City Weekly

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2 THE WEEKLY REVIEW \ MAY 8, 2013

Congratulations to the following winners from April 24: April Laffan, Elly Pinczewski, Bonnie Begg, Rob Pallot, Helen Cameron, Charlotte Gysberts, Christine Sullivan, Gigi Chandra, Marie Papworth, Teresa Molella, Kathryn Lewis, Alexandra Belliza, Annyce Turlea and Natalie Bratanavicius.Entrants must be over 18 years old and reside in Victoria. See our competition T&Cs for more details. All winners must contact: [email protected] within seven days of notifi cation regarding collection of their prize. Prizes other than ticketed events will need to be collected from The Weekly Review, 214-220 Park Street, South Melbourne.

OUR COVER \ Ken Done’s Coral Head II, 2012. Oil crayon an gouache on paper.

Published by Metro Media Publishing Pty Ltd (ACN 141 396 741).

All material is copyright and The Weekly Review endorses the Media, Entertainment & Arts Alliance’s “Code of Conduct”. Responsibility for election comment is accepted by Antony Catalano, 214-220 Park Street, South Melbourne, 3205. All signifi cant errors will be corrected as quickly as possible. Distribution numbers, areas and coverage are estimates only. For our terms and conditions, please visit www.theweeklyreview.com.au

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KEN DONE PAINTING

The underwater world has always been a source of inspiration for Australian artist Ken Done. Coral Head II, 2012 is drawn from his diving expeditions over the past two years to the coral islands of Wakatobi in Indonesia, and the tropical reefs and islands of Tonga in the South Pacifi c. The paintings he produced following these trips are full of colour and teeming with life, just like the underwater gardens he discovered in the depths of the ocean.One lucky TWR reader can win this eye-catching painting from Done’s Reef series (featured on the cover of this week’s magazine) valued at more than $2500, and a copy of The Art of Ken Done, by Janet McKenzie, signed by the artist, valued at $85.www.kendone.com.au

Q. In which city is the Ken Done Gallery?

WORTH $2585

(KEN DONE \ CORAL HEAD II, 2012. OIL CRAYON AND GOUACHE ON PAPER 38.5 X 29cm)

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IT’S A PECULIAR IRONY OF AUSTRALIA’S ART SCENE that commercial success is so oft en inversely proportional to critical acclaim. Bryce Courtenay sold millions of books but was snubbed by the literary elite; Kylie Minogue was dismissed as a singing budgie despite her platinum record sales. And Ken Done, probably Australia’s best-known and biggest-selling living painter, has only now, at 72, begun to enjoy the recognition as a serious artist that has eluded him for most of his three-decade career.

In a sense it’s a third act of an artistic career that started with a bang in 1980, when the ad man-turned-painter burst onto the scene with a series of bright, bold and joyous canvases and some eye-catching promotional T-shirts. Soon, Done’s trademark brushstrokes were emblazoned on

everything from pillowcases to placemats, and sold through 15 Ken Done shops around the world.

By the mid-1990s, his global sales had swelled to a reported $50 million a year. Th en came the inevitable backlash, when his work was spurned by the public as well as the art establishment. As the 21st century dawned, Done began dismantling his merchandising empire, retreating to his studio in Sydney’s Rocks to paint in peace.

Which is where I fi nd him today. Th ings are just settling down for Done, aft er a tumultuous two years, in which he battled prostate cancer, sued the Commonwealth Bank and produced his most acclaimed exhibition to date. He’s in a philosophical mood as he contemplates the next phase in his extraordinary career. “As a painter, you always have to be optimistic, and what drives you is the desire to just get better

what you see on a coral reef,” says Done of his Sea Gardens paintings. “But I hope they convey something of the feeling of what it’s like to be there.

“In truth, a lot of kids in primary school or kindy are very much better at this than me, better than most artists. Most of the time I think you’re trying to fi nd that joyous feeling that you had when you were a child.”

Done had an artist’s eye but he was also a pragmatist. He got work in a commercial studio in Sydney and worked his way up to be art director for advertising agency J. Walter Th ompson. His talent took him to New York and London, where he lived with his wife, Judy, and won him a Gold Lion at Cannes, but still he yearned to return to painting.

It wasn’t until he was 40 that Done gave in to his dream, renting a beachside studio in Sydney and mounting his debut exhibition at the Holdsworth Galleries. Ever the ad man, he made a dozen promotional T-shirts, screen-printed with one of his sketches, to give to the press. He was fl ummoxed when the T-shirts drew more attention than his paintings. “I wanted to spend my life as an artist and I had no concept of

PICTURE \ JOHN DONEGAN

COVER STORY \ KEN DONE’S JOYOUS IMAGES BROUGHT HIM FAME AND WEALTH, BUT NOT ARTISTIC RESPECT – UNTIL NOW, WRITES ALANA SCHETZER

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On

e “I wanted to spend my life as an artist and I had no concept of getting into the business I ended up getting into”

and explore new things. I hope that my fi nal stage is a long one and is just about beautiful things, beautiful colour and things you want to continue to look at.”

Done’s eye for beautiful things goes back to his idyllic early childhood on the Clarence River in northern NSW. An only child, he developed a love of drawing. When the family moved to Sydney, he started Saturday-morning art classes and, showing a prodigious talent, left high school at 14 to study at the National Art School in East Sydney.

For the next 4½ years he honed his craft in the studio, studying under esteemed artists, including John Passmore and Lyndon Dadswell. Th e colour and movement of Sydney Harbour that Done saw each morning travelling to classes by ferry would prove an enduring inspiration.

Even then, Done wasn’t much interested in painting what he saw, but rather what he felt, creating exuberant, evocative images with thick brushstrokes and smudged lines. It’s an approach that still informs his latest work, a series of underwater seascapes, shown at the Tweed River Art Gallery in northern NSW earlier this year. “Th ey are not literally like

getting into the business I ended up getting into,” says Done. “Th e T-shirts had a drawing of Sydney Harbour Bridge on them and people liked them very much, especially the girls from Vogue.”

So began the fi rst successful phase of Ken Done, the brand. Th e T-shirts led to tea towels and swimsuits. Soon, with the help of fashion designer Judy, Done’s signature brushstrokes were emblazoned on everything from golf balls and backpacks to pillowcases and coasters.

Done fever spread to Japan, Europe and the US. But while he was far better known for his placemats than his paintings, Done insists he remained an artist at heart. “It always came back to the art. I took the position that whatever you were doing, whether it was a scarf or swimwear, it should be as beautiful as you can make it.”

Th at wasn’t how the artistic elite saw it. As his international popularity soared, critics and fellow artists dismissed Done’s work as shallow and commercially motivated. Th e late Brett Whiteley once quipped, “I’d rather take methadone than Ken Done.” Until 2006, Done’s name was notably absent from


the Encyclopedia of Australian Art, which lists the nation’s 1200 most infl uential artists. Even today his work is held by only a few public collections, including two paintings in the National Portrait Gallery in Canberra.

Done says he was never interested in conforming to the stereotype of the starving artist or creating works that defi ed explanation. “Th e fact that I have my own gallery and it’s kind of successful might be breaking the rules a bit. But the concept of starving in your garret and people not understanding your work is not very conducive.”

But did he mind not having the full respect of his fellow artists? For the fi rst time, his clear, confi dent baritone falters.

“Respect from your peers is always a pleasure because it’s coming from people who have also devoted their life to art. But, again, there will be some people who don’t like what you do or how you go about it.”

By the time he was asked to design booklets for the Sydney Olympics, Done fever was at saturation point. Suddenly a Ken Done pillowcase or backpack seemed more cliché than cool.

Done was also tiring of running a global merchandising business. He wanted to return to painting full-time and began unravelling his vast licensing and retail network, until all that remained was his gallery in Th e Rocks.

Away from the spotlight, he began to explore new subjects in his work. Th e darker tone of his paintings perhaps refl ected the trials his personal life. In 2007 Done discovered a large part of his multimillion-dollar nest egg had been invested, without his knowledge, in high-risk ventures via an arm of the Commonwealth Bank. A protracted legal battle over more than $53 million in losses was fi nally settled out of court in mid-2011.

Just weeks later, Done learned he had prostate cancer. Th e news turned his world upside down, but aft er a radical prostatectomy, he received a clean bill of health.

Th e brush with mortality seemed to spark a new artistic energy, heralding in a resurgent third phase in Done’s career. In 2011, he won critical acclaim for his self-portrait, which was shortlisted for the Archibald Prize. Th e stripped-back image in black and yellow is a radical departure from the smiling, carefree visage people were used to.

He followed it up with a similarly sombre exhibition for the Mosman Art Gallery, titled Attack: Japanese Midget Submarines in Sydney Harbour – a series of layered, complex images of the 1942 attack that killed 21 Australian and English sailors and six Japanese submariners. Th e paintings received among the best reviews of Done’s career, prompting some to reconsider their take on his whole body of work.

Anne-Marie Van de Ven, curator of design and society at Sydney’s Powerhouse Museum, says the critical acclaim slowly coming Done’s way is “way overdue”.

“Some paintings of his are a standout and I think we should see more of them, but as a painter, I think his work is yet to come into his own,” she says.

Th is newfound recognition coincided with a rediscovery of Done’s work by a new generation, unconcerned with rigid defi nitions of what constitutes “art”. Not bad for a 72-year-old grandfather of two (with a third on the way).

Done says retirement is not on the radar. Later this year, Perth’s Linton & Kay gallery will stage a retrospective spanning 30 years of his work – the biggest since the Powerhouse Museum’s 1994 exhibition.

And he will keep on painting. “Some Australian artists, especially those getting to around my age, tend to paint the same picture over and over. Well, I don’t want to do that. I like to try to do diff erent kind of things.”

For inspiration, Done will look to his critics, even the little ones. “In the visitors’ book in Tweed [River Gallery], a 10-year-old girl has written – and these are precisely the words – ‘Really, Ken, I can do better paintings and I’m still in primary school. Next time try harder’. I think that’s a fantastic comment,” says the artist. “I take it to heart.” \

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As standalone varieties, grenache, shiraz and mourvedre make good, oft en great wines. Blend the three

together and something quite magical happens: each grape draws on the others’ strengths to make a truly delightful wine, known as GSM.

Grenache and mourvedre in particular may not be as well known as shiraz by many wine drinkers, but a mention of the acronym GSM gets nearly everyone I know nodding in acknowledgement. For many friends, their eyes light up.

Shiraz from Hermitage, rosé made with mourvedre from Bandol in the south of France and grenache from Priorat in Spain are some of the world’s great wines. In Australia, you will fi nd these three grape varieties growing on vines more than 100 years old in McLaren Vale and the Barossa.

Th e GSM blend has its roots in France’s southern Rhône Valley in and around the iconic Châteauneuf-du-Pape, which has produced the world’s most sought-aft er examples for centuries.

Interestingly, grenache was Australia’s most widely planted wine grape until the 1950s and was regularly blended with its GSM cohorts before being fortifi ed and labelled as port.

As Australia’s palate changed, and we grew to love table wines, cabernet sauvignon and shiraz took over from grenache in popularity. It’s only in the past 20 years that GSM has made its mark locally as a brand.

According to Rosemount Estate winemaker Matt Koch, grenache should always play the leading role in a GSM.

“GSM is obviously grenache, shiraz and mourvedre – it should always be grenache-dominant and highlight the variety,” Koch says. “We’re looking for round, full fl avour, with a juiciness and a slipperiness from the low tannin

and full fl avour of grenache. Th at’s the main character of the show.”

Grenache grapes are naturally larger than many other red grape varieties. Th ere’s therefore a high ratio of juice to skins, meaning the wine is less tannic (tannins are derived from the grape skins and pips) than many reds.

“It has a tendency to display fl oral characters and a juiciness that for me is diff erent to shiraz and cabernet,” says Koch. “We tend to harvest it a bit riper (later in the harvest), looking for the juicy characters. Picked early, you get spice and elegance and it’s the balance between those two that you want to highlight – for GSM we’re looking for the spice, roundness and fullness that grenache brings to the blend.”

Depending on what the vintage delivers in terms of fl avour in the grenache, the percentage of how much shiraz and mourvedre are included in the GSM blend is decided aft er the wines have fermented and spent time to mature.

“Shiraz should always add weight and structure to the wine,” says Koch, who adds that not all styles of shiraz are suitable for a GSM blend.

“Shiraz is a beast; it can produce diff erent fl avours depending on the soils and where it is grown. Shiraz from sandy soils, which tends to be more fl oral, is a good match for grenache. You’re trying to capture fl avours that complement each other.

“Grenache is the upfront character and you want the shiraz to come in to the mid and back palate to give it some evenness.

“Mourvedre adds tannin and colour to the blend, plus a savouriness. We add between 5 to 8 per cent to the fi nal blend – a little goes a long way.” \

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ONLINE » Read Ben Th omas’ weekly selections: www.theweeklyreview.com.au/wine

MATT KOCH

“picked early, you get spice and elegance and it’s the balance that you want to highlight”– MATT KOCH


The Melbourne City Council team (from left): Cr Ken Ong, Cr Beverley Pinder-Mortimer, Cr Jackie Watts, Cr Arron Wood, Lord Mayor Robert Doyle, Cr Rohan Leppert, Deputy Lord Mayor Susan Riley, Cr Stephen Mayne, Cr Richard Foster, Cr Cathy Oke, Cr Kevin Louey.

For information about programs, services, Council and committee meetings, please call 9658 9658 or visit melbourne.vic.gov.au

YOUR SAY ON THEPLAN AND BUDGET

The City of Melbourne’s draft Council Plan 2013–17 and draft Annual Plan and Budget 2013–14 will be available online from Friday 10 May. The documents outline the work the Council plans to deliver over its four-year term, as well as the work planned for the coming fi nancial year and how it will be funded. Written submissions close on Friday 7 June 2013, submissions will be considered at the Future Melbourne Committee on Tuesday 18 June.

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ORGAN-IC LUNCH WITH JEAN-CHRISTOPHE GEISER

Hear one of Europe's most respected organists, Jean-Christophe Geiser, play the historic Melbourne Town Hall organ in a free lunchtime concert on Wednesday 15 May, from 1pm to 2pm.

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DISCOVER THE STORIES AND PATTERNS BEHIND MELBOURNE STREET NAMES.

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Wool is a perennial favourite, leather a seasonal must-have and lace makes a decadent comeback; whatever your take on these three fi bres, they’re here

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“Winter lends itself not only to black lace but coloured lace with black highlights to emphasise a dramatic and feminine silhouette,” says Brunsdon.

Lace conjures all sorts of dramatic notions, from the early ’80s goth to the drama of vintage-inspired Downton Abbey. Teamed with other fi bres, it can make a magical throwback statement.

“Essentially it’s a strong look,” says Brunsdon. “It’s defi nitely for a confi dent woman.”

Brunsdon likes to work with French metallic lace for its star-like quality but is cheekily drawn to its over-the-top spirit as well. “I love the sense of frivolity and decadence lace gives a garment,” he says.

A highlight from his collection this season is a stretch black-wool dress that has been appliquéd with a French lace motif in contrasting ivory. “I love the severity of the black lightened by the contrasting romance of the ivory that creates such drama,” he says.

You’ll also fi nd a shapely black tuxedo jacket, which comes with ivory lace swirling around the waist, while a fl ared black pant is highlighted with ivory lace curling towards the knees.

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Wool, lace and leatherare all

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Perth designer Kylie Radford runs the chic label Morrison. She’s big on leather and wool and fi nds a place for them in knits, jackets and pants.

When it comes to leather, the preference is to use soft lamb nappa that’s ideal for draping and moulds to your shape with ease.

“Leather should be the most versatile component in your wardrobe this season,” says Radford. “It goes with any colour, texture or fabric. Th ere are many diff erent forms and it’s about fi nding the style that suits your body shape the most. Leather is no longer just for jackets. It’s fantastic for dresses and vests. A full leather outfi t is considered chic.”

Using quality wool means knits last longer, too. Th ey’ll be part of your fashion wardrobe long aft er the season has departed.

“We have found an increase in demand for wool during the past two years and will continue to expand in this area,” says Radford.

“As it is a natural fi bre it is also great as a trans-seasonal piece. Th is is why we included our fi rst ever cashmere collection, and the response has been overwhelming.”

When it comes to three key looks for winter, Radford says every woman needs a leather dress (because they can be dressed up or down), a wool coat (those that incorporate leather keep it perfectly on trend this winter) and winter knits that can be layered or worn between

seasons.Melbourne designer Arthur Galan is also

excited by leather and fusing it with other fi bres such as wool.

“Th e texture of leather combined with fabric is something that appeals to me in the way that it adds a certain sharp attitude to a garment, and highlights shape and contour through the body,” says Galan. “Th is winter’s collection

has been so exciting to create with leather being such an important part of the 2013 fashion landscape.”

Take a closer look at his collection and you’ll fi nd subtle twists in traditional looks. Galan’s must-have pieces include a leather sleeve cavalry twill trench and fi tted stretch-leather skinny pants.

“Leather should be a staple in the wardrobe,” he says. “It has adapted in its style in a way that melds with the feminine and creates a feeling of luxury. In the Arthur Galan AG

collection, the suppleness of our calf-leather pieces add a chic feeling to make every woman feel feminine and confi dent. Leather today is used almost in a way where we consider it to be a fabric.”

Wool is high on his list of must-haves, too. Th at’s why Galan makes sure it’s a defi nite cornerstone of his seasonal collection. Sourced from northern Italy, all wool fi bres are of supreme and lasting quality. When it comes to

co-ordinating a look for winter, he says every woman needs

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BOOKS \ CORRIE PERKIN FINDS TALES TO GET KIDS HOOKED

Now we are three“W

hen you read to children, you become a vital link between the book and the child,” British children’s author Jez Alborough remarked not long ago. “It

is your job to bring the two together so that, through your presentation, the magic within the pages of the book will reach out and cast its spell on the child.”

Parents may start to notice some serious spellcasting each time a book is opened once their child turns three. Your child is maturing. Th ey are no longer the impatient, tiny toddler who interrupts, wriggles, fi ghts to hold the book, and wants to play.

As Alborough observes, the adult becomes “a vital link between the book and the child” and the three-year-old will hang on your every word. Farewell the Terrible Twos and the short attention spans – and emotional fuses – they bring. Hello, “I love books”.

Th e Th rilling Th rees are a period when books can become a wonderful adventure, as well as a vital learning tool for children.

Here are some tips to keep in mind when reading with, and choosing books for, the child in your life:

A three-year-old’s vocabulary has expanded to the extent that he or she can follow a story’s plot and identify characters

and objects in the illustrations. Th ey can count up to fi ve, and understand the diff erences in emotions and actions such as happy and sad, laughing and frowning, running and walking, hot and cold;

Between three and four, children start forming sentences. Th ey also ask lots of “Why-is-the-sky-blue?”-type questions;

Th ese little bookworms have worked out that scribbles on a page tell the story. Encourage them as they try to identify images, letters and numbers;

At three, children start to learn songs and rhymes. Th ey also start to sing in tune. Books greatly assist in this part of their creative development;

Th ree-year-olds still enjoy stories that relate to their own daily routines – getting dressed, bath time, visiting grandma’s house – but their imaginations are also evolving and need to be fed;

Little children oft en develop fears – of the dark, or being left alone, thunder, monsters, witches, dinosaurs and the like. Keep their anxieties in mind when choosing a new book. A sense of humour is starting to emerge. Books with a very basic funny twist or an uproarious moment will certainly amuse them;

At three, children begin to understand family structures.



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& A COUPLE OF NEW TITLES …Look for books about parents, new babies, grandparents, pets and so on;

Th ey are also appreciating the company of other children and will enjoy books that refl ect friendships, life in the playground, kindergarten, sleepovers, birthday parties and even school;

Th ey love stories that touch on their own interests. It might be a boy whose favourite toy is a teddy, or a girl who likes to dress up, or children who build cubbies, go on picnics, cook or build with blocks;

Look out for books based on quality children’s television programs and their characters. Babar the Elephant, Th omas the Tank Engine, Postman Pat, Angelina Ballerina, Play School and Sesame Street, Th e Wiggles, Peppa Pig and Miff y are among those who successfully juggle TV and literary careers;

As you read a book together, ask your three-year-old questions that relate to the story or pictures, such as, “What do you think happens next?”, “How many apples in the tree?”, “What colour is that car?”; and

Lock in a reading routine so at least once a day you and your child spend time together with books. \

[email protected]

AXEL SCHEFFLER’S NOISY FARMby Axel Scheffl er and Smriti Prasadam-Halls» $26.99 (Campbell Books)Your three-year-old might recognise Gruffalo illustrator Scheffl er’s distinctive style in this delightful romp around the farmyard. The book has six sound buttons to press, each one bringing to life the noises of the rooster, sheep, pig, duck, cow and horse. As you read about the farmer’s day, your little one can become the sound technician for some wonderful interactive fun. \

BOOKS ALWAYS EVERYWHEREby Jane Blatt (illustrations by Sarah Massini)» $22.99 (Nosy Crow)Any quality picture book that reminds preschoolers of the joys of reading is certain to receive a big tick from us. Massini’s gentle and beautiful illustrations refl ect the adventures of a group of children as they make their way through a world fi lled with books – little books and tall ones, books to read in the park or in bed, books to give, books to share, book shops to visit. “Books always, everywhere.” We agree! \

BOOKS WE RECOMMEND …

Where’s My Teddy? by Jez AlboroughCars and Trucks and Th ings Th at Go by Richard ScarryTh e Hueys in the New Jumper by Oliver Jeff ersPossum Magic by Mem FoxTime For Bed by Mem FoxAnimalia by Graeme BaseDiary of a Wombat by Jackie FrenchWho Sank Th e Boat? by Pamela AllenWe’re Going on a Bear Hunt by Michael RosenOne Fish, Two Fish, Red Fish, Blue Fish by Dr SeussMagic Beach by Alison LesterOne Woolly Wombat by Rod TrincaTh e Tiger Who Came to Tea by Judith KerrGiraff es Can’t Dance by Giles AndreaeTh e Snail and the Whale by Julia DonaldsonOlivia Saves the Circus by Ian FalconerHarry the Dirty Dog by Gene ZionToday We Have No Plans by Jane Godwin and Anna WalkerPrincess and Fairy by Anna PignataroRudie Nudie by Emma Quay

FREE HELMETS

Melbourne Bike Share now has

For more information: melbournebikeshare.com.au 1300 711 590

facebook.com/MelbBikeShare twitter.com/MelbBikeShare

*The free helmet trial ends 30 June, 2013. Helmets are provided on a best effort basis and remain the property of Melbourne Bike Share. Please leave helmet with bike upon completion of ride.

RAC2281


This modern two-storey townhouse, with its own street frontage, features a contemporary interior with polished timber fl oors, a neutral colour scheme and double-glazed windows. The main living hub takes up the whole ground fl oor. The kitchen has stainless-steel appliances, all-white cabinetry and an island bench for those quick snacks on the go – a common scenario if you’re out and about enjoying

the cosmopolitan lifestyle that the area offers. In the kitchen, vibrant blue-glass splashbacks inject colour into the meals area. Beyond the kitchen, the living and dining space opens to a private courtyard – an added bonus considering there are fi ve residences in the complex. Two carpeted bedrooms are upstairs; they both have built-in wardrobes, while the main has sheer curtains and white plantation shutters. A large central bathroom has a spa bath. Other features include heating and cooling and allocated parking for one car. Trams to the CBD, Edinburgh Gardens and Nicholson Village are all nearby. \ BIANCA VILLAROSA

2 1 1

CARLTON NORTH \ 2/581 NICHOLSON STREET

POSTCODE

3054

Ray White \ 9489 5777 Price \ $600,000 – $660,000 Auction \ May 11 at noon

WE LOVE

IT


268 russell st

03 9663 9977

455 elizabeth st

03 9326 9977

200 spencer st

03 9642 2298

[email protected]

www.ereal.com.au

PICK THE RIGHT AGENT ©AUSTRALIA CHINA ASIA PACIFIC

REAL ESTATE

CARLTON24 Barkly Place

LOW PRICE! HIGH RETURN!!!

• Located in Melbourne Uni Campus• Absolutely great for students

• Several steps to tram & restaurants• Close to Queen Victoria Market

• Walking to Melbourne Central Station• Near Swanston Square complex• Fully furnished studio apartment

• Rental return is approximately 8.8%• Do not lose this fantastic opportunity

PRIVATE SALE $160,000Andy Wang

0431 250 5381 1 0

Inspection by Appt

SOUTHBANK283 City Road

WITH CONVENIENCE AND ENJOYMENT

• Corner of City Rd and Clarendon St• Walking distance to Crown Casino

• Yarra River and Train Station nearby• Mins drive to Royal Botanic Garden

• With bay view and river view• 2 spacious bedrms with BIRs

• Modern kitchen with stone bench top• Quality S/S appliances and oven

• One secured car space with storage

PRIVATE SALE $580,000Sophia Zhu

0433 962 8282 1 1

Sat 12:00-12:30pmMELBOURNE

300 Swanston Street

HIGHLY SOUGHT–AFTER APARTMENT IN QV

• Opposite to Melb Central Station• Spacious 2-br apt with balcony• Views overlooking State Library

• Approx 80sqm plus 13sqm balcony• Modern bathroom with dual-access• Kitchen with Blanco S/S appliances

• Central heating and cooling• Indoor swimming pool and gym

• Great for owner occupiers/investors

PRIVATE SALE $660,000Annabelle Feng

0409 384 1442 1 1

G SOUGAPARTMENT

• Opposite to Melb Cen• Spacious 2-br apt w• Views overlooking St

• Approx 80sqm plus 13sq• Modern bathroom with d• Kitchen with Blanco S/S

• Central heating a• Indoor swimming po

• Great for owner occupier

MELBOURNE181 A’ Beckett Street

QUIET PEACE IN CBD

• Corner of Queen St & A’Beckett St• Mins to Queen Victoria Market

• Flagstaff Garden and RMIT nearby• Spacious one bedroom apartment

• Kitchen with stone bench top• Rooftop BBQ terrace, sauna & gym

• Business centre and 24hrs concierge• Secure video intercom

• Currently leased at $430 per week

PRIVATE SALE $350,000Andy Wang

0431 250 5381 1 0

Inspection by ApptMELBOURNE

39 Lonsdale Street

NORTH FACING 2 BR GREAT LOCATION

• CBD location & close to China Town• Fully furnished 2-bedroom apt• Property size: 50 sqm approx

• Modern bathroom with shower• Kitchen with microwave and bar fridge

• Reverse cycle heating and A/C• Security entry & reception downstairs• Communal laundry and activity room

• Suit investors or owner occupiers


0433 962 8282 1 0

Inspection by ApptSOUTHBANK

22 Kavanagh Street

SPACIOUS SUNNY APT CAN’T MISS OUT!

• Corner of City Rd and St. Kilda Rd• Meters from Royal Botanic Garden

• With floor to ceiling windows• Lounge/dining area in great size• Bedroom with a private balcony

• Spacious bathroom with bath tub• Open kitchen with granite bench-top• Currently leased at $1782 per month

• Pool, gym & undercover car park


0433 962 8281 1 1

Sat 12:45-1:15pm

MELBOURNE87 Franklin Street

BRILLIANT LIVING LOFT STYLE

• Short walk to the top universities• Close to Queen Victoria Market

• A variety of restaurants & cafes nearby• Loft style design splits living & bedrm

• With panoramic view of city skyline• And abundance of natural light

• Kitchen with high quality appliances• One secure car park

• Swimming pool, sauna and gym

PRIVATE SALE P.O.AAnnabelle Feng

0409 384 1441 1 1

Sat 1:00 - 1:30pmSOUTHBANK

1 Freshwater Place

LUXURY LIFESTYLE FRESHWATER PLACE

• Most desirable address• Retail and restaurants nearby

• Furnished with high-end furniture• Kitchen with SMEG S/S appliances

• Bathroom with Euro laundry• Ducted heating and cooling

• Half acre garden, gym and pool• Steam room and massage room

• Secure car space and storage

PRIVATE SALE P.O.AAnnabelle Feng

0409 384 1441 1 1

Sat 12:00-12:30pm

Auction Sat 25th May at 1.30pmInspect As Advertised Online Or By AppointmentOffice 312-314 Hawthorn Road 9533 0999Contact Oren Flamm 0407 750 438

Jayde Allamby 0434 226 028

Live The DreamExceptional 18th sub-penthouse apt enjoying the outlook over St Kilda Rd! Huge living &entertaining area inc designer kitchen with marble bench tops. Master bedrm suite encompassesWIRs, state-of-the-art bathroom, 2 further bedrooms with BIR, central bathroom & powder room.

3+ 3 4

www.1802-576stkildaroadmelbourne.com

Melbourne 1802/576 St Kilda Road


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Gift vouchers available Can also purchase this deal online

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To receive an 8% discount on any fl owersfor Mother’s Day enter code: - MUM2013 in the checkout

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Trades & ServicesPlumbing

G5876498AA-dc18Mar

GeneralAdult Phone Talk

REVIEW CLASSIFIEDS 13 24 25

G5877619AA-dc8Apr

RelaxationFull Body Care

With great people & the best facilities.

BODYLINE21 Thomas St,Yarraville

Ph: 9315 2922Ladies Welcome

Non-sexualwww.bodyline.net.au

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It’s Fun Time..... With....Beautiful NEW Hot Ladies.... Plus your usual favorites.

We speak Korean, Thai, Phil, Chinese, English, Vietnamese.

Octopuses 9314 880024 Buchanan Rd, Brooklyn

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Relaxation Massage7 days, 10am to 8pm.

204 Barkley Street, Footscray.Phone 9689 0360.

TIFFANY RELAXATION In CBDfor gents and ladies. Appointmentonly. 7 days. Hours: 10am - 7pm.Please phone 0403 668 381.

AWESOME THAI MASSAGE

Traditional Thai, relaxation with oil, foot massage

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Ladies forGentlemenDiscount DooziesSunday, Monday

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Ladies forGentlemenDiscount DooziesSunday, Monday

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Beautiful BIANCA EscortSlender & Busty 35yo. A classy

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Cougar LadiesThe best of 30's, 40's & 50yo.We're eager to please & a total

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FAR EASTERN FAR EASTERN RELAXATIONRELAXATION

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May

13 24 25

For all your Classifi ed advertising

contact us on

Public Notices

CLASSIFIEDS DEADLINESFor The Weekly Review City

are as follows:Proof deadline: Monday 1.00pmAll Classifieds: Monday 3.00pm

Phone 13 24 258.30am-5.00pm, Monday - Friday.All major credit cards accepted.

G5910758

Public Notices

G587

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The Competition and Consumer Act provides that advertised prices for goods and services which attract GST should be GST inclusive.

Prices should not be quoted as being 'excluding GST' or 'plus GST' or by the use of words or phrases conveying similar meaning.

Readers are entitled to expect that the advertised prices are the actual prices at which they can purchase the particular goods and services.

Metro Media Publishing will not knowingly accept for publication any advertisement which may be in breach of the Competition and Consumer Act or any other relevant law.

142-144 Frankston-Dandenong Rd, Dandenong 3175

IMPORTANT NOTICE TO ALL ADVERTISERS

Classifieds 13 24 25

Education andTuition

TUITION In your home. Grade 1to Year 12, most subjects andsuburbs. Also online tuition from$10ph all suburbs. ✆ 9028 2060.

Health andWellbeing

A ULTIMATE Pleasure. Body-soulrelaxation, prof sports massage,sciatica, back pain relief. Europeanexp. Michelle: 0431 442 956.

EUROPEAN MASSAGE Inconvenient central city location.Please phone Julia: 0417 506 582.melbournecitymassage.com

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Very Busy ParlorYoung(18+) hotties, sexy cougars.In western suburbs 9369 0600.

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Adult Services

MusicMassage Therapy

Need A Massage ?146 Rosebank Avenue.

Clayton South, 0410 680 558.Level 1, 685 Centre Road.

Bentleigh East, 0451 174 946.

Chinese MassageNew Opening

Open 7 days, 10am-9pm.Shop 4a, 108 Bourke Street,

Paramount Centre.Phone 9972 8305.

Massage TherapyRelaxation. 305 Queensberry St,

North Melbourne. 7 days.Telephone: 9077 7620.

MIDDLE PARK Massage. 7 days.From $40. Qualified, experienced,caring and thorough. Full bodymassage. Matt: 0412 045 585.

OIL FULL BODY6/180 Commercial Rd,(enter Izett St) Prahran.

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Massage TherapyOne Healthy Habit MassageTherapy and relaxtion massage.9606 0850. 10 Aquitania Way,

Docklands. Open 7 days.

ORIENTAL MASSAGEHigh quality service and low price.47 Dickson Street, Sunshine. Call9311 9994. 259 Ballarat Road,Footscray. Call 8307 0114.

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AMAZING THAI MASSAGE

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School of

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School of

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www.livingmusic.com.auG5959987

Accounting Services and Tax Agents

BOOKKEEPERBOOKKEEPERRegistered BAS Agent

On-siteQuickbooks, MYOB and ExoBus,

Excel, BAS and PayrollPhone 0409 117 699

G5992594

13 24 25

For all your Classifi ed advertising

contact us on

www.adcentre.com.au/vic

SPOT ON PANELSSPOT ON PANELS

★ VACANCIES! ★We are seeking experienced, fully qualified

· MANAGERS · WORKSHOPFOREMAN · ESTIMATORS,

· PANEL BEATERS· ASSEMBLERS and

· SPRAY PAINTERSWages paid accordingly to expertise.

Overtime available.

Please call VescoPh: 0419 012 592

G5997718

Apprentice HorticulturistAPL is looking for a motivated and reliable person to

join our team as an apprentice horticulturist. Ourbusiness will offer you much variation of work from

maintenance to commercial aspects of landscape. Ourteam strives to be the best we can and learn and growtogether so no one gets left behind. If you believe you

have the respect and willingness to join our highlyqualified team.

Please email your resume to

[email protected]

Drivers Licence requiredG5997744

PANEL BEATER- Footscray -

PANEL BEATER- Footscray -

We currently have an opportunity for anexperienced Panel Beater at our busy panel shopin Footscray. Very competitive wages on offer,

along with great working conditions.

Ph Kevin 0400 108 459G5997729

MECHANIC / FORKLIFTAn experienced Mechanic is required for mobile and

inhouse servicing and repairs to forklift trucks and variousother types of mobile plant and equipment. As a face of thebusiness you will need to have good communication skills,

a high attention to presentation, cleanliness, detail andpride in workmanship. A vehicle is supplied with thisposition. Candidates from associated automotive and

mechanical fields are also encouraged to apply. Apply to:Mita Forklift Services: 0412 385 297 / 9311 7977

G5997740

MECHANIC / FORKLIFTAn experienced Mechanic is required for mobile and

inhouse servicing and repairs to forklift trucks and variousother types of mobile plant and equipment. As a face of thebusiness you will need to have good communication skills,

a high attention to presentation, cleanliness, detail andpride in workmanship. A vehicle is supplied with thisposition. Candidates from associated automotive and

mechanical fields are also encouraged to apply. Apply to:Mita Forklift Services: 0412 385 297 / 9311 7977

G5997740

Situations Vacant

OZ TENPIN - POINT COOKSeeking customer focused individuals for casual/ part-time

positions, cross-training will be provided for cafe/frontcounter/ rockclimbing/laser tag.

Please send CV to 1 Linmax Court Point Cook 3030 oremail: [email protected]

G5997735

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