Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes...

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Clarinet Fingering Chart lower register - register key off F E D C A G E b 1 F E A F # B b B b reg. key on G B C # A b A b

Transcript of Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes...

Page 1: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

Clarinet Fingering Chartlower register - register key off

F E D C

A G

E b

1

F E

A

F# Bb Bb

reg. key

on

G

B

C#

A b A

b

upper register - register key on
C
B
D
E
F#
G
A
B
C
B
G#
F
E
Page 2: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

Upper Register for ClarinetsStep 1:

You need to be able to play every note in the lower register first, all the way down to low E!

Pick a low note and hold it with a full, solid tone. While you are holding it, increase the air just a bit and push the register key with your thumb. Do not tongue the new note - slur into it. You can also raise your tongue position a little bit to help focus the air stream. Keep your embouchure still.

low E turns into high B

low F turns into high C

low G turns into high D start with these first

low A turns into high E

low Bb turns into high F

low B turns into high F#

low C turns into high G

Step 2:

Play some easy songs using only upper register notes. The goal is to get used to these notes and to learn the fingerings, since the name of the notes for the same fingerings in the lower register is different than the names of the notes in the upper register!

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Page 3: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

Step 3:

Crossing the BreakThe most important part of this technique is that your fingers have to stay close to the keys! If your hand and finger position was sloppy in the lower register, then crossing the break will be difficult. If your hand and finger position was good in the lower register, especially the technique of rolling the first finger from E to A, then learning to cross the break will be easier.

At first, keep all the fingers in the right hand down so that you only have to concentrate on the left hand. Always slur - do not tongue the upper register note. Remember to keep the left hand fingers close to the keys and tone holes.

Listen carefully for a smooth transition from the lower register to the higher register. Also listen that the tone matches moving from the lower note to the higher note.

Later, you can play these without holding any fingers in the right hand, but still keep the right hand fingers close!

Easiest: A little harder: Most difficult:

open G to high D throat A to high D throat Bb to high D

open G to high C throat A to high C throat Bb to high C

open G to high B throat A to high B throat Bb to high B

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Page 4: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

CC D E D D E D C D E D C

C E D E C E D E C E D E C

E D C D E C D D C E D E C

E E D C D D E C E D D E C

First NotesC, D, E

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D E C D C E D E D C E D C

CC C C D D D D C C D D C

CC C D D C D C D C D C D

DC C D EE E E DC C D E

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2.

3.

4.

5.

6.

7.

8.

Unit 1

Page 5: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Mary Had a Little Lamb

qE

qD

qC

qD

qE

qE

hE

qD

qD

hD

qE

qE

hE

qE

qD

qC

qD

qE

qE

qE

qE

qD

qD

qE

qD

wC

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Page 6: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Hot Cross Buns

qD

hD

wC

7

qC

hE

hD

wC

hE

qC

qC

qC

qD

qD

qD

hD

wC

hE

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Page 7: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Au Claire de la LuneFrench Folk Song

qC

qD

hE

hD

qC

qE

qD

wC

wC

qC

qC

qD

qC

qE

qD

qD

qC

qD

qC

qC

hE

hD

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4 4

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Page 8: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

F E F D F C F G F E D D C

G F G F GE E F F G G F F

F E F G F E F G FFF E G

Next Noteslearning F, G

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C E C F C G C F C E C D C

FC D E E F E E E F E F E

EE F E D F E D E F E D C

EC C D D E F F E E F F E1.

2.

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Unit 2

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Page 9: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Ode to Joy

qF

qG

hD

qE

qE

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qG

qF

qE

qD

qD

qE

qC

qC

qE

qD

\ qF

qG

qE

qE

qG

qF

qE

qD

\ hC

qD

qE

qC

qC

qD

qC

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Page 10: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

C E D F E G A F E C D B C

G F E D CC B C D E F G A

Learning upper A and lower B

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GG G A A G A A G A G A G

CC B C D B C D C B C D C

AF F G G A A A F G A A A

AF G A A G F F F G A G F

1.

2.

3.

CC C B B C B B C B C B C4.

5.

6.

7.

Unit 3

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Page 11: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Hot Cross Buns

qG

hG

wF

7

qF

hA

hG

wF

hA

qF

qF

qF

qG

qG

qG

hG

wF

hA

4 4

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Page 12: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

FE F G G F# G F G F# G F F

Learning22

F#F F F# F F F# F# F F# F F# F

AA G F# G A G F G A G F# G

AE E A FG G F F#G G F# G

F#, Bb

BB B Bb Bb B Bb Bb B Bb B Bb B

CE D C Bb Bb D Bb C Bb C D C

BbC B Bb B F Bb B C D C B C

DBb Bb C C E F F Bb C B C Bb

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Unit 4

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Page 13: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Au Claire de la LuneFrench Folk Song

qD

qE

hF#

hE

qD

qF#

qE

wD

wD

qD

qD

qE

qD

qF#

qE

qE

qD

qE

qD

qD

hF#

hE

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Page 14: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Mary Had a Little Lamb

qB

qA

qG

qA

qB

qB

hB

qA

qA

hA

qB

qB

hB

qB

qA

qG

qA

qB

qB

qB

qB

qA

qA

qB

qA

wG

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4 4

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Page 15: Clarinet Fingering Chart - FAYM - Fredericksburg …faym-music.webs.com/clar upper notes book.pdf · Step 3: Crossing the Break. The most important part of this technique is that

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Ode to Joy

qB

b qC

hG

qA

qA

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qC

qB

b qA

qG

qG

qA

qF

qF

qA

qG

\ qB

b qC

qA

qA

qC

qB

b qA

qG

\ hF

qG

qA

qF

qF

qG

qF

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