Chá e simpatia - Andrade Lima .Tania
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Transcript of Chá e simpatia - Andrade Lima .Tania
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Estampa 1: Na figura 29, a primeira referência explícita ao five o'c/ock tea gown, no jornal demodas A Estação, de 30 de setembro de 1889. Classificado como "vestido caseiro", aparecetimidamente em meio aos demais modelos, fortemente espartilhados, com "cintura de vespa".
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In J908 ir wás qui/r' ilcceplllble 10 drÍnk h'OOU( of ,\(lucers.
tea-merchants installed a wind-cJock in thcir offices to tell themWhCll the corrcct wind was blowinQ. \Vind-clocks had lan)(' cl()ck-
Foto 1: Foto publicado no The Tea Book, mostrando senhoras idosas inglesas em um parque,tomando chá no pires, em 1908. 125
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126
Foto 2: Bules, leiteira, malgas e pires fundos em faiança branca, recuperados em sítiosarqueológicos do Riode Janeiro, século XIX. Embaixo, miniaturas de louça de chá, utilizadaspelas meninas nas brincadeiras com bonecas. Acervo do Museu Nacional- UFRj.
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Foto 3: Louça de chá em Black Basalt. Bule e mantegueira pertencentes ao acervo do Museudo Primeiro Reinado / Casa da Marquesa de Santos, no Rio de Janeiro. Fragmentos .recuperados em escavações arqueológicas de sítios do Rio de Janeiro, século XIX,comdecoração floral e em gomos. Acervo do Museu Nacional - UFRj. 127
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128
Foto 4: Malgas e pires fundos em padrões florais pintados à mão, em policromia e bicromia(azul e branco); à esquerda, a popular louça branca com friso azul. Peças provenientes deescavações arqueológicas de sítios do Riode Janeiro, século XIX. Acervo do Museu Nacional -UFRj.
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Foto 5: Açucareiro, malgas e pires fundos em diferentes padrões, pintados e decalcados, emAzul Borrão. Bules, malgas e pires em diferentes decalques em azul e branco. Peçasprovenientes de escavações arqueológicas de sítios do Rio de Janeiro, século XIX. Acervo doMuseu Nacional - UFRj. 129
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