Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas....

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Christian Art: History & Theology 1. The beginnings of Christian art: from catacombs to basilicas. 2. Iconoclastic Controversy. 3. John of Damascus’ defense of icons. 4. Functions of the icons in the Church. Apse mosaic. St Catherine's Monastery, Sinai. c. 565/6.
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Transcript of Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas....

Page 1: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Christian Art: History & Theology

1. The beginnings of Christian art: from catacombs to basilicas.

2. Iconoclastic Controversy.3. John of Damascus’ defense

of icons.4. Functions of the icons in the

Church.Apse mosaic. St Catherine's Monastery, Sinai. c. 565/6.

Page 2: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.
Page 3: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Cryptic art of the catacombs

6 Sinai Christ

Catacomb of Domitilla. Rome. 3rd c.

Page 4: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Christ’s appearance hinted at. Christ as…

Catacomb of Domitilla. Rome. 3rd c.

Page 5: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Christ teaching apostles

Catacomb of Domitilla. Rome. 3rd c.

Page 6: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

This is Plotinus and his students

And this is…

Church of St Julia, Brescia. Ivory panel. ca. 360-70.

Page 7: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

What is Jesus doing?

Page 8: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

This is Jesus too (believe it or not)

Rome, Museo Nazionale Delle Terme, ca. 350.

Page 9: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Christ surrounded by apostles

Basilica of St Pudenziana, Rome, ca. 400.

Page 10: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Youthful Christ

Basilica of San Vitale, Ravenna, 522-47.

Page 11: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Times change Christ is now surrounded by…

Page 12: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

The Dominant Image in the Byzantine period

Christ Pantokrator. Hagia Sophia, Instanbul, ca. 1185

Page 13: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

How did Jesus really look like?

Page 14: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Sinai icon compared to the negative of the image on the Shroud of Turin

Page 15: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Reasons for the outbreak of iconoclasm

Reaction to the loss of Eastern provinces to the Arabs

Page 16: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.
Page 17: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.
Page 18: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Reasons for the outbreak of iconoclasm

Reaction to the loss of Eastern provinces to the Arabs

Page 19: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Impact of Islam upon Emperor Leo III

Page 20: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Emperor’s attempt to break the power of the monastic institutions

Page 21: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Reasons for the outbreak of iconoclasm in the 8 th c.

• Emperor’s attempt to break the power of the monastic institutions

• Reaction to the loss of Eastern provinces to the Arabs

• Impact of Islam upon Emperor Leo III

Page 22: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Iconoclastic council in 754

Sum up the arguments of the iconoclasts against the use of icons.

Iconoclasts destroying icons. Chludov Psalter c. 850-75.

Page 23: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Questions continued…

1. According to the iconoclasts, what is the only admissible representation of the incarnation?

2. What practical recommendations did the council make?

Page 24: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

The Cross, after 740. Apse mosaic. St Irene, Istanbul.

The Theotokos and Child (replacing a cross) 787-97 and 11th cent. Apse mosaic.

St Sophia, Thessaloniki.

Page 25: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Iconoclastic controversy timeline

• 726 Emperor Leo III (717-741) issues a ban on all religious imagery

• 754 Iconoclastic council summoned in Constantinople

• 787 Second Council of Nicea defends the use of icons

• 843 Iconoclastic period ends. Empress Theodora allows the restoration of icons.

Page 26: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

John of Damascus (675-749)

• Brought up at the court of the caliph of Damascus

• Resigned his position and entered monastery of St. Sabbas c. 726

• Wrote On the Orthodox Faith

• Defended icons (seminar)

Page 27: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Defense of Icons by John of Damascus

1. State John’s arguments for the use of icons.

2. Which position, iconoclast or iconodule, do you find most convincing? Why?

Page 28: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Wall-painting from the Synagogue at Dura. General view, west wall.

Page 29: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Binding of Isaac. Floor mosaic. Synagogue of Beth Alpha, c. 518 C.E.

                                                                                                  

Page 30: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Functions of Icons in the Church 1: “The Bible for the illiterate”

Page 31: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Functions of Icons in the Church 2:Means of remembrance

Page 32: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Functions of Icons in the Church 3: Theology in Color

Page 33: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Functions of Icons in the Church 4: Windows into the Kingdom of Heaven

Page 34: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Functions of Icons in the Church:Summary

• “The Bible for the illiterate”• Means of remembrance • Theology in color• Windows into the kingdom of heaven• “Crutches of prayer” • Photograph-portrait-icon: similarities and

differences

Page 35: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Portrait Artist's Workshop. Painted Sarcophagus (detail). 1st century AD

Kerch, Bosporan Kingdom

Page 36: Christian Art: History & Theology 1.The beginnings of Christian art: from catacombs to basilicas. 2.Iconoclastic Controversy. 3.John of Damascus’ defense.

Christ teaching apostles