Chapter 32e

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    MODERNIST ARCHITECTURE

    POSTMODERNIST ARCHITECTURE

    Less is

    MORE.

    Less is A BORE.

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    Swiss architect Charles-EduoardJenneret, best known as Le

    Corbusier, promoted theInternational Style that the Bauhausschool helped to make popular. Hisdesigns for buildings includegeometric shapes, maximum use of

    space, and a lack of ornamentation.Le Corbusier referred to his style asPurism because it relied on puregeometric shapes.

    Villa Savo e is a countr house he

    Le Corbusier, Villa Savoye,

    1929.MODERNIST

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    Le Corbusier, Villa Savoye, 1929.MODERNIST ARCHITECTURE (InternationalStyle)

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    A house is a machine for living.Le Corbusier

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    Le Corbusier, Villa Savoye, 1929.MODERNIST ARCHITECTURE (InternationalStyle)

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    Le Corbusier,Chapel of Ntre Dame du Haut, 1955.MODERNIST ARCHITECTURE

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    Phillip Johnson in 1978

    with model of AT&Tbuildin

    AT & T Building

    Phillip Johnson

    Phillip Johnson helpedMies van der Rohe designthe Seagram Building inthe 1950s, but in the 70s he

    did the opposite with theAT&T Building (now calledthe Sony Building)

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    Instead of a building made ofsleek glass and metal, thisbuilding is predominantlymasonry (only 30% of the

    outside is glass) and revives aclassical architectural

    vocabularyJohnson & his associatesdivided the building into

    three parts, reminiscent ofthe three elevations of a

    Greek temple base,column and pediment.

    Phillip Johnson, the AT&TBuilding (New York), 1984.

    POSTMODERN

    http://upload.wikimedia.org/wikipedia/commons/c/c0/Sony_Building_by_David_Shankbone.jpg
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    The top slopes down like apediment, including a space in

    the middle known as anorbiculum (similar to the look

    of 18th century dressers)

    Phillip Johnson, the AT&TBuilding (New York), 1984.

    POSTMODERN

    Thin strips of masonry that makeup the center resembles the

    fluting of columns

    http://upload.wikimedia.org/wikipedia/commons/c/c0/Sony_Building_by_David_Shankbone.jpg
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    The entrance includes amassive round arch, similar to a

    triumphal arch or aRomanesque portal.

    (Please note the modern-daylooking coffers and rose

    window)

    Phillip Johnson, the AT&TBuilding (New York), 1984.

    POSTMODERN

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    Michael Graves,

    Portland PublicServices Building,1982.

    POSTMODERN

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    Home Design byMichael Graves

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    Michael Graves, Team Disney The Eisner Building, 1991.POSTMODERN

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    The Pompidou Centre is a multipurposestructure. It contains a public library,Frances National Museum of Modern Art, atheatre and numerous halls. It was namedafter the French President GeorgesPompidou.

    Note that the building appears to lookinside out. All of the pipes and supportsare exposed, but color is used with a

    purpose: for example, green indicates water,blue indicates air conditioning while theelevators and escalators are red.

    It demonstrates MODERNIST architecturewith its steel support beams and

    functionality, but its mixture of influencesand lack of decoration and make itPOSTMODERNIST.

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    Richard Rodgers and Renzo Piano, The Pompidou Centre, 1977.POSTMODERN

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    Frank Gehry, Guggenheim Museum, Bilbao, 1997.DECONSTRUCTIVISM

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    Frank Gehry used titanium onthe outside to imply fish scalessince fishing is a part of

    bilbaos economy. (Note the

    long ship-like form of thebuilding, too.) This type ofwork is often considereddeconstructivist since its goalis to eliminate continuous linesand normal shapes.

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