Classical Orders Greek and Roman forms adapted to Euro-American architecture.

44
Classical Orders Greek and Roman forms adapted to Euro-American architecture

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Transcript of Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Page 1: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Classical Orders

Greek and Roman forms adapted to Euro-American architecture

Page 2: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Overview of Classical Architecture

“Five” Classical Orders

Tuscan

Doric (Always specify either Greek or Roman)

Ionic (Always specify either Greek or Roman)

Corinthian

Composite

Page 3: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Overview of Classical Architecture

Page 4: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Proportional Building

Page 5: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek

Parthenon, Athens

Page 6: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Diagram of Greek Doric

Page 7: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Doric Entablature

Page 8: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Doric Column

Page 9: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Doric Characteristics

No base – column shaft sits directly on stylobate

Massive columns with heavy, broad capital

Massive column shaft, slightly bulging

Height of entablature

Placement of corner column directly under triglyph and in line with edge of entablature

Page 10: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Doric Temple

Page 11: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Ionic Entablature

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Diagram of Greek Ionic

Page 13: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek

CapitalVolute

Neck

Base

Flutes &

Fillets

Greek Ionic

Page 14: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Ionic

Page 15: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Ionic Temple

Temple of Athena Nike, Athens

Page 16: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Ionic Characteristics

Column shaft sits on a base

Columns support capital with coil-shaped volutes

Thick monumental column shaft

Columns shaft is fluted with virtually no fillet

Height of entablature

Placement of corner column directly in line with edge of entablature

Page 17: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Corinthian Entablature & Column

Page 18: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Corinthian

Capital

Base

Acanthus Leaves

Flutes & Fillets

Page 19: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Corinthian Characteristics

Column shaft sits on a base

One simple layer of acanthus leaves

Columns shaft is fluted with virtually no fillet

Height of entablature

Very few genuine examples!

Page 20: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Greek Corinthian

Page 21: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Architecture

Roman Coliseum, built c. 72 AD

Page 22: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Tuscan

Page 23: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Doric

Page 24: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Doric Characteristics

Column shaft sits on a base

Column shaft is thinner and uniform

Columns shaft is fluted with thicker fillets

Usually standard 24 flutes

Height of entablature is shorter

Placement of corner column not directly under triglyph and not in line with entablature

Page 25: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Doric

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Roman Ionic

Page 27: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Ionic Capital

Page 28: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Ionic Characteristics

Column shaft sits on a base

Scrolled volutes on capital

Column shaft is thinner and uniform

Columns shaft is fluted with thicker fillets

Usually standard 24 flutes

Height of entablature is shorter

Page 29: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Ionic

Page 30: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Corinthian Entablature

Page 31: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Corinthian

Page 32: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Corinthian Characteristics

Column shaft sits on a base

Double layer of acanthus leaves

Smaller volutes seem to support abacus

Rosette on abacus

Column shaft is thinner and uniform

Columns shaft is fluted with thicker fillets

Height of entablature is shorter

Page 33: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Roman Corinthian

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Composite

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Composite

Page 36: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Composite Characteristics

Column shaft sits on a base

Double layer of acanthus leaves + rosette

Larger volutes extend beyond edges of abacus

Combines Ionic with Corinthian

Column shaft is thinner and uniform

Page 37: Classical Orders Greek and Roman forms adapted to Euro-American architecture.

Composite Columns

Rotunda at UVA

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Temple of the Wind

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Roman Aqueduct

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Roman Arch

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Arch

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Roman barrel vault

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Barrel vaults & arches

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Intersecting Vault & Arch


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