(C) FCB 2004 Intermediate English: Literature (Poetry) Brooklyn Cop by Norman MacCaig.

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(C) FCB 2004 Intermediate English: Literature (Poetry) Brooklyn Cop by Norman MacCaig

Transcript of (C) FCB 2004 Intermediate English: Literature (Poetry) Brooklyn Cop by Norman MacCaig.

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Intermediate English: Literature (Poetry)

Brooklyn Cop

by Norman MacCaig

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The Poet- Norman MacCaig Norman MacCaig (14 November 1910 – 23 January

1996) Born in Edinburgh Divided his time, for the rest of his life, between his

native city and Assynt in the Scottish Highlands.

Schooled at the Royal High School and studied classics at the University of Edinburgh

During World War II MacCaig registered as a conscientious objector, a move that many at the time criticized.

MacCaig often gave public readings of his work These were extremely popular for many people

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His Work He became a free verse poet with the

publication of Surroundings in 1966. ‘Brooklyn Cop’ written during this time

whilst MacCaig lived in the States.

Ted Hughes wrote, 'whenever I meet his poems, I'm always struck by their undated freshness, everything about them is alive, as new and essential, as ever.'

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The Motto and the Means

To Serve and To Protect ?

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Stanza 1

Built like a gorilla but less timid, thick‑fleshed, steak‑coloured, with two hieroglyphs in his face that mean trouble, he walks the sidewalk and the thin tissue over violence. This morning, when he said, "See you, babe" to his wife, he hoped it, he truly hoped it. He is a gorilla to whom "Hiya, honey" is no cliché.

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Stanza 2

Should the tissue tear, should he plunge through into violence, what clubbings, what gunshots between Phoebe's Whamburger and Louie's Place.

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Stanza 3 and 4

Who would be him, gorilla with a nightstick, whose home is a place he might, this time, never get back to?

And who would be who have to be his victims?

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UnderstandingWhat is each stanza discussing?

Stanza 1: Introduction to the cop and his situation

Stanza 2: The potential for violenceStanza 3: The City’s effect on the copStanza 4: The Cop’s effect on the city.

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Stanza 1aBuilt like a gorilla but less timid,

Thick-fleshed, steak-coloured, with two

hieroglyphs in his face that mean

trouble, he walks the sidewalk and thin tissue over violence.

Imagery: simile (unflattering)

The social issue of violence is immediately The social issue of violence is immediately clear due to MacCaig’s shocking description ofclear due to MacCaig’s shocking description of

a character who appears capable of considerable damage.a character who appears capable of considerable damage.Ironically, as we realise in line 4, it is the cop Ironically, as we realise in line 4, it is the cop

who is being described here. Violence is just ‘below the surface’ - who is being described here. Violence is just ‘below the surface’ - both in the streets he patrols, and within his own heart.both in the streets he patrols, and within his own heart.

ListList

Enjambment / punEnjambment / pun

Contrast / Theme / Central MetaphorContrast / Theme / Central Metaphor

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Stanza 1b... This morning

when he said , ‘See you babe’ to his wife,

he hoped it, he truly hoped it.

He is a gorilla

to whom ‘Hiya, honey’ is no cliché.

SettingMonosyllabic dialogueMonosyllabic dialogue

Repetition / sympathetic toneRepetition / sympathetic tone

Metaphor - a notable transformation!Metaphor - a notable transformation!

Still, the cop does seem to have a meaningful Still, the cop does seem to have a meaningful relationship in his life. The suggestion is that his relationship in his life. The suggestion is that his

personal life will suffer in two main wayspersonal life will suffer in two main waysbecause of the violence he encounters on a daily basis:because of the violence he encounters on a daily basis:

each day could be his last;each day could be his last;his job negatively affects his personality.his job negatively affects his personality.

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Stanza 2Should the tissue tear, should he plunge through

into violence, what clubbings, what

gunshots between Phoebe’s

Whamburger and Louie’s place.

Repetition; alliteration/imagery; word choice; enjambment

This second stanza - a one-sentence list of brutal acts -This second stanza - a one-sentence list of brutal acts -effectively conveys moral and social themes.effectively conveys moral and social themes.

The cop seems to enjoy this chance to express his violent nature;The cop seems to enjoy this chance to express his violent nature;the gun and nightstick are symbols of masculinity and power.the gun and nightstick are symbols of masculinity and power.In turn, sound, in particular, is used to great effect to describe In turn, sound, in particular, is used to great effect to describe

the ‘mean streets’ which the cop patrols.the ‘mean streets’ which the cop patrols.

Cacophony; rep.; enjamb.Cacophony; rep.; enjamb.

OnomatopoeiaOnomatopoeia

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Stanza 3Who would be him, gorilla with a nightsick

whose home is a place

he might, this time, never get back to?

Parenthesis (for emphasis)Parenthesis (for emphasis)

This second-last stanza is the first of two rhetorical questions.This second-last stanza is the first of two rhetorical questions.There is a deep sense of sympathy here - MacCaigThere is a deep sense of sympathy here - MacCaig

clearly does not envy the cop’s occupation or its hazards.clearly does not envy the cop’s occupation or its hazards.

MetaphorMetaphor

EmotiveEmotive

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Stanza 4And who would be who have to be

his victims?

Another one sentence stanza, which, despite its simplicity,Another one sentence stanza, which, despite its simplicity,is very revealing, thematically. The cop’s violence is inevitableis very revealing, thematically. The cop’s violence is inevitable

and someone and someone willwill suffer as he abuses his position in society. suffer as he abuses his position in society.

Emphatic monosyllables;Emphatic monosyllables;

repetition and rhyme (euphony)repetition and rhyme (euphony)

Polysyllabic, shocking ‘punch-line’/climaxPolysyllabic, shocking ‘punch-line’/climax

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Questions- Stanza 1

1. Look at lines 1-4. Do you think this is a stereotypical image of a policeman? Quote two examples from the lines and explain why they make you feel this way. (3)

2. Quote the line that shows that the line between civilisation and violence is only ever paper thin and state what technique this is. (2)

3. Consider what you learn about the cop’s personality at home. Quote a line that shows the difference between his personality at work and his personality at home. Explain your answer fully, including how you feel about the character. (3)

4. The poet changes from the cop being ‘like a gorilla’ to actually being ‘a gorilla’. Explain fully how the techniques have changed and why you think the poet does this. (3)

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Answers- Stanza 1

Question 1

Stereotypical “Built like a gorilla” – big and strong “but less timid”- but brave

Non-Stereotypical “hieroglyphs in his face that mean trouble” he

is a cop but looking for trouble

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Answers- Stanza 12. “he walks the sidewalk and the thin tissue over

violence”- Metaphor.

3. Whilst at work he is fearless and savage, but he loves his wife and is scared that he may be killed in the line of duty. “when he said, ‘See you, babe’ to his wife, / he hoped it, he truly hoped it.” This makes us feel sorry for him because he loves his wife and now appears vulnerable.

4. Simile at start and metaphor at end of stanza. Emphasises savage nature of the cop.

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Questions- stanza 2

1. Think about the place names in the poem. What kind of area is he policing? (2)

2. Explain how the word “plunge” is effective. You should comment on the connotations and structure of the word.

(2)

3. How does stanza 2 remind us of the themes in the poem? (2)

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Answers- Stanza 21. ‘Phoebe’s Whamburger’ onomatopoeia

of the name suggests violence. 2. “Plunge” means to fall quickly, it has

connotations of falling uncontrollable, perhaps from a great height into something terrible. MacCaig highlights the word by placing it in a list, as thought it too is falling into the violence of the poem.

3. The stanza reiterates the theme of violence and shows how quickly the cop can move from seeming safety into chaos.

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Questions- Stanza 3

1. What do you notice about the structure of this stanza? (1)

2. Explain the significance of “gorilla with a nightstick”. (2)

3. Show how the poet tries to get us to sympathise with the cop. (4)

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Answers- stanza 31. The whole stanza is written as a rhetorical

question. 2. “gorilla”- connotations of being primitive, savage.

We would expect police to have a gun but he has a nightstick- this is significant. Perhaps the cop enjoys using the nightstick violently to beat criminals. Poet may also intend for it to be a phallic symbol to emphasise the violent nature of the cop.

3. Reminds us that he may not return home. This appears the only place he is happy and safe so we sympathise now with the dangerous nature of his job. Poet asks, “who would be him” which makes the reader consider how hard it would be to do the job of the cop.

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Question- stanza 4 and overall

1. In stanza 4 who is poet referring to as “victims” and why do you think they are referred to as such? (2)

2. Why do you think the Brooklyn Cop remain anonymous? (2)

3. How successful do you think the poet is in conveying a complex picture of a cop? Explain your answer fully. (3)

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Answers- Stanza 4 and Overall

1. The poet refers to criminals who are caught by the cop as “victims” perhaps because the cop serves his own kind of violent justice.

2. Emphasises further how isolated he is from society.

3. Very successful any example that is explained e.g. realistic but very strong character.

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Poem as a whole.

MacCaig neither wholly sympathises with nor wholly condemns the life and actions of the Brooklyn Cop.

Give evidence from the poem which supports this statement.

(10)

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Revision Questions: ImagerySay what you think is suggested by the following

images: “Built like a gorilla but less timid” “Thick-fleshed” “steak-coloured” “Gorilla with a nightstick”

Why does the poet use the extended metaphor of “thin tissue over violence”?

Identify the simile which develops into a metaphor. Suggest a reason for its development.

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Revision Questions- Structure

1. What does the poet achieve with the repetition of “hoped”?

Comment on the grammatical structure of:

2. “Should the tissues tear, should he plunge though into violence…”

3. “Who would be him…”

4. “And who would be who have to be…”

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Practice Critical Essay (Poetry) Structuring Your Essay

P oemP oet

G en re

A p p rec ia tion W ord s fromQ u es tion

Tech n iq u es

In trod u c tion

Norman MacCaig’s excellent ‘Brooklyn Cop’ examines Norman MacCaig’s excellent ‘Brooklyn Cop’ examines the social issue of violence, a theme which remains all the social issue of violence, a theme which remains all too relevant decades after the poem was written. This too relevant decades after the poem was written. This issue is effectively presented through word choice, issue is effectively presented through word choice, imagery, structure and sound.imagery, structure and sound.

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Practice Critical Essay (Poetry) Stru ctu rin g Yo ur Essay

C on ten t F orm Th em es

S u m m ary

Narrated in free verse, ‘Brooklyn Cop’ focuses on one Narrated in free verse, ‘Brooklyn Cop’ focuses on one individual, yet makes important points regarding violence in individual, yet makes important points regarding violence in society as a whole. This is a portrayal of a cop who seems society as a whole. This is a portrayal of a cop who seems to have been de-humanised by his occupation; yet, the city to have been de-humanised by his occupation; yet, the city streets, in turn, are made more dangerous by the fact that streets, in turn, are made more dangerous by the fact that those like the cop walk ‘the sidewalk and the thin tissue over those like the cop walk ‘the sidewalk and the thin tissue over violence.’violence.’

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Practice Critical Essay (Poetry) Structuring Your Essay

Link /TopicSentence

Point Quote Comment

M ain Sections

Further, in stanza two, the violence breaks through ‘the tissue’ and reaches Further, in stanza two, the violence breaks through ‘the tissue’ and reaches a climax. Given the opportunity, the cop seems to relish the chance to exert a climax. Given the opportunity, the cop seems to relish the chance to exert his violent nature as he ‘plunge[s] through / into violence.’ The extent and his violent nature as he ‘plunge[s] through / into violence.’ The extent and effect of his rage is huge, as emphasised by skillful enjambment and, again, effect of his rage is huge, as emphasised by skillful enjambment and, again, repetition:repetition:

‘‘what clubbings, whatwhat clubbings, whatgunshots...’gunshots...’

It seems the cop leaps at the chance to use the tools of his trade. The It seems the cop leaps at the chance to use the tools of his trade. The portrayal of brutality here is almost cartoon-ish: a fast-paced fury set in a portrayal of brutality here is almost cartoon-ish: a fast-paced fury set in a locale where even place names suggest violence.locale where even place names suggest violence.

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Practice Critical Essay (Poetry)

Structuring Your Essay

L in k /P oem /P oet/G en re

W ord s fromQ u es tion

R ecap /Tech n iq u es

A p p rec ia tion /P erson a l

R esp on se

C on c lu s ion

Thus, as I have shown, ‘Brooklyn Cop’ clearly examines the social and Thus, as I have shown, ‘Brooklyn Cop’ clearly examines the social and moral issue of violence. MacCaig has successfully conveyed - through moral issue of violence. MacCaig has successfully conveyed - through his adept use of word choice, imagery, structure and sound - themes his adept use of word choice, imagery, structure and sound - themes which go beyond a solitary cop. We are all affected, on some level, by which go beyond a solitary cop. We are all affected, on some level, by the violence which surrounds us. Further, we all have a potential for the violence which surrounds us. Further, we all have a potential for violence within us. But, most importantly, we all have a choice as to how violence within us. But, most importantly, we all have a choice as to how to behave in any situation we encounter: will we or won’t we tear ‘the to behave in any situation we encounter: will we or won’t we tear ‘the tissue’?tissue’?