生活現場 In-Situ!

01 車衣達人何記、勞焯謙，與香港婦女中心協會的社區媽媽，在製衣工坊埋首研究車衣機，密密縫補。集齊身邊

人，將從櫃桶找出來的舊衣物又車又縫又勾又刺，一起用手造布物回饋生活。歡迎公眾帶已清洗的舊衣物（T-

shirt、恤衫、布碎等）到生活現場重新改造。

Sewing master Hokee and Core Lo work with the Community Mamas of Hong Kong Federation of Women’s Centres in sewing and stitching. Let’s dig out the old clothes from the bottom of your drawers, then together we can sew, stitch and pin, to wrap our lives with handcrafted creations. Visitors are welcome to bring cleaned old clothes, such as T-shirts, shirts or tattered fabrics to In-Situ!. 何記

是一個何家女兒給母親的退休節目。

從來沒有讀過設計的女兒憑幻想和自我堅持的美學，每個週末到深水埗買布、拼布，然後交給八十年代曾經是

製衣指導工的何媽媽將它們製成一個個百分百手造的袋，一手好技術能有所為。

何太本姓陸，所以何記在作品中採用了「綠」色，將女兒的姓氏和母親的姓氏連在一起。

Hokee Hokee is a retirement pastime a daughter surnamed Ho planned for her mother. Without formal design training, Ho’s fantasy and persistence in aesthetics brings her to Sham Shui Po every weekend. She creates pieces of patchwork with fabric. Then her mom, a veteran garment factory worker in the 80s, creates 100% handmade bags with the patchworks. The use of "green" color in Hokee’s works originated from the surname “Luk” (陸 rhythm with “green”) of Mrs Ho,

linked together the surnames of daughter and mother. 勞焯謙

香港理工大學設計系學士畢業生。畢業後成立自己的小型公司，主要業務是與文化藝術有關的展覽及活動設計

和刊物製作。合作機構包括香港藝術中心、字花、藝穗會、香港國際文學節等，現在正密謀當插畫家。

Core Lo Core Lo graduated from the School of Design, Hong Kong Polytechnic University. He set up a small company with a focus on art and cultural events, exhibitions and publications. His clients include the Hong Kong Arts Centre, Fleurs des Lettres, Fringe Club and Hong Kong International Literary Festival. He deliberates to pursue further in illustration. 香港婦女中心協會

成立於 1981 年，是一間非政府資助的註冊慈善團體，同時亦是香港公益金和香港社會服務聯會的會員機構，及

聯合國經濟及社會理事會特別諮商成員。自成立至今，為有不同需要、年齡和背景的婦女提供多元化及婦女為

本的服務。

The Hong Kong Federation of Women’s Centres Established in 1981, the Hong Kong Federation of Women’s Centres is an independent and charitable organization. It is a member of the Community Chest and the Hong Kong Council of Social Services, and in Special Consultative Status with the Economic and Social Council of the United Nations. The long history also reveals its track record of advancing the needs and interests of women in Hong Kong.

02 視覺日記是一種坦率、直接和現成的媒介。曾德平以繪畫和拼貼的方式，把日常生活所見所聞，編織成非線性

的視覺故事。他亦會主持理論和實踐並重的工作坊，內容包括視覺語言、敘事形式、故事格調編排、日記創作

者的角色等相互關係。

Tsang Tak-ping regards visual diary as an honest and direct medium for storytelling. Through sketches and collages, everyday life is weaved into artistic stories. Tsang will share the creation including the style and arrangement of scenes, practices of visual language, and the role of a narrator with the public through theoretical and practical workshops. 曾德平

香港理工大學設計學院副教授。從事設計、裝置、表演、攝影、繪畫、出版、策展、藝術和設計評論。曾參與

亞洲、歐洲和北美洲的國際性展覽，包括意大利威尼斯雙年展和韓國光洲雙年展。

Tsang Tak-ping Tsang is currently the Associate Professor in the School of Design, Hong Kong Polytechnic University. Tsang has been working on design, art installation, performance, photography, painting, publishing, curating, and art and design criticism. He has widely participated in international exhibitions of Asia, Europe and North America including the Venice Biennale in Italy and Gwangju Biennale in Korea.

03 勞麗麗、曾翠薇與香港好薯透過藝術創作及薯仔種植，引發觀眾對本地糧食供應和食物來源問題的關注。他們

特別設計了薯仔種植袋在現場種植薯仔，至計劃結束時收採成果，並用收成的薯仔泡製不同美食，與大家共

享。

Lo Lai-lai, Tsang Chui-mei and HK Potato raise the awareness of local food sourcing and provision issues through art and growing potatoes. Potatoes are planted in specially designed bags at outdoor area of Oi!. They will be harvested at the end of the project, and will be cooked and shared together in a following party. 勞麗麗

香港中文大學藝術系學士畢業。專注攝影及混合媒介創作，曾任旅遊記者，現為生活館成員，學習永續農業耕

種。

Lo Lai-lai Lo graduated from the Department of Fine Arts, the Chinese University of Hong Kong, focusing on photography and mixed-media art. She was a travel reporter. As a member of Sangwoodgoon, Lo is learning sustainable farming from the mother earth. 曾翠薇

曾翠薇分別於 1996 及 2004 年在香港中文大學藝術系獲取學士及碩士學位。作品為香港藝術館、藝穗會、夏利

豪基金會、Hotel ICON 及私人收藏。自 2002 年進駐伙炭藝術村，近期展覧包括個展《景無物》(嘉圖畫廊)、

《繪畫合併本藝術駐場及交流計劃》(法國五月 2013，奧沙藝術基金支持)及《第二屆伊茲密爾國際藝術雙年展

2013》(土耳其)。

Tsang Chui-mei Tsang obtained her Bachelor and Master degree in Fine Arts from the Department of Fine Arts, the Chinese University of Hong Kong in 1996 and 2004 respectively. Her artworks have been collected by the Hong Kong Museum of Art, Fringe Club, Philippe Charriol Foundation, Hotel ICON and private collectors. She is a Fotanian member since 2002. Her recent exhibitions include: “An Empty Stage” (Grotto Fine Art), “A Game of Consequence – Artist Residency and Cultural Exchange Program” (Le French May 2013, supported by the Osage Art Foundation, Hong Kong) and “2

nd International

Izmir Biennial of Arts 2013” (Turkey). 香港好薯

「香港好薯」由包括生活館、鄉土學社、中大農業發展組、馬寶寶社區農場等在內的九個團體於 2013 年發起，

在各組織的農場或天台花園種植薯仔。以相對容易栽種的薯仔種植進行教學活動，向大眾介紹「永續栽培」的

概念，讓參與者嘗試耕種，慢慢改變對農業的看法，並思考現行糧食制度、社區以至自身的問題。

HK Potato Started in 2013, “HK Potato” is a project initiated by nine local agricultural organisations including Sangwoodgoon, SoIL, CUAgro and Mapopo Community Farm. Through growing potatoes on rooftop gardens and farmlands, the project delivers the idea of permaculture with easy hands-on practices and educational activities. Participants are able to learn about basic farming concepts, which might change their perception towards agriculture, and to examine the current food system and the community, as well as personal defects.

04 繪本這個媒介，從文字、圖畫，以至藝術表達手法，每項細節都隱藏著故事。繪本除了描繪你、我、他，還有

城鄉、大自然、動物、多元文化、民情風俗、社會、世界，林林種種。綠腳丫與藝術組織擔泥聯同 40 位朋友，

向大家推介能訴說他們的生活故事和香港印象的繪本，並用腳步閱讀北角，細數昔日香港的衣食住行娛樂事。

Picture books bear profound meanings in its texts and pictures as well as artistic expression. Not only personal stories are depicted, but also the urban and rural areas, nature and the creatures live within, multi-culture or local custom, society or the world as well as diverse lifestyles. Little Green Feet and art organization MUDwork have invited 40 local residents to introduce picture books that narrate their life stories and impressions of Hong Kong. Together we reminisce about old North Point – how people lived, dressed, ate, travelled and entertained themselves - by reading the city with our eyes, mind and feet. Public activities include Community Guided Tour in North Point, Lifestyle Picture Book Reading and Lifestyle Art Creation will be held every Saturday and Sunday from 7.11.2014 to 25.1.2015, 10:00am – 1:00pm and 2:00 – 5:00pm. 擔泥

由鍾惠恩和吳家俊成立的一個藝術組織，以造物作為方法，透過藝術創作、教育和動手實踐，思考及推動自主

的生活文化。

MUDwork MUDwork is an arts organization founded by Chung Wai-ian and Ng Ka-chun. It aims to deliberate and promote independent living culture through art creation, education and hands-on practice by creation of objects. 綠腳丫

由 17 個家庭開始的一個生活實踐計劃，透過讀書會活動，讓自己和孩子親近大自然，認識社區。他們舉辦生活

實踐的閱讀、體驗和服務活動，致力推動親子閱讀文化、家庭力量再造及家庭友善社區。

Little Green Feet Initiated by 17 families, this practice in everyday life project enables parent and children to get close to the nature and know more about the community through various activities, such as reading on practices, activities on experiencing and servicing in everyday life. It aims to promote parent-child reading culture, the power of family, and a community of family friendliness.

05 你瞭解你所吃的食物嗎？你知道一道菜、一杯茶，在端上桌前經歷的一切；又或是我們進食的方式、進食的狀

態，以及「食」這個行為本身帶來的種種後果嗎？林偉健、盧其蔚、黃肇朗、葉洛民及阮嘉偉透過藝術手法，

讓我們了解食事所蘊含的內涵，並探索這件日常事如何成為生活中的藝術。

Do you know what you are eating? Do you know how a cup of tea or a meal served comes into being? Have you ever examined the way you eat, the state of being when you are eating, and the consequences of eating what you have chosen? Keene Lam, Lo Ki-wai, Wong Siu-long Ringo, Yip Lok-man and Terry Yuen reveal the artistic nature of an everyday process, eating, by exploring how it can serve as a paragon of art. 林偉健

畢業於香港理工大學設計學院，喜歡繪畫和音樂。

Keene Lam Graduated from the School of Design, Hong Kong Polytechnic University, Keene is interested in painting and music. 盧其蔚

畢業於香港理工大學設計學院，喜歡貓。

Lo Ki-wai Lo graduated from the School of Design, Hong Kong Polytechnic University. He loves cat. 黃肇朗

就讀香港理工大學設計學院，以存好心、說好話、做好事為終身學習目標。

Wong Siu-long, Ringo Ringo studies in the School of Design, Hong Kong Polytechnic University. He pursues life-long learning in making right thoughts, saying right words and performing right actions. 葉洛民

畢業於香港理工大學設計學院，現於香港兆基創意書院兼職教授設計與視覺傳意。

相信設計能為人類帶來真善美的生活，也相信只要自己好好地活，別人的生活也會變得更美好。

Yip Lok-man Yip graduated from the School of Design, Hong Kong Polytechnic University. She teaches Design and Visual Communication in HKICC Lee Shau Kee School of Creativity. Yip believes that design can lead people to a life of truthfulness, kindness and beauty. She also believes that her well-being would gradually influence a better life of the others. 阮嘉偉

畢業於香港知專設計學院及香港理工大學設計學院，現職設計工作。喜愛學習、思考、生活、創作，以及看見

您的微笑。

Terry Yuen Terry graduated from the Hong Kong Design Institute and the School of Design, Hong Kong Polytechnic University. He currently works in the local design industry. He enjoys learning, thinking, living, creating and seeing others’ smiles. :)

06 你會用文字甚或信件和自己作深入溝通嗎？林偉健、盧其蔚、黃肇朗、葉洛民及阮嘉偉在生活現場為你保留這

一封信，將溝通的時間線拉長，讓信內的一字一句好好沉澱；摒棄快速和即時，累積文字的溫度、時間的重

量。活動完結後，這封信會派遞到你家的信箱。

Would it be cheerful to receive a letter you wrote to yourself? Keene Lam, Lo Ki-wai, Wong Siu-long Ringo, Yip Lok-man and Terry Yuen will keep your letter in-situ for a period of time so that each sentence of it can sink in. As time elapses, alphabets gain warmth and time has given weight to the letter. At the end of the project, this heartfelt letter will be delivered to your mailbox. 林偉健

畢業於香港理工大學設計學院，喜歡繪畫和音樂。

Keene Lam Graduated from the School of Design, Hong Kong Polytechnic University, Keene is interested in painting and music. 盧其蔚

畢業於香港理工大學設計學院，喜歡貓。

Lo Ki-wai Lo graduated from the School of Design, Hong Kong Polytechnic University. He loves cat. 黃肇朗

就讀香港理工大學設計學院，以存好心、說好話、做好事為終身學習目標。

Wong Siu-long, Ringo Ringo studies in the School of Design, Hong Kong Polytechnic University. He pursues life-long learning in making right thoughts, saying right words and performing right actions. 葉洛民

畢業於香港理工大學設計學院，現於香港兆基創意書院兼職教授設計與視覺傳意。

相信設計能為人類帶來真善美的生活，也相信只要自己好好地活，別人的生活也會變得更美好。

Yip Lok-man Yip graduated from the School of Design, Hong Kong Polytechnic University. She teaches Design and Visual Communication in HKICC Lee Shau Kee School of Creativity. Yip believes that design can lead people to a life of truthfulness, kindness and beauty. She also believes that her well-being would gradually influence a better life of the others. 阮嘉偉

畢業於香港知專設計學院及香港理工大學設計學院，現職設計工作。喜愛學習、思考、生活、創作，以及看見

您的微笑。

Terry Yuen Terry graduated from the Hong Kong Design Institute and the School of Design, Hong Kong Polytechnic University. He currently works in the local design industry. He enjoys learning, thinking, living, creating and seeing others’ smiles. :)

07 曹小怡、黃曉楓、余家希、劉錦紅、梁靜美、文櫻瑺及冼浩彰，在現場以不同渠道收集觀眾的故事，然後從時

丶地丶人的角度出發，以觸感、氣味、溫度等方式，重新組合每個故事每段記憶，並作出回應，重新烘焙故

事。活動完結後，觀眾可以把相應的小木盒帶回家，重新觀察和思考每天生活的經驗。

23.11.2014 至 25.1.2015 期間逢星期日下午 3:00 – 6:00，在生活現場將製作小木盒。

Cho Siu-yee, Wong Hiu-fung Apple, Yu Ka-hei Alice, Lau Kam-hung, Leung Ching-mei, Man Ying-sheung and Sin Ho-cheung will collect stories and memories from visitors in-situ, then let them ferment at the right temperature, using time and the senses as the yeast, to regenerate stories. After the project, visitors may bring home a respective little wooden box of their stories that reflect the here and now. Little wooden boxes will be created on every Sunday during 23.11.2014 - 25.1.2015, 3:00 – 6:00pm. 曹小怡

畢業於香港中文大學藝術系，現為藝術教育工作者。希望透過是次活動學習如何以謙卑的心，謹慎仔細地閲讀

每人心中的一本書。

Cho Siu-yee Graduated from the Department of Fine Arts, the Chinese University of Hong Kong, Cho is now an art educator in Hong Kong. She would like to read others’ books of mind humbly and delicately in-situ. 黃曉楓

就讀浸會大學視覺藝術院，喜愛透過不同媒介來表達其創作理念。「人」是黃藝術實踐的中心。黃認為獨立性

是我們生活中最美麗，最獨特的部分。

Wong Hiu-fung, Apple Apple studies at the Academy of Visual Arts of the Hong Kong Baptist University. She likes to express her artistic concept with different media. Human being is at the center of Apple’s art practice. She considers the individualities as the most beautiful and unique part of human life. 余家希

就讀香港兆基創意書院。最愛吉爾維克的《海濱小渠》詩集，喜歡電影、錄像藝術及繪畫。

Yu Ka-hei, Alice Alice studies in the HKICC Lee Shau Kee School of Creativity. Her favorite poetry is Etier by the French poet Eugene Guillevic. She likes film, video art and painting. 劉錦紅

畢業於澳洲墨爾本皇家理工大學藝術系，劉擅於運用繪畫的視覺語言創作，在生活現場將會混合不同物料及現

成材料，完成獨一無二的小盒子。

Lau Kam-hung Lau graduated from the RMIT University in Fine Art. He is good at manipulating visual language in his artistic creation. Lau will create unique wooden boxes with different materials and readily available items in-situ. laukamhung.tumblr.com 梁靜美

就讀香港中文大學藝術系三年級。喜歡可觸可摸的物理世界。

在生活現場創造讓人可捧在掌心的作品。

Leung Ching-mei Leung currently studies at the Department of Fine Arts of the Chinese University of Hong Kong. She is particularly interested in perceiving the physical world. Leung will create handy works for the visitors in-situ. 文櫻瑺

就讀香港浸會大學視覺藝術院，喜歡繪畫。

在生活現場她會在任何可繪畫的地方，以不同繪畫媒介，如炳烯顏料、油粉彩等，繪畫出她亦無法預期的畫

面。

Man Ying-sheung Man studies at the Academy of Visual Arts in the Hong Kong Baptist University. She likes painting. She will use different kinds of painting mediums, such as acrylic and oil pastel, to create unexpected compositions on any paintable surface in-situ. 冼浩彰

就讀於香港藝術學院，喜歡探討空間和錯覺。不擅於用文字表達自己，於是透過以環境與生活息息相關的事物

進行創作。

Sin Ho-cheung Sin studies Fine Arts in the Hong Kong Art School. He is interested in exploring space and illusion. He is not good at self-expression with text. He creates work with the ordinary objects in the environment and in everyday life.

08 寫作、設計、印刷、出版，最後來到讀者手上，是一本書的正常歷程。但有許多書未必能夠經歷這樣一個完整

的旅程。一些「倉底貨」也許會被直接銷毀。水煮魚文化洪永起及鍾劭衡與從事書籍相關工作的朋友包括陳家

永、陳麗娟、陳芊憓、張志華、洪曉嫻、林淼、羅樂敏、彭礪青及黃倬詠，將一批面臨被銷毀的倉底書再造，

提升書籍多重閱讀的可能性，賦予它們重生的機會。

Writing, design, printing and publishing, every book has gone through the same journey, and is finally distributed to readers as to complete the life of a book. However, many books may not be able to finish such a journey. To reduce the inventory pressure, these obsolete stocks may be putting directly to destruction. Hung Wing-hei of Spicy Fish Cultural Production and Bosco Chung have invited Chan Ka-wingb, Chan Lai-kuen, Nate Chan, Ryan Cheung, Hung Hiu-han Kitty, Sui Lam, Law Lok-man Louise, Pang Litsing and Wong Cheuk-wing Kathy, who are working in the book industry to recycle books that are going to be destroyed and turn them into works of art. The life of book has changed, and this process enabling multiple reading possibilities set out to provide it with the chance of rebirth. 洪永起

「水煮魚文化」行政總監，「好家庭菜園」創辦人之一。耕過數年田，寫過數篇小說，出版過數本書。近來熱

衷瞓街，引致腰患與感冒不斷。

Hung Wing-hei Hung is the Chief Executive Officer of Spicy Fish Cultural Production, and is also one of the founders of Good Family Farm. He has farmed for several years, and has written several novels, published several books. Recently, Hung is enthusiastic in the lie-down-in-the-street protest, which causes him persistent waist pain and cold. 鍾劭衡

畢業於香港中文大學藝術系，其作品重視紀實以及意義的不完整。他堅信不完整意義的表現形式足以揭示人

格，那樣就夠了。

Bosco Chung Bosco graduated from the Department of Fine Arts, the Chinese University of Hong Kong. His works value documentation and the incompletion of meaning. He firmly believes that the presentation of incomplete meaning is able to reveal one's personality, which is already good enough. 陳家永

80 後出生，畢業於香港理工大學設計學院，現工作於南華早報廣告及市場策劃部，及《字花》雜誌之美術總

監。

Chan Ka-wingb Wingb is a post-80 graduated from the School of Design, Hong Kong Polytechnic University. He is now working in Creative Solution of the South China Morning Post Group, and is also the Art Director of Fleurs des Lettres. 陳麗娟

文字創作散見《字花》、《明報》等。詩集《有貓在歌唱》(2010: 香港，文化工房) 獲第十一屆(2011)香港中文

文學雙年獎推薦獎。

Chan Lai-kuen Chan writes in local media such as Fleurs des letters and Ming Pao occasionally. Her anthology The Cat is Singing (2010, Hong Kong Cultural Workshop) won the eleventh (2011) Hong Kong Biennial Awards for Chinese Literature Choice Award. 陳芊憓

影像工作者，作品包括《同話深水埗》、《麗生辦館》。曾任陳耀成導演的副導演，現在遊走於社會運動之中

拍攝紀錄。

Nate Chan A photographer and camerawoman, Nate has produced documentary films like Tales of Sham Shui Po and Lai Sun Store. Once worked as the assistant director of Evans Chan, she is now engaging in the shooting of social movements. 張志華

書藉設計師及自由工作者。一直警惕自己對每一本參與過的書負責。書就像歌曲，你不以為然之時在耳邊鳴奏

著。而動聽與否，就要看製作者的熱誠。

Ryan Cheung A book Designer and freelancer. The text should be nicely settled on its destined place. Ryan bears in mind he has to be responsible to the book that he involved in production. Books are like songs. They will be broadcast somewhere sometime even if you were not aware of it. Whether the tune is pleasant depends hugely on the producer’s passion. 洪曉嫻

帶著書本行走的詩人，現為《字花》編輯。印刷工人之女，得到過許多瑕疵印刷品及過期書報，藏在床緣偷讀

或偷寫心事。耽溺於紙張之鋒利與輕薄。

Hung Hiu-han, Kitty A poet and reading wanderer now works as an editor of Fleurs des letters. Kitty is the daughter of an industrial printer. She got hold of a lot of misprinted and expired copies of print from her father when she was young. She always obsessed with the idea that the sharpest paper can always cut through the hardest metals. 林淼

平面設計師，習慣在歐洲不同國界之間徘徊，探聽城市心跳語言。喜歡德國，偏愛北方，希望找到溫暖的角落

安頓，與心愛的藝術館為鄰，或鑽研童書。

Sui Lam Sui is a graphic designer. She likes lingering among European boundaries, listening to people’s heartbeat and language. She loves Germany but a greater passion for Scandinavia. Sui hopes to settle there someday, be a neighbour of her favourite museums and has lots of books to read. 羅樂敏

現為《字花》執行編輯，曾以「陳椎」為筆名發表詩歌及散文，文章偶見《號外》、《明報周刊》、《經濟日

報》等。

Law Lok-man, Louise Louise is one of the contributing editors of Fleurs des lettres. She writes occasionally in local media such as City Magazine, Mingpao Weekly and Hong Kong Economic Times. 彭礪青

沉靜的 70 後，畢業於浸會大學政治與國際關係學系，曾於《詩潮》、《秋瑩》等刊物發表詩歌，亦於本地及國

內報章撰寫書評。

Pang Litsing One of the silent 70s generation, Pang was graduated from the Hong Kong Baptist University, major in Government and International Studies. He publicized his poetry on Shichao (詩潮), Qiuying (秋螢) and other literary journals and writes

book reviews on mainland and local newspapers.

黃倬詠

曾從事活版印刷，現投身於設計行業，不贅。

Wong Cheuk-wing, Kathy Once engaged in letterpress printing, and now a designer. 鳴謝：三聯書店（香港）

Acknowledgement: Joint Publishing HK

09 「漂書」意指空閒的書本在人群中流動，讓大家擁抱閱讀，分享知識。字花與閱行者利用網絡平台及移動程

式，嘗試為是次漂書記錄書本的漂流歷程。亦會在生活現場舉辦漂書分享會，讓各位書友分享自己與書的故

事。

Bookcrossing is the drifting of leisure books among the crowd, enables people to embrace the goodness of reading and share of knowledge. Fleurs des Lettres and BookWalker make use of online platforms and mobile applications to facilitate bookcrossing and sharing activities in-situ. Everyone is welcome to share their stories about books with other visitors. 水煮魚文化 / 字花

成立於 2006 年的慈善團體，為香港唯一一個同時肩負文學推廣、教育及出版的文學團體。旗下出版物包括文學

雙月刊《字花》，同時亦推出「文學寫生」系列、「多媒體詩歌表演」及「文學報佳音」等跨界別文學創作系

列。

Spicy Fish Cultural Production / Fleurs des Lettres Established in 2006, Spicy Fish Cultural Production was the only charitable arts organization in Hong Kong which works simultaneously in promotion, education and publishing on literary. It publishes bimonthly literature Fleurs des Lettres, and curates cross-media series including “Sketch in Literary”, “Christmas Carol in Literary” and “Multimedia Poetry Performance”. 閱行者

閱行者成立於 2010 年，是香港推動漂書的先行者，至今已舉辦 25 次漂書活動。閱行者希望透過書本打破人與

人之間的隔膜，使人重新連結起來。此外，閱行者亦致力創立與書有關的網絡平台及移動程式，促進科技與人

文結合。

BookWalker As a pioneer in promoting bookcrossing in Hong Kong, BookWalker is founded in 2010 and has held 25 public events in Hong Kong and Mainland China since then. It is the vision of BookWalker to connect people through books and create a reading atmosphere in this city. BookWalker also strives to build online platforms and mobile application about books, achieving the convergence of technology and humanity.

10 吃得飽是人類的基本權利，可是在物質豐富的今天，全球每日近九分之一人口仍飽受饑餓煎熬。藝術家如何用

創作呈現糧食問題？香港樂施會與葉美茵、思樂維、香港蜂蜜、Parallel Lab (Geraldine Borio & Caroline

Wuthrich)、Stephen Chung & Jennifer Yip 及 Stella So，藉著藝術創作啟發觀眾反思如何以個人之力改變全球糧食

問題。

The right to food is a basic human right, yet almost one-ninth of our population still lives in hunger. How would artists address the global issue of hunger? Oxfam Hong Kong and Gwen Yip, Madeleine Marie Slavick, HK Honey, Parallel Lab (Geraldine Borio & Caroline Wuthrich), Stephen Chung & Jennifer Yip and Stella So set out to create are that will inspire their audience to join the campaign for a fair food future. 香港樂施會

全球每三個人之中就有一個貧窮。樂施會推動民眾力量，以消除貧窮。

樂施會在世界各地以務實及創新的方法，協助貧窮人改善生活及持續發展。它們積極回應人道危機，提供救

援，並協助恢復生計；亦推行公眾教育及倡議運動，協助貧窮人發聲，以改善本土及全球的扶貧政策。樂施會

與貧窮人及夥伴携手，消除貧窮以及導致貧窮的不公義情況。

Oxfam Hong Kong One person in three in the world lives in poverty. Oxfam is determined to change the world by mobilizing the power of people against poverty. Around the globe, Oxfam works to find practical and innovative ways for people to lift themselves out of poverty and thrive. It saves lives and helps rebuild livelihoods when crisis strikes. It is through campaign that the voices of the poor influence the local and global decisions that affect them. Oxfam works with partner organizations and alongside vulnerable women and men to end the injustices that cause poverty. 葉美茵

港大經濟及金融系畢業生，前廣告美術指導。2006 年為開眼界，空降倫敦，卻因緣際會，流落阿姆斯特丹

Wieden+Kennedy 重操故業，為可口可樂及 Nike 製作全球系列廣告。2008 年她拿著獎學金回到倫敦，在中央聖

馬丁藝術與設計學院讀碩士。愛觀察，愛說故事，見甚麼畫甚麼。這些年，她出了好幾本書，包括《歐遊日

誌》、《西伯利亞鐵路》及《我要去倫敦辦大事》。

作品概念 (黑與白 / 混合媒體)：

我們看見黑色。

我們看見白色。

但我們很容易遺忘了灰色。

打開你雙眼，打開你心扉。

現在是該做些事情的時候。

Gwen Yip Gwen Yip started her career as an art director after graduating as an Economics and Finance major from the University of Hong Kong. To see more, she moved to London in 2006 and eventually landed at Wieden+Kennedy Amsterdam, where she produced global advertising campaigns for Coca Cola and Nike. In 2008, she got a scholarship for a master's degree at Central Saint Martin’s College of Art and Design in London. As an observer and storyteller, Gwen draws what she sees. She is the author of three books: Western Europe (2002), Trans-Siberian Railway (2003) and Working Holiday in London (2009). Concept (Black and White / Mixed Media): We see black. We see white. We tend to forget about grey. Open your eyes. Open your heart. It’s time to do something.

思樂維

思樂維生於美國，曾在香港居住 25 年，現時在紐西蘭生活。思樂維既是作家又是攝影家，她曾參與創作多本獲

獎書籍，其攝影作品曾於世界各地展出。她亦是一位吟遊詩人，表演遍及音樂會、遊行、大學及電視節目。思

樂維寫過的書包括《Fifty Stories Fifty Images (of Hong Kong)》、《Something Beautiful Might Happen》(於東京出

版)、《China Voices》(與樂施會出版)、《My Favorite Thing 我最寶貴的》(與樂施會出版，曾上北京暢銷書榜)、

《Round – Poems and Photographs of Asia》(曾獲西雅圖 Bumbershoot Book Award)及《China – The Dragon

Awakes》 (曾上香港暢銷書榜)。每天，她的網誌吸引來自近 100 個國家的人觀看。

作品概念 (站進來，站起來 / 攝影)：

我拍攝的影像通常沒有人。鏡頭底下的空間是開放的，誰也可進入。

俯身窺探，空間內的不平等或不公義，可能觸目皆是，感同身受。彷彿看到濫權；彷彿看到那廣場因操控和剝

削，而變得龐大、孤獨。遠處，還有多少個廣場？彷彿無限、彷彿永恆。

且讓我們昂然步入，信歩走上這方型的平台。我們所有人，一個一個的，選擇公義、選擇平等，直至這世界七

分七人得溫飽；直至香港七分七人不再貧窮。

7/7，由 1/1 開始。

Madeleine Marie Slavick Author and photographer Madeleine Marie Slavick has helped create several award-winning books. She has exhibited her photography internationally, and as a poet-singer she has performed at concerts, rallies, universities, and on television. Her books include Fifty Stories Fifty Images (of Hong Kong), Something Beautiful Might Happen (published in Tokyo), China Voices (with Oxfam), My Favourite Thing (a bestseller in Beijing, with Oxfam), Round – Poems and Photographs of Asia (Bumbershoot Book Award in Seattle) and China – The Dragon Awakes (a bestseller in Hong Kong). Her daily blog has visitors from almost 100 countries. Born in the United States, she has lived in Hong Kong for almost 25 years and is currently based in New Zealand. Concept (Step right in, Step right up / Photography): My photographic images usually have no people. The spaces are open, for anyone, everyone, to enter. When we enter, maybe we see and feel inequality, injustice. As if a misuse of power. As if the central square became that large and lonely by controlling and exploiting the others. And how many more squares are there in the distance? As if eternity, infinity. Maybe we step right in. Step right up onto that square platform. All of us, one by one, voting for justice, equality: when seven out of seven people in the world are not hungry, and seven out of seven people in Hong Kong are not poor. 7 / 7 begins with 1 / 1. 香港蜂蜜

「香港蜂蜜」由一群養蜂者、藝術家及設計師組成，於 2010 年 7 月成立，目標是向公眾宣揚養蜂的價值及推廣

本地蜂蜜食材的好處。「香港蜂蜜」擁有一個蜜蜂養殖網絡及一個設計工作室，並與香港不同組織及團體合

作，當中包括國際特赦組織、本地及國際學校等。自 2010 年 7 月在天台搭建蜂巢，「香港蜂蜜」已舉辦超過

50 個導賞團，參觀者來自學校、大專院校、非政府組織及海外團體。「香港蜂蜜」非常高興透過在天台的農

場，向公眾展現蜜蜂與可食用植物的關係。同時亦採集本地蜂蜜，設計與城市養蜂相關的產品(如蜂蠟蠟燭和訂

造木製蜂箱)，並提供與養蜂有關的服務。

作品概念 (超級市場陳列架 / 混合媒體)：

超級市場陳列架將各種不同的蜂蜜，一樽樽陳列在一架之上，揭示一個有關本土和全球糧食系統的問題。

展品旨在鼓勵未來的蜂蜜消費者，於購買蜂蜜和其他食物時，可以作出更明智的選擇；除了超級市場外，亦可

以直接向本土食物生產商購買。

超級市場陳列架亦為慶祝永和蜜蜂場而設。永和蜜蜂場座落沙田，由葉先生和太太擁有，顧客可以在蜂場買到

直接由葉先生生產的蜂蜜。這種在消費者和生產者之間的緊密關係，別具社會、文化和經濟的深層意義。

請支持香港僅餘的食物生產者和本土農場。

HK Honey

HK Honey is an organisation of Hong Kong beekeepers, artists and designers founded in July 2010. It aims to communicate the value of bees and benefits of locally produced honey. It has a network of bee farms, a design studio and collaborates with different organisations and communities in Hong Kong, such as Amnesty International and local and international schools. Since opening its rooftop farm in July 2010, HK Honey has had over 50 tour groups from different schools, universities, non-profit organisations and groups from abroad. HK Honey is delighted to show people a relationship between bees and the edible plants that grow on its rooftop. It harvests local honey and designs products and services relating to urban beekeeping, such as beeswax candles and custom made wooden beehives. Concept (Supermarket Shelf / Mixed Media): Supermarket Shelf is an exhibit of different jars of honey on one shelf to communicate issues relating to our local and global food systems. The exhibit aims to encourage future honey consumers to make more informed decisions when buying honey and other foods from supermarkets or directly from local food producers. Supermarket Shelf is also a celebration of Wing Wo Bee Farm, a local bee farm owned by Mr. and Mrs. Yip in Shatin. Customers who purchase honey from the Wing Wo Bee Farm will have their honey delivered by Mr. Yip himself. This relationship between customer and food producer has profound social, cultural and economic value. Please support Hong Kong’s remaining food producers and local farms. Parallel Lab (Geraldine Borio & Caroline Wuthrich) Parallel Lab 是由兩位瑞士建築師 Geraldine Borio 和 Caroline Wuthrich，在香港創辦的建築及城市規劃研究所，主

要參與亞洲大都會的城市發展規劃研究工作，旨在讓受眾能夠以用家的角度理解城市中的微型運作。透過項目

工作與及不同媒介的呈現，Parallel Lab 得以在城市演進、建築和人的交纏關係中進行探索。Geraldine Borio 和

Caroline Wuthrich 現同時於香港理工大學設計學院及香港中文大學兼任建築領域的教學及研究工作。

作品概念 (港幣 68.70 / 攝影)：

2008 年 12 月 12 日，在埃塞俄比亞近郊的小市集裡，一位育有三名子女的母親正為 1/4 個洋蔥討價還價。付錢

後，她把只有 1/4 的洋蔥放進印有「華健集團」商標的膠籃子裡。在這區，每個人也認得這籃子，因為最近，

但凡有家庭被驅逐出祖傳土地的時候，就會收到這些籃子。

2013 年 11 月 28 日，Kwansin 在香港的一間惠康超級市場為當天的晚餐籌謀。她拿起了一個以保鮮紙封好的發

泡膠盒，裡面放著 1/7 個洋蔥，她暗忖：「港幣 68.70？價格又貴了……」

經濟系統中的不公平是導致饑餓的元兇。對許多人來說，這個概念實在太抽象，讓人很難把它連繫到日常生活

之上。但透過靜態攝影，我們可以一窺如果香港情況有變，可能會受到怎麼的影響。

Parallel Lab (Geraldine Borio & Caroline Wuthrich) Parallel Lab is an architectural office and laboratory for urban research based in Hong Kong, which was founded by two Swiss architects Geraldine Borio & Caroline Wuthrich. Engaged in researches on urban development in Asian metropolises, their point of view is oriented to the micro-scale of the urban condition which enables the audience to understand its functioning from the users’ point of view. Through their projects and the eyes of various media, Parallel Lab explores and talks about the interweaving evolution of the city, its architecture and the people. Besides their work at Parallel Lab, Geraldine Borio & Caroline Wuthrich are respectively teaching and researching in the field of architecture at The School of Design, Polytechnic University and The Chinese University of Hong Kong. Concept (HK$68.70 / Photography): 21 December 2008, a small market of suburban Addis-Ababa, Ethiopia; a mother of three children is bargaining for 1/4 of an onion. After the negotiation, she puts it in her big plastic basket branded Huajian Group. Everyone in the area knows these bags; they were given to the families that were recently kicked out of the land their ancestors have been cultivating since generations. 28 November 2013, Wellcome supermarket, Hong Kong; Kwansin is shopping for tonight’s meal. She picks up a Styrofoam basket where 1/7 of an onion is delicately wrapped by cellophane. She thinks to herself, “Gosh…HK$68.70, prices have gone up again…” Unfair economic system is the principal cause of hunger. But for many people, it is often too abstract to understand the link to our daily life in Hong Kong. Through a photographic still life, we will offer a glimpse of what it could be if Hong Kong’s status would change.

Stephen Chung & Jennifer Yip Stephen Chung，創作人，畢業於中大新聞與傳播學院，曾任職於多間 4As 廣告公司。2011 年成立 Secret Tour

Hong Kong，透過舉辦旅行團及各項創意企劃，推廣真正本土的香港面貌，並獲 CNN、BBC、日本 NHK、台灣及

多個本地傳媒廣泛報道。

Jennifer Yip，創作人，畢業於理大設計學院視覺傳意，現任職於多間 4As 廣告公司，曾舉辦個人展《拾年》、參

與柏林聯展《Silence is a Lie》及日本《脱原発》作品展。

作品概念 (＃Tag 錯了 / 混合媒體)：

想環保的人早已環保了。

在這個秒秒上線的年代，有心人很容易找到他們想看的資訊。剩下的難題是：「如何讓沒有『環保心』的人，

看到我們想傳達的訊息？」

答案就是 iPhone app Instagram 的 hashtag(#)功能：美女就#pretty；晚餐就#dinner。

請拍下這件藝術品，上傳到 Instagram，再用畫框上的 keywords hashtag–

讓想看#yummy #dinner #hot #fashion #car #lunch #yummy #restaurant 的人–

讓這班本身可能不環保的人，收到這個重要訊息。

Stephen Chung & Jennifer Yip Stephen Chung graduated from the School of Journalism and Communication, the Chinese University of Hong Kong. After working in several 4A advertising agencies, he established Secret Tour Hong Kong in 2012 to promote the real and local face of Hong Kong though tours and creative projects. Secret Tour Hong Kong has been widely covered by local and international media such as CNN, BBC and NHK. Jennifer Yip graduated from the School of Design (Visual Communication), Hong Kong Polytechnic University. She has worked in several 4A advertising agencies. Her works have been displayed in her solo exhibition, Ten Years, as well as other exhibitions such as Silence is a Lie (Berlin) and 脱原発 (Japan). Concept (＃The Wrong Tag / Mixed media):

For those who are environmentally minded, they don’t need to be reminded. In this digital age, we are online all the time. It is easy to acquire any kind of information as long as you have the motivation. The problem is for those who don’t care about the environment, how can we remind them? The answer is the ‘hashtag’ (#) function of the iPhone app Instagram: “#pretty” for photos of hot girls, “#dinner” for photos of your meal. So please take a photo of this art piece. Then upload it to Instagram and hashtag it with the keywords on the frame. Let us remind those who may not be concerned about the environment - but only want to see photos of #yummy #dinner #hot #fashion #car #lunch #yummy #restaurant – of this important message. Stella So 畢業於香港理工大學設計學系，畢業作品《好鬼棧》以九宮格和香港舊區腌製出對香港文化的懷念與期望，曾

獲 2002 年第八屆香港獨立短片比賽動畫組冠軍，其後獲邀參加多個國際電影節，大獲好評。2003 年替歌手黃

耀明製作動畫 MV《下落不明》，2004 年參與舞臺劇《I-City》的工作，2005 年創作動畫《龍門搭電車》，2004

至 2006 年在《MILK MAGAZINE》連載有關香港建築情懷的繪本專欄「HK Powder」，後結於 2008 年結集出版

《粉末都市–消失中的香港》，並榮獲第 20 屆香港印刷大獎之最佳出版意念獎。2006 年開始在《明報》連載

《老少女基地》，把一個人住的有趣經歷與一眾老少女分享。2010 年與麥圓本合作，把《明報》的專欄文章結

集，出版食譜《五湖四海家常菜》(兩冊)，其插畫及漫畫亦散見於各報章雜誌。

作品概念 (生命放題 / 紙，墨)：

人每天有廿四小時，愈來愈不夠用；每人有一張嘴，食物愈來愈不夠吃。食物的選擇，生命的課題。

Stella So Stella graduated from The Hong Kong Polytechnic University. Through her final year project Very Fantastic, she received the golden prize of animation catalogue of Hong Kong IFVA, and has since been invited to different film festivals. Since 2003, she has contributed comics, illustrations and animations in various media. One of her most famous works is the comic series Old Girl Home, which is a collection of interesting stories of a “single old girl”. In 2010, Stella collaborated with Mai Yuan Ben and published two volumes of the recipe book Homemade Cuisine from the Five Lakes and Four Seas

(五湖四海家常菜), which explore and embrace the multicultural neighbourhood and homemade cuisines in Tin Shui

Wai. Concept (Life of Choices / Paper, ink): When 24 hours a day is increasingly insufficient. When food is increasingly insufficient to feed our endless appetite. The choice of food is a lifelong lesson to learn.