Cara Dunhill

Cara Dunhill

• Started at 3 years old

•1987, switched to a large format camera

• Heavy equipment = Able to focus more

• Started with landscapes, slowly decreasing size of focus

• Showing at nationally recognized art festivals

• Published:•“Black and White Magazine” •“View Camera”•“Two Monographs “ •“Qualities of Light”•“The Essence of Form”

• Shoots in all black and white

• Focus more on shapes, textures lighting

• Mostly nature, landscapes, architecture

Chris Honeysett

Contrast Placement Repetition of vertical lines

Texture Focusing Subject

Chris Honeysett

Subject Shadows Contrast

Background Solid vs. Grated More simple

Chris Honeysett

Subject Placement Reflection

Background Clouds

Chris Honeysett Focusing Subject Dark vs. Light Lighting

Lines Slope Placement Simplicity

Chris Honeysett

Composition Placement Simplicity

Waves - Uniform Boat Color

Chris Honeysett Subject Crop Receding

Contrast Background

Chris Honeysett

Subject Mirror Composition

Lighting Type of car Simplicity vs. not

Chris Honeysett Contrast

Snow Angular vs. Round Shadows

Repetition Receding Illusion Depth

Chris Honeysett

Round Uniform Space

Subject Lighting Contrast

Chris Honeysett

Color Lighting Simplicity

Texture Flat vs. Curved Lines

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