Celebration Series Perspectives Sampler

Celebration Series

“Frederick Harris Music has compiled a remarkable series of repertoire

and studies books for the revised edition of the Celebration Series®.

The repertoire has been selected with great care, and comprises the most

comprehensive graded series of basic piano repertoire available.”Marvin Blickenstaff

Board President, Frances Clark Center for Keyboard Pedagogy

Piano Repertoire

Piano Studies / Etudes

Student Workbooks

Compact DiscsPreparatory to Level 10

Reliable and representative interpretations of every selection in the Piano Repertoire and Piano Studies / Etudes books.

An invaluable resource for style-appropriate performance practice

Answer Book for Student Workbooks An indispensable companion to the Student Workbooks (Preparatory to 8)

A useful, convenient, and time saving resource for teachers and parents

Student WorkbooksPreparatory to Level 8

✔ Companion books to the Piano Repertoire books✔ Discovery learning through a variety of activities

Hands-on writing and creative exercises to encourage musical appreciation

Celebration Series Perspectives®

Contents

Introduction to Celebration Series Perspectives® 3

Handbook for Teachers 5

Preparatory Level

Piano Repertoire Minuetto, op. 37, lesson 2 Hook, J. 6

Jumping Jacks Markow, A. 6

Polka, op. 39, no. 2 Kabalevsky, D. 6

The Tired Turtle Express Donkin, C. 6

Sparklers Niamath, L. 7

Olie the Goalie Chatman, S. 7

Student Workbook The Tired Turtle Express Donkin, C. 6

Sparklers Niamath, L. 7

Handbook for Teachers Sparklers Niamath, L. 7

Level 1 Piano Repertoire Arioso in F Major Türk, D.G. 8

Mist Poole, C. 8

Gremlins Paterson, L. 9

Where Did the Sun Go? Markow, A. 9

Sur le pont d’Avignon arr. P. Gallant 9

Piano Studies / Etudes Study in C Major, op. 17, no. 6 Le Couppey, F. 9

Celebration Crosby, A. 9

Student Workbook Mist Poole, C. 8

Level 2 Piano Repertoire Entrée in A Minor Anon. 10

Madrigal Bonis, M. 10

Penguins Niamath, L. 11

Jazz Invention No. 1 Gallant, P. 11

Jazz Invention No. 2 Gallant, P. 11

Piano Studies / Etudes Scherzo, op. 39, no. 12 Kabalevsky, D. 11

Study in A Minor Kadosa, P. 11

Student Workbook Entrée in A Minor Anon. 10

Madrigal Bonis, M. 10

Level 3 Piano Repertoire Harlequinade Krebs, J.L. 12

Sonatina in G Major (First Movement) attr. L. van Beethoven 12

Echoes of November Chatman, S. 12

Play Bartók, B. 13

Piano Studies / Etudes Witches and Wizards Donkin, C. 13

The Village Band Carroll, W. 13

Student Workbook Sonatina in G Major: First Movement attr. L. van Beethoven 12

Handbook for Teachers Witches and Wizards Donkin, C. 13

Level 4 Piano Repertoire March in D Major, BWV Anh. 122 Bach, C.P.E. 14

Sonata in F Major, Hob. XVI:9 (Third Movement: Scherzo) Haydn, F.J. 14

Dreamcatcher Crosby, A. 15

The Wild Horseman, op. 68, no. 8 Schumann, R. 15

Nocturne Sheftel, P. 15

Piano Studies / Etudes The Wagtail, op. 100, no. 11 Burgmüller, J.F. 14

Bike Ride Reubart, D. 14

Student Workbook Dreamcatcher Crosby, A. 15

Level 5 Piano Repertoire Gigue in D Major Kirnberger, J.P. 16

Sonatina in A Minor, op. 214, no. 4 Gurlitt, C. 16

Scamp Norton, C. 17

The Lake, op. 42, no. 9 Rowley, A. 17

Piano Studies / Etudes Skipping Rope Gnesina, Y.F. 17

Supernova Telfer, N. 17

Student Workbook Sonatina in A Minor, op. 214, no. 4 Gurlitt, C. 16

1Contents

2 Contents

Level 6 Piano Repertoire Little Prelude in E Minor BWV 941 Bach, J.S. 18

Sonata in A Minor Cimarosa, D. 18

Winter Scene Gillock, W.L. 18

Valse miniature op. 10, no. 10 Rebikov, V.I. 19

Piano Studies / Etudes Dance Shostakovich, D. 19

The Gear Wheels of a Watch Nakada, Y. 19

Student Workbook Valse miniature op. 10, no. 10 Rebikov, V.I. 19

Handbook for Teachers Little Prelude in E Minor BWV 941 Bach, J.S. 18

Level 7 Piano Repertoire Suite No. 8 in G Major, HWV 441(Fourth Movement: Aria) Handel, G.F. 20

Sonatina in C Major, op. 36, no. 3 (First Movement) Clementi, M. 20

Katherine Chatman, S. 21

Sérénade sur l’eau Ibert, J. 21

Feelin’ Good Bonsor, B. 21

Piano Studies / Etudes Mechanical Toy Previn, A. 20

Elegie, op. 77, no. 2 Hofmann, H. 20

Student Workbook Katherine Chatman, S. 21

Level 8 Piano Repertoire Invention No. 13 in A Minor, BWV 784 Bach, J.S. 22

Sonatina in A Major, op. 59, no. 1 (Second Movement) Kuhlau, F. 22

Prelude, op. 43, no. 1 Glière, R. 22

Petite litanies de Jésus / Little Litanies of Jesus Grovlez, G. 23

Jazz Exercise No. 2 Peterson, O. 23

Piano Studies / Etudes Jane’s Song Norton, C. 23

Toccatina, op. 95, no. 12 Takács, J. 23

Student Workbook Prelude, op. 43, no. 1 Glière, R. 22

Level 9 Piano Repertoire Sonata in F Minor, L 187 / K 481 Scarlatti, D. 24

Fantasia in D Minor, K 397 (385g) Mozart, W.A. 24

Decadent Sentimental Song Manzano, M. 25

Impromptu, op. 142, no. 2 Schubert, F. 25

Ocean Vista Henderson, R.W. 25

Romance sans paroles, op. 17, no. 3 Fauré, G. 25

Piano Studies / Etudes Scherzo, op. 19, no. 2 Gade, N. 24

Study in E Minor, book 1, no. 2 Cramer, J.B. 24

Level 10 Piano Repertoire Prelude and Fugue in E Flat Major, BWV 876 Bach, J.S. 26

Sonata in D Major, Hob. XVI:33 Haydn, F.J. 26

Nocturne in F sharp Major, op. 15, no. 2 Chopin, F. 26

Arabesque No. 1 Debussy, C. 27

Rondó sobre temas infantiles argentinos / Rondo on Argentine Children’s Folk Tunes

Ginastera, A. 27

Piano Studies / Etudes Bagatelle, op. 6, no. 5 Bartók, B. 27

By the Mountain Torrent, op. 37, no. 2 Hofmann, H. 27

Student Workbooks 28

Repertoire List 29

Level List A List B List C List D List E

Levels 1–2

Baroque and Classical Repertoire

20th- and 21st- century Repertoire

Inventions

Levels 3–5

Baroque Repertoire Classical and Classical-style Repertoire

Romantic, 20th-, and 21st-century Repertoire

Level 6 Baroque Repertoire Classical and Classical-style Repertoire

Romantic and 20th-cen-tury Repertoire

Level 7 Baroque Repertoire Classical Repertoire Romantic and 20th-cen-tury Repertoire

Level 8 Baroque Repertoire Classical Repertoire Romantic Repertoire Post-Romantic and 20th-century Repertoire

Level 9 Baroque Repertoire Classical Repertoire Romantic Repertoire Post-Romantic, 20th-, and 21st-century Repertoire

Level 10 Works of J.S. Bach Classical Sonatas Romantic Repertoire Post-Romantic and Early 20th Century Repertoire

20th-century Repertoire

3

Level Piano Repertoire


Student Workbooks

Compact Discs Teacher Resources

Preparatory ✔ ✔ ✔ Handbook for Teachers

Answer Book for Student Workbooks

1 ✔ ✔ ✔ ✔2 ✔ ✔ ✔ ✔3 ✔ ✔ ✔ ✔4 ✔ ✔ ✔ ✔5 ✔ ✔ ✔ ✔6 ✔ ✔ ✔ ✔7 ✔ ✔ ✔ ✔8 ✔ ✔ ✔ ✔9 ✔ ✔ ✔

10 ✔ ✔ ✔

Piano RepertoireThe pieces in each Piano Repertoire book (except Preparatory) are divided into several lists, according to stylistic period.

There are eleven levels in Celebration Series Perspectives®

• Preparatory Level: appropriate for students who have completed one to two years of study• Levels 1, 2, and 3: late elementary through early intermediate• Levels 4, 5, and 6: intermediate through late intermediate• Levels 7 and 8: late intermediate to early advanced• Levels 9 and 10: advanced recital repertoire

Introduction to Celebration Series Perspectives®


Celebration Series Perspectives® is breathtaking in its

scope, presenting a kaleidoscopic overview of keyboard

music from the last four centuries. The graded Piano

Repertoire books encompass early elementary to

advanced levels. The repertoire comprises a carefully

selected grouping of pieces from the Baroque, Classical,

Romantic, 20th-, and 21st-century style periods. Piano

Studies / Etudes books present compositions especially

suited for building the technique and musicality relevant

to the repertoire of each level. Student Workbooks and

the corresponding Answer Book (Preparatory to 8), as

well as the outstanding recordings of the entire series,

are available to assist in the study and enjoyment of

the music. In addition, this comprehensive Handbook

for Teachers is an invaluable pedagogical resource.

An excerpt from the Handbook for Teachers by Cathy Albergo, Reid Alexander, and Marvin Blickenstaff

4 Introduction to Celebration Series Perspectives®

Piano Studies / Etudes The ten Piano Studies / Etudes books contain numerous etude-like selections and some character pieces that address specific technical challenges.

Each piece has a technical focus that is described in the table of contents, and can be used as preparation for similar compositions in the repertoire books. Each level includes works that can be used effectively as technique builders, recital or competition pieces, and for enjoyment.

Student WorkbooksThe nine Student Workbooks in Celebration Series Perspectives® are companion volumes to the Piano Repertoire books for the Preparatory Level through Level 8. They are written for the student, using language and music terminology appropriate for students at each level.

For each piece, the student’s interest and intellect are engaged through an approach of discovery learning: relevant historical and theoretical discussion and hands-on writing and creative activities lead the student to an understanding of the essence of the music.

The discussions cover a wide range of topics, including:• biography and style• form and analysis• harmony and texture• rhythmic preparation• dynamics and articulation• ornamentation

The Student Workbooks may be incorporated into the lesson or used for at-home enrichment study. Recognizing different learning styles, the authors have included a variety of activities—aural, visual, and kinesthetic.

Answer Book for Student Workbooks The Answer Book for Student Workbooks is an indispensable companion to the Student Workbooks. Teachers and parents will find the Answer Book to be a useful, convenient, and time-saving resource.

Compact DiscsThe recordings offer representative interpretations of the complete works from the Piano Repertoire (Preparatory Level through Level 10) and Piano Studies / Etudes (Levels 1 through 10) of Celebration Series Perspectives®. The recordings may be used by students as a reliable reference and inspiration for a polished performance. Teachers will find these professional recordings an invaluable resource for style-period performance practice.

Handbook for TeachersThe Handbook for Teachers is a comprehensive teaching aid that draws together the Piano Repertoire and Piano Studies / Etudes books, the Student Workbooks, and the recordings, and organizes the material for optimum use in the teaching studio. In addition to a detailed discussion of each composition in the Piano Repertoire and Piano Studies / Etudes books, the Handbook for Teachers also includes suggestions for presenting and teaching Celebration Series Perspectives® from start to finish.

“Celebration Series Perspectives® offers a thoughtfully chosen, attractive grouping of

piano works for students of all types. The accompanying Handbook for Teachers and

Student Workbooks are creative and informative, providing insights and approaches that

will help deepen a student’s understanding about music and about practicing. Celebration

Series Perspectives® is a resource that no piano teacher should be without!”Dr. David Sharpe

Senior Examiner, National Music Certificate Program & RCM Examinations

Written by three of North America’s leading piano pedagogues—Cathy Albergo, Reid Alexander, and Marvin Blickenstaff—the Handbook for Teachers is a comprehensive teaching resource that provides a detailed discussion of all of the pieces in the Piano Repertoire and Piano Studies / Etudes books.

Teachers will also appreciate:• sequencing by difficulty of pieces in each level• useful and insightful practice suggestions• thorough score exploration for each piece• creative activities for students

5Handbook for Teachers

6 Preparatory LevelCelebration Series Perspectives®

7Preparatory LevelCelebration Series Perspectives®

SparklersLinda Niamath

Key: C sharp major Meter: 68 Form: binary

Imagine Canada Day, the Fourth of July, or any festive holiday celebration where children and adults enjoy sparklers. These fireworks are bright and flashy and they burn quickly. The sound goal of this piece is a legato but steady RH melody over a crisp and clear staccato LH ostinato pattern with vibrant dynamic contrasts. Ask your student to keep the tempo steady from start to finish.

Presentation

• Label the key and form. Ask your student to play the LH in m. 1. What is the LH chord? [C sharp major] Which notes of the C sharp five-finger pattern are played in the cluster? [all but E sharp]

• Explore the RH melody. Does it stay within the C sharp major five-finger pattern? [yes]

• Shadow-play HS on the closed keyboard cover, focusing on fingering and touch (legato vs. staccato)

Practice Assignment

• Encourage your student to warm up with the C sharp major five-finger pattern.

• Practice HT in four-measure units, first slowly and then gradually faster as you become more secure.

• Find the four-measure question (mm. 1–4) and the answer (mm. 5–8).

From the Handbook for Teachers

8 Level 1Celebration Series Perspectives®

9Level 1Celebration Series Perspectives®


Witches and WizardsChristine Donkin

Picture a dark and stormy night with winds swirling as witches and wizards glide through the air. This piece can be quickly learned and memorized (almost magically!) if practiced in sections. Have your student block and discover the patterns of each section. Encourage memorization of the sections as they are practiced.

Witch no. 1 appears in mm. 1–4: • Block the LH D minor chords and RH 3rds in mm. 1–2. • Discover the RH switch in m. 3 to notes previously played by the LH. • Identify the five-finger pattern formed by the LH descending notes in mm. 3–5.

[G minor]

Witch no. 2 appears in mm. 5–8: • Name the key of this section. [G minor] Measures 5–6 are a transposition of

mm. 1–2. • Describe what happens in mm. 7–8. [ascending broken chords]

Wizard no. 1 arrives in mm. 9–14: • Find the crossed-hand patterns. • The RH plays a repeated G minor fragment for five measures followed by a

descending scale pattern. What function does the descending scale pattern serve? [it facilitates the return to D minor]

• Notice that both LH voices use the notes C sharp, D, and E, but in reverse order! [the lower notes ascend; the upper notes descend]

Witch no. 1 returns in mm. 15–18: • Is this appearance the same as mm. 1–4? [yes]

Wizard no. 2 arrives in mm. 19–21 to conclude the piece: • Why is this section a wizard and not a witch? [it is a variant of the crossed-hand

pattern presented by Wizard no. 1] A descending scale passage effectively ends the piece in D minor.

Emphasize the 68 time signature by feeling two beats per measure using the accents

and crossed-hand notes to mark the beats. Your student will need to listen for steady, even eighth notes as you gradually increase the tempo to reflect the spirit of this piece. Follow the mf and p dynamics, the accents, and the poco rit. along with the pedal to help the audience hear the contrasts of these witches and wizards!


Level 4Celebration Series Perspectives®

15


17


Little Prelude in E Minor, BWV 941Johann Sebastian Bach

This Little Prelude was originally from a manuscript collection of six preludes assembled by the German organist Johann Peter Kellner (1705–1772). The BWV numbers are 939–943 and 999. The latter, 999, was a prelude originally composed for lute and transcribed for keyboard.

This composition has two main points for discussion with your student:

• the opening arpeggiated figure which occurs throughout • thecontinualsuspensionsandresolutionspresentintheuppersopranoandaltovoices

Suspensions are extremely expressive moments and it may help to imagine singers or instruments holding the sound. Help your student locate the suspensions [mm. 3–4, 4–5, 5–6, 6–7, and 7–8] including the double suspension in mm. 5–6. [alto and soprano moving together!]

Find each occurrence of the RH broken arpeggio figure from m. 1 including inversions and transpositions. [LH m. 3, LH m. 5 (inverted), LH m. 7 (transposed to G major)] As the initial presentation of this figure in m. 1 begins with a rest, remember in subsequent presentations to separate the arpeggio figure from preceding downbeat eighth notes.

The mid-point of this prelude cadences in the relative key of G major. [m. 11] How did Bach reach G major? The F natural in m. 7 begins the process by setting up the dominant 7th [G7] of C. [C major is IV in G], which begins the traditional cadence of IV–V7–I in G at mm. 10–11.

Explore how the musical material in the second half of the prelude. [mm. 11–22] relates to m. 1:

• Melodic fragments are often preceded by a rest.• Arpeggio fragments or related zigzag shapes are still used.• The opening RH melody appears in the bass [m. 20] to end the piece.

Note Bach’s use of the Picardy 3rd (G sharp) in the final measure.

The following practice steps will be helpful:• Astwo-orthree-voicecounterpointisusedthroughout,itwillhelptoplayindividualvoicesandthenpairsofvoices,perhapsintheformofastudent-teacherduet.

• Blockharmonieswhenpossible,notingtheharmonicmovement.Inmostmeasuresthereisonlyonechord.

• Topracticethedemandingrhythmofm.21,tapaduplevs.triplerhythmHT.Next,dividetheuppertwovoicesbetweenthehands.

Practice Tips



23


25


27

28 Student Workbooks

Built on the principles of discovery learning, the Student Workbooks accompany the Piano Repertoire books and offer students an engaging and thorough learning experience. Activities include hands-on writing and creative exercises, historical and theoretical discussions, and opportunities to reinforce music terminology.

The Student Workbooks address a wide range of topics including:• biography and style• form and analysis• harmony and texture• rhythmic preparation• dynamics and articulation• ornamentation

Benefits for the Student and TeacherFor the Student• Interest and intellect are engaged through a discovery

learning approach.• Relevant historical and theoretical discussions use language

and music terminology appropriate for each level.• Hands-on writing and creative experiences deepen the

student’s understanding of music.

For the Teacher• Exercises may be incorporated into the lesson or used for

at-home enrichment study.• Practice tips will motivate students.• The Workbooks act as a teaching aid by highlighting potential

problem areas in each piece and offering innovative solutions.

FormCreative Exercise

AnalysisBiography

29Repertoire List

Piano Repertoire

Preparatory Piano RepertoireThe Tired Turtle Express ......................... Donkin, C.

Halloween Pranks ...................................... Berlin, B.

Youthful Happiness ...................................Türk, D.G.

A 16th-Century March ..........Palmer, W./Lethco, A.

An Argument ..................................................Last, J.

Singin’ the Blues .........................................Pearce, E.

Jumping Jacks ..........................................Markow, A.

Polka, op. 39, no. 2 ........................... Kabalevsky, D.

Aeolian Lullaby .........................................Hansen, J.

Birthday Morning ................................. Coulthard, J.

Bouncing on My Bed ..................................Crosby, A.

Minuetto, op. 37, lesson 2 ............................ Hook, J.

Broken Music Box ................................. Chatman, S.

Lady Moon ..................................Freeman Olson, L.

The Path of the Ping-Pong Ball ................ Donkin, C.

Arietta in C Major, op. 42, no. 5 ..........Clementi, M.

Birding................................................... Chatman, S.

Struttin’ ....................................................Norton, C.

Old MacDonald Had a Farm ................arr. B. Berlin

Sakura.................................................arr. P. Gallant

Chimes .......................................................Sheftel, P.

Playful Puppy.........................................Niamath, L.

To Fly Like an Eagle ..................................Crosby, A.

First Waltz, op. 89, no. 5 .................. Kabalevsky, D.

Sad Feelings..............................................Türk, D.G.

A Carefree Fellow .....................................Türk, D.G.

Starfish at Night ........................................Crosby, A.

On a Greek Island .............................. Mrozinski, M.

By the Mill Pond ..............................................Last, J.

Sparklers ................................................Niamath, L.

Olie the Goalie ...................................... Chatman, S.

Piano Repertoire 1Minuet in G Major ............................attr. F.J. Haydn

Andante in G Minor ..........................Telemann, G.P.

Arioso in F Major .....................................Türk, D.G.

Minuet in D Major, T460 ........................... Clarke, J.

Minuet in C Major, op. 38, no. 4 ...........Hässler, J.W.

Bourrée in D Minor .............................. Graupner, C.

Minuet in A Minor..................................... Krieger, J.

Aria in F Major, BWV Anh. 131 ................Bach, J.C.

Burlesque in G Major .......................................Anon.

Minuet in F Major, K 2 ........................ Mozart, W.A.

Gremlins ................................................ Paterson, L.

The Bronze Bear ...........................................Adair, Y.

Dream Journey........................................ Donkin, C.

Folk Song ............................................. Schnittke, A.

Spooks .........................................................Poole, C.

Silly Argument ...................................... Chatman, S.

Robots .......................................................Crosby, A.

A Starry Night...........................................Taranta, I.

Hide and Seek ........................................Niamath, L.

The Flea .....................................................Bonis, M.

Crafty Card Tricks .................................. Donkin, C.

Duet for One ............................................Norton, C.

The Jolly Fiddler, op. 41, no. 5 ......................Frid, G.

Square Dance ..........................................Reubart, D.

The Alligator ........................................... Krausas, V.

“Croc” the Curmudgeon .............................Gallant, P.

Mist .............................................................Poole, C.

On the Right Lines ....................................Norton, C.

March, op. 39, no. 10 ........................ Kabalevsky, D.

The Snake ........................................ Christopher, R.

Carol in Canon .........................................Norton, C.

A Ball ................................................... Garztecka, I.

Where Did the Sun Go? ...........................Markow, A.

Sur le pont d’Avignon / On the Bridge at Avignon ...............arr. P. Gallant

She’s Like the Swallow ........................... arr. D. Duke

Teapot Invention ......................................Markow, A.

Piano Repertoire 2Entrée in A Minor.............................................Anon.

Écossaise in G Major, WoO 23 .....Beethoven, L. van

Menuetto I in C Major ......................... Mozart, W.A.

Impertinence, HWV 494 ......................Handel, G.F.

Allegretto in C Major ...............................Neefe, C.G.

Minuet in B Minor .....................................Krebs, J.L.

Menuet en rondeau ............................... Rameau, J.P.

Gavotte in C Major, op. 12, no. 2 ..............Arnold, S.

Minuetto II in F Minor, H 196/2 .............Bach, C.P.E.

A Cheerful Spirit ......................................Türk, D.G.

The Banshee’s Ball .....................................Crosby, A.

March of the Goblins .................................. Berlin, B.

Skeleton Dance ............................................Telfer, N.

Autumn Leaves.......................................Niamath, L.

The Clock ..................................................Garscia, J.

Sailing by Moonlight ........................................Last, J.

A Little Song, op. 27, no. 2 ................ Kabalevsky, D.

Rag Time ..................................................Norton, C.

The Mouse in the Coal Bin ..........................Poole, C.

Madrigal ....................................................Bonis, M.

Penguins .................................................Niamath, L.

Faraway Regions ......................................Szelényi, I.

The Silent Moon ..........................................Telfer, N.

Mazurka ...............................................Berkovich, I.

So Long, See You Tomorrow .....................Nakada, Y.

Turkish Bazaar ................................... Mrozinski, M.

The Argument ................................ McKinnon, G.A.

Invention in A Minor ...............................Silvester, F.

Invention in C Major ........................ Christopher, R.

Moderato in C Major, op. 38, no. 5 .......Hässler, J.W.

Petit canon No. 2 ..............................Champagne, C.

Canon .......................................................Gurlitt, C.

Jazz Invention No. 1 ..................................Gallant, P.

Jazz Invention No. 2 ..................................Gallant, P.

Piano Repertoire 3Bourrée in D Major ...........................Kirnberger, J.P.

Gavotte in G Major, HWV 491 .............Handel, G.F.

Harlequinade ............................................Krebs, J.L.

Musette in D Major, BWV Anh. 126 ....attr. J.S. Bach

Minuet in G Major, BWV Anh. 114 .........Petzold, C.

Hornpipe in B flat Major, Z T683 .............Purcell, H.

Andantino in A Major, op. 38, no. 31 ...Hässler, J.W.

Sonatina in G Major First Movement Second Movement ........... attr. L. van Beethoven

Menuetto in F Major ........................... Mozart, W.A.

Sonatina in C Major, op. 36, no. 1 First Movement Second Movement Third Movement ............................Clementi, M.

Sonatina in C Major, op. 36, no. 20 ......... Gedike, A.

Coconut Rag .............................................Norton, C.

After the Ball, op. 98, no. 13 .......Grechaninov, A.T.

The Song of Twilight .................................Nakada, Y.

The Elegant Toreador ............................Bernstein, S.

Douce amie/Sweet Friend ...........................Bonis, M.

Play ........................................................... Bartók, B.

The Sleeping Dragon ...................................Telfer, N.

Clowns, op. 39, no. 20 ...................... Kabalevsky, D.

Echoes of November .............................. Chatman, S.

White Sand ..............................................Norton, C.

The Haunted Castle .................................... Berlin, B.

Morning Prayer, op. 39, no. 1 ........Tchaikovsky, P.I.

Funny Puppy .............................................Crosby, A.

Yes Sir! ....................................................Crawley, C.

Piano Repertoire 4Air in D Minor, HWV 461 ....................Handel, G.F.

Fantasia in E Minor, TWV 33:21, 3rd section ..................................Telemann, G.P.

March in D Major, BWV Anh. 122 ........Bach, C.P.E.

Minuet in D Minor, BWV Anh. 132 .....attr. J.S. Bach

Rigadoon in A Minor .................................Babell, W.

Allegretto in E Minor, op. 38, no. 24 .....Hässler, J.W.

Sonatina in B flat Major, op. 4, no. 8 ........ Wesley, S.

Sonata in F Major, Hob. XVI:9 Third Movement: Scherzo ................ Haydn, F.J.

Sonatina in G Major, op. 36, no. 2 Third Movement ............................Clementi, M.

German Song ...........................................Türk, D.G.

Sonatina in F Major, op. 168, no. 1 First Movement .................................Diabelli, A.

Sonatina .................................................Melartin, E.

Dancing on the Green ................................Gurlitt, C.

Dreamcatcher ...........................................Crosby, A.

The Wild Horseman, op. 68, no. 8 ..... Schumann, R.

Nocturne ....................................................Sheftel, P.

Play It Again ............................................Norton, C.

A Winter Melody ......................................Nakada, Y.

Children’s Game ........................................ Bartók, B.

30 Repertoire List

Mélodie .................................................Tansman, A.

The Rooster Crows ....................................... Papp, L.

Monkeys in the Tree ................................... Berlin, B.

Happy Meeting, op. 119, no. 15 ...Grechaninov, A.T.

Fable, op. 21, no. 3 ............................Muczynski, R.

Changing Bars ..........................................Szelényi, I.

Barcarole .....................................................Duke, D.

Thinguma Jig ...........................................Reubart, D.

Chastushka, op. 89, no. 25 ............... Kabalevsky, D.

Piano Repertoire 5Gigue in D Major ..............................Kirnberger, J.P.

Allemande in G Minor BWV 836 ............... Bach, J.S.

Passepied in D Major ............................ Dieupart, C.

Verso in E Minor ........................................ Zipoli, D.

Fantasia in C Major TWV 33:14.......Telemann, G.P.

Bourrée in G Minor ...............................Stölzel, G.H.

Little Prelude in C Major BWV 939 ........... Bach, J.S.

Allegretto in F Major ...............................Bach, J.C.F.

Divertimento in G Major Hob. XVI:8 Third Movement Fourth Movement ............................. Haydn, F.J.

Sonatina in F Major First Movement Second Movement: Rondo attr. L. van Beethoven

Sonatina in A Minor, op. 214, no. 4 First Movement Second Movement Third Movement .................................Gurlitt, C.

The Lake, op. 42, no. 9 ............................ Rowley, A.

Cha-Cha ...................................................Merath, S.

Grandmother’s Song, op. 27, no. 10 ...................................................Volkmann, F.R.

Waltz, op. 12, no. 2 .................................... Grieg, E.

Jig .........................................................Archer, V.

Little March ..............................................Kenins, T.

Postlude (à la Shostakovich) op. 7, no. 6 ....Fiala, G.

Star Gazing .......................................... Coulthard, J.

Sounding the Accordion ..............................Takács, J.

When Rivers Flowed on Mars ......................Telfer, N.

Arabesque, op. 6, no. 2 ........................ Karganov, G.

A Slow Waltz, op. 39, no. 23 ............ Kabalevsky, D.

Jest .........................................................Bartók, B.

Romance ............................................ Kuzmenko, L.

Melancholy Reflections ....................Schoenmehl, M.

Scamp ......................................................Norton, C.

Piano Repertoire 6Les Carillons .....................................Kirnberger, J.P.

Burlesca in D Major ..................................Krebs, J.L.

Aria ..................................................Telemann, G.P.

Minuet in G Minor ................................Stölzel, G.H.

Scherzo in C Major ..................................Bach, J.C.F.

Toccata in C Minor......................... de Seixas, J.A.C.

Little Prelude in E Minor BWV 941 ........... Bach, J.S.

Sonatina in G Major, op. 214, no. 3 First Movement ...................................Gurlitt, C.

Sonata in A Minor ................................Cimarosa, D.

Sonatina in G Major, op. 20, no. 1 First Movement ................................Dussek, J.L.

Sonatina in E flat Major, op. 4, no. 7 ........ Wesley, S.

Sonatina in D Major, op. 12, no. 1 First Movement ...................................... Hook, J.

Sonata in G Major Second Movement: Romance .............Rosetti, A.

Sonatina in C Major, op. 20, no. 1 First Movement ...................................Kuhlau, F.

Divertimento in G Major, Hob. XVI:G1 First Movement ................................. Haydn, F.J.

Winter Scene ........................................Gillock, W.L.

Bright Orange ..............................................Starer, R.

A Tale, op. 62, no. 3 ....................... Scharwenka, X.

Waltz in A Minor, op. 124, no. 4 ........ Schumann, R.

Song of the Cavalry, op. 27, no. 29 .... Kabalevsky, D.

For Susanna Kyle ................................. Bernstein, L.

Arietta, op. 12, no. 1 .................................. Grieg, E.

Prayer, op. 43, no. 2 .................................. Glière, R.

Cancan ....................................................... Finch, D.

Fantasy .......................................................Telfer, N.

On the Lake, op. 77, no. 12 .................Hofmann, H.

Valse miniature op. 10, no. 10 ..............Rebikov, V.I.

Childhood–Spring ......................................Fibich, Z.

An Ancient Tale.............................................Filtz, B.

Hungarian Dance ......................................... Papp, L.

Roundup ................................................... Previn, A.

Piano Repertoire 7Sonatina No. 4 in B flat Major

Third Movement .................................Krebs, J.L.

Suite No. 8 in G Major, HWV 441 Fourth Movement: Aria ..................Handel, G.F.

Suite in G Major, op. 1, no. 1 Eleventh Movement ..........................Fiocco, J.H.

Solo in F Major, TWV 32:4 Second Movement: Bourrée .......Telemann, G.P.

Sonata in E Minor, Wq 62/12, H 66 Third Movement: Sarabande ...........Bach, C.P.E.

Invention No. 1 in C Major, BWV 772 ....... Bach, J.S.

Passepied in D Major ........................Kirnberger, J.P.

Sonatina in C Major, op. 36, no. 3 First Movement ..............................Clementi, M.

Sonata in D Major, Hob. XVII: D1 Third Movement: Finale ................... Haydn, F.J.

Für Elise, WoO 59 .......................Beethoven, L. van

Sonatina in C Major, op. 55, no. 3 First Movement ...................................Kuhlau, F.

Sonatina No. 5 in D Major First Movement ...................................Storace, S.

Bagatelle, op. 119, no. 1 ...............Beethoven, L. van

Arietta, op. 43, no. 7 .................................. Glière, R.

Venetian Boat Song, op. 30, no. 6 .. Mendelssohn, F.

Waltz ....................................................Rebikov, V.I.

Go to Sleep! op. 77, no. 9 .....................Hofmann, H.

Waltz ................................................... Kossenko, V.

First Sorrow, op. 149, no. 6 .....................Godard, B.

Prelude in E Minor, op. 28, no. 4 ............. Chopin, F.

A Joke ........................................................Gallant, P.

Moonlight Mood ...................................Gillock, W.L.

Our Little Garden .................................... Rybicki, F.

Pentatonic Tune ......................................... Bartók, B.

Prayer of the Matador .......................... dello Joio, N.

Lutin / Goblin ............................................... Jaque, R.

Song and Dance ........................................... Papp, L.

Katherine .............................................. Chatman, S.

Feelin’ Good ..............................................Bonsor, B.

Sérénade sur l’eau ......................................... Ibert, J.

Rondo-March, op. 60, no. 1 .............. Kabalevsky, D.

Piano Repertoire 8Invention No. 13 in A Minor, BWV 784 ..... Bach, J.S.

Suite No. 1 in D Major Eighth Movement: Gigue....................Krebs, J.L.

Little Prelude in D Major, BWV 925 .......... Bach, J.S.

Suite No. 7 in G Minor, HWV 432 Fifth Movement: Gigue...................Handel, G.F.

Fantasia in D Minor, TWV 33:2 .......Telemann, G.P.

Sonata in D Major, op. 12, no. 3 First Movement ...................................Arnold, S.

Sonata in G Major, op. 49, no. 2 First Movement ......................Beethoven, L. van

Sonatina in E flat Major, op. 20 no. 6 First Movement ................................Dussek, J.L.

Sonatina in A Major, op. 59, no. 1 Second Movement ...............................Kuhlau, F.

Sonata in G Major, Hob. XVI: 39 First Movement ................................. Haydn, F.J.

Prelude in B Minor, op. 28, no. 6 ............. Chopin, F.

Nocturne, op. 88, no. 3 ........................Hofmann, H.

Andante sostenuto, op. 72, no. 2 .... Mendelssohn, F.

An Important Event, op. 15, no. 6...... Schumann, R.

Prelude, op. 43, no. 1 ................................. Glière, R.

Chanson triste / A Sad Song ............Kalinnikov, V.S.

Poetic Tone Picture, op. 3, no. 1 .................. Grieg, E.

Milonga del ángel .................................. Piazzolla, A.

Pink ............................................................Starer, R.

Crimson ......................................................Starer, R.

Early Morning Exercises, op. 3/86, no. 2 ............................. Kabalevsky, D.

Petite litanies de Jésus /Little Litanies of Jesus ...............................................Grovlez, G.

Roda-roda! ..................................................Pinto, O.

O Moon .......................................................Louie, A.

Sneaky .................................................. Chatman, S.

Evening at the Village ................................ Bartók, B.

The Little Shepherd ................................Debussy, C.

Jazz Exercise No. 2 ................................Peterson, O.

Jazz Exercise No. 3 ................................Peterson, O.

Etude Allegro ...........................................Nakada, Y.

Mysterious Summer’s Night ................ Kuzmenko, L.

31Repertoire List

Piano Repertoire 9Sinfonia No. 7 in E Minor, BWV 793 ......... Bach, J.S.

Sinfonia No. 6 in E Major, BWV 792 .......... Bach, J.S.

Prelude and Fugue in C Minor, BWV 847 .............................................. Bach, J.S.

Le coucou (Rondeau) ............................ Daquin, L.C.

Suite No. 4 in E Minor, HWV 429 Second Movement: Allemande.......Handel, G.F.

Suite no. 3 in E flat Major Tenth Movement: Gigue .....................Krebs, J.L.

Sonata in F Minor, L 187 / K 481 ........... Scarlatti, D.

Sonata in D Major, L 463 / K 430 .......... Scarlatti, D.

Sonata in C Minor, Wq 48 / 4, H 27 Third Movement ..............................Bach, C.P.E.

Sonata in C Major, K 330 (300h) Second Movement ......................... Mozart, W.A.

Fantasia in D Minor, K 397 (385g) ..... Mozart, W.A.

Sonata in E Minor, Hob. XVI:34 (complete) ......................................... Haydn, F.J.

Six Easy Variations on an Original Theme, WoO 77 .......Beethoven, L. van

Rondo in C Major, op. 51, no. 1 ...Beethoven, L. van

Impromptu, op. 142, no. 2 .....................Schubert, F.

Schlummerlied/Slumber Song, op. 124, no. 16 ............................. Schumann, R.

Nocturne in C sharp Minor, op. posth. /KK IVa 16 ........................ Chopin, F.

Waltz in G flat Major, op. posth. 70, no. 1, CT 217 ..................................... Chopin, F.

Notturno, op. 54, no. 4 ............................... Grieg, E.

Intermezzo, op. 76, no. 7 ..........................Brahms, J.

Consolation, No. 3 ........................................Liszt, F.

Song Without Words, op. 30, no. 1 ......................................... Mendelssohn, F.

Romance sans paroles, op. 17, no. 3 ........... Fauré, G.

Ocean Vista ....................................Henderson, R.W.

Romance, op. 24, no. 9 ............................ Sibelius, J.

La fille aux cheveux de lin ......................Debussy, C.

Over the Rainbow ..........Arlen, H., arr. G. Shearing

Salta, Salta ..................................................Pinto, O.

Decadent Sentimental Song ..................Manzano, M.

Dreams, op. 88, no. 1 ....................... Kabalevsky, D.

Humoreske ...................................... Shchedrin, R.K.

Distant Memories .......................................Louie, A.

Merry Andrew ...........................................Takács, J.

Piano Repertoire 10Fantasia in C Minor, BWV 906 .................. Bach, J.S

French Suite No. 5, BWV 816 First Movement: Allemande Seventh Movement: Gigue ................. Bach, J.S.

Prelude and Fugue in E flat Major, BWV 876 ............................................... Bach, J.S

Sonata in D Major, Hob. XVI:33 (complete) ......................................... Haydn, F.J.

Sonata in E flat Major, K 282 (189g) (complete) ..................................... Mozart, W.A.

Sonata in E Major, op. 14, no. 1 (complete) ..............................Beethoven, L. van

Intermezzo in E Minor, op. 119, no.2 ........Brahms, J.

Polonaise in C sharp Minor, op. 26, no. 1 ........................................................... Chopin, F.

Nocturne in F sharp Major, op. 15, no. 2 ........................................................... Chopin, F.

Moment musical, op. 94, no. 2 D 780....Schubert, F.

Liebestraum No. 3 .........................................Liszt, F.

Córdoba, op. 232, no.4 ............................ Albéniz, I.

Berceuse, op. 20, no. 5 .......................... Hofmann, J.

Arabesque No. 1 .....................................Debussy, C.

Élégie, op. 3, no. 1 ........................Rachmaninoff, S.

Barcarolle No. 4 in A flat Major, op. 44 ..... Fauré, G.

Danse du meunier / The Miller’s Dance ............................ de Falla, M.

The Rails, op. 16 .............................. Deshevov, V.M.

Rondo, op. 84, no. 1 ................................. Bartók, B.

Six Variations on “Land of the Silver Birch” .........................................Gallant, P.

Trois pièces pour la légende dorée / Three Pieces for the Golden Legend (complete) .................................Pépin, C.

Strangeness of Heart .................................Somers, H.

Rondó sobre temas infantiles argentinos / Rondo on Argentine Children’s Folk Tunes ....................................................... Ginastera, A.

Pas de deux ................................................Barber, S.

Toccata, op. 54 ..........................................Takács, J.

Six Preludes, op. 6 Prelude No. 1 Prelude No. 6 ...............................Muczynski, R.

Synergy ................................................ Gardiner, M.

Snow Games ......................................... Tsitsaros, C.

Variations in A minor, op. 40, no. 2 .. Kabalevsky, D.


Piano Studies / Etudes 1Study / Etude no. 1: Relay Race .................George, J.

Study / Etude no. 2: Two-handed Blues ....Norton, C.

Study / Etude no. 3: Soaring .................... Donkin, C.

Study / Etude no. 4: Study in C Major, op. 125, no. 3 ...................................Diabelli, A.

Study / Etude no. 5: Time Travel ............. Donkin, C.

Study / Etude no. 6: Study in C Major, op. 17, no. 6 .................................Le Couppey, F.

Study / Etude no. 7: Space Fleet ................Norton, C.

Study / Etude no. 8: Paper Tigers ..............Gallant, P.

Study / Etude no. 9: Both Ways .............Tansman, A.

Study / Etude no. 10: Scaly Things ......... Chatman, S.

Study / Etude no. 11: Study in G Major ...................................................... Wohlfahrt, F.

Study / Etude no. 12: Skipping Rope, op. 89, no. 17 ............................. Kabalevsky, D.

Study / Etude no. 13: Celebration ..............Crosby, A.

Piano Studies / Etudes 2Study / Etude no. 1: Asteroids...................Norton, C.

Study / Etude no. 2: Scherzo, op. 39, no. 12 .............................. Kabalevsky, D.

Study / Etude no. 3: Etude in D Minor, op. 82, no. 65 ......................................Gurlitt, G.

Study / Etude no. 4: Baseball Practice ....Niamath, L.

Study / Etude no. 5: Kangaroos................ Krausas, V.

Study / Etude no. 6: Crocodile Teeth ............Telfer, N.

Study / Etude no. 7: Study in F Major, op. 190, no. 27 ............................ Köhler, C.L.H.

Study / Etude no. 8: Little Lopsided Waltz ............................................................Gallant, P.

Study / Etude no. 9: Crazy Comics .......... Donkin, C.

Study / Etude no. 10: Study in C Major, op. 261, no. 3 ..................................... Czerny, C.

Study / Etude no. 11: Study in A Minor ......Kadosa, P.

Study / Etude no. 12: The Wind .................Tan, C.H.

Study / Etude no. 13: Celebration ...........Niamath, L.

Piano Studies / Etudes 3Study / Etude no. 1: All Aboard! .............Niamath, L.

Study / Etude no. 2: Study in E flat Major, op. 139, no. 49 ................................... Czerny, C.

Study / Etude no. 3: Computer Chatter ... Donkin, C.

Study / Etude no. 4: Study in A Minor .......Gurlitt, C.

Study / Etude no. 5: Inter-city Stomp ........Norton, C.

Study / Etude no. 6: Arabesque, op. 100, no. 2 .............................Burgmüller, J.F.

Study / Etude no. 7: Marionnettes ..............Bonis, M.

Study / Etude no. 8: Study in C Major, op. 261, no. 81 ................................... Czerny, C.

Study / Etude no. 9: Chinese Kites ............... Fitch, G.

Study / Etude no. 10: The Village Band ... Carroll, W.

Study / Etude no. 11: Witches and Wizards .......................................................... Donkin, C.

Study / Etude no. 12: Minuet ..................... Bartók, B.

Study / Etude no. 13: Study in D Minor, op. 261, no. 53 ................................... Czerny, C.

Study / Etude no. 14: Study in A Minor, op. 108, no. 5 ..................................... Schytte, L.

Study / Etude no. 15: Rush Hour ............ Paterson, L.

Study / Etude no. 16: Bike Ride ..............Niamath, L.

Study / Etude no. 17: The Milky Way ..........Telfer, N.

Piano Studies / Etudes 4Study / Etude no. 1: Allegro in G Major,

op. 38, no. 19 ..................................Hässler, J.W.

Study / Etude no. 2: Study in B flat Major, op. 599, no. 83 ................................... Czerny, C.

Study / Etude no. 3: Masquerade ............Niamath, L.

Study / Etude no. 4: Study in C Major, op. 176, no. 24 .............................Duvernoy, J.B.

Study / Etude no. 5: Study in E Minor, op. 65, no. 42 .............................Loeschhorn, A.

Study / Etude no. 6: The Avalanche, op. 45, no. 2 ..........................................Heller, S.

32 Repertoire List

Study / Etude no. 7: Game ..........................Balázs, A.

Study / Etude no. 8: Study in A Major, op. 176, no. 15 .............................Duvernoy, J.B.

Study / Etude no. 9: The Wagtail, op. 100, no. 11 ...........................Burgmüller, J.F.

Study / Etude no. 10: Dragon Fly .........Gillock, W.L.

Study / Etude no. 11: Blues No. 1 .............Norton, C.

Study / Etude no. 12: La toupie / The Top ...Bonis, M.

Study / Etude no. 13: You’re Joking! .........Crawley, C.

Study / Etude no. 14: Bike Ride ...............Reubart, D.

Study / Etude no. 15: Hotshot ................ Chatman, S.

Piano Studies / Etudes 5Study / Etude no. 1: The Little Trumpeter,

op. 32, no. 4 ......................................... Fuchs, R.

Study / Etude no. 2: The Merry Wanderer, op. 210, no. 29 ....................................Gurlitt, C.

Study / Etude no. 3: Prelude, op. 39, no. 19 .............................. Kabalevsky, D.

Study / Etude no. 4: In Church, op. 39, no. 24 ...........................Tchaikovsky, P.I.

Study / Etude no. 5: Dragonfly Scherzo .....Crosby, A.

Study / Etude no. 6: Dance of the Dragonflies, op. 76, no. 7 .........................................Rohde, E.

Study / Etude no. 7: The Little Fly ..............Takács, J.

Study / Etude no. 8: Vivo ...........................Kadosa, P.

Study / Etude no. 9: Supernova ...................Telfer, N.

Study / Etude no. 10: Study in G Major, op. 139, no. 38 ................................... Czerny, C.

Study / Etude no. 11: Study in C Major, op. 32, no. 16 .....................................Gedike, A.

Study / Etude no. 12: Sweet Sorrow, op. 100, no. 16 ...........................Burgmüller, J.F.

Study / Etude no. 13: Staccato Prelude, op. 31, no. 6 ....................................Maikapar, S.

Study / Etude no. 14: Study in G Major, op. 166, no. 7 ...................................Bertini, H.J.

Study / Etude no. 15: Skipping Rope .....Gnesina, Y.F.

Study / Etude no. 16: Chicken Talk.. Schoenmehl, M.

Piano Studies / Etudes 6Study / Etude no. 1: Study in C Major,

op. 24, no. 10 ...................................Concone, G.

Study / Etude no. 2: Barcarole, op. 138, no. 5 .........................................Heller, S.

Study / Etude no. 3: Dance ..............Shostakovich, D.

Study / Etude no. 4: Good Humored, op. 194, no. 4 ........................................Nölck, A.

Study / Etude no. 5: Toccatina, op. 27, no. 12 ............................... Kabalevsky, D.

Study / Etude no. 6: Fluttering Leaves, op. 46, no. 11 .........................................Heller, S.

Study / Etude no. 7: Game of Patience, op. 25, no. 2 ....................................Karganov, G.

Study / Etude no. 8: Song of the Brook ...Gnesina, Y.F.

Study / Etude no. 9: The Broken Record .................................................. Schoenmehl, M.

Study / Etude no. 10: Study in A flat Major, op. 139, no. 51 ....................................Czerny, C.

Study / Etude no. 11: Study in B flat Major, op. 24, no. 5 .....................................Concone, G.

Study / Etude no. 12: Study in E Minor, op. 29, no. 14 ....................................Bertini, H.J.

Study / Etude no. 13: Playing Ball .......... Finney, R.L.

Study / Etude no. 14: Pebbles in the Water ................................................................ Papp, L.

Study / Etude no. 15: The Gear Wheels of a Watch............................................Nakada, Y.

Piano Studies / Etudes 7Study / Etude no. 1: Wound Up .................Norton, C.

Study / Etude no. 2: Study in C Major, op. 24, no. 22 ...................................Concone, G.

Study / Etude no. 3: Mechanical Toy ..........Previn, A.

Study / Etude no. 4: Etude, op. 27, no. 3 ..................................................... Kabalevsky, D.

Study / Etude no. 5: In a Great Hurry, op. 95, no. 3 ..........................................Takács, J.

Study / Etude no. 6: Elegie, op. 77, no. 2 ....................................Hofmann, H.

Study / Etude no. 7: Toccatina, op. 8, no. 1 .......................................Maikapar, S.

Study / Etude no. 8: Cyclone ............ Schoenmehl, M.

Study / Etude no. 9: Etude in C Minor, op. 29, no. 7 ........................................ Bertini, H.

Study / Etude no. 10: Dance, op. 27, no. 27 ................................ Kabalevsky, D.

Study / Etude no. 11: Bagatelle, op. 5, no. 9 ...................................Tcherepnin, A.

Study / Etude no. 12: Study in G Major ........................................................Swinstead, F.

Study / Etude no. 13: Spinning Top ........Gnesina, Y.F.

Piano Studies / Etudes 8Study / Etude no. 1: In Perpetual Motion....Previn, A.

Study / Etude no. 2: Etude in F Major, op. 38, no. 2 .................................. Stamaty, C.M.

Study / Etude no. 3: Etude, op. 27, no. 24 ................................ Kabalevsky, D.

Study / Etude no. 4: Dance of the Marionettes ........................................................ Tarenghi, M.

Study / Etude no. 5: Lyric Song, op. 88, no. 7 ....................................Hofmann, H.

Study / Etude no. 6: The Gypsies, op. 109, no. 4 ..............................Burgmüller, J.F.

Study / Etude no. 7: Etude in D Minor, op. 45, no. 15 .........................................Heller, S.

Study / Etude no. 8: Song of the Waterfall ................................................Loeschhorn, C.A.

Study / Etude no. 9: Study in D Major ........................................................Swinstead, F.

Study / Etude no. 10: Toccatina, op. 95, no. 12 ........................................Takács, J.

Study / Etude no. 11: Chromatic Etude ..Chatman, S.

Study / Etude no. 12: Jane’s Song ...............Norton, C.

Study / Etude no. 13: Lied, op. 42, no. 13 ...................................... Rowley, A.

Study / Etude no. 14: Classical Pop Tune .................................................. Schoenmehl, M.

Piano Studies / Etudes 9Study / Etude no. 1: Study in A Major,

op. 68, no. 7 ........................................Schytte, L.

Study / Etude no. 2: Study in C Major, op. 120, no. 10 ..............................Duvernoy, J.B.

Study / Etude no. 3: To the Lute, op. 37, book 2, no. 1 .......................Hofmann, H.

Study / Etude no. 4: Study in C Major, op. 553, no. 1 ......................................Czerny, C.

Study / Etude no. 5: La promenade en traîneau ................................................................. Ibert, J.

Study / Etude no. 6: Study in E flat Major, op. 91, no. 17............................. Moszkowski, M.

Study / Etude no. 7: Study in A Minor, op. 61, no. 13 ...................................... Berens, H.

Study / Etude no. 8: Who’ll Win the Argument? op. 88, no. 2 ................................. Kabalevsky, D.

Study / Etude no. 9: Scherzo, op. 19, no. 2 ...Gade, N.

Study / Etude no. 10: Study in E Minor, book 1, no. 2 ......................................Cramer, J.B.

Study / Etude no. 11: Etude in G Major, op. 47, no. 24 ..........................................Heller, S.

Study / Etude no. 12: Bagatelle, op. 6, no. 2 ........................................... Bartók, B.

Study / Etude no. 13: Study in C Major, op. 30, no. 20 ...................................Concone, G.

Piano Studies / Etudes 10Study / Etude no. 1: Zwiegesang,

op. 52, no. 3 .............................. Moszkowski, M.

Study / Etude no. 2: Bagatelle, op. 6, no. 5 ........................................... Bartók, B.

Study / Etude no. 3: Serenade, op. 53, no. 5 ....................................Haberbier, E.

Study / Etude no. 4: Prelude in C sharp Minor, op. 81, no. 10 .............................Heller, S.

Study / Etude no. 5: When the Frog Goes Wandering ....................................Takács, J.

Study / Etude no. 6: Etude in E minor, op. 67, no. 5 ............................Loeschhorn, C.A.

Study / Etude no. 7: By the Mountain Torrent, op. 37, no. 2 .....................Hofmann, H.

Study / Etude no. 8: La voix de l’instrument, op. 70, no. 4 .......................................Alkan, C.V.

Study / Etude no. 9: A Trifle, op. 2, no. 12 .....................................Lyadov, A.K.

Study / Etude no. 10: Étude-Tableau, op. 33, no. 8 .............................Rachmaninoff, S.

Study / Etude no. 11: Gallop ................... Tsitsaros, C.

Study / Etude no. 12: Etude in A Flat Major ............................................................ Chopin, F.

Study / Etude no. 13: Study in A Minor, op. 740, no. 41 ....................................Czerny, C.

Study / Etude no. 14: Study in A flat Major, op. 30, no. 19 ..............Concone, G.


Handbook for Teachers✔ Written by three of North America’s leading piano pedagogues—

Cathy Albergo, Reid Alexander, and Marvin Blickenstaff

✔ Provides a detailed discussion of all of the pieces in the Piano Repertoire and Piano Studies / Etudes books

Includes:✹

Sequencing of pieces

in each level by difficulty

✹

Useful practice

suggestions✹

Creative activities

“The most exciting Celebration Series® yet!

The Celebration Series Perspectives® repertoire is exciting and fun, particularly

the music of the more contemporary composers and idioms, and is sure to keep

students motivated and engaged. I am especially impressed with the inclusion of high

quality pieces in traditional genres that are largely unknown. This series will breathe

fresh life into our profession as music educators and will keep students fascinated

while enriching their knowledge of music.”Christopher Kowal

Chief Examiner Emeritus, Practical Subjects, RCM Examinations

CANADAUnit 1, 5865 McLaughlin Rd.Mississauga, ON L5R 1B8

USASuite 882, 60 Industrial ParkwayCheektowaga, NY 14227

Tel: 905-501-1595Toll-Free: 1-800-387-4013Fax: 905-501-0929

“Celebration Series Perspectives® is a an extravagant resource that balances

the familiar with an infusion of the new. The scope of composers and musical styles

represented reflects a huge diversity of origin, expression, and aesthetic sense.

Perspectives’ sensitive leveling and immense breadth audaciously outshines even

the high standards set by previous incarnations of the series.”Dr. Andrew Hisey

Associate Professor of Music, St. Olaf College, Northfield, Minnesota

Celebration Series Perspectives Sampler

Documents

Transcript of Celebration Series Perspectives Sampler