Composition. Our first impulse when drawing is about the subject matter But like a character in a...

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Composition

description

Tips  don’t make any two things the same  The “Rule of Thirds”

Transcript of Composition. Our first impulse when drawing is about the subject matter But like a character in a...

Page 1: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Composition

Page 2: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Our first impulse when drawing is about the subject matter

But like a character in a story you might love, the story as well as the character must be successful

Therefore we must think of an image as a whole not just as a subject

Page 3: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Tips don’t make any two things the same The “Rule of Thirds”

Page 4: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Don’t make any two things the same Mix things up Make your objects different sizes, colors,

and different objects entirely Make the spaces and gaps between

objects different sizes

Page 5: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Rule of thirds Imagine a 3x3 grid over your image Place interesting things at the

intersections

Page 6: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.
Page 7: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.
Page 8: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.
Page 9: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.
Page 10: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Still Life Still Life is the best subject in art for

learning and teaching the skills of drawing and painting. It teaches you how to look at objects and see them like an artist - with a perceptive awareness of their outline, shape, proportions, tone, color, texture, form and composition.

Page 11: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

with a perceptive awareness of their outline, shape, proportions, tone, color, texture, form and composition.

Page 12: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Step 1

Decide on a composition Make it interesting Zoom in or out-you do not have to

include the entire still life

Page 13: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Step 2 Begin to sketch each object, LIGHTLY

Page 14: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Step 3 Once everything is correct (make sure) Erase guide lines Begin sketching shadows and highlights-LIGHTLY

Page 15: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Step 4 Begin shading (don’t get to dark to fast)

It is helpful to work from the back to the front

Page 16: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Step 5 Add deeper contrast

Page 17: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Steps1. Composition2. Rough sketch-where do things go3. (erase guidelines) sketch outline of

shadows and highlights4. Begin adding shading5. Deepen contrast

Page 18: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Our Project Shoe Still Life Focus on:

Composition Texture Accurate representation

Page 19: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.
Page 20: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.
Page 21: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.
Page 22: Composition.  Our first impulse when drawing is about the subject matter  But like a character in a story you might love, the story as well as the character.

Student Work