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AKIRATAKAUE

DERMOTRUSSELLSWEEOH

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U P L O A D .

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S H A R E .

B E V I S I B L E



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3FROM THE PUBLISHERS INDEPENDENT PHOTOGRAPHY PUBLICATION

FINE ART PHOTOGRAPHY isone form of photographythat is very hard to dene.

Fine art photographers havetremendous creative freedom.

They can pursue their personalvision and create images thatare beautiful to them. It is all

about beautiful depiction ofeverything and yet beautydepends on individualpreferences and many chooseto do it in black and white.

This time we have partneredwith (en)Visionographers: Julia Anna Gospodarou andJoel Tjintjelaar who created

a contest for Fine Art in Blackand White photography. The

images submitted rangedfrom architectural collectionsto portraits and landscape,each image successfully tells apoignant story.

This is the rst of it's kind

publication related tocontest and specic group of

photographers. We hope that

by presenting this type of issuewe will inspire you even moreand get you closer to ne art

photography.

Inside you will nd "vision" ofeach photo, which will giveyou better understanding ofthe photographer's idea of the

image creation.

We would like to thank allphotographers who contributedto this spectacular edition and

Julia and Joel for their(en)Visionography photographyconcept and support.

Enjoy the issue! Camerapixo Team

ANETTA G.HELLER

ARTUR J.HELLER

EDITOR-IN-CHIEF EXECUTIVE EDITOR

PHOTOGRAPHERS’

CREATIVE FREEDOM


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http://slidepdf.com/reader/full/camerapixo-fineart-01-online 7/1367(en)Visionography : FINE ART PHOTOGRAPHY BEING PUBLISHED MATTERS!

WHAT IS(en)Visionography

(en)Visionography is a new name forphotography, or more precisely for neart photography, a name that reects the

things that changed in photography in thenew digital era and that made it dierentfrom traditional photography.

(en)Visionography is in essenceThe New Fine Art Photography.

The concept of (en)Visionography is fullydened and analyzed in the book FromBasics to Fine Art by Julia Anna Gospo-darou and Joel Tjintjelaar .

There are three principal things thatdefne (en)Visionography and they are:

1. Vision comes before reality in creatinga photograph. Reality is only the startingpoint and the canvas that the artist willuse to create his vision on.

2. The vision of the artist can be createdby using the camera and processing tools

and no tool or technique is forbidden, asfar as it helps the nal image express thevision of the artist.

3. (en)Visionography is not only aboutB&W photography, but B&W photogra-

phy, by removing the color and workingonly with tones of gray, distances itselffrom reality and comes closer to interpret-ing that reality through art.

WHAT IS AN(en)Visionographer

The photographer creating in this manner,creating (en)Visionography and not onlyphotography, becomes an (en)Visionog-

rapher and he is less and less dependenton the limitations of his camera or on thereality he sees to create his images, hisart. Eventually he only depends in creat-ing his (en)Visionography on the repre-

sentation he gives to the scene in front ofhim and is only guided by his imaginationand creative skills.

HOW TO CREATE

(en)Visionography This process usually starts with a thought,an idea, an impression or a feeling andthis triggers every step the artist makestill transforming the initial impulse into animage that (re)presents it. The thoughtleads to nding an image that is suitedto his vision and to capturing it in thecamera, but from then to the nal resultthe image still has to go through dier -

ent phases of transformation to nallymatch the artist’s inner world, to becomea visual representation of it, and this is atransformation that is accomplished byusing processing tools in molding the im-

age into an object representing the vision,into (en)Visionography . This process ismore a need than a conscious decisionand leads to creating an object of art.

Making art releases emotional and intel-lectual tensions and gives an answer tothe existentialist quests or its creator. It iswhat the artist searches for in essence,nding answers for his questions aboutthe world and creating a world of himself.

THE GROUP(en)Visionography

– THE NEW FINE ARTPHOTOGRAPHY

The aim of creating the group (en)Vision-ography – The New Fine Art Photographywas to give a space to the artists creatingbased on the concept of (en)Visionogra-

phy , the artists creating a dierent typeof photography, the photography that isbased on Vision and whose end goal isto recreate in images the soul and thepersonal, unique world of the artist. Thispublication shows the photography worksof this group and it is meant to be its rstexhibition. In its rst phase it is a virtualexhibition, also one that will be immor -talized through a printed version of thispublication. We aim in the near future for

this exhibition to become a real one, tobe recreated in a physical space and forthese works to reach the audience alsoas printed photographs hanging on thewalls of an exhibition space.

A warm thank you to all the artists forparticipating!

Julia Anna Gospodarou& Joel Tjintjelaar

(en)Visionographers

http://sites.fastspring.com/juliaannagospodarou/product/frombasicstofineart







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Photo © JULIA ANNA GOSPODAROU“Fluid Time IV - Stopping Time”

www.juliaannagospodarou.com

http://www.juliaannagospodarou.com/

http://www.juliaannagospodarou.com/



9(en)Visionography : FINE ART PHOTOGRAPHY BEING PUBLISHED MATTERS!

This is the fourth image in my series Fluid

Time , series that is a story about the archi-tecture of Chicago , where I aim to presentthe way it impacted me, the way it mademe feel. I'm using as tool to present my

impressions the characteristics of the blurthat the tilt-shift lens can create in an imagewhen fully tilted, also the the technique of

daylight long exposure.

The idea I had in mind when working on thisseries was to look at architecture and see itas a parallel reality, as a dream and a gatetowards our subconscious world, towardsour hidden desires and aspirations.

What I want to convey with my study,through this image and the entire story Ipresent in the series, is that time, space, re-

ality itself, are only conventions. Living insidethem can be just as easy as living outside

them and the reality of living outside themcan be just as real as the one of relating

to them. Dreaming can be reality just as

imagination can be reality as well.

For me, this is a way of looking at photog-raphy in a different way, seeing it as (en)Visionography, a name I give to my entirework, rather than as traditional photogra-phy.

Does world need to have a clear mate-rial shape to be real? I do not think so and

this image and the series is an attempt atshowing this concept by melting togetherreality and dream by means of an image.

The practical tool that I used to express thisidea is the the tilt-shift blur, a techniqueone would not expect to nd in an archi-tectural photograph, which is traditionallyabout detail and sharpness. By creating

this contradiction, I aim to put the viewerin the position to ask himself questions and

to nd new ways of looking at architecturalphotography, new ways of interpreting animage. I offer him a different ne art lan-guage, my language. Using a tool that is

unusual for a certain purpose is my way ofsending the viewer to a different world, aworld where other rules reign, as is the worldof dreams.

JULIA ANNAGOSPODAROU

PHOTOGRAPHER

FLUID TIME IV

– STOPPING TIME



10 (en)Visionography : FINE ART PHOTOGRAPHYBEING PUBLISHED MATTERS!

Photo © JOEL TJINTJELAAR“Visual Acoustics XI - Silence and Light”

www.bwvision.com

http://www.bwvision.com/

http://www.bwvision.com/




When I took this photograph, I alreadyknew how this photo was going to looklike, for about 75%. As always I wanted to

elaborate on the concept, as visualisedin the series Visual Acoustics - Silence and

Light , that shadows, in the words of legend-ary architect Louis Kahn , create silence andevoke awe and mystery. Shadows therefore

always play an important part in my archi-tectural photographs since it’s a way of notonly creating silence and evoke mysteryand awe but at the same time will removethe visual noise that is very typical for an ur-ban setting. Architectural photographs and

minimalism seemingly don’t go together butthey can go together if you ‘remove thevisual noise in an urban setting’ by addingand emphasising the shadows in targeted

parts in an architectural image.

What was new in this image of the Pan-

theon in Rome was that I added the humanelement to it in the form of motion blur of acrowd. I knew beforehand that motion blur

of crowds would be an additional featurein this photograph of a very popular and

crowded touristic hot spot in Rome , but ofcourse you never know how it will actuallyturn out. A very nice surprise to me was how

the clouds turned out: even though I usedan exposure time of more than 6 minutes,which in most cases would be enough tocreate very subtle, ethereal looking, longstreaks of clouds and a lot of motion in the

sky, that however didn’t happen, since theclouds were very static that day and therewas almost no movement. But what hap-pened, and what I didn’t anticipate, wasthat the clouds mimicked the ghost likeappearance of the motion blur from thecrowds. The motion blur from the crowd

represent the presence of human beings,regardless of time, in a timeless way: notvery dened or detailed, but as blurry as

any random impression in time. The ghost-like clouds could represent the gate keep-ers of this building that has withstood timefor many centuries. But I prefer to leave

that interpretation and all the rest up to theimagination of the viewer. I merely intend-ed to evoke a feeling of mystery, timeless-ness, awe and beauty with this image.

JOELTJINTJELAAR

PHOTOGRAPHER

VISUAL ACOUSTICS XI

- SILENCE AND LIGHT




JOEL

TJINTJELAAR

JULIA ANNA

GOSPODAROU

DESIGNED BY CAMERAPIXO TEAM

BLACK AND WHITE PHOTOGRAPHY

ARCHITECTURE AND BEYOND

FROM BASICS

TO FINE ART

“Outside of Ansel Adams’ Basic Photo Series, From Basic to Fine Art, by

Joel Tjintjelaar and Julia Anna Gospodarou, is the best book on B&W

photography written in the last 40 years.” (…)

“The importance of the book is reached in Julia’s and Joel’s abilities to

blend the practice of classical form and content in vision and technique,

so that Form is Content. While others claim to have achieved this state

of aesthetic grace, this is the first time I have seen it accomplished with

great sk ill and with a brilliant explanation of how to get there.” (…)

“I consider Julia’s (en)Visionography and Photography Drawing the

most important innovation in B&W photography since the invention ofthe Zone System.” (…)

- George DeWolfe (Luminous Landscape)

“In today’s humankind ever-increasing urge for homogenization and

uniformity, Joel and Julia stand out. Joel is the modern equivalent of

what Ansel Adams did for black & white photography in the film era,

always exploring new horizons, new techniques, and new frontiers to

explore. Julia Anna, on the other hand, is the chimera of Imogen Cun-

ningham and Vivian Maier, merging one of the sharpest eyes in the art

world with the artistic flair to make every image canvas come alive.” (…)

“Their book and stunning images testify to their intellectual curiosity

and desire to understand where they are coming from, who they be-

came and where they are going, together with taking black & white ar t

to ever higher dizzying heights.” (…)

- Dr. Charles Paul Azzopardi

“For anyone who is both passionate and willing to understand what

Fine Art Black and White Photography is all about, this book in an ab-

solute must buy in my opinion. The way in which both Joel and Julia

explain everything is easy to follow and with great detail. Not only do

they explain their personal vision but also share some of their secrets in

what it takes to produce some of the best Fine Art Architecture images

around today.I have been making Black and White photographs for a few years and I

have learnt so much from these two photographers especially as they

explain how to approach architecture, understanding the light and

reaching out for a better composition.

If architecture is not your thing but long exposure photography in gen-

eral is, Joel and Julia explain everything there is to know about the sub-

ject including some of the pitfalls to watch out for. All in all, this is the

one book which i will reach for time and time again for both interesting

reading and also as a great reference source.”

- Ian Barber

www.envis ionography.com

GET

YOUR

DIGITAL

COPY

TODAY

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PAGE 13

CAMERAPIXO

INSPIRES




1st PRIZEPhoto © DR. AKIRA TAKAUE“The Portal for Urban District

takaue.pixu.com

http://takaue.pixu.com/

http://takaue.pixu.com/




Yokohama city is located just 30km separat-ed from center of metropolis Tokyo , whichmay be one of the big commercial cities inJapan and have international and moderncityscape. Particularly at Minatomirai districtin Yokohama city, a lot of high-rise as well

as structurally beautiful buildings functionedas commercial facilities are located; manycitizens irrespective of age or sex love tocome for leisure and also as a part of theirlife.

Especially, Yokohama Landmark Tower ,constructed in 1990, is a super high-risebuilding and constitutes the core of thedistrict. The height is 296.33m and is much

higher than any other architecture near it.From the aspect of photography-relatedexplanation, it’s absolutely very popularphotogenic motif for general photogra-phers; there have been a lot of relatedphotographs already published.

Therefore, for such the popular and struc-turally outstanding architecture, I stronglywould like to challenge to take ne art im-age from characteristic and original com-position that may not have been taken andseen ever before such as a composition of

hybrid distance view consisting of doubleobjects of close and long-distance view

images. When I walked around the district,

very fortunately I have found out a suitablelocation naturally which is a nameless cor-ner at Sakuragi-Cho station.

I might express an interesting minimums byselected eld angle unifying efcient disap-pearance of neighboring structures utilizing

the property of super high-rise building andsuitable adjacent eave and piers.

DR. AKIRATAKAUE

PHOTOGRAPHER

THE PORTAL FORURBAN DISTRICT

PHOTOGRAPHY

AWARD

I




2nd PRIZEPhoto © SWEE CHOO OH“She Strike’s Again II”

wsweeoh.smugmug.com

http://wsweeoh.smugmug.com/

http://wsweeoh.smugmug.com/




The bridge is known as Seri Wawasan Bridge

and it is one of the most beautiful cablestayed bridges in Malaysia . This is one of my

favorite bridges as I am fascinated by howthe bridge has its own unique look whenviewed from different angles. My vision

here is to show how delicate and how well-thought the design of bridge is by emphasiz-ing the ow of the cables towards the main

post. To me, she is dancing and swaying so

gracefully for the viewer to see.

SWEE

CHOO OHPHOTOGRAPHER

SHE STRIKE’SAGAIN II

PHOTOGRAPHY

AWARD

II




3rd PRIZEPhoto © SANDRA SACHSENHAUSER“LIKE A DIAMOND”

www.facebook.com/sasaphotographyart

http://www.facebook.com/sasaphotographyart

http://www.facebook.com/sasaphotographyart




I’m always fascinated by the reections

caught in Dubai’s modern skylines, sparklinglike a diamond. The picture was taken during

a walk through the still further growing city.

My vision is to show that new neighbour-hoods continue to grow and develop. The

sky is the limit!

SANDRASACHSENHAUSER

PHOTOGRAPHER

LIKE A DIAMOND

PHOTOGRAPHY

AWARD

III




Photo © FRANKLIN OLIVERA NETO“Eye Diamond”

www.facebook.com/franklinneto88

VISION: My vision behind the image was the

eye that forms the reections of water, as the

lines leads us to it or it comes to us through thelines, and how it sees the world, it is there toobserve, but few see it. The eye has a sublime

view of the empire of consumerism, where timestops to watch. Inconstant light, after the rain

with low and fast clouds has made this photo.

http://www.facebook.com/franklinneto88

http://www.facebook.com/franklinneto88




Photo © DERMOT RUSSELL“Waiting”

dermotrussell.com

VISION: I originally came to Westfriedhof underground station in Munich due to thewonderful visual style of the station, however the scene I found made me think ofsomething other than an architectural image. This scene, and the quiet atmosphere that

I felt here, brought to my mind how we all have to deal with the things that are outside ofour control, despite all of our efforts with the things that we feel we can control. We strive

to work, to learn, to apply ourselves, to improve, to love and to be good, but behind allof this is the patient waiting that is needed in order for our dreams to be realised.

http://dermotrussell.com/

http://dermotrussell.com/




VISION: If I can only dream in black and white this will be the result of my dreamscape. My vision is always about lights and shadows to create a

surrealistic scene that lies behind our every day view of life that only the aesthetic art of long exposure and black and white can reveal.

Photo © DENNIS RAMOS“Skyway”

www.dennis-ramos.com

http://www.dennis-ramos.com/

http://www.dennis-ramos.com/




Photo © GIANCARLO BARBERINI“KRANHAUS”

www.giancarlobarberini.com

VISION: Kranhaus building is locatedat the RheinauPort in Cologne .The structures riseabove the river asthe new symbol ofthe city and canbe seen from faraway. This is my

vision of architecturalphotography,a journey into a

parallel world whereeach denition

and material losesits meaning andeverything becomesorphan of its formand original color.

http://www.giancarlobarberini.com/

http://www.giancarlobarberini.com/




Photo © PHILIP GUNKEL“Sala Principal, Paleau de les Arts Reina Sofa”

www.philipgunkel.de

http://www.philipgunkel.de/

http://www.philipgunkel.de/




This Image was a bit tricky to shoot becauseI was not allowed to shoot with a tripod,I had only about a minute to take it and

there was a rehersal on the stage, so thehall was not illuminated at all, with otherwords it was really dark in there. To get a

satisying result that also denes the pure

size of the room, I made 4 (x3) vertical shotsat iso 1600 and stitched them afterwards.

I absolutely admire the interior work of San-

tiago Calatrava on the City of Arts and Sci-

ence in Valencia . All rooms/spaces inside

are in my oppinion an unique and amazingwork of interior design.

They all have really elegant, quiet andpeaceful atmosphere and are lled with

daylight or awesome lightdesign.

My vision was it, to shoot these spaces,

because of their incredible architecturalbeauty and to capture them with all of theirstrong “symmetrical perfection” Calatrava and his team created them.

PHILIPGUNKEL

PHOTOGRAPHER

SALA PRINCIPAL, PALEAU DELES ARTS REINA SOFIA




Photo © SANDRA CANNING“Visions of Calatrava 3”

www.sandracanning.com

VISION: This is the new FloridaPolytechnic University designed bySantiago Calatrava . Upon entering, I

got the distinct impression of a futuretime and place. More importantly,

I got the pronounced feeling ofentering a cathedral (after all, hasn’tscience become the new religion?).I

wanted to see beyond the naked eye.

After much inquiry, I believe I found atruth that would be missed by most.

http://www.sandracanning.com/

http://www.sandracanning.com/




Photo © BARRY WALSH“View from the Back”

1x.com/member/bldphoto

VISION: This imageis of Samuel Beckett bridge, Dublin . My

goal with this imagewas to show thestrengthen but yetdelicate nature ofthe structure. Using

light to convey theform of the bridgesmain structural armand tensile supportcables.

http://1x.com/member/bldphoto

http://1x.com/member/bldphoto




Photo © BRÖK“La Montagne”

facebook.com/brok.photographies

VISION: For this image I have decided to gather together my passion for panoramic images and attraction for long exposure photographies. I wanted to work

with lines and strongs angles, in a panoramic format. For this kind of image I always use a panoramic head to get the best image quality and great print size.

In this case I have stitched 3 images together and also wanted to emphasis the power of imagination and passion which has no limits.

http://www.facebook.com/brok.photographies

http://www.facebook.com/brok.photographies




Photo © NAME“title”

www

Photo © HUGO BORGES“Samuel Beckett Bridge (Calatrava) and The Convention Centre”

www.hborges.com

VISION: I tried to capture the beauty of this part of Dublin as I see it.

http://www.hborges.com/






Photo © TUAN NGUYEN“Light Crossing”

www.lightreex.co.uk

http://www.lightreflex.co.uk/

http://www.lightreflex.co.uk/




The difculty of photographing an iconic is

that there are millions of photographs takenalready, the challenge lies in trying to nd a

different point of view as well as process itin such a way that is new. This was both the

challenge and my vision for this image ofthe Millenium bridge in London .

I was lucky that on the day the cloudsmoved in the same direction as the bridge,this allowed me to give the image direc-tion both via the cloud movement as wellas light. I feel that both by capturing and

processing this image in this manner gavesome soul to an inanimate object.

I am a passionate B&W photographer rst

and foremost, seeing the world in shadesof grey. Colour does not speak to me, the

colour spectrum is like a sold out footballstadium full of distracting noise with eachperson shouting for attention. I feel at home

in monochrome, where I can bring harmo-ny to the images I see in my mind’s eye.

I enjoy photographing the world around

me, from street photography to more ab-stract landscapes and architectural imag-es, using light, shade and form to construct

my vision.

TUANNGUYEN

PHOTOGRAPHER

LIGHTCROSSING




Photo © STEVE WHITE

“Skyline” www.facebook.com/stevewhiteimages.24

VISION: Photographing the Brisbane River skyline during a winter sunrise I noticed a natural gradient appearing on Waterfront Place as the rst rays of

sunlight were striking its curved glass facade. I like the timeless feel of the image created by the contrast of the skyline’s buildings against the neutral

sky. I achieved this panorama through stitching 3 x 90 second exposures, with some dodging and burning to bring out the reections in the river and the

highlights and shadows cast on the various buildings awaiting another glorious winter’s day.

http://www.facebook.com/stevewhiteimages.24

http://www.facebook.com/stevewhiteimages.24




Photo © SUZANNE TROWER“Neknomination”

www.suetrowerphotography.co.uk

VISION: Early this year, the island in which I live was subjected to some ferocious storms and very high tides and water surges. I was out shooting the large waves

when a man ran onto the sea front to do his ‘neknomination’ . When processing the image, I was struck at how insignicant the gure was and how little attention

he gave to the danger he was in. I have tried to show what small respect we give Mother Nature, and how, with her power, she will win in the end.

http://www.suetrowerphotography.co.uk/

http://www.suetrowerphotography.co.uk/




Photo © ARND GOTTSCHALK“Space Invaders”

1x.com/member/lichtformwerk

http://1x.com/member/lichtformwerk

http://1x.com/member/lichtformwerk




Photo © AITOR MATA“Lonely Coffee”

www.ickr.com/walimai

VISION: Every photographis an esthetical decision...

when we choose westop the time and weget one moment andx it. Photography is

about selection and viewcapabilities, about feelingthe beauty of everydaymoments, about beingable of feeling.

http://www.flickr.com/walimai

http://www.flickr.com/walimai




Photo © ANDREA PANTA“ZEBRATO III”

www.andreapanta-neart.com VISION: This is one of the5 limited edition Fine ArtPhoto series “ZEBRATO”.

http://www.andreapanta-fineart.com/

http://www.andreapanta-fineart.com/




Photo © KERSTIN ARNEMANN“Musical Architecture ”

www.artlimited.net/28187?tabid=10

http://www.artlimited.net/28187?tabid=10

http://www.artlimited.net/28187?tabid=10




This image intends to show that architec-ture and music share a common culturallineage. The image consists in abstract art

forms based on rhythm, proportion and har-mony. The same characteristics that please

the eye also please the ear. Musical terms

such as rhythm, texture, harmony, propor-tion, dynamics, and articulation refer bothto architecture and to music.

In architecture and music rhythm is referredto the regular or coordinated repetition oflines, gures, or forms which are considered

as a measure for organizing forms andspaces in architecture.

The comparison between architecture& music will reveal that, the architecturaldesign process has the same components& elements as in music, which are consistingof: A-Designer ; B-User ; C- Architectural work .

The combination of forms was meant torecreate a whole where all the parts in-teract harmoniously with each other, just

like in a musical composition. Architectural

shapes are revealed and formed by light.

The harmony in the images is represented

by the use of light. I try to design space andto convey balance in the relationship ofbuildings in terms of shapes, patterns andtextures.

The viewer is invited to explore the shapesand repetition of lines in the same way likelistening to a musical composition/ master-piece.

KERSTINARNEMANN

PHOTOGRAPHER

MUSICALARCHITECTURE




Photo © BRUNO BLAIS“The false disorder”

www.artlimited.net/brunoblais32

VISION: One morningin a deep city lightof La Defense inParis. A special foggysky eats the top ofbuilding andI love thisatmosphere.

http://www.artlimited.net/brunoblais32

http://www.artlimited.net/brunoblais32




Photo © HUGO BLACK“Freedom Tower, NYC”

hugoblack.com

VISION: In our minds, our memory and our hearts.

http://hugoblack.com/

http://hugoblack.com/




Photo © STEPHANE RUNDE“Black Diamond”

stephane.runde.fr

http://stephane.runde.fr/

http://stephane.runde.fr/




The CMA-CGM tower is the tallest tower inthe city of Marseille (147m). Designed by

architect Zaha Hadid , it is in the business dis-trict Euroméditerranée where other facilities.

The construction of the tower CMA-CGM is one of the results of Euroméditerranée program which is to restructure completelyseveral neighborhoods adjacent to the port

of Marseille . It is the rst major work on the

site of Euroméditerranée .

The tower’s disparate volumes (generatedfrom gradual centripetal vectors) gentlyconverge towards each other and then

bend apart to create an elegant “metalliccurving arc that slowly lifts and acceleratesskywards into a dramatic vertical geometry.

The unique design strategy of the new CMA

CGM Headquarters divides the overallvolume into smaller fragments and reas-sembles them in a way that maintains the

integral uniformity of the tower.

Seen from above the building remindsme of Diamond, symbol of the femininityof Zaha Hadid’s architecture. It’s also the

Jewel of the city.

This picture is part of a series of shots I called“The Massilia Triad” representing the 3 tow-ers of Marseille (CMA CGM, Allianz, and

Grand Pavois) , all build to develop a formerindustrial area of the city.

STÉPHANERUNDE

PHOTOGRAPHER

BLACKDIAMOND

Photo © SOLON MALKAS




Photo © SOLON MALKAS“InDarkness IV Light-Reection”

www.behance.net/solonasmalkas

VISION: My vision was

to make somethingtotally different thanthe original spot. The

edgy perspectiveemphasize thereection of the

concrete columnsin the glass and that“?” shape makes thework seems like amodern Stonehenge.

http://www.behance.net/solonasmalkas

http://www.behance.net/solonasmalkas




Photo © PETER HENRY“Sage III”

www.peterhenryphotography.com

VISION: This is one of my favourite buildings and one Iwill be returning to in the future. I wanted to capture

an image using the shapes of the glass roof without toomany other distracting elements, so I have carefullyselected the areas of detail below the “hood” and keptthe rest hidden from view.

Photo © JUDASS PRIEST

http://www.peterhenryphotography.com/

http://www.peterhenryphotography.com/




“Dove”

500px.com/JudassPriest

VISION: My intention behindto create this image is toexpress the complication oflives which lives under thestressful city life... I would say

more words but words can’texpress all my feelings...

http://500px.com/JudassPriest

http://500px.com/JudassPriest




“Telenn harp”

www.arrets-sur-images.com

Amazing combination of engineeringand design, a truly architectural andtechnical achievement, the Terenez bridge, 515 m long, is a cable-stayedbridge, with a fan cable arrangementand a curved deck.

2 pylons, each supporting 72 shrouds

who will wear a curved deck of 12000

tons. My photographic choice was fo-cused on the height of one pylon (100meters height), and more precisely onthe metal anchor box (115 tons) thatsupports 72 shrouds. To check the ten-sion of each shroud, a test consisted inmaking them vibrating like the strings ofa harp... then, by measuring the vibra-tion produced, we deduce the tension(83 tons to 280 tons). My vision is one

of a giant 144 strings harp. The burst of

strings emphasizes this feeling.

THIERRYKERGROAC’H

PHOTOGRAPHER

TELENNHARP

VISION: Vision was to show the mercurial shiny look of this dynamic place, Dubai Marina .

http://www.arrets-sur-images.com/





Photo © CHARLIE JOE“Mercurial Marina”

www.500px.com/charliejoe

Photo © MARKUS PFEFFER“F kf t T 185”

http://www.500px.com/charliejoe

http://www.500px.com/charliejoe




“Frankfurt - Tower 185”

www.pfeffer-photo.com

VISION: My goal

with this imagewas to visualize thefeeling of beingsmall and alsomaybe somehowintimidated whenfacing this kind ofbuildings. The dark

post processing withsome carefully setlight accents as wellas contrasting thesolid building withthe moving cloudsshould help with this.

http://www.pfeffer-photo.com/

http://www.pfeffer-photo.com/




Photo © ROSS NICHOLSON“Trap Door

500px.com/rossnicholson

http://500px.com/rossnicholson

http://500px.com/rossnicholson




This image is from a new science centrein Edinburgh , Scotland . After shooting

the external of building I came across thissecluded part of the building which housesthe spiral stair case with the shell around itlooking like a kidney bean.

I knew straight away this was a cool angleand would be something unusual to shoot(which is what I like to look for).

As always I shoot with the black and whitesetting in camera and with the fast cloudmovement it got a 30 second exposure withthe Firecrest lter and knew there and then

its my kind of shot. After trying a few differ-ent angles lying on the ground I saw this,the door with a little light shining in downthe walls leading my eye up over the aquagreen colour cladding shell and the darkshadow of the smooth outer stair case wallwith the clouds rolling past.

ROSSNICHOLSON

PHOTOGRAPHER

TRAP DOOR

Photo © WAHEED AKHTAR“City in the Dark”




City in the Dark

waheedakhtar.net

VISION: I have beento this place manytimes and alwayswanted to capturethe building onright (InternationalBusiness Tower) . Ithas beautiful triangleshape at top andalways wonderedthis would lookbeautiful if capturedfrom specic angle. I

am using wide anglelens for all my shots(till I get my T/S Lens).

I took a round ofthis whole buildingand this is the bestangle I found wherethe top of buildinghas some similarityto “Bat Man” head.

The curved shapebuilding (right) andstraight building (left)I think worked wellhere.

VISION: The left building is newly opened and named “Harucus” claimed to be the highest building in Japan . Located in Abeno,

http://waheedakhtar.net/

http://waheedakhtar.net/




Photo © YOSHIHIKO WADA“Friend or Foe?”

500px.com/YOSHIHIKO

g g pOsaka . The building is so modern and too high that stands out to

much in the city. I found the message “nice to meet you” on rightbuilding and lovely painting for visitors of the city. It looks like that the

old building (right one) welcomed the new building, but he lookssnob and too high, that he or she was afraid of his presence.

Photo © JANICE D. NELSON“Before She Sleeps”

http://500px.com/YOSHIHIKO

http://500px.com/YOSHIHIKO




p

jdnarchitecture.com

http://jdnarchitecture.com/

http://jdnarchitecture.com/




August is a beautiful time of year. It’s still

summer and sunsets can, at times, displayglorious colors throughout the house. Some

days a beam streaks from the West andhighlights the entire oor, from the back to

the front. I love this time of year because

of the silent array of sunset colors it brings.

It’s palpable. The warm setting sun rests

across my hands and eases them. For many

people, the day stops. Everyone watches

beautiful colored sunsets.

This day, the same feeling of comfort andpeace came over me. I was visiting the

Bean at Chicago’s Millennium Park . It was

just before sunset. The park was still moving

with people enjoying the remnants of the

day. Then a deep, still quiet set in as the sun

cast lowered across the sky in my mind.

JANICE D.NELSON

PHOTOGRAPHER

BEFORESHE SLEEPS




Photo © MICHAEL MURAZ“Strain”

www.anotherangle.eu

VISION: The world around us is strained.Our lives are often pushed in onedirection or another, and we sometimeshave little control over it. It is hard to

go against the current and to nd time

to stop. This is a darker piece, where I

worked with only a few elements. My

main goal was to highlight the arrowthat goes against the current of theclouds. The rest is here to support the

main subject and give some depth to

the image.

Photo © LEON TAN CHOON LEONG“Side By Side”

f b k /t l 399

http://www.anotherangle.eu/

http://www.anotherangle.eu/

http://www.facebook.com/tan.leon.399





www.facebook.com/tan.leon.399

VISION: I love the impact generated from thistwo building standing side by side, It seem toshow me spirit & soul of this two building.

VISION: My vision for this image

was simple. The scene I saw with

my physical eyes was bright and






Photo © IAN GOOD“8 Minutes in Toronto”

www.goodlighthunting.com

my physical eyes was bright andcolourful, with rippled water anduffy clouds. My minds eye saw

something darker and calmer,with emphasis on the light andshadows drawn on the buildingsby the setting sun.

Photo © MIKE PRINCE“San Marco”

www mikeprince org

http://www.goodlighthunting.com/

http://www.goodlighthunting.com/

http://www.mikeprince.org/





VISION: Piazza San Marco , dawn. The

only way to nd the square without the

visitors. Trying to nd an image that is

in anyway different, is challenging tosay the least. I love this city more than

any other. For an ‘old romantic’ it is thegreatest city in the world and possessvisual feasts that to me are unmatchedby any other man made creations.

www.mikeprince.org

Photo © MIHAI FLOREA“Sydney Opera House”

mihai-orea artistwebsites com



http://mihai-florea.artistwebsites.com/





mihai-orea.artistwebsites.com

VISION: This is my vision of one of the iconsof 20th Century architecture: a beautiful

sculpture of a light and graceful sailingship entering a menacing storm.

Photo © KLAUS-PETER KUBIK“BauHaus IV”

kpk-photography.de



http://kpk-photography.de/





kpk photography.de

VISION: ‘Language’ of shapes, clearlines, modernism, this all are expressionsconnected with the Bauhaus style whichcame up 1919 when Walter Gropius

founded the Bauhaus art school. Myvision for this image was to connectthis architecture style with elements ofcalmness/loneliness causing a somehow

futuristic and surreal feeling.

Photo © MARKUS LANDSMANN“Cologne - LVR Tower”

www.markuslandsmann.zenfolio.com

VISION: I want to show the bright details at the left side where the light comesfrom and also the contrast. The sky was very dark and also golden at this

moment. A thunderstorm is coming closer and closer. After 3 minutes the

thunderstorm comes over me So I had made my exposure to the right time



http://www.markuslandsmann.zenfolio.com/





thunderstorm comes over me. So I had made my exposure to the right time.

Photo © ANNA LAUDAN“Fine Art: Part VII”

www.anna-laudan-photography.de



http://www.anna-laudan-photography.de/





p g p y

VISION: This type of photographyand the editing is often used for

very spectacular buildings with alot of steel, glass and concrete.

This building dates from the60's and is absolutely not

spectacular. It consists mainly of

a dull yellow stone. I am often

driven past this building whileI noticed the zig-zag structureof the architecture. My vision is

to show that building in a newinteresting light and highlight thearchitectural structure.






Photo © ALLAN BOREBOR“Battlefeld Gate”

www.allanborebor.com

VISION: This is tohonor the fallenheroes of WWII .My intention was

to convey animpact to theimage that suitmy vision, to gavea personal andunique meaning,to communicatethrough art.

Photo © AGGELOS KONSTANTINIDIS“Spiritual rebirth”

500px.com/AngelosKonstantinidis

http://www.allanborebor.com/

http://www.allanborebor.com/

http://500px.com/AngelosKonstantinidis

http://500px.com/AngelosKonstantinidis




VISION: I made this phototo show the spiritualrebirth or even the exactopposite depending onthe viewer.

Photo © SPYRIDON E. KONTADAKIS“The Ancient Glory”

500px.com/konspir

VISION: The Temple of Afea (490 BC) still standingproud on top of a hill at Aegina island, Greece , asthe centuries pass by. Hurt by time, but not fallen, still

reminds us the glory of the past. This glory, is what I

http://500px.com/konspir

http://500px.com/konspir




g y p g y

wanted to capture and show with this photo.

Photo © STEFANOS KASTRINAKIS“Oaka”

www.facebook.com/skastrinakis

VISION: The ideas slowly started to unleash themselves inside me.

The intention started to arise. It seemed like I was experimenting

and that I hadn't reached a conclusion yet. I could see all the

efforts put into this architectural creation and I needed to shoot

http://www.facebook.com/skastrinakis

http://www.facebook.com/skastrinakis




many images to understand it so I can better convey my vision. This

intention and the experimenting guided me towards formulating anal vision of this object, vision that had a meaning to me.

Photo © NOEL BALDEWIJNS“Calatrava Bridge Hoogdorp”

www.facebook.com/noel.baldewijns

VISION: When I drove to Schiphol, national airport Netherlands ,I passed a little village named “Hoogdorp” . And as an variant to an

old Flemish saying: when you travels trough Europe , you can meetCalatrava everywhere. In this village you can nd 3 nice Calatrava

http://www.facebook.com/noel.baldewijns

http://www.facebook.com/noel.baldewijns




bridges who are dominating the skyline of this little village. The clouds

were perfect that day and I wanted to show the beauty of a gameplayed by the cables, the pylon and the the line of the road.

Photo © POLGÁR ÁDÁM




“Hungarian National Theatre”

www.ickr.com/photos/polgar79

VISION: In this photo you can see the Hungarian National Theatre ,which is located at the riverside of Danube . When I took this photo,

my goal was to nd the perfect point of view in order to emphasize

the feeling, that the building is oating on the Danube like a cruiser.

VISION: The bridge and thepier cutting right across the

iddl f th hi h

http://www.flickr.com/photos/polgar79

http://www.flickr.com/photos/polgar79




Photo © DEEPAK GHOSH“Dichotomy”

www.photographybydeepakghosh.com

middle of the scene, whichwas ooded by the frenzy of

the clouds at the top and thecalmness of the water at thebottom, led me to create in

this photograph what I think isa state of conict – a state of

dichotomy.

Photo © DANIEL TJONGARI“Bridge of Love”

500px.com/danieltjongari1

http://www.photographybydeepakghosh.com/

http://www.photographybydeepakghosh.com/

http://500px.com/danieltjongari1

http://500px.com/danieltjongari1




VISION: In the silentmorning of Jakarta , Icame to this place totake a picture. When

I saw this bridge Ifelt that the curve

makes somethingabout the vision ofthe horizon. I shot

with a long exposureto make the beachfeel calm and soft.

When sunset timewill come, a lot ofcouple will be inthis place to seethe sunset. LocationAncol, Jakarta .

VISION: This is an image of the MacArthur Bridge in Detroit, Michigan USA. It is a

long exposure and my vision was to have the bridge disappearing into a fog.

Although it was a clear day when I took this image, post processing using layersmasks and layering into a very high key frame achieved the desired result.




Photo © WILLIAM CORNIES“MacArthur Bridge”

www.slicesofcompressedtime.com

Photo © ROBERTO PAVIC“Praha XXIII”

http://www.slicesofcompressedtime.com/

http://www.slicesofcompressedtime.com/




Praha XXIII

www.facebook.com/roblfcphotos

VISION: This timeless photo of Charles Bridge in Prague

represents bridge in totally oposite way it usually lookslike - without tourists and crowd. fog, mist and sher-man on the river create eerie atmosphere in the centerof the city instead of the chaos on the bridge...

Photo © KARINE KERGROAC’H“Abyss”

www.arrets-sur-images.com

http://www.facebook.com/roblfcphotos

http://www.facebook.com/roblfcphotos






Shortly before shooting, I had in mind theidea of a conceptual picture, very strippedand graphics, but purely a photographywithout drawing or adding of any otherelements. The long exposure was needed

to smooth the water as well as a shoottaken early in the morning to get the exactamount of light and a soft lateral light.

The juxtaposition and the «choc» of mate-rial, matte wood and shiny material thescales are made of, offered an interestingcontrast to my eyes.

The juxtaposition of three elements only and

no more: water, wood, aluminum gave araw, simple and modern aspect asI wanted it to be. The square format

straightened the impression of somethinggraphics and highlighted the bridge diago-nal. The choice of placing the camera very

closed to this ensemble and taking a shot«up to down» helped me to emphasize the

impression of abyss.The choice of the title

came to me spontaneously, I could easilyimagine someone going down in the deep,into the abyss.

KARINEKERGROAC’H

PHOTOGRAPHER

ABYSS

Photo © MILAD SAFABAKHSH“Modern times”

500px.com/miladsafabakhsh

http://500px.com/miladsafabakhsh

http://500px.com/miladsafabakhsh




VISION: I am inspired bythe environment I livein. My intention was to

show a modern worldwith soulless people init.the word “soulless” canbe perceived differentlyand it’s the viewer whodecides what it meansaccording to theirexperience.




Photo © ZOYA GRINBERG“Vertical Ambition”

www.facebook.com/ZGStudios

VISION: This image was taken in Chicago , this past August, onan architectural tour. This magnicent city offers an unparalleled

array of architectural gems. I was totally in awe... which brings me

to my vision... I will quote Johann Wolfgang von Goethe , sincehis quote pretty well encapsulates my creative process: “Music is

liquid architecture; Architecture is frozen music.”... since music is my

foundation, my ‘Muse’, in every creative aspect of my life... it is the

sustenance which fullls my purpose and the essence of my being...

and architecture is the Man’s greatest evidence of ingenuity in

creation of ‘Immortality’ ...

Photo © JOHANN POURCELOT“ONE-EYED JACK”

http://www.facebook.com/ZGStudios

http://www.facebook.com/ZGStudios




ONE EYED JACK

www.facebook.com/Johann.Pourcelot.Photographie

http://www.facebook.com/Johann.Pourcelot.Photographie

http://www.facebook.com/Johann.Pourcelot.Photographie




I just discovered two years ago that a

new modern architectural complex wasachieved in Lausanne near my hometown,the EPFL Rollex Center . The story behind the

construction challenge and the VISION ofthe architect enchanted me instantly. I live

in the East of France , a real poor region interm of modern architecture, so I rided mymotocycle till Lausanne and tried to catchthe essence of the architect VISION . It’s

hard for me to explain in english, but whenyou’re there, the structure seems to be verylight and give the feeling to oat over the

ground.

So I wanted to make people think this is aship which is ying in the sky and I planed to

let people see that in my image by clos-ing the sky into one frame (the hole in thestructure) to remind a porthole (spaceshipwindow).

And last but not least, the sky frame remindthe shape of an eye, if you copy the image,reverse it (vertically) and paste it beside theoriginal you can see two eyes watching youand giving you... THE VISION!

JOHANNPOURCELOT

PHOTOGRAPHER

ONE-EYEDJACK

Photo © GITTAN BEHEYDT“Heaven Of Peace”

www.gittanbeheydt.com

http://www.gittanbeheydt.com/

http://www.gittanbeheydt.com/




VISION: The sceneI envisioned wasa peaceful placewhere nothingdisturbs your innerspace. In reason of

strong wind and non-solid surface I did nottake a long exposureof the scene toavoid the possibleblur and ratherchoose for a verydark post processingto eliminate anydistraction fromthe quietness andpeaceful scene.




© MICHAEL LEVESQUE“Enchanted”

mikelev.zenfolio.com

VISION: When we are young, ourimaginations run wild, the forest is aspecial place; a place of fairy tales andwonder. The trees stand guard and if

you are patient, maybe just maybe, you

will catch a glimpse of nature’s beautifulcreatures; in that silent moment you willunderstand the necessity to protect thebeauty that surrounds us.

Photo © DARREN KELLAND“Le Hocq”

www.darrenkellandphotography.com

http://mikelev.zenfolio.com/

http://mikelev.zenfolio.com/

http://www.darrenkellandphotography.com/

http://www.darrenkellandphotography.com/




Long exposure black and white photogra-phy as a concept is what rst encouraged

me to pick up a camera. I looked at some

of the ne art photography that others pro-duced and took my inspiration from that.

I have followed other photographers and

seen the beauty that they have producedand learnt a lot from people near and far.

I challenged myself to not be afraid offailure and disappointment and to keep re-ning my photography and processing skills.

Nothing is insurmountable with the right at-titude and plenty of determination.

I worked hard at this image. I took several

photographs before the light was right forme. I knew this would provide me with a

peaceful feeling once converted to B+Wand when the image began to take shapeon my screen I felt the vision had become

reality.

This image has been a jumping off point

for so many more. In many ways it was the

rst step along a creative route where I nd

space and time for myself. This is why I am a

photographer.

DARRENKELLAND

PHOTOGRAPHER

LE HOCQ

Photo © MICHAEL ACOSTA“The Village”

www.michaelacosta-photography.com

VISION: Taken in the provice of Batangas, Philippines . My rst visit to this remote

and serene shing village. During the shoot I was thinking how can my audience

experience the serenity of this location. For me I guess the mono photograph speaks

for itself. Slow, Quiet, Dramatic & Calm.

http://www.michaelacosta-photography.com/

http://www.michaelacosta-photography.com/




Photo © ANDY BITTERER“Night and Day”

500px.com/fotoclix

VISION: I always knew that desertnights can be cold. But after spending

quite a bit of time on the dunes of theNamib waiting for the sun to come up Icould hardly press the shutter becausemy ngers were so stiff. But somehow I

managed. I wanted to create a “nightand day” image where the rst rays

illuminate the Eastern slope of the duneswhile the opposite side was still in deepshadow.

Photo © YUSUP YOGASWARA“Fragile

www.ickr.com/photos/98770059@N03

http://500px.com/fotoclix

http://500px.com/fotoclix

http://www.flickr.com/photos/98770059@N03





VISION: I have takenthis image in Kiama,

South Coast NewSouth Wales . Kiama

was the site of twostrong volcanicows called the

Gerringong Volcanic which came outof SaddlebackMountain , now acollapsed volcanicvent. There are

wonderful rockformations on the cliffheadlands. I thoughtthis place has givenme very good feelingalthough I foundsomething differentand difcult in this

images. The rock

formation and thestrong nature of thisimage have shapedmy vision genuinely.




Photo © MAKRIS VANGELIS“Dreamland”

www.facebook.com/vangelis.mcris

VISION: I am one of those millions of people that when I see an exotic and unreal landscapepicture, I feel great admiration. In order to photograph this kind of landscapes, someone needs

good equipment and plenty of time to spend. My vision was to create such kind of landscape

picture, where the mystery and the “out-world“ sense are dominant. I chose to do this picture

black and white because I think that it gives the picture more dynamic.

http://www.facebook.com/vangelis.mcris

http://www.facebook.com/vangelis.mcris




Photo © MICHAEL DE GUZMAN“Waltz with the Wind”

www.mdeguzman.com

WALTZWITH

http://www.mdeguzman.com/

http://www.mdeguzman.com/




My second visit to Japan last 2012 proved

to be a more challenging one than the rst.

Having been living in a tropical country,staying outdoors for hours on winter is notnecessarily a joy to be in. What made it

worse was the strong winds which dropped

the temperature a few more degrees.Heavy clouds covered Mt. Fuji and it can-not be seen. However, anticipating Mt. Fuji to show up will make you forget the physi-cal conditions and I had to wait for hours tohave an opportunity for a good shot.

At last luck came to me after having asoothing hot ramen. This is because clouds

began to clear.

It is like the grand entrance of the biggeststar of a show. I was ready and nervous

at the same time. Finally, here comes my

chance. It was a sight I could never forget.

Clouds were circling around it like an el-egant dress of a dancer. I was not sure how

long it will last and so I had no time for verylong exposures. I panicked actually.

After a few minutes, the theatre curtainsstarted covering Mt. Fuji once again... until

the next performance she said. The experi-ence was rather, spiritual... and I was fortu-nate enough to capture it.

MICHAELDE GUZMAN

PHOTOGRAPHER

WALTZ WITHTHE WIND

Photo © NEIL HULME“High Heels”

neilhulme.smugmug.com

VISION: This image is one of those that you have a 10 minute window to catch the image I had inmind. After several journeys all with no look. First time tide not high enough, second time I ended

h i h t d t ith l f bi d h t h Thi d d th b t I

http://neilhulme.smugmug.com/

http://neilhulme.smugmug.com/




up having a heated argument with a couple of bird photographers. Third and the best, as I was

set up a bus turned up full of people and proceeded to start a baptism right next to where I wastaking my image. Fourth time lucky. My vision is to try try and try again.

Photo © STEVEN FUDGE“Solace”

www.blackandwhitelight.com.au

http://www.blackandwhitelight.com.au/

http://www.blackandwhitelight.com.au/




VISION: I prefer todepict a slightlysurreal and calming

presence with myphotography, thesetrees really do reside(not live) in thewater,slowly dyingand being overtakenby the rising tidewaters , I have triedto capture this senseof loneliness andserenity in the image.

Photo © HIDETAKA ONOYAMA“Searching for God”

www.facebook.com/h.onoyama

http://www.facebook.com/h.onoyama

http://www.facebook.com/h.onoyama




I grew up with science and have beenbelieving in it. So I’m not a believer in God or after life. But when the tragic earthquake

happened on March 11, 2011 in Japan ,

I had to confront so many painful visions.Life was really fragile in these visions and itwas not easily acceptable. Instead of ac-cepting it, I began, maybe instinctively, toseek a different answer through external orinternal visions.

The vision acceptable to me is transcend-ing death. Some people call it “heaven” and some people call it “God” .

Unfortunately, in my worldview, I cannoteasily accept words related to religious.

Because of that, searching visions is moredifcult for me. But So I began to believe

what life or nature has a different modalitywhich cannot be broken by death.

I don’t know if life can show me the answerI’m looking for. Or maybe the visions don’t

exist and they are only products of myimagination. But I cannot stop searching

and will continue indenitely.

HIDETAKAONOYAMA

PHOTOGRAPHER

SEARCHINGFOR GOD

Photo © JAYANTA ROY“Peak Of Evil”

www.facebook.com/jayantaroyphotography

http://www.facebook.com/jayantaroyphotography

http://www.facebook.com/jayantaroyphotography




INFO: This peak iscalled “Peak of Evil” located in HimachalPradesh , Indian

Himalayas , a difcult

rock to climb.

Photo © TASOS ANESTIS“Gullfoss, Iceland”

www.facebook.com/TasosAnestisPhotography

http://www.facebook.com/TasosAnestisPhotography

http://www.facebook.com/TasosAnestisPhotography




VISION: I chose a minimalist approach as myobjective was to highlight the power of nature in

an almost surreal way, and I believe Iceland wasthe perfect destination for such projects.

VISION: I wanted to create a calm and dark scene with thewater highlighted to show that it is the source of life, and likelife there are many choices and pathways we can take.




Photo © ANTONIO GOUVEIA“Water Paths II”

antoniogouveiaphotography.com

http://antoniogouveiaphotography.com/

http://antoniogouveiaphotography.com/




Photo © VINNI VIGDAL

“Art by Nature” 500px.com/Snas1

VISION: A shot I did in February. We had around 2.5 meters of snow up in the mountains from where I live and for two months we only had two days of sun. I was

up there both times My vision and goal for the shots was to capture the vast amount of snow, play of shadows and the sculpture like trees as a work of nature.

Photo © FELIX INDEN“Arctic silence”

www.felixinden.smugmug.com

http://500px.com/Snas1

http://500px.com/Snas1

http://www.felixinden.smugmug.com/

http://www.felixinden.smugmug.com/




It was very cold on Lofoten islands, Norway

in February 2013 and one snowstorm

chased the next... I wanted to show the

feeling of wild silence that those snowylandscapes bring, when all sounds getdimmed and one only hears the crackingof ice and a the howling wind.

During this long exposure I really hoped thatthe approaching storm would take longenough to arrive to let me nish this only

exposure of the day.

In processing I enhaced the contrastbetween the drifting clouds, water andice and the solid mountain surroundings

and this way hope to make it possible to“visually hear” the arctic silence.

FELIXINDEN

PHOTOGRAPHER

ARCTICSILENCE




Photo © JAREK STEFANOWICZ“Against the Elements

jarekstefanowicz.wix.com/photography

VISION: By creatingthis work, I wanted toshow our emotions,because how oftenwe ourselves arestruggling with theproblems as the treestruggling alone witha strong wind andrushing water.

Photo © ALEXANDER“Lumpy Sunset”

www.playswithlight.net

VISION: Taken shortly before sunset at my local beach, Christies

Beach, South Australia . The lumps are actually sandbags that the

surf-life savers use to get their boats into and out of the water. I am

prone to the odd spot of day-dreaming whilst walking down hereand have often thought to myself that the sandbags could almostbe alive. With this image, I wanted to give these sandbags a lifelike

quality, as if they could be a pod of stingrays or sea-creatures wehad never seen before, swimming off into the sunset. I deliberately

kept the sky quite subdued and the water much lighter hopefully

http://jarekstefanowicz.wix.com/photography

http://jarekstefanowicz.wix.com/photography

http://www.playswithlight.net/

http://www.playswithlight.net/




kept the sky quite subdued and the water much lighter, hopefully,as a result, keeping the attention on the lumps.

Photo © SATORU MURATA“Time”

ickr.com/rawhead

http://flickr.com/rawhead

http://flickr.com/rawhead




There is a Shinto Shrine in the sea along thewest coast of Hokkaido, Japan , that wasphotographed by Michael Kenna , andpublished in his book “Hokkaido” . Being a

big fan of Kenna and being from Hokkaido ,

I wanted to visit the shrine and pay homageduring my last visit in Japan . I did take some

nice photos of the shrine, however, myfavorite image turned out to be a scene myfriend and I came across en route; a dozenor so stones, perhaps pylons, jutting out of

the sea and a ock of birds just resting upon

them.

Immediately recognizing the potential ofthe scenery, we jumped out of the car, set

up our gear, and spent the next hour or sophotographing the birds. They remained

remarkably still during exposure, which, in

this case, was around 2 minutes using aHasselblad 203FE with a Carl Zeiss Planar-F

110mm F2 lens at F16 and a Hoya ND400 + ND8 lters stacked. The “vision” for the im-age was zen/minimalism, but there is hardly

any post-processing here; just subtle re-touching of the stones and birds to get theright contrast. The sea and sky were pretty

much left untouched as they came out ofthe scanner.

SATORUMURATA

PHOTOGRAPHER

TIME

Photo © THIERRY VANHUYSSE“Please... sit down”

www.art-unique.be

http://www.art-unique.be/

http://www.art-unique.be/




VISION: I wanted to create a zen like feeling which invites the viewer to take a moment for himself/herself...

I wanted to create a spacious environment, another world in which a person can step out of reality.

Photo © PHILIP WHITTAKER“Weather Beaten...”

www.facebook.com/philwhittakerphotography

http://www.facebook.com/philwhittakerphotography

http://www.facebook.com/philwhittakerphotography




VISION: My vision for this image was

to convey the power of the elementsby using a long exposure to show themovement that created this twistedtree. Its contour had been moulded by

strong winds up high on Hadrians Wall,Northumberland.




Photo © ARIFUDDIN“Loneliness”

www.facebook.com/ar.reef

VISION: When I made this p icture, myvision was to show solitude and simplicityelements of the object. Through this

picture I also would like to convey thata mangrove tree is not only used tokeep the coast from abration, but theshape of the mangrove tree also has itsown beauty. Therefore, the mangrove

cultivation needs to be expanded at allcoast areas.

Photo © PAUL HAMILTON“Search”

ww.paulhamiltonphotographer.co.uk

VISION: The morning of making this shot I planned to go to mylocal beach as the skies were looking very interesting and verychangeable. I had pre visualised in my minds eye the type of

image that I wanted to capture on the short drive to the coast, thatof the sun’s rays through stormy clouds over the sea I knew I had

http://www.facebook.com/ar.reef

http://www.facebook.com/ar.reef

http://ww.paulhamiltonphotographer.co.uk/

http://ww.paulhamiltonphotographer.co.uk/




of the sun s rays through stormy clouds over the sea. I knew I had

to work fast as on arrival, no sooner than I had set up my camerato capture, this spectacular natural light show unfolded before mewith rays of light dipping in and out of the stormy rain clouds, I wasnot expecting the rays to light up the land around the coast likethey did as seen here. RAW image capture in Adobe RGB colourand post processed in Silver Efex Pro 2 and Adobe Lightroom 5 .

Photo © LUCIAN OLTEANU“Black Night2”

www.facebook.com/lucian.olteanu.9

http://www.facebook.com/lucian.olteanu.9

http://www.facebook.com/lucian.olteanu.9




VISION: Black night shot in the sunset, as a day by night in Ps.




Photo © ELAINE BUTLER“Reection”

www.ickr.com/photos/55456023@N07

VISION: The beauty in the gnarledbranches of this solitary hawthorndraw me back to it time andtime again... There is dignity and

strength in its lonely existence.

Photo © SID LIATENI“Memory of slave”

www.facebook.com/pages/Liatenis-Photography/310347429278



http://www.facebook.com/pages/Liatenis-Photography/310347429278

http://www.facebook.com/pages/Liatenis-Photography/310347429278




VISION: I usedto go in there totake photos, I wascaptivated by thiswork of art createdhuge for thebicentenary of theabolition of slavery.

Curves toward thesky gave this worka demension ofgreatness. I had

already done beforepictures without longexposure; who havenot met me. I went

back three times tond light conditions,

with the longexposure to a givendesired result.

VISION: I came to this beach but there were not anyinteresting subjects to shoot. So I decided just to play

with wave ow. My vision is to show the calmness,

freshness and freedom like this wave owing.

Photo © SHAMSUL AZWAN BIN IBRAHIM“Song Of Nature”

www.ickr.com/photos/samkranzphotography

http://www.flickr.com/photos/samkranzphotography

http://www.flickr.com/photos/samkranzphotography




Photo © THIBAULT ROLAND“A different Path”

www.thibaultroland.com

http://www.thibaultroland.com/

http://www.thibaultroland.com/




I took it in a very special place that comesvery high on my list of locations that I like toshoot the most: Newfoundland .

This photograph is one of a wooden pier in

the Twillingate area, a small town on theNorth Shore of the island. It is very often that

icebergs oat down from Labrador and

wash up there, but that particular year Iwas not lucky enough to see any... Fortu-nately, there is more than enough materialto compensate, and shing piers certainly

account for that.

With this image I wanted to show some-thing that was very much out of this world,and still familiar enough that we could seeourselves in it. I wanted to convey the feel-ing that life seems often to offer us very little

choice but to follow one single path, andthough, if you look more closely to it, thereare different ways. A boat could come up

and sweep you off the path that was set toyou, and take you away to clearer skies.

Last time I was in Newfoundland was twoyears ago... Seems to me it’s time to think of

going back!

THIBAULTROLAND

PHOTOGRAPHER

A DIFFERENTPATH

Photo © LES FORRESTER“Storm Chasing”

www.faceonimages.co.uk

http://www.faceonimages.co.uk/

http://www.faceonimages.co.uk/




VISION: My vision for

this image was see-ing the storm cloudsapproaching fromthe left was to makea minimal long expo-sure of the rocks andsea, then wait thestorm clouds to be inposition, then obtain-ing a second image,overlay this on theLE image, giving theeffect of the rocksand clouds mirroringeach other. Image

shot in Northumber- land at Bambugh

England, Fuji X1 Pro 14mm lens.

Photo © SOUVIK CHAKRABORTY“SOLITUDE”

500px.com/souchaks

http://500px.com/souchaks

http://500px.com/souchaks




VISION: The visionhere was to highlightthe harmoniousrhythm of naturethat we fail toperceive with oureyes. The carefulblending of a verylong exposureshot capturing startrails and a shorterexposure for therocks/ water depicts

nature as withdrawnand immersed inblissful solitude.

Photo © LUBOMIR LETKO“LightCatcher”

www.llneartphotography.com

http://www.llfineartphotography.com/

http://www.llfineartphotography.com/




VISION: On the

same day as I gotin the mailbox mynew HITECH Filter ,I managed to gobefore sunset to tryto do a bunch oftest photos with mynew darling (HiTech) When I came to theplace, the conditionsfor photographywere amazing.

During sunset I had

a beautiful light thatwas reected on

the sea surface. I

knew that I had tocapture this moment.

The small house thatserves the shing,

at that momentrecount stories ofcatching light.

Photo © BRUCE GIRDWOOD“Hallelujah”

www.girdwoodphotography.com

http://www.girdwoodphotography.com/

http://www.girdwoodphotography.com/




VISION: Standingin the open, alone,unprotected,vulnerable. Nature’s

intensity excites everypart of my being.

Alive. Hallelujah!

Photo © SIMOS XENAKIS“Fields Of Fairy, Redland, Oregon”

www.simosxenakis.com

http://www.simosxenakis.com/

http://www.simosxenakis.com/




FIELDS OF FAIRY




In most of my recent work, the goal hasbeen to construct an imaginary placethat’s suitable for my own temporary men-tal escape. I’m usually concerned with how

best to portray a quiet, serene, and medita-tive environment. I created “Fields Of Fairy” during a recent trip out west, where we

experienced thick fog for about a week ina rural part of NW Oregon . Fog fascinates

me because I don’t get much of it backhome in NYC and I knew there was a greatimage to be made, so we spent the weekdriving around taking many shots. We nally

came across this eld of trees that gave me

a perfect canvas.

I conceptualized an idealistic world that

was free of distractions, giving me relief

from my racing thoughts - a place thatwould allow me to take a focused journey

of self-analysis and reection.

I felt like the centered composition and lightbetween the trees was important to con-vey a sense of traveling down a mysterious,

solitary path in a slow and methodical waywith an intuitive knowing that there existsa bright, albeit unknown future ahead. In

many ways, this parallels my own journey in

photography. I still don’t know what my nal

purpose is, but I instinctively feel like I’m onthe right path. I will continue taking this jour-ney because someday, I might just gure

out what’s behind that bright light betweenthe trees.

SIMOSXENAKIS

PHOTOGRAPHER

Photo © IVANA STOJAKOVIC“Untitled”

www.artlimited.net/22183

http://www.artlimited.net/22183

http://www.artlimited.net/22183




VISION: You maythink that the wholepoint of photomanipulation is thephoto you see in

the end. Usually,I just have a raw

idea of what I needto express andafter that, I’m just

with a ow of my

unconsciousness.

The truth is that thewhole point liesduring the processof making it. When

the photo is done,it’s liberating. With

this particular one,I came up to onethought, apparentlyvery important forme - we all needto grow up rst in

order to reach themountains, but still,keep the innocenceof a child.

VISION: This photo is part of theseries “a moment lost” , a seriesof selfportraits showing myfeelings, my kind of being partof the world. Solitude, con-templation, tranquility are keyelements of this work. Solitude

as a positive counterpart ofloneliness, completely restingin myself, silence, moments ofamazement about the beautyof nature. This has been real-




Photo © CARMEN SPITZNAGEL“A Moment Lost”

www.momento-eterno.de

ized at my favorite tree alleyin a beech forest on a foggymorning in autumn. There was

atmospheric inversion, fog inthe valleys and bright sunshineon the hills. After more than an

hour waiting I was rewardedwith the magic moment whenthe sun enlightened the fog.

http://www.momento-eterno.de/

http://www.momento-eterno.de/




Photo © MALIKA FARMAN“Somewhere”

www.artlimited.net/mal.far

http://www.artlimited.net/mal.far

http://www.artlimited.net/mal.far




Mostly of my work is inspired by the things

that surround me. I shoot from the heart

and I’m very much addicted with simple

and ordinary things. On some occasions,when traveling if I cannot take my profes-sional camera with me I use my phone(which can be very handy) or my Holga .

Later on I see what I have and then thewhole game of creation starts in the postproduction.

Sometimes I leave the image as it is “un-

touched”! This image is a composition ofthree images I took on my way to Seville

airport last summer. The solitude of the treeand the simplicity of the building and thebirds ying in the distance were basically

the source of inspiration to create this im-age.

MALIKAFARMAN

PHOTOGRAPHER

SOMEWHERE

Photo © HENGKI LEE“Prelude To the Dream”

www.facebook.com/HengkiLeePhotography

http://www.facebook.com/HengkiLeePhotography

http://www.facebook.com/HengkiLeePhotography




VISION: My vision of this image is about the beginning of adventurous dream,

which is so exciting and mysterious that everyone could experience in their lives.

Photo © HALIL ANDI“The eye and the face”

1x.com/member/andihalil

VISION: This photo is acomposite of two picturesand mirror medium, thatI would like to make adifferent soul of potrait.

http://1x.com/member/andihalil

http://1x.com/member/andihalil




Photo © BRIAN DUKES“The Big Bang”

plus.google.com/+BrianDukes

http://plus.google.com/+BrianDukes

http://plus.google.com/+BrianDukes




Each year there is an explosion of Dande-

lion’s (a common weed), if you see one inyour garden, before long you’ll see hun-dreds.

Their method of spreading seed is simplebut effective, each ower head turns to

seeds, each seed is attached to a very lightfeathery structure, one wisp of wind andthe whole seed head gets blown away, tooat on the breeze until the seed reaches

the ground, to there by start the next batchof life.

Seeing this particular Dandelion on theroadside verge by my house had me imag-ining the universe at it’s very beginning,exploding into life through the ‘big bang’ ,and the material that is cast out into thedarkness coalesces into the universe as weknow it. And thus my vision for this image

was born.

BRIANDUKES

PHOTOGRAPHER

THE BIG BANG

Photo © CÉSAR LÓPEZ“No beating heart”

cesarlopezseoane.jimdo.com

http://cesarlopezseoane.jimdo.com/

http://cesarlopezseoane.jimdo.com/




VISION: In this casethe vision is frominside,this image ispart of a personalproject that play

with the emotionaluctuations,in which

no matter thetechnique used orthe processing... only

matters the relief ofthe moment, the

need to shout theaccumulated silence,fears, longings,empty, struggles...

although thoseemotions remainon paper or on animage... the project

is called “emotionalegocentricity" .




VISION: It all started with achallenge-to capture thatmagical moment of a wettennis ball spun in the air.

Armed with only a tripod,a timer and a whole lot ofpatience, without any assist,this was hard. Adding to the

fact that I have to use twoblack plastic box covers as abackground, makes it evenmore of a challenge. Lost

count of how many times Ihave tried and failed. In the

end, I realised, it was all wellworth it. May I present to you,

the Milky Way. In the middle of

all the chaos, of ying water

droplets, there is somethingbeautiful.

Photo © MICHELLE FOO“The Milky Way”

instagram.com/MICHELLEFOOXL

Photo © HENK BIJL“Ephemeral Beauty”

www.facebook.com/henkpbijl

http://instagram.com/MICHELLEFOOXL

http://instagram.com/MICHELLEFOOXL

http://www.facebook.com/henkpbijl

http://www.facebook.com/henkpbijl




VISION: I like to show “my world” as simple as possible with gray tones and to me the image should emanate tranquillity, timelessness and nity.

This is the rst time I captured a still life with simple but beautiful objects (garlic and gs)? My vision: the garlic and gs sprouted from the dark soil

(out of “nothing” or darkness). They grow and become attractive living objects with all their beauty and shortcomings (just like people…). After a

ephemeral existence they degrade and vanish into “nothing” (or darkness) again; repetitive and timeless…




Photo © WAYNE ELLIOTT“Haunting Beauties”

www.facebook.com/prole.php?id=100006870948041&fref=photo

VISION: These coneowers are past their

prime - they are dying. My v ision for this

subject is to show beauty in death. In B&W

photography we have shapes, forms,lines, textures and luminosity to work with.

All have a role to play in this creation.

Fortunately the ‘pose’ of the two owers,

one larger, one smaller - one with it’s petal(arm) around the other in a protectiveembrace tweaks our emotions and let’s usknow the end is approaching. But yet they

stand erect and proud... beautiful in their

last days.

Photo © LAWRENCE DEL MUNDO“Silver”

lawrence.delmundo.ph

http://www.facebook.com/profile.php?id=100006870948041&fref=photo

http://www.facebook.com/profile.php?id=100006870948041&fref=photo

http://lawrence.delmundo.ph/

http://lawrence.delmundo.ph/




VISION: To preservethe moment insuch a way as to

help my subjectssee, hopefully in aunique and specialmanner, how theywere and to helpthem remember howthey felt at the timethe photograph wastaken have been myprimary objectives

each time I takea photograph. I

wanted to highlight

the seemingtranquility andsilent condence

of the swimmer inthis photograph,oblivious to thefrenzy of splashingwater and shoutingthrong as he came insecond.

Photo © DRAGOS IONEANU“Three benches, Hastings”

www.ioneanu.com

http://www.ioneanu.com/

http://www.ioneanu.com/




VISION: This is a seascape scene at Hastings, UK . My vision was to create an eye drawing geometrical image out of a relative normal scene by

utilising the interesting pavement texture and the symmetry of the three benches. Long exposure technique has been used to simplify the sky.

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