CG S12 MHackert Magazine Spreads
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Transcript of CG S12 MHackert Magazine Spreads
8/2/2019 CG S12 MHackert Magazine Spreads
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8/2/2019 CG S12 MHackert Magazine Spreads
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Vol. 1, Issue 1 1
Table of
2 6 10 14 20 24 28 34
shape drawing
variation of shape drawing
line
value
texture
color
pencil drawing
oil pastel drawing
Contents
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Vol. 1, Issue 12 Hoosier Hysteria
shapewritten by Marie Hackert
drawing
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Vol. 1, Issue 154 Hoosier Hysteria
Images showing the process from the original to
the nished Illustrator image.
I am trying to convey the image of Sameer, the
lead singer from the indie rock band Young the
Giant. I wanted to create a piece of vector art
from a photographic image.
craftTo create these images, I used Adobe
Illustrator and a mouse. I rst found an originalphotographic image. I then used the pen tool to
create shapes around areas with similar shad-
ing. After that, I used the dropper tool to select
the color needed for the area from the color of
the original image. I repeated this step in
multiple layers until I got the desired color effect
to create a similar looking reproduction of the
original photographic image.
My goal was to arrange the colored shapes in or -
der to get the viewer to see the object as a whole.
I wanted the viewer to see the shaded objects
coming together as one image rather than focus
on the separate colored shapes that made up the
image. After nd the original image, I worked layer
by layer, slowly building up colors
“After finding theoriginal image,
I worked
layer by layer,
slowly
building up,
to produce
one single image.”
composition
concept
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Vol. 1, Issue 16 Hoosier Hysteria
Variations with the Shape Drawing
written by Marie Hackert
Panel of V ar iations done on Adobe Illust r at or .
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Vol. 1, Issue 18 Hoosier Hysteria
Craft:To create these images, I used Adobe Illustrator. I took
an original piece of vector art that I had already created.
I used the color guide to create both a monochromatic
color spectrum and a vraious color mixed spectrum. Iapplied this to color to the vector art. I then selected
different brush types to change the stroke and variate
the image. In the rst row of images, I only applied color
changes. In the second row, I used both color changes
and selected a subtle stroke change. In the last row of
images, I selected both a color change and a denitive
stroke change.
Concept:In these images, I was trying to convey Sameer from the
Indie rock band, Young the Giant. I wanted to show
variations in stroke and color for each piece of vector
art in order for the viewer to understand how color and
stroke can both positively and negatively affect an image.
Composition:My goal for these images was to create a panel of im-
ages that shows how variations can alter an illustrator
image. I learned to use different strokes, sizes, and color
combinations.T h e c o l o r s p e
c t r u m
w i n d o w
( b
o t t o m ) a n d t h e s t r o k
e w i n d o w
( T o p ) .
“...variations
can alter an
Illustrator
image.”
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Vol. 1, Issue 1 110 Hoosier Hysteria
Linevertical and horizontal
written by Marie Hackert
strokesthe
thatthe
object.”
FORMED
"I wanted the
audience to
see the
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Vol. 1, Issue 1 112 Hoosier Hysteria
explore
LINE
( L e f t ) I l l u s t r a t o r d r a w i n g s
o f v a s e s d o n e w i t h a p e n a n d t a b l e t u s i n g o n l y v e r t i c a l a n d h o r i z o n t a l l i n e s t o c
r e a t e a n i m a g e .
To make this I used the Bamboo tablet and pen
to create a stroke drawing on Adobe Illustrator.
I rst selected the color and the stroke width,
then I proceeded to use the paintbrush tool. I
used stroke marks both vertical and horizontal
to create the image of a vessel starting from the
top to the bottom.
I am trying to communicate a vessels through
the used of lines. The motion and direction
of the lines help express a 3D vessel. I used
the motion of the line to dictate the shape and
roundness of the object.
I arranged the elements in this manner in or -
der to draw the viewers eyes towards the lines
rather than the object as a whole. I wanted the
audience to see the strokes that formed the
object, rather than the object itself.
Concept:
Composition:
Craft:
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Vol. 1, Issue 1 114 Hoosier Hysteria
valueCREATED USING LINEsWritten by Marie Hackert
Value drawing done on Adobe Illustrator by using gray scale and lines.
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Vol. 1, Issue 1 116 Hoosier Hysteria
the shape.”
“...and have those values
express
craft:To make this group of images, I used
the bamboo tablet and pen and Adobe
Illustrator. I rst selected the pen tool.Using this tool, I started at a medium
swatch of gray and worked my way
throughout the gray scale moving from
white to back to create an image with
vale. concept:
I am trying to communicate a bowl
or a cup, depending on the image.
In each drawing, I worked hard to
exhibit value rst.
composition:
I arranged the elements in sucha manner, as to express value
in the shape without drawing too
much attention to the shape as
a whole rather than the values.
I worked to have the viewer seethe values rst, and have those
values express the shape.
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Vol. 1, Issue 1 118 Hoosier Hysteria
Value dr awing done on Adobe Illustrator by using gr ayscale and lines.
“I started with a medium gray and
worked my way
moving from white to black to create an
image with value.”
through the grayscale
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Vol. 1, Issue 1220 Hoosier Hysteria Marie’s P
texture Written by Marie Hackert
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Vol. 1, Issue 1222 Hoosier Hysteria
craft: I used a Bamboo pen and tablet.
I rst picked the paintbrush tool,
stroke size, and color. I then
picked a number or letter and re -
peated it all over the entire page
altering from the color’s tints and
shades and stoke sizes. Next, I
picked a complimentary color and
repeated that same number or
letter with different stroke sizes
and tints and shades to create
the image of a cup or bottle.
I was trying to create the image
or a cup or bottle by using the
repetition of numbers or letters. I
want the viewer to see the lights
and dark of the object and not
focus in on the numbers as much.
I used a combination of various
sizes of a number to create a
whole image. I created the imageof a bowl or cup out of this
combination of numbers. I
created the background with a
complimentary color to the image
I was drawing so the two would
not clash with each other and so
the audience can properly view
the subject.
concept:
composition:
“ I wanted the viewer to seethe lights amd darks of theobject and not focus on the
numbers as much.”
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Vol. 1, Issue 1224 Hoosier Hysteria
colorWritten by Marie Hackert
Color illustration done on illustrator using pen and tablet.
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Vol. 1, Issue 1226 Hoosier Hysteria
To create these images, I used a bamboo pen
and tablet. I rst selected the pen tool, and chose
a single color and stroke. I created an image by
altering stroke sizes and using a single colors tints
and shades.
I was trying to convey different vessels that
hold liquids. I wanted to give the contain -
ers either a sense of transparency in order
to aide the viewer in understanding the
materal of the object.
I arranged the colors in a way as to express the lights
and darks of the object. I wanted to draw in the view -
ers to the different tints and shades, and not the object
itself.
craft
concept
composition
“...express
the lights
and darksof the
object.”
Color illustration done on Illustrator using pen and tablet.
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Vol. 1, Issue 1228 Hoosier Hysteria
PENCILdrawing
Pencil Drawing done with graphite pencil on white paper.
Written and Illustrated by Marie Hackert
Marie’s Portf olo28 Marie’s Portf ol
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Vol. 1, Issue 130 Hoosier Hysteria
Pencil is a tool that has been used for centuries in the
art world. It is simple yet effective in the way its strokes
can convey an image. An artist utilizes pressure to cre-
ate the proper values for a drawing. These values cre -
ate texture, depth, and highlights in the image. Without
these three things, the image may not be conveyed in
the reality desired by the artist. Each time I used pencil
I worked to assemble a group of strokes that coincide
with each other. Sometimes this took hours, days, or
weeks, but getting the proper combination gave me
striking drawings that came alive off the page. I also
draw with a very whimsical technique. I focus less on
the details of an object and really hone in on the lines
that create it. These lines help my drawing come “alive”
off the page, and make the viewer take a second look
at each and every stroke I created for the drawing.
P
N
E
IC
L
“Sometimes this took
hours, days, or weeks,
but getting the
proper combination gave
me striking drawingsthat came alive off the
page.”
PencIl Drawing done with graphite pencil on white paper.
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Vol. 1, Issue 132 Hoosier Hysteria
his pencil drawing was done of a robe and a shirt
hanging on a clothesline. The focus of the drawing was
to center focus on the movement of the cloth. I as an
artist wanted to capture the movement in a way
that would make the viewer feel the cloth coming
off the page. I took an approach that centered on a
more gesture feel. The approach proved successful as
the robes jump off the page and almost appear alive. I
really wanted to show various values, from the
darkest darks to the lightest lights, but I also had to
really eliminate any values that would give the robe a
nonrealistic feel. I wanted to convey a sense of depthfor the viewer, and to make each layer of the robe
move and ow down as if it were really hanging on a
clothesline.
T
“I wanted to convey a sens
of depth for the viewer, and to
make each layer of the robe
move and fow down as iit were really hanging
on a clothesline.”
P en c i l Dr awi n g d on ewi t h gr a ph i t e p en c i l onwh i t e p a p er .
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Vol. 1, Issue 134 Hoosier Hysteria
oil An oil pastel image of Dwight K. Schrute from the American comedy the Ofce
Written by Marie Hackertpastel
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Vol. 1, Issue 136 Hoosier Hysteria
Oil pastel is a medium that explores
tool of color. Color can express an im
in a way that a simple black and whit
drawing cannot. It tantalizes the view
eyes more than simple graphite. Thi
drawing is of the Blues Brothers. I lik
explore drawing portraits of people t
I admire or am a fan of. Human face
contain such a variety of tones, shad
and colors. Each of these must be co
bined the right way in order to expre
realism. The human face is a delicat
subject, but I feel inclined to do my b
to express the faces and emotions othese people to my audience. I used
pastels by themselves to give the
drawing an artistic feel as the audien
can see each individual
stroke and mark of the pastel. Oil pa
has a sticky quality where when draw
over or blended, the different colors
and morph together to create a well-
mixed image.
Blues BrotherWritten by Marie Hackert
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Vol. 1, Issue 138 Hoosier Hysteria
just imagineWritten by Marie Hackert
In this image of John Lennon, I am trying
to show his true expression and emotion. I
want the audience to truly believe that he is
feeling, dreaming, and hoping. The oil pastel
is a great medium to show depth in color and
value. It provides layers and layers of color
built up on one another to create one total
image. The amount of pressure applied to the
pastel gave me different results. Each stroke
on the face was applied with great care andgentle pressure in order for each layer
applied to properly blend together, while thestrokes in the hair are hard and dened so
that each stroke is seen.
in color
“Tthe oil pastel is a great medium
to show depth
and in value.”
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40 H i H t i
Artwork created by
Marie Hackert