Classical Music magazine - Media pack 2013
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ABOUT CLASSICAL MUSIC Classical Music is the authoritative voice of the classical music profession, offering a behind-the-scenes approach to a fast changing industry. Each month the magazine offers news, opinion and debate from the past month, interesting articles on upcoming projects and important issues, and interviews with some of the profession’s most important people. Classical Music has a varied offering for subscribers including a number of supplements and free issues of Early Music Today. Classical Music is also now accompanied by classicalmusicmagazine.org, a comprehensive website keeping readers up to date with news as it happens. Why advertise with Classical Music? Not only does it enable you and your organisation to reach the key decision makers and budget holders, but it also gives you vital access to classical music lovers who regularly attend concerts and festivals and buy recordings. With its authoritative editorial tradition, there is no better advertising medium available to you to influence a dedicated and educated readership, across both printed and digital mediums. Classical Music is an essential part of Rhinegolds recruitment offering, with education establishments, ensembles of all kinds and arts organisations all enjoying the best response rate in the industry through our job pages in the magazine and online. Whether you are promoting a release, event, advertising a job or looking to raise awareness of a new course of study at a conservatoire, we can provide an advertising solution for you. The Facts Frequency: Monthly Readership: 20,000 Regular advertisers: LSO Live, World Federation of International Music Competitions, SJM Concerts, Corps of Army Music, Royal Air Force, BBC Proms, BBC Philharmonic, Incorporated Society of Musicians, Black Cat Music, Institute of Musical Research, Guildhall School of Music and Drama The Rhinegold Publishing portfolio enjoys an advertiser renewal rate of over 50% MEDIA PACK 2013 MEDIA INFORMATION. VIEW A FREE DIGITAL COPY OF CLASSICAL MUSIC AT WWW.RHINEGOLD.CO.UK/CMDIGITAL – ENTER CODE ADV13 PLEASE NOTE THAT ALL PRICES ARE QUOTED EXCLUDING VAT MEDIA PACK 2013 LET US WORK WITH YOU TO CREATE THE BEST POSSIBLE CAMPAIGN FOR YOU. CALL US NOW ON 020 7333 1733. COMMUNITY MUSIC T his year’s Garsington Opera season, which starts on 7 June, will include its first specially commissioned commu- nity opera. Around 80 children from two primary schools and an infant school in Oxfordshire and Buckinghamshire have been chosen to take part alongside members of Garsington’s youth and adult groups, as well a handful of professional soloists from the opera company. Cast ages range from six to 86. e opera, Road Rage, was conceived through a series of workshops last year, and gives people with little or no experience of per- forming the chance to work with professional singers and a professional production team. ‘It has been a real passion of mine to do a community opera,’ says director Karen Gillingham, who has been part of Garsing- ton’s education team for six years. ‘So to be there right from the beginning of the idea, be part of the appointing team and deciding who the artists are and how the project is going to run, and now actually doing it, with children who are really passionate about it, is incredibly rewarding. ‘My passion is for this inter-generational thing as well. It’s not oſten if you’re 86 that you get to communicate with primary school children on a regular basis unless you’ve got grandchildren. And it’s good for them to be doing something together where they are all equal. We’ve got teachers in the cast as well, so the children will see their teachers performing alongside them. It is a unique opportunity for them and for me.’ e hour-long opera explores the theme of protest, and tells the story of a community di- vided by plans to put a new toll road through an ancient village. A minister, a surveyor and a political advisor battle it out with the villag- ers, observed by talking animals and trees. e piece has been written by the dream pairing of satirist Richard Stilgoe, co-writer of Starlight Expressand Cats, and composer Orlando Gough, who composed the music for Glyndebourne’s community opera Imago earlier this year (see feature, page 28). e re- sult is a funny, fast-paced, action-packed piece with a score that ranges from beatboxing to classical lyricism. ‘It’s been really good fun to do,’ says Gough. ‘We had a very enjoyable time workshopping to find out what local people were thinking and what would interest them as the subject of an opera. Lots of ideas came up, and we chose this one.’ Stilgoe agrees: ‘It has been wonderful fun working with all the people who are going to be in it. Part of the sad result of education is that sometimes you squash children’s imagi- nations. One of the reasons you need to keep doing music education is because it keeps alive that side of the brain where imagination is. Children who do music are much more open to ideas and more fearless about express- ing them.’ Was it challenging writing for such a diverse group of people? ‘e music I write is not that complex, so it’s quite easy for me to write music that can be sung by amateurs and children,’ says Gough. ‘I always try to keep in mind what it’s going be like to rehearse and perform it, and also make it fun to sing. at’s really important.’ e project is largely about breaking down barriers, and making opera more accessible. ‘We all wish it wasn’t called opera, because it is a word that blows people’s fuses,’ says Stil- goe. ‘I don’t know what else you would call it – it’s slightly more challenging musically than doing a community musical, but it is a piece of musical theatre for a community. And I know from experience that people in it will remember it forever.’ Road Rageis on om 19 to 20July www.garsingtonopera.org Since its move to the Wormsley Estate two years ago, Garsington Opera has been keen to engage with the surrounding communities. Now the company is putting on its first large-scale community opera with nearly 200 children and adults taking part. Nicola Lisletalks to some of the people involved Protest song One of the reasons you need to keep doing music education is because it keeps alive that side of the brain where imagination is CM Action packed: Road Ragein rehearsal THE FRENCH CONNECTION Wednesday 10 July 2013, 7.30pm Fauré: Requiem | Poulenc: Gloria Debussy: Prélude à l’après-midi d’un faune Ravel: Daphnis and Chloe, Suite No. 2 London Concert Choir | Canticum | Southbank Sinfonia Mark Forkgenconductor Claire Seatonsoprano | Duncan Rockbaritone Tickets £30, £25, £20, £15, £10 MediaPack2013_CM.indd 1 27/06/2013 15:35:36
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Classical Music magazine - Media pack 2013
Transcript of Classical Music magazine - Media pack 2013
ABOUT CLASSICAL MUSICClassical Music is the authoritative voice of the classical music profession, offering a behind-the-scenes approach to a fast changing industry. Each month the magazine offers news, opinion and debate from the past month, interesting articles on upcoming projects and important issues, and interviews with some of the profession’s most important people.
Classical Music has a varied offering for subscribers including a number of supplements and free issues of Early Music Today.
Classical Music is also now accompanied by classicalmusicmagazine.org, a comprehensive website keeping readers up to date with news as it happens.
Why advertise with Classical Music?Not only does it enable you and your organisation to reach the key decision makers and budget holders, but it also gives you vital access to classical music lovers who regularly attend concerts and festivals and buy recordings.
With its authoritative editorial tradition, there is no better advertising medium available to you to infl uence a dedicated and educated readership, across both printed and digital mediums.
Classical Music is an essential part of Rhinegolds recruitment offering, with education establishments, ensembles of all kinds and arts organisations all enjoying the best response rate in the industry through our job pages in the magazine and online.
Whether you are promoting a release, event, advertising a job or looking to raise awareness of a new course of study at a conservatoire, we can provide an advertising solution for you.
The FactsFrequency: MonthlyReadership: 20,000Regular advertisers: LSO Live, World Federation of International Music Competitions, SJM Concerts, Corps of Army Music, Royal Air Force, BBC Proms, BBC Philharmonic, Incorporated Society of Musicians, Black Cat Music, Institute of Musical Research, Guildhall School of Music and DramaThe Rhinegold Publishing portfolio enjoys an advertiser renewal rate of over 50%
MEDIA PACK 2013
MEDIA INFORMATION. VIEW A FREE DIGITAL COPY OF CLASSICAL MUSIC AT WWW.RHINEGOLD.CO.UK/CMDIGITAL – ENTER CODE ADV13
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MEDIA PACK 2013
LET US WORK WITH YOU TO CREATE THE BEST POSSIBLE CAMPAIGN FOR YOU. CALL US NOW ON 020 7333 1733.
30 classicalmusicmagazine.org june 2013 june 2013 classicalmusicmagazine.org 31
community music
T his year’s Garsington Opera season, which starts on 7 June, will include its first specially commissioned commu-nity opera. Around 80 children from
two primary schools and an infant school in Oxfordshire and Buckinghamshire have been chosen to take part alongside members of Garsington’s youth and adult groups, as well a handful of professional soloists from the opera company. Cast ages range from six to 86.
The opera, Road Rage, was conceived
through a series of workshops last year, and gives people with little or no experience of per-forming the chance to work with professional singers and a professional production team.
‘It has been a real passion of mine to do a community opera,’ says director Karen Gillingham, who has been part of Garsing-ton’s education team for six years. ‘So to be there right from the beginning of the idea, be part of the appointing team and deciding who the artists are and how the project is
going to run, and now actually doing it, with children who are really passionate about it, is incredibly rewarding.
‘My passion is for this inter-generational thing as well. It’s not often if you’re 86 that you get to communicate with primary school children on a regular basis unless you’ve got grandchildren. And it’s good for them to be doing something together where they are all equal. We’ve got teachers in the cast as well, so the children will see their teachers
performing alongside them. It is a unique opportunity for them and for me.’
The hour-long opera explores the theme of protest, and tells the story of a community di-vided by plans to put a new toll road through an ancient village. A minister, a surveyor and a political advisor battle it out with the villag-ers, observed by talking animals and trees.
The piece has been written by the dream pairing of satirist Richard Stilgoe, co-writer of Starlight Express and Cats, and composer Orlando Gough, who composed the music for Glyndebourne’s community opera Imago earlier this year (see feature, page 28). The re-sult is a funny, fast-paced, action-packed piece with a score that ranges from beatboxing to classical lyricism.
‘It’s been really good fun to do,’ says Gough. ‘We had a very enjoyable time workshopping to find out what local people were thinking and what would interest them as the subject of an opera. Lots of ideas came up, and we chose this one.’
Stilgoe agrees: ‘It has been wonderful fun
working with all the people who are going to be in it. Part of the sad result of education is that sometimes you squash children’s imagi-nations. One of the reasons you need to keep doing music education is because it keeps alive that side of the brain where imagination is. Children who do music are much more open to ideas and more fearless about express-ing them.’
Was it challenging writing for such a diverse group of people? ‘The music I write is not that complex, so it’s quite easy for me to write music that can be sung by amateurs and children,’ says Gough. ‘I always try to keep in mind what it’s going be like to rehearse
and perform it, and also make it fun to sing. That’s really important.’
The project is largely about breaking down barriers, and making opera more accessible. ‘We all wish it wasn’t called opera, because it is a word that blows people’s fuses,’ says Stil-goe. ‘I don’t know what else you would call it – it’s slightly more challenging musically than doing a community musical, but it is a piece of musical theatre for a community. And I know from experience that people in it will remember it forever.’
Road Rage is on from 19 to 20 Julywww.garsingtonopera.org
Untitled-2 1 11/03/2013 09:32:11
Since its move to the Wormsley Estate two years ago, Garsington Opera has been keen to engage with the surrounding communities. Now the company is putting on its first large-scale community opera with nearly 200 children and adults taking part. Nicola Lisle talks to some of the people involved
Protest song One of the reasons you need to keep doing music education is because it keeps alive
that side of the brain where imagination is
Joh
n s
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lin
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action packed: Road Rage in rehearsal
THE FRENCH CONNECTIONWednesday 10 July 2013, 7.30pmFauré: Requiem | Poulenc: Gloria Debussy: Prélude à l’après-midi d’un faune Ravel: Daphnis and Chloe, Suite No. 2
London Concert Choir | Canticum | Southbank SinfoniaMark Forkgen conductor Claire Seaton soprano | Duncan Rock baritone
Tickets £30, £25, £20, £15, £10
Untitled-1 1 08/05/2013 10:29:06
MediaPack2013_CM.indd 1 27/06/2013 15:35:36
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PRINT ADVERTISING OPPORTUNITIESDisplay advertising
• Double page spread – £3,200 • Full page – £1,950• Half page (vertical or horizontal) – £1,050• Quarter page – £750Other sizes available on request
Advertorials
(subject to editorial approval)• Full page – £2,695• Half page – £2,000• Quarter page – £1,200Other sizes available on request
Recruitment advertising
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(weighing 20g or under)• All copies – £750 • Subs copies only – £570
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MEDIA PACK 2013
MEDIA INFORMATION. VIEW A FREE DIGITAL COPY OF CLASSICAL MUSIC AT WWW.RHINEGOLD.CO.UK/CMDIGITAL – ENTER CODE ADV13
FULL PAGE£1,950
DOUBLE PAGE SPREAD£3,200
HALF PAGE VERTICAL£1,050
Double Page SpreadTrim size 420 × 276mmBleed size 426 × 282mm
Full PageTrim size 210 × 276mmBleed size 216 × 282mm
IMPORTANT INFORMATION» Dimensions are shown as width x height in millimetres. Artwork should be at least 300dpi and measure actual size. Poor resolution of images may result in poor quality advert.
» All colour artwork must be supplied as CMYK PDFs.
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» If Rhinegold are designing your artwork, please supply content a week before the briefed press day.
Half Page VerticalTrim size 88 × 252mm
HALF PAGE HORIZONTAL£1,050
QUARTER PAGE £750
Half Page HorizontalTrim size 182 x 123mm
Quarter PageTrim size 88 × 123mm
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MEDIA PACK 2013
MEDIA INFORMATION. VIEW A FREE DIGITAL COPY OF CLASSICAL MUSIC AT WWW.RHINEGOLD.CO.UK/CMDIGITAL – ENTER CODE ADV13
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DIGITAL ADVERTISING OPPORTUNITIESClassical Music website
• Banner (per month) – £700• MPU (per month) – £500• Sponsorship of the website (per month) – £1,000• Season brochure hosting (per year) – £1,000
Classical Music app
• Banner (per month) – £250• Splash page (per month) – £325• Sponsorship (per month) – £500
Digital edition enhancements
• Video content – from £150 • Image gallery – £225 for up to 5 images• Audio content – from £75
Classical Music e-newsletters
• Banner on daily e-shot – £350• Banner on weekly e-shot – £450• Advertorial on weekly e-shot – £450• ‘Job of the week’ on weekly e-shot – £200
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LET US WORK WITH YOU TO CREATE THE BEST POSSIBLE CAMPAIGN FOR YOU. CALL US NOW ON 020 7333 1733.
IMPORTANT INFORMATION» Artwork should be 72dpi and measure actual size. Measurements are available upon request.
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» Digital artwork formats acceptable: PDF, TIFF, JPG, EPS, designed to the correct size in pixels.
» Advertisers are fully responsible for supplying advertising artwork as per the above specifi cations.
» If you have booked Rhinegold to design your artwork, please supply all content a week before the briefed press day.
Pictured, clockwise from left: website, weekly e-shot, embedded video, e-shot, advertorial, app homepage
MediaPack2013_CM.indd 3 27/06/2013 15:35:47
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MEDIA PACK 2013
MEDIA INFORMATION. VIEW A FREE DIGITAL COPY OF CLASSICAL MUSIC AT WWW.RHINEGOLD.CO.UK/CMDIGITAL – ENTER CODE ADV13
ADDITIONAL OPPORTUNITIES – CLASSICAL MUSIC SUPPLEMENTSClassical Music magazine publishes six stand-alone supplements a year, which are distributed free of charge to all subscribers, and sold in both a print and digital format from the Rhinegold Online Shop.
Our supplements are:
• Strings• Scholarships• Choral• Competitions• Summer Schools• Festivals
We also publish a number of issues with bound-in focuses on specifi c topics, including Brass & Wind and Conservatoires & Education. Please call us on 020 7333 1733 for more information.
Sponsorship
Sponsoring a supplement includes your logo on the front cover, a chance to be involved with the production of the product, and the opportunity to distribute the supplement to your customers free of charge.• POA – call us on 020 7333 1733
Display advertising
• Double page spread – £3,200 • Full page – £1,950• Half page (vertical or horizontal) – £1,050• Quarter page – £750For sizes, see page 2.
LET US WORK WITH YOU TO CREATE THE BEST POSSIBLE CAMPAIGN FOR YOU. CALL US NOW ON 020 7333 1733.
MediaPack2013_CM.indd 4 27/06/2013 15:36:08
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RHINEGOLD PUBLISHINGClassical Music is published by Rhinegold Publishing, a leading music and performing arts publisher that produces a range of magazines, directories, supplements, guides, handbooks and teaching materials.
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Rhinegold Publishing runs a number of partnerships with organisations, festivals and initiatives across the industry. If you are interested in establishing a partner relationship with Rhinegold Publishing please email Frances on [email protected]
New media partners for 2013 include: St Albans International Organ Festival and the International Piano Series at Southbank Centre.
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MEDIA INFORMATION. VIEW A FREE DIGITAL COPY OF CLASSICAL MUSIC AT WWW.RHINEGOLD.CO.UK/CMDIGITAL – ENTER CODE ADV13
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