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38
SACRED ARCHITECTURE July 2014 | ARC 550 Regional Design Studio i Open Air Museum Design by sabin Chakradhar

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SACRED ARCHITECTUREJuly 2014 | ARC 550 Regional Design Studio i Open Air Museum Design

by s

abin

Chakradhar

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Sacred Architecture - Exhibition Model

unalterable reality, man created the language of symbols. A symbol hits the mental process

more precisely and more clearly than the 1 The model is an ab-

-ture and the symbolism involved in the sacred

symbolism denoted by geometric shapes,

sources or other elements. In general, the symbolism indicates that the sacred space is

1. Alfons Rogenberg (1984): Einfuhrung in das Symbolverstandnis

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Content

SERIES OF STRUTS BENDED TOFORM THE POINTED ARCH

WINDOWS CONSISTING OF THECLEAR GLASS ALLOWING THEEXTERIOR INTO INTERIOR

FRAME HOLDING GLASS

FRAME HOLDING GLASS

PARTITIONS WITH WOODENFRAMES

NORTH

SOLAR PATHSOLAR PATH

VISU

ALAX

IS

HARBOR

WIND

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Abstract

-

“The temple is a building that houses images of divinity for the human pur-

2 In

sacred architecture,and it is considered to be superior to other structures in every religion. The sacred building is considered to be the house for the god and depending on the religion, every sacred building has a hearth, the space

and pure.

the open courtyard, one is in a sacred space3, similarly in many Hindu tem-

begins.2

The project ‘The museum for Sacred Architecture’ is envisaged as an open air

surrounded by the trees and secluded from its surrounding. The ‘Museum

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Reading 1: The case for the Tectonic - Kenneth Frampton

‘A building is ontological, a presence or a thing as opposed to a sign.’ 4

--

tecture. Frampton suggests there is an art and poetry in the

choice of material and structure of a project. Tectonic refers

Building material is the important part of any society. The -

governed by façade and money, the trend of reducing archi-tecture to scenography or the decorated shed. Gradually, the

-

4. Kenneth Frampton: The case for the Tectonic

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Reading 2 : Architecture and Stereotomy - The Relation Between the “Construction Apparatus” and the “Decora-tive Apparatus” of the Cut-Stone Vaults and Domes of Philibert de l’Orme and Andrés de Vandelvira - Francesco Defilippis

“..that architecture must of necessity be embodied in

current tendency to reduce architecture to scenography has become a response to architecture as commodity:

-

-

Framptons tectonic approach to the architecture. He

-tonic form comes about through “a process of formal

-

any technical form is translated into architectonic form -

-

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domes: the dome of the chapel of Salvador at Úbeda by

pyramid of Egypt, Acropolis of Athens etc. the tectonic is on one part but the moldings and carvings, the intricate

other style of architecture that roots from the same basic

because of these characters.

-

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Building Set Collection1 2

4

6

6. Sanchi Stupa - Sanchi, India.

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Mildred B. Cooper Memorial Chapel: Case study

Date: 1986Style: ChapelMaterial: Steel, Wood, Glass

CHARACTERISTICS:The design recalls the Prairie School of architecture popu-

-

-

for a design even more delicate in appearance than Thorn-

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Church of Light: Case study

Date: 1989Style: ChurchMaterial: Re-inforced concreteArchitect: Tadao Aando

CHARACTERISTICS

consists of three 5.9m high concrete cubes penetrated by a

entrance area. A cruciform is cut into the concrete behind the altar, and lit during the morning (as it is facing east).

membrane on the outer shell, severely contrasts that of x x

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Shah Jahan Mosque: Case study

Date: 1889

Material: Stone, Timber

Religion: Islamic

CHARACTERISTICS-

helm Leitner.Built in Bath and Bargate stone in indo-saracenic style.

-

-

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Lincoln Marriage Temple : Case study

Date: 1935Style: Chapel

CHARACTERISTICS

married.

of a cross

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Charnarayana Temple : Case study

Date: 17th CenturyStyle: Pagoda

Religion: Hindu

CHARACTERISTICS

Gajur (Pinnacle) on top

Built on a Plinth- common to all temples built at the

-ing design) 1

http://

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Sanchi Stupa : Case study

Date: 3rd Century BCEStyle: Stupa

Religion: Budhism

CHARACTERISTICSthe oldest stone structure in India

-or and shelter the relics

-

of Buddha

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Analysis - Hearth of the building and its access:

MALDRID B. COOPER MEM. CHAPEL CHURCH OF LIGHT

SANCHI STUPA SHAH JAHAN MOSQUE

HEARTH

ACCESS TO HEARTHLINCOLN MARRIAGE TEMPLECHARNARAYAN TEMPLE

The sacred building is considered to be the house for the god and depending on the religion, every sacred building has a hearth, the

is located. This space is consid-

religion.

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Analysis - Shape and Symbolism

POINTED ARCH

DOME SHAPE

TRIANGULAR SHAPE

Arcades with pointed arch symbolize boundaries in Islamic Architecture; once one has passedthrough the arcade into the open courtyard, one is in a sacred space.

Pointed Arch in Mildred B. Chapel is derived from the Gothic Architecture.characteristics of Gothic Architecture include the pointed arch, the ribbedvault and the flying buttress

Sanchi Stupa is one of the earliest form of Stupa structure from which many of the modernform of Stupas have evolved. The Stupa form represents the peace and harmony inBuddhism.

Dome shape in the ISLAMIC ARCHITECTURE representats the vault of heaven and asymbol of divine dominance engulfing the emotional and physical being of the faithful

Triangular shape in the LINCOLN MARRIAGE TEMPLEis derived from the traditional pediment design

Triangular shape in the HINDU PAGODA TEMPLE isderived from the pointed Himalayas

Triangular shape in Maldrid B. CooperMemorial Chapel with the skylight above,directs people upward (towards heaven)

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Analysis - Evolution of form, tectonic and materialism

VAASTU PURUSH MANDALA FLOOR PLAN OF CHARNARAYAN TEMPLE ELEVATION OF CHARNARAYAN TEMPLE

TYPICAL JOINT DETAIL OF THE WOOD WORK AND BRICK STONE MASONRY OF THE HINDUPAGODA STYLE TEMPLE

FLOOR BOARDS

WOODEN BEAM

WOODEN BATTENS

BRACKET

COLUMN

STONE BASE

TYPICAL TIMBER LAYOUT DETAILOF PAGODA ROOF

Mortise and Tenon Joint detail

Dovetail Joint detail Tongue and groove joint detail

Charnarayan Temple

Pagoda style hindu temple. The basic plan of the temple

Purush mandala, the dia-

arranged around the human

to the length of the side of

on the plan

-tural element and stone for

for the roof covering.

-

joint, dove tail joint etc.

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Analysis - Evolution of form, tectonic and materialism

Mildred B Cooper memorial ChapelSKYLIGHT ALLOWING PEOPLE TOLOOK UPWARD (TOWARDS HEAVEN)

TRIANGULAR ROOFPOINTING UPWARDDIRECTION

SERIES OF STRUTS BENDED TOFORM THE POINTED ARCH

WINDOWS CONSISTING OF THECLEAR GLASS ALLOWING THEEXTERIOR INTO INTERIOR

FRAME HOLDING GLASS

FRAME HOLDING GLASS

PARTITIONS WITH WOODENFRAMES

PARTITIONS WITH WOODENFRAMES

WINDOWS CONSISTING OF THECLEAR GLASS ALLOWING THEEXTERIOR INTO INTERIOR

Geometry for the Gothic pointed arch

of the series of curved struts also serving as support for the roof

Analysis of the building components of Mildred B. Cooper memorial Chapel

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Program Information: Museum for Sacred Architecture

-

-

etc. -

-

other purposes.

1. Entry lobby

d. Men’s Restroom 170

e. Women’s Restroom 190

Total Square Footage 1720

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e. Custodial room 60 building. f. General Storage room 80

Total Square Footage 710 3. Halls

a. Gallery 600

c. Storage room 200

d. Library 500

Total Square Footage 2300

Program Information: Museum for Sacred Architecture

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a. Maintenance room 400 b. Storage room 100

Total Square Footage 500

5. shop

a. Cafeteria 500

c. Storage room 80

d. Men’s Restroom 100

e. Women’s Restroom 120

f. ADA accessible Restroom 25

g. Souvenir shop 200

ture model or accessories related to Sacred Architecture. Total Square Footage 2300

Total Net Area of the builtup space 7530 SFt

Program Information: Museum for Sacred Architecture

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ENTRY VESTIBULE /WAITING AREA

STAFF OFFICE

OPEN AIRMUSEUM

CAFETERIA

MANAGEROFFICE

MEETINGROOM

RESTROOM CUSTODIALROOM

MAIN ENTRY

GENERALSTORAGE

RESTROOM RECEPTION

GALLERY MULTIPURPOSEHALL

STORAGERECORD

STORAGE/lIBRARY

ADMINISTRATIVE UNIT

ENTRY LOBBY

SOUVENIRSHOP

RESTROOM

HALL

STORAGEMAINTENANCEROOM

MAINTENANCE

CAFETERIA

Relationship Diagram of spaces

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Site Analysis

PROPOSED SITE5

Min

Driv

e 10 M

in Driv

e

15 Min Drive

WHITTINGTON

INA

NASON

SESSAR

BENTON

GOLF COURSE

NORTH

SOLAR PATHSOLAR PATH

VISU

ALAX

IS

HARBOR

WIND

Secluded from the busy public area by nature itself.

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Design Concept

MUSEUM BUILDING SECU

LAR

CHAO

SIM

PURE

DOW

NWAR

D

SPIR

ITUA

LSE

RENE

PURE

UPW

ARD

OUTER SPACE

RELIGIOUS SPACE

MILDRED B. COOPERMEM. CHAPEL

CHURCH OF LIGHT

SHAH JAHANMOSQUE

SANCHI STUPA

CHARNARAYANTEMPLE

SHAH JAHANMOSQUE

CHRONOLOGICAL ORDER INTERMS OF CONSTRUCTION

TECHNOLOGY AND MATERIAL

CENTRAL SPINE

and research center for the sacred buildings. The researchers and scholars can

observe the building that uses the modern building technology and material

Tall hallway with blank walls, lit only by the skylight, symbolizing

entered the site, all of the exhibit buildings are accessible via the sec-ondary pathway which is branched out from the looped central pathway

-

Most sacred buildings share common ide-

-ful. The selected site is located at Wayne

the site is surrounded by the trees from all around and secluded in itself is one of the

the museum.

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Site Plan

KITCHEN RESTAURANT

SOUVENIRSHOP

TRANSITIONHALL

MULTIPURPOSEHALL

LIBRARYopt 2

Store room

STORE

ADMINISTRATION

STORE

MAINTENANCESECTION

LOBBY

2

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Ground Floor Plan

KITCHEN RESTAURANT

SOUVENIRSHOP

TRANSITIONHALL

MULTIPURPOSEHALL

LIBRARYopt 2

Store room

STORE

ADMINISTRATION

STORE

MAINTENANCESECTION

LOBBY

A2

A2

A1

A1

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First Floor Plan

A2

A2

A1

A1

TRANSITIONHALL BELOW

MULTIPURPOSEHALL BELOW

LIBRARY

GALLERYCORRIDOR

DIGITALLIBRARY

JANITORS

OFFICESTORE

MANAGER SECRE-TARY

MEETINGROOM

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Site and sections

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Site Experience

Museum building front facade: parapet height increases as the visitor approach

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Site Experience

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Site Experience

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Site Experience

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Energy Analysis

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Bibliography

1. Alfons Rogenberg (1984): Einfuhrung in das Symbolverstandnis2. 3. 4. Kenneth Frampton: The case for the Tectonic5.

6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20.

21. 22. -