CILDE Programa 2011 [1]

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CONFERENCIA INTERNACIONAL

DE LITERATURA

DETECTIVESCA EN ESPAÑOL

EN HONOR A GENARO J. PÉREZ

(CILDE)

THE MAKING OF A CRIME:

Presence, Development and Importance

of Crime Fiction in the

Americas and Spain

Sept. 29, 30 & Oct. 01, 2011

PROGRAMA

Sept. 29

9:30a.m.

Inauguración / Opening Remarks

Student Union Building

Conference Hall “Escondido Theater”

Opening Remarks and Welcome by

Dr. Lawrence Schovanec

Dean of the College of Arts and Sciences

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GENARO PÉREZ tiene el doctorado en filosofía y letras de la Universidad

de Tulane. Es profesor de literaturas hispanas en Texas Tech University. Se

ha especializado en la narrativa contemporánea (Hispana, Británica y

Norte Americana). Sus libros de crítica incluyen Formalist Elements in the

Novels of Juan Goytisolo; La novelística de J. Leyva; La novela como burla/juego:

Siete experimentos novelescos de Gonzalo Torrente Ballester; La narrativa de

Concha Alós: Texto, pretexto y contexto; Ortodoxia y heterodoxia de la novela

policíacas hispana: Variaciones sobre el género negro; Rabelais, Bajtin y

formalismo en la narrativa de Sergio Pitol. Ha publicado tres libros de poesía:

Prosapoemas; Spanish Quarter Notes; French Quarter Cantos. Dos libros de

narrativa: The Memoirs of John Conde and French Quarter Tales. Es Co-

Director de Monographic Review/Revista Monográfica. Su libro de crítica más

reciente se titula Rabelais, Bajtin y formalismo en la narrativa de Sergio Pitol.

Actualmente se encuentra trabajando en un siguiente libro de poesía

titulado "Homage to Saint Lucas" y prepara un libro de critica acerca de la

narrativa de Rosa Montero. Sus intereses críticos incluyen los estudios

comparados de literatura inglesa y norteamericana con la novela española.

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9:30 - 10:45

Escondido Theater

Keynote Speaker

PATRICIA HART

Purdue University

MYSTERY, TERROR, DIEGETIC SLIPPAGE AND USOs

(UNIDENTIFIED SOUND OBJECTS) IN

RODRIGO CORTÉS’S BURIED

Mystery and crime narratives in Spanish peninsular artistic expression have

expanded and evolved considerably in the past fifty years, and have become

much more international in subject matter and scope. Narratives of crime, terror,

or mystery are no longer restricted or contained within national boundaries or

traditional media. This presentation will discuss the way that the terror of the

unknown is posited as a mystery to be resolved by the viewers of Rodrigo

Cortés’s 2011 film, Buried. The use of Unidentified Sound Objects (USOs) to create

suspense and terror is crucial, and it is no surprise that Sound Designer, Urko

Garay was rewarded with a Goya prize for his work here. The film includes

significant stretches when the screen is completely black, and in most others,

though dim light from several sources flickers on and off, the specific visual

information is minimal. Most of the film’s mysteries are presented and resolved

through deft use of sound. Buried is a classic mystery/terror narrative in the mould

of Edgar Allan Poe’s “The Cask of Amontillado,” and “The Premature Burial.”

The Spanish film reconfigures the 19th-century pattern by using an American

contractor, who is buried alive by terrorists in Iraq. This presentation will unravel

the mystery of this suspenseful crime drama that defies cinema’s generally-

accepted ideological hierarchies, and challenges the sacrosanct hegemony of the

visual.

PATRICIA HART is a Professor of Spanish and is the Director of Film and Video

Studies at Purdue University. She is the author of The Spanish Sleuth, one of the

first comprehensive studies of Spanish Peninsular detective fiction, and has

written widely on Hispanic narrative and film. She received her doctorate in 1987

from the University of North Carolina at Chapel Hill.

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11:00 – 12:30

MESA 1

Canyon Room

El neopolicial y las realidades sociales latinoamericanas

Key words: Taibo II, Padura Fuentes, Díaz Eterovic,

Blancornelas, López Cuadras, crónicas modernistas

CARLOS VAN TONGEREN

(Radbud Universiteit Nijmegen – Países Bajos)

IRONÍA Y AFECTO EN EL NEOPOLICIAL LATINOAMERICANO

ANDREW REYNOLDS

(West Texas A&M University)

AESTHETIC DECRIMINALIZATION AND THE LAW IN

MODERNISTA PROSE

JOSÉ PABLO VILLALOBOS

(Texas A&M University)

LA VERDAD EN LA IMAGINACIÓN: DOS TEXTOS DE JESÚS

BLANCORNELAS Y CÉSAR LÓPEZ CUADRAS

12:30 – 14:00

LUNCH HOUR

5

14:00 – 15:30

MESA 2 Canyon Room

Éxito, vigencia y actualidad del neopolicial

y el cine negro hispanoamericano

Key words: Leighton Gage, Stieg Larsson, Craig Johnson, Javier Marías,

Javier Cercas, Pérez-Reverte, Álex de la Iglesia, Muñoz Molina

RUBÉN VARONA

(The University of Texas at El Paso)

CRÍMENES CON DENOMINACIÓN DE ORIGEN

JOSÉ PALACIOS

(Texas A&M University)

(TÍTULO PENDIENTE)

SABRINA LAURUSSI

(Texas Tech University)

EL INVIERNO EN LISBOA DE ANTONIO MUÑOZ MOLINA:

UNA NOVELA A LA ESPAÑOLA

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15:45 – 17:15

MESA 3 Canyon Room

Relaciones literarias, periodísticas

y culturales en el boom policial latinoamericano

Key words: R. Argemí, Mario Mendoza, Ronaldo Menéndez,

Mario Acevedo

CYNTHIA SCHMIDT-CRUZ

(University of Delaware)

MURDER IN THE “COUNTRY”: TROUBLE IN PARADISE IN

RETRATO DE FAMILIA CON MUERTA BY RAÚL ARGEMÍ

LUIS ENRIQUE LIZCANO

(Universidad Industrial de Santander, Colombia)

LA IDENTIDAD DE LA SOCIEDAD COLOMBIANA:

MARIO MENDOZA Y LOS HOMBRES INVISIBLES

FELIPE GÓMEZ GUTIÉRREZ

(Carnegie Mellon University)

EL GÉNERO DE DETECTIVES Y LA MONSTRUOSIDAD

NEOGÓTICA: RÍO QUIBÚ DE RONALDO MENÉNDEZ Y

THE NYMPHOS OF ROCKY FLATS DE MARIO ACEVEDO

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17:30 – 18:45

Special session with

CRIME FICTION AUTHORS

Escondido Theater

ROLANDO HINOJOSA-SMITH

The University of Texas at Austin

“Lectura y charla con Rolando Hinojosa”

ROLANDO HINOJOSA-SMIT focuses on American literature, specializing in life

and literature of the Southwest. His Klail City Death Trip Series numbers fifteen

novels. He writes and publishes short stories and essays. He's been invited to

over 250 colleges and universities here and abroad to read from his work and

conduct classes. Texas A&M offered a graduate course on the Series, and he

lectured and held a Q-and-A session in May 2009. Currently, he's finished a novel

in Spanish and is working on the English translation, a chapter of which was

published in the 2009 anthology, Hit List.

LUIS ARTURO RAMOS

The University of Texas at El Paso

“Las novelas con apellido”

LUIS ARTURO RAMOS is a Mexican fiction writer and essayist, Ramos was born

in the coastal state of Veracruz. He studied Spanish Literature at Universidad

Veracruzana. He’s taught at the National Autonomous University of Mexico

(UNAM) and is currently professor at the University of Texas in El Paso (UTEP),

where he teaches courses in creative non-fiction, the Chicano short story, and

forms and techniques of fiction. He was been a Fellow at the prestigious Centro

Mexicano de Escritores, and has garnered various literary awards, including the

National Prize for Fiction and the National Prize for Non-Fiction. He was also a

finalist for the Moritz-Planeta Prize. He has published seven novels; Ricochet o los

derechos de autor, 2007; Los argentinos no existen, 2005; La mujer que quiso ser Dios,

2000; La casa del ahorcado, 1993; Este era un gato, 1988; Intramuros, 1983 and

Violeta-Perú, 1979. Ramos has authored four books of stories, which include La

señora de la fuente, 1996; Domingo junto al paisaje, 1987; Los viejos asesinos, 1981 and

Del tiempo y otros lugares, 1979. He has authored a collection of essays entitled

Crónicas desde el país vecino, and five children’s books.

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19:00 – 21:30

RECEPTION AND CONCERT

SEPT. 30

FRIDAY

09:00 – 10:25

MESA 1 Canyon Room

Memoria e identidad en la conciencia colectiva de la sociedad española

Key words: Giménez Bartlett, C. J. Cela, J. Barrero,

Vázquez Montalván, Miralles Grancha, franquismo

TRACY A. DINESEN

(Simpson College)

ALICIA GIMÉNEZ BARTLETT’S PETRA DELICADO: THE

STRUGGLES OF A MODERN WORKING WOMAN

SHELLEY D. BAYLESS

(Florida State University)

THE VIOLENT PSYCHOPATH IN CAMILO JOSÉ CELA’S PASCUAL

DUARTE: A CONTEMPORARY CRIMINOLOGICAL

CHARACTER ANALYSIS APPROACH

JOANNE LUCENA

(Arcadia University)

DISINTERRING THE PAST: A CURRENT SPANISH HARD-BOILED

DETECTIVE, CORAZÓN RODRÍGUEZ

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10:30 – 12:00

MESA 2 Canyon Room

Novela histórica y el nuevo thriller español

Key Words: Para Torres, P. Herrasti, F. Modroño,

historia, religión, identidad

JEFF OXFORD

(University of Wisconsin – Milwaukee)

A NEW READING OF THE NEW TESTAMENT: EL PROYECTO

GALILEA BY MAYTE PARA TORRES

GEORGE COLE


FERVOR RELIGIOSO, ÉXTASIS Y EL ASESINO EN SERIE:

CRÍMENES EN LA SANGRE DE LOS CRICIFICADOS

VANESSA RODRÍGUEZ DE LA VEGA


ELEMENTOS OCULTISTAS EN DOS NOVELAS HISTÓRICAS SOBRE

EL SIGLO DE ORO: EL DEMONIO DE LAVAPIÉS Y

LA SANGRE DE LOS CRUCIFICADOS

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12:05 – 13:15

Escondido Theater

Keynote Speaker

José Colmeiro

The University of Auckland, New Zealand

DE LA TRANSICIÓN A LA GLOBALIZACIÓN: VÁZQUEZ

MONTALBÁN Y LA REINVENCIÓN DE LA NOVELA NEGRA

Major authored publications include La novela policiaca española: Teoría e

historia crítica (1994), Crónica del desencanto: La narrativa de Manuel Vázquez

Montalbán (“Letras de Oro” prize, 1996), Memoria histórica e identidad

cultural: De la postguerra a la postmodernidad (2005). He has edited the

volume Manuel Vázquez Montalbán: El compromiso con la memoria (2007), as

well as Silvia Mistral’s Éxodo: Diario de una refugiada española (2009),

Francisco García Pavón’s detective novel Las hermanas coloradas (Clásicos

Contemporáneos Comentados, 1999), and coedited Spain Today: Essays in

Literature, Culture, Society (1995). His forthcoming book project is Galeg@s

sen fronteiras (2011), about the effects of globalization on local cultures.

JOSÉ COLMEIRO received his PhD from the University of California,

Berkeley. He currently holds the Prince of Asturias Chair in Spanish

Studies at the University of Auckland, New Zealand. He has published

widely on Hispanic cultural studies, contemporary literature, cinema and

popular culture, and detective fiction in particular.

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13:15 – 14:30

LUNCH HOUR

14:45 – 16:45

Escondido Theater

Special Session with

Invited Scholars:

GLEN CLOSE

The University of Wisconsin-Madison

“Hard-Boiled Eroticization of the Female Corpse”

RALPH RODRÍGUEZ

Brown University

“A Beautiful Corpse: Aesthetics and Form

in the Latino Mystery Novel”

NICOLÁS KANELLOS

University of Houston

“An Onion, a Chinese Box and Hinojosa’s

Police Procedurals”

16:45 – 17:30

Escondido Theater

RAQUEL OXFORD

University of Wisconsin – Milwaukee

“Teaching Detective Fiction: Critical Considerations and Approaches”

17:30 – 19:30

FREE TIME

DRIVE / WALK TO HOTEL FROM

STUDENT UNION BUILDING

19:30

DRIVE TO RECEPTION AT RESTAURANT

ALL PARTICIPANTS ARE INVITED BY CILDE

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SAT. 01

09:30 – 10:45

MESA 1 Canyon Room

Poder, conocimiento y control en el neopolicial

Key Words: M. Laurini, R. Reig, R. Piglia, M. Solares, franquismo,

protagonistas femeninas, periodismo, historicidad

JONATHAN DETTMAN

(University of California, Davis)

LAS DE ABAJO:

LA FICCIÓN POLICIAL DE MYRIAM LAURINI

MANUEL GÓMEZ-NAVARRO


RAFAEL REIG: NADA ESTÁ PERDONADO. AJUSTÁNDOLE LAS

CUENTAS A LA TRANSICIÓN ESPAÑOLA EN EL NEOPOLICIAL

ERIK LARSON


NARRATIVA, CAPITALISMO,

Y EL PENSAR EN PLATA QUEMADA

JOSÉ ORTIGAS


LOS MINUTOS NEGROS

DE MARTÍN SOLARES, UNA DENUNCIA

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10:45 – 12:00

MESA 2 Canyon Room

Realidad nacional como trasfondo

de la novela policial y el cine negro mexicanos

Key Words: R. Piglia, S. Roncagliolo, Jô Soares, R. Bernal,

Taibo II, A. Helú, Julia Navarro, Luis Buñuel, Rodolfo Usigli,

A. Eceiza, A. Gurrola, Elena Garro

DIANE WOOD


BRAIDED TIME: JULIA NAVARRO’S

THE BROTHERHOOD OF THE HOLY SHROUD (2006)

GERARDO GARCÍA MUÑOZ

(Prarie View A&M University)

ASESINOS TIPOGRÁFICOS

Y SUS ENCARNACIONES BIDIMENCIONALES

RHINA TORUÑO-HAENSLY

(University of Texas – Permian Basin)

CRIMEN Y DESHONRA PARA LOS LÍDERES DE UNA HUELGA

LIQUIDADA POR LAS BALAS DE LA POLICÍA

12:00

DRIVE TO HOTEL OR AIRPORT

CILDE Programa 2011 [1]

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Transcript of CILDE Programa 2011 [1]