Classical Period (2) -...
Transcript of Classical Period (2) -...
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The
Classical Period
In Tune With Music
Classical Music Influence
Classical and Romantic Period music and composers
continue to influence today’s pop culture.
From heavy metal, to drumming, to popular music and
even into cartoons….
Mozart’s Blue Rondo Alla TurkClassical Period: 1730-1820
THE OVERLAP...
Even though the Baroque Period is said to have ended with
Bach’s Death in 1750, the Classical Period began to emerge
in 1730.
Top Classical Era Composers:
Gluck, Mozart, Haydn, Schubert.
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Important Historical Events during the
Classical Period
1770 - First New York Performance of Handel’s Messiah
1773 - Boston Tea Party
1775-1783 - American Revolutionary War
1789 - Beginning French Revolution
1792 - White House Construction begins
1795 - Paris Conservatory Founded
Other Important Events
•1760 - Industrial Revolution begins
•1763 - Watts invents the first steam powered engine
•1769 - Watt's steam engine patented
•1775 - Electric battery invented by Volta
•1788 - Steamboat invented by John Fitch
•1796 - First vaccination
•1821 - Electric motor and generator invented by Faraday
Boston Tea Party
-A Protest on Taxation!
-English Parliament raised taxes with
the Tea Act of 1773
-Samuel Adams and the Sons of
Liberty boarded the ships in Boston
Harbor and dumped over 342 chest of
tea overboard.
-This Event would push the Americas and England closer to war.
-What did they dress as?
The Revolutionary War - 1775-1783
-Also known as the U.S. War of
Independence
-Skirmish between Lobster Back and
Minutemen at Lexington and Concord
would be known as “The Shot Heard
Around the World!” 1775
-The British Surrendered in Yorktown,
Virginia 1781, although it wouldn’t be
until 1783 until the fighting had ended
entirely.
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Paris Conservatory
Started in 1795, it was the first formal college of music, dance, and
drama in the world.
Up until then, music students were taught privately by musicians.
Now functions as the gateway to the upper echelons in classical music.
Today, only the best of the best in the world attend.
Paris Conservatory
Architecture of the Classical Period
Often called “Neoclassicism” - were made of wood, stone, or marble.
Revival of ancient Greek and Roman architecture. Most buildings had
very exquisite designs carved into them, but unlike Baroque period,
was not “fake”.
What distinguishes the classical architecture from any other era is that
the designs were very elegant and symmetrical right down to the
base. Another difference is the use of plants and animals in the
carvings.
Architecture of the Classical Period
Classical period was in search of “truth”, so shunned the architecture
of the Baroque period. No more Trompe L’oeil...
Baroque period emphasized illusion and the idea of being untruthful.
Classical period was against that.
The emergence of Archaeology - an interest in studying the past - lead
to a new attitude and interest in past architecture.
Modern influences on classical architecture include the United States
Capitol Buildings, the Pantheon in Rome, and the Parthenon in Greece.
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Examples of Classical Architecture
Parthenon in Greece Pantheon in Rome
US Capitol Building
Ionic, Doric and Corinthian Architecture
Doric - simplest and most prominent
form of architecture. (the male form)
Ionic - more slender and appealing,
appears to have scrolls. (the female
form)
Corinthian - leafy and more ornate, also
less popular.
Doric Architecture Example Ionic Architecture Example
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Corinthian Architecture Example Classical Art and Music
Classical art had the following traits:
•Sharp
•Simple
•Calm
This style of art also applies to the music of the era. Music was soft,
clean, and elegant.
An increased use of crescendos, decrescendos and sforzandos.
•Elegant
•Orderly
Classical Period Musical Styles
Graceful and detailed elaboration and ornamentation.
Melodies became light and flowing, and had shorter, simpler phrases.
Accompaniment moved with the melody instead of being behind it.
More use of Dance Rhythms.
Variety and Contrast became important along with changes of mood.
Harpsichord gave way to the new Piano halfway through the period.
Classical Period Musical Styles
Styles: Gallant and Sentimental
French/Italians preferred the Gallant style. A shift to more simple
music that could be enjoyed by middle class AND aristocracy.
Germans preferred the Sentimental style. This style of music reflected
feelings and situations experienced in daily life.
Both the Gallant and Sentimental styles favored simpler harmony and
clearer tonality.
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Classical Period Musical Forms
Opera -
Comic Opera was the style preferred in the Classical period, also
known as Light Opera. It tackles less delicate subject matters, and has
a happy ending.
In this style, the dialogue is often spoken, not sung (like a musical).
Classical Period Musical Forms
Other Musical Forms-
Overture - Has three sections, a fast intro, a slow middle section and a
fast ending. Played as an “intro” to the rest of the concert.
Symphony - Has 3-4 movements. The beginning is moderately fast,
next section is slow with a minuet and then a very fast conclusion.
Sonata allegro - this is one of the most important music forms of this
period. This type of music is written for a solo instrument or a solo
instrument with accompaniment; having three or four movements,
each complete in itself.
Quiz #1
1) What 2 events in American history happened at the same
time as the Classical Period?
2) What was the first school of music?
3) In Architecture, what is this period sometimes called?
4) What is the Gallant and Sentimental Opera Styles? And
who used them?
5) Other than Opera, what is the 3 other musical forms
introduced in the Classical Period?
Franz Joseph Haydn
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Franz Joseph Haydn
Voice was so impressive, he was recruited at age 5 to sing in St.
Stephen’s Cathedral in Vienna.
Choir director wanted him to be a castrato, but his father said NO, so
was cut from the choir when his voice changed.
After that, taught violin and keyboard. And started an apprenticeship
with Nicola Porpora.
Appointed Court musician for the influential Esterházy family.
Popularity grew within the family and outside in the world.
Who does
this look
like?
Franz Joseph Haydn
Very isolated, and so was forced to
become very original.
Was finally let go after 30 years of
service, to go to London.
Heard and loved the British National
Anthem, so composed one for
Germany and Austria.
Franz Joseph Haydn
“Deutschland Uber Alles” German National Anthem
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Franz Joseph Haydn
Influenced Mozart and was
Beethoven’s teacher.
Loved playing practical jokes and even
wrote a string quartet with fake
endings to psych out the audience!
Later in life, went back to work part
time with the Esterházy family. Was a
public figure now, so when wasn’t
composing, was out in the public eye.
Franz Joseph Haydn
His brother, Michael, was the “well-
behaved child”, and was the one that
the family thought would be successful
- Franz was the practical joker.
While in London, it is said that he made
as much money as in 20 years with the
Esterhazy family.
Franz Joseph Haydn
When Napoleon invaded Vienna, he
respected the composer so much, he
put 2 sentries to guard a frail Haydn so
he wouldn’t be harmed.
Mozart and Haydn had a great mutual
respect, and often invited each other
to their concerts. Haydn loved
Mozart’s music so much that he used
Mozart’s Requiem Mass at his funeral.
Haydn - Symphony 94 “Surprise”
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Wolfgang “Amadeus” Mozart
Wolfgang Amadeus Mozart
Born – January 27, 1756
Born in Salzburg but spent most of his time
living in Vienna, Austria
Mozart showed prestigious ability early in life
At the age of five he began composing music
and performing for European royalty. At 17,
he was engaged as a court musician for the
Archbishop in Salzburg.
Wolfgang Amadeus Mozart
He later left Salzburg in search of better
opportunities, choosing to stay in Vienna,
where his most famous writings were
written.
Mozart’s father was a well known and
respected violin teacher, and also
composed a little.
The Magic Flute was Mozart’s last opera,
premiering about 3 months before his death
on Sept. 30, 1791. Mozart conducted it, and
the Librettist was a lead character.
Mozart’s Requiem Mass was left unfinished in
1791 at the time of his death. He wrote it
with the belief that it was for himself. It was
commissioned by an anonymous nobleman,
who intended to pass off the work as his own.
The “Amadeus” movie portrays this as Salieri.
Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart
Mozart had an incredible ability to
remember music. At the age of 14, he
travelled to Rome and heard the Miserere
by the composer Allegri and wrote it all
down from memory that night.
There is a statue of Mozart in Vienna that
is over 150 years old. It was unveiled in
front of Mozart’s sons.
Mozart’s Style and Influence
•Johann Hummel was Mozart’s greatest influence because of his
overall style. Mozart appreciated Hummel’s style and adopted it for
his own.
•Mozart altered Hummel’s pattern and was later adopted by Ludwig
Van Beethoven.
•Mozart’s overall style had the form of being clear, balanced, and
transparent
Mozart’s Style and Influence
4 Famous writings were:
1) The Magic Flute
2) Ein Kline Nachtmusik
3) Don Giovanni
4) Requiem
Queen of the Night aria from the Magic
Flute
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Eine Kleine Nachtmusik Catalogue aria from Don Giovanni
After Donna Elvira confronts Don
Giovanni, who had betrayed her,
Leporello (bass) tells her that she
should forget him, and then
produces a book of the Don's
feminine conquests:
640 in Italy, 231 in Germany, 100
in France, 91 in Turkey, and 1003
in Spain.
Dies Irae from the Requiem Mozart’s Style and Influence
His father, Leopold (1719–1787), was from Augsburg and was deputy
Kapellmeister to the court orchestra of the Archbishop of Salzburg, a
minor composer, and an experienced teacher.
In the year of Mozart's birth, his father published a violin textbook,
Versuch einer gründlichen Violinschule, which achieved success.
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Childhood in music...
The baptismal record gives his name in Latinized form as Joannes
Chrysostomus Wolfgangus Theophilus Mozart.
He wrote his first concerto at age 4
He wrote his first symphony at age 7.
He wrote his first full scale opera at age 12.
Generally called himself “Wolfgang Amadeus Mozart” - Amadeus
translates to “the Love of God”.
Used more in this era than in Baroque.
Added Bass sound to the treble of the Trumpets and violins of the
orchestra.
Since orchestras were small in the Baroque period (with 20-30 players
at most), the classical period Orchestras were a little bigger (25-35
players) - adding a little timpani providing bass tones worked well.
Timpani
Haydn and Mozart made use of a few idiophones (such as bells,
rattles, and snare drums) in their works.
Idiophone - an instrument in which the main part of the instrument is
what is producing sound.
Other Percussion... Bugs Bunny as Leopold Mozart...
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Quiz #2
1) What are the 4 main musical forms of the Classical
Period?
2) Which composer loved practical jokes and used musical
jokes to fake out his audiences?
3) Napoleon put guards outside of which composer’s
residence so he would not be harmed in the assault?
4) What composition did Mozart believe he was writing for his
own death?
5) Which composer called himself the “love of God?”
Ludwig van Beethoven
Classical
Music
MemeB.
Beethoven -
Hard Rock of the 19th Century
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Beethoven -
Hard Rock of the 19th Century Ludwig van Beethoven
He reinvented the symphony, reshaped string quartets,
and redefined piano sonatas - but there's much more to
learn about Ludwig van Beethoven: the man who changed
music forever.
Beethoven
Born in Bonn, Germany.
Baptized on Dec. 17, 1770.
Probably born the day before.
Mozart was 14.
Pictured: “Beethoven-
Haus Museum” - his
birthplace.
Beethoven
Father told him he was born in 1772 - to make his child
prodigy seem younger, and make his story more fantastic.
Learned violin. Would rather improvise (make up music as
you play without reading music) than read music.
Beethoven’s first composition (age 12) was in C minor (not
used at that time) and was incredibly difficult.
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Beethoven
Kept a diary when he moved to Vienna in 1792 - shortly
after Mozart’s death - giving insight into his personality.
Studied music with Haydn and others (including Salieri).
1793, began to play in the salons of nobility, establishing
himself as a piano virtuoso.
Beethoven
1796, age 25 began to notice he was going deaf.
Began to communicate by conversation books - asked
friends to write down what they wanted to say, so he
could respond.
Beethoven - Symphony #1
1800 - first symphony performed at
Burgtheater in Vienna (pictured).
Symphonies before him were
lighthearted.
Symphony #1 intro took a step
further - considered a joke -
because the first chords aren’t in
the right key!
Beethoven Symphony #1 - Intro
It doesn’t get to the right key
until about 1:45 into the
symphony...
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Beethoven - Heiligenstadt Testament
Despite his increasing deafness, by 1802 Beethoven was
almost at breaking point. On a retreat to Heiligenstadt, just
outside Vienna, he wrote:
“I would have ended my life – it was only my art that held
me back. Ah, it seemed to me impossible to leave the world
until I had brought forth all that I felt was within me.”
It’s known as the ‘Heiligenstadt Testament’, and was
published in 1828.
Beethoven’s 3 Periods of Music
Early Period
1770 - 1802 - Music was more simple, he was still learning
Middle Period
1802 - 1815 - Music was more emotional - after Heiligenstadt
Testament
Late Period
1815 - 1827 - Discovery of Bach’s music influenced Beethoven’s music,
music was more intelligent
Music was written in 3
stylistic periods:
Early Period - 1770-1802 -
1st 2 symphonies, 6 string
quartets, Piano Concerto 1
& 2, and about 12 Piano
Sonatas - Including the
famous Pathétique Sonata.
Beethoven - Three Compositional Periods
‘Heroic’ Middle Period - music
is more emotional after his
personal crisis. (1802-1815)
Symphony #3, the last 3 Piano
Concertos, 5 string quartets,
his only opera “Fidelio”, piano
sonatas including - Moonlight,
Waldstein, and Appassionata.
Beethoven - Three Compositional Periods
Moonlight Sonata from “Immortal Beloved”
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The Secret behind the name...
It’s one of Beethoven’s great piano works, but he never
knew the piece as the ‘Moonlight’ Sonata. He simply called
it “Piano Sonata No. 14”, and it wasn’t given its poetic
nickname until 1832, five years after Beethoven’s death.
German poet Ludwig Rellstab said the first movement
“sounded like moonlight shining upon Lake Lucerne”, and
the name stuck.
Eroica Symphony - tidbit
Beethoven admired the ideals of the French Revolution,
so he dedicated his third symphony to Napoleon
Bonaparte… until Napoleon declared himself emperor.
Beethoven then sprung into a rage, scrubbed out
Napoleon’s name from the front page of the
manuscript. Some modern reproductions of the original
title page have scrubbed out Napoleon’s name to
create a hole for authenticity’s sake!
Symphony Eroica (No. 3)
Quiz #3
1) Why is Beethoven called the “Man who changed music
forever?”
1) What does improvise mean?
1) Who was Beethoven’s main teacher?
1) Which period of Beethoven’s career was more emotional?
1) To what historical figure did Beethoven originally dedicate
his 3rd symphony?
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Late Period - While the onset of his deafness may have
launched Beethoven’s more emotional “Middle Period,” the
beginning of the rediscovery and cataloguing of Bach’s music
ended up leading to the masterworks of Beethoven’s “Late
Period.”
Beethoven sent music on a new dynamic, with instrumental
and emotional extremes that would define the Romantic era
of music in the 19th Century.
Beethoven - Three Compositional PeriodsBeethoven’s Late Period
From 1815 to his death in 1827.
Biggest characteristic of his late period is that he
takes a theme and uses it to its full potential. That
means he morphs and changes it as much as
possible. He was also the ultimate fusion composer,
as he fused Baroque and Classical ideas together.
Beethoven’s 5th Symphony
Beethoven’s impressive piano writing and ambitious
symphonies made quick splashes, and by the time he
was onto his Fifth Symphony in 1808, heads of state
at peace accords in Vienna would schedule their
meetings around Beethoven performances so as to
not miss them.
Beethoven’s 5th
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Fidelio - his ONLY Opera
If a job’s worth doing, it’s worth doing properly. He may
have only composed one opera, but Beethoven poured
blood, sweat, and tears into revising and improving it. He
reworked the whole opera over a ten year period, giving us
the two act version performed today – the older version is
sometimes known as Leonore.
The Ninth symphony is BIG in many ways. When Mozart and Haydn were
composing their symphonies, symphonies generally ran about 15 minutes
long. Mozart and Haydn's late symphonies generally run less than 30
minutes long. Beginning with his Third Symphony, Beethoven began to
extend the size and the form of the symphony, the Third taking about 40-
45 minutes, an unheard of length at that time, and one that created
resistance. The Ninth Symphony is about an hour and ten minutes longer
than the Third.
It's a complete concert, meaning, there's no room for second works on
the program.
Beethoven’s 9th
Music with orchestra and choir was nothing new at that time, but the
way it was used was different. First of all, there is no singing until the
Finale in the 4th Movement. Now I want you to pause and imagine this
for a moment, because, as we know, this is a very long symphony, with
three very long movements, totally instrumental, before we get to the
finale. For the first forty-five minutes of any live performance you
attend, you'll see all these people in robes standing in the back, behind
the orchestra... And standing... and standing... Doing nothing. Not a
peep! If you get to attend a live performance, judge for yourself how this
adds to the suspense.
Beethoven’s 9th - The Choral Symphony
You could call it apocalyptic or volcanic. This is a kind of aggressive
Beethoven we are familiar with from the Fifth Symphony, but it is more
grown-up, more subtle, with far more detail. The first movement alone
runs about 15 minutes, compared to his Fifth Symphony’s first movement
of about 6 minutes. It's in a minor key, D minor, making the Ninth and
the Fifth Symphonies the only two minor-key symphonies by Beethoven.
They both begin predominantly dark in character, but they end
triumphantly.
Beethoven’s 9th
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The Ninth symphony begins sounding as if it was an orchestra still tuning
up! The sound is deliberately non-committal -- we don't have a key for
the music for the first minute because we only have two notes being
played. No chords. Just a very soft, quivering sense of expectation with
neither the darkness of a minor key, nor the brightness of a major key. It
is incomplete. And it is out of this chaos that the music swells to a
crescendo, FINALLY establishing on a key (D minor), with a shattering
statement of the first theme. The first movement is truly an expression
of cruelty.
Beethoven’s 9th - 1st Movement Beethoven’s 9th - 1st movement
There are a number of issues at play in this symphony.
Politically, He dissed the royal family in public, and it wasn't
the first time, either. Yet Beethoven was able to get away
with saying things like, "The Emperor should be hanged!" at a
time when other people were disappearing into dungeons for
saying the same thing. He really did say that, and on the
record. In fact, it's believed the Ode to “Joy” was originally
meant to be an Ode to “Freedom.”
Beethoven’s 9th - 2nd Movement
The personal angle deals with Beethoven’s madness. He was
seen by the public as the “crazy, genius composer-guy” and
being recognized as such gave him more leeway to be
inappropriate. In truth, Beethoven always makes it to the
top of lists of "Famous Bipolar Celebrities of History."
If you go to Google and type “ripe for the madhouse”,
Beethoven’s name comes up...
Beethoven’s 9th - 2nd Movement
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Franz Haydn - also a well
known Classical
composer, and teacher
of Beethoven had this to
say about him:
Beethoven’s 9th - 2nd Movement
The 2nd movement is linked backwards to the first, by
continuing to use the opening motive, but it is also linked
forward, into the next movements as well.
Thinking about it’s form, it is a Scherzo form, but also has
elements of the Sonata-Allegro form in it. This movement is
also very fugal (uses a fugue style borrowed from the
Baroque Period).
Beethoven’s 9th - 2nd Movement
The beginning continues the cruelty from the first
movement.
The middle showcases a glimpse of what’s to come in the
angelic “Trio” section.
The ending brings back the recurring theme from the
beginning of the 2nd movement.
Beethoven’s 9th - 2nd Movement Beethoven’s 9th - 2nd Movement
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Beethoven’s 9th - Choral Finale
Symphony No. 9 is often
nicknamed the ‘choral’
symphony, because the finale
that features a choir. Using
singers in a symphony was a
wild idea at the time, but it
seems to have paid off –
Beethoven’s Ninth Symphony
changed the face of classical
music forever, and continues to
inspire listeners and composers
to this day!
He is the first composer to make a living only composing.
Mozart tried, but was unsuccessful (spent too much!)
Just like Beethoven’s birth, the words at the time of his death
are also a bit of a mystery. It’s often thought his last words
were ‘applaud friends, the comedy is ended’ (in Latin!) but his
parting gift to the world was far less cerebral. After a publisher
bought Beethoven 12 bottles of wine as a gift, the dying
composer’s final words were: ‘Pity, pity, too late!’
Beethoven - facts
Pictured - Beethoven’s
Grave in Vienna, Austria
It is very large,
depicting how much
people loved his music
even then.
Beethoven - facts
FUN FACT: Beethoven is credited with fully embracing the expanding
range of the piano in his sonatas and concertos, and for inadvertently
popularizing steel-framed keyboards, as he would often leave a stream of
broken wooden pianos on stages wherever he performed.
The emotional depth, expanded orchestration, and immense length of his
works (for his time) were all hallmarks of what would come to be known
as the Romantic era, yet all of Beethoven’s works were rooted in a
Classical era aesthetic of clear form and function – just through a much
more emotional (and unpredictable) filter.
Beethoven - Influence on Classical
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Quiz #4
1) Why was the Ode to “Joy” originally supposed to have
been Ode to “Freedom?”
1) What is the name of Beethoven’s only Opera?
1) Why was Beethoven allowed to get away with saying
things against the government when no one else could?
1) What is the main characteristic of his “Late Period?”
1) Why is Beethoven’s 9th considered the choral symphony?