiter to this day. Some of the new volumes are being prepared through licences with other Janáček publishers.

The publishing project comprises eight series with roughly 45 expected volumes and covers the whole of Janáček’s musical oeuvre. The editors are leading Czech experts of international repute with years of experience researching Janáček, who prepare authentic versions and variants of the compositions using all available sources. The musical texts of our new Urtext publications as well as new performance materials are mostly based on the complete critical edition.

L E O Š J A N Á Č E KT H E C O M P L E T E C R I T I C A L E D I T I O N

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♦ Performance material available on hire ° Performance material available

on sale


Salve Regina / Cantico delle creatureCanticle of the Sun of Francis of Assisifor mixed choir a cappellavocal text: Lat/It (Umbrian)BA 6429• choral score

The Night (Noc)for mixed choir a cappella to words by Karel Hynek Máchavocal text: Cz/Ger/EngH 7847 choral score

Ubi caritas et amorfor mixed choir a cappella to words by anonymousvocal text: Lat/ItBA 5404• choral score


Caprichosdouble-chorus composition a cappella for chamber and mixed choirsto the words of Goya’s etchings H 4439 score


Elegy on the Death of My Daughter Olga (Elegie na smrt dcery Olgy) cantata for tenor solo, mixed choir and piano to words by Maria N Vevericavocal text: Cz/Ger/Eng ed T StrakováH 2572 score

Festive Chorus (Slavnostní sbor)for male solo quartet, female and male choirs with piano to words by Karel Kučeravocal text: Cz/Gered J TrojanH 5264 score

Graduale in festo Purificationis B. V. M.for mixed choir a cappellavocal text: Lat ed J TrojanH 4698 choral score

Hail Mary (Zdrávas Maria)Ave Maria for soprano / tenor, mixed choir ad lib, violin, piano / organvocal text: Cz/Gered B BakalaH 6252 score

Mass in B-flat maj for mixed choir and organaccording to “Messe pour orgue” by F Liszt vocal text: Lated J BurghauserH 6239 score

Mass in E-flat maj (Unfinished Mass)for soloists, mixed choir and organvocal text: Lated J TrojanCredo completed by V PetrželkaH 5086 score ♦

Lord Have Mercy upon Us (Hospodine!)for soloists, 2 mixed choirs with accompaniment (4 trumpets, trombone, tuba, harp and organ) vocal text: Cz/Ger ed J TrojanH 4700 score (with harp part) ♦BA 6079• score °The Lord’s Prayer (Otčenáš)for mixed choir with tenor solo, harp and organ vocal text: Cz/Ger ed B ŠtědroňH 3712 score ° H 3712-64 harp part

Three Mixed Chorusesfor mixed choir a cappellato the words of Jaroslav Vrchlický, a folk song and Svatopluk Čech respectivelyvocal text: Cz/Gered J TrojanH 6154 choral score

1 Píseň v jeseni (Herbstlied), 2 Kačena divoká (Die Wildente), 3 Naše píseň (Unser Lied)

Madelka Simon Bar Jona(ca 1550–1598)

Seven Penitential Psalms (Sedm kajících žalmů)for five-part mixed choir with instrumental accompaniment ad libvocal text: Lat ed M KlementH 7999 choral score


Legend from the Smoke of Potato Fires (Legenda z dýmu bramborové nati) H. 360cantata for soloists (soprano, alto, baritone), mixed choir and instrumental ensemble (flute, clarinet, French horn, accordion, piano) to words by Miloslav Bureš vocal text: Cz/Eng/GerH 2996 scoreH 2996-22 instrumental parts

Madrigals (Part-Song Book) H. 380four madrigals for mixed choir a cappella to the words of Moravian folk poetryvocal text: Ger

1 Am Donaustrom (Tam s tej strany Dunaja)BA 3755• choral score

2 Ej, steht ein Wäldchen (Ej, jeden hájek)BA 3756• choral score

3 Auf der Erde hat nichts Weile (Na tom světě nic stálého)BA 3757• choral score

4 Glaubst du, daß ich wohl nichts wüßte? (A ty si myslíš)BA 3758• choral score


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Mikesh from the Hills (Mikeš z hor) H. 375cantata for solo soprano and tenor, mixed choir, 2 violins, viola and piano to words by Miloslav Bureš vocal text: Cz/Eng/GerH 2992 scoreH 2992-22 instrumental parts

proofreading of Opening of the Springs The previous editions of these works contained numerous minor errors, inconsistencies and solutions that went against the intentions of the composer



Facsimile of important sources


Michna Adam Václav z Otradovic(ca 1600–1676)

Czech Marian Music (Česká mariánská muzika)Cantilenae sacre bohemicae ad honorem Beatae Mariae Virginisthree-book collection of 64 sim-ple strophic four-part songs with continuo accompaniment ad libto words by the composervocal text: Cz AMO 1, ed J Sehnal (musical text), L Štukavec (literary text)H 7240 choral score (four-part

homophony)Holy Year Music (Svatoroční muzika)Cantiones sacre per tempus totius anni118 four-part songs for various liturgical seasons and feasts of the church yearto words by the composervocal text: Cz AMO 5, eds F Malý, J Sehnal (musical text), L Štukavec (literary text)H 7824 choral score (four-part

homophony)Missa Sancti Wenceslaifor soloists, mixed choir, organ with double bass, 2 clarinos, violin I II / cornett I II, viola I–IVvocal text: LatMAB II/1, ed J SehnalH 4035 score ♦

Officium vespertinum: Psalmi Ifor soloists, mixed choir and organvocal text: Lat AMO 6, eds V Bělský, J SehnalH 7837 score ♦

Officium vespertinum: Psalmi IIfor soloists, mixed choir and organvocal text: Lat AMO 7, eds V Bělský, J SehnalH 7880 score ♦

“Bureš Cantatas” – Martinů choral masterpiecesnow also in complete edition seriesMartinů Bohuslav(1890–1959)

Opening of the Springs (Otvírání studánek) H. 354The Legend of the Smoke from Potato Tops (Legenda z dýmu bramborové nati) H. 360A Dandelion Romance (Romance z pampelišek) H. 364Mikesh from the Mountains(Mikeš z hor) H. 375vocal text: Cz (with English literal translation)BMCE VI/2/3, ed V ZouharBA 10575-01 cloth bound score

All four cantatas, composed between 1955–59 to words by Miloslav Bureš, Martinů’s fellow native from Polička, express the composer’s deep feeling of homesickness, especially in the Opening of the Springs, the most known and popular of them

The need for a critical edition of these cantatas stems from the fact that the composer did not participate in the publica-tion of any of them, aside from his cursory post-publication

Romance from the Dandelions (Romance z pampelišek) H. 364 cantata for mixed choir with soprano solo to words by Miloslav Bureš vocal text: Cz/Eng/GerH 2997 choral score

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Officium vespertinum:Compositiones ad honorem B M V, Falsi burdoni a due corifor soloists, mixed choir and organ(Falsi burdoni with instrumental accompaniment ad lib)vocal text: Lat AMO 8, eds V Bělský, J SehnalH 7979 score ♦

Sacra et litaniae – pars I: Missa Ifor soloists, mixed choir, organ, basso continuo, violin I II, viola I–IIIvocal text: LatAMO 2, eds V Bělský, J Sehnal H 7332 score ♦

Sacra et litaniae – pars II: Missa IIfor soloists, mixed choir, organ, basso continuo, violin I II, trom-bone I–IIIvocal text: LatAMO 3, eds V Bělský, J SehnalH 7595 score ♦

Sacra et litaniae – pars III: Missa IIIfor mixed choir, organ with dou-ble bass and violin I IIvocal text: LatAMO 4, eds V Bělský, J SehnalH 7808 score ♦

Sacra et litaniae – pars IV: Missa IVfor soloists, mixed choir, organ, basso continuo and instrumental ensemble ad lib (violin I II, viola I–III / trombone I–III)vocal text: LatAMO 9, eds V Bělský, J SehnalH 7990 score ♦

Sacra et litaniae – pars V: Missa Vfor bass solo, mixed choir, organ, basso continuo, violin I II and trombonevocal text: LatAMO 10, eds V Bělský, J SehnalH 7995 score ♦

Sacra et litaniae – pars VI: Missa pro defunctisfor soloists, mixed choir, organ, basso continuo, violin I II, trom-bone I–IIIvocal text: LatAMO 11, eds V Bělský, J SehnalH 7996 score ♦

This editorial project introduces the texts and musical editions of mass tropes from Czech sources from the 11th–16th cen-turies Mass tropes are among the most intriguing repertoire types of Czech plainsong

The tropes are edited along with their native chants; as such, these publications will interest both the academic community and practical musicians

Many of the texts and melo-dies are made accessible for the very first time The edition contains numerous commen-taries, introductory studies (Cz/Eng) and enclosed facsimilies

Sacra et litaniae – pars VII, VIII, IX: Litaniae de SS nomine Jesu, Litaniae B M V, Te Deumfor soloists, mixed choir, organ, basso continuo and instrumental ensemble ad lib (violin I II, viola I–IV / trombone I–III)vocal text: LatAMO 12, eds V Bělský, J SehnalH 7997 score ♦

Repertorium troporum bohemiae medii aevi, pars I–IVvocal text: Lated H Vlhová-Wörner

Tropi proprii missae – pars IH 7878

Tropi ordinarii missae – pars IIKyrie eleisonGloria in excelsis DeoH 7959

Tropi ordinarii missae – pars IIISanctusH 8017

Tropi ordinarii missae – pars IVAgnus DeiH 8030


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Psalmifor solo voices, mixed choir and organvocal text: LatH 7383 score

Šesták Zdeněk(*1925)

Laudate Dominum, omnes gentesfor mixed choir a cappellavocal text: LatH 7924 choral score

Choir and Orchestrafemale / male / mixed choir


Brixi Šimon(1693–1735)

Magnificatcantata for mixed choir, 2 clari-nos, strings and organvocal text: Lat MAB II/2, ed V BělskýH 4151 score


Hymnus Op. 30cantata for mixed choir and orchestra to the words from the poem Heirs of the White Mountain (Dědicové Bílé Hory) by Vítězslav Hálekvocal score: Cz/Ger/Eng ADCE II/5, ed J Berkovec, J Burghauser, J Clapham, A ČubrH 3530 score ♦ COPYH 3750 vocal score COPY (Karel Šolc)

Psalm 149 (Žalm 149) Op. 79for mixed choir and orchestravocal text: Cz/Ger/Eng ADCE II/6H 4508 vocal score ♦ (Karel Šolc)

Requiem Op. 89for soloists, mixed choir and orchestravocal text: LatADCE II/4H 2924-90 vocal score ♦

(Karel Šolc)

Requiem Op. 89for soloists, mixed choir and chamber orchestra arr J Linckelmannvocal text: LatBA 9582 score ° Standard choral work with a

manageable reduced orches-tration

A stylistically appropriate as well as tried and tested arrangement

In keeping with the vocal score H 2924-90

St Ludmila (Svatá Ludmila) Op. 71oratorio for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický vocal text: Cz/Ger/Eng ADCE II/3H 4027 vocal score ♦

(František Bartoš)

Stabat Mater Op. 58cantata for soloists, mixed choir and orchestra vocal text: LatADCE II/1, ed A ČubrH 2268 study score ♦ COPYH 1882 vocal score (Karel Šolc)

Stabat Mater Op. 58cantata for soloists, mixed choir and orchestra vocal text: LatUrtext, eds J Kachlík, M SrnkaH 7920 vocal score ♦ (Antonín Dvořák)compatible with the study score and performance material of the ADCE – H 2268 (see above)

Te Deum Op. 103for soloists (soprano, bass), mixed choir and orchestravocal text: LatADCE II/6, eds F Bartoš, A ČubrH 4522 score ♦ COPY H 4523-90 vocal score

(Karel Šolc)

The Spectre’s Bride (Svatební košile) Op. 69 for soloists, mixed choir and orchestraballad to words by Karel Jaromír Erbenvocal text: Cz/Ger/EngADCE II/2new preface D Philippi (Ger/Eng/Cz)BA 9544-90 vocal score ♦

(Karel Šolc)


In honorem Carolicantata for male choir and orchestra to the words from the Founda-tion Charter of Charles University vocal text: Cz/Lat/GerH 6615 score ♦


Amaruscantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlickývocal text: Cz/Ger/EngLJCE B/1, eds L Faltus, M Kuče-rová, M ŠtědroňBA 6851• cloth bound score ♦H 7382-01 score ♦H 2261 choral scoreH 7735 vocal score

(Zdeněk Král)

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Čarták on Soláň (Na Soláni čarták)cantata for male choir and orchestra to words by Martin Kurt (pseudonym of Maxmilián Kunert)vocal text: Cz/Ger/Eng LJCE B/3, eds J Hanuš, M ŠtědroňBA 6844• cloth bound score ♦H 6450 study score ♦H 2576-90 vocal score

(Břetislav Bakala)

Glagolitic Mass (Glagolská mše / Mša glagolskaja)for soloists, mixed choir, organ and orchestravocal text: Old Church Slavonic

final authorised version LJCE B/5–I, eds L Faltus, J ZahrádkaPreface (Cz/Ger/Eng/Fr/Ru) by J Zahrádka and critical report (Cz/Ger) by the editorsBA 6862 / H 7935 cloth bound

score ♦Urtext, eds L Faltus, J Zahrádkapreface J Zahrádka (Cz/Eng/Ger)literal translations of the vocal text in the vocal score (Cz/Ger/Eng)TP 862 study score ♦ BA 6862-90 vocal score

(Martin Zehn)

“September 1927” versionLJCE B/5–II, ed J Zahrádka(without preface or critical report)BA 6863 / H 8020 cloth bound

score ♦

The Eternal Gospel (Věčné evangelium)cantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický vocal text: Cz/Ger/EngLJCE B/4, eds L Faltus, M ŠtědroňBA 6860• cloth bound score ♦H 7736-01 score ♦Urtext, eds L Faltus, M Štědroňpreface (Cz/Eng/Ger) J TrojanBA 6860-90 vocal score ♦

(Leoš Faltus)

Kopřiva Václav Jan(1708–1789)

Offertorium ex D “Vox clamantis in deserto”for mixed choir, chamber or-chestra (2 clarinos, strings) and organ vocal text: Lated Z ŠestákH 7442 score

Linek Jiří Ignác(1725–1791)

Missa pastoralis ex F / Pastorellafor soloists, mixed choir, 2 French horns, strings and organvocal text: Lat (Missa), Cz/Ger (Pastorella)MAB II/13, ed J BerkovecH 7226 score ♦


Field Mass (Polní mše) H. 279 for male choir with baritone solo and small orchestra to words by Jiří Muchavocal text: Cz (with literal trans-lations into Ru/Eng/Fr)H 277 score ♦ COPY


Field Mass / The Spectre’s Bride BMCE VI/2/2, ed P WingfieldBA 10573-01 cloth bound scoreto apper in June 2019

Field Mass (Polní mše) H. 279 ♦ for male choir with baritone solo and small orchestra (wind instruments, percussion, har-monium, piano)to words by Jiří Muchavocal text: Cz

The Spectre’s Bride (Svatební košile) H 214Acantata for soloists (soprano, tenor, bass), female choir and large orchestrato words by Karel Jaromír Erbenvocal text: Cz

Field Mass (1939) was com-posed in response to the outbreak of World War II, and it was intended for outdoor performance The Spectre’s Bride was originally included in the ballet The Chap-Book from 1932 but was later extracted from the ballet by the compos-er as a separate concert piece The main sources for both works in this edition were the autograph scores

The edition of Field Mass is supplemented with the original version of the finale with a quotation of the Medieval Czech hymn Jezu Kriste, štědrý kněže (also published in the performance materials) and a number of contemporary translations of the vocal text in the Libretto section


Preface and critical report by the editor (Eng/Cz)

Original version of the finale of Field Mass as an appendix


NEW 2019


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The Epic of Gilgamesh (Epos o Gilgamešovi) H. 351oratorio for soloists, narrator, mixed choir and orchestralibretto in original English ver-sionBMCE VI/2/1, ed A BřezinaBA 10571-01 cloth bound score

For fourteen long years Mar-tinů mused over a composition “of the genre of Cavalieri’s ’Rappresentatione di anima e di corpo’”, before finally compos-ing his masterly choral work at the turn of December 1954 and January 1955, thus creating one of the most impressive choral scores of the 20th century He compiled the libretto from the texts of one of the oldest extant works of literature, the Ancient Babylonian Epic of Gilgamesh

The greatest contribution of this critical edition is the dis-covery and first publication of the composer’s detailed re-quirements for a semi-theatri-cal staging of the work and the extension of the narrator’s role in accordance with Martinů’s original intentions





The Spectre’s Bride (Svatební košile) H 214A→ page 71

Ryba Jakub Jan(1765–1815)

Czech Christmas Mass (Česká mše vánoční)for soloists, mixed choir, orchestra and organthe most popular Czech Christmas mass of all timesvocal text: Cz/GerH 5572 vocal score ♦ (Josef Hercl)


Czech Song (Česká píseň)cantata for mixed choir and orchestra to words by Jan z Hvězdyvocal text: Cz + GerH 7402 vocal score (Cz) ♦ (Karel Šolc) H 7402n vocal score (Ger) ♦ (Karel Šolc)


Missa in B (Missa solemnis Op. 24)for soloists, mixed choir and orchestra vocal text: Lat MAB II/15, eds J Berkovec, O ZuckerováH 7739 score ♦


Missa Divi Xaverii ZWV 12 for soloists, mixed choir and orchestravocal text: Lat Urtext, ed V LuksBA 9594 score BA 9594-90 vocal score ♦

(Pablo Kornfeld)

Missa Divi Xaverii ZWV 12 marks a highlight in Zelenka’s œuvre It was composed in 1729 while he was working at the Dresden court The principal source of this first edition is the damaged autograph score which had long been kept under lock and key Passages missing because of its damaged condition have been supplemented using secondary sources or recon-structed by Václav Luks

Masterwork of Zelenka and European Baroque music

Published for first time ever

Significant addition to reper-toire of sacred music

Also suitable for ambitious amateur choirs

Preface (Cz/Eng/Ger) by eminent Zelenka researcher J Stockigt and critical report (Eng) by the editor♦ Performance material

available on hire

73

OPERA


Psalmi et Magnificatfor mixed choir, orchestra and organ vocal text: Lat MAB II/5, ed V BělskýH 4974 score (♦ selection)

Sub olea pacis et palma virtutis Melodrama de Sancto Wenceslaovocal text: LatMAB II/12, ed V BělskýH 6825 score COPY

Opera


Kate and the Devil (Čert a Káča) Op. 112 opera in 3 actslibretto by Adolf Wenig (Cz/Ger) ADCE I/11, eds J Burghauser, A PokornýH 454 vocal score COPY

Rusalka Op. 114lyric fairy tale in 3 actslibretto by Jaroslav Kvapil vocal text: Cz/Ger/Engnew preface J Gabrielová Urtext, ed J Burghauser BA 9510-90 vocal score ♦

(Karel Šolc)

The Jacobin (Jakobín) Op. 84opera in 3 actslibretto by Marie Červinková- Riegrovávocal text: Cz/Ger ADCE I/10, eds F Bartoš, A PokornýH 3955 score (2 volumes)


Fate (Osud) opera in 3 actslibretto by Leoš Janáček and Fedora Bartošovávocal text: Cz/Eng/GerLJCE A/5, ed J Zahrádkapreface by the editor (Cz/Eng/Ger)BA 9562-01 / H 8038-01 cloth

bound score ♦Urtext, ed J ZahrádkaBA 9562-90 vocal score ♦

(Rasmus Baumann)


The Makropulos Case (Věc Makropulos) “Brno version” opera in 3 acts after the epo-nymous play by Karel Čapeklibretto by Leoš Janáček vocal text: Cz/Eng/GerEnglish translation G TurnerGerman translation K Lückerpreface M Štědroň (Cz/Eng/Ger)LJCE A/9, ed T HanusBA 9579-01 cloth bound score ♦ in preparation


The Bartered Bride (Prodaná nevěsta)comic opera in 3 actslibretto by Karel Sabina vocal text: Cz/Gernew preface M OttlováUrtext, ed F BartošBA 9534-90 vocal score ♦

(Bedřich Smetana)

The Kiss (Hubička) opera in 2 actslibretto by Eliška Krásnohorskávocal text: Cz ed F BartošH 2819 vocal score COPY

(Bedřich Smetana)

The Secret (Tajemství)opera in 3 acts libretto by Eliška Krásnohorskávocal text: Cz ed F BartošH 1630 vocal score (Karel Šolc)


NEW 2019

74

THEMATIC CATALOGUES

Thematic Catalogues

Burghauser Jarmil (1921–1997)

Antonín Dvořák. Thematic Catalogue844 pages (Cz/Ger/Eng)bibliography by J Burghauser, J ClaphamH 7755

Hudec Vladimír(1929–2003)

Zdeněk Fibich. Thematic Catalogue854 pages (Cz/Ger/Eng)H 7843

Nouza Zdeněk – Nový Miroslav(1929–2016 / 1924–2005)

Josef Suk. Thematic Catalogue of the Works550 pages (Cz/Eng)H 7955

Padrta Karel(*1926)

Franz Krommer (1759–1831). Thematischer Katalog seiner musikalischen Werke428 pages (Ger)H 7759

Schnierer Miloš(*1934)

Vítězslav Novák. The Thematic and Bibliographical Catalogue522 pages (Cz/Eng)rev L PeřinováH 7814

Zuckerová Olga(*1933)

Jan Hugo Voříšek (1791–1825). Thematic Catalogue96 pages (Eng)H 7777

KLAVÍR

75

SUPRAPHON a. s.www.supraphon.com | [email protected]/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on

MARTINŮWHAT MEN LIVE BY, SYMPHONY NO. 1Czech Philharmonic, Jiří Bělohlávek

DVOŘÁK / MORAVIAN DUETSSimona Šaturová soprano Markéta Cukrová mezzo-soprano Petr Nekoranec tenor Vojtěch Spurný piano

ZELENKATRIO SONATAS ZWV 181

Ensemble Berlin Prag

Diapason DécouverteOpera Magazine Disc of the Month

SU

42

33-2

MARTINŮ / SONGSMartina Janková soprano Tomáš Král baritoneIvo Kahánek piano

SU

42

35-2

SU

42

38-2

SU

42

37-2

DVOŘÁK / QUINTETS OP. 81 & 97Pavel Haas Quartet

Boris Giltburg piano, Pavel Nikl viola

Gramophone Award 2018BBC Music Magazine Recording of the Month

BBC Radio 3 Discs of the Year 2018Diapason d‘Or

Choc de Classica SU

419

5-2

SU

42

39-2

MARTINŮ / MADRIGALSMartinů Voices

Lukáš Vasilek choirmaster

Gramophone Editor‘s ChoiceDiapason d‘Or

KLAVÍR

76

PRAGUE SPRINGCOMPETITION

BASSOON & CLARINET

The 72nd annual Prague Spring International Music Competition, a member of the World Federation of International Music Competitions in Geneva, will be held from 7 May to 15 May 2020 in Prague for the instruments BASSOON and CLARINET.

Application deadline – 1 December 2019

Competition rules including the repertoire will be announced in July 2019 on competition.festival.cz/en

7. 5. – 15. 5. 2020

Financial Support Festival Partner General Media Partner

PJ19_Baerenreiter_EN_148x210+3_TISK.indd 1 31.01.19 10:15

KLAVÍR

77

PRAGUE SPRINGCOMPETITION

BASSOON & CLARINET

The 72nd annual Prague Spring International Music Competition, a member of the World Federation of International Music Competitions in Geneva, will be held from 7 May to 15 May 2020 in Prague for the instruments BASSOON and CLARINET.

Application deadline – 1 December 2019

Competition rules including the repertoire will be announced in July 2019 on competition.festival.cz/en

7. 5. – 15. 5. 2020

Financial Support Festival Partner General Media Partner

PJ19_Baerenreiter_EN_148x210+3_TISK.indd 1 31.01.19 10:15

Czech Music INZ A5 2-2019.qxp_Sestava 1 21.02.19 14:31 Stránka 1

KLAVÍR

78

The PRAGUE PHILHARMONIC CHOIR was founded in 1935 and has evolved into a promi-

nent European choral ensemble. 5 Since 2007 its principal choirmaster has been Lukáš Vasilek. 5 PPC

has worked with leading Czech and international orchestras, including the Czech Philharmonic, Berlin Phil-

harmonic, Israel Philharmonic, St Petersburg Philharmonic, Vienna Symphony and others. 5 Figuring on

the long list of globally renowned conductors it has worked with are the names of, among others, Semyon

Bychkov, Daniel Barenboim, Christoph Eschenbach, Vladimir Fedoseyev, Manfred Honeck, Jakub Hrůša,

Tomáš Netopil, Gian andrea Noseda, Philippe Jordan, Fabio Luisi, Zubin Mehta, Sir Simon Rattle, Allan Gilbert,

Kirill Petrenko, Christian Thielemann, Andrey Boreyko or Alexander Veder nikov. 5 It makes regular appear-

ances at Prague’s Rudolfinum, Municipal House and National Theatre. 5 Its extensive touring schedule

encompasses all major international music centres, including New York, Brussels, Moscow, Tel Aviv, Berlin,

Hong Kong, Budapest, Salzburg, Hamburg or Baden-Baden. 5 It participates in both domestic and inter-

national music festivals, such as the Dvořák Prague Festival, Prague Spring Festival, Smetana Litomyšl

Festival, Beethovenfest, Bregenzer Festspiele, St. Galler Festspiele, Salzburg Easter Festival (2020), or Hong

Kong Arts Festival (2021). 5 It has been involved in recording projects of major labels, including Decca

Classics, Sony Classical, Supraphon and Deutsche Grammophon. 5 It has built up an extensive disco -

graphy. 5 It has to its credit a number of its own projects, including the Choral Academy, singing work-

shops, educational concerts for children, as well as a cappella concert productions. 5 PPC is the recipient

of prestigious international awards from both Czech and international music periodicals.

www.philharmonicchoir.czfacebook.com/filharmonickysbor

instagram.com/praguephilharmonicchoir

744444444444«FOUNDER

PFS_2019_INZ_Baerenreiter_148x210 14.02.19 15:18 Stránka 1

79

The PRAGUE PHILHARMONIC CHOIR was founded in 1935 and has evolved into a promi-

nent European choral ensemble. 5 Since 2007 its principal choirmaster has been Lukáš Vasilek. 5 PPC

has worked with leading Czech and international orchestras, including the Czech Philharmonic, Berlin Phil-

harmonic, Israel Philharmonic, St Petersburg Philharmonic, Vienna Symphony and others. 5 Figuring on

the long list of globally renowned conductors it has worked with are the names of, among others, Semyon

Bychkov, Daniel Barenboim, Christoph Eschenbach, Vladimir Fedoseyev, Manfred Honeck, Jakub Hrůša,

Tomáš Netopil, Gian andrea Noseda, Philippe Jordan, Fabio Luisi, Zubin Mehta, Sir Simon Rattle, Allan Gilbert,

Kirill Petrenko, Christian Thielemann, Andrey Boreyko or Alexander Veder nikov. 5 It makes regular appear-

ances at Prague’s Rudolfinum, Municipal House and National Theatre. 5 Its extensive touring schedule

encompasses all major international music centres, including New York, Brussels, Moscow, Tel Aviv, Berlin,

Hong Kong, Budapest, Salzburg, Hamburg or Baden-Baden. 5 It participates in both domestic and inter-

national music festivals, such as the Dvořák Prague Festival, Prague Spring Festival, Smetana Litomyšl

Festival, Beethovenfest, Bregenzer Festspiele, St. Galler Festspiele, Salzburg Easter Festival (2020), or Hong

Kong Arts Festival (2021). 5 It has been involved in recording projects of major labels, including Decca

Classics, Sony Classical, Supraphon and Deutsche Grammophon. 5 It has built up an extensive disco -

graphy. 5 It has to its credit a number of its own projects, including the Choral Academy, singing work-

shops, educational concerts for children, as well as a cappella concert productions. 5 PPC is the recipient

of prestigious international awards from both Czech and international music periodicals.

www.philharmonicchoir.czfacebook.com/filharmonickysbor

instagram.com/praguephilharmonicchoir

744444444444«FOUNDER

PFS_2019_INZ_Baerenreiter_148x210 14.02.19 15:18 Stránka 1

INDEX OF COMPOSERS AND COLLECTION

Composers

BBenda František 19, 20, 31Benda Jiří Antonín 6, 16, 49Blatný Pavel 45Bořkovec Pavel 37Brixi František Xaver 17Brixi Šimon 70ČČernohorský Bohuslav Matěj 16Černý František 28DDusík Jan Ladislav 3, 6, 20, 28Dušek František Xaver 3, 6, 45Dvořák Antonín 3, 6, 7, 12, 13, 14,

16, 19, 20, 22, 23, 24, 26, 27, 35, 36, 37, 38, 43, 46, 48, 49, 51, 52, 53, 56, 57, 58, 64, 65, 70, 73

Dvořák Milan 3EEben Petr 3, 7, 12, 16, 21, 27, 30, 31,

33, 36, 45, 58, 59, 62, 64, 67, 70FFeld Jindřich 19, 23, 24, 31, 32, 35,

38, 45, 46, 48, 53Fiala Josef 46Fibich Zdeněk 7, 13, 21, 32, 36, 38,

46, 59Fils Antonín 31, 49Fišer Luboš 7, 13, 16, 19, 21, 26, 27,

34, 35, 38, 46, 67Foerster Josef Bohuslav 60GGemrot Jiří 16, 32Gola Zdeněk 19Graham Peter 3Gruber Rudolf 32HHaas Pavel 39Hanuš Jan 3, 19, 21, 35, 45, 52, 60Havlíček Ilja – Machalíčková

Františka – Ondruš Ján 17Hertl František 28Hlaváč Miroslav 31Hradecký Emil 4, 12, 30, 33, 34Hurník Ilja 4, 13, 31, 46, 52, 62Hurník Lukáš 13, 46Husa Karel 32Hybler Martin 29

IIštvan Miloslav 34JJanáček Leoš 4, 7, 8, 13, 14, 16, 21,

23, 27, 31, 32, 39, 45, 46, 52, 54, 60, 62, 63, 64, 67, 70, 71, 73

Jansa Leopold 20Ježek Jaroslav 7Jirmal Jiří 28, 29Jírovec Vojtěch 7KKabeláč Miloslav 7, 8, 13, 17, 27, 30,

34, 45, 46, 54Kalabis Viktor 8, 23, 33, 45, 46,

54, 60Kaprálová Vítězslava 23, 27, 32, 60Kaucký Emanuel – Petr Miloš 33Klusák Jan 32Kocian Jaroslav 21Kopelent Marek 13, 27, 60Kopřiva Václav Jan 71Korte Oldřich F 4, 8, 21, 49, 54Koželuch Jan Evangelista

Antonín 32Koželuch Leopold 9, 49, 54Kramář-Krommer František

Vincenc 19, 30, 31, 32, 45, 46Krejčí Iša 54Krůček Václav 19Kubánek Libor 34Kubelík Jan 21Kubička Miroslav 21, 28, 31, 43Kučera Jan 33Kukal Ondřej 26, 32, 36, 42Kurz Ivan 34LLinek Jiří Ignác 71Losy Jan Antonín 29Loudová Ivana 19MMadelka Simon Bar Jona 67Martinů Bohuslav 4, 9, 14, 15, 21,

23, 24, 27, 35, 36, 42, 46, 47, 49, 54, 60, 63, 64, 67, 68, 71, 72

Matěj Josef 34Matějů Zbyněk 32Matys Jiří 20, 42Metelka Jakub 5Micka Josef 19Michna Adam Václav

z Otradovic 61, 68Mysliveček Josef 9, 31, 37, 43, 45,

47, 62

NNeruda Jan Křtitel Jiří 32Novák Jan 17, 22, 31Novák Vítězslav 9Nudera Vojtěch 45Nykl Jan 30OOndříček František 22PPauer Jiří 26, 32, 33, 36Pelikán Jaroslav 31, 33Pivoňka Karel 32Plánický Josef Antonín 62Pololáník Zdeněk 62, 63RRak Štěpán 28Reicha Anton 9, 45, 47, 51, 54Rösler Johann Joseph 15Rössler-Rosetti František

Antonín 47Ryba Jakub Jan 72Rychlík Jan 16, 62SSeger Josef Ferdinand Norbert 17Schulhoff Erwin 10, 43Simon Ladislav 10, 34Slavický Klement 5, 31, 54, 70Slavický Milan 17, 23Sluka Luboš 62Smetana Bedřich 5, 10, 11, 13, 22,

30, 35, 42, 54, 55, 62, 63, 64, 72, 73Sommer Lukáš 29Stich-Punto Jan Václav 33, 45Suk Josef 5, 11, 20, 35, 36, 42, 43, 47,

48, 49, 55, 56Suková Otilie 5, 12ŠŠesták Zdeněk 49, 70Ševčík Otakar 18, 19, 25Škroup František Jan 35, 47Šporcl Pavel 19Štědroň Miloš 17TTeml Jiří 17, 28, 31, 37, 47, 51, 55Tichý Vladimír 26Tomášek Václav Jan 12, 51, 55Trojan Václav 46Tůma František Ignác Antonín 20Tuzar Josef 34

80

BA

BA 3326 47BA 3327 47BA 3755 67BA 3756 67BA 3757 67BA 3758 67BA 3842-90 23BA 3842 23BA 3969 27BA 4316-90 24BA 4316 24BA 4317-90 23BA 4317 23BA 4318-90 14BA 4319-90 27BA 4319 27BA 4985 62BA 5404 67BA 6079 67BA 6171 / H 4657 52BA 6429 67BA 6720 / H 5798 23BA 6842 52BA 6844 71BA 6845 52BA 6847 64BA 6848 54BA 6849 21BA 685170BA 6854 / H 7388 45BA 6856 / H 7826-0114BA 6856/ H 7826-01 45BA 6857 / H 7832 39BA 6858 / H 7840 64BA 6860 71BA 6860-90 71BA 6861 / H 7950 52BA 6862 / H 7935 71BA 6862-90 71BA 6863 / H 8020 71BA 6865-01 / H 8041 62BA 6965 26BA 7488-22 43BA 7488 43BA 7511 64BA 8472 16BA 9045-40 27BA 9045-90 27BA 9045 27BA 9500 7BA 9501 7BA 9502 7BA 9503 6BA 9506 11BA 9507 10BA 9509 27BA 9510-9073BA 9511 9

VVaňhal Jan Křtitel 5, 12, 22, 24, 27Vejvanovský Pavel Josef 51Vodička Václav 49Voříšek Jan Václav Hugo 12, 22,

51, 55, 72Vranický Antonín 23, 46Vranický Pavel 43Vycpálek Ladislav 23ZZach Jan 49Zákostelecký Bedřich 31Zámečník Evžen 43Zelenka Jan Dismas 51, 72, 73Zelenka Milan – Obrovská Jana 29

CollectionsA Journey from the Middle Ages to

the Present Day (recorder) 30Before Jazz Was Born

(solo voice) 56Classici boemici II (piano) 6Classics and Their

Contemporaries I (piano) 3Classics and Their

Contemporaries II (piano) 3Czech and Slovak Guitar

and Lute Music 29Czech Piano Music 6Czech Sonatinas (piano) 3, 6For Young People from Modern

Czech Composers (piano) 3Old Czech Organ Christmas 17Old Hunting Fanfare

(four French horns) 45Organ Compositions

of Old Czech Masters 17Repertorium troporum bohemiae

medii aevi (choral music) 69Serenate Boëme, partite

e notturni (wind ensemble) 45Sonatinas and Rondos I (piano) 5

INDEX OF EDITION NUMBERS

BA 9512 9BA 9513 9BA 9514 9BA 9515 9BA 9516 42BA 9517 42BA 951835BA 9519 11BA 9520 39BA 9521 35, 47BA 9524 16BA 9525 10BA 9526 22BA 9527 10BA 9528 45BA 9529 11BA 9530 43BA 9532 56BA 9533 39BA 9534-90 73BA 9535 14, 45BA 9536 43BA 9537 36BA 9538 35BA 9539 37BA 9540 37BA 9541 9BA 9542 43BA 9543 36BA 9544-90 70BA 9545 37BA 9546 36BA 9547 13BA 9548 13BA 9549 13BA 9550 19BA 9551 19BA 9552 18BA 9553 18BA 9554 18BA 9555 18BA 9556 18BA 9557 18BA 9558 55BA 9559 10BA 9560 10BA 956111BA 9562-01 / H 8038-01 73BA 9562-90 73BA 9564 35BA 9565 13BA 9566 43BA 9567 35BA 9568 26BA 9569 57BA 9571 20BA 9573 36BA 9574 36BA 9575 60BA 9576 20

81


BA 9577 43BA 9578 35BA 9579-01 73BA 958132BA 9582 70BA 9583 43BA 958448BA 9585 3BA 9586 4BA 959118BA 9592 18BA 9593 18BA 9594 72BA 9594-90 72BA 10401 53BA 10402 53BA 10403 53BA 10417 51BA 10417-40 51BA 10418 51BA 10418-40 51BA 10419 52BA 10420 14BA 10420-90 14BA 10422 22BA 10422-90 22BA 10423 48BA 10424 46, 49BA 10424-22 46, 49BA 10425 56BA 10426 56BA 10431 57BA 10432 57BA 10434 65BA 10434-82 65BA 10434-85 65BA 10435 65BA 10437 24BA 10571-01 72BA 10572-01 54BA 10573-01 71BA 10574-01 46BA 10575-01 68BA 10576-01 42BA 10577-01 42, 49BA 10578-01 23, 24BA 10579-01 15BA 10929 30BA 11512 21BA 11513 6BA 11514 6BA 1151557BA 11516 57BA 11517 58BA 11518 58BA 11521 18BA 11523 37BA 11525 39BA 11527-90 23BA 11529-90 23

BA 11530 28BA 11531-90 24BA 11532 55BA 11533 55BA 11534 55BA 11537 10BA 11538 38BA 11539 36BA 11543 39BA 11544 30BA 115458BA 11547 25BA 11548 25BA 11549 25BA 11550 15BA 11550-90 15BA 11555 29BA 11556 28BA 11557 12BA 11558 59BA 11559 5BA 11561 26, 36BA 11564 48

H

H 53 31H 54 19H 55 19H 79 37H 100 38H 184 8H 208 46H 235 5H 257 19H 258 19H 276-S 54H 277 71H 28435H 297 5H 298 11H 335-S 54H 337 57H 338 6H 362 47H 365 47H 366 49H 384 7H 425 7H 441 57H 454 73H 465 21H 475 9H 519 51H 522 64H 553 57H 675 7H 676 7H 888 32H 907 3, 6

H 916 23H 1089 13H 1110 7H 1122 3, 6H 1126 7H 1200 27H 1211-66 54H 1217 32H 1274 6H 1304 38H 1356 6H 1359 7H 1364 20H 1403 60H 1428 7H 1442 21H 148137H 1487 26H 14987H 1500 47H 1501 36H 1502 47H 1503 49H 1532 26H 1560-97 56H 1569 38H 1591-03 19H 1592 20H 1594 38H 1598 27H 1630 73H 1732 38H 1748 28H 1758-96 56H 1763 7H 1791 38H 1796 6H 1801 13H 1809 16H 1810 3H 1811 20H 1834 37H 1835 37H 1852 17H 1879 55H 1882 70H 1890 20, 24H 1927 19H 1933 31H 1979 5H 1989 3, 7H 2023 45H 2031 3H 2043 21H 2078 22H 2090 19H 2122 63H 2171 47H 2172 21H 2178 20

H 2182 12H 2226 7H 2242 3H 2261 70H 2262 55H 2268 70H 2271 35H 2304 45H 2306 37H 2307 51H 2323 45H 2334 51H 2335 62H 2414 21, 31H 2424 5, 11H 2461 7H 2464 59H 2486 63H 2486-01 63H 2498 29H 2544 32H 2572 67H 2576-90 71H 2632 58H 2642 20H 2704 20H 2705 46H 2726 34H 2741-66 52H 2799 54H 2803 38H 2819 73H 2825 5H 2844 62H 2849 37H 2850 6H 2852 49H 288064H 2888 54H 2907 6H 2924-90 70H 2955 33H 2958 49H 2981 16H 2992 68H 2992-22 68H 2996 67H 2996-22 67H 2997 68H 3002 46H 3026 64H 3079 51H 3082 58H 3096-66 54H 3099 6H 3133 19H 3156 7H 3171 51H 3177 6H 3204 17

82


H 5543 20H 5553 54H 5561 64H 5572 72H 5585 60, 61H 5628 45H 5631 31H 5643 48H 5649 37H 5674 27H 5709 4, 9H 5766 11H 5805 16H 5808 45H 5849 51H 5851 12H 5862 19, 30, 31H 5906 21H 5951 63H 5988 61H 5993 19H 6001 63H 6002 64H 6003 64H 6033 47H 6036 12H 6065 52H 6070-01 7H 6114 12H 6132 61H 6145 62H 6154 67H 6155 13H 6156 4, 9H 6173 39H 6187 19H 6211 31H 6214 45H 6239 67H 6250 46H 6252 67H 6256 64H 6276 63H 6300 59H 6329 4H 6334 16H 6339 31H 6354 8H 6390 33H 6406 43H 6415 29H 6421 3H 6427-01 54H 6427-02 54H 6427-03 54H 6427-04 54H 6427-05 54H 6427-06 54H 6428 42H 6429 49

H 6450 71H 6465 46H 6474 4, 13H 6477 45H 6497 60H 6508 36H 6549 37H 6571 52H 6582 21H 6590 48H 6615 70H 6657 12H 6663 37H 6674 23H 6676 6H 6696 23H 6782-22 43H 6798-02 54H 6825 73H 6837 33H 6902-01 37H 6931 23H 6967 42H 6973 27H 7004 54H 7037 43H 7040-01 6H 7040-02 6H 7082 3H 7132 30H 7133 12H 7135 30, 45H 7136 62H 7140 45H 7149 31H 7178 52H 7215 11H 7226 71H 7236 28H 7240 68H 7323 55H 7325 4H 7330 9H 7332 69H 7333 11H 7382-01 70H 7383 70H 7402 72H 7402n 72H 7404 47H 7406 32H 7414 28H 7415 8H 7438 16H 7439 60H 7442 71H 7445 10H 7452 45H 7460 11H 7461 12

H 4248 63H 4342 14, 46H 4346 16H 4376 20H 4397 45H 4422 33, 46H 4439 67H 4460 57H 4496 62H 4497 3H 4499 5H 4506 17H 4508 70H 4515 63H 4522 70H 4523-90 70H 4557 31, 32H 4562 45H 4570 60H 458549H 4592 37H 4698 67H 4700 67H 4721 31H 4738 7H 4750 3, 7H 4757 45H 4872 12H 4876 31H 4890 46H 4923 17H 4952 64H 4956 58H 4974 73H 5020 3H 5033 6H 5077 3H 5086 67H 5094 61H 5095 61H 5132 29H 5166 45H 5182 62H 5183 55H 5194 28H 5196 45H 5215 32H 5259 21H 5264 67H 5270 51H 5305 26H 5311 59H 5317 20H 5318 16H 5330 36H 5390 12H 5422 13H 5445 22H 5450 19H 5489 62

H 3211 3H 3230 51H 3235 20H 3237 12H 3257 4H 3289 6H 3291 32H 3331 36H 3363 4H 3364 17H 3374 10H 3392-01 36H 3402 62H 3406 45H 3413 6H 3506 52H 3530 70H 3533 58H 3555 49H 3578 20H 3598 13H 3616 52H 3684 54H 3712 67H 3712-64 67H 3723 31H 3729 23H 3740 49H 3750 70H 3754 21, 32H 3756 6H 3759 54H 3761 16H 3788 51H 3789 49H 3813 37H 3819 31H 3843 45H 3863 64H 3869 31H 3879 13H 3884 21H 3888 32H 3902 9H 3917 47H 3917-22 47H 3955 73H 3986 42H 3998 36, 46H 4027 70H 4035 68H 4054-66 54H 4092 3H 4149 5H 4151 70H 4154 11H 4156 34H 4179 28H 4203 46H 4233 62

83


H 7481 43H 7502 56H 7504 23H 7505 52H 7506 52H 7528 24H 7531 55H 7554 49H 7567 32H 7568 55H 7591 3H 7595 69H 7638 13H 7646 32H 7690 17H 7717 13H 7718 64H 7719 36H 7725 27H 7735 70H 7736-01 71H 7738 23H 7739 72H 774152H 7743 21H 7744 7H 7745 34H 7750 45H 7753 34H 7755 74H 7757 7H 7758 7H 7759 74H 7764 38H 7766 7H 7768 62, 62H 7769 63H 7777 74H 7787 46H 7788 32H 7791 60H 7792 29H 779327H 7795 7H 7796 29H 779729H 7800 47H 7800-22 47H 7802 21H 7803 52H 7804 33H 7807 35H 7808 69H 7809 60H 7810 58H 7811 63H 7814 74H 7817 21H 7820 47H 7823 20

H 7824 68H 7825 21H 7827 27H 7828 29H 7830 31H 7837 68H 7841 60H 7842 8H 7843 74H 7844 42H 7844-22 42H 7845 16H 7847 67H 7849 60H 7852 37, 47H 7854 33H 7855 22, 31H 7857 7H 7859 19H 7860 35H 7863 46H 7865 17H 7867 32H 7869 29H 7873 17H 7874 21H 7875 9H 7876 29H 7878 69H 7880 68H 7881 19H 7885 62, 63H 7890 31H 7893 27H 7896 16H 7898 32H 7900 62, 64H 7906 7H 791030H 7911 7H 7913 34H 7914 21H 7915 22H 7916 21H 7917 7H 7919 23, 32H 7920 70H 7923 43H 7924 70H 7931 30, 33, 34H 7932 34H 7938 21H 7941 42H 7941-22 42H 7944 42H 7944-22 42H 7946 9H 7948 4H 7949 26H 7951 20

H 7952 47H 7953 48H 7954 49H 7955 74H 7957 7H 7958 42H 7959 69H 7962 35, 46H 7963 9H 7964 36H 7965 36H 7965-22 36H 7966 19, 34, 46H 7967 16H 7968 42H 7968-22 42H 7969 17H 7970 9H 7974 4H 7975 12H 7976 17H 7979 69H 7982 28H 7987 24H 7988 7H 7989 7H 7990 69H 7991 31H 7992 32H 7993 34, 46H 7994 34, 46H 7995 69H 7996 69H 7997 69H 7999 67H 8001 33H 8017 69H 8019 34H 8021 26H 8022 17H 8023 38H 8025 27, 35H 8028 17H 8030 69H 8034 4H 8039 19H 8040 61H 8081 4, 9HM 941 55

TP

TP 122 14TP 422 22TP 440 47TP 501 51TP 502 51TP 503 51TP 504 51TP 505 51

TP 506 51TP 508 51TP 509 52TP 516 42TP 517 42TP 520 39TP 521 39TP 523 37TP 525 39TP 528 45TP 530 43TP 532 43TP 533 39TP 535 37TP 536 43TP 538 38TP 539 37TP 540 37TP 541 53TP 542 53TP 543 53TP 557 54TP 558 55TP 577 43TP 583 43TP 617 51TP 620 27TP 842 52TP 862 71

84

INDEX OF EDITION NUMBERSB ä re n re i t e r U r t ex tN O T E S

“The Musician’s Notes” featuring these motifs is a practical notebook which is ideal as a student lesson book, a general notebook or a gift.

The pages alternate with musical staves on the left and writing lines on the right.

BA 8400-1 violoncelloBA 8400-2 clarinetBA 8400-3 double bassBA 8400-4 violinBA 8400-5 piano

format A 5 (21.0 x 14.7 cm) / 32 pages

Other Bärenreiter Catalogues

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BärenreiterMusic for Organ

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Bärenreiter – Das Programm 2018/2019SPA 478 (Ger)The most comprehensive catalogue for all solo instruments, chamber music and solo voice. Vocal scores and study scores are also included.

Bärenreiter – Music for Organ 2014/2015SPA 238 (Eng)Bärenreiter's Urtext programme for organ as well as collections and series. You will also find jazz works, transcriptions, works for organ and voice, as well as a selection of contemporary music.

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