C O D A T O C O D A S T U D I O B R O C H U R E · Pencil Microphones : Neumann KM84, Neumann KM184...

STUDIO 1

STUDIO 1 TECHNICAL SPECIFICATIONS

Speaker Configuration: 5.1

Dimensions: 4.5m x 5m

Monitors: 5x Adam P22A 1x Yamaha SW10 Subwoofer

Monitor Controller: Audient ASP510 and ASP520 Bass management system

Wall-mounted screen: Samsung 65” 4K

Computer screen: AOC 29” Ultrawide

Third screen: AOC 15”

Apple Mac Pro outline:

• Processor: 2 x 2.66 GHz 6-Core Intel Xeon

• Memory: 21 GB 1066 MHz DDR3 ECC

• Operating system: OS X 10.9.5 (13F1911)

• Soundcard: UAD Apollo Quad

• Software: ProTools HD 12.6.1, Ableton Live Suite 9, MaxMSP, Basehead

• Plug Ins include Altiverb, Arturia, Speakerphone, UAD, GRM, Izotope RX4, Massey and Soundtoys

STUDIO 2




Monitors: 2x Tannoy System 800, 2x Acoustic Research AR18

Monitor Controller: SPL 2381 Stereo Monitor Controller

Wall-mounted screen: Panasonic TX50A400B 50 inch TV screen


Third screen: AOC 15”





• Soundcard: UAD Apollo

• Software: ProTools HD 12.6.1, Ableton Live Suite 9, MaxMSP, Basehead, Melodyne 4


Instruments: Burkhardt Baby Grand Piano (1920s)

STUDIO 3




Monitors: 2x ATC SCM50, 2x Acoustic Research AR18

Monitor Controller: SPL 2381 Stereo Monitor Controller

Wall-mounted screen: Panasonic TX50A400B 50 inch TV screen


Third screen: Samsung 24”





• Soundcard: UAD Apollo

• Software: ProTools HD 12.6.1, Ableton Live Suite 9, MaxMSP, Basehead, Melodyne 4

• Preamps: Milenia TD-1, Audient ASP008


Instruments : Boyd Upright Piano, Vibraphone, Dulcitone

STUDIO 4


Speaker Configuration: 5.1 and 2.0


Monitors: 5x Acoustic Research AR18, 1x Yamaha SW10 Subwoofer, 2 ATC SCM20

Monitor Controller: SPL SMC 2489 Surround Monitor Controller

Computer screen: Samsung 24”





• Soundcard: RME Fireface 800

• Software: ProTools HD 12.6.1, Ableton Live Suite 9, MaxMSP, Basehead

• Plug Ins include Altiverb, Arturia, Speakerphone, GRM, Izotope RX4, Massey and Soundtoys

INSTRUMENTS FOR HIRE

Acoustic Guitars: Gibson L7, Takemine Acoustic G230, Classical Acoustic J Perez, Handmade Ukulele

Electric Guitars: Rickenbacker 370 / 12 string w. 'comb converter', Gretsch Country Classic 2, Pedal Steel

Guitar, Lap Steel Guitar,

Electric Bass Guitars: Rickenbacker 4001 c.1970, Gibson "The Ripper"

Banjos: Deering 'Boston', National c.1970, Tenor

Tuned Percussion: Vibraphone Premier c.1960, Glockenspiel

Drumkit: Signia Maple

Miscellaneous: Eurorack Modular Synthesizer, Double Bass, Morley Hempson 34 Harp, Selmer

Accordion, Japanese Lute 'Gaku' Biwa, Kora, 2x Mbira, Dulcitone, Miscellaneous percussion

MICROPHONES FOR HIRE

Large Diaphragm: AKG 414 LTD Stereo Pair, Mojave MA200, Advanced Audio CM12se microphone,

Manley Langevin CR2001.

Pencil Microphones: Neumann KM84, Neumann KM184 Matched Pair, AKG C451, Bruel & Kjaer 4011

Pair, Bruel & Kjaer 4009 Pair.

Other: Coles 4040, Shure Green Bullet 520DX, Shure SM58, Shure SM57.

ABOUT US Award-winning studio Coda to Coda integrate composition, audio production and post-production

services together under one roof, to work seamlessly from concept, through creation, to delivery.

Directors and composers Will Worsley and Sam Britton both have over a decade of experience making

and delivering music and sound for everything from film and animation to digital media and interactive

arts.

CLIENTS

TEAM

SAM BRITTON Composer and Software Developer Sam works across the borders of music composition and performance, software development and research. He holds a masters degree in electronic music and composition from IRCAM in Paris, has been a resident and researcher at STEIM and worked with the London Sinfonietta as part of their Writing the Future commissioning scheme. He is also an associate with Matthew Herbert’s ‘New Radiophonic Workshop’. He has extensive experience writing music and designing sound for animation, film, theatre, exhibitions and interactive installations. Skillset: Software design and development, electronic music composition, sound design, interactive applications of sound, sound and music consultancy.

WILL WORSLEY Composer, Sound Designer and Interactive Audio Engineer Will has extensive experience scoring music and designing sound for film and installation contexts, mixing surround sound and installing multi-speaker systems for galleries and exhibitions. He has scored documentaries and series for HBO, Channel 4, the BBC and for feature films. As a music engineer and producer he has worked with acts ranging from Grace Jones to Cat Stevens, Arun Ghosh to Blurt, and has been involved in all aspects of the recording process from location recording and studio work through to mastering albums. Skillset: Composition, Sound Design, Audio engineering, Recording, Mixing, Mastering. TANYA AUCLAIR Producer Tanya came to the Coda-Cola team with 10 years of experience in arts administration and project management at The Roundhouse and a number of artist-led arts organisations, as well as a solid musical and technical background as a composer and producer. She is first point of contact for the Coda-Cola team, responsible for running the production of projects, liaising with partners and clients, managing project schedules, overseeing delivery and ensuring the smooth operation of the studio.

LOCATION

Coda to Coda Ltd, Front Basement, Stables North, 138 Kingsland Road, London, E2 8DY.

Look for a door with a big C - and ring the buzzer for entry.

TRANSPORT LINKS

BUS: 67, 149, 242, 243

OVERGROUND: 5 mins walk from Hoxton Overground station

UNDERGROUND: Old street

C O D A T O C O D A S T U D I O B R O C H U R E · Pencil Microphones : Neumann KM84, Neumann KM184...

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