Chapter Three: Classical Greece and the Hellenistic Period

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Chapter Three: Classical Greece and the Hellenistic Period Culture and Values, 7 th Ed. Cunningham and Reich

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Chapter Three: Classical Greece and the Hellenistic Period. Culture and Values, 7 th Ed. Cunningham and Reich. Music in the Classical Period. Popularity of instrumental music Doctrine of Ethos Plato Aristotle Pythagorean principals Octaves, fourths, tetrachords, modes - PowerPoint PPT Presentation

Transcript of Chapter Three: Classical Greece and the Hellenistic Period

Page 1: Chapter Three: Classical Greece  and the Hellenistic Period

Chapter Three:Classical Greece and the

Hellenistic Period

Culture and Values, 7th Ed.Cunningham and Reich

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Music in the Classical PeriodPopularity of instrumental musicDoctrine of Ethos

– Plato– Aristotle

Pythagorean principals– Octaves, fourths, tetrachords, modes

Rhythmic instrumentationMusical notation

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Fifth Century B.C.E.:Sculpture and Vase PaintingNaturalism, realism

– Myron’s Discus ThrowerNew standard of human beauty

– Proportion, symmetry, balance– Riace Bronzes– Polykleitos of Argos, The Canon

Focus on individual – Emotional responses– Death and mourning

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Plucked instrumentsCitharaPhorminxLyra Epigonion BarbitonPandouris

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Lyre

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Epigonion

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Collection of plucked instruments

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The Aulos

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Aulos is Art

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Aulos player on a vase

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Polykleitos, Doryphoros

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Fifth Century B.C.E.: Architecture

Temple of Zeus at Olympia– Post-Persian War (470-456 B.C.E.)– Proportion and interrelationships– Divine justice

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Fifth Century B.C.E.: Architecture The AcropolisPericles’ building program

– Delian League funds– Phidias (449 B.C.E.)

Parthenon– Proportion, balance– Ideal beauty in realistic terms

PropylaeaErechtheum

– Porch of the Maidens (caryatids)

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[Image 3.18]Porch of the Maidens

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Fourth Century B.C.E.: The Visual ArtsRealism and emotion

– Fate of the individual (Plato)Praxiteles

– Female body = object of beautyScopas

– Emotion and intensityLysippus

– Portraiture, scale

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The Hellenistic PeriodDivision of Macedonian Empire

– Syria, Egypt, Pergamum, Macedonia– Spread of Greek influence

Artistic freedom vs. Classical orderNew patrons = new artistic rolesAltar of Zeus at Pergamum

– LaocoönReturn to Classic principles

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Chapter Three: Discussion Questions

In what ways can the manifestation of chaos, confusion, and uncertainty be seen in art from the Classical and/or Hellenistic periods? Explain, citing specific examples.

What is the “Classical Ideal”? In what works is this ideal best illustrated? Explain.

Compare the Acropolis with the buildings at Pergamum. How does each entity symbolize the cultural attitudes of its time and locale? Explain.

What role did drama and music play in the lives of the Greeks? How were the two forms interrelated?