Brass intro with corrections - Trinity College London ......Bb Cornet, Flugel Horn, Eb Soprano...

Brass Syllabus

Trinity Guildhall Examinations89 Albert EmbankmentLondon SE1 7TP UK

T + 44 (0)20 7820 6100F + 44 (0)20 7820 6161E [email protected]/music

Patron HRH The Duke of Kent KG

Director of Performing & Creative Arts ExaminationsMark Stringer GMusRNCM(Hons) FTCL ARCO(CHM) ARCM PGCE FRSA

Chief Examiner in MusicKeith Beniston GLCM FLCM PGCE FRSA

Syllabus ManagerBenjamin Norbury MA LTCL

Copyright © 2009 Trinity College LondonPublished by Trinity College LondonSecond impression, March 2010

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Contents

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Grade examinations

Structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Duration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Marking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Technical Work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Pieces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Supporting Tests:

Sight Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Transposition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Aural . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Improvisation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Musical Knowledge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Requirements:

French Horn (subject code: HRN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Eb Tenor Horn (subject code: TEN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Trumpet/Cornet/Flugel Horn (subject codes: TPT/COR/FLG) . . . . . . . . . . . . . . . . .56

Eb Soprano Cornet (subject code: SPC) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72

Euphonium/Baritone (subject codes: EUP/BTN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78

Trombone (subject code: TBN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101

Bass Trombone (subject code: BT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124

Tuba/Eb Bass/Bb Bass (subject codes: TBA/EBB/BBB) . . . . . . . . . . . . . . . . . . . . . . . . . .130

Music publishers’ contact details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .152

Trinity Guildhall publications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .156

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Brass Syllabus 2010–2012

IntroductionThis syllabus contains full details of Grade examinations in French Horn, Eb Tenor Horn, Trumpet, Bb Cornet, Flugel Horn, Eb Soprano Cornet, Euphonium, Baritone, Trombone, Bass Trombone, Tuba, Eb Bass and Bb Bass. It is valid from 1 January 2010 to 31 December 2012, and supersedes all previoussyllabuses. A new syllabus will be published during 2012 with requirements from 2013.

During the first session of 2010 candidates may offer repertoire from the 2007–2009 syllabus.

When this syllabus is replaced there will be an overlap for the first session only of 2013, during whichcandidates will be able to offer pieces from the 2010–2012 lists.

Full details of entry procedures, examination regulations and marking criteria are given in a separatebooklet Information & Regulations which is available direct from Trinity’s Head Office, CentreRepresentatives or from our website www.trinityguildhall.co.uk/music

Certificate examinations from 2009Certificate examinations offer an alternative, performance-focused route of progression to thegraded examinations suite. They contain no technical work or supporting tests, and are available atthree levels:

Foundation (standard around Grade 3)Intermediate (standard around Grade 5)Advanced (standard around Grade 8)

For full details, including repertoire and guidelines, please visit the Trinity Guildhall websitewww.trinityguildhall.co.uk/CertificateExams

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Duration

Grade examinationsStructureTrinity Guildhall’s practical examination grades are numbered from 1 to 8 in increasing order of difficulty.

Pieces

Candidates play three pieces, chosen from the published lists.

Technical Work

All candidates play a Lip Flexibility Exercise, after which they may choose to play either Scales &Arpeggios or Exercises.

Supporting tests

For brass examinations there are two further tests:

Up to and including Grade 5, candidates may choose any two tests from:

AuralSight Reading [including transposition for french horn from Grade 4 and trumpet from Grade 6]ImprovisationMusical Knowledge

In Grades 6, 7 and 8, Test 1 must be Sight Reading. For Test 2 there is a choice between Aural andImprovisation.

At the examination, candidates should note on the appointment slip which test(s) have been chosen.

Order of examination

Pieces will normally be asked before scales, with accompanied pieces first. Candidates wishing to presenttheir examination in any other order may do so, but must write their preferred sequence on the back ofthe appointment slip and point it out to the examiner at the start of the examination. This choice doesnot extend to cases where the syllabus stipulates the location of any item, e.g. Own Composition.

Level Duration in minutes

Grade 1 13

Grade 2 13

Grade 3 13

Grade 4 18

Grade 5 18

Grade 6 23

Grade 7 23

Grade 8 28

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MarkingFrom 2007 the maximum marks available for all Graded Brass Examinations are as follows:

Piece 1 22

Piece 2 22

Piece 3 22

Technical Work 14

Test 1 10

Test 2 10

TOTAL 100

Pass is awarded at 60

Merit is awarded at 75

Distinction is awarded at 87

The mark out of 22 for each piece is made up of three component marks, awarded for:

• Notational Accuracy & Fluency (7 marks):How well the notes are prepared and realised. More conveniently thought of as ‘Me and the Music’.

• Technical Facility (7 marks):Instrumental control and the ability to draw the most from the instrument; tone colour, articulation,pedalling, etc. — ‘Me and the Instrument’.

• Communication (8 marks):How well the candidate interprets the music, engages the audience and conveys a sense of themeaning of the music they are playing — ‘Me and the Audience’.

For more detail please see the ‘Mark Scheme’ and ‘Assessment Criteria’ sections in the Information &Regulations booklet, which is available from Trinity’s Head Office, Centre Representatives or from thewebsite www.trinityguildhall.co.uk

Grade examinations

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Technical Work

The purpose of this section of the examination is to encourage the development of the necessarytechnical skills for the performance of pieces. Candidates should aim for a full and rounded tone overthe whole range, with accurate playing at an appropriate and even pace. Higher marks are given forattention to musical shaping, and the promptness and confidence of delivery.

The requirements for each grade are given in the main body of the syllabus.

All scales and arpeggios must be performed ascending and descending (unless otherwise stated). Abreath may be taken at the top of the scale/arpeggio at the candidate’s discretion.

Playing from memory

Scales and arpeggios must be performed from memory. The exercises may be played either frommemory or using the printed music. Candidates should note, however, that no extra marks will beawarded for performing from memory in the examination.

Minor scales

Up to and including Grade 2, candidates may choose to play either harmonic or melodic or natural minorscales. In Grades 3, 4 and 5 candidates have a choice of harmonic or melodic and in Grades 6, 7 and 8both harmonic and melodic minors must be prepared.

Crabwise scales

The syllabus will give the starting note and the candidate should cover all twelve major keys by raisingthe keynote by a semitone on the completion of each scale (e.g. one octave of G major ascendingfollowed by one octave of Ab major descending, followed by one octave of A major ascending, etc.).Candidates may breathe wherever appropriate.

Tempi for scales and arpeggios

Scales and arpeggios should be prepared at a consistent speed within the tempo range specifiedappropriate to the instrument.

Grade 1 = 46–60

Grade 2 = 50–66

Grade 3 = 54–72

Grade 4 = 60–104

Grade 5 = 66–112

Grade 6 = 72–120

Grade 7 = 80–126

Grade 8 = 88–132

Grade examinations

Ranges for scales and arpeggios (written pitch)

The ranges given encompass all treble clef technical work set. Pieces may occasionally include isolatedand manageable notes outside this range but the majority of music will remain comfortably within it.Trombone ranges are similar, but may differ slightly. Bass clef ranges should be adjusted as appropriate.

Articulation for scales and arpeggios

The various articulation patterns for scales and arpeggios in this syllabus are given on the next page.Scales, arpeggios and exercises for all brass instruments are published by Trinity Guildhall. See page 156 for details.

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Valved Brass

Grade 1

Grade 2

Grade 3

Grade 4

Grade 5

Grade 6

Grade 7

Grade 8

French Horn

Grade 1

Grade 2

Grade 3

Grade 4

Grade 5

Grade 6

Grade 7

Grade 8

Grade examinations

8

A natural minor scale (one octave, tongued)

Chromatic scale on Bb (one octave, slurred)

Diminished 7th on A (two octaves, staccato)

Augmented arpeggio on A (two octaves, tongued)

Whole tone scale on Ab (two octaves, slurred in pairs)

G crabwise scale (slurred in octaves)

Dominant 7th in the key of Bb (one octave, slurred) [Candidates may choose to finish dominant 7tharpeggios on the tonic, as shown, or the starting note.]

Grade examinations

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Grade examinations

Pieces

Repeats, ornaments & tempi

All da capo and dal segno instructions should be observed. Repeats of more than a few bars should beomitted unless otherwise instructed in the syllabus, or where a substantial first-time bar section wouldbe lost. Candidates should omit cadenzas in concerto movements played in graded examinations unlessinstructed otherwise in the syllabus, but cadential trills and other ornamentation appropriate to the styleof the music are encouraged at all levels, and particularly in the higher grades. Metronome marks aregiven merely as a guide to performance, and candidates should observe terms showing the tempoand/or character of the music (e.g. Lento, Allegro) in their performance. Long introductions, tuttis andendings should be sensibly truncated.

Accompanists and page-turners

Trinity Guildhall does not provide accompanists nor can the examiner act as an accompanist or page-turner. Difficult page-turns should be overcome by photocopying the relevant pages. A page-turner may assist the accompanist in Grades 6–8 examinations if absolutely necessary, but may remain in the examination room only while (s)he is needed. Candidates may use a recording of the pianoaccompaniment in examinations up to and including Grade 3. Recordings of accompaniments need notbe commercial products but must be of good CD quality and must not include the solo part; cassetterecordings are not acceptable. All examinations from Grade 4 upwards must use a live accompaniment.

Playing from memory

Candidates are free to play any or all of their pieces from memory, and to do so is likely to help withthe security of their knowledge and their ability to communicate. It is not obligatory, however, and noseparate marks are given for memorisation. Candidates who play from memory must ensure that anoriginal copy of the music performed is brought to the examination for the examiner’s reference.

Music and copies

It is strongly recommended that original copies of music needed for examinations are obtained beforean examination entry is made; allowances cannot be made for delays in obtaining music. Candidates mayuse any reputable edition of the works listed in the syllabuses; publishers’ details are given mainly forthe purpose of identifying works and also as suggestions of suitable editions. Candidates should alwaystry to obtain reliable and authoritative editions of all music, but should note that variations in worldwideavailability may occasionally be encountered; candidates are advised always to check the contents ofbooks before purchase. Publishers’ contact details are given at the end of this syllabus.

Candidates must perform from published material in the examination room; photocopies of completepieces may not be used in examinations. If candidates or accompanists perform from photocopiesunauthorised by the publisher (other than short extracts to facilitate page-turning), no marks will beawarded for that item.

Examiners of graded examinations welcome the provision of reference copies of pieces not published byTrinity Guildhall. Photocopies can legitimately be used for this purpose; any copies provided will beretained by the examiner and destroyed after the examination.

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Grade examinations

Own Composition

Candidates may offer their own composition in place of a listed piece where indicated in the syllabus.This must be performed as the last of their group of pieces so that the questions on the piece mayfollow immediately afterwards.

Content

The composition should follow the specification given, and must be of a similar technical and artisticlevel to the other pieces performed. A piano accompaniment may be included, but the use of pre-recorded material or other instruments is not allowed. The piece should be substantially the candidate’sunaided work, although the teacher may offer guidance as necessary. Candidates and teachers areadvised to take note of the Levels of Achievement statements in the current Information & Regulationsbooklet when preparing own compositions. The timings given at each level should be observed carefully;credit will be lost if compositions fall appreciably short of or exceed the indicated timespan.

Notation

The complete composition must be written out in the candidate’s own hand (or be produced and printedby the candidate using a score-writing program). At Grades 1–5, the composition may be presented inany coherent form of notation. For compositions at Grades 6–8 staff notation is essential. Marks will bededucted if the notation is incomplete or technically inaccurate or if the performance varies significantlyfrom what is written. Candidates must present a (photo)copy of the piece, which the examiner will keep,with name and candidate number clearly shown.

Assessment

After the performance, the examiner will ask the candidate to explain how the piece was composed and will ask further questions about the notation and structure. Sixteen marks are awarded for theperformance and six for clarity of explanation, structure and presentation.

The specific requirements are listed below.

Composition requirements — grade by grade:

Grade Duration Requirements

1 1½–2½ minutes A piece containing sudden dynamic contrast

2 1½–2½ minutes A piece contrasting legato and staccato passages

3 1½–2½ minutes A piece which starts quietly and simply, and builds to a loud, grand climax

4 2½–3½ minutes A piece with long melodic phrases

5 2½–3½ minutes A piece containing many wide leaps

6 3½–4½ minutes A piece contrasting material in the high and low registers

7 3½–4½ minutes A piece featuring several different tuplets (within the same pulse) e.g. duplets, triplets, etc.

8 4½–5½ minutes A piece featuring a variety of instrumental effects e.g. glissandi, rapid tonguing, hand stopping, etc.

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Grade examinations

Supporting Tests

Sight ReadingSight Reading tests are set at the level of a piece prescribed approximately two grades lower than thegrade undertaken; for instance, Grade 5 candidates should be able to read at sight the level of piece setfor Grade 3 performance. Tests will follow the parameters given below. Note that the parameters arecumulative; the keys etc. used at each grade may also include any variable set for any previous grade.

Candidates will be allowed 30 seconds to study the test before they attempt it. During this time they maypractise any or all of the piece aloud. The examiner will only take account of the actual performance ofthe test.

Timesignatures

Notevalues

Tempiand

dynamics

Technical requirements

/ValvedBrass & French

Horn

Trombone

Grade 1 2, 4 and mfmoderato

Tonguednotes only.

Three valvestogether not

used

Staccato tonguednotes only; 7th

position and Bb–C() not used.

Straightforwardslide positions.

Grade 2 plus 3 plus , , plus f,allegretto

plus easy2-note slurs

and ties

Bb–C ()introduced

Grade 3

as above

plus , , plus p, andanteplus 3 valves

together; slurredgroups

as above

Grade 4 plus , plus cresc.and decresc.

plus accents;staccato

Grade 5 plus 6 plus (groups of2 & 4) and

plus rall., rit. anda tempo

mp

as above

Plus simple tenorclef ( readers

only); 7thposition

Grade 6 plus 8plus dotted

quaver/semiquaver

plus accel.and allegro.

as above

Grade 7 plus 9 plus triplets

as above

Grade 8plus and

changing timesignatures

plus dupletsHorn only:bass clef

plusglissando

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Grade examinations

KeysValved Brass

ValvedBrass

Trombone Trombone Range

Grade 1major C Bb C Bb

fifthminor — — — —

Grade 2major C Bb C Bb

sixthminor — — — —

Grade 3major F Eb G F

octaveminor D C D C

Grade 4

major Bb, G Ab, F D, G C, F

tenthminor

plusaccidentals

plusaccidentals

A plusaccidentals

G plusaccidentals

Grade 5major D C Bb, A Ab, G

twelfth minor A, E G, D E D

Grade 6major Eb Db F Eb

thirteenth minor B, G A, F — —

Grade 7major A, Ab G, F# E D

2 octavesminor C, F# Bb, E F# E

Grade 8major all all all all 2 octaves

plus 1 noteminor all all all all

Transposition keys

French Horn Trumpet in Bb

Grade 4 Eb —

Grade 5 Eb —

Grade 6 G, E C

Grade 7 C, D D, Eb

Grade 8Either A & Ab Alto or B & Bb Basso at

candidate’s choiceE, F

Transposition

Unprepared

In addition to the Sight Reading exercise, candidates taking French Horn Grades 4–8 and TrumpetGrades 5–8 must also take a transposition test, in which they play a short piece simulating an orchestralor band situation where the player is given a part for a differently pitched instrument. The candidate willbe given this exercise as an additional unprepared test, following on from the sight reading and with thesame 30 seconds of study time. All the original tests will be written in C major. The keys that thecandidate must transpose to are as follows:

At Grades 6 (French Horn only), 7 and 8, both extracts must be prepared. The examiner will select oneextract to hear first, and may then request the other.

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Grade examinations

French Horn

Grade 4ONE of the

following in Eb:

Davis Wipe Out Polished Brass Brass Wind

Lawrance No. 2 from Suite of Three Featuring Melody Brass Wind

Sparke Rondino Skilful Studies Anglo Music

Blakeson Drive In Smooth Groove Brass Wind

McKenzie Tarantella [first 4 lines]Music Makes theWorld Go Round

Con Moto

Grade 5 Eb BeethovenSymphony no. 3, 1st movt[First 3 lines of p. 3 only] &4th movt [complete extract]

All of these extracts are taken fromTest Pieces for Orchestral

Auditions — Horn(Peters EP 8663)

Grade 6G Rossini The Barber of Seville

E and Strauss Don Juan (p. 52 only)

Grade 7C Weber

Der Freischutz Overture [3rd and 4th horn parts only]

D and Wagner Lohengrin (Act 3)

Grade 8

Either A & AbAlto or B & Bb

Basso at candidate’s

choice

eitherMarshcner

Der Vampyr Overture[prepare in A alto & Ab alto]

or BrahmsSymphony no. 2, 2nd movt[prepare in B & Bb basso]

Prepared

As an alternative to transposing an exercise at sight, candidates have the option to prepare transposedorchestral excerpts in advance. In the examination, these must be performed in the original keys fromthe publications listed below and photocopies should be brought to the examination for the examiner’sreference. Written out transpositions are not permitted. The pieces set are as follows:

Trumpet

Grade 6 C Ravel Bolero fig. 5–6 (p. 34)

All of these extracts are taken fromTest Pieces for Orchestral

Auditions — Trumpet (Peters EP 8664)

Grade 7

D WagnerLohengrin (Vorspiel) [Tpt 1, 2 and 3] (p. 78)

Eb and Verdi A Masked Ball (Act 3) (p. 72)

Grade 8

E HumperdinckHansel & Gretel (Vorspielonly) (p. 19)

F and MahlerSymphony no. 5 bars 278–369 (p. 26)

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AuralFour tests are given for each grade (two for Grade 8), designed to develop the candidate’s abilities in thefields of musical perception, discrimination, memory, understanding, analysis and response. The tests,which are all based on the same example to encourage a deepening of knowledge, are carefully gradedfrom basic skills to more advanced understanding.

N.B. Tests for Initial and Grade 1 are all in major keys; Grades 2–5 and 8 may be in major or minor. Grade 6tests are major and Grade 7 are minor. Tests involving printed copies given to candidates will be providedin treble clef for most instruments, and in bass or alto clef for instruments normally reading those clefs.

Initial

1. To sing, hum or whistle the final note of a 4-bar melody in 2 time, played with the final note omitted. The note should be sung in strict time. The key chord will be sounded before the melody is played. In all circumstances this note will be the tonic.

2. To clap back the rhythm of the melody after hearing it played twice again.

3. To identify, after another hearing, whether the melody was played mainly legato or staccato.

4. To identify, after hearing again three consecutive notes from the melody, which of the three was the highest or lowest.

Grade 1

1. i) To clap back the rhythm of a four bar melody in 2 or 3 time, played twice;

ii) to state the time signature.

2. To state, after hearing the melody again, whether the last note was higher, lower or the same as thefirst note.

3. To state, after hearing the melody again, whether the melody was played mainly legato or staccato.

4. To listen to the melody played twice more, first as originally heard and then with a change to thepitch at one point, and indicate where the change occurs. Candidates will not be required to describethe change.

Grade 2

1. To listen once to a short melody in 2 or 3 and to indicate a sense of the pulse and time signatureduring a second playing. Candidates should respond by either conducting clearly, using a simple,conventional, beat-shape or alternatively by other methods, provided the strong beats are indicateddistinctly. The examiner will bring the candidate in at the start of the second playing.

2. To state, after hearing the melody again, whether the last note was higher, lower or the same as the first note.

3. To listen to the complete melody again and to state,

i) whether it was in a major or minor key;

ii) the dynamic level at the start and how it changed during the piece. Crescendo and diminuendomay be included.

4. To listen to one half of the melody played twice more, first as originally heard and then with achange in the rhythm or melody, and to identify the type of change made.

Grade examinations

15

Grade examinations

Grade 3

1. To listen once to a short melody in 3 or 4 and to indicate a sense of the pulse and time signature

during a second playing. Candidates should respond by either conducting clearly, using a simple,

conventional, beat-shape or alternatively by other methods, provided the strong beats are indicated

distinctly. The candidate may begin right at the start, or can join in once the melody is under way.

2. To identify the interval formed by the first two notes of the melody, played from low to high and held

as a sounding interval as a major second, minor third, major third, perfect fourth or perfect fifth.

(All diatonic, from within the key.) Candidates may sing (or hum) the notes before answering.

3. To identify a triad played by the examiner as being either major or minor. The notes will be

sounded together.

4. A printed copy of the melody will be handed to the candidate. The examiner will then play the

original followed by a version (played twice) containing one change of pitch or rhythm. The

candidate will be invited to indicate the bar in which the change occurred in the rhythm or melody.

Grade 4

1. To listen once to a short melody in 4 or 6 with a simple accompaniment and to indicate a sense

of the pulse and time signature during a second playing. Candidates should respond by either

conducting clearly, using a simple, conventional, beat-shape or alternatively by other methods,

provided the strong beats are indicated distinctly.

2. To identify the interval formed by the first two notes of the melody, played consecutively, as:

a unison a perfect fourth

a minor second a perfect fifth

a major second a minor sixth

a minor third a major sixth

a major third

Candidates may sing or hum the notes before answering.

3. To listen to the piece again and to identify the cadence at the end as being either perfect

or imperfect.

4. A printed copy of the melody line only will be handed to the candidate. The examiner will then

play this, followed by a version (played twice) containing two changes, one of pitch and one of

rhythm. The candidate will be invited to indicate the bars in which the changes occurred and to

describe them.

Grade 5

1. To listen twice to a short piece of music in 2, 3 or 6 played twice, and state:

i) the time signature;

ii) if it began in the major or minor;

iii) if the tonality changed as the piece progressed, and if so, how.

After a further playing of the closing section of the piece, whether the cadence at the end was

perfect, imperfect or interrupted.

16

Grade examinations

2. To identify the interval formed by two notes selected by the examiner from the melody line, playedconsecutively, as:

a unison a perfect fiftha minor second a minor sixtha major second a major sixtha minor third a minor seventha major third a major seventha perfect fourth an octave

Candidates may sing or hum the notes before answering.

3. To listen to the piece again and to comment on the articulation and the dynamics.

4. A printed copy of the complete piece will be handed to the candidate. The piece will be played once more as originally heard and then twice with two changes to the ‘top’ line; one to the rhythm and one to the melody. The candidate will be asked to locate and describe the changes.

Grade 6

1. To listen to a short piece in a major key in 2, 3, 4 or 6 played twice, and state the timesignature. Candidates will be invited to comment on the main features of the piece such as

phrasing, style and dynamics. The candidate will have the opportunity to give comments after the first and/or second playing at their discretion.

2. To listen to the closing bars of the piece and identify its cadence as perfect, imperfect, plagal or interrupted.

3. To listen again to a part of the piece which modulates and state into which key the music hasmodulated. Keys used will be confined to dominant, subdominant and relative minor. The openingkey will be stated and the tonic chord played before the start. Answers may be given as either key or technical names (e.g. in C major: ‘to G’ or ‘to the dominant’).

4. A printed copy of the piece will be handed to the candidate, who will be invited to compare this witha version played twice by the examiner containing two changes. These will be in the melody lineonly and may be to the rhythm, the pitch or the articulation. The candidate should identify thelocation and nature of the changes.

Grade 7

1. To listen twice to a short piece in a minor key and comment on the main features of the piece suchas style, phrasing, articulation and dynamics. The candidate will have the opportunity to givecomments after the first and/or second playing at their discretion.

2. To listen to a phrase from the piece and identify its cadence as perfect, imperfect, plagal or interrupted.

3. A printed copy of the first section of the piece will be handed to the candidate, who will be invited to compare this with a version played twice by the examiner containing three changes. These maybe in the pitch (of the melody line only) or the rhythm. The candidate should identify and explain the changes.

4. To listen to the piece played with a modified ending and identify the key to which the music hasmodulated. The opening key will be stated and the key-chord played. Keys used will be limited to thesub-dominant minor, the relative major and the dominant of the relative major (e.g. G major in Aminor). Answers may be given as key names or technical names. Part of the piece may be omittedby the examiner for clarity if appropriate.

17

Grade examinations

Grade 8

1. A short piece will be played twice. The candidate will be invited to describe the significant featuresof the piece, such as style, rhythm, texture, dynamics, phrasing and articulation. Candidates areencouraged to make observations after the first playing and to supplement these after the second.This section will take the form of a short discussion with the examiner; credit will be given for thedepth of perception in the candidate’s comments.

2. A printed copy of the entire piece will be handed to the candidate and played by the examiner, whowill then play twice a version containing three changes which may be in the rhythm, melody, harmony,articulation, dynamics or tempo. The candidate will be invited to identify and explain the changes.Changes may occur in the treble or bass clef lines, or both. The original version, as supplied to thecandidate, will be played again, before the version with the changes.

N.B. In all sections of the Aural Tests that involve the examiner handing the candidate a printed copyof the test, candidates and teachers should note that the copy will be a laminated page, whichmay not be marked by the candidate in any way whatsoever during the examination.

18

Grade examinations

Improvisation

The improvisation tests explore the candidate’s ability to respond creatively to an aural/visual stimulusoffered by the examiner, usually as a rhythmic or melodic cell. The tasks undertaken develop from simplerecognition, assimilation and invention to modulation, extension and other techniques.

In every case the stimulus has been designed to allow a genuinely free creative improvisation and toavoid the implication of a ‘mirror image’ response. At all grades the stimuli seek to provide a wide rangeof improvisatory possibilities, whilst avoiding excessive complication within themselves. The greatestcredit will be given for candidates who most effectively incorporate elements of the stimulus into theirimprovisation, showing creativity and good instrumental knowledge and ability.

Outline and Test Parameters

According to the candidate’s choice, the examiner will tap the rhythm or play the pitches or chords onthe piano, and will also give a notated copy of the relevant test to the candidate which the candidate canrefer to throughout the test. In this way both auditory and visual learners will be assisted to producetheir best possible response.

Format

Candidates may select any one of the following types of test:

either melodic: based on a series of pitches

or rhythmic: based on a rhythmic idea

or chordal: based on a set of chord symbols.

The parameters are given in the chart overleaf.

Melodic Tests

The examiner will give the candidate a copy of a series of written pitches and will play it through twicewith each pitch lasting for about 2 seconds. The candidate will play the pitches back to the examiner, andthen has 30 seconds to prepare a short phrase incorporating these pitches, which is then performed.The candidate may play during the preparation time.

Rhythmic Tests

The examiner will give the candidate a written version of an opening rhythm and then play it twice.Candidates will then repeat it on their instrument using one pitch. They then have 30 seconds to developa piece of music based on this rhythm and then adding melodic material as appropriate. Instrumentalrange used should reflect the parameters for melodic tests in the chart overleaf.

Chordal Tests

The examiner will give the candidate a copy of a 2-stave piano score containing chords written outwithout a time signature (with bar lines) and chord symbols printed above each chord. The examiner willplay this through twice, establishing a moderate pulse with each chord played as 4 crotchets per bar (or2 crotchets where more than one chord appears in a bar). The candidate then has 30 seconds (60seconds for Grades 6 to 8) in which to prepare a short improvisation over the given chords. Candidatescan choose to use the tempo and time signature that the examiner played, or to request a quicker orslower tempo and a 3, 4 or compound ‘feel’ if they prefer.

The examiner will then play the chords as before, while the candidate improvises above them. Thephrase may be repeated several times, depending on length and speed, until the improvisation reachesa natural conclusion.

19

Grade examinations

Written Keys for Chordal Tests

Notes

Marks are awarded for planning, structure, form, melodic, harmonic & rhythmic creativity, inventivenessand logical progression, appropriate length and use of instrumental resources.

Candidates should regard the note values and ranges given as the minimum that will be expected, butmay extend these if they wish.

The length of the response in the chart overleaf is given as a guide only, and the candidate should aim toperform a musically satisfying and balanced response.

Grades 1, 2 & 3 Grades 4 & 5 Grades 6, 7 & 8

All instruments C, F & G major A, D, E, G & B minor C, F, G, Bb, D, Eb & A majorplus relative minors

20

Grade examinations

Parameters for Improvisation Tests

Grade Melodic tests:Max. range of

given motif

Melodic tests: Suggested length

of response Rhythmic tests

Rhythmic tests:Suggested length of response

Chordal tests Phrase played round twice

1 3 notes – one

step one leap – up to 4th

2–4 bars

In 4 2 bars

crotchets minims, quavers

approx 2 bars

4 bar phrase Major key

I/V 1 chord per bar

2 4 notes – range

up to 5th As above with

dots


I/IV/V 1 chord per bar

3 5 notes –

range up to 6th

approx 4 bars

As above with ties

approx 4 bars

4 bar phrase Major key I/IV/V/ii

1 chord per bar

4 Octave

(diatonic)

4 bar phrase Minor key

I/IV/V 1 chord per bar

5 Octave (simple chromaticism)

Two phrases approx 4–8 bars

each

In 2, 3 or 4 plus semiquavers

Two phrases approx 4–8 bars

each 4 bar phrase Minor key I/IV/V/vi

1 chord per bar

6 Plus 6


I/ii/IV/V and 7ths 1 chord per bar

7

3–4 phrases

Plus triplets

3-4 phrases 8-12 bars

8–12 bar phrase Major or Minor key

I/ii/III/iv/V/VI and 6ths/7ths 1 or 2 chords per bar

8

Twelfth (chromatic)

4–6 phrases Plus 7 4–6 phrases 12–16 bars

12–16 bar phrase Major or Minor key

All chords 6ths/7ths/9ths &

dim/aug Simple suspensions 1 or 2 chords per bar

21

Grade examinations

Musical Knowledge (Initial to Grade 5 only)

These questions test the candidate’s understanding of their chosen pieces, the context of theirperformance and their knowledge of their instrument and its technical demands, including best practicefor rehearsal and performance.

Five questions, each worth 2 marks, will normally be asked. Questions will include discussions on most ofthe areas mentioned below, but not all parameters will be relevant to all disciplines and pieces, andexaminers will select questions as appropriate. Candidates must ensure that copies are not so heavilyannotated that a reasonable range of questions for the grade is precluded.

For melody line instrumentalists, questions will be based only on the instrumental line, and not on theaccompaniment.

It is the intention that candidates demonstrate their knowledge by reference to the printed score, ratherthan by reproducing previously prepared answers. If annotations to the printed score are so extensive asto preclude a reasonable range of questions, the report may be referred to Head Office for review or theexaminer may award no marks for the section.

Initial

1. The pitch names, and durations of any notes (excluding those with leger lines except middle C) in thepieces played.

2. To identify, but not to explain clefs, stave, bar lines and key/time signatures in the pieces played.

3. Very simple musical terms and signs in the pieces, such as , ‘repeat’, f and p.

4. Questions about the connection between the titles of the pieces and the music played (e.g. what is aMinuet? Why is this piece called ‘Squabble’?)

Grade 1

1. Pitch names, note types (e.g. minim) and durations of any notes in the pieces played, including dottednotes and any leger lines.

2. Clefs, time/key signatures and any common musical term/sign encountered.

3. Identify and explain p/f, accidentals, phrase marks, 1st & 2nd time bars and staccato/legato, whenappearing in the pieces played.

4. Comment on any significant, interesting or unusual features of piece(s) played. Show a basicunderstanding of the instrument, including the names of its main parts (e.g. mouthpiece, tuning slide,etc.) and maintenance.

Grade 2

As for Grade 1, and additionally:

1. Show an understanding of any term, sign or mark of expression in the pieces played.

2. Identify and explain any metronome marks, grace notes, ornaments, etc. appearing in the pieces played.

22

Grade examinations

3. The numerical value (only) of any interval (within an octave) between any two successive notes

appearing in the pieces played. (e.g. ‘a second’ not ‘a minor second’). Intervals may be asked from a

lower to a higher note or vice versa.

4. Be aware of appropriate basic posture when playing.

Grade 3

As for previous grades, and additionally:

1. Identify and demonstrate an understanding of the keys, (together with their relative major/minor), inwhich the pieces played are written.

2. Identify any common musical devices such as scale or arpeggio patterns in the pieces played.

3. Show an understanding of the reasons for, and methods employed in, the instrumental or vocal warmup (of both instrument and performer).

4. The difference between sounding pitch of their instrument (transposing instruments only, includingoctave transposing instruments).

Grade 4


1. Identify/explain any main key encountered throughout the pieces played, though no detailedknowledge of modulatory processes will be expected.

2. Name the tonic and the dominant (and the three notes of their triads) of any of the keys in which thepieces are written.

3. The full name of any interval (within an octave) between any two successive notes appearing in thepieces played. (e.g. ‘major second’ not ‘second’). Intervals may be asked from a lower to a higher noteor vice versa.

4. Comment on any particular technical or musical challenges encountered in the preparation of thepieces played.

Grade 5


1. Comment on any significant features of the musical style and period, (e.g. Baroque, Romantic) of thepieces played.

2. Point out any interesting or noteworthy structural/formal aspects of the pieces played.

3. Show an understanding of the keys used in the pieces played, including an understanding ofmodulations and a knowledge of tonic, dominant and subdominant of the keys in which the piecesare written.

Grades 6–8

Musical Knowledge questions are not available at these grades.

23

Grade examinations

Instruments

Trumpet/Cornet/Flugel Horn

Candidates must enter for an examination in either Trumpet (subject code TPT) or Cornet (subject codeCOR) or Flugel Horn (subject code FLG). This must be clearly marked on the entry form. From Grade 3onwards, candidates may offer up to one piece on another instrument as appropriate — e.g. cornet,flugel horn or piccolo trumpet in a Trumpet examination — but technical work and all supporting testsmust be performed on the instrument for which the entry was made.

Euphonium/Baritone

The euphonium/baritone syllabus is designed for players reading either treble or bass clef. Scales maybe presented in either clef. Pieces may be in either clef transposed if necessary. Where repertoire is notpublished in the appropriate clef, a manuscript transposition may be used. The pianist should play fromthe published original.

Trombone

The trombone syllabus is designed for players reading either treble or bass clef. Scales may bepresented in either clef. Pieces may be in either clef transposed if necessary. Where repertoire is notpublished in the appropriate clef, a manuscript transposition may be used. The pianist should play fromthe published original.

Bass Trombone

The bass trombone syllabus is designed for players with a single trigger instrument at Grades 6 and 7,but at Grade 8 much of the repertoire and technical work may include low B naturals.

Tuba/Eb Bass/Bb Bass

The tuba syllabus is designed for Eb tuba players, reading in either treble or bass clef. All the pieces upto Grade 5 should be accessible on a three valve instrument. From Grade 6, players without a 4th valvewill find the choice of repertoire more limited.

Scales may be presented in either clef. Pieces may be in either clef, or transposed if necessary. Whererepertoire is not published in the appropriate clef, a manuscript transposition may be used. Either thepianist or the soloist should play from the published original.

Bb bass players may use the same repertoire, transposing either solo or piano parts as necessary, orrepertoire may be selected from the euphonium syllabus. They should follow the Eb tuba treble clefscale lists.

Players on F and C tubas may transpose either solo or piano parts as appropriate. Either the pianist orsoloist should play from the published original. Scale requirements for F, C and Bb tubas reading in bassclef are downloadable from the website www.trinityguildhall.co.uk

Tuning

Examiners should not be expected to tune or adjust instruments for candidates. Up to and includingGrade 5 the teacher or accompanist may assist with tuning. From Grade 6 onwards, candidates areexpected to tune or adjust their instrument without assistance.

French Horn — Grade 1 Subject code: HRN

Pieces (3 x 22 marks)

Three pieces are to be played, one from each group. Instead of one item, candidates may offer their owncomposition (see page 10).

Group A Piece Book Publisher

Alan Ancient Towers 1st Recital Series for F Horn* Curnow 0762.02 CMPBoswell Little Donkey, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TCGange Melody The Jaunty Horn Piper Publications HN001/FGervaise Allemande Bravo! Horn in F BooseyJohnson Evening Shadows 1st Recital Series for F Horn* Curnow 0762.02 CMPPearson Stepwise The Really Easy Horn Book FaberPurcell Rigaudon World Famous Classics Fentone F815Spiritual All Night, All Day, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TCSusato La mourisque Winner Scores All* Brass Wind 0138TCTchaikovsky Dance of the Mirlitons Winner Scores All* Brass Wind 0138TCTrad. Russian Lullaby Horn Solos book 1 Faber

Group B

Bernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TCDaly Postman Pat, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TCGange Folk Song The Jaunty Horn Piper Publications HN001/FGunning Echoes or Sad Café The Really Easy Horn Book FaberJennings &

Horner Titanic Theme, p. 12 Easy Winners for Treble Brass* Brass Wind 0124TCRandall Swings and Roundabouts Broadbent & Dunn 11706Trad. Scottish The Night Visiting Song Bravo! Horn in F BooseyWedgwood Cheeky Cherry

or Hot Chilli Really Easy Jazzin’ About French Horn Faber

Group C (unaccompanied)

Davis Geared Up or Tiny Minuet Polished Brass Brass Wind 6022TCGregson Hungarian Dance, no. 4 20 Supplementary Tunes

or Lullaby, no. 8 for Beginner Brass Brass Wind 6002TCMozart Theme from

a Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TCNightingale Coo’s Blues, no. 3

or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes WarwickSparke Modal Melody, no. 3

or Ticker Tape Parade, no. 5 Skilful Studies for Horn Anglo Music AMP 099Trad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass Brass Wind 0118TC

* Piano accompaniment available separately.

24

French Horn — Grade 1

Technical Work (14 marks) (see page 6)

Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full.

Lip Flexibility Exercise

a) Lip Flexibility Grade 1, F Horn (from Scales & Exercises for French Horn) Trinity Guildhallb) Lip Flexibility Grade 1, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhallc) *Lawrance Exercise no. 1.1 or no. 1.2

(from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013* to be played on open valves on either F or Bb horn at the candidate’s choice

either i) Scales & Arpeggios (from memory)

Scales

The following scales to be performed mf and tongued:C major (one octave)A natural minor (one octave) — candidates may play harmonic or melodic minor if preferred.

Arpeggios

The following arpeggios to be performed mf and tongued:C major (one octave)A minor (one octave)

or ii) Exercise

The following exercise to be played tongued:C major scale and arpeggio exercise (from Scales & Exercises for French Horn) Trinity Guildhall

Supporting Tests (2 x 10 marks)

Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

25





Campbell Hunting Song Horn Solos book 1 FaberCourt March Majestic 1st Recital Series for F Horn* Curnow 0762.02 CMPDi Capua O sole mio All Jazzed Up for F Horn Brass Wind 1108FGange Slow Dance The Jaunty Horn Piper Publications HN001/FHaydn St Anthony Chorale Horn Solos book 1 FaberMendelssohn Nocturne — A Midsummer

Night’s Dream, p. 12 Winners Galore for Treble Brass* Brass Wind 0118TCMozart Aria Winner Scores All* Brass Wind 0138TCNegro Spiritual Nobody Knows Going Solo Horn FaberPearson Girls and Boys The Really Easy Horn Book FaberPurcell Trumpet Tune Winner Scores All* Brass Wind 0138TCRandall Marching Tune Broadbent & Dunn 11707Shore In Dreams Movie Instrumental Solos for Horn in F** Faber

Group BBart Where Is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TCBissill Promenade Going Solo Horn FaberBullard Circus Rock Circus Skills for Horn & Piano Spartan SP641Curnow The Red Balloon 1st Recital Series for F Horn* Curnow 0762.02 CMPGange A Jaunty Tune The Jaunty Horn Piper Publications HN001/FHoward &

Blaikley Miss Marple Theme, p. 9 Winners Galore for Treble Brass* Brass Wind 0118TCOsborne & May Eastenders, p. 13 Easy Winners for Treble Brass* Brass Wind 0124TCPinkard, Carsy & Bernie Sweet Georgia Brown All Jazzed Up for F Horn Brass Wind 1108FTrad. Men of Harlech Winner Scores All* Brass Wind 0138TCarr. JohnstoneWedgwood Easy Tiger

or Keep Truckin’ Really Easy Jazzin’ About French Horn Faber


Blakeson Brite ‘n’ Rock, no. 5 or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141FTC

Davis Jumping Jack Rap or Rat Rag Polished Brass Brass Wind 6022TC

Gregson Gavotte, no. 10 20 Supplementary Tunes or Justin’s March, no. 14 for Beginner Brass Brass Wind 6002TC

Nightingale The Nuthatch, no. 6 or The Sleuth, no. 7 Eazy Jazzy ‘Tudes Warwick

Sparke Cowboy Carol, no. 12 or Tom’s Tune, no. 13 Skilful Studies for Horn Anglo Music AMP 099

* Piano accompaniment available separately. ** CD accompaniment only.26








Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:D and Bb major (one octave)A harmonic minor (one octave): candidates may play natural or melodic minor if preferred.

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:D and Bb major (one octave)A minor (one octave)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) D major scale and arpeggio exercise b) A minor scale and arpeggio exercise

All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.


Two tests are to be played, chosen from:


Aural (see page 14)



27





Bissill Sad Song Going Solo Horn FaberBrightmore Any one of Three Easy

Solos for Horn & Piano Emerson E149Concone Study no. 2,

Allegretto cantabile* Concone Studies for Horn* Emerson E299aFauré Pavane, p. 16 Easy Winners for Treble Brass* Brass Wind 0124TCGossec Tambourin World Famous Classics* Fentone F815Handel Largo World Famous Classics* Fentone F815Hanmer Prelude, no. 1

or Waltz, no. 2 Suite for Horn Emerson E31Lawrance Carillon or Homage In Concert for Horn [F edition] Brass Wind 1104FMozart Andante from La ci darem

la mano 1st Recital Series for F Horn* Curnow 0762.02 CMPShore Evenstar Lord of the Rings —

Instrumental Solos for Horn in F** Warner Bros

Group B

Bart Food Glorious Food Winner Scores All* Brass Wind 0138TCBernstein America Winner Scores All* Brass Wind 0138TCBullard Tightrope Walker Circus Skills for Horn & Piano Spartan SP641John Can You Feel the Love

Tonight? Undercover Hits for F Horn Brass Wind 1145Johnson Excursion 1st Recital Series for F Horn* Curnow 0762.02 CMPLedbury Three and Easy Big Chillers for F Horn Brass Wind 1154Lloyd Webber Close Every Door Winner Scores All* Brass Wind 0138TCMancini Pink Panther All Jazzed Up for F Horn Brass Wind 1108FNorman James Bond Theme, p. 19 Easy Winners for Treble Brass* Brass Wind 0124TCPetty ‘Wheels’ Cha-Cha Let’s Face the Music for F Horn Brass Wind 2132Tchaikovsky Humoresque Going Solo Horn FaberWilliams Hedwig’s Theme Movie Instrumental Solos for Horn in F** FaberWoolfenden Space Patrol Up Front Album for F Horn book 2 Brass Wind 0114


Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141FTC

Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass Brass Wind 6022TC

Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes or Folk Song, no. 17 for Beginner Brass Brass Wind 6002TC

Lawrance Off Beat or Staccato Ritmico Featuring Melody for Treble Brass Brass Wind 6006Sparke Contrasts, no. 30

or Shepherd’s Song, no. 33 Skilful Studies for Horn Anglo Music AMP 099

* Piano accompaniment available separately. ** CD accompaniment only.28








Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:Eb major (one octave)G major (one octave) [lower octave]C and D minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on C (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Eb major (one octave)G major (one octave) [lower octave]C and D minor (one octave)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) Eb major scale and arpeggio exercise b) G major scale and arpeggio exercise [lower octave] c) C minor scale and arpeggio exercise

All scales and exercises are contained in the book Scales & Exercises for French Horn published byTrinity Guildhall.




Aural (see page 14)



29





Bizet Theme from L’Arlésienne Going Solo Horn FaberCarr Ghosts of Fountains Abbey Top Line Album Horn [F edition] Brass Wind 1113FConcone Study no. 5,

Andante cantabile* Concone Studies for Horn* Emerson E299aHumperdinck Hänsel and Gretel Horn Talk Brass Wind 1135Ippolitov-Ivanov Cortège Undercover Hits for F Horn Brass Wind 1145Lawrance Fanfare and Response In Concert for Horn [F ed.] Brass Wind 1104FMendelssohn Nocturne (A Midsummer

Night’s Dream) Horn Solos book 1 FaberStölzel/

J S Bach Bist du bei mir World Famous Classics* Fentone F815Tartini Sarabande Festive Baroque for Horn [F/Eb] de Haske 1043557Tchaikovsky Theme from Symphony no. 5 Horn Solos book 1 Faber

Group B

Bernstein Somewhere Great Winners for Treble Brass* Brass Wind 0132TCBissill Waltz to Take Away Going Solo Horn FaberClews Off Beat Waltz, no. 4

and Circus Polka, no. 5 Nine Pieces for Horn & Piano Paterson’s PAT 60709Goodwin 633 Squadron Great Winners for Treble Brass* Brass Wind 0132TCHanmer Finale, no. 4 Suite for Horn Emerson E31Kosma, Prevert & Mercer Autumn Leaves Big Chillers for F Horn Brass Wind 1154Puccini Nessun Dorma Going Solo Horn FaberRogers & Hart Blue Moon Jazzed up Too [F ed.] Brass Wind 1111FSondheim Send in the Clowns A Little Light Music for F Horn Brass Wind 2118Taylor & Dallas Film ‘87 Jazzed up Too [F ed.] Brass Wind 1111F


Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141FTC

Davis Irish Jig or Smart Card [in D major] Polished Brass Brass Wind 6022TC

Lawrance Restless or Rondo Featuring Melody for Treble Brass Brass Wind 6006McKenzie Mambo or Tango Music Makes the World Go Round Con motoSparke Opera Buffa, no. 32

or Ursa Minor, no. 35or Ursa Major, no. 37 Skilful Studies for Horn Anglo Music AMP 099


30







either i) Scales & Arpeggios (from memory)Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:F major (two octaves)E major (one octave)F minor (two octaves): candidate’s choice of either harmonic or melodic minorE minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on F (two octaves)Chromatic scale starting on C (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:F major (two octaves)E major (one octave)F minor (two octaves)E minor (one octave)

or ii) ExerciseThe following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) E major scale and arpeggio exercise b) F major expanding scale exercise [upper or lower octave at candidate’s choice] c) F minor expanding scale exercise [upper or lower octave at candidate’s choice]




Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)

Aural (see page 14)



31





Bissill March of the Gimps Going Solo Horn FaberCherubini Sonata no. 1 Two Sonatas (Concert Etudes) SchirmerConcone Study no. 18, Allegro brillante* Concone Studies for Horn* Emerson E299aCopland Fanfare for the Common Man Copland for Horn* BooseyDamase Berceuse op. 19 Leduc AL 20897Dunhill Andante con moto, no. 1 Cornucopia BooseyHandel Mirth Admit Me Of Thy Crew Horn Solos book 2 FaberMozart Concerto no. 3 in Eb, K. 447,

2nd movt: Romance Bärenreiter BA 5312aSaint-Saëns Romance op. 36 Solos for the Horn Player SchirmerShostakovich Romance Undercover Hits for F Horn Brass Wind 1145

Group B

Ahbez Nature Boy Latino for F Horn Brass Wind 1143Bernstein Maria A Little Light Music for F Horn Brass Wind 2118Bonfa Manha de Carnaval Latino for F Horn Brass Wind 1143Hupfeld As Time Goes By Big Chillers for F Horn Brass Wind 1154Parker Mapp and Lucia The Music of Jim Parker for F Horn Brass Wind 1133Parker Blues Train Top Line Album Horn [F ed.] Brass Wind 1113FRamskill In the Fast Lane Jazzed up Too [F ed.] Brass Wind 1111FWarren &

Gordon Chatanooga Choo Choo Big Chillers for F Horn Brass Wind 1154Williams Raiders March Great Winners for Treble Brass* Brass Wind 0132TCWoolfenden Shore Dance

or Moonlight Rumba Horn Dances Brass Wind 1126


J S Bach Bourée 1 from Suite no. 3 Six Suites for Cello [trans. Hoss] SouthernDavis Logoland [in C major]

or Heads or Tails Polished Brass Brass Wind 6022TCFranz Etude no. 7 or Etude no. 9 Etudes and Concert Etudes Kalmus K 04523Lawrance Hornpipe or Romanza Featuring Melody for Treble Brass Brass Wind 6006Lawrance Interlude for Horn in F In Concert for Horn [F ed.] Brass Wind 1104FMcKenzie Cerga or Krivo Horo Music Makes the World Go Round Con moto


32








Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:G and Eb major (two octaves)G and Eb minor (two octaves): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:G and Eb major (two octaves)G and Eb minor (two octaves)Dominant 7th in the key of G (one octave)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner. The candidate may choose to play these exercises at either the upper or lower octave.

a) Eb major scale and arpeggio exercise b) Eb minor scale and arpeggio exercise c) G major expanding scaled) G minor expanding scale




Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)

Aural (see page 14)



33




Group A Piece Publisher

Boyce 1st movt from Symphony no. 4 (from O Solo Mio [F ed.]) Brass Wind 2114FBrahms Scherzo from Serenade in D, op. 11

(from Solos for the Horn Player) Schirmer HL50330050Gounod No. 3 (from 6 pièces mélodiques originales vol. 2) Billaudot GB3367Hindemith Horn Sonata 1939, 2nd movt: Ruhig bewegt SchottLarsson Concertino op. 45 no. 5, 2nd movt: Lento cantabile Carl Gehrmans MusikforlagMozart Concerto no. 3 in Eb, K. 447, 3rd movt: Allegro Bärenreiter BA 5312aMozart Concerto no. 4 in Eb, K. 495, 2nd movt: Romance Bärenreiter BA 5313aF Strauss Concerto for Horn op. 8, 2nd movt: Andante Schirmer HL50335560R Strauss Andante op. posth. Boosey 20212Wagner Tannhäuser Overture (from Horn Talk) Brass Wind 1135

Group B

Arlen & Harburg (Somewhere) Over the Rainbow StudioBozza En Irlande LeducDunhill Cornucopia, 2nd movt: Allegro vivo and 3rd movt: Poco adagio BooseyEast Four Occasional Pieces, no. 1 and no. 2 Ricordi RICL005Gershwin I Got Rhythm (from A Little Light Music for F Horn) Brass Wind 2118Harbach & Kern Smoke Gets in Your Eyes (from Let’s Face the Music for F Horn) Brass Wind 2132Lawrance Elegy or Carnival (from In Concert for Horn [F edition]) Brass Wind 1104FMancini Moon River (from Let’s Face the Music for F Horn) Brass Wind 2132Parker The House of Eliott (from The Music of Jim Parker for F Horn) Brass Wind 1133Woolfenden War Dance or Lotus Waltz (from Horn Dances) Brass Wind 1126


J S Bach Suite no. 1, Gigue (from Six Suites for Cello [trans. Hoss]) SouthernFranz Etude no. 15 or Etude no. 20 (from Etudes and Concert Etudes) Kalmus K 04523Kopprasch Study no. 17 or Study no. 25 (from 60 Studies book 1) IMC 1732Lawrance Jazz Suite, no. 5: Three on Five or La chase

(from Featuring Melody for Treble Brass) Brass Wind 6006Lyon Introduction (from Partita for Solo Horn) ChappellMcKenzie Czardas or Hornpipe (from Rhythms of Life) Con motoShaw Just Desserts — Frippery Style, no. 1 The Hornists’ Nest

34








Scales

The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner:

D and Ab major (two octaves)D and G# harmonic minor (two octaves)D and G# melodic minor (two octaves)Whole-tone scale starting on D (two octaves)Chromatic scale starting on D (two octaves)

Arpeggios

The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested bythe examiner:

D and Ab major (two octaves)D and G# minor (two octavesDominant 7th in the key of D (one octave)Diminished 7th starting on D (two octaves)Augmented arpeggio starting on D (two octaves)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner.a) Key centre exercise in Db) D major expanding scalec) D minor expanding scaled) D major scale in 3rds e) D minor scale in 3rds



Candidates to prepare i) and ii):

i) Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)

ii) Aural (see page 14) or Improvisation (see page 18)

35





Beethoven Scherzo from Septet op. 20 (from Solos for the Horn Player) Schirmer HL50330050Brahms 3rd movt from Symphony no. 3 (from Horn Talk) Brass Wind 1135Chabrier España (from Horn Talk) Brass Wind 1135Danzi Sonata op. 44, 2nd movt: Larghetto Birdalone MusicGlazunov Reveries (from Solos for the Horn Player) Schirmer HL50330050Gounod 6 Pièces mélodiques originales vol. 2, no. 4 Billaudot GB3367Mozart Concerto no. 3 in Eb, K. 447, 1st movt: Allegro [with cadenza] Bärenreiter BA 5312aMozart Concerto no. 4 in Eb, K. 495, 3rd movt: Rondo [with cadenza] Bärenreiter BA 5313aRavel Pavane pour une infante défunte

(from Solos for the Horn Player) Schirmer HL50330050F Strauss Nocturno op. 7 Universal UE 1368

Group B

Abbott Alla Caccia ArcadiaBloom Give Me the Simple Life (from O Solo Mio [F ed.]) Brass Wind 2114FCarr Idyll (from A Day in the Country) Broadbent & Dunn 12003Clews Burlesca and Serenata (from Partita for Horn & Piano) Paterson’s 60705Cooke Rondo in Bb SchottDamase Pavane variée LemoineHindemith Horn Sonata 1939, 1st movt: Massig bewegt SchottLarsson Concertino op. 45 no. 5, 1st movt or 3rd movt Gehrmans Nielsen Canto Serioso SkandinaviskRidout Concertino for Horn, 2nd movt and 3rd movt Emerson E71


J S Bach Bourée 1 from Suite no. 4 (from Six Suites for Cello [trans. Hoss]) SouthernJ S Bach Sarabande from Suite no. 5 (from Six Suites for Cello [trans. Hoss]) SouthernBourgeois Fantasy Pieces for Horn, no. 2: Andante espressivo [in F only] Brass Wind 3103Franz Etude no. 18 or Etude no. 19 (from Etudes and Concert Etudes) Kalmus K 04523Kopprasch Study no. 15 or Study no. 28 (from 60 Studies book 1) IMC 1732Lyon Waltz (from Partita for Solo Horn) ChappellMadsen The Dream of the Rhinoceros Musikk-HusetsMcKenzie Habanera (from Rhythms of Life) Con motoShaw Just Desserts — Frippery Style, no. 3 The Hornists’ Nest

36








Scales


A and B* major (two octaves)A and B* harmonic minor (two octaves)A and B* melodic minor (two octaves)Whole-tone scale starting on A and B* (two octaves)Chromatic scale starting on A and B* (two octaves)

Arpeggios


A and B* major (two octaves)A and B* minor (two octaves)Dominant 7th in the keys of A and B* (one octave)Diminished 7th starting on A and B* (two octaves)Augmented arpeggio starting on A and B* (two octaves)

*Candidates may choose either upper or lower octaves for B scales and arpeggios.

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in A b) A major expanding scale [upper or lower octave at candidate’s choice] c) B minor expanding scale [upper or lower octave at candidate’s choice] d) B major scale in 3rdse) A minor scale in 3rds





ii) Aural (see page 14) or Improvisation (see page 18)37




a) Lip Flexibility Grade 8, F Horn (from Scales & Exercises for French Horn) Trinity Guildhallb) Lip Flexibility Grade 8, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall





J S Bach Quoniam Tu Solus Sanctus (from Absolutely Horn) Brass Wind 2123Beethoven Horn Sonata in F, op. 17, 1st movt Peters EP 149Cherubini Sonata no. 2 (from Two Sonatas (Concert Etudes)) SchirmerDukas Villanelle (from Solos for the Horn Player) SchirmerF Strauss Theme and Variations op. 13 Zimmermann ZM 12570Haydn Concerto no. 1 in D, 1st movt or 3rd movt Breitkopf EB 3031Mozart Concerto no. 2 in Eb K. 417, 1st movt: Allegro

or 3rd movt: Rondo [with cadenza] Bärenreiter BA 5311aMozart Rondo from Horn Quintet, K. 407

(from Solos for the Horn Player) SchirmerSaint-Saëns Morceau de concert op. 94 Durand D & F 4605R Strauss Concerto op. 11, 1st movt: Allegro or 2nd movt: Andante Universal UE 1039a

Group B

Aubin Horn Concerto, 3rd movt: Molto vivace Leduc AL 29168Bruckner 2nd movt from Symphony no. 7 (from Absolutely Horn) Brass Wind 2123Carr The Happy Fox (from A Day in the Country) Broadbent 12003Farnon Conversation and Games [complete] WarwickGomelskaya Bagatelle GuildhallGwilt Sonatina [complete] Bayley & Ferguson BF 2018Neuling Bagatelle Pro Musica LeipzigPoulenc Élegie ChesterVan Heusen Here’s That Rainy Day (from O Solo Mio [F ed.]) Brass Wind 2114FVinter Hunter’s Moon Boosey H 15506


Arnold Fantasy for Horn op. 88 FaberJ S Bach Allemande or Courante from Suite no. 4 (from Six Suites for Cello) SouthernBerge Hornlokk [final pedal D is optional] Norsk MusikforlagBourgeois Fantasy Pieces for Horn, no. 3: Scherzando e grottesco or no. 5: Allegro Brass Wind 3103De Pre No. 8 or no. 11 (from Etudes pour le Cor Grave) Billaudot G2127BFranz Etude no. 26 or Concert Etude no. 2 (from Etudes and Concert Etudes) Kalmus K 04523Kopprasch Study no. 31 or Study no. 33 (from 60 Studies book 1) IMC 1732McKenzie Krivo Horo (from Rhythms of Life) Con motoNeuling No. 3 or no. 9 (from 30 Special Studies for Low Horn book 1) Pro Musica LeipzigShaw Just Desserts — Frippery Style, no. 11 The Hornists’ Nest

38


39

c) *Lawrance Exercise no. 8.1 or no. 8.2(from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013

* to be played on open valves on either F or Bb horn at the candidate’s choice


Scales

The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairsas requested by the examiner:

Bb major (three octaves)Db and F# major (two octaves)Bb harmonic and melodic minor (three octaves)C# and F# harmonic and melodic minor (two octaves)Whole-tone scale starting on Bb (three octaves)Whole-tone scale starting on Db and F# (two octaves)Chromatic scale starting on Bb (three octaves)Chromatic scale starting on C# and F# (two octaves)Crabwise scale from F and Bb (two octaves — tongued or slurred in octaves)C major hand-stopped scale (to 12th)

Arpeggios


Bb major (three octaves)Db and F# major (two octaves)Bb minor (three octaves)C# and F# minor (two octaves)Dominant 7th in the keys of C and Bb (two octaves)Dominant 7th in the keys of Db and F# (two octaves)Diminished 7th starting on C*, Db and F# (two octaves)Augmented arpeggio starting on C*, Db and F# (two octaves)

*Upper or lower octave at candidate’s choice.

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in the keys of Db and F#b) Key centre exercise in the key of Bb [upper or lower octave at candidate’s choice]c) Crabwise scale from F in 3rds

All scales and exercises are contained in the book Scales & Exercises for French Horn published byTrinity Guildhall.





Eb Tenor Horn — Grade 1 Subject code: TEN




Gregson Berceuse Up Front Album for Eb Horn book 1 Brass Wind 0108Handel Minuet in C The Really Easy Tenor Horn Book FaberHaydn Minuet Bravo! Eb Tenor Horn BooseyPearson Moto Perpetuo The Really Easy Tenor Horn Book FaberNegro Spiritual Steal Away Beginners Please! [Eb/F edition] WinwoodSchubert German Dance Bravo! Eb Tenor Horn BooseySpiritual All Night, All Day, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TCSusato La mourisque Winner Scores All* Brass Wind 0138TCTchaikovsky Dance of the Mirlitons Winner Scores All* Brass Wind 0138TC

Group B

Bernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TCBourgeois Little Yellow Idol Up Front Album for Eb Horn book 1 Brass Wind 0108Crosse Lullaby Up Front Album for Eb Horn book 1 Brass Wind 0108Daly Postman Pat, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TCPremru Chelsea Chase Up Front Album for Eb Horn book 1 Brass Wind 0108Trad. Russian The Birch Tree Beginners Please! [Eb/F edition] Winwood



or Lullaby, no. 8 for Beginner Brass Brass Wind 6002TCMiller Pond Life, no. 9 or

Supersonic Samurai, no. 14 Simple Studies for Beginner Brass FaberMozart Theme from

a Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TCNightingale Coo’s Blues, no. 3

or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes WarwickSparke Modal Melody

or Tickertape Parade Skilful Studies Anglo Music AMP 099Trad. Give me Joy in my Heart,

p. 6 Winners Galore for Treble Brass Brass Wind 0118TC


40

Eb Tenor Horn — Grade 1




a) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 1 (from How Brass Players Do It) Brass Wind


Scales

The following scales to be performed mf and tongued:C major (one octave)A natural minor (one octave): candidates may play harmonic or melodic minor if preferred.

Arpeggios


or ii) Exercise

The following exercise to be played tongued:C major scale and arpeggio exercise (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall




Aural (see page 14)



41





Barratt Out-of-Step March Bravo! Eb Tenor Horn BooseyClarke The Duke of Gloucester’s

March Bravo! Eb Tenor Horn BooseyCouperin Le petit-rien The Really Easy Tenor Horn Book FaberGrieg Gavotte from Holberg Suite World Famous Classics Fentone F815Handel Hallelujah Chorus, p. 6 Winners Galore for Treble Brass* Brass Wind 0118TCHenry VIII Pastime with Good Company Beginners Please! [Eb/F edition] WinwoodMozart Aria Winner Scores All* Brass Wind 0138TCOffenbach Two Mighty Men-at-Arms World Famous Classics Fentone F815Purcell Trumpet Tune Winner Scores All* Brass Wind 0138TCTrad. Land of the Silver Birch Beginners Please! [Eb/F edition] WinwoodWallace The Grinnermarch Going Solo Tenor Horn Faber

Group B

Bart Where is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TCGoodall Blackadder Theme, p. 16 Winners Galore for Treble Brass* Brass Wind 0118TCOsborne & May Eastenders, p. 13 Easy Winners for Treble Brass* Brass Wind 0124TCPearson Leap-Frog or Seven-Up The Really Easy Tenor Horn Book FaberTrad. Men of Harlech Winner Scores All* Brass Wind 0138TCarr. JohnstoneWiggins Lucy’s Lullaby Beginners Please! [Eb/F edition] WinwoodWilson-Smith Out n’ About

or Something Else or Waltzing with Jazz All Jazzed Up for Horn [Eb edition] Brass Wind 1108E


Blakeson Brite ‘n’ Rock, no. 5or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141ETC

Davis Jumping Jack Rap or Rat Rag Polished Brass Brass Wind 6022TCGregson Gavotte, no. 10

or Justin’s March, no. 14 20 Supplementary Tunes for Beginner Brass Brass Wind 6002TC

Miller Study no. 13, Tip-toe Toccata or Study no. 16, Sabre Dance Simple Studies for Beginner Brass Faber


Sparke Cowboy Carol or Tom’s Tune Skilful Studies Anglo Music AMP 099


42





a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 3 (from How Brass Players Do It) Brass Wind


Scales


Arpeggios


or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) D major scale and arpeggio exerciseb) A minor scale and arpeggio exercise

All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published byTrinity Guildhall.




Aural (see page 14)



43





Anon. The Lark in the Clear Air The Young Soloist vol. 1 [Eb edition] StudioGluck Che Faro Great Winners for Treble Brass Brass Wind 0132TCHandel Largo World Famous Classics Fentone F815Lawrance Carillon In Concert for Horn [Eb edition] Brass Wind 1104EMendelssohn O, for the Wings of a Dove World Famous Classics Fentone F815Mendelssohn On Wings of Song A Classical Album of Solos for Eb Instruments vol. 1 StudioSchubert The Trout Going Solo Tenor Horn FaberTrad. Greensleeves The Young Soloist vol. 1 [Eb edition] StudioTrad. Danny Boy, p. 17 Winners Galore for Treble Brass* Brass Wind 0118TCTrad. British Grenadiers Going Solo Tenor Horn FaberWiggins A Little Peace and Quiet,

no. 2 or Davy Jones’ Hornpipe, no. 3 The Tenor Horn Player’s Debut Studio

Group B

Bart Food Glorious Food Winner Scores All* Brass Wind 0138TCBernstein America Winner Scores All* Brass Wind 0138TCBratton &

Kennedy Teddy Bears’ Picnic, p. 19 Winners Galore for Treble Brass* Brass Wind 0118TCBullard Sentimental Serenade

or Tightrope Walker Circus Skills for Horn & Piano Spartan SP641Harburg We’re Off to See

& Arlen the Wizard, p. 22 Easy Winners for Treble Brass* Brass Wind 0124TCJohn A Whole New World Great Winners for Treble Brass Brass Wind 0132TCJohn & Rice Can You Feel the

Love Tonight Undercover Hits for Eb Horn Brass Wind 1148Lloyd Webber Close Every Door Winner Scores All* Brass Wind 0138TCMancini Pink Panther All Jazzed Up for Horn [Eb edition] Brass Wind 1108ENorman James Bond Theme, p. 19 Easy Winners for Treble Brass* Brass Wind 0124TCPinkard, Carsey

& Bernie Sweet Georgia Brown All Jazzed Up for Horn [Eb edition] Brass Wind 1108ERamskill Hernando’s Hideaway Latino for Eb Horn Brass Wind 1147Wilson-Smith Odd Job All Jazzed Up for Horn [Eb edition] Brass Wind 1108E


Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141ETC

Davis Flamenco Flirt (in D minor) or Horn of Wonder Polished Brass Brass Wind 6022TC

Gregson Bulgarian Dance, no. 15 20 Supplementary Tunesor Folk Song, no. 17 for Beginner Brass Brass Wind 6002TC

Hering Study no. 12 40 Progressive Etudes for Trumpet Fischer 3309McKenzie Waltz or High Life Music Makes the World Go Round Con motoNightingale Slinky, no. 13 Eazy Jazzy ‘Tudes WarwickSparke Contrasts or Tyrolean Tune Skilful Studies Anglo Music AMP 099

* Piano accompaniment available separately.44





a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind


Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:E and Eb major (one octave)C and E minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on C (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:E and Eb major (one octave)C and E minor (one octave)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) E major scale and arpeggio exerciseb) Eb major scale and arpeggio exercisec) C minor scale and arpeggio exercise





Aural (see page 14)



45





Beethoven Für Elise A Classical Album of Solos for Eb Instruments vol. 1 StudioBourgeois A Drowsy Moment

or Three-Legged Horn A Horn-ting We Will Go for Tenor Horn Brass Wind 1125Lawrance Reflections In Concert for Horn (Eb Edition) Brass Wind 1104EMacDowell To a Wild Rose A Classical Album of Solos for Eb Instruments vol. 1 StudioStölzel/

J S Bach Bist du bei mir World Famous Classics Fentone F815Wiggins Court Herald, no. 6

or Song From The High Hills, no. 7 The Tenor Horn Player’s Debut Studio

Group B

Bernstein Somewhere Great Winners for Treble Brass* Brass Wind 0132TCBullard Dancing Dolls

or Russian Galop Circus Skills for Horn & Piano Spartan SP641Goodwin 633 Squadron Great Winners for Treble Brass* Brass Wind 0132TCGunning Theme from Poirot More On The Light Side for Horn in Eb Brass Wind 1138Pearson Pastoral Echoes

or Sunset Strip Going Solo Tenor Horn FaberRamin Music To Watch Girls By Jazzed Up Too for Horn [Eb edition] Brass Wind 1111ERamskill Hot Pursuit Jazzed Up Too for Horn [Eb edition] Brass Wind 1111ERogers Blue Moon Jazzed Up Too for Horn [Eb edition] Brass Wind 1111ESondheim Send In The Clowns A Little Light Music for Horn in Eb Brass Wind 2124


Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141ETC

Bourgeois Study no. 1 or Study no. 2 Ace of Trumpets Brass Wind 6024

Davis Irish Jig or Serpent Smoothie[in C major] Polished Brass Brass Wind 6022TC

Hering Study no. 10 or Study no. 11 40 Progressive Etudes for Trumpet Fischer 3309

McKenzie Mambo or Tango Music Makes the World Go Round Con moto

Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes WarwickSparke Hungarian Dance

or Opera Buffa Skilful Studies Anglo Music AMP 099


46







Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:Bb major (to 12th)F major (one octave)D and F minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on F (one octave)Chromatic scale starting on C (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Bb major (to 12th)F major (one octave)D and F minor (one octave

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Bb major scale and arpeggio exerciseb) F major expanding scale exercisec) F minor expanding scale exercise





Aural (see page 14)



47





Bizet Chanson Boheme Great Winners for Treble Brass* Brass Wind 0132TCBourgeois Tropical Sunset A Horn-ting We Will Go for Tenor Horn Brass Wind 1125Brightmore Lullaby Four Peaceful Pieces Emerson E253Fauré Pavane op. 50 World Famous Classics Fentone F815Grieg Solveig’s Song Great Winners for Treble Brass* Brass Wind 0132TCGrieg Last Spring A Classical Album of Solos for Eb Instruments vol. 1 StudioLawrance Fanfare and Response In Concert for Horn [Eb edition] Brass Wind 1104ELedbury Bagatelle Cornucopia [Eb edition] Brass Wind 2105EMozart Concerto no. 3 in Eb, K. 447,

2nd movt: Romance Bärenreiter BA 5312aPearson Tenor-Hornpipe or Valivid Going Solo Tenor Horn FaberWiggins Gordon’s Gigue, no. 8 The Tenor Horn Player’s Debut Studio

Group B

Barry Goldfinger More On The Light Side for Horn in Eb Brass Wind 1138Gershwin Summertime A Little Light Music for Horn in Eb Brass Wind 2124Gordon &

Warren Chatanooga Choo Choo Big Chillers for Eb Horn Brass Wind 1146Hupfeld As Time Goes By Big Chillers for Eb Horn Brass Wind 1146Ippolitov- Cortège

Ivanov (Caucasian Sketches) Undercover Hits for Eb Horn Brass Wind 1148Parker Mapp and Lucia The Music of Jim Parker for Horn in Eb Brass Wind 1137EPorter Let’s Do It A Little Light Music for Horn in Eb Brass Wind 2124Ramskill Back Chat or In The Fast Lane Jazzed Up Too for Horn [Eb edition] Brass Wind 1111ERamskill Manha de Carnaval Latino for Eb Horn Brass Wind 1147Schönberg I Dreamed a Dream A Little Light Music for Horn in Eb Brass Wind 2124Schönberg On My Own More On The Light Side for Horn in Eb Brass Wind 1138Williams Raiders March Great Winners for Treble Brass* Brass Wind 0132TC


Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets Brass Wind 6024Davis Heads or Tails or Hornpipe Polished Brass Brass Wind 6022TCHering Study no. 30 or Study no. 33 40 Progressive Etudes for Trumpet Fischer 3309McKenzie Cerga or Krivo Horo Music Makes the World Go Round Con motoMiller Prairie Song, no. 5

or March, no. 6 Progressive Studies for Brass FaberNightingale Passion Fruit Samba, no. 18

or The Turkey, no. 22 Eazy Jazzy ‘Tudes WarwickSparke Party Piece Skilful Studies Anglo Music AMP 099Vizzutti Ballad 20 Dances for Trumpet de Haske 991786


48





a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Brass Players Do It) Brass Wind


Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:G major (two octaves)B major (to 12th)G minor (two octaves) — candidate’s choice of either harmonic or melodic minorB minor (to 12th) — candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:G major (two octaves)B major (to 12th)G minor (two octaves)B minor (to 12th)Dominant 7th in the key of G (one octave)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) B major scale and arpeggio exerciseb) B minor scale and arpeggio exercise c) G major expanding scale exercised) G minor expanding scale exercise





Aural (see page 14)



49





Brightmore Barcarolle or Pastorale (from Four Peaceful Pieces) Emerson E253Ball Mountain Melody G & M Brand 70033Bourgeois Bubble in the Tube or Fugal Mood

or On Holiday (from A Horn-ting We Will Go for Tenor Horn) Brass Wind 1125Lawrance Carnival or Elegy (from In Concert for Horn [Eb edition]) Brass Wind 1104ELedbury Cantilena or Ragtime (from Cornucopia [Eb edition]) Brass Wind 2105EMozart Concerto no. 3 in Eb, K. 447, 3rd movt: Allegro Bärenreiter BA 5312aMozart Concerto no. 4 in Eb, K. 495, 2nd movt: Romance Bärenreiter BA 5313aRosetti Romance IMC

Group B

Arlen & Harburg (Somewhere) Over the Rainbow [candidates must use this edition] StudioCarmichael Stardust (from A Little Light Music for Horn in Eb) Brass Wind 2124Gershwin I Got Rhythm (from A Little Light Music for Horn in Eb) Brass Wind 2124Gottschalk Tournament Galop (from Undercover Hits for Eb Horn) Brass Wind 1148Heath Air and Rondo [complete] G & M Brand 70001Mancini Moon River (from Let’s Face the Music for Eb Horn) Brass Wind 2133Parker House of Cards or The House of Eliott

(from The Music of Jim Parker for Horn in Eb) Brass Wind 1137EWaller Ain’t Misbehavin’ (from More On The Light Side for Horn in Eb) Brass Wind 1138


J S Bach Study no. 20 in A minor (from The Well Tempered Player) Winwood RMPC 0015Bourgeois Study no. 8 (from Ace of Trumpets) Brass Wind 6024Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) RubankHering Study no. 34 or Study no. 35 or Study no. 37

(from 40 Progressive Etudes for Trumpet) Fischer 3309Lawrance Aria for Horn in Eb (from In Concert for Horn [Eb edition]) Brass Wind 1104EMcKenzie Czardas or Jota (from Rhythms of Life) Con motoMiller Rubber Lips, no. 12 or Morning, no. 13

(from Progressive Studies for Brass) FaberVizzutti Flamenco or Tango (from 20 Dances for Trumpet) de Haske 991786Vizzutti Study no. 9 of Intermediate Etudes, p. 11

(from The Allen Vizzutti Trumpet Method book 3) Alfred

50







Scales


A and F# major (two octaves)A and F# harmonic minor (two octaves)A and F# melodic minor (two octaves)Whole-tone scale starting on A (two octaves)Chromatic scale starting on A (two octaves)

Arpeggios


A and F# major (two octaves)A and F# minor (two octavesDominant 7th in the key of A (one octave)Diminished 7th starting on A (two octaves)Augmented arpeggio starting on A (two octaves)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in Ab) A major expanding scalec) A minor expanding scaled) A major scale in 3rdse) A minor scale in 3rds




i) Sight Reading (see page 11)


51





Albinoni Adagio (from O Solo Mio [Eb edition]) Brass Wind 2114EGolland Sonata for Horn & Piano op. 75, 1st movt: Allegro KirkleesKneale Variations on a Welsh Theme G & M Brand 70052Marcello Sonata no. 1 in F, 1st movt: Largo and 2nd movt: Allegro

or 3rd movt: Largo and 4th movt: Allegro EMR 2043MRosetti Concerto in Eb, 1st movt: Allegro moderato [with cadenza] IMC 1977Wiggins Cornucopia — A Concerto for Tenor Horn, 2nd movt or 3rd movt Kirklees

Group B

Bloom Give Me the Simple Life (from O Solo Mio [Eb edition]) Brass Wind 2114EGraham A Time for Peace (from Gramercy Solo Album Eb) GramercyHarbach & Kern Smoke Gets in Your Eyes (from Let’s Face the Music for Eb Horn) Brass Wind 2133Kodály Háry János (from It’s a Classic for Eb Horn) Brass Wind 2125Newsome The Carousel StudioNewsome Sylvia StudioSparke Capriccio G & M Brand 70009


Arban Study no. 10 (from 14 Studies for Cornet) BooseyJ S Bach Study no. 2 in C minor or Study no. 17 in Ab

(from The Well Tempered Player) Winwood RMPC 0015Balay Study no. 3 or Study no. 4 (from Quinze Etudes) Leduc AL 14 960Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto Brass Wind 3102Brandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) IMC 1391Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) Fischer 3309McKenzie Malaguena or Klezmer (from Rhythms of Life) Con motoMiller Seventh Heaven, no. 21 or Vienna, no. 24

(from Progressive Studies for Brass) FaberVizzutti Funk (from 20 Dances for Trumpet) de Haske 991786Vizzutti Study no. 2 of Advanced Etudes, p. 61

or Study no. 3 of Rhythmic Etudes, p. 23(from The Allen Vizzutti Trumpet Method book 3) Alfred

52







Scales


B and Bb major (two octaves)B and Bb harmonic minor (two octaves)B and Bb melodic minor (two octaves)Whole-tone scale starting on B and Bb (two octaves)Chromatic scale starting on B and Bb (two octaves)

Arpeggios


B and Bb major (two octaves)B and Bb minor (two octaves)Dominant 7th in the keys of B and Bb (one octave)Diminished 7th starting on B and Bb (two octaves)Augmented arpeggio starting on B and Bb (two octaves)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in Bbb) Bb major expanding scale exercise c) B minor expanding scale exercised) B major scale in 3rds exercisee) Bb minor scale in 3rds exercise






53





Bellini Concerto for Horn in Eb StudioGolland Sonata for Horn & Piano op. 75, 2nd movt: Largo con tristezza

or 3rd movt: Allegretto amabile KirkleesGraham Whirlwind (from Gramercy Solo Album Eb) GramercyGraham Episode WinwoodHandel Handel’s Hornpipe StudioMozart Concerto no. 2 in Eb K. 417, 1st movt: Allegro

or 3rd movt: Rondo [with cadenza] Bärenreiter BA 5311aMozart Rondo from Horn Quintet, K. 407

(from Solos for the Horn Player) SchirmerPoulenc Elegie for Eb Horn (1957) Chester CH59741Wiggins Cornucopia — A Concerto for Tenor Horn, 1st movt: Allegro molto e vigoroso KirkleesWiggins Rhapsody for Tenor Horn Kirklees

Group B

Ball September Fantasy Wright + RoundBellstedt Capriccio Brillante Wright + RoundBroadbent Skelter Wright + RoundFarnon Conversation and Games [complete] WarwickHaydn Gypsy Rondo (from It’s a Classic for Eb Horn) Brass Wind 2125Monti Czardas (from It’s a Classic for Eb Horn) Brass Wind 2125Richards Higgyjig StudioRossini Cavatine (from It’s a Classic for Eb Horn) Brass Wind 2125Sparke Masquerade StudioWood Concertino for Tenor Horn [shortened version] G & M Brand 70015


Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) BooseyJ S Bach Study no. 6 in D minor or Study no. 7 in Eb

(from The Well Tempered Player) Winwood RMPC 0015Balay Study no. 7 or Study no. 11 (from 15 Etudes) Leduc AL 14 960Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro Brass Wind 3102Brandt Study no. 4 or Study no. 15 (from 34 Studies for Trumpet) IMC 1391Miller Perpetuum Mobile, no. 29 (Progressive Studies for Brass) FaberVizzutti Polka (from 20 Dances for Trumpet) de Haske 991786Vizzutti Study no. 5 of Advanced Etudes, p. 64

or Study no. 7 of Advanced Etudes, p. 66(from The Allen Vizzutti Trumpet Method book 3) Alfred

54







Scales

The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs asrequested by the examiner:

C, Ab and F# major (two octaves)C, Ab and F# harmonic minor (two octaves)C, Ab and F# melodic minor (two octaves)Whole-tone scale starting on C, Ab and F# (two octaves)Chromatic scale starting on C, Ab and F# (two octaves)Crabwise scale from C and G (two octaves — tongued or slurred in octaves)

Arpeggios


C, Ab and F# major (two octaves)C, Ab and F# minor (two octaves)Dominant 7th in the key of C (two octaves)Dominant 7th in the keys of Ab and F# (one octave)Diminished 7th starting on C, Ab and F# (two octaves)Augmented arpeggio starting on C, Ab and F# (two octaves)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in the keys of C, Ab and F#b) Crabwise scale from G in 3rds






55

Trumpet, Cornet, Flugel Horn — Grade 1 Subject codes: TPT/COR/FLG




J S Bach Chorale from the St Matthew Passion Amazing Solos for Trumpet Boosey

Clarke Trumpet Minuet Trumpet All Sorts (Grades 1–3) Trinity FaberCrosse Intrada Up front Album for Trumpet, book 1 Brass Wind 0107Diabelli Allegretto [with first repeat] Trumpet Fancies Boston BM11049Haydn Minuet Bravo! Trumpet BooseyLyons Journey’s End or Miles Away The Really Easy Trumpet Book FaberSchubert German Dance Bravo! Trumpet BooseySpiritual All Night, All Day, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TCSusato La mourisque Winner Scores All* Brass Wind 0138TCTchaikovsky Dance of the Mirlitons Winner Scores All* Brass Wind 0138TC

Group BBennett Serene Dream Jazz Club Trumpet Faber 7534ABernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TCDaly Postman Pat, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TCRae Rumba or The Guv’nor Play it Cool for Trumpet Universal UE 21 265Runswick Offshore Up front Album for Trumpet, book 1 Brass Wind 0107Wedgwood Cheeky Cherry

or Simply the Rest! Really Easy Jazzin’ About for Trumpet FaberWedgwood Apple Pie Waltz or I Believe Up-Grade! For Trumpet Grades 1–2 Faber



or Lullaby, no. 8 for Beginner Brass Brass Wind 6002TCMiller Pond Life, no. 9 or

Supersonic Samurai, no. 14 Simple Studies for Beginner Brass FaberMozart Theme from a

Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TCNightingale Coo’s Blues, no. 3

or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes WarwickSparke Modal Melody

or Tickertape Parade Skilful Studies Anglo MusicTrad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass Brass Wind 0118TC


56

Trumpet, Cornet, Flugel Horn — Grade 1




a) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 1 (from How Brass Players Do It) Brass Wind


Scales


Arpeggios


or ii) Exercise





Aural (see page 14)



57





Barratt Out-of-Step March Bravo! Trumpet BooseyClarke The Duke of Gloucester’s

March Bravo! Trumpet BooseyGunning Shepherd’s Delight The Really Easy Trumpet Book FaberHandel March Trumpet All Sorts (Grades 1–3) Trinity FaberHandel Hallelujah Chorus, p. 6 Winners Galore for Treble Brass* Brass Wind 0118TCLyons Aubade The Really Easy Trumpet Book FaberMozart Aria Winner Scores All* Brass Wind 0138TCPraetorius Tanz des Burgermeisters Amazing Solos for Trumpet BooseyPurcell Trumpet Tune Winner Scores All* Brass Wind 0138TCTrad. Scottish Over the Sea to Skye Up-Grade! For Trumpet Grades 1–2 Faber

Group B

Bullard Acrobats or Circus Rock Circus Skills for Trumpet Spartan SP640Bart Where is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TCBennett Art for Art’s Sake Jazz Club Trumpet Faber 7534AGoodall Blackadder Theme, p. 16 Winners Galore for Treble Brass* Brass Wind 0118TCNightingale One, Two, Three, Push!, no. 1

or The Witch’s Cauldron, no. 4 Lucky Dip Warwick

Osborne & May Eastenders, p. 13 Easy Winners for Treble Brass* Brass Wind 0124TCRae Blowin’ Cool Play it Cool for Trumpet Universal UE 21 265Trad. Men of Harlech Winner Scores All* Brass Wind 0138TCarr. JohnstoneWedgwood Dragonfly Really Easy Jazzin’ About for Trumpet Faber


Blakeson Brite ‘n’ Rock, no. 5 or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141TC

Davis Jumping Jack Rap or Rat Rag Polished Brass Brass Wind 6022TC

Gregson Gavotte, no. 10 20 Supplementary Tunes or Justin’s March, no. 14 for Beginner Brass Brass Wind 6002TC

Miller Tip-toe Toccata, no. 13 or Sabre Dance, no. 16 Simple Studies for Beginner Brass Faber


Sparke Cowboy Carol or Tom’s Tune Skilful Studies Anglo Music


58





a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 3 (from How Brass Players Do It) Brass Wind


Scales


Arpeggios


or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by theexaminer:a) D major scale and arpeggio exerciseb) A minor scale and arpeggio exercise





Aural (see page 14)



59





Bizet Entr’acte from Carmen Trumpet All Sorts (Grades 1–3) Trinity FaberMozart Der Vogelfänger bin ich Ja Onstage Brass for Trumpet & Piano Stainer H430Purcell Trumpet Air from The Indian

Queen [with repeats] Old English Trumpet Tunes book 1 OUPPurcell March Trumpet Fancies Boston BM11049Trad. All in a Garden Green

[with repeats] or British Grenadiers Going Solo Trumpet Faber

Trad. Danny Boy, p. 17 Winners Galore for Treble Brass* Brass Wind 0118TCVerdi La donna è mobile Onstage Brass for Trumpet & Piano Stainer H430

Group B

Bullard Sad Clown or Sentimental Serenade Circus Skills for Trumpet Spartan SP640

Adler & Ross Hernando’s Hideaway Latino for Trumpet Brass Wind 1142Bart Food Glorious Food Winner Scores All* Brass Wind 0138TCBernstein America Winner Scores All* Brass Wind 0138TCBennett Cuban Whistle Crisis Jazz Club Trumpet Faber 7534ABratton & Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Treble Brass* Brass Wind 0118TCHarburg & Arlen We’re Off to See the Wizard,

p. 22 Easy Winners for Treble Brass* Brass Wind 0124TCJohn & Rice A Whole New World Great Winners for Treble Brass Brass Wind 0132TCJohn & Rice Can You Feel the Love Tonight Undercover Hits for Trumpet Brass Wind 1144Joplin Peacherine Rag Trumpet All Sorts (Grades 1–3) Trinity FaberLloyd Webber Close Every Door Winner Scores All* Brass Wind 0138TCMancini Pink Panther All Jazzed up for Trumpet Brass Wind 1107Norman James Bond Theme, p. 19 Easy Winners for Treble Brass* Brass Wind 0124TCWedgwood Last Stop! Really Easy Jazzin’ About for Trumpet FaberA Wilson An American Dream Bebop to Rock Spartan SP479


Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141TC

Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass Brass Wind 6022TC

Gregson Bulgarian Dance, no. 15 20 Supplementary Tunesor Folk Song, no. 17 for Beginner Brass Brass Wind 6002TC

Hering Study no. 12 40 Progressive Etudes for Trumpet Fischer 3309McKenzie Waltz or High Life Music Makes the World Go Round Con motoNightingale Slinky, no. 13 Eazy Jazzy ‘Tudes WarwickSparke Contrasts or Tyrolean Tune Skilful Studies Anglo Music

* Piano accompaniment available separately.60







Scales


Arpeggios


or ii) Exercise






Aural (see page 14)



61





Arban Vois-tu la neige qui brille? Second Book of Trumpet Solos FaberFellows Siciliano Two Italian Dances WarwickGounod Soldiers’ March Onstage Brass for Trumpet & Piano Stainer H430Gounod Funeral March of a Marionette Trumpet Fancies Boston BM11049Handel March from the Occasional

Oratorio or March from Scipio Old English Trumpet Tunes book 1 OUP

Prokofiev Troika from Lieutenant Kijé Amazing Solos for Trumpet BooseyPurcell Air Festive Baroque for Trumpet & Piano de Haske 1033419Purcell Fairest Isle Going Solo Trumpet FaberTrad. Greensleeves Trumpet Fancies Boston BM11049Verdi Questa o quella Onstage Brass for Trumpet & Piano Stainer H430

Group B

Bullard Russian Galop Circus Skills for Trumpet Spartan SP640Bernstein America or Maria

(from West Side Story) Amazing Solos for Trumpet BooseyBernstein Somewhere Great Winners for Treble Brass* Brass Wind 0132TCDominguez Frenesi Great Winners for Treble Brass* Brass Wind 0132TCGlyn Stomp Star Turn for Trumpet & Piano* Spartan SP351Goodwin 633 Squadron Great Winners for Treble Brass* Brass Wind 0132TCHoward Fly Me to the Moon Latino for Trumpet Brass Wind 1142Jobim One Note Samba Big Chillers for Trumpet & Piano Brass Wind 1140Nightingale I Woke Up This Mornin’…, no. 6 Lucky Dip WarwickPearson Tongue in Cheek Going Solo Trumpet FaberWeill Mack the Knife Big Chillers for Trumpet & Piano Brass Wind 1140


Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141TC

Bourgeois Study no. 1 or Study no. 2 Ace of Trumpets Brass Wind 6024

Davis Irish Jig or Serpent Smoothie [in C major] Polished Brass Brass Wind 6022TC

Hering Study no. 10 or Study no. 11 40 Progressive Etudes for Trumpet Fischer 3309McKenzie Mambo or Tango Music Makes the World Go Round Con motoNightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes WarwickSparke Hungarian Dance

or Opera Buffa Skilful Studies Anglo Music


62







Scales


Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Bb major (to 12th)F major (one octave)D and F minor (one octave)

or ii) Exercise






Aural (see page 14)



63





Bizet Toreador’s Song Onstage Brass for Trumpet & Piano Stainer H430Clarke The Prince of Denmark’s March Old English Trumpet Tunes book 1 OUPGrieg Solveig’s Song Great Winners for Treble Brass* Brass Wind 0132TCHasse Bourée Festive Baroque for Trumpet & Piano de Haske 1033419Mozart È amore un ladroncello Onstage Brass for Trumpet & Piano Stainer H430Telemann Die Würde Festive Baroque for Trumpet & Piano de Haske 1033419Telemann Air The Baroque Trumpet FaberVerdi Triumphal March Onstage Brass for Trumpet & Piano Stainer H430Vizzutti Rain Forest or Space Explorations for Trumpet de Haske 1023183Woolfenden Ushercombe View Landmarks for Trumpet Brass Wind 1117

Group B

Bernstein I Feel Pretty Leonard Bernstein for Trumpet BooseyGlyn Good News Star Turn for Trumpet & Piano Spartan SP351Gorb Gamelan or Huapango A Tango To Bali Brass Wind 1124Gordon &

Warren Chatanooga Choo Choo Big Chillers for Trumpet & Piano Brass Wind 1140Maria & Bonfa Manha de Carnaval Latino for Trumpet Brass Wind 1142Nightingale The Googlie Boogie, no. 9

or Bruiser Joe, no. 10 Lucky Dip WarwickParker Soldier, Soldier The Music of Jim Parker for Trumpet Brass Wind 1128Richards One Day [Cornet/Trumpet] StudioRunswick Three-Six-Nine Suite and Hot Brass Wind 2103Wedgwood Ragamuffin or Tequila Sunrise Jazzin’ About for Trumpet FaberWilliams Raiders March Great Winners for Treble Brass* Brass Wind 0132TCA Wilson Bebop Bebop to Rock Spartan SP479Woolfenden Tahitian Tango Landmarks for Trumpet Brass Wind 1117


Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets Brass Wind 6024Davis Heads or Tails or Hornpipe Polished Brass Brass Wind 6022TCHering Study no. 30 or Study no. 33 40 Progressive Etudes for Trumpet Fischer 3309McKenzie Cerga or Krivo Horo Music Makes the World Go Round Con motoMiller Prairie Song, no. 5

or March, no. 6 Progressive Studies for Brass FaberNightingale Passion Fruit Samba, no. 18

or The Turkey, no. 22 Eazy Jazzy ‘Tudes WarwickSparke Party Piece Skilful Studies Anglo MusicVizzutti Ballad 20 Dances for Trumpet de Haske 991786


64







Scales

The following scales to be performed mf, tongued or slurred as requested by the examiner:G major (two octaves)B major (to 12th)G minor (two octaves) — candidate’s choice of either harmonic or melodic minorB minor (to 12th) — candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)

Arpeggios


or ii) Exercise






Aural (see page 14)



65





Banchieri Canzona 5 (from The Baroque Trumpet) FaberBoyce Trumpet Voluntary (from Old English Trumpet Tunes book 1) OUPDvorák Rusalka’s Song to the Moon (from Shepherd’s Song) WinwoodGregson Danse Macabre (from Cameos for Trumpet) Brass Wind 1103Larsson Concertino For Trumpet & Strings op. 45 no. 6,

1st movt: Allegro moderato or 3rd movt: Allegro risoluto GehrmansMoszkowski Danza Animada (from Fiesta Española for Trumpet) Brass Wind 2116Purcell Sonata for Trumpet & Strings, 1st movt: Allegro

or 3rd movt: Allegro Musica Rara MR1073Sanders Square-Dance for Trumpet & Piano Stainer 2692Tchaikovsky Chanson Napolitaine, op. 39 no. 18 (from Second Book of Trumpet Solos) FaberTelemann Die Tapferkeit (from Festive Baroque for Trumpet & Piano) de Haske 1033419Vizzutti The Enchanted Trumpet (from Explorations for Trumpet) de Haske 1023183

Group B

Bernstein Lucky to Be Me (from Leonard Bernstein for Trumpet) BooseyGorb Tango Argentino (from A Tango To Bali) Brass Wind 1124Gottschalk Tournament Galop (from Undercover Hits for Trumpet) Brass Wind 1144Grantham After Midnight Music for BrassNightingale From Drainpipes To Flares, no. 7 or The Viennese Dwarf, no. 8 (from Lucky Dip) WarwickParker Theme from Another Six English Towns StudioRunswick Goose the Goose (from Suite and Hot) Brass Wind 2103Sparke Soliloquy for Bb Cornet & Piano StudioStreet Rondino BooseyA Wilson Summer Samba (from Bebop to Rock) Spartan SP479Woolfenden Gorky Park or Mean Streets of Miami (from Landmarks for Trumpet) Brass Wind 1117


J S Bach Study no. 20 in A minor (from The Well Tempered Player) Winwood RMPC 0015Bourgeois Study no. 8 (from Ace of Trumpets) Brass Wind 6024Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) RubankHering Study no. 34 or Study no. 35 or Study no. 37

(from 40 Progressive Etudes for Trumpet) Fischer 3309McKenzie Czardas or Jota (from Rhythms of Life) Con motoMiller Rubber Lips, no. 12 or Morning, no. 13

(from Progressive Studies for Brass) FaberVizzutti Flamenco or Tango (from 20 Dances for Trumpet) de Haske 991786Vizzutti Study no. 9 of Intermediate Etudes, p. 11


66







Scales



Arpeggios



or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) Key centre exercise in Ab) A major expanding scalec) A minor expanding scaled) A major scale in 3rdse) A minor scale in 3rds




i) Sight Reading and Transposition (prepared or unprepared) [Trumpet only] (see pages 11 & 12)


67





Balay Andante and Allegro [complete] Leduc AL 22 802Delibes Waltz (Coppelia) (from Divertissement for Trumpet & Piano) Brass Wind 3124Elgar Idylle (from Second Book of Trumpet Solos) FaberFantini Sonata detta del Niccolini (from The Baroque Trumpet) FaberFiala Divertimento in D, 2nd movt: Allegro FaberMoszkowski Danza Alegre (from Fiesta Española for Trumpet) Brass Wind 2116Neruda Concerto for Trumpet & Strings, 2nd movt Musica Rara MR 1817aRavel Sonatine (2nd movt) (from Divertissement for Trumpet & Piano) Brass Wind 3124Shostakovich Prelude 18 (from Russian Roulette) Brass Wind 3110

Group B

Arutunian Concert Scherzo EmersonBernstein Rondo for Lifey BooseyBozza Badinage for Trumpet & Piano Leduc AL 20712Butterworth Fanfare and Berceuse (from Contemporary Music for Trumpet) BooseyGorb Chikona (from A Tango to Bali) Brass Wind 1124Graham A Time for Peace (from Gramercy Solo Album Bb) Gramercy MusicHimes Concertino for Flugel Horn & Brass Band, 1st movt: Rondo Burlesca StudioMorrison Buster Strikes Back Music For BrassRidout Concertino for Flugel Horn, 2nd movt: Energico Emerson 190Wallace The Moose is Loose (from Second Book of Trumpet Solos) FaberWilson Blues Boulevard (from Bebop to Rock) Spartan SP479Wright Concerto for Bb Cornet, 3rd movt: Rondo Chappell


Arban Study no. 10 (from 14 Studies for Cornet) BooseyJ S Bach Study no. 2 in C minor or Study no. 17 in Ab

(from The Well Tempered Player) Winwood RMPC 0015Balay Study no. 3 or Study no. 4 (from 15 Etudes) Leduc AL 14 960Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto Brass Wind 3102Brandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) IMC 1391Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) Fischer 3309McKenzie Malaguena or Klezmer (from Rhythms of Life) Con motoMiller Seventh Heaven, no. 21 or Vienna, no. 24 (from Progressive Studies for Brass) FaberVizzutti Funk (from 20 Dances for Trumpet) de Haske 991786Vizzutti Study no. 2 of Advanced Etudes, p. 61

or Study no. 3 of Rhythmic Etudes, p. 23(from The Allen Vizzutti Trumpet Method book 3) Alfred

68







Scales



Arpeggios



or ii) Exercise







69

Trumpet, Cornet, Flugel Horn — Grade 8 Subject code: TPT/COR/FLG




Albinoni Concerto in G minor, 2nd movt: Allegro and 4th movt: Allegro EMR 626Bellstedt Napoli (from Shepherd’s Song) WinwoodCode Zelda BooseyDonato Prelude and Allegro [complete] LeducGoedicke Konzert-Etude op. 49 EMR 6032Hummel Trumpet Concerto, 1st movt: Allegro con spirito BooseyNeruda Concerto for Trumpet & Strings, 1st movt [with cadenza] Musica Rara MR 1817aTchaikovsky Ballet Suite (from Russian Roulette) Brass Wind 3110Wright Concerto for Bb Cornet, 1st movt Chappell

Group B

Abreu Tico Tico for Trumpet & Piano Brass Wind 4110Baker Satchmo Music for BrassBarat Fantasie in Eb for Cornet/Trumpet & Piano Leduc AL 21923Bernstein Red, White and Blues (from Contemporary Music for Trumpet) BooseyBourgeois Sonata for Trumpet & Piano op. 193, 3rd movt: Allegro vivace Brass Wind 3117Busser Andante and Scherzo [complete] Leduc AL 21327Copland Quiet City (from Contemporary Music for Trumpet) BooseyCopland Fanfare for the Common Man (from Copland 2000 for Trumpet) BooseyGolland Ballade op. 72, no. 1 StudioGraham Whirlwind (from Gramercy Solo Album Bb) Gramercy MusicHindemith Sonata for Trumpet & Piano, 1st movt: mit Kraft Schott ED 3643Newsome Concorde StudioPeeters Sonata for Trumpet & Piano op. 51, 1st movt: Allegro

or 3rd movt: Toccata Peters EP 6240Sparke Concerto for Trumpet (or Cornet) & Brass Band, 3rd movt: Allegro con brio StudioSparke Song and Dance Studio


Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) BooseyJ S Bach Study no. 6 in D minor or Study no. 7 in Eb

(from The Well Tempered Player) Winwood RMPC 0015Balay Study no. 7 or Study no. 11 (from 15 Etudes) Leduc AL 14 960Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro Brass Wind 3102Brandt Study no. 4 or Study no. 15 (34 Studies for Trumpet) IMC 1391Miller Perpetuum Mobile, no. 29 (from Progressive Studies for Brass) FaberVizzutti Polka (from 20 Dances for Trumpet) de Haske 991786Vizzutti Study no. 5 of Advanced Etudes, p. 64 or Study no. 7 of Advanced Etudes, p. 66


70







Scales


C, Ab and F# major (two octaves)C, G#/Ab and F# harmonic minor (two octaves)C, G#/Ab and F# melodic minor (two octaves)Whole-tone scale starting on C, Ab and F# (two octaves)Chromatic scale starting on C, Ab and F# (two octaves)Crabwise scale from C and G (two octaves — tongued or slurred in octaves)

Arpeggios


C, Ab and F# major (two octaves)C, G#/Ab and F# minor (two octaves)Dominant 7th in the key of C (two octaves)Dominant 7th in the keys of Ab and F# (one octave)Diminished 7th starting on C, Ab and F# (two octaves)Augmented arpeggio starting on C, Ab and F# (two octaves)

or ii) Exercise







71

Eb Soprano Cornet — Grade 6 Subject code: SPC


Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates maysubstitute one piece from Group B with a piece from Group C of the trumpet/cornet syllabus for thisgrade. Instead of any one item, candidates may offer their own composition (see page 10).


Cosma Only Love MfBElgar Chanson de matin (from Eb Solo Book) WarwickHaydn Andante (from Trumpet Concerto) Universal HM223Janácek Theme from Sinfonietta (from It’s a Classic for Eb Horn) Brass Wind 2125Parker Ground Force (from The Music of Jim Parker for Horn in Eb) Brass Wind 1137Puccini Nessun Dorma (arr. Hudson) MfBScherwin &

Maschwitz A Nightingale Sang in Berkeley Square (from A Little Light Music for Eb Horn) Brass Wind 2124

Waller Ain’t Misbehavin’ (from More on the Light Side for Eb Horn) Brass Wind 1138Walton Blue Grotto or Red Run (from Alpine Adventures) Sound The Trumpets

Group B

Endresen Study no. 21 (from Supplementary Studies for Trumpet) RubankVizzutti Bossa Nova or Bulgarian Dance or Cowboy Dance

(from 20 Dances for Trumpet) de Haske




All candidates to choose one exercise from the following: a) Lip Flexibility Grade 6 no. 1 (available to download from www.trinityguildhall.co.uk/music)b) Lip Flexibility Grade 6 no. 2 (available to download from www.trinityguildhall.co.uk/music)c) Exercise no. 17 or no. 18 (from How Brass Players Do It) Brass Wind


Scales


F# major (two octaves)A major (to 12th)F# harmonic minor (two octaves)F# melodic minor (two octaves)A harmonic minor (to 12th)A melodic minor (to 12th)Whole-tone scale starting on A (to 12th)Chromatic scale starting on A (to 12th)

72

Eb Soprano Cornet — Grade 6

ArpeggiosThe following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested bythe examiner:

F# major (two octaves)A major (to 12th)F# minor (two octaves)A minor (to 12th)Dominant 7th in the key of A (one octave)Diminished 7th starting on A (to 12th)Augmented arpeggio starting on A (to 12th)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in F#b) A major expanding scale c) A minor expanding scaled) A major scale in 3rdse) A minor scale in 3rds

All scales and exercises are available to download from www.trinityguildhall.co.uk/music





73





Ball Mountain Melody G & M Brand 70033Carmichael Stardust (from A Little Light Music for Horn in Eb) Brass Wind 2124Donizetti Solo per Oboe (from Eb Solo Book) WarwickElgar The Serious Doll (from Eb Solo Book) WarwickGraham A Time for Peace or Swedish Hymn (from Gramercy Solo Album Eb) GramercyHandel Bourée MfBKodály Háry János (from It’s a Classic for Eb Horn) Brass Wind 2125Parker Soldier, Soldier (from The Music of Jim Parker for Horn in Eb) Brass Wind 1137Walton Black Ice, no. 5 (from Alpine Adventures) Sound the TrumpetsWalton Ranoon Spectre Sound the Trumpets

Group B

J S Bach Study no. 11 in F (from The Well Tempered Player) Winwood RMPC 0015McKenzie Klezmer (from Rhythms of Life) con motoVizzutti Study no. 11 of Rhythmic Etudes







Scales


Bb major (to 12th)G major (two octaves)Bb harmonic minor (to 12th)Bb melodic minor (to 12th)G harmonic minor (two octaves)G melodic minor (two octaves)Whole-tone scale starting on Bb (to 12th)Whole-tone scale starting on G (two octaves)Chromatic scale starting on Bb (to 12th)Chromatic scale starting on G (two octaves)

74


Arpeggios


Bb major (to 12th)G major (two octaves)Bb minor (to 12th)G minor (two octaves)Dominant 7th in the keys of Bb and G (one octave)Diminished 7th starting on Bb (to 12th)Diminished 7th starting on G (two octaves)Augmented arpeggio starting on Bb (to 12th)Augmented arpeggio starting on G (two octaves)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in G b) Bb major expanding scale c) Bb minor expanding scale d) G major scale in 3rdse) G minor scale in 3rds






75





Boyce 1st movt from Symphony no. 4 (from O Solo Mio [Eb edition]) Brass Wind 2114EEaves Rhapsody for Eb Soprano Cornet G & M Brand 70040Graham Glorious Ventures or Whirlwind (from Gramercy Solo Album Eb) GramercyHaydn Gypsy Rondo (from It’s a Classic for Eb Horn) Brass Wind 2125Hummel Trumpet Concerto, 1st movt: Allegro con spirito BooseyKneale Variations on a Welsh Theme G & M Brand 70052Monti Czardas (from It’s a Classic for Eb Horn) Brass Wind 2125Mozart The Queen of the Night’s Aria KirkleesNeruda Concerto for Trumpet & Strings, 1st movt [with cadenza] Musica Rara MR 1817aRimmer Silver Threads Among the Gold Wright + RoundRossini Cavatine (from It’s a Classic for Eb Horn) Brass Wind 2125Sparke Capriccio G & M Brand 70009

Group B

Brandt Study no. 31 (from 34 Studies for Trumpet) IMC 1391McKenzie Syrto (from Rhythms of Life) con motoMiller Rhythmic Rondo or Computer Failure (from Progressive Studies for Brass) Faber






Scales


A, Ab and F# major (two octaves)A, Ab and F# harmonic minor (two octaves)A, Ab and F# melodic minor (two octaves)Whole-tone scale starting on A, Ab and F# (two octaves)Chromatic scale starting on A, Ab and F# (two octaves)Crabwise scale from G and F# (two octaves — tongued or slurred in octaves)

76


Arpeggios


A, Ab and F# major (two octaves)A, Ab and F# minor (two octaves)Dominant 7th in the keys of A, Ab and F# (one octave)Diminished 7th starting on A, Ab and F# (two octaves)Augmented arpeggio starting on A, Ab and F# (two octaves)

or ii) Exercise

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner.a) Key centre exercise in the keys of A, Ab and F#b) Crabwise scale from G in 3rds






77

Euphonium, Baritone — Grade 1 Subject codes: EUP/BTN



Group A Piece Book PublisherJ S Bach Chorale from the

St Matthew Passion Amazing Solos for Trumpet [] BooseyClarke Trumpet Minuet Trumpet All Sorts (Grades 1–3) [] Trinity FaberCrosse Intrada Up Front Album for Trumpet, book 1 [] Brass Wind 0107Diabelli The Joker The Magic Trombone [/] BooseyGrieg Åse’s Death The Really Easy Trombone Book [/] FaberHaydn Minuet Bravo! Trumpet [] BooseyRunswick Offshore Up Front Album for Trumpet, book 1 [] Brass Wind 0107Schubert German Dance Bravo! Trumpet [] BooseySpiritual All Night, All Day, p. 7 Easy Winners for Treble Brass*‡‡ Brass Wind 0124TCSusato La mourisque Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Tchaikovsky Dance of the Mirlitons Winner Scores All* [ or ] Brass Wind 0138TC/0141BC

Group BBernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass*‡ Brass Wind 0124TCDaly Postman Pat, p. 5 Winners Galore for Treble Brass*‡‡ Brass Wind 0118TCRae Rumba or The Guv’nor Play it Cool for Trumpet [] Universal UE 21 265Wedgwood Cheeky Cherry

or Simply the Rest! Really Easy Jazzin’ About for Trumpet [] FaberWedgwood Apple Pie Waltz

or I Believe Up-Grade! For Trumpet Grades 1–2 [] Faber

Group C (unaccompanied)Bourgeois No. 2, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BCDavis Geared Up or Tiny Minuet Polished Brass [] Brass Wind 6022TCEndresen Study no. 1, Moderato Supplementary Studies

for Trombone [] Rubank HL04470640Gregson Hungarian Dance, no. 4 20 Supplementary Tunes

or Lullaby, no. 8 for Beginner Brass [] Brass Wind 6002TCMiller Pond Life, no. 9 or

Supersonic Samurai, no. 14 Simple Studies for Beginner Brass [] FaberMozart Theme from

a Musical Joke, p. 3 Easy Winners for Treble Brass‡ Brass Wind 0124TCNightingale Coo’s Blues, no. 3

or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011Sparke Modal Melody

or Tickertape Parade Skilful Studies for Baritone/Euphonium [/] Anglo MusicTrad. Give me Joy in my Heart,

p. 6 Winners Galore for Treble Brass‡‡ Brass Wind 0118TC

* Piano accompaniment available separately.‡ Bass clef version available in Easy Winners for Trombone (Brass Wind 0125BC)‡‡ Bass clef version available in Winners Galore for Trombone (Brass Wind 0121BC)

78

Euphonium, Baritone — Grade 1

Technical Work (14 marks) (see page 6)Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full.

Lip Flexibility ExerciseTreble clefa) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 1 (from How Brass Players Do It) Brass Wind

Bass clef

a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 1 (from How Low Brass Do It) Brass Wind


Treble clefScales


Arpeggios


Bass clefScales

The following scales to be performed mf and tongued:Bb major (one octave)G natural minor (one octave): candidates may play harmonic or melodic minor if preferred.

Arpeggios

The following arpeggios to be performed mf and tongued:Bb major (one octave)G minor (one octave)

or ii) Exercise

Treble clef


Bass clef

The following exercise to be played tongued:Bb major scale and arpeggio exercise (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall




Aural (see page 14)


Musical Knowledge (see page 21) 79

80




Group A Piece Book PublisherBarratt Out-of-Step March Bravo! Trumpet [] BooseyBullard Acrobats or Circus Rock Circus Skills [ or ] Spartan SP640 or SP642Clarke The Duke of

Gloucester’s March Bravo! Trumpet [] BooseyHandel March Trumpet All Sorts (Grades 1–3) [] Trinity FaberHandel Hallelujah Chorus, p. 6 Winners Galore for Treble Brass* Brass Wind 0118TCMozart Aria Winner Scores All* [ or ] Brass Wind 0138TC/0141BCPraetorius Tanz des Burgermeisters Amazing Solos for Trumpet [] BooseyPurcell Trumpet Tune Winner Scores All* [ or ] Brass Wind 0138TC/0141BCTrad. Scottish Over the Sea to Skye Up-Grade! For Trumpet Grades 1–2 [] Faber

Group BBart Where Is Love?, p. 14 Easy Winners for Treble Brass*‡ Brass Wind 0124TCGoodall Blackadder Theme, p. 16 Winners Galore for Treble Brass*‡‡ Brass Wind 0118TCNightingale One, Two, Three, Push!, no. 1

or The Witch’s Cauldron, no. 4 Lucky Dip [ or ] WarwickOsborne & May Eastenders, p. 13 Easy Winners for Treble Brass*‡ Brass Wind 0124TCTrad. Men of Harlech Winner Scores All* [ or ] Brass Wind 0138TC/0141BC

arr. JohnstoneWedgwood Dragonfly or Easy Tiger Really Easy Jazzin’ About for Trumpet [] FaberWilson-Smith Out n’ About or Something Else

or Waltzing with Jazz All Jazzed Up for Trumpet [] Brass Wind 1107

Group C (unaccompanied)Blakeson Brite ‘n’ Rock, no. 5

or Chickpea, no. 11 Smooth Groove for Treble Brass [] Brass Wind 1141TCBourgeois No. 4, Moderato

or no. 5, Allegro Splinters of Bone [ or ] Brass Wind 6014TC/BCDavis Jumping Jack Rap

or Rat Rag Polished Brass [] Brass Wind 6022TCEndresen Study no. 3, Allegro Supplementary Studies

for Trombone [] Rubank HL04470640Gregson Gavotte, no. 10

or Justin’s March, no. 14 20 Supplementary Tunes for Beginner Brass [] Brass Wind 6002TC

Miller Tip-toe Toccata, no. 13 or Sabre Dance, no. 16 Simple Studies for Beginner Brass [] Faber

Nightingale The Nuthatch, no. 6 or The Sleuth, no. 7 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011

Sparke Cowboy Carol or Tom’s Tune Skilful Studies for Baritone/Euphonium [/] Anglo Music

* Piano accompaniment available separately.‡ Bass clef version available in Easy Winners for Trombone (Brass Wind 0125BC)‡‡ Bass clef version available in Winners Galore for Trombone (Brass Wind 0121BC)

81


Lip Flexibility ExerciseTreble clefa) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 3 (from How Brass Players Do It) Brass Wind

Bass clefa) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 3 (from How Low Brass Do It) Brass Wind


Treble clefScalesThe following scales to be performed mf, tongued or slurred as requested by the examiner:

D and Bb major (one octave)A harmonic minor (one octave) — candidates may play natural or melodic minor if preferred.

ArpeggiosThe following arpeggios to be performed mf, tongued or slurred as requested by the examiner:

D and Bb major (one octave)A minor (one octave)

Bass clefScalesThe following scales to be performed mf, tongued or slurred as requested by the examiner:

C and Ab major (one octave)G harmonic minor (one octave) — candidates may play natural or melodic minor if preferred.


C and Ab major (one octave)G minor (one octave)

or ii) ExerciseTreble clefThe following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) D major scale and arpeggio exerciseb) A minor scale and arpeggio exercise


Bass clefThe following exercises to be played tongued.a) C major scale and arpeggio exercise b) G minor scale and arpeggio exercise

All exercise are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.





Aural (see page 14)



82


83





Bizet Entr’acte from Carmen Trumpet All Sorts (Grades 1–3) [] Trinity FaberCarr The Station Master Top Line Album for Trombone

[ or ] Brass Wind 1115TC/BCFauré Pavane, p. 16 Easy Winners for Treble Brass*‡ Brass Wind 0124TCGluck Che Faro Great Winners for Treble Brass*‡‡‡ Brass Wind 0132TCMozart Der Vogelfänger bin ich Ja Onstage Brass for Trumpet & Piano [] Stainer H430Purcell Trumpet Air from

The Indian Queen[with repeats] Old English Trumpet Tunes book 1 [] OUP

Saint-Saëns Royal March of the Lion The Magic Trombone [/] BooseyTrad. British Grenadiers Going Solo Trumpet [] FaberTrad. Danny Boy, p. 17 Winners Galore for Treble Brass*‡‡ Brass Wind 0118TCVerdi La donna è mobile Onstage Brass for Trumpet & Piano [] Stainer H430

Group B

Adler & Ross Hernando’s Hideaway Latino for Trumpet [] Brass Wind 1142Bart Food Glorious Food Winner Scores All * [ or ] Brass Wind 0138TC/0141BCBernstein America Winner Scores All* [ or ] Brass Wind 0138TC/0141BCBlake Walking in the Air Winner Scores All* [ or ] Brass Wind 0138TC/0141BCBullard Sad Clown

or Sentimental Serenade Circus Skills [ or ] Spartan SP640 or SP642Harburg & Arlen We’re Off to See the

Wizard, p. 22 Easy Winners for Treble Brass*‡ Brass Wind 0124TCJohn & Rice Can You Feel the

Love Tonight Undercover Hits for Trumpet [] Brass Wind 1144Lloyd Webber Close Every Door Winner Scores All* [ or ] Brass Wind 0138TC/0141BCMancini Pink Panther All Jazzed Up for Trumpet [] Brass Wind 1107Norman James Bond Theme, p. 19 Easy Winners for Treble Brass*‡ Brass Wind 0124TCPinkard, Carsey

& Bernie Sweet Georgia Brown All Jazzed Up for Trumpet [] Brass Wind 1107


Bourgeois no. 6, Alla marcia or no. 9, Moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC

Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass [] Brass Wind 1141TC

Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass [] Brass Wind 6022TC

Endresen Study no. 8, Moderato Supplementary Studiesfor Trombone [] Rubank HL04470640

Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes or Folk Song, no. 17 for Beginner Brass [] Brass Wind 6002TC

84


Hering Study no. 12 40 Progressive Etudes for Trumpet [] Fischer 3309McKenzie Waltz or High Life Music Makes the World Go Round [ or ] Con motoNightingale Slinky, no. 13 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011Sparke Contrasts or Tyrolean Tune Skillful Studies for Baritone/Euphonium [/] Anglo Music

* Piano accompaniment available separately‡ Bass clef version available in Easy Winners for Trombone (Brass Wind 0125BC)‡‡ Bass clef version available in Winners Galore for Trombone (Brass Wind 0121BC)‡‡‡ Bass clef version available in Great Winners for Trombone (Brass Wind 0136)




Treble clefa) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind

Bass clefa) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 7 or no. 8 (from How Low Brass Do It) Brass Wind


Treble clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:E and Eb major (one octave)C and E minor (one octave) — candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on C (one octave)

Arpeggios


Bass clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:D and Db major (one octave)D and Bb minor (one octave) — candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on Bb (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:D and Db major (one octave)D and Bb minor (one octave)

85

or ii) Exercise

Treble clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) E major scale and arpeggio exerciseb) Eb major scale and arpeggio exercisec) C minor scale and arpeggio exercise


Bass clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) D major scale and arpeggio exercise b) Db major scale and arpeggio exercise c) Bb minor scale and arpeggio exercise

All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published byTrinity Guildhall.




Aural (see page 14)




86





Bernstein America or Maria from West Side Story Amazing Solos for Trumpet [] Boosey

Fellows Siciliano Two Italian Dances [/] WarwickGounod Soldiers’ March Onstage Brass for Trumpet & Piano [] Stainer H430Handel March from The

Occasional Oratorioor March from Scipio Old English Trumpet Tunes book 1 [] OUP

Iveson Nobody Knows A Little Light Music [/] Brass Wind 2115TC/BCMussorgsky The Old Castle Going Solo Trombone [/] FaberPurcell Air Festive Baroque for Trombone [/] de Haske 1043580Purcell Fairest Isle Going Solo Trumpet [] FaberVerdi Questa o quella Onstage Brass for Trumpet & Piano [] Stainer H430Warlock Basse Dance Slide Show for Trombone [ or ] Brass Wind 0122TC/BC

Group B

Bullard Russian Galop Circus Skills [ or ] Spartan SP640 or SP642Goodwin 633 Squadron Great Winners for Treble Brass*‡ Brass Wind 0132TCHoward Fly Me to the Moon Latino for Trumpet [] Brass Wind 1142Iveson If I Were a Rich Man A Little Light Music [] Brass Wind 2115TC/BCJobim One Note Samba Big Chillers for Trumpet & Piano [] Brass Wind 1140Nightingale I Woke Up This

Mornin’…, no. 6 Lucky Dip [/] Warwick EU009Pearson Tongue in Cheek Going Solo Trumpet [] FaberWeill Mack the Knife Big Chillers for Trumpet & Piano [] ‡‡ Brass Wind 1140


Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass [] Brass Wind 1141TC

Bourgeois Study no. 1 or Study no. 2 Ace of Trumpets [] Brass Wind 6024Bourgeois Study no. 5 Bone of Contention [ or ] Brass Wind 6008TC/BCBourgeois No. 11, Allegro vivace

or No. 7, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BCEndresen Study no. 11, Supplementary Studies

Andante con moto for Trombone [] Rubank HL04470640Davis Irish Jig

or Serpent Smoothie [in C major] Polished Brass [] Brass Wind 6022TC

Hering Study no. 10 or Study no. 11 40 Progressive Etudes for Trumpet [] Fischer 3309

McKenzie Mambo or Tango Music Makes the World Go Round [ or ] Con motoNightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011Sparke Hungarian Dance

or Opera Buffa Skilful Studies for Baritone/Euphonium [/] Anglo Music

87

* Piano accompaniment available separately.‡ Bass clef version available in Great Winners for Trombone (Brass Wind 0136)‡‡ Bass clef version available in Big Chillers for Trombone/Euphonium (Brass Wind 1155BC)


Lip Flexibility ExerciseTreble clef


Bass clef

a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 9 or no. 10 (from How Low Brass Do It) Brass Wind


Treble clefScales


Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Bb major (to 12th)F major (one octave)D and F minor (one octave)

Bass clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:Ab major (to 12th)Eb major (one octave)C and Eb minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on Eb (one octave)Chromatic scale starting on Bb (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Ab major (to 12th) (one octave)Eb major (one octave)C and Eb minor (one octave)


88

or ii) Exercise

Treble clef

The following exercises to be played either tongued or including slurs as indicated, as requested by theexaminer:a) Bb major scale and arpeggio exerciseb) F major expanding scale exercisec) F minor expanding scale exercise


Bass clef

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Ab major scale and arpeggio exerciseb) Eb major expanding scale c) Eb minor expanding scale





Aural (see page 14)




89





J S Bach March or Polonaise Bach for Trombone [ or ] Brass Wind 2107TC/BCBizet Chanson Boheme Great Winners for Treble Brass*‡ Brass Wind 0132TCBizet Toreador’s Song Onstage Brass for Trumpet & Piano [] Stainer H430Fauré Après un rêve Steven Mead’s ‘World of the Euphonium’ [/] StudioFauré By the Waterside (Au bord

de l’eau) for Baritone & Piano [/] Winwood RMPC 0162Grieg Solveig’s Song Great Winners for Treble Brass*‡ Brass Wind 0132TCHasse Bourée Festive Baroque for Trombone [/] de Haske 1043580Mozart È amore un ladroncello Onstage Brass for Trumpet & Piano [] Stainer H430Telemann Die Würde Festive Baroque for Trombone [/] de Haske 1043580Verdi Triumphal March Onstage Brass for Trumpet & Piano Stainer H430

Group B

Gershwin Summertime A Little Light Music Brass Wind 2115TC/BCor I Got Rhythm for Trombone [ or ]

Gershwin Let’s Call the Whole Slide Show for Trombone [ or ] Brass Wind 0122TC/BCThing Off

Gordon & Warren Chatanooga Choo Choo Big Chillers for Trumpet & Piano [] Brass Wind 1140

Ippolitov-Ivanov Cortège (Caucasian Sketches) Undercover Hits for Trumpet [] Brass Wind 1144

Loesser Luck Be a Lady Tonight Centre Stage for Trombone Brass Wind 6008TC/BCMaria & Bonfa Manha de Carnaval Latino for Trumpet [] Brass Wind 1142Nightingale The Googlie Boogie, no. 9

or Bruiser Joe, no. 10 Lucky Dip [/] Warwick EU009Parker Mapp and Lucia

or Soldier, Soldier The Music of Jim Parker for Trumpet [] Brass Wind 1129Richards One Day [Cornet/Trumpet] StudioWilliams Raiders March Great Winners for Treble Brass*‡ Brass Wind 0132TC


Bourgeois Study no. 3 Bone of Contention [ or ] Brass Wind 6008TC/BCBourgeois No. 17, Andante cantabile Splinters of Bone [ or ] Brass Wind 6014TC/BCBourgeois Study no. 7 or Study no. 10 Ace of Trumpets [] Brass Wind 6024Davis Heads or Tails or Hornpipe Polished Brass [] Brass Wind 6022TCEndresen Study no. 34, Allegretto Supplementary Studies

for Trombone [] Rubank HL04470640Hering Study no. 30 or Study no. 33 Forty Progressive Etudes for Trumpet [] Fischer 3309McKenzie Cerga or Krivo Horo Music Makes the World Go Round [ or ] Con motoMiller Prairie Song, no. 5

or March, no. 6 Progressive Studies for Brass [] FaberNightingale Passion Fruit Samba, no. 18

or The Turkey, no. 22 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011

* Piano accompaniment available separately.‡ Bass clef version available in Great Winners for Trombone (Brass Wind 0136)

90


Sparke Party Piece Skilful Studies for Baritone/Euphonium [/] Anglo MusicVizzutti Easy Etude New Concert Studies

for Euphonium vol. 2 [ or ] de Haske 10033404 []or 1033405 []

Vizzutti Ballad 20 Dances for Euphonium de Haske 1002381400 [] or 1002382400 []




Bass clef



Treble clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:G major (two octaves)B major (to 12th)G minor (two octaves): candidate’s choice of either harmonic or melodic minorB minor (to 12th): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)

Arpeggios


Bass clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:F major (two octaves)A major (to 12th)F minor (two octaves): candidate’s choice of either harmonic or melodic minorA minor (to 12th) — candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on F (two octaves)Chromatic scale starting on F (two octaves)

91

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:F major (two octaves)A major (to 12th)F minor (two octaves)A minor (to 12th)Dominant 7th in the key of F (one octave)

or ii) ExerciseTreble clef



Bass clef

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) A major scale and arpeggio exercise b) A minor scale and arpeggio exercise c) F major expanding scale d) F minor expanding scale





Aural (see page 14)




92





J S Bach Prelude in Ab major (from Bach for Trombone) [ or ] Brass Wind 2107TC/BCCaccini Ave Maria [ or ] PrimaGossec Tambourin (from Childs’ Choice) [] Winwood RMPC 0129Heath Andante and Scherzo [complete] [/] G & M Brand 70003Moszkowski Danza Animada (from Fiesta Española for Trumpet) [] Brass Wind 2116Mozart Concerto in Two Movements K. 412, 1st movt: Allegro

or 2nd movt: Allegro [/] G & M Brand 70018Mowat Bone Idyll (from Slide Show for Trombone) [ or ] Brass Wind 0122TC/BCPurcell I Attempt from Love’s Sickness

(from Just Brass Trombone Solos vol. 1) [ or ] Chester CH55320Rossini Largo al Factotum from The Barber of Seville (from Monti’s Czardas)

[The high Cs in bar 193 & bar 268 may be played an octave lower at candidate’s choice] [] Winwood RMPC 0078

Sanders Square-Dance for Trumpet & Piano [] Stainer 2692Telemann Die Tapferkeit (from Festive Baroque for Trombone) [/] de Haske 1043580

Group B

Berlin Let’s Face the Music and Dance (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC

Dvorák Rusalka’s Song to the Moon (from Shepherd’s Song) [] WinwoodGottschalk Tournament Galop (from Undercover Hits for Trumpet) [] Brass Wind 1144Porter Begin the Beguine

(from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BCSherwin & A Nightingale Sang in Berkeley Square Maschwitz (from The Sunny Side of the Street) [ or ] Brass Wind 2119TC/BCSparke Soliloquy for Bb Cornet & Piano [] StudioTrad. Londonderry Air or Variations on The Ash Grove

(from Just Brass Trombone Solos vol. 1) [/] Chester CH55320Wagner Walter’s Prize Song (from Three Operatic Arias) [/] G & M Brand 70046Waller Ain’t Misbehavin’ (from Big Chillers for Trumpet & Piano) [] Brass Wind 1140


J S Bach Study no. 20 in A minor (from The Well Tempered Player) [] Winwood RMPC 0015Bourgeois Study no. 8 (from Ace of Trumpets) [] Brass Wind 6024Bourgeois Study no. 4 or Study no. 9 (from Bone of Contention) [ or ] Brass Wind 6008TC/BCCurnow The Harmonious Tunesmith de Haske 1033404 []

(from New Concert Studies for Euphonium vol. 2) [ or ] or 1033405 []Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) [] RubankGraham A Bach Invention (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 []

[ or ] or 1033405 []Hering Study no. 34 or Study no. 35 or Study no. 37

(from 40 Progressive Etudes for Trumpet [] Fischer 3309Kopprasch Study no. 11 (from 60 Selected Studies for Trombone book 1) [] FischerMcKenzie Czardas or Jota (from Rhythms of Life) [ or ] Con moto

93

Miller Rubber Lips, no. 12 or Morning, no. 13 (from Progressive Studies for Brass) [] Faber

Vizzutti Flamenco or Tango (from 20 Dances for Euphonium) de Haske 1002381400 [][ or ] or 1002382400 []

Waignein Comme dans une tarantelle de Haske 1033404 [](from New Concert Studies for Euphonium vol. 2) [ or ] or 1033405 []





Bass clef


either i) Scales & Arpeggios (from memory)Treble clef

Scales



Arpeggios



Bass clefScales


G and E major (two octaves)G and E harmonic minor (two octaves)G and E melodic minor (two octaves)Whole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)


94

Arpeggios


G and E major (two octaves)G and E minor (two octaves)Dominant 7th in the key of G (one octave)Diminished 7th starting on G (two octaves)Augmented arpeggio starting on G (two octaves)


The following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) Key centre exercise in Ab) A major expanding scalec) A minor expanding scaled) A major scale in 3rdse) A minor scale in 3rds


Bass clef

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in G b) G major expanding scale c) G minor expanding scale d) G major scale in 3rds e) G minor scale in 3rds







95





Capuzzi* Rondo from Andante and Rondo (from Concerto for Double Bass) [/] Hinrichsen H1474Curnow Rhapsody for Euphonium [/] Winwood RMPC 0055Marcello Sonata in F major, 1st movt: Largo and 2nd movt: Allegro [/] StudioMoszkowski Danza Alegre (from Fiesta Española for Trumpet) [] Brass Wind 2116Newton The Riders of Rohan (from Childs’ Choice) [] Winwood RMPC 0129Richards Midnight Euphonium [/] StudioSenaillé Introduction and Allegro Spiritoso [complete] [/] Hinrichsen 853Vivaldi Sonata no. 3 in A minor, 1st movt: Largo and 2nd movt: Allegro

or 3rd movt: Largo and 4th movt: Allegro [ or ] EMR 325

Group B

Capuzzi* Andante from Andante and Rondo (from Concerto for Double Bass) [/] Hinrichsen H1474Elgar Idylle op. 4 no. 1 [/] Winwood RMPC 0118Elgar Mot d’amour op. 13 no. 1 [/] Winwood RMPC 0106Golland Peace [/] HallamshireGraham A Time for Peace (from Gramercy Solo Album Bb) [/] GramercyHarbach & Kern Smoke Gets in Your Eyes

(from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BCMozart Adagio and Rondo, Adagio [only] [/] Winwood RMPC 0208Purcell Suite, 1st movementarr. Sturzenegger (from Suite for Euphonium and Piano (Organ)) [ or ] EMR 303MRichards Caprice [] StudioSaint-Saëns The Swan (from Steven Mead’s ‘World of the Euphonium’) [/] StudioSparke Aubade for Euphonium & Piano [/] StudioVaughan

Williams Concerto for Tuba, 2nd movt [] [separate Euphonium part available] OUP


Arban Study no. 10 (from 14 Studies for Cornet) [] BooseyJ S Bach Study no. 2 in C minor or Study no. 17 in Ab

(from The Well Tempered Player) [] Winwood RMPC 0015Balay Study no. 3 or Study no. 4 (from 15 Etudes) [] Leduc AL 14 960Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto [] Brass Wind 3102Bourgeois Study no. 14 (from Bone of Contention) [ or ] Brass Wind 6008TC/BCBourgeois No. 1, Adagio (from Fantasy Pieces for Trombone) [ or ] Brass Wind 3104TC/BCBrandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) [] IMC 1391Court The Chase (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 []

[ or ] or 1033405 []Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) [] Fischer 3309Kopprasch Study no. 14, Allegro (from 60 Selected Studies

for Trombone, book 1) [] Fischer O2895Mashima A Spring Morning (from New Concert Studies for Euphonium vol. 1) [ or ] de Haske

* One of the two pieces may be played, but not both.

96


McKenzie Klezmer or Malaguena (from Rhythms of Life) [ or ] Con motoMiller Seventh Heaven, no. 21 or Vienna, no. 24

(from Progressive Studies for Brass) [] FaberVizzutti Funk (from 20 Dances for Euphonium) [ or ] de Haske 1002381400 []

or 1002382400 []





Bass clef



Treble clefScales

The following scales to be performed f or p, tongued or slurred or staccato tongued as requested bythe examiner:


Arpeggios



Bass clefScales


A and Ab major (two octaves)A and Ab harmonic minor (two octaves)A and Ab melodic minor (two octaves)Whole-tone scale starting on A and Ab (two octaves)Chromatic scale starting on A and Ab (two octaves)

97

ArpeggiosThe following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested bythe examiner:

A and Ab major (two octaves)A and Ab minor (two octaves)Dominant 7th in the keys of A and Ab (one octave)Diminished 7th starting on A and Ab (two octaves)Augmented arpeggio starting on A and Ab (two octaves)




Bass clef

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in Abb) Ab major expanding scale c) A minor expanding scale d) A major scale in 3rdse) Ab minor scale in 3rds







98





Butterworth Partita op. 89 for Euphonium & Piano, 3rd movt: Sarabande and 5th movt: Scherzo [/] Comus

Horovitz* Euphonium Concerto, 1st movt: Moderato or 3rd movt: Con moto [/] Novello NOV120387Hummel Fantasy [beginning at bar 93, Allegro non troppo] [/] Winwood RMPC 0206Monti Czardas (from Monti’s Czardas) [] Winwood RMPC 0078Mozart Adagio and Rondo, Rondo [only] [/] Winwood RMPC 0208Rachmaninov Vocalise (from Vocalise Rachmaninov) [ or ] Studio Music Roper Sonata for Euphonium, 1st movt [/] StudioSparke Euphonium Concerto, 1st movt: Moderato e energico [/] StudioSparke Fantasy for Euphonium & Brass Band [/] G & M Brand 70024Sparke Rhapsody for Bb Baritone [] StudioWilby Concert Galop [] Winwood RMPC 0184

Group B

Abreu Tico Tico for Trumpet & Piano [] Brass Wind 4110Bellstedt Napoli (from Shepherd’s Song) [] WinwoodElgar Romance op. 62 [/] Winwood RMPC 0064Graham Whirlwind (from Gramercy Solo Album Bb) [/] GramercyHorovitz* Euphonium Concerto, 2nd movt: Lento [/] Novello NOV120387Leidzén The Song of the Brother [from Theme, Letter B]

(from The Salvation Army Instrumental Album no. 21) [] SalvationistMarshall Ransomed (from The Salvation Army Instrumental Album no. 21) [] SalvationistRimmer Weber’s Last Waltz [from Theme, bar 80, without repeats] [/] StudioSparke Party Piece [/] StudioWoodfield Varied Mood [/] Hallamshire


Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) [] BooseyJ S Bach Study no. 6 in D minor or Study no. 7 in Eb

(from The Well Tempered Player) [] Winwood RMPC 0015Balay Study no. 7 or Study no. 11 (from 15 Etudes) [] Leduc AL 14 960Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro [] Brass Wind 3102Bourgeois No. 2, Andante cantabile (from Fantasy Pieces

for Trombone) [ or ] Brass Wind 3104TC/BCKopprasch Study no. 46, Moderato (from 60 Selected Studies

for Trombone book 2) [] Fischer 2615Brandt Study no. 4 or Study no. 15 (from 34 Studies for Trumpet) [] IMC 1391Hadermann Escapade (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 []

[ or ] or 1033405 []Miller Perpetuum Mobile, no. 29 (from Progressive Studies for Brass) [] FaberVizzutti Polka (from 20 Dances for Euphonium) [ or ] de Haske 1002381400 []

or 1002382400 []

* One of the two pieces may be played, but not both.

99





Bass clef



Treble clefScales


C, Ab and F# major (two octaves)C, G#/Ab and F# harmonic minor (two octaves)C, G#/Ab and F# melodic minor (two octaves)Whole-tone scale starting on C, Ab and F# (two octaves)Chromatic scale starting on C, Ab and F# (two octaves)Crabwise scale from C and G (two octaves — tongued or slurred in octaves)

Arpeggios


C, Ab and F# major (two octaves)C, G#/Ab and F# minor (two octaves)Dominant 7th in the key of C (two octaves)Dominant 7th in the keys of Ab and F# (one octave)Diminished 7th starting on C, Ab and F# (two octaves)Augmented arpeggio starting on C, Ab and F# (two octaves)

Bass clefScales


Bb, E and F# major (two octaves)Bb, E and F# harmonic minor (two octaves)Bb, E and F# melodic minor (two octaves)Whole-tone scale starting on Bb, E and F# (two octaves)Chromatic scale starting on Bb, E and F# (two octaves)Crabwise scale from F and Bb (two octaves — tongued or slurred in octaves)


100

Arpeggios


Bb, E and F# major (two octaves)Bb, E and F# minor (two octaves)Dominant 7th in the key of Bb (two octaves)Dominant 7th in the keys of E and F#/Gb (one octave)Diminished 7th starting on Bb, E and F# (two octaves)Augmented arpeggio starting on E, Bb and F# (two octaves)


The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in the keys of C, Ab and F#b) Crabwise scale from G in 3rdsAll scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published byTrinity Guildhall.

Bass clef

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in the keys of Bb, E and F#b) Crabwise scale from F in 3rds







101

Trombone — Grade 1 Subject code: TBN




Diabelli The Joker The Magic Trombone [/] BooseyGrieg Åse’s Death The Really Easy Trombone Book [/] FaberHorovitz Merlin’s Tower Up Front Album for Trombone

book 1 [ or ] Brass Wind 0110TC/BCRougeron Le Chorege Billaudot GB5474Susato La mourisque Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Tchaikovsky Dance of the Mirlitons Winner Scores All* [ or ] Brass Wind 0138TC/0141BCWoolfenden The Dragon Throne Up Front Album for Trombone

book 1 [ or ] Brass Wind 0110TC/BC

Group B

Barratt Ballyhoo! or Curtain Raiser Bravo! Trombone [/] BooseyDaly Postman Pat, p. 4 Winners Galore for Trombone* [ or ] Brass Wind 0118TC

or 0121BCGeldard Square Dance Beginners Please! Trombone [/] Winwood RMPC 0088Nightingale One, Two, Three Push! Lucky Dip WarwickSpanish Trad. Spanish Air Bravo! Trombone [/] BooseyWedgwood Wrap it Up Really Easy Jazzin’ About for Trombone [/] Faber


Bourgeois No. 2, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BCDavis Geared Up or Tiny Minuet Polished Brass [] Brass Wind 6022TCEndresen Study no. 1, Moderato Supplementary Studies

for Trombone [] Rubank HL04470640Gregson Thoughtful Prelude, no. 1 20 Supplementary Tunes

for Beginner Brass [ Trombone ed.] Brass Wind 6002BCNightingale Coo’s Blues, no. 3

or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes [ or ] WarwickSparke Modal Melody, no. 3

or Ticker Tape Parade, Skilful Studiesno. 5 for Trombone [/] Anglo Music AMP 100

Trad. Give me Joy in my Heart, Winners Galore for Trombone Brass Wind 0118TCp. 6 [ or ] or 0121BC

Trad. Shepherds Hey, p. 2 Easy Winners for Trombone Brass Wind 0124TC[with repeats] [ or ] or 0125BC





a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall

102

b) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 1 (from How Brass Players Do It) Brass Wind

Bass clef

a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhallb) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 1 (from How Low Brass Do It) Brass Wind


Treble clefScales


Arpeggios


Bass clefScales

The following scales to be performed mf and tongued:Bb major (one octave)G natural minor (one octave): candidates may play harmonic or melodic minor if preferred.

Arpeggios

The following arpeggios to be performed mf and tongued:Bb major (one octave)G minor (one octave)


The following exercise to be played tongued:C major scale and arpeggio exercise (from Scales & Exercises for Trombone) Trinity Guildhall

Bass clef

The following exercise to be played tongued:Bb major scale and arpeggio exercise (from Scales & Exercises for Trombone) Trinity Guildhall




Aural (see page 14)



Trombone — Grade 1

103




Group A Piece Book PublisherW F Bach Air Bravo! Trombone [/] BooseyGeldard Polka Beginners Please! Trombone [/] Winwood RMPC 0088Gregson Processional Up Front Album for Trombone

book 2 [ or ] Brass Wind 0115TC/BCGrieg Ballad Going Solo Trombone [/] FaberMozart Aria Winner Scores All* [ or ] Brass Wind 0138TC/0141BCNightingale The Witches Cauldron Lucky Dip WarwickPurcell Trumpet Tune Winner Scores All* [ or ] Brass Wind 0138TC/0141BCTrad. Cockles and Mussels All Jazzed Up for Trombone [ or] Brass Wind 1109TC/BC

Group BBarratt Hampton ‘Swing’

or Parasaurolophus Bravo! Trombone [/] BooseyBart Where Is Love?, p. 14 Easy Winners for Trombone* Brass Wind 0124TC

[ or ] or 0125BCGoodall Blackadder Theme, p. 10 Winners Galore for Trombone* Brass Wind 0118TC

[ or ] or 0121BCGout Circus Clowns Going Solo Trombone [/] FaberKander & Ebb Wilkommen Undercover Hits for Trombone [ or ] Brass Wind

1150TC/BCOsborne & May Eastenders, p. 13 Easy Winners for Trombone* Brass Wind 0124TC

[ or ] or 0125BCTracey Sundance Up Front Album for Trombone

book 1 [ or ] Brass Wind 0110TC/BCTrad. Men of Harlech Winner Scores All* [ or ] Brass Wind 0138TC/0141BCarr. JohnstoneWedgwood Dragonfly or Easy Tiger Really Easy Jazzin’ About for Trombone [/] Faber

Group C (unaccompanied)Arne Rule Brittannia, p. 17 Easy Winners for Trombone Brass Wind 0124TC

[ or ] or 0125BCBourgeois No. 4, Moderato

or no. 5, Allegro Splinters of Bone [ or ] Brass Wind 6014TC/BCDavis Jumping Jack Rap

or Rat Rag Polished Brass [] Brass Wind 6022TCEndresen Study no. 3, Allegro Supplementary Studies

for Trombone [] Rubank HL04470640English Trad. Drunken Sailor, p. 9 Winners Galore for Trombone [ or ] Brass Wind 0118TC

or 0121BCGregson Song, no. 5 20 Supplementary Tunes

for Beginner Brass [ Trombone ed.] Brass Wind 6002BCNightingale The Nuthatch, no. 6

or The Sleuth, no. 7 Eazy Jazzy ‘Tudes [ or ] WarwickSparke Cowboy Carol, no. 12 Skilful Studies

or Shalom, no. 14 for Trombone [/] Anglo Music AMP 100


104




a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 3 (from How Brass Players Do It) Brass Wind

Bass clef

a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 3 (from How Low Brass Do It) Brass Wind


Treble clefScales

The following scales to be performed mf and tongued:D and Bb major (one octave)A harmonic minor (one octave): candidates may play natural or melodic minor if preferred.

Arpeggios

The following arpeggios to be performed mf and tongued:D and Bb major (one octave)A minor (one octave)

Bass clefScales

The following scales to be performed mf and tongued:C and Ab major (one octave)G harmonic minor (one octave): candidates may play natural or melodic minor if preferred.

Arpeggios

The following arpeggios to be performed mf and tongued:C and Ab major (one octave)G minor (one octave)


The following exercise to be played tongued:a) D major scale and arpeggio exerciseb) A minor scale and arpeggio exercise

Bass clef

The following exercise to be played tongued:a) C major scale and arpeggio exercise b) G minor scale and arpeggio exercise

All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.


105

Supporting Tests (2 x 10 marks)Two tests are to be chosen from:


Aural (see page 14)




106





Barratt Round ‘Square Dance’ Bravo! Trombone [/] BooseyBennett Murder on the Undercover Hits for Trombone

Orient Express [ or ] Brass Wind 1150TC/BCBratton & Carr The Station Master Top Line Album for Trombone [ or ] Brass Wind 1115TC/BCDominguez Perfidia Latino for Trombone [ or ] Brass Wind 1149TC/BCFauré Pavane, p. 16 Easy Winners for Trombone* Brass Wind 0124TC

[ or ] or 0125BCHaydn Rondino Slide Show for Trombone [ or ] Brass Wind 0122TC/BCKershaw Bone Idle, no. 1 or Lazing

on the Beach, no. 5 Lazy Bones StudioSaint-Saëns Royal March of the Lion The Magic Trombone [/] BooseyTrad. Skye Boat Song Just Brass Trombone Solos vol. 1 [/] Chester CH55320

Group B

Bart Food Glorious Food Winner Scores All* [ or ] Brass Wind 0138TC/0141BCBernstein America Winner Scores All* [ or ] Brass Wind 0138TC/0141BCBlake Walking in the Air Winner Scores All* [ or ] Brass Wind 0138TC/0141BCFields & I Can’t Give You Anything Jazzy Connections for Trombone

McHugh But Love [ or ] Brass Wind 1131TC/BCGout Boogie for ‘bone

or Rough and Ready Rag Going Solo Trombone [/] FaberHarburg & Arlen We’re Off to See the Easy Winners for Trombone Brass Wind 0124TC

Wizard, p. 22 [ or ] or 0125BCKennedy Teddy Bears’ Picnic, p. 19 Winners Galore for Trombone* Brass Wind 0118TC

[ or ] or 0121BCLloyd Webber Close Every Door Winner Scores All* [ or ] Brass Wind 0138TC/0141BCMowat The Parson’s Nose Slide Show for Trombone [ or ] Brass Wind 0122TC/BCNightingale I Woke Up This Morning Lucky Dip WarwickNorman James Bond Theme, p. 19 Easy Winners for Trombone* Brass Wind 0124TC

[ or ] or 0125BCParker Lazy Blues Top Line Album for Trombone [ or ] Brass Wind 1115TC/BCRamskill Chicago Sunset All Jazzed Up for Trombone [ or] Brass Wind 1109TC/BCWedgwood Riding Out West Really Easy Jazzin’ About for Trombone [/] Faber


Bourgeois No. 6, Alla marcia or no. 9, Moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC

Davis Flamenco Flirt [in D minor] or Tap Dance [in G minor] Polished Brass [] Brass Wind 6022TC

Endresen Study no. 8, Moderato Supplementary Studies for Trombone [] Rubank HL04470640

Gregson Folk Song, no. 16 20 Supplementary Tunes for Beginner Brass [ Trombone ed.] Brass Wind 6002BC

* Piano accompaniment available separately

107


Nightingale Cinnamon Tea, no. 12 or Slinky, no. 13 Eazy Jazzy ‘Tudes [ or ] Warwick

Nightingale J-Peg Cake Walk, no. 6 Jazz@Etudes [] WarwickSparke Contrasts, no. 30 Skilful Studies

or Shepherd’s Song, no. 33 for Trombone [/] Anglo Music AMP 100Vaughan

Williams Linden Lea, p. 14 Winners Galore for Trombone Brass Wind 0118TC [ or ] or 0121BC



Lip Flexibility ExerciseTreble clefa) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhallb) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind

Bass clefa) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhallb) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 7 or no. 8 (from How Low Brass Do It) Brass Wind


Treble clefScalesThe following scales to be performed mf and tongued:

E and F major (one octave)D and E minor (one octave): candidate’s choice of either harmonic or melodic minor

ArpeggiosThe following arpeggios to be performed mf and tongued:

E and F major (one octave)D and E minor (one octave)

Bass clefScalesThe following scales to be performed mf and tongued:

D and Eb major (one octave)C and D minor (one octave): candidate’s choice of either harmonic or melodic minor


D and Eb major (one octave)C and D minor (one octave)

or ii) ExerciseTreble clefThe following exercise to be played tongued:a) E major scale and arpeggio exerciseb) F major scale and arpeggio exercisec) D minor scale and arpeggio exercise

108

Bass clef

The following exercise to be played tongued:a) D major scale and arpeggio exerciseb) Eb major scale and arpeggio exercisec) C minor scale and arpeggio exercise





Aural (see page 14)




109





J S Bach Polonaise Bach for Trombone [ or ] Brass Wind 2107TC/BCE Bernstein Great Escape March Great Winners for Trombone* Brass Wind 0132TC

[ or ] or 0136BCL Bernstein Somewhere Great Winners for Trombone* Brass Wind 0132TC

[ or ] or 0136BCByrd The Earl of Salisbury’s

Pavane Just Brass Trombone Solos vol. 1 [/] Chester CH55320Goodwin 633 Squadron Great Winners for Trombone* Brass Wind 0132TC

[ or ] or 0136BCMussorgsky The Old Castle Going Solo Trombone [/] FaberSpiritual Nobody Knows A Little Light Music for Trombone Brass Wind

[ or ] 2115TC/BCWarlock Basse Dance Slide Show for Trombone [ or ] Brass Wind 0122TC/BC

Group B

Albert & Gaste Feelings Latino for Trombone [ or ] Brass Wind 1149TC/BCDominguez Frenesi Great Winners for Trombone* Brass Wind 0132TC

[ or ] or 0136BCHarnich & Bock If I Were a Rich Man A Little Light Music for Trombone Brass Wind

[ or ] 2115TC/BCKander & Ebb Razzle Dazzle Undercover Hits for Trombone [ or ] Brass Wind

1150TC/BCParker Cuban Serenade Top Line Album for Trombone [ or] Brass Wind 1115TC/BCRamskill Dancing Trombone All Jazzed Up for Trombone [ or ] Brass Wind 1109TC/BCRussell &

Barroso Brazil Latino for Trombone [ or ] Brass Wind 1149TC/BC


Bourgeois Study no. 5 Bone of Contention [ or ] Brass Wind 6008TC/BCBourgeois No. 11, Allegro vivace

or no. 7, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BCClarke Cossack Dance Featuring Rhythm [ or ] Brass Wind 6003TC/BCCrees & Gane Study no. 5.2 How Trombonists Do It [ or ] Brass Wind 6007TC/BCEndresen Study no. 11, Supplementary Studies

Andante con moto for Trombone [] Rubank HL04470640Nightingale The Shout, no. 17

or Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes [ or ] Warwick

Nightingale Study no. 12, Of Mice and Keys Jazz@Etudes [] Warwick

Nightingale Study no. 1, Being Flat Tipping the Scales [ or ] Warwick


110




a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhallb) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 9 or no. 10 (from How Brass Players Do It) Brass Wind

Bass clef

a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhallb) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhallc) Exercise no. 9 or no. 10 (from How Low Brass Do It) Brass Wind


Treble clefScales

The following scales to be performed mf, tongued or legato tongued as requested by the examiner:Bb major (to 12th)Eb major (one octave)C and F# minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on D (one octave)Chromatic scale starting on D (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or legato tongued as requested by the examiner:Bb major (to 12th)Eb major (one octave)C and F# minor (one octave)

Bass clefScales

The following scales to be performed mf, tongued or legato tongued as requested by the examiner:Ab major (to 12th)Db major (one octave)Bb and E minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on C (one octave)Chromatic scale starting on C (one octave)

Arpeggios

The following arpeggios to be performed from memory, tongued or legato tongued as requested by the examiner:

Ab major (to 12th)Db major (one octave)Bb and E minor (one octave)


111


The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Bb major scale and arpeggio exercise b) Eb major expanding scale c) C minor expanding scale

Bass clefThe following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Ab major scale and arpeggio exercise b) Db major expanding scalec) Bb minor expanding scale





Aural (see page 14)




112





J S Bach March or Anglaise Bach for Trombone [ or ] Brass Wind 2107TC/BCBernstein Psalm 23 Leonard Bernstein for Trombone [] BooseyBrahms Waltz Just Brass Trombone Solos vol. 1 [/] Chester CH55320Fauré Après un rêve IMC 1916Fauré Sicilienne Going Solo Trombone [/] FaberHandel Lo, See the Conquering

Hero Just Brass Trombone Solos vol. 1 [/] Chester CH55320Ippolitov-

Ivanov Cortège Undercover Hits for Trombone [ or] Brass Wind 1150TC/BC

Group BBernstein I Can Cook Too Leonard Bernstein for Trombone [ ] BooseyDubin & Warren Keep Young and Beautiful Let’s Face the Music

for Trombone [ or ] Brass Wind 2131TC/BCGershwin Summertime A Little Light Music

or I Got Rhythm for Trombone [ or ] Brass Wind 2115TC/BCGershwin Let’s Call the Whole

Thing Off Slide Show for Trombone [ or ] Brass Wind 0122TC/BCKander & Ebb It Couldn’t Please Me More Undercover Hits for Trombone [ or] Brass Wind 1150TC/BCLoesser Luck Be a Lady Tonight Centre Stage for Trombone Brass Wind 6008TC/BCProctor Bone Shaker On Your Metal [ or ] Brass Wind 2120TC/BCRodriguez La Cumparsita Latino for Trombone [ or ] Brass Wind 1149TC/BC


Bourgeois Study no. 3 Bone of Contention [ or ] Brass Wind 6008TC/BCBourgeois No. 17, Andante cantabile Splinters of Bone [ or ] Brass Wind 6014TC/BCClarke Polish Dance Featuring Rhythm [ or ] Brass Wind 6003TC/BCCrees & Gane Study no. 6.6 How Trombonists Do It [ or ] Brass Wind 6007TC/BCDavis Tango Tease or Hornpipe Polished Brass [] Brass Wind 6022TCEndresen Study no. 34, Allegretto Supplementary Studies

for Trombone [] Rubank HL04470640Nightingale Passion Fruit Samba, no. 18

or The Turkey, no. 22 Eazy Jazzy ‘Tudes [ or ] WarwickNightingale Study no. 17,

Shutdown Samba Jazz@Etudes [] WarwickNightingale Study no. 10, Gottle of Geer Tipping the Scales [ or ] Warwick

113







Treble clefScales

The following scales to be performed mf, tongued or legato tongued as requested by the examiner:G major (two octaves)B major (to 12th)G minor (two octaves) — candidate’s choice of either harmonic or melodic minorB minor (to 12th) — candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)

Arpeggios

The following arpeggios to be performed mf, tongued or legato tongued as requested by the examiner:G major (two octaves)B major (to 12th)G minor (two octaves)B minor (to 12th)Dominant 7th in the key of G (one octave)

Bass clef

Scales

The following scales to be performed from memory, tongued or legato tongued as requested by the examiner:

F major (two octaves)A major (to 12th)F minor (two octaves) — candidate’s choice of either harmonic or melodic minorA minor (to 12th) — candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on F (two octaves)Chromatic scale starting on F (two octaves)


114

Arpeggios

The following arpeggios to be performed mf, tongued or legato tongued as requested by the examiner:F major (two octaves)A major (to 12th)F minor (two octaves)A minor (to 12th)Dominant 7th in the key of F (one octave)


The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) B major scale and arpeggio exerciseb) B minor scale and arpeggio exercisec) G major expanding scale d) G minor expanding scale

Bass clef

The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) A major scale and arpeggio exercise b) A minor scale and arpeggio exercise c) F major expanding scale d) F minor expanding scale





Aural (see page 14)




115





J S Bach Prelude in Ab (from Bach for Trombone) [ or ] Brass Wind 2107TC/BCJ S Bach Arioso from Piano Concerto in F minor

(from Solos for the Trombone Player) [] Schirmer HL50330090Curnow Fantasy for Trombone [complete] [ or ] WinwoodGottschalk Tounament Galop (from Undercover Hits for Trombone) [ or ] Brass Wind 1150TC/BCMowat Bone Idyll (from Slide Show for Trombone) [ or ] Brass Wind 0122TC/BCPurcell I Attempt from Love’s Sickness

(from Just Brass Trombone Solos vol. 1) [ or ] Chester CH55320Rimsky- Concerto for Trombone in Bb, 2nd movt: Andante cantabile [ or ] Brass Wind 4111KorsakovTrad. Londonderry Air or Variations on The Ash Grove

(from Just Brass Trombone Solos vol. 1) [ or ] Chester CH55320

Group B

Berlin Let’s Face the Music and Dance (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC

Carmichael Stardust (from Jazzed Up Too for Trombone) [ or ] Brass Wind 1119TC/BCGershwin Bess, You Is My Woman Now

(from Centre Stage for Trombone) [ or ] Brass Wind 2117TC/BCGordon & Chattanooga Choo Choo

Warren (from The Sunny Side of the Street) [ or ] Brass Wind 2119TC/BCGreenwood The Acrobat [/] Wright + RoundParker Dances with Bears (from Jazzed Up Too for Trombone) [ or ] Brass Wind 1119TC/BCPorter Begin the Beguine

(from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BCProctor Slidewalk (from On Your Metal) [ or ] Brass Wind 2120TC/BCRamskill Ballad (from From Vivaldi to Fats Waller for Trombone) [ or ] Brass Wind 2109TC/BC


J S Bach Suite no. 1, Gigue (from J S Bach Suites for Cello [adapted for the tenor trombone]) [] Leduc AL 20326

Bourgeois Study no. 4 or Study no. 9 (from Bone of Contention) [ or ] Brass Wind 6008TC/BCCrees & Gane Study no. 6.7 (from How Trombonists Do It) [ or ] Brass Wind 6007TC/BCHering Study no. 34, Moderato (from 40 Progressive Etudes for Trombone) [] Fischer 4441Kopprasch Study no. 11 (from 60 Selected Studies book 1) [] FischerMowat Study no. 20 (from Unlocking the Tenor Clef) [] Brass Wind 6016Nightingale Five Brew, no. 28 (from Eazy Jazzy ‘Tudes [ or ] WarwickNightingale Study no. 7, ‘E’ by Gum (from Tipping the Scales [ or ]) Warwick

116





Bass clef



Treble clefScales

The following scales to be performed f or p, tongued or legato tongued as requested by the examiner:A and F# major (two octaves)A and F# harmonic minor (two octaves)A and F# melodic minor (two octaves)Whole-tone scale starting on A (two octaves)Chromatic scale starting on A (two octaves)

Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:A and F# major (two octaves)A and F# minor (two octaves)Dominant 7th in the key of A (one octave)Diminished 7th starting on A (two octaves)Augmented arpeggio starting on A (two octaves)

Bass clefScales

The following scales to be performed f or p, tongued or legato tongued as requested by the examiner:G and E major (two octaves)G and E harmonic minor (two octaves)G and E melodic minor (two octaves)Whole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)


117

Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:G and E major (two octaves)G and E minor (two octaves)Dominant 7th in the key of G (one octave)Diminished 7th starting on G (two octaves)Augmented arpeggio starting on G (two octaves)


The following exercises to be played either tongued or legato as indicated, as requested by the examiner:Key centre exercise in A a) A major expanding scaleb) A minor expanding scalec) A major scale in 3rdsd) A minor scale in 3rds

Bass clefThe following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Key centre exercise in G b) G major expanding scalec) G minor expanding scaled) G major scale in 3rdse) G minor scale in 3rds







118





Berlioz Recitative and Prayer(from Solos for the Trombone Player) [] Schirmer HL50330090

Genzmer Sonata for Trombone & Piano, 1st movt: Allegro [] Peters EP 8194Haydn Adagio from Concerto for Cello & Orchestra

(from Solos for the Trombone Player) [] Schirmer HL50330090Hindemith Sonata for Trombone & Piano,

4th movt: Allegro moderato maestoso [] Schott ED 3673Rimsky-

Korsakov Concerto for Trombone, 1st movt: Allegro vivace [/] Brass Wind 4111Serocki Sonatina, 1st movt Moeck EM 5302Vivaldi Sonata no. 3 in A minor, 1st movt: Largo and 2nd movt: Allegro

or 3rd movt: Largo and 4th movt: Allegro EMR EMR 325

Group B

Castérède Sonatina for Trombone & Piano, 2nd movt [] Leduc AL 21930Gorb 10:45 (from A Life in the Day of a Trombone) [ or ] Brass Wind 2127TC/BCGregson Divertimento, any two movements StudioGröndahl Concerto, 2nd movt: Quasi una leggenda [] SamfundetHarbach & Smoke Gets in Your Eyes

Kern (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BCHorovitz Adam–Blues Novello Nov 120325Jacques Cantilena and Rondo Scherzoso [complete] [/] NeuschelKneale Blue John [ or ] RavencarProctor Nocturne (from On Your Metal) [ or ] Brass Wind 2120TC/BC


J S Bach Suite no. 1, Courante (from J S Bach Suites for Cello [adapted for the tenor trombone]) [] Leduc AL 20326

Bernstein Elegy for Mippy BooseyBourgeois Study no. 14 (from Bone of Contention) [ or ] Brass Wind 6008TC/BCBourgeois Fantasy Pieces for Trombone, no. 1: Adagio [ or ] Brass Wind 3104TC/BCCrees & Gane Study no. 7.5 (from How Trombonists Do It) [ or ] Brass Wind 6007TC/BCHering Study no. 37 (from 40 Progressive Etudes for Trombone) [] Fischer 04441Kopprasch Study no. 14, Allegro

(from 60 Selected Studies for Trombone book 1) [] Fischer O2895McKenzie Dixieland (from Rhythms of Life) [] Con motoMowat Study no. 30 (from Unlocking the Tenor Clef) [] Brass Wind 6016Nightingale Study no. 8, Barking Mad (from Tipping the Scales) [ or ] Warwick

119





Bass clef



Treble clefScales

The following scales to be performed f or p, tongued or legato tongued as requested by the examiner:B and Bb major (two octaves)B and Bb harmonic minor (two octaves)B and Bb melodic minor (two octaves)Whole-tone scale starting on B and Bb (two octaves)Chromatic scale starting on B and Bb (two octaves)

Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:B and Bb major (two octaves)B and Bb minor (two octaves)Dominant 7th in the keys of B and Bb (one octave)Diminished 7th starting on B and Bb (two octaves)Augmented arpeggio starting on B and Bb (two octaves)

Bass clefScales

The following scales to be performed f or p, tongued or legato tongued as requested by the examiner:A and Ab major (two octaves)A and Ab harmonic minor (two octaves)A and Ab melodic minor (two octaves)Whole-tone scale starting on A and Ab (two octaves)Chromatic scale starting on A and Ab (two octaves)


120

Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:A and Ab major (two octaves)A and Ab minor (two octaves)Dominant 7th in the keys of A and Ab (one octave)Diminished 7th starting on A and Ab (two octaves)Augmented arpeggio starting on A and Ab (two octaves)


The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Key centre exercise in Bbb) Bb major expanding scale c) B minor expanding scaled) B major scale in 3rdse) Bb minor scale in 3rds

Bass clef

The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Key centre exercise in Abb) Ab major expanding scale c) A minor expanding scaled) A major scale in 3rdse) Ab minor scale in 3rds







121





Galliard Sonata no. 5 in D minor [complete] [] Hinrichsen H 752eHaydn Larghetto for Trombone WinwoodHolst Concertante for Trombone & Piano [] WarwickSaint-Saëns Cavatine op. 144 [/] Brass Wind 3114tnrSchumann Any one Romance from Three Romances op. 94 [] IMC 2959Serocki Sonatina, 2nd movt and 3rd movt Moeck EM5302Weber Romance for Tenor Trombone & Piano Brass Wind 3121

Group B

Castérède Sonatina for Trombone & Piano, 1st movt or 3rd movt [] Leduc AL21930Cliffe Four Sketches for Trombone, any two movts StudioCook Bolivar BooseyDavid Concertino for Trombone, 1st movt: Allegro maestoso Brass Wind 3123Gröndahl Concerto, 1st movt SamfundetGuilmant Morceau Symphonique Schott ED 10484Mahler Trombone Solo from Symphony no. 3 [complete] Brass Wind 3113Rota Concerto, 1st movt Ricordi NR13153400Šulek Sonata (Vox Gabrieli) [complete] [] EMR 294


Aplvor No. 22 in Bb minor (from 24 Exercises) [] WarwickJ S Bach Allemande from Suite no. 4 or Courante from Suite no. 2

(from J S Bach Suites for Cello [adapted for the tenor trombone]) [] Leduc AL 20326Bourgeois Fantasy Pieces for Trombone, no. 2: Andante cantabile [ or ] Brass Wind 3104TC/BCCrees & Gane Study no. 9.7 (from How Trombonists Do It) [ or ] Brass Wind 6007TC/BCGane Study no. 5 (from Circuit Training) WarwickKopprasch Study no. 46, Moderato

(from 60 Selected Studies for Trombone book 2) [] Fischer 2615Nightingale No. 5 or no. 10 (from 20 Jazz Etudes) [] Warwick

122







Treble clefScales

The following scales to be performed f or p, tongued or legato tongued or legato tongued in pairs, asrequested by the examiner:

C, Ab and F# major (two octaves)C, G# and F# harmonic minor (two octaves)C, G# and F# melodic minor (two octaves)Whole-tone scale starting on C, Ab and F# (two octaves)Chromatic scale starting on C, Ab and F# (two octaves)Crabwise scale from C and G (two octaves — tongued or slurred in octaves)

Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:C, Ab and F# major (two octaves)C, G# and F# minor (two octaves)Dominant 7th in the keys of C (two octaves)Dominant 7th in the keys of Ab and F# (one octave)Diminished 7th starting on C, Ab and F# (two octaves)Augmented arpeggio starting on C, Ab and F# (two octaves)

Bass clefScales

The following scales to be performed f or p, tongued or legato tongued or legato tongued in pairs, asrequested by the examiner:

Bb, F# and E major (two octaves)Bb, F# and E harmonic minor (two octaves)Bb, F# and E melodic minor (two octaves)Whole-tone scale starting on Bb, F# and E (two octaves)Chromatic scale starting on Bb, F# and E (two octaves)Crabwise scale from Bb and F (two octaves — tongued or legato in octaves)


123

Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:Bb, F# and E major (two octaves)Bb, F# and E minor (two octaves)Dominant 7th in the key of Bb (two octaves)Dominant 7th in the keys of E and F#/Gb (one octave)Diminished 7th starting on Bb, F# and E (two octaves)Augmented arpeggio starting on Bb, F# and E (two octaves)


a) Key centre exercise in the keys of C, Ab and F#b) Crabwise scale from G in 3rds

Bass clefThe following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Key centre exercise in the keys of Bb, F# and Eb) Crabwise scale from F in 3rds

All scales and exercises are contained in the book Scales & Exercises for Trombone published byTrinity Guildhall.






124

Bass Trombone — Grade 6 Subject code: BT


Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates maysubstitute one piece from Group B with a piece from Group C of the trombone syllabus for this grade.Instead of any one item, candidates may offer their own composition (see page 10).


Defaye Danse Profane (from Two Dances for Bass Trombone) Leduc AL 25 465Dossett Scene I (from Scenes for Bass Trombone & Piano) WarwickEaves Introduction & Burlesque G & M Brand 70028Jacob V.I.P., no. 1 (from Cameos for Bass Trombone) Emerson E110McCarty Sonata for Bass Trombone, 1st movt. EnsembleSachse Concertino, 1st movt EMR 221Telemann Sonata in F minor, 1st movt: Andante EMR 288White Sonatina for Bass Trombone & Piano, 1st movt: Andante con moto WarwickWoolfenden Moving On Warwick

Group B (unaccompanied)

J S Bach Suite no. 3 in C, Bourée no. 1 or Bourée no. 2(from J S Bach Suites for Solo Cello (adapted Barbez)) Leduc AL 25953

Bourgeois Fantasy Pieces for Bass Trombone, no. 1: Adagio Brass WindCrees & Gane Study no. 7.6 (from How Trombonists Do It) Brass Wind 6007BCEversden Study no. 4 (from 50 Studies for Bass Trombone) WarwickHall The Errant Waltz WarwickNaulais Study no. 6 (from Contemporary Studies for Bass Trombone) BillaudotOstrander Study no. 4, Allegretto (from Melodious Studies for Bass Trombone) FischerPederson Study no. 56 (from Elementary Studies for Bass Trombone) IMP 51235Vobaron Study no. 3 (from Studies for Bass Trombone) EMR 114Warburton Etude 1, Andantino (from Back to Bassics) Warwick




a) Lip Flexibility Grade 6 no. 1 (available to download from www.trinityguildhall.co.uk/music)b) Lip Flexibility Grade 6 no. 2 (available to download from www.trinityguildhall.co.uk/music)c) Exercise no. 17 or no. 18 (from How Low Brass Do It) Brass Wind


Scales

The following scales to be performed f or p, tongued or legato tongued as requested by the examiner:E and Bb* major (two octaves)E and Bb* harmonic minor (two octaves)E and Bb* melodic minor (two octaves)Whole-tone scale starting on E (two octaves)Chromatic scale starting on E (two octaves)

*Starting from pedal Bb

125

Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:E major (two octaves)Bb* major (two octaves)Bb* minor (two octaves)Dominant 7th in the key of E (one octave)Diminished 7th starting on E (two octaves)Augmented arpeggio starting on E (two octaves)

*Starting from pedal Bb

or ii) Exercise

The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Key centre exercise in E b) Bb major expanding scale c) Bb minor expanding scaled) Bb major scale in 3rdse) Bb minor scale in 3rds






Bass Trombone — Grade 6

126





Boutry Tubaroque Leduc AL 21635Clerisse Pièce lyrique Leduc AL 21794Jacob Derby Winner, no. 5 (from Cameos for Bass Trombone) Emerson E110Marcello Sonata no. 1, 1st movt and 2nd movt

(from Trombone Essentials) Schirmer HL50483390Newsome Father Neptune StudioSenaillé Andante and Allegro Spiritoso [complete] EMR 293ASemler-Collery Barcarolle et Chanson bachiqueLeduc AL21280Tcherepnin Andante [Tuba Part] Peters BE 233White Sonatina for Bass Trombone & Piano, 2nd movt: Con moto

and 3rd movt: Allegro moderato WarwickWood Toccata Warwick


J S Bach Suite no. 1 in G, Courante (from J S Bach Suites for Solo Cello [adapted Barbez]) Leduc AL 25953

Bourgeois Fantasy Pieces for Bass Trombone, no. 3: Allegro molto Brass WindEversden Study no. 8 or Study no. 9 (from 50 Studies for Bass Trombone) WarwickMast Study no. 1 (from 8 Concert Studies) WarwickNaulais Study no. 7 (from Contemporary Studies for Bass Trombone vol. 1) Billaudot G6555BPederson Study no. 47 (from Elementary Studies for Bass Trombone) IMP 51235Vobaron Study no. 5 (from Studies for Bass Trombone) EMR 114Warburton Etude 6, Vivace (from Back to Bassics) Warwick





127

either i) Scales & Arpeggios (from memory)Scales

The following scales to be performed f or p, starting from pedal C and Ab, tongued or legato tongued asrequested by the examiner:

C and Ab major (two octaves)C and Ab harmonic minor (two octaves)C and Ab melodic minor (two octaves)Whole-tone scale starting on C and Ab (two octaves)Chromatic scale starting on C and Ab (two octaves)

Arpeggios

The following arpeggios to be performed f or p, starting from pedal C and Ab [where appropriate],tongued or legato tongued as requested by the examiner:

C and Ab major (two octaves)C and Ab minor (two octaves)Dominant 7th in the keys of C and Ab (two octaves)Diminished 7th starting on C and Ab (two octaves)Augmented arpeggio starting on C and Ab (two octaves)

or ii) Exercise

The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Key centre exercise in Abb) C major expanding scale c) Ab minor expanding scaled) Ab major scale in 3rdse) C minor scale in 3rds







128





Bozza Allegro et Finale [complete] Leduc AL 21260Bozza New Orleans Leduc AL 23234David Concertino for Trombone op. 4, 1st movt: Allegro maestoso

[Bass trombone ed.] Zimmermann ZM 23960Dodgson Concerto, 4th movt NeuschelDossett Furiant WarwickEast Sonatina for Bass Trombone [complete] Ricordi LD858Lebedev Concerto no. 1 [complete] Hofmeister FH2317Lieb Concertino Basso Fischer W2450McCarty Sonata for Bass Trombone, 2nd movt and 3rd movt EnsemblePetit Fantaisie Leduc AL 21310Weber Soliloque Leduc AL 24197


C P E Bach Sonata in C minor Wq 132 [complete] (from Trombone Essentials) SchirmerJ S Bach Cello Suite no. 2 in D minor, Gigue

(from J S Bach Suites for Solo Cello [adapted Barbez]) Leduc AL 25953Bourgeois Fantasy Pieces for Bass Trombone, no. 5, Adagio Brass WindEversden Study no. 17 (from 50 Studies for Bass Trombone) WarwickMast Study no. 6 (from 8 Concert Studies) WarwickNaulais Study no. 17 (from Contemporary Studies for Bass Trombone vol. 1) Billaudot G6555BPremru Prelude and Dance for Solo Bass Trombone Mowhawk/EmersonStearn McCrorie’s Glory WarwickVobaron Study no. 12 (from 24 Studies for Bass Trombone) EMR 114





129


Scales

The following scales to be performed f or p, tongued or legato tongued or legato tongued in pairs asrequested by the examiner:

B*, Eb and F# major (two octaves)B*, Eb and F# harmonic minor (two octaves)B*, Eb and F# melodic minor (two octaves)Whole-tone scale starting on B*, Eb and F# (two octaves)Chromatic scale starting on B*, Eb and F# (two octaves)Crabwise scale from C and F (two octaves — tongued or slurred in octaves)

* Starting from pedal B.Arpeggios

The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner:B*, Eb and F# major (two octaves)B*, Eb and F# minor (two octaves)Dominant 7th in the keys of B, Eb and F# (two octaves)Diminished 7th starting on B*, Eb and F# (two octaves)Augmented arpeggio starting on B*, Eb and F# (two octaves)

* Starting from pedal B.

or ii) Exercise

The following exercises to be played either tongued or legato as indicated, as requested by the examiner:a) Key centre exercise in the keys of B, Eb and F#b) Crabwise scale from C in 3rds







130

Tuba, Eb Bass, Bb Bass — Grade 1 Subject codes: TBA/EBB/BBB

For instrument-specific details regarding this syllabus, please see page 23.




Jacob Minuet Six Little Tuba Pieces [] Emerson E118Ridout Stacking the Logs

or The First Goal of the Seasonor Lost Love Autumn Story[] Emerson E297

Spiritual All Night, All Day Easy Winners for Tuba* Brass Wind 0124TC[ or ] or 0131BC

Susato La mourisque Winner Scores All* [ or ] Brass Wind 0138TC/0141BCTchaikovsky Dance of the Mirlitons Winner Scores All* [ or ] Brass Wind 0138TC/0141BCWoolfenden Pagan Dance Up Front Album

for Eb Bass/Tuba book 1 [ or ] Brass Wind 0111TC/BC

Group B

Bernstein One Hand, One Heart Easy Winners for Tuba* Brass Wind 0124TC [ or ] or 0131BC

Coombes Tuba Samba** Keynotes Album for Eb Bass/Tuba[ or ] Brass Wind 0119TC/BC

Daly Postman Pat Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BCNegro Spiritual Steal Away Beginners Please! [Eb/F ed.] WinwoodRamskill Playful Serenade Keynotes Album for Eb Bass/Tuba

[ or ] Brass Wind 0119TC/BCTrad. Russian The Birch Tree Beginners Please! [Eb/F ed.] Winwood


Davis Geared Up or Tiny Minuet Polished Brass [] Brass Wind 6022TCGregson Hungarian Dance, no. 4 20 Supplementary Tunes for Tuba Brass Wind 6002TC

or Lullaby, no. 8 [ or ] or 6021BCJohnson Tuba Ceremony, no. 1

or Lilting Tuba, no. 2 The Tuneful Tuba [] Brass Wind 6011BCMozart Theme from Easy Winners for Tuba Brass Wind 0124TC

A Musical Joke [ or ] or 0131BCNightingale Coo’s Blues, no. 3

or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes [ ed.] WarwickTrad. Give me Joy in my Heart, Winners Galore for Tuba

p. 6 [ or ] Brass Wind 0123TC/BC

* Piano accompaniment available separately.** No written piano part, just suggested chord symbols.

131

Tuba, Eb Bass, Bb Bass — Grade 1



Lip Flexibility ExerciseTreble clefa) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 1 (from How Brass Players Do It) Brass Wind

Bass clefa) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 1 (from How Tuba Players Do It) Brass Wind


Treble clefScalesThe following scales to be performed mf and tongued:

C major (one octave)A natural minor (one octave): candidates may play harmonic or melodic minor if preferred.


C major (one octave)A minor (one octave)

Bass clefScalesThe following scales to be performed mf and tongued:

Eb major (one octave)C natural minor (one octave): candidates may play harmonic or melodic minor if preferred.


Eb major (one octave)C minor (one octave)

or ii) ExerciseTreble clefThe following exercise to be played tongued:C major scale and arpeggio exercise (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall

Bass clefThe following exercise to be played tongued:Eb major scale and arpeggio exercise (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall




Aural (see page 14)



132




Group A Piece Book PublisherGregson Little Scherzo Up Front Album

for Eb Bass book 2 [ or ] Brass Wind 0116TC/BCHandel Hallelujah Chorus, p. 6 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BCJacob In Tranquil Mood, no. 1 Bagatelles for Tuba [] Emerson E143Mozart Aria Winner Scores All* [ or ] Brass Wind 0138TC/0141BCPurcell Trumpet Tune Winner Scores All* [ or ] Brass Wind 0138TC/0141BCRidout Boy Meets Girl Autumn Story [] Emerson E297Sullivan The Policeman’s Song Just Brass Tuba Solos, vol. 1 [] Chester CH55325arr. Wekselblatt Civil War Medley First Solos for the Tuba Player [] SchirmerWiggins Tuba Tune or Wagon Train The Tuba Player’s Debut [/] Studio

Group BBart Where Is Love? Easy Winners for Tuba* Brass Wind 0124TC

[ or ] or 0131BCGoodall Blackadder Theme, p. 16 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BCHenry VIII Pastime with Good Company Beginners Please! [Eb/F ed.] WinwoodOsbourne & Eastenders Easy Winners for Tuba* Brass Wind 0124TC

May [ or ] or 0131BCTrad. Land of the Silver Birch Beginners Please! [Eb/F ed.] WinwoodWiggins Lucy’s Lullaby Beginners Please! [Eb/F ed.] WinwoodWilson-Smith Out n’ About

or Something Else All Jazzed Up for Tuba Brass Wind 1108Eor Waltzing with Jazz [ or ] or 1108T

Group C (unaccompanied)Blakeson Brite ‘n’ Rock, no. 5

or Chickpea, no. 11 Smooth Groove for Tuba Brass Wind 1141TBTC [ or ] or 1153TBBC

Davis Jumping Jack Rap or Rat Rag Polished Brass [] Brass Wind 6022TC

Gregson Gavotte, no. 10 or Justin’s March, no. 14 20 Supplementary Tunes for Tuba Brass Wind 6002TC

[ or ] or 6021BCJohnson Study no. 3, Lament The Tuneful Tuba [] Brass Wind 6011BCNightingale The Nuthatch, no. 6

or The Sleuth, no. 7 Eazy Jazzy ‘Tudes [ ed.] WarwickTrad. Men of Harlech Winner Scores All* [ or ] Brass Wind 0138TC/0141BCarr. Johnstone



Lip Flexibility ExerciseTreble clefa) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhallc) Exercise no. 3 (from How Brass Players Do It) Brass Wind


133


Bass clefa) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 3 (from How Tuba Players Do It) Brass Wind


Treble clefScalesThe following scales to be performed mf, tongued or slurred as requested by the examiner:

D and Bb major (one octave)A harmonic minor (one octave): candidates may play natural or melodic minor if preferred.


D and Bb major (one octave)A minor (one octave)

Bass clefScalesThe following scales to be performed mf, tongued or slurred as requested by the examiner:

F and Db major (one octave)C harmonic minor (one octave): candidates may play natural or melodic minor if preferred.


F and Db major (one octave)C minor (one octave)

or ii) ExerciseTreble clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) D major scale and arpeggio exerciseb) A minor scale and arpeggio exercise

All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brasspublished by Trinity Guildhall.

Bass clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) F major scale and arpeggio exercise b) C minor scale and arpeggio exercise

All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brasspublished by Trinity Guildhall.




Aural (see page 14)



134





Berlioz Sanctus Just Brass Tuba Solos, vol. 1 [] Chester CH55325Hanmer Scherzando, no. 4 Tuba Tunes [ ] Emerson E36Irish Folk Song Danny Boy, p. 17 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BCLully Gavotte First Solos for the Tuba Player [] SchirmerMozart Marche First Solos for the Tuba Player [] SchirmerSchumann The Happy Farmer First Solos for the Tuba Player [] SchirmerWiggins Friar Tuck’s Galliard

or Seafarer’s Song or The Mischievous Mastodon The Tuba Player’s Debut [/] Studio

Group B

Bart Food Glorious Food Winner Scores All* [ or ] Brass Wind 0138TC/0141BCBernstein America Winner Scores All* [ or ] Brass Wind 0138TC/0141BCBlake Walking in the Air Winner Scores All* [ or ] Brass Wind 0138TC/0141BCBourgeois Driving Piles Up Front Album for Eb Bass book 2 Brass Wind

[ or ] 0116TC/BCBratton

& Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BCHarburg We’re Off to See Easy Winners for Tuba* Brass Wind 0124TC

& Arlen the Wizard [ or ] or 0131BCHernandez El Cumbanchero Latino for Tuba [ or ] Brass Wind 0152TC/BCLloyd Webber Close Every Door Winner Scores All* [ or ] Brass Wind 0138TC/0141BCMancini Pink Panther All Jazzed Up for Tuba Brass Wind 1108E [ ]

[ or ] or 1108T [ ]Norman James Bond Theme Easy Winners for Tuba* Brass Wind 0124TC

[ or ] or 0131BCParker Fletcher Top Line Album for Eb Bass/Tuba

[ or ] Brass Wind 1116TC/BCPinkard, Carsey Sweet Georgia Brown All Jazzed Up for Tuba Brass Wind 1108E [ ]

& Bernie [ or ] or 1108T [ ]Ramskill Tuba on the Loose From Vivaldi to Fats Waller for Tuba Brass Wind

[ or ] 2112TC/BCRunswick Slinkenpoop Up Front Album for Eb Bass book 2 Brass Wind

[ or ] 0116TC/BCWalton Ambling Along, no. 1 Six Simple Swingers [] Sound the TrumpetsWilson-Smith Odd Job All Jazzed Up for Tuba Brass Wind 1108E []

[ or ] or 1108T []Group C (unaccompanied)

Blakeson Jam on Toast, no. 20 Smooth Groove for Tuba [ or ] Brass Wind 1141TBTCor Red Chilli Sauce, no. 18 or 1153TBBC


135


Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass [] Brass Wind 6022TC

Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes for Tuba Brass Wind 6002TCor Folk Song, no. 17 [ or ] or 6021BC

Hering Study no. 12 40 Progressive Etudes for Trumpet [] FischerJohnson Study no. 4, Tuba Tango

or Study no. 5, Jim’s Tune The Tuneful Tuba [] Brass Wind 6011BCLawrance Off Beat

or Staccato Ritmico Featuring Melody for Tuba [ or ] Brass Wind 6017TC/BCMcKenzie Waltz or High Life Music Makes the World Go Round [/] Con motoNightingale Slinky, no. 13 Eazy Jazzy ‘Tudes [ ed.] Warwick





Bass clefa) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 7 or no. 8 (from How Tuba Players Do It) Brass Wind


Treble clefScales


Arpeggios


Bass clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:G and Gb major (one octave)Eb and G minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on Eb (one octave)

136

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:G and Gb major (one octave)Eb and G minor (one octave)




Bass clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) G major scale and arpeggio exercise b) Gb major scale and arpeggio exercise c) Eb minor scale and arpeggio exercise





Aural (see page 14)




137




Group A Piece PublisherGounod March of a Marionette First Solos for the Tuba Player [] SchirmerHanmer Staccato, no. 2 Tuba Tunes [ ] Emerson E36Jacob Marching Tune Six Little Tuba Pieces [] Emerson E118Perrie Asleep in the Deep First Solos for the Tuba Player [] SchirmerSullivan Oh, Is There Not One

Maiden Breast? Just Brass: Tuba Solos, vol. 1 [] Chester CH55325Vivaldi Largo from Winter From Vivaldi to Fats Waller for Tuba [ or ] Brass Wind

2112TC/BC

Group BBart Pick a Pocket or Two A Little Light Music for Tuba Brass Wind 2121E []

[ or ] or 2121T []Benson Your Feet’s Too Big From Vivaldi to Fats Waller for Tuba [ or ] Brass Wind

& Fisher 2112TC/BCDavenport Fever From Vivaldi to Fats Waller for Tuba [ or ] Brass Wind

& Cooley 2112TC/BCGay Leaning on a Lamp-post A Little Light Music for Tuba Brass Wind 2121E []

[ or ] or 2121T []Goodwin 633 Squadron Great Winners for Tuba* Brass Wind 0132TC

[ or ] or 0137BCHarnick & Bock If I Were a Rich Man A Little Light Music for Tuba Brass Wind 2121E []

[ or ] or 2121T []Mack &

Johnson Charleston Let’s Face the Music for Tuba/Eb Bass Brass Wind[ or ] 2134TC/BC

Parker Beach Buggy Top Line Album for Eb Bass/Tuba [ or ] Brass Wind 1116TC/BC

Rogers & Hart Blue Moon Jazzed Up Too [ or ] Brass Wind 1111E [] or 1111T []

Shearing Lullaby of Birdland Big Chillers for Tuba [ or ] Brass Wind 1151TC/BC

Group C (unaccompanied)Blakeson Big Band Swing, no. 33 Brass Wind 1141TBTC

or Latin Lady, no. 32 Smooth Groove for Tuba [ or ] or 1153TBBCBourgeois Pompous or Wistful Per Tuba Ad Astra [ or ] Brass Wind 1122TC/BCDavis Psychedelic Sweatshirt

or Serpent Smoothie Polished Brass [] Brass Wind 6022TC(in C major)

Hering Study no. 10 or no. 11 40 Progressive Etudes for Trumpet [] FischerJohnson Study no. 7, Footsteps

on the Stairs The Tuneful Tuba [] Brass Wind 6011BCLawrance Syncopated Dance, p. 2 Featuring Melody for Tuba [ or ] Brass Wind 6017TC/BCMcKenzie Mambo or Tango Music Makes the World Go Round [/] Con motoNightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes [ ed.] Warwick


138






Bass clef

a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 9 or no. 10 (from How Tuba Players Do It) Brass Wind


Treble clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:Bb major (to 12th) F major (one octave)D and F minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on F (one octave)Chromatic scale starting on C (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Bb major (to 12th) F major (one octave)D and F minor (one octave)

Bass clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:Db major (to 12th)Ab major (one octave)F and Ab minor (one octave): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on Ab (one octave)Chromatic scale starting on Eb (one octave)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Db major (to 12th) (one octave)Ab major (one octave)F and Ab minor (one octave)

139




Bass clef

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Db major scale and arpeggio exercise b) Ab major expanding scalec) Ab minor expanding scale





Aural (see page 14)




140





Arban The Carnival of Venice First Solos for the Tuba Player [] SchirmerBevan Courante Handel’s Third Tuba Concerto [] Piccolo PressGrieg Solveig’s Song Great Winners for Tuba* [ or ] Brass Wind 0132TC

or 0137BCJacob Mazurka Tuba Suite [] BooseyMaschwitz A Nightingale Sang& Sherwin in Berkeley Square Big Chillers for Tuba [ or ] Brass Wind 1151TC/BCProctor Blue Potato Tuber Music [ or ] Brass Wind 2126TC/BCSmalley Tuba Power [/] StudioVaughan Six Studies in English

Williams Folksong, no. 1: Adagio and no. 2: Andante sostenuto Stainer[sep. piano accomp.] [] H174 [tuba ] H47 [piano]

Group B

Gershwin I Got Rhythm A Little Light Music For Tuba Brass Wind 2121E [TC][ or ] or 2121T []

Gordon Brass Wind 2121E []& Warren Chattanooga Choo Choo A Little Light Music For Tuba [ or ] or 2121T []

Parker Ground Force The Music of Jim Parker Brass Windor Mapp and Lucia for Tuba/Eb Bass [ or ] 1132E [] or 1132T []

Ramskill In the Fast Lane Jazzed Up Too [ or ] Brass Wind1111E [] or 1111T []

Williams Raiders March Great Winners for Tuba* [ or ] Brass Wind0132TC or 0137BC


Bourgeois Contented or Joyful Per Tuba Ad Astra [ or ] Brass Wind 1122TC/BCDavis Heads or Tails

or Hornpipe Polished Brass [] Brass Wind 6022TCHering Study no. 30

or Study no. 33 40 Progressive Etudes for Trumpet [] FischerKopprasch Study no. 42 60 Selected Studies

for Bb Tuba [] King/Leduc AL 28601Lawrance Stomp Off Featuring Melody for Tuba [ or ] Brass Wind 6017TC/BCMcKenzie Cerga or Krivo Horo Music Makes the World Go Round [/] Con motoNightingale Passion Fruit Samba, no. 18

or The Turkey, no. 22 Eazy Jazzy ‘Tudes [ ed.] Warwick


141






Bass clef

a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallb) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhallc) Exercise no. 14 or no. 16 (from How Tuba Players Do It) Brass Wind


Treble clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:G major (two octaves)B major (to 12th)G minor (two octaves): candidate’s choice of either harmonic or melodic minorB minor (to 12th): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on G (two octaves)Chromatic scale starting on G (two octaves)

Arpeggios


Bass clefScales

The following scales to be performed mf, tongued or slurred as requested by the examiner:Bb major (two octaves)D major (to 12th)Bb minor (two octaves): candidate’s choice of either harmonic or melodic minorD minor (to 12th): candidate’s choice of either harmonic or melodic minorWhole-tone scale starting on Bb (two octaves)Chromatic scale starting on Bb (two octaves)

Arpeggios

The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:Bb major (two octaves)D major (to 12th)Bb minor (two octaves)D minor (to 12th)Dominant 7th in the key of Bb (one octave)

142


The following exercises to be played either tongued or including slurs as indicated, as requested bythe examiner:a) B major scale and arpeggio exerciseb) B minor scale and arpeggio exercise c) G major expanding scale exercised) G minor expanding scale exercise


Bass clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) D major scale and arpeggio exercise b) D minor scale and arpeggio exercisec) Bb major expanding scale d) Bb minor expanding scale





Aural (see page 14)




143





Capuzzi Andante from Andante and Rondo(from Concerto for Double Bass) Hinrichsen H1474

Clarke Fighting Windmills (from Sketches from Don Quixote) [ or ] Brass Wind 2111TC/BCFrackenpohl Concertino for Tuba & Piano, 3rd movt Robert KingMozart Horn Concerto no. 4, Rondo or Romanza (from Classics for Tuba) StudioVivaldi Allegro from Sonata no. 3 Belwin Mills BW100473

Group B

Harbach &Kern Smoke Gets in Your Eyes Brass Wind

(from Lets Face the Music for Tuba/Eb Bass) [ or ] 2134TC/BCJacob Tuba Suite, Hornpipe or Saraband BooseyProctor Circle Line Dance (from Take the Tube for Tuba & Piano) [ or ] Brass Wind 2129TC/BCProctor Swing That Yam (from Tuber Music) [ or ] Brass Wind 2126TC/BCWaller Ain’t Misbehaving (from Big Chillers for Tuba) [ or ] Brass Wind 1151TC/BCWilder Suite no. 1 (Effie Suite), Effie Goes Folk Dancing [] Margun Music


Bourgeois Carefree or Convivial (from Per Tuba Ad Astra) [ or ] Brass Wind 1122TC/BCHartley Suite for Unaccompanied Tuba, any two movements [] Elkan-VogelKopprasch Study no. 26 (from 60 Selected Studies for Bb Tuba) [] King/LeducMcKenzie Czardas or Jota (from Rhythms of Life) [/] Con motoMuczynski Impromptus for Solo Tuba op. 32, no. 3: Allegro moderato [] SchirmerSwerts Tuba Rag (from Performance Studies) [/] de Haske






144



Treble clefScales



Arpeggios



Bass clefScales


C and A major (two octaves)C and A harmonic minor (two octaves)C and A melodic minor (two octaves)Whole-tone scale starting on C (two octaves)Chromatic scale starting on C (two octaves)

Arpeggios


C and A major (two octaves)C and A minor (two octaves)Dominant 7th in the key of C (one octave)Diminished 7th starting on C (two octaves)Augmented arpeggio starting on C (two octaves)


The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in Ab) A major expanding scalec) A minor expanding scaled) A major scale in 3rdse) A minor scale in 3rds


145

Bass clef

The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in C b) C major expanding scale c) C minor expanding scale d) C major scale in 3rdse) C minor scale in 3rdsAll scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brasspublished by Trinity Guildhall.






146





J S Bach Sarabande for Tuba & Piano, Allegro moderato or Sarabande [] EMR 278Capuzzi Rondo from Andante and Rondo (from Concerto for Double Bass) Hinrichsen H1474Handel Sonata in C, 3rd movt: Larghetto and 4th movt: Gavotte [] EMR 230Senaillé Introduction and Allegro Spiritoso [complete] [] Hinrichsen 853

Group B

Hindemith Sonata for Tuba & Piano, 1st movt: Allegro pesante or 2nd movt: Allegro assai [] Schott ED 4636

Koetsier Sonatina op. 57, 1st movt: Allegro [] EMR 239Proctor Piccadilly Polka (from Take the Tube for Tuba & Piano) [ or ] Brass Wind 2129TC/BCRidout Concertino for Tuba and Strings, any two movements [] Emerson E139Wilder Suite no. 1 (Effie Suite), Effie Joins the Carnival [] Margun Music


J S Bach Suite no. 1 in G, Menuetto I or Menuetto II (from J S Bach Suites for Cello) [adapted for the Bass Trombone] [] Leduc AL 25953

Bourgeois Fantasy Pieces for Tuba, no. 1: Allegro moderato or no. 4: Commodo [ or ] Brass Wind 3106BC

Bourgeois Complex (from Per Tuba Ad Astra) [ or ] Brass Wind 1122TC/BCKopprasch Study no. 44 (from 60 Selected Studies for Bb Tuba) [] King/LeducMcKenzie Klezmer or Malaguena (from Rhythms of Life) [/] Con motoMoren Bagatelle or Divertimento (from Performance Studies) [/] de HaskeMuczynski Impromptus for Solo Tuba op. 32, no. 2: Andante

and no. 5: Allegro giocoso [] Schirmer






147


Treble clefScales



Arpeggios



Bass clefScales


D and Db major (two octaves)D and C# harmonic minor (two octaves)D and C# melodic minor (two octaves)Whole-tone scale starting on D and Db (two octaves)Chromatic scale starting on D and Db (two octaves)

Arpeggios


D and Db major (two octaves)D and C# minor (two octaves)Dominant 7th in the keys of D and Db (one octave)Diminished 7th starting on D and Db (two octaves)Augmented arpeggio starting on D and Db (two octaves)





148

Bass clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in Dbb) Db major expanding scalec) D minor expanding scaled) D major scale in 3rdse) C# minor scale in 3rds







149





Bourgeois Sonata for Tuba and Piano op. 204, 3rd movt [] Brass Wind 3120Ellerby Tuba Concerto, from letter N to the end [] MaecenasGregson Tuba Concerto, 1st movt: Allegro deciso

or 3rd movt: Allegro giocoso [with cadenza] [] Novello NOV120484Newton Cappriccio WinwoodVaughan

Williams Concerto for Bass Tuba, any one movement [with cadenzas] [] OUP

Group B

Brahms Hungarian Dance no. 5 (from Classics for Tuba) [/] StudioGluck Dance of the Blessed Spirits (from Classics for Tuba) [/] StudioHindemith Sonata for Tuba & Piano, 3rd movt: Variations [] Schott ED 4636Jacob Tuba Suite, Galop [with cadenza] [] BooseyKoetsier Sonatina op. 57, 2nd movt: Tempo di minuetto

and 3rd movt: Allegro moderato [] EMR 239Monti Czardas for Tuba & Piano [] EMR 272


Arnold Fantasy for Tuba op. 102 [] FaberJ S Bach Suite no. 5, Gigue in C minor (from J S Bach Suites for Cello)

[adapted for the bass trombone] [] Leduc AL 25953J S Bach Vivace from a ‘Cello Suite (from The Thomas Wyss Tuba Collection) KirkleesBourgeois Fantasy Pieces for Tuba, no. 6: Allegro moderato

or no. 8: Moderato pesante [ or ] Brass Wind 3106TC/BCEllerby El Patricko Latino (from Performance Studies) [/] de HaskePersichetti Serenade no. 12 for Solo Tuba, op. 88, Intrada

and Capriccio [] Elkan-Vogel 164-00062Vizzutti Fast and Rhythmic (from Performance Studies) [/] de Haske






150



Treble clefScales


C, Ab and F# major (two octaves)C, Ab and F# harmonic minor (two octaves)C, Ab and F# melodic minor (two octaves)Whole-tone scale starting on C, Ab and F# (two octaves)Chromatic scale starting on C, Ab and F# (two octaves)Crabwise scale from C and G (two octaves — tongued or slurred in octaves)

Arpeggios


C, Ab and F# major (two octaves)C, Ab and F# minor (two octaves)Dominant 7th in the key of C (two octaves)Dominant 7th in the keys of Ab and F# (one octave)Diminished 7th starting on C, Ab and F# (two octaves)Augmented arpeggio starting on C, Ab and F# (two octaves)

Bass clefScales


Eb, B and A major (two octaves)Eb, B and A harmonic minor (two octaves)Eb, B and A melodic minor (two octaves)Whole-tone scale starting on Eb, B and A (two octaves)Chromatic scale starting on Eb, B and A (two octaves)Crabwise scale from Bb and Eb (two octaves — tongued or slurred in octaves)

Arpeggios


Eb, B and A major (two octaves)Eb, B and A minor (two octaves)Dominant 7th in the key of Eb (two octaves)Dominant 7th in the keys of A and B (one octave)Diminished 7th starting on Eb, B and A (two octaves)Augmented arpeggio starting on Eb, B and A (two octaves)

151




Bass clefThe following exercises to be played either tongued or including slurs as indicated, as requested by the examiner:a) Key centre exercise in the keys of Eb, B and A b) Crabwise scale from Bb in 3rds







Abbreviations used in this syllabus are given in brackets after the publisher’s full name.

Please notes that agents’ or distributors’ addresses are given for non-UK publishers. These publishersmay have different local agents in other parts of the world who may be able to supply music more easily or quickly. Details of these may be obtained by contacting the publishers directly at the addresses listed here.

Trinity cannot guarantee that music will always be in stock with local suppliers. Candidates and teachersshould always check with the publisher before it is assumed that any item has gone out of print.

Alfred Publishing (Alfred): www.alfred.com in UK: c/o Faber Music LtdAnglo Music Press (Anglo Music): c/o De Haske Music (UK) LtdArcadia Music Publishing Co. Ltd (Arcadia): P.O. Box 1, Rickmansworth, Herts WD3 3AZ, UK Bärenreiter Ltd (Bärenreiter): c/o Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK

T +44 (0)1279 828 930; www.baerenreiter.comEditio Bärenreiter Praha (Bärenreiter Praha): c/o Bärenreiter LtdBayley & Ferguson (Bayley): c/o Paxman Musical Instruments LtdBelwin Mills (Belwin): c/o Alfred PublishingGerard Billaudot Editeur (Billaudot): 14 rue de l’Echiquier, 75010 Paris, France

T +33 (1) 47 70 14 46; www. billaudot.com in UK: c/o United Music Publishers LtdBirdalone Music (Birdalone): 2212 32nd Street, San Diego, CA 92104, USA

T +1 619 889 0293; www.birdalone.comBoosey & Hawkes Music Publishers Ltd (Boosey): Mail Order: Boosey & Hawkes, c/o Music Exchange,

Claverton Road, Manchester M23 9ZA, UKT +44 (0)20 7054 7200 or (Freephone in UK only) 0800 731 4778; www.boosey.com

Boston Music Company (Boston): c/o Music Sales LtdG & M Brand (Brand): c/o R Smith & Co Ltd, P.O. Box 367, Aylesbury, Bucks HP22 4LJ, UK

T +44 (0)1296 682 220; www.rsmith.co.ukBrass Wind Publications (Brass Wind): 4 St Mary’s Road, Manton, Oakham, Rutland LE15 8SU, UK

T +44 (0)1572 737 409; www.brasswindpublications.co.ukBreitkopf & Härtel (Breitkopf): Obere Waldstraße 30, 65232 Taunusstein, Germany

T +49 (6128) 96630 in UK: c/o 30 Mill Road, Dymchurch, Romney Marsh, Kent TN29 ONZ; T +44 (1303) 87 00 37; www.breitkopf.com

Broadbent & Dunn Ltd (Broadbent & Dunn): 66 Nursery Lane, Dover, Kent CT16 3EX, UKT +44 (0)1304 825604; www.broadbent-dunn.com

Chappell (Chappell): c/o Faber Music LtdChester Music Ltd (Chester): c/o Music SalesComus Edition (Comus): Leach Cottage, Heirs House Lane, Colne, Lancs BB8 9TA, UK

T +44 (0)1282 864 985; www.comusedition.comCon Moto Publications UK (Con Moto): c/o Mostyn MusicCurnow Music Press (Curnow): P.O. Box 142, Wilmore, KY 40390, USA

T +1 800 7287 669; www.curnowmusicpress.comDe Haske Music (UK) Ltd (De Haske): Fleming Road, Earlstrees, Corby, Northants. NN17 2SN, UK

T +44 (0)1536 260 981; www.dehaske.comDurand et Cie (Paris) (Durand): 5 rue du Helder, 75009 Paris, France

T +33 (0)1 53 24 80 01; www.durand-salabert-eschig.comfor the rest of the world: c/o United Music Publishers Ltd

152

Music publishers’ contact details

Editions Marc Reift (EMR): Case postale 308, Route du Golf 150 CH-3963 Crans-Montana, Switzerland; T +41 (0) 27 483 12 00; www.reift.ch; in UK: c/o Music Trading

Elkan-Vogel (Elkan-Vogel): P.O. Box 7720, New York, NY 101500-1914, USAin UK: c/o United Music Publishers Ltd

Emerson Edition Ltd (Emerson): Windmill Farm, Ampleforth, York YO62 4HF, UK T +44 (0)1439 788 324; www.juneemerson.co.uk

Ensemble Publications (Ensemble): c/o Music SalesFaber Music Ltd (Faber): Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK

T +44 (0)1279 828 989; www.fabermusic.comFentone Music Ltd (Fentone): c/o De Haske Music (UK) LtdCarl Fischer LLC (Fischer): 65 Bleecker Street, New York, NY 10012, USA

T +1 212 777 0900; in UK: c/o Schott Music LtdCarl Gehrmans Musikförlag (Gehrmans): Box 42026, SE - 126 12 Stockholm, Sweden

T +46 8 610 06 00; www.gehrmans.seGramercy Music (UK) (Gramercy): P.O. Box 41, Cheadle Hulme, Cheshire SK8 5HF, UK

T + 44 (0)161 486 1959; www.gramercymusic.com; in USA: c/o Southern MusicGuildhall (Guildhall): c/o Faber Music LtdHallamshire Music (Hallamshire): Bank End, North Somercotes, Louth, Lincs LN11 7LN, UK

T +44 (0)1507 358 141; www.hallamshiremusic.co.ukHinrichsen Edition (Hinrichsen): c/o Peters Edition LtdFriedrich Hofmeister Musikverlag (Hofmeister): Büttnerstraße 10, D-04103 Leipzig, Germany

T +49 341 9 60 07 50; www.friedrich-hofmeister.de; in UK: c/o Music Sales LtdThe Hornist’s Nest (Hornist’s): P.O. Box 33, Buffalo, NY 14231-0033, USA

T +1 716 626 9534; www.thehornistsnest.netInternational Music Company (IMC): 5 West 37 Street New York, NY 10018, USA

T +1 212 391 4200; www.internationalmusicco.com in UK c/o Schott Music LtdInternational Music Publications (IMP): c/o Faber Music LtdEdwin F Kalmus & Co. Inc. (Kalmus): P.O. Box 5011, Boca Raton, FL 33431, USA

T +1 800 434 6340; in UK: c/o Music Sales LtdRobert King Music Sales Inc (Robert King): 140 Main Street, North Easton, Massachusetts 02356,

USA; fax. +1 508 238 2571; www.rkingmusic.com; in UK: c/o United Music Publishers Ltd Kirklees Music (Kirklees): 609 Bradford Road, Bailiff Bridge, Brighouse, West Yorkshire HD6 4DN, UK

T +44 (0) 1484 722 855; www.kirkleesmusic.co.ukEditions Alphonse Leduc (Leduc): 175, rue Saint-Honoré, 75040 Paris cedex 01, France

T +33 (0)1 42 96 89 11; www.alphonseleduc.com; in UK: c/o United Music Publishers LtdEditions Henry Lemoine (Lemoine): 41 rue Bayen, 75017 Paris, France; www.editions-lemoine.fr

in UK: c/o Faber Music LtdMaecenas Music Ltd (Maecenas): 5 Bushey Close, Old Barn Lane, Kenley, Surrey, CR8 5AU, UK

T +44 (0)20 8660 3914; www.maecenasmusic.co.ukMargun Music (Margun): c/o Music Sales LtdMoeck Verlag (Moeck): P.O. Box 3131, D-29231 Celle, Lückenweg 4, D-29227 Celle, Germany

T +49-5141 8853 0; www.moeck.com; in UK: c/o The Early Music Shop, Salts Mill, Victoria Road,Saltaire, West Yorkshire BD18 3LA, UK, T +44 (0) 1274 288 100; www.earlymusicshop.com

Mowhawk (Mowhawk): c/o Emerson EditionMusic for Brass Ltd (MfB): Unit 1, Warneford Avenue, Ossett, West Yorkshire WF5 9NJ, UK

T +44 (0)1924 261154Musica Rara (Musica Rara): c/o Breitkopf & Härtel

Music publishers

153

Music Sales Ltd (Music Sales): Distribution Centre, Newmarket Road, Bury St. Edmunds, SuffolkIP33 3YB, UK; T +44 (0)1284 702 600; www.musicroom.com

Music Trading (MusT): 33 Quernmore Road, London N4 4QT, UKT +44 (0)20 8341 4088; www.music-trading.co.uk/www.tutti.co.uk

Musikk-Husets Forlag (Musikk-Husets): pb. 822 Sentrum, 0104 Oslo, NorwayT +47 22 82 59 00; www.musikk-huset.no

Mostyn Music (Mostyn): 8 Milvil Court, Milvil Road, Lee-on-Solent, Hants PO13 9LY, UKT +44 (0)2392 550 566; www.mostynmusic.com

Neuschel Music (Neuschel): c/o Studio Music CompanyNorsk Musikforlag (Norsk): Postboks 1499 Vika, 0116 Oslo, Norway

T +47 23 00 20 10; www.norskmusikkforlag.noNovello & Co. Ltd (Novello): c/o Music Sales LtdOxford University Press (OUP): Music Department, Great Clarendon Street, Oxford OX2 6DP, UK

T +44 (0)1865 355 067; www.oup.comin Australia: c/o Alfred Australia, P.O. Box 2355, Taren Point, NSW 2229T +61 2 9524 0033; [email protected] USA: Oxford University Press Inc, 198 Maddison Avenue, New York, NY 10016

Paterson’s Publications (Paterson’s): c/o Music Sales LtdPeters Edition Ltd (Peters): 10–12 Baches Street, London N1 6DN, UK

T +44 (0)20 7553 4000; www.editionpeters.comPiccolo Press (Piccolo): 10 Clifton Terrace, Winchester, Hampshire, SO22 5BJ, UK

T +44 (0)1962 864 755; www.piccolopress.infoPiper Publications (Piper): Dochroyale Farm, Barrhill, Girvan, Ayrshire KA26 0QG, UK

T +44 (0)1465 821 377; www.piperpublications.co.ukPro Musica Verlag (Pro Musica): Karl-Liebknecht-Strasse 12, D-4107 Leipzig, GermanyRavencar Music (Ravencar): +44 (0)1246 434657; or c/o R Smith & Co Ltd, P.O. Box 367, Aylesbury,

Bucks HP22 4LJ, UK; T +44 (0)1296 682 220; www.rsmith.co.ukG. Ricordi & Co (London) Ltd (Ricordi): in UK: c/o United Music Publishers LtdRubank (Rubank): c/o Studio Music CompanySalvationist Publishing & Supplies (Salvationist): 117-121 Judd Street, King's Cross, London

WC1H 9NN, UK; T +44 (0)20 7387 7814; www.sps-shop.comG. Schirmer Inc. (Schirmer): c/o Music Sales LtdSchott Music Ltd (Schott): 48 Great Marlborough Street, London W1F 7BB, UKT +44 (0)20 743 712 46/0800 525 566: www.schott-music.comSkandinavisk Musikforlag (Skandinavisk): Bornholmsgade 1, 1266 København, Denmark

T +45 33 11 78 88Samfundet til Udgivelse af Dansk Musik (Edition Samfundet): Gråbrødrestræde 18.st., DK-1156

Copenhagen K, Denmark; T +45 33 13 54 45; www.samfundet.dkSound The Trumpets (Sound The Trumpets): c/o Mostyn MusicSouthern Music Company (Southern): P.O. Box 329, 1248 Austin Highway, Suite 212 San Antonio,

Texas 78292, USA; T +1 210 226 8167; in UK: c/o Valentine Music, 26 Lichfield Street, London WC2H 9TZ,UK, T +44 (0)20 7240 1628; www.valentinemusic.co.uk

Spartan Press Music Publishers Ltd (Spartan): Strathmashie House, Laggan Bridge,Scottish Highlands, PH20 1BU, UK; T +44 (0)1528 544 770; www.spartanpress.co.uk

Stainer & Bell Ltd (Stainer): P.O. Box 110, Victoria House, 23 Gruneisen Road, London N3 1DZ, UKT +44 (0)20 8343 3303; www.stainer.co.uk

154

Music publishers

Studio Music Company (Studio Music): Cadence House, Eaton Green Road, Luton, Bedfordshire LU2 9LDT +44 (0)1582 432 139 or Freephone (UK only) 0800 389 2484; www.studio-music.co.uk

Trinity Faber (Trinity Faber): c/o Faber Music LtdUniversal Edition (London) Ltd (Universal): 48 Great Marlborough Street, London W1F 7BB, UK

T +44 (0)20 7437 1246/+44 (0)20 7534 0710: www.universaledition.comWarner Bros. Publications (Warner Bros): c/o Faber Music LtdWarwick Music Ltd (Warwick): 1 Broomfield Road, Earlsdon, Coventry CV5 6JW, UK

T +44 (0)24 7671 2081; www.warwickmusic.comWinwood Music (Winwood): Unit 7, Fieldside Farm, Quainton, Bucks HP22 4DQ, UK

T +44 (0)1296 655777; www.winwoodmusic.comWright & Round Ltd (Wright & Round): The Cornet Office, P.O. Box 157, Gloucester GL1 1LW, UK

T +44 (0)1452 523 438Musikverlag Zimmermann (Zimmermann): c/o MusT

UK specialist suppliers

In case of any difficulty in obtaining music, the following specialist suppliers may be helpful.

All brass instruments

June EmersonWindmill Farm, Ampleforth, York YO62 4HF, UKT +44 (0)1439 788 324; www.juneemerson.co.uk

Mostyn Music8 Milvil Court, Milvil Road, Lee-on-Solent, Hants PO13 9LY, UKT +44 (0)2392 550 566; www.mostynmusic.com

Phil Parker Ltd106a Crawford Street, London, W1H 2HZ, UKT +44 (0)20 7486 8206; www.philparker.co.uk

Horn

Paxman Musical Instruments LtdLinton House, 164–180 Union Street, London SE1 0LH, UKT +44 (0)20 7620 2077; www.paxman.co.uk

Music publishers

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Trinity Guildhall publications

156

Aural Tests Trinity Guildhall Aural Tests from 2007: In two volumes, Initial to Grade 5

and Grade 6 to Grade 8, each with CD, containing sample tests for the

Aural section of the exam. With explanations, sample answers and advice

on completing the tests.

Scales & Arpeggios Trinity Guildhall Brass Scales & Exercises (Grades 1–8): Trinity Guildhall

and Exercises publishes scale books for examination use as follows:

Scales & Exercises for Treble Clef Brass —

for all valved treble clef readers

Scales & Exercises for French Horn

Scales & Exercises for Trombone — treble and bass clef

Scales & Exercises for Bass Clef Brass —

for Eb Tuba and Bb Baritone bass clef readers

Scales & Exercises for Soprano Cornet —

available to download from www.trinityguildhall.co.uk

Scales & Exercises for Bass Trombone —

available to download from www.trinityguildhall.co.uk

Sight Reading The Sound at Sight series gives full instructions and practice materials

for preparation for the sight reading tests. Sound at Sight Trumpet

(Grades 1–8) is suitable for all valved treble clef readers. Sound at Sight

Bass Clef Brass (Grades 1–8) is suitable for euphonium, trombone and

Eb tuba players reading in bass clef.

Repertoire Books Trumpet Allsorts (Grades 1–3) is a joint Trinity Faber publication containing

a mixture of repertoire from all musical eras.

All Trinity Guildhall publications are available from your local music shop, but can also be

obtained directly from our distributors:

Faber Music Distribution Ltd, Burnt Mill, Elizabeth Way, Harlow CM20 2HX, UK

T +44 (0)1279 828982 F +44 (0)1279 828983

E [email protected] www.fabermusic.com

If you are ordering directly from Faber Music Distribution Ltd, please order carefully as no returns

can be accepted. A postage charge will be added to your order.

For a publications list or if you have any queries about music published by Trinity Guildhall,

please contact:

Trinity Guildhall Examinations, 89 Albert Embankment, London SE1 7TP, UK

T +44 (0)20 7820 6100 F +44 (0)20 7820 6161

E [email protected] www.trinityguildhall.co.uk/music

Brass intro with corrections - Trinity College London ......Bb Cornet, Flugel Horn, Eb Soprano...

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