Charles Cullen - Stoney Road Press
Transcript of Charles Cullen - Stoney Road Press
stoney road press
Born in Longford in 1939, Charles Cullen studied at the National College of Art and then worked in Spain before returning to Dublin, where he was a founding member of the Project Arts Centre in 1966. He taught at the National College of Art & Design, lecturing in fine art, and served as head of the painting department until 2000. He has participated in many group exhibitions, including Making Sense, Project Arts Centre (1980); The Delighted Eye, Orchard Gallery, Derry and London (1980); Temple Bar Gallery, Dublin (1984); Living Art, Guinness Hop Store, Dublin (1990) and The Decade Show, Wyvern Gallery, Dublin (1990). Solo exhibitions include the Carroll Gallery, Dublin (1986); David Hendricks Gallery, Dublin (1987) and the Davis Gallery, Dublin (2004). In 1997, Dublin City Gallery The Hugh Lane held a major retrospective of his work. His work is held in the collections of Dublin City Gallery The Hugh Lane; Allied Irish Banks; Shelbourne Hotel, Dublin; the Arts Council and Trinity College, Dublin. Charles Cullen is a member of Aosdána.
Charles Cullen
For enquiries please contact: David O’Donoghue & James O’Nolan
Stoney Road Press, Stoney Road, Dublin 3, Irelandt/f : +353 1 887 8544 www.stoneyroadpress.com [email protected]
stoney road press
Nighttown Improvisations I, 2004 Intaglio, 38.5 x 29cm
Nighttown Improvisations II, 2004 Intaglio, 39 x 25cm
Henrietta Street, 2004 Intaglio, 37.5 x 29.5cm
Molly, 2004 Intaglio, 20 x 25cm
The New Womanly Man, 2004 Intaglio, 29 x 39.5cm
Ah! Glorious Romp, 2004 Intaglio, 26.5 x 37cm
Major Tweedy & the Citizen, 2004 Intaglio, 28 x 37cm
Hely’s Men, 2004 Intaglio, 26.5 x 37cm
Lynch with Poker, 2004 Intaglio, 28 x 37cm
Charles Cullen
...In this boxed set of ten photopolymer etchings, Charles Cullen has chosen as his subject both the form and the substance of the hallucinatory experiences from the Circe chapter of Joyce’s Ulysses. The images relate and cohere not as individualised attempts at illustration but as a reconfigured imaginative response filtered through the lens of his own experience.
Nighttown, 2004 Box set of ten prints 63.5 x 53.5 x 3cm Edition of 150
Feeding the Hound, 2004 Intaglio, 24.5 x 32cm
stoney road press
Charles Cullen Nighttown, 2004 Box set of ten prints, 63.5 x 53.5 x 3cm Edition of 150
stoney road press
Charles Cullen Nighttown Improvisations I, 2004 Intaglio, 38.5 x 29cm
From Nighttown Box Set
stoney road press
Charles CullenNighttown Improvisations II, 2004 Intaglio, 39 x 25cm
From Nighttown Box Set
stoney road press
Charles Cullen Henrietta Street, 2004 Intaglio, 37.5 x 29.5cm
From Nighttown Box Set
stoney road press
Charles Cullen Hely’s Men, 2004 Intaglio, 26.5 x 37cm
From Nighttown Box Set
stoney road press
Charles Cullen
From Nighttown Box Set
stoney road press
From Nighttown Box Set
Charles Cullen Major Tweedy & the Citizen, 2004 Intaglio, 28 x 37cm
stoney road press
Charles Cullen Molly, 2004 Intaglio, 20 x 25cm
From Nighttown Box Set
stoney road press
Charles Cullen The New Womanly Man, 2004 Intaglio, 29 x 39.5cm
From Nighttown Box Set
stoney road press
Charles Cullen Ah! Glorious Romp, 2004 Intaglio, 26.5 x 37cm
From Nighttown Box Set
stoney road press
Charles Cullen Feeding the Hound, 2004 Intaglio, 24.5 x 32cm
From Nighttown Box Set