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Forsidebillede: Midlertidig pavillon,Mnster, Tyskland (side 10-11)Billede: Christian Richters

KobberdifferentieringDenne udgave samler en eklektisk blanding a nye bygninger, hvor kobber og kobberlegering spiller en central rolle i det arkitektoniskeudtryk. Den kan betragtes som en typologisk rundvisning, der a dk-ker en stigende diferentiering i brugen a materialet blandt designerea alle bygningstyper og nye teknikker.

Op attelsen a kobber har ndret sig i takt med dens voksende rolle imoderne arkitektur, og den ndrer sig stadigvk. Kobber anvendes selv-

lgelig stadig p de bygningstyper, som materialet har en historisk til-knytning til. Men o te er der en moderne vinkel p disse bygningstyper,som det .eks. kan ses i kapellet i slutningen a denne udgave (s. 36-38) en konisk tromle, der bryder igennem midten a den tilhrende skolemed inspiration ra bde kirkelige kupler og spir. Kobbertage er ogs envigtig bestanddel i vores rste projekt, et atrium til et stort kon erence-hotel (s. 4-7), som er ormet som en dekonstrueret guldlegeret stjerne, derdemonstrerer materialets muligheder or innovative og moderne ormerbde indvendig og udvendig.

Kobbers unikke ud ormningsmuligheder l tes til et endnu hjere niveaumed de dramatiske kurver i et klubhus ved havet (s. 8-9), som blev mulig-gjort a computermodelteknikker, der giver mulighed or strre design ri-hed. I modstning hertil lger ormen unktionen p en redningsstation(s. 12-15), der er designet med henblik p det artj, den huser, og sombeskyttes a kobber mod de mest hrd re miljer dette design har vist

sig kompetent til at blive gentaget andre steder. Miljbeskyttelse de nereogs bronze- og glasindhegningen a to oldgamle runesten (s. 28-29), memed enkel, skulpturel kvalitet.

ydeligt de nerede ormer karakteriserer ogs Marlowe Teatre (s. 16-19 en typologi, som traditionelt er orbundet med kobber. Det samme kansiges om o entlige biblioteker, men i Seinjoki (s. 32-35) respekterer en na deling i Alvar Aalto-centeret dets ikoniske kontekst, men di erentiersig samtidig ved at have en kobberbelagt overfade. Et andet bibliotek Dept ord Lounge (s. 24-27) udvikler sig til en ny, ben kommunal bygning, hvilket kommer til udtryk i gennemsigtigheden a de guldlegered

acader.

Den typologiske variation i kobber udvides yderligere med en abstrakt behandling ved brug a fere materialetyper til at oplive acaden p et elletypisk parkeringshus (s. 20-23). Og en midlertidig bygning (s. 10-11) enanden type, som ikke s o te orbindes med kobber r srlig betydnimed en uldstndig belgning a guldlegering. il slut minder en melemstor tilbygning til et hus (s. 30-31) os om, at kobber ogs kan skabe enbestemt orm or kvalitet sammen med andre materialer.

Kobberarkitektur er ortsat under udvikling drevet a arkitekter og derentusiasme omkring materialet og dets muligheder. Og med din hjlp vi vil ortsat vise de bedste eksempler her og p www.copperconcept.org

Redaktionen

Redaktionsteam: Lennart Engstrm, Ari Lammikko, Chris Hodson, Graeme Bell,Hermann Kersting, Robert Pinter, Irina Dumitrescu, Herbert MockE-mail: [email protected]: CAF, European Copper Institute,Avenue de Tervueren 168 b -10, B-1150 Brussels, BelgiumUdgiver: Nigel Cotton, ECILayout og teknisk produktion: Naula Grafsk Design, SverigeTryk: Strlins Grafska AB 2012, Sverige

Redaktionspanel:Birgit Schmitz, De [email protected]

Kazimierz Zakrzewski, Pl kazimierz.zakrzewski@copper alliance.plMarco Crespi, It [email protected] Hay, UK [email protected] Vergopoulos, Gr [email protected] Diaz, Es [email protected] Tissot, Fr olivier.tissot@copperalliance. rPaul Becquevort, Benelux paul.becquevort@copper alliance.bePia Voutilainen, Se, No, Fi, Dk [email protected] Pintr, Hu, Cz, SVK [email protected] Ionov, Ru [email protected]

Copper Architecture Forum 2012

Copper Architecture Forum 33, november 2012

Copper Architecture Forum er en del a den igangvrende kampagneEuropean Copper In Architecture Campa ign, og udgives to gange omret i et oplag p 25.200 eksemplarer.

Magasinet uddeles til arkitekter og byggesagkyndige i hele Europa pdansk, engelsk, fnsk, ransk, italiensk, norsk, polsk, russisk, spansk,svensk, tjekkisk, tysk og ungarsk.

LEDERE

www.copperconcept.org

Hvis du fremover vil modtage dine egne kopier a CopperArchitecture Forum, skal du tilmelde dig p www.copper-concept.org, hvor du kan downloade tidligere udgaver.

Hvis du vil indsende et projekt, anbe ale et artikelemne ellerkommentere p Copper Architecture Forum, skal du sende ene-mail til: [email protected]

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3COPPER ARCHITECTURE FORUM 33/2012

Indhold

2 Kobberdifferentiering - redaktionens kommentar

4-7 Det moderne atrium - en moderne ortolkning a et atrium i dette nye kon erencecenter i Norge

8-9 Digital kobber i fri form - design rihed ved ud ormningen a et australsk klubhus ved havet

10-11 Stjernekud- en midlertidig pavillon i den tyske by Mnster belagt med gylden kobberlegering

1215 Copper Wave copper protects this new li eboat station on Englands most southerly point

1619 Canterbury Tales the new Marlowe Theatre makes a bold statement on Canterburys skyline

2023 Animating the Utilitarian copper brings to li e the acades o a multi-s torey car park in Nottingham, UK

2427 Copper at the Heart of the Community a new typology o school and community building or Dept ord, London

2829 Sheltering Bronze Hands ancient runic stones in Denmark are protected by bronze and glass

3031 Copper over Time

a contemporary copper and oak house extension anticipates change

3235 Famous Neighbours the challenge o designing a new library close to ve Alvar Aalto buildings

3638 Conical Copper a copper clad chapel at the heart o this new school in Cheltenham, UK

39 Copper Architecture News updates, including our architectural awards launch and a new App or architects

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4 COPPER ARCHITECTURE FORUM 33/2012

Clarion Hotel i Trondheim er et a Skandinaviens s trste kongresho-teller og det strste i Norge. Arkitekterne bag designet, Space Group,

anvendte en strategi, der bestod i at tilpasse unikke pladelignendevrelsesfje, s gsterne k et per ekt udsyn over havet, landska-bet og byen. Denne vridningsteknik bner det centrale atrium og ska-ber et tredimensionelt omrde med en kompleks, acetteret tag orm en dekonstrueret guldstjerne der strmmer nedad. Bygningen eret dramatisk syn ra alle vinkler, men isr ra oven, hvor ra de fes tegster ser den rste gang, nr de ankommer med fy.

Et hotelkompleks i Norge orsger at trans ormere kon e-renceoplevelsen med en dramatisk ny tilgang til det moder-ne atrium, orklarer Chris Hodson.

Det moderne atrium

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Den splintrende guldstjerne bryder igennemmellem hver blok og binder dem samme

Hrdfre materialerDesignet udviser en hrd r anvendelsea materialer mellem de orskellige ele-menter. Den enorme, mrke kasse i ho-vedkon erencesalen str i dyb kontrasttil de glasdkkede vrelsesa snit medhvidt silketryk, der er oplst og derveddanner vinduer med en bld skylignendee ekt. Den splintrende guldstjerne bry-der igennem mellem hver blok og binderdem sammen. Den er ormet a en kob-belegereing med aluminium og zink.

Projektarkitekt Jens Niehues sagde: I kobberlegering andt vi et materiale, der gav os mulighed or at skabe et designmed en levende overfade, der a spejler Stjernens naturlige unktion og giver

en detaljeret, gylden nuance. Ud over at realisere vores konceptmssige ml-stninger skulle materialet naturligvisogs overholde vores tekniske ud or-dringer i orbindelse med det krvende klima p den norske vestkyst.

Kobberlegeringen udvikler ikke en bleller grn patina med tiden, selv i dette hrde klima, men orbliver gylden. Ma-terialets karakteristika danner lodret-te, vandrette eller skr samlinger, der

remhver Stjernens trekant orm.Desuden kan materialet bearbejdes, sdet r en skarp kant, og tagrendedetal -

jerne er tydelige. Valget a gylden kob-belegering var det helt rigtige til denne bygning.

Arkitekter: Space Group www.spacegroup.no(Hele designteamet og de vrige medvirkendekonsulenter kan ses p www.copperconcept.org.)Kobbermontering: Mster Blikk TrondheimKobberprodukter: Nordic RoyalBilleder: Joern Adde, Peter Hebeisen

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A3.01

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K1.17

Orienteringen, der skulle give perfektudsyn, skabte den centrale guldstjerne.

Dekonstruktion a det traditionelle hotelatrium.

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Dramaet fortstterIndvendigt ortstter dramaet, da hotelletsudvendige orm orsvinder or at skabe bneo entlige omrder. I hjertet a det hele er detlodrette centrale rum udtnkt som en orvand-ling a atriumtypologien ra endimensionelt tilet dynamisk, tredimensionelt rum. Her ski terstemningen og mlestokken mellem intim ogspektakulr p samme mde som panorama-udsigten uden or og det krystalklare interir, der

ligner dramatiske is ormationer, klipper og isfa-ger. Og som prikken over iet ses de lange striber

ra den gyldne kobberlegerede stjerne.

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Den dramatiske tagform p detteklubhus beliggende ved havetdemonstrerer den designfrihed,der kan realiseres ved brug af kob-ber, isr hvis der anvendes BIM-teknikker (Building InformationModelling).

Arkitekt: Walter Barda Design Kobberprodukt: TECU Classic Kobbermontering: Copper & Zinc Link Billeder: tak til Trend MagazineTekst: baseret p en artikle i Trend Magazine www.trendsideas.com og med hjlp ra Morten Pedersen ra Copper & Zinc Link.

DIGITAL KOBBER I FRI FORM

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Hamilton Island Yacht Club and Villas p Whitsunday Is-lands, som er en del a Australiens Great Barr ier Ree ,er designet til at skabe en visuel e ekt ikke blot nrden ses ra land- eller vandsiden, men ogs ra lu ten, hvor-

ra mange a gsterne ankommer. Arkitekterne orestilledesig en bygning, der kunne orbinde molen og a spejle de ma-ritime elementer og yachtkulturen. Designprocessen rte tilen kunstnerisk sammensmeltning a kobberbelagte ormer,der leder tankerne hen p vindblste sejl, spilere, kle og pvindenes, tidevandets og havstrmmenes hvirvlende kr ter.

Yachtklubbens centrale kerne er et overdkket vind ang, el-ler piazza, der rer ind til de orskellige private og o entligerum. Med en gradvis ndring a lo tniveauet og en proces-sionsrampe res bygningen videre ud i en l tet plat orm, derhnger rit over vandet. Klubhuset indeholder aciliteter sombl.a. restauranter, barer, et auditorium, kon erencelokaler,

trningscenter, banebassin, lserum og showroom. Den in-tegrerede bebyggelse byder ogs p 35 srskilte villaer.

Komplekse kobberbelagte formerDet komplekse kronblads ormede tag p yachtklubben under-stttes a tr-sjler a stl, hvor grenene mder det kurvedetag i fere vinkler. Der blev udviklet et slyngvrk a stl, somkunne strkke sig over 16 meter og hnge rit i 11 metershjde og dermed over re sidebelastningen til midtervg-gene. Dette minimerede den strukturmssige dybde mellemtagbelgningen og lo terne som krvet a arkitekturen. Detsimpli cerede desuden opbygningen og tagkonstruktionen.Kobber blev valgt p grund a sin slidstyrke, sine visuelle ka-rakteristika og selv lgelig ogs sin unikke evne til at belggekomplekse tredimensionelle ormer.

BIM (Building Information Modelling)BIM viste sig at vre a grende or det detaljerede design og

selve konstruktionen a Hamilton Club isr kobbertagene.P grund a de komplekse ormer var der behov or utalligesektions- og detailtegninger or at vise, hvordan komponen-terne passede sammen. Der blev eksporteret data til andreinvolverede .eks. til den stlproducent, der arbejdede ud raden digitale model.

Tilstedevrelsen a den komplette digitale model a byg-ningen p stedet betd, at byggeriarbejderne kunne setredimensionelle tegninger, mens bygningen tog orm. Der varogs tilgngelige snitbilleder a de orskellige komponenter,hvilket hjalp alle med at en orstelse a , hvordan bygnin-gen var konstrueret. Men BIM bestr a mere end blot CADog tredimensionelle modeltegninger, da det indeholder kom-ponenter og materieler med model-attributter som .eks.omkostninger, miljbevarende egenskaber og vedligeholdel-sesintervaller.

Formlet med BIM er at skabe en komplet digital model til de-sign, remstilling, ud relse og bygnings orml med hjlp raalle interessenter. Dette hjlper arkitekterne med at skabe etmere bredygtigt, prcist design med rre ejl og mindrespild. Hvis man kan se en simuleret udgave a resultatet, rman ogs en bedre orstelse a omkostningerne, planlg-ningen og miljpvirkningen.

Brugen a BIM ormodes at stige markant ved design a allebygningstyper. Det bner op or nye udtryks ormer blandt ar-kitekter og kobber er ideelt til at realisere innovativ t design.

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STJERNESKUDEt hypermoderne indgreb bekldt med gylden kob-berlegering bekendtgjorde meget passende GoldenSplendour: Mediaeval Treasure Art in Westphalia,en udstilling, som afholdes i den tyske by Mnster tilsommer.

P laceret p den centrale Domplatz skaber denne mid-lertidige pavillion en moderne kontrast til det histo-riske bycentrum ved at orbinde udstillingsomrder imuseet med Cathedral Art Chamber. Pavillionen er et resul-tat a samarbejdet mellem Mnster School o Architecture ogarkitekt rmaet modulorbeat. Under ledelse a arkitekterneMarc Gnnewig og Jan Kampsho udviklede et team p oprin-deligt 33 studerende orskellige designudkast.

Den gyldne lsningTil slut valgte en komit den gyldne lsning en stjerne or-met bygning med et stil uldt korsdesign, der er karakteriseretved de gyldne kobberlegerede acader. En midlertidig pavil-lion, der skal kommunikere en kunstudstilling, er ikke nogetnyt i Mnster. For em r siden designede modulorbeat en lig-

nende bygning, som ogs anvendte kobberlegering.Med unktion som et levende vrksted var pavillionen vrt

or kunstundervisning i orbindelse med udstillingen. Set gen-nem glasendevggene ortstter dette enkle og minimalisti-ske design i interiret. Den brende struktur, som bestr amassivt eller krydslamineret tr, er helt ngen, hvilket giveroverfaderne p gulv, lo t og vgge et ensartet, lyst skr atr sammen med de otte arbejdsborde, der er samlet a pro-

jektdeltagerne selv.

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workshop83,5 m2

information12,9 m2

entrance4,0 m2

ramp

s l i d i n

g d

o o r

l

Elevation mod sydvest med glasendevg

Elevation mod nordst med a skrmet indgang

Modulerede acaderDe kobberlegerede acader blev e ter arkitekternes nske mo-duleret lodret med unikke, ujvne blgelignende pro ler, derminder om en blseblg. De blev produceret hurtigt, billigtog uden problemer a en specialistvirksomhed, som brugtesin dedikerede pro lteknologi. Golden Splendour-pavillionenprsenterede en kompromisls, homogen gylden enhed, somkun blev brudt a endevggene i korset med a skrmede, til-

bagetrukne indgange eller glatte glasoverfader.

Nr du lser denne artikel, er pavillionen allerede a monteret.Men den bygges op igen med alle de oprindelige materialer pen lokal skole, hvor den anvendes til kunstundervisning og an-dre ag: et passende og bredygtigt resultat.

Arkitekt: Modulorbeat og Mnster School o ArchitectureKobbermontering: Schabos GmbHKobberpr abrikering: MN Metallverarbeitung NeustadtKobberprodukter: TECU GoldBilleder: Christian Richters

Plantegning

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The new structure sits on the ootprinto the original building: well-positioned

or li eboat launching in bad weatherbut also reducing the environmentalimpact o the scheme. At rst sight,the wave pro le o The Lizard li eboatstation appears symbolic o its coastalposition - but orm really does ollow

unction and refects the arrangemento internal accommodation, ocused on

the li eboat itsel . Essentially, the ves-sel is mounted on a tipping cradle, whichtilts to align with the slipway, enabling itto be launched and recovered allowingvolunteer crews to reach those in trou-ble as quickly as possible. The outwardraking wall to the side o the buildingrefects the demand or accommodationat the main foor level with ast accessstraight onto the li eboat.

by Chris Hodson

The new RNLI li eboat station at The Lizard is protected by a curved copper skinto withstand the extremely aggressive coastal environment o its unique locationon Englands most southerly point. The RNLI charity saves lives at sea. Its volun-teers provide a 24-hour search and rescue service around the United Kingdom andRepublic o Ireland coasts. The buildings design was developed rom a previousproject, also by PBWC Architects, in Padstow, Cornwall. It is a direct response tothe speci c technical demands o the new RNLI ast slipway type li eboat housedthere and is an exemplar or uture buildings o the type in other locations.

Weather-tight DesignAll accommodation is located on oneside o the building, which allows theheated and serviced zones to be e -ciently grouped together and all ventila-tion and lighting needs to be met with astrip o ribbon glazing or punched win-dows within the raked wall. The curveo the roo then encloses the minimumvolume required or the li eboat and cre-ates a simple orm that lends itsel toa single fexible roo nish. The designaims to maximise roo area while mini-mising penetrations to ensure a robust,weather-tight nish.

Photo: PBWC Architects

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Copper ChoiceThe selection o metal roo ng was a logicalprogression rom the development o the dis-tinctive, wave-like, curved orm. PBWC projectarchitect Cian Spowart commented: A ter the Padstow project, we reviewed the roo ng ma-

terial and system or The Lizard li eboat sta-tion. Here, copper was selected or its durabili-ty and capability o withstanding the aggressive c oastal environment, including the possibility o debris being thrown up rom the sea. In ad-dition, the aesthetic choice o copper over other metal roo ng was driven by its characteristic weathering over time to give a rich green patinacomplementing the aqua blue hues o the localcoastline.

Architects: PBWC ArchitectsCopper Installer: Full Metal JacketCopper product: Nordic StandardPhotos (where indicated) and drawings: PBWC ArchitectsAll other photos: Geo Squibb (Cornish Pixels Photography)

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Challenging ConstructionUnsurprisingly, the buildings site at thebottom o a tight, steep slope presentedspecial challenges with construction. Thebuilding is predominately timber ramewith glulam-curved members providing the

iconic shape. Dry construction and pre ab-rication techniques are maximised or ast,sa e assembly and e cient deliveries tosite.

The double skin roo is nished in coppertrays with standing seam joints and wasinstalled by copper specialists Full MetalJacket, who recently won an Award or theirwork on the project rom the National Fed-eration o Roo ng Contractors. The long-strip, copper trays were craned down ontothe building and installed by hand, display-ing a particularly high standard o cra ts-manship under challenging conditions.

CoPPER ConSTRUCTIon

Section D-D

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The Marlowe is, in ormal terms, a complexpavilion. It sets up a dynamic relationship

with its viewers, giving di erent architec-tural and urban emphasis depending romwhere in the city it is viewed. At streetlevel, its architecture is ordered by an8m high colonnaded loggia in white castDolomite stone, which orms a portal tothe multi-level glazed oyer and sets up acivic elevation to the Friars, an importanthistoric street within the city. The oyerconnects all the major internal spaces tothe riverside terraces and pathways and isseen as a crystal ribbon by day trans orm-

ing into a blade o light by night. New viewso the roo tops o the historic city and itscathedral open up rom the main stairsand upper levels.

The colonnaded loggia mediates be-tween the street scale o the Friars (thestreet which the Marlowe aces) and thenecessarily larger orms o the two thea-tres and the fy tower. The colonnaded

Standing on the banks o the River Stour and close to Canterbury CathedralsUNESCO World Heritage Site, the new Marlowe Theatre makes a boldstatement on the Canterbury skyline. Architect Keith Williams discusses hispractices competition-winning design and its use o materials.

Copper plays a distinct role in the composition of the th

Canterbury Tales

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COPPER ARCHITECTURE FORUM 33/2012

overhang also provides shelter to thesouth- acing oyer rom high angle solar

gain and provides an architectural unity tothe composition. A new public square hasbeen created by setting the Marlowe back

rom the existing street edge.The fy tower o the old theatre, widely

regarded as an eyesore, was the secondtallest structure in the city a ter BellHarry, the medieval Cathedrals principaltower. The new Marlowes fy tower is 9mtaller than its predecessor, allowing it tobe sculpted to create a pinnacle orm ac-ing toward the Cathedral, adding accent

and silhouette to the citys skyline. Itsorm can be seen as a prominent symbol

o secular architecture within the historiccity whilst ensuring that Bell Harry re-tains its predominance. From the east, thefy tower dominates the street scene an-nouncing this major new cultural projectwithin the city.

Materiality and ContextualityThe composition and massing o the new

Marlowe is rooted in its context. The build-ing is seen to step up in scale gradually

rom a lower-rise street scale along theFriars, up to the larger volumes o themain auditorium and fy tower beyond.Materiality is also determined to a largedegree contextually, in that it borrowsthe hues and tones o the Canterburytownscape. The reconstituted stone col-onnade takes its cue rom the whites andcreams o buildings in the city, whilst thepre-oxidised brown copper cladding ech-

oes the colour and hues o the nearby tiledroo tops. Materials are used to createsomething highly contemporary, whilst atthe same time complimentary to the con-text in terms o texture and colour.

Copper plays a distinct role in the compo-sition o the theatre overall, surrounding

the volume o the studio space, which me-diates between the entrance scale and thelarger volumes beyond. The studio theatreis raised 4 metres above the ground; a vol-ume wrapped entirely in copper. As such itis almost at roo level o the surroundingbuildings hence the relationship betweenthe reddish brown copper cladding withthe colouration o Canterburys roo scape.The underside o this volume orms theinternal so t to the restaurant space cre-ated beneath. The raising o the volume

allows the restaurant to be slid beneathat oyer level, giving views to an adjacentexternal terrace and the banks o the RiverStour.

17

Architects: Keith Williams ArchitectsCopper Installer: TR FreemanCopper product: TECU OxidPhotos: Hlne Binet (unless indicated otherwise)

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Level 2 Level 3

Level 1

Photo: Keith Williams Architects

1. Paved Forecourt2. Foyer3. Box O ce4. Bar5. Ca e6. Auditorium7. Stage8. Dressing Rooms9. Second Space

10. Creative Space11. Administration O ces12. Meeting Room

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CoPPER In dETaIl


Copper StudioHorizontal standing seam bands o varyingwidths (using trays o 230 mm, 430 mm

and 600 mm) wrap continuously around thestudio volume, with olded birds mouthcorner details enabling the horizontalityto fow continuously around all sides. Atthe junction with the main glazed curtainwalling, the copper runs cleanly through

rom outside to inside, with internalopenings ormed to create a connectionbetween the studio theatre bar areas andthe main entrance oyer.

Though the rationale in each case isdi erent, the use o copper at the Marloweechoes our previous work at the UnicornTheatre in London, completed in 2005 (UKAward Winner o the Copper in ArchitectureAwards 13 in 2007).

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Sealant type to be conrmed by copper sub-contractor -sealant to be compatible withboth copper and aluminium

back to back claddingangles - details and layoutto be conrmed by coppersub-contractor

copper rainscreenpanels on underlay

Metal angle by glazingsubcontractors to support EPDMand provide backing for copper toseal against at a later stage

80mm insulationon vapour barrier

FW60+SG Level 3 curtain wallOpaque glazing to high panelsto conceal structure

Mullion tied back to structural steelto glazing subcontractors details

18mm plywood

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ANIMATINGTHE UTILITARIAN

Forming part o the Hub development at Nottingham RailwayStation, this 6-storey structure accommodates 950 car spaces.The 112 m long building is sandwiched between the railway tothe north and the busy Queens Road to the south with olderbuildings beyond. Architects Leeds Studio developed an originaldesign by another practice, BDP, ( ollowing a success ul bid byVINCI Construction UK) adding an array o horizontally bandedvertical copper panels to trans orm this typical parking building.The panels create an architectural language and are continuousover curtain walling as well as conventional open car parkingdecks, only being broken by the concrete li t core on the WestElevation.

The palette o copper sur aces at Nottingham includes solidgreen pre-patinated copper and a variant with less intensepatination, revealing some background material. Standard mill

nish and light brown pre-oxidised copper were also used, to-gether with an alloy o copper and aluminium with a long-lastinggolden colour which provides distinctive highlights around thebuilding.

Although creating a random, abstract eel, arrangement o thepanels is based on a limited modular language with three panelwidths: 210 mm, 420 mm and 840 mm, and spacing between o :105 mm, 210 mm and 420 mm. Panels are generally 2870 mm

high with some reduced to 1470 mm crowning the top o thebuilding and where the base o the cladding is raised up.

by Chris Hodson

An abstract design using vertical panels o copper withdi erent sur aces animates long, straight acades o anotherwise typical multi-storey car park, adding a sense omovement which refects its transport interchange setting.

Architects: Leeds StudioCopper Installer: CA GroupMain Contractor: VINCI Construction UKCopper products: Nordic Green TM Traditional, Nordic Green TM Living 1Nordic Standard, Nordic Brown TM Light, Nordic RoyalTM

Photos: Chris HodsonDrawings: Leeds Studio

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Tere is a designed progressionof copper colours running around the whole building

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A Mosaic of ColourThe composition gives a mosaic o colour that sits in clearly de-

ned horizontal bands along the length o the building, breakingup the subservient concrete rame - typical o multi-storey carpark buildings - and curtain walling. The e ect is particularlyanimated on the two long elevations, especially when viewed

rom moving trains or cars. In addition to the layering o ma-

terials, the colour choices are carried through in the design torepresent di ering aspects o the location.Project architect Antony Hall explained: The copper panels

to the North are predominantly in green shades and re er to the modern aspect o the adjacent railway. The panels on the Southare predominantly in traditional brown copper shades to re er-ence the brick heritage warehouses and other structures liningthe conservation area opposite across the busy road. Key view-points ormed in locations around the building are highlighted with the golden coloured copper alloy. Vertical circulation ele-ments are also highlighted in the same manner. There is a de-signed progression o copper colours running around the whole

building, beginning and ending at the West Elevation li t sha t.We have also anticipated the natural changes to copper in the environment.

Multi-storey car park architecture is generally constrained byvehicle circulation and other technical demands, reducing it toa utilitarian level. But the numerous permutations of surfacesand forms available with architectural copper today offer de-signers exciting possibilities to treat bare facades as a blankcanvas. The Nottingham project is an inspiring example of thisapproach.

North Elevation showing the disposition o green, gold and brown copper shades.

The previous station car park t ypi es the conventional open concrete deckdesign approach, contrasting with that o the new building.

South Elevation.

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COPPER AT THE HEART

OF THE COMMUNITY

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This landmark building makes symbolic as well as unctional use o itsper orated golden copper alloy acades to generate a new civic ocus.Pollard Thomas Edwards architects describe how the programme anddesign developed a new typology o school and community building.

Overall complex with Dept ord Lounge on the right.

Dept ord Lounge is the jewel inthe crown o the regeneration o

Dept ord. Tis is a antastic public space with rst-class acilities, which is already

proving popular withthe community.

- Sir Steve Bullock, Mayor o Lewisham

Photo: Chris Hodson

Resolution Way Resolution Studios School School Play School Dept ord Lounge Gri in Street Dept ord Lounge School School Play School Resolution

Resolutio

The brie rom the London Borough o Lewisham was to create the centrepieceo their regeneration o Dept ord Town Centre a new civic ocus or Dept orThis was to include a state-o -the-art public library, including a resource centreand council services centre called the Dept ord Lounge with a new building

or Tidemill Primary School, relocated rom its existing site.

Our scheme, completed in December 2011, created rom the bare bones o thisbrie , a highly innovative mix o co-located uses on a single site: the completedcomplex houses acilities shared between the new primary school and the wholecommunity via the Dept ord Lounge. To this mix we also added apartments overartists studios and exhibition space Resolution Studios.

The design was also driven by the aspiration to restore to Dept ord somethingo the grandeur o its past, r st as a hub o shipbuilding and later as the locationo the rst railway station south o the River Thames. Now the golden Loungebuilding sails galleon-like above Gi n Square, a new public space or Dept ord.Tidemill Academy lies within an urban oasis, sheltered on one side by the Dept-

ord Lounge and on the other by Resolution studios, with classrooms groupedaround a green and lea y central play space. And new homes look out over thehistoric St Pauls Church and the railway line leading over the r iver.

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School and Community UseShared acilities o Dept ord Lounge include a roo top sportspitch, a fexible suite o assembly spaces and a dining hall andkitchen, which are available or hire. All these acilities are lo-cated on the upper foors o the Lounge building and all elementshave separate access points both rom within the school and

rom the public realm. This enables the school to have sole useo the shared acilities during the school day. Then, out o schoolhours, the shared acilities orm an integral part o the Dept ordLounge and are open to the whole community.

The roo top sports pitch enclosed by pierced copp er alloy panels.

School playground with steps to the Dept ord Lounge beyond. P h o

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Architects: Pollard Thomas Edwards architects www.ptea.co.ukCopper installer: English Architectural Glass (EAG)Copper Products: Nordic RoyalPhotos: Chris Hodson, Robert Gresho (ArcEye Images Ltd)

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INTERVIEW

CH: How did your selection o the golden cop-

per alloy come about and did you look at other materials?

HK-B: We wanted a material that relatedstrongly to the conceptual meaning o theDept ord Lounge on a series o levels. It wasto be seen as a landmark a civic ocus orall ages and cultures. Initially timber cladding was considered, relating to Dept ords nauticalpast but timber requires maintenance. Wealso sought an inspiring material, with re ec-tive properties that would give the building a jewel-like quality set against its main streetcontext. Tis meant considering various met-als including copper. It also led to the idea o expanded metal meshes or per orated sheets. We elt that the per orated golden copper al-loy cladding o ered multiple meanings on a conceptual level. Te gold sur ace symboliseswealth across all cultures, welcoming andbringing together a diverse community intoa building that o ers a wealth o knowledgeand services.

CH: What about sustainability and environ-mental considerations when choosing the aade material?

HK-B: Copper and its alloys have sound sus-tainable credentials with exceptional durabili-ty and li espan. Te weathering characteristicso this copper alloy are important: the mate-rial is virtually maintenance ree and providesa sur ace that will change very little over time, which means it wi ll retain its crisp jewel likequality.

CH: What were the design intentions behind this

dramatic statement o a transparent golden skin? HK-B: Te wrapping o the gold cladding aims to uni y the buildings complex range o

unctions, binding them together.Contextually, it relates to various points o Dept ords rich history, including its growth

rom a small shing village into the Royal Na-val Dockyard with links to HMS Discovery,Sir Francis Drake and Captain James Cook.So, the wrapping has multiple unctions andre erences. From a distance the golden ormappears solid but close-up reveals itsel astransparent and light-weight, oating aboveits glazed base. On a unctional level, the wrapping provides solar shading to the largeareas o glazing, while also allowing suitablelevels o light in. CH: How were these intentions realised on the building with the pierced copper alloy panels and how did the detailed design develop?

HK-B: Te panels are rigid olded cassettesthat provide sharp and clean joints betweenpanels, rather than something that wouldbuckle and distort. Te nautical re erences

continue with the setting-out o the panelsin a stretcher bond pattern like historic tim-ber hull construction in ship-building. Teper orations are kept back rom the edges tohelp express each panel individually whileretaining rigidity. We explored various per o-ration shapes, rom square to raised diamondpatterned with a cheese grater appearance,

and settled on simple circular holes, again ar

ranged in a stretcher bond pattern. Di erentlevels o per oration were also considered,the transparency o the wrapping adds another dimension with the play o light. Te build-ing responds to its uses and environment,continually changing with light conditionsthroughout the day and into the evening, be-coming more or less revealing suggestindiscovery. Te level o transparency increase with distance away rom the solid ships bowcorner, with its large symbolic window, gradually blurring solid and void.

CH: How was the light, foating eel o the piecopper alloy skin achieved in structural terms

HK-B: Initially, the cladding was to be suspended on rods rom a ring beam. But due tothe buildings subtle shi ts o orm both the vertical and horizontal planes additionalsupport was required, depending on locationaround the building. Te solution was to xsteel brackets back to the main building struc-ture at the top and bottom o the wall. Tesethen support a rame and suspension rods, to which the copper al loy panels were xed. Additional structure and stays were incorporated where the golden wrapping pulled urtheaway rom the building, reducing movemen

rom wind loading. Te transparency o thepanels also o ered urther opportunities texpress the structure behind with honesty.

Chris Hodson discusses the transparency and materiality o the Dept ord Lounge acadeswith Hamish Kil ord-Brown, Project Architect at Pollard Thomas Edwards architects.


Photos: Chris Hodson

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Te Jelling runic stones mark Denmarks transition to Christi-anity in the year 965 and the monument is also known as Den-marks birth certi cate. Inaugurated in December 2011, theproject is based on the winning competition design by NOBELarkitekter. Our principal aims were to protect the runic stones

or the uture and, at the same time, provide an architecturalcomposition allowing spectators to get very close to them.

Sheltering Bronze Hands

Deceptively simple bronze and glass structures provide a safeenvironment for preserving two unique 10th century runicstones designated a UNESCO World Heritage site - at Jell-ing Church, Denmark. But these interventions go well beyond conservation, seeking to transform the visitor experience, as

architect Erik Nobel explains.

by Chris Hodson

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29COPPER ARCHITECTURE FORUM 33/2012 29

Te design orms a stylised dialogue between the two stones which represent the rst two kings o Denmark Gorm andHarald Bluetooth. Te bronze angles orm one gable and theroo or each structure, while the other aces are ully glazed. objective was to accentuate the runic stones curved orms bcontrasting them with the straight lines o the coverings whichin a metaphorical sense, hold protective hands over them. Tecast bronze contrasts with the texture o the ancient stones anhighlights their grey and reddish granite sur aces.

Te requirement or creating a controlled climate around thestones was a central consideration in the development o the pro

ject. Our consulting engineers rom Rambll designed a speciheating and ventilation system which ensures a rost- ree climaround the runic stones. Arti cial lighting has been discreetladded using specially designed bre-optic light sources, whicare integrated in the roo structure.

Te lighting emphasises the stones runic scriptures and visualmoti s, and accentuates their shapes. Juxtaposed with the angular bronze orms, the arti cial lighting creates a completely ne

way o viewing the rune stones, enhancing the experience o oo Denmarks most valuable monuments.

Architect: NOBEL arkitekter a/sPhotos: Jens Lindhe (unless indicated otherwise)

Photo: NOBEL

Plan arrangement

Elevation

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We were appointed to care ully restore elements o the existing architecture creating a contemporary yet sensitive addition tothe rear. o the ront o the property the new addition appears asa simple copper box peeping above the layers o existing greenglazed tiles o the existing home.

In the re urbishment, living and entertaining space is providedat ground oor through the introduction o a predominantly sin-gle storey glazed element. At rst oor, a layered copper and oak

orm appears to delicately hover. Set on a shi ted geometry toacknowledge the existing building orm, this creates a series o overhangs, cantilevers and canopies to shelter its occupants romthe persistent Welsh rain.

Copper over timeTis thoroughly modern addition to an existing home inCardif, South Wales discussed by Kristian Hyde o Hyde+ Hyde Architects combines copper with oak and glass inits care ully conceived design to anticipate change.

Te original house is quirky but beauti ul. Te unknown ar-chitect has put a great deal o e ort into the detailing, someo which is very play ul. Tere is a certain humour about someo the spaces that continue to make our clients smile. Te new addition responds with a singular oak clad curve at rst oor

which mimics the geometry o the existing curved glazing othe main house. Tis is introduced to turn the new additioninto the main private garden at the rear.

Copper was chosen as a suitable material or acades and otherdetails to converse with the existing green glazed roo tiles othe existing dwelling. A ter a decade it will begin to relate incolour and tone to the existing tiles nearby, its salmon pink andrusset brown tones will be gone orever. Tats the beauty o copper, its timeless and orces us to think about buildings intime. Coppers material character helps buildings eel as i theyhave always been there.

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Tats the beauty o copits timeless and orc

to think about buildings in tim

Architects: Hyde + Hyde ArchiPhotos: Kristian Alexander Hyde, Warren Orch

Internal openable winor natural ventilatio

Timber cladding re e

materiality o tree ca

Hardwood concealed glazing

Copper standingseam to matchexisting vocabularyo green roo

Original House

UPPER LEVEL PLAN

Terrace

New Addition

Bedroom

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copper has been used comprehensively across acades,plinth and roo s creating a single-material skin

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Famous

Neighbours

The Centre displays Aaltos master ul touch, rangingrom the areas town planning to the smallest door

detail and is an invaluable cultural asset which givesthe whole town its identity. Five Aalto buildings makeup the Centre: the City Hall, State O ce Building,Theatre, the Cross o the Plains Church and the OldLibrary.

DIALOGUE BETWEEN OLD AND NEWBuilt in 1965, the Library needed a modern extensionto meet todays demands and JKMMs design, calledClover, won the competition or the project. The aimwas to create dialogue between old and new. The newlibrary respects the protected cultural environmentbut, at the same time, takes pride in contemporaryarchitecture. One o the objectives o the design was

to nd an inter ace with the typical characteristics oAlvar Aaltos architecture without imitating it.

The Finnish town o Seinjoki hosts the mostextensive cluster o buildings designed by AlvarAalto in the world. Asmo Jaaksi o architectsJKMMexplains his practices approach to design-ing a new addition to this hallowed Aalto Centre.

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VARIED INTERESTING SHAPESThe new library stands separate rom Altosoriginal, although connected by an under-ground link. Division o the building intothree sculptural units was an important de-

cision to be able to blend the large buildingvolume with the surrounding townscape.This generates varied, interesting shapeswhen viewed rom di erent directions. Theexposed boarded- ormwork concrete in-teriors are punctuated by care ully placedwindows and larger glazing o ering con-trolled views o the Centre. The view romthe glazed wall in the main library hall isdominated by the highlights o the area: thebell tower or the Cross o the Plains Churchand the an-shaped acade o the original

Aalto Library. The heart o the building isthe wide staircase, intended or di erentevents and as an in ormal meeting place,which leads to the collection departmentson the ground foor and through the con-necting underground corridor to the AaltoLibrary.

LIVELY AND VIVID SURFACEThe external skin o the new library isdominated by copper. The darkening pre-

oxidised copper sets the new library apartrom the whiteness o the surroundingbuildings. Copper is not a new material tothe area but in the Aalto Centre it is mainlythe roo s that eature the materials beauti-

ully patinated green sur aces. In the newlibrary, copper has been used comprehen-sively across acades, plinth and roo s creating a single-material skin.

A special shape o copper shingle was spe-ci cally designed or the acades to give thebuilding a highly individual, lively and vividsur ace. In some situations, the shinglesur ace is ormed into ventilation slots toaccommodate air handling. Copper is alsoused to orm vertical grilles and as a door

acing to maintain the material continuity.

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CELLAR 1:500

READINGSTEPS

YOUTH,MUSIC,MOVIES

OPEN STACK

SOCIALSPACES

EXHIBITION

MUSICLISTENING

GAMES

YOUTHINFO

GROUND LEVEL 1:500

BOOK HALL

CHILDREN

NEWS AREA

ENTRANCE HALL

READINGSTEPS

SILENTREADINGROOM

CUSTOMERSERVICE

CAFE

JAAKSI HALL

BOOKMOBILESTACKOFFICES

OFFICES

DISTRIBUTION

A

A

B

B

PLAY

EXHIBITION

1ST FLOOR 1:500

OFFICES

OFFICES

OFFICES

MEETINGROOM STAFF

CAFE

A

Facade north

Facade north

Facade south

Facade south

NORTHWEST

NORTHEAST

SOUTHWEST

SOUTHEAST

Section A

Section B

SECTION A 1:500

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T T L L L T L. + . + . .

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: ECTION B 1:500

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Cellar Ground level 1st Floor

Architects: JKMMCopper Installer: Pohjanmaan Pelti

Copper Product: Nordic Brown LightPhotos: Tuomas Uusheimo, Martti Kapanen

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A ll Saints Academy is a church schooor the community in Cheltenham,UK. It provides secondary education o900 pupils and 250 sixth- orm studentsTe buildings striking orm curves aroundan impressive external plaza with an ele-gant canopy and three-storey high glazedatrium at its centre. Te design developedaround the concept o a hand, the atriumacting as a uni ying device rom which k

internal and external areas are accessedCurved open galleries within lead to threeradiating learning wings providing most othe classroom accommodation.

A Visible BeaconTe entrance atrium orms the heart o thebuilding and the public ace o the Academy. Above the reception area rises thedistinctive conical orm o the copper-clachapel. It acts as a visible beacon re ectinthe Christian ethos o the Academy. Tebuilding is clad with a limited palette omaterials. Te ground oor is brickwork to provide a human scale to the Academyas well as being durable. Upper levels arclad with an insulated render system. Tecopper shingles to the chapel and the con-

dent use o colour o er a lively counterpoint to the re ned acades.

Sculpting o the chapel brings light pouring into the space rom above. A singlslot window with a coloured glass designprovides a ocus within the contemplativspace. At roo level, the cone is truncateand a large opening ormed in the vertica

ace, in lled with glazing. A separate, lower copper clad orm completes the composition and encloses mechanical plant servicing the chapel.

A chapel in the distinct ive form of a copper-clad cone is at the heart of the glazed atrium welcoming visitors to this new school. Russel Hayden of Nicholas Hare

Architects discusses the design concept and how it was realised.

CONICAL COPPER

Learning wingsDining and kitchenMain hall and dramaChapel above receptionLibraryPrimary circulationWCs and changing areas

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CoPPER CloSE-UP

Covering the Cone with Copper A key element o the concept was or thechapel to appear monolithic both with-in the space and externally as it reachedthrough the atrium roo . Te originalproposal was or timber cladding, but thedesign team recognised the difculty o ensuring the internal and external elements

would weather consistently. Bright copper was selected with a special, anti-weathering coating to minimise any change as the sur-

ace aged.

Shingles were chosen to deal with the com-plex orm that curves in both plan andsection. Te cladding o the chapel wasundertaken with real cra tsmanship by NDM, the copper shingles gradually re-ducing in size to accommodate the conicalshape. Te orm was computer modelled,as the size o each row o shingles had tobe calculated to suit the diminishing diam-

eter.

Architects: Nicholas Hare Architectswww.nicholashare.co.uk

Copper Installer: NDM Metal Roo ing & CladdingCopper Product: TECU Classic (coated)Photos: Hu ton+Crow

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COPPER ARCHITECTURE NEWS

The Copperconcept AppFree & available for iPhone and iPad.Inspiration and information combined in one app.

Reference projects Architectural city maps Design Awards

Copper Architecture Forum Articles

Copper Architecture on-lineExperience copper architecture online- a de nitive resource or architectural inspi-

ration, including electronic versions o Copper Architecture Forum, the EuropeanCopper in Architecture Awards and many other help ul publications available atwww.copperconcept.org

Copperconcept.org is organised into 17 separate language sections, each editedlocally. The website eatures an extensive selection o regularly updated projectre erences, demonstrating di erent uses o copper and highlighting some o thebest examples o copper architecture rom around Europe and beyond. O course,in ormation on the European Copper in Architecture Awards can be ound there,alongside articles on topical issues, such as the antimicrobial capabilities o copper.

As well as design inspiration, Copperconcept.org gives access to a range o archi-tectural and technical publications, and links to other organisations including cop-per abricators. Journalists and editors can also access press releases, articles andimages or publication. Finally and most importantly the website hosts CopperArchitecture Forum and you can register or your ree subscription there, as well asdownload the latest, and previous, issues o the magazine.

Explore the world o copper architecture now at http://www.copperconcept.org

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ARCHITECTURALAWARDS LAUNCHEntries are invited for the 2013 European Copper in Architecture Awards

a showcase for architects designing with copper and its alloys to promotetheir work to an international audience.

All entries must incorporate facades, roo ng or other architecturalelements of copper or copper alloys. Any scale or type of project

can be entered from major landmark buildings to modest schemes.

Architects and critics, drawn from a panel including some of the

most in uential designers in Europe, will judge all the entries on

their architectural qualities from graphic submissions.

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