Creative Writing1 Creative Writing week six 1. Couplets and variations 2. Sonnet 144 3. Theme:...
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Transcript of Creative Writing1 Creative Writing week six 1. Couplets and variations 2. Sonnet 144 3. Theme:...
Creative Writing 1
Creative Writing week six1. Couplets and variations2. Sonnet 1443. Theme: space/ ideas4. Introduction: ode and
romanticism
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1Mr. Bat is waiting impatiently for everything is set.It’s almost everything except for sunset.
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2 Life is a silent and long river, Shining the true love as silver.
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3Remember and keep it in your mind,
Someday, you can easily find.
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4She knows that beautiful things really worth a try,
Cause she’s ready for some surprise.
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5My wallet is brand new. But the money inside is just a few.
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6Stay up all night for the exam. The next day I don't know who I am.
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7The first day of a week, I have to go to class quick.
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Space
Words and ideas
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Shakespeare/ Sonnets 144HellMy side out
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Sonnet 146 Center Earth Array outward walls Large/ short a lease Fading mansion Body’s end Aggravate thy store
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Body and soul
Various moralistic tracts from Mediaeval times onwards lamented the way the soul was neglected in favour of the body, and there was a long tradition of dialogues held between the two.
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http://www.shakespeares-sonnets.com/146comm.htm
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Painting thy outward walls so costly gay?
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London. The Tower, temp. Henry VII.
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Why so large cost, having so short a lease,
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11. Buy terms divine in selling hours of
dross;
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Death= a flower
13. So shall thou feed on Death, that feeds on men,
14. And Death once dead, there's no more dying then.
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Biblical allusion/ Psalm 4914 Like sheep they are destined for
the grave, and death will feed on them. The upright will rule over them in
the morning; their forms will decay in the grave,
far from their princely mansions. 15 But God will redeem my life from
the grave; he will surely take me to himself.
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The Resurrection of the Dead 1 Corinthians 15
15More than that, we are then found to be false witnesses about God, for we have testified about God that he raised Christ from the dead. But he did not raise him if in fact the dead are not raised. 16For if the dead are not raised, then Christ has not been raised either. 17And if Christ has not been raised, your faith is futile; you are still in your sins. 18Then those also who have fallen asleep in Christ are lost. 19If only for this life we have hope in Christ, we are to be pitied more than all men.
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Jan van Eyck/ paintingFidelity/ RealClose/ IntimateComfortableBright/ shadowGeometrical Three-dimensional
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Early Odes ode, elaborate and stately lyric poem of some length. The ode dates back to the Greek choral songs . . During the Renaissance the ode was revived in Italy by Gabriello Chiabrera and in France most successfully by Ronsard. Ronsard imitated Pindar in odes on public events and Horace in more personal odes.
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In the 19th century
In general the odes of the 19th-century romantic poets—Keats, Shelley, Coleridge—
tend to be much freer in form and subject matter than the classical ode.
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HomeworkReading: John Keats, "
Ode to a Nightingale“/ "Ode on a Grecian Urn"