Boston Conservatory Orchestra, 10/02/16

This organization is funded in part by the Massachusetts Cultural Council, a state agency.

B O S T O N C O N S E R V A T O R Y A T B E R K L E E P R E S E N T S

Romeo and Juliet, Suites 1, op. 64bis and 2, op. 64ter (1935)

Montagues and CapuletsTableauMadrigalMasksMinuetFolk DanceDanceDance of the AntillesChild JulietRomeo and JulietRomeo at Juliet's Before PartingFriar LaurenceRomeo at Juliet's GraveDeath of Tybalt

– INTERMISSION –

Concerto in a minor for violin, cello, and orchestra, op. 102 (1887)

AllegroAndanteVivace non troppo

Haldan Martinson, violinMihail Jojatu, cello

Sergei Prokofiev1891–1953

Johannes Brahms1833–1897

ORCHESTRABRUCE HANGEN, conductor

BOSTON CONSERVATORY

October 2, 2016Sunday, 2:00 p.m.

Sanders Theatre, Harvard University

HALDAN MARTINSON, violinMIHAIL JOJATU, cello

Pre-concert lecture at 1:00 p.m. given by Marti Epstein, D.M.A., composition faculty member at Boston Conservatory at Berklee

B O S T O N C O N S E R V A T O R Y A T B E R K L E E P R E S E N T S

2 • Boston Conservatory Orchestra

PROGRAM NOTESPROKOFIEV: Romeo and Juliet, Suites 1, op. 64bis and 2, op. 64ter (1935)Sergei Prokofiev left Russia in 1918, during the October Revolution, for the U.S. and Europe. Toward the end of his time abroad, he had resigned himself to composing music that he believed appeared “on the surface as a success.” He had not expected the harsh conditions of musical life in the West, with its audiences’ sometimes conservative tastes and limited attention spans. Prokofiev wrote Romeo and Juliet in 1935–1936, when he was ready to end his self-imposed exile from his homeland. The composer had always been public about his support of developments in the Soviet Union. Indeed, he maintained his Soviet citizenship and had always hoped to return, although he did express a skepticism of the political system during numerous visits throughout the 1920s and 1930s. For more than a decade, Prokofiev had been actively cultivating a simpler musical language that was well received in Moscow. The recent downfall of his potential rival, Dimitri Shostakovich, may also have influenced the often shrewd composer. Ironically, Prokofiev himself soon felt the Soviet sting of artistic censorship in connection with Romeo and Juliet, as production was delayed until a premiere in 1940 at the Mahen Theater in Brno.

Conductor Bruce Hangen’s arrangement of the first two suites (assembled by Prokofiev to sidestep the delay of the full ballet’s premiere) opens boldly with Montagues and Capulets. The iconic opening with its strident dissonances sets a mood of tension, never far from violence. Of course, this is the environment that will eventually spell the end for the lovers, but it is not without its tender moments of melodic romance, made all the more sweet when hemmed in by brash brass and strings. Several movements of dance follow, including Masks with its playful flourishes that depict the antics of disguised Romeo and his friends at the ball. The lovers are then given the stage. Even when painting scenes of intense emotion, Prokofiev always demonstrates a controlled hand. For example, in the idyllic, luminous intertwining winds and strings of Romeo and Juliet during the balcony scene, as well as the cleverly-placed false endings and elongated melodies of Romeo at Juliet’s Before Parting. Finally, in The Death of Tybalt, where Romeo avenges his friend Mercutio, we first hear a playful dance signifying Romeo’s reluctance upon his wedding day, but then, the music parries and lunges to dizzying effect. Wrath prevails as repeated stabs from percussion and winds accents Tybalt’s death throes and the stage is set for the tragedy to come, while a fiery, funereal theme plays and the body is born away.

—Clifton Ingram (M.M. '14, composition)

Boston Conservatory at Berklee • 3

BRAHMS: Concerto in a minor for violin, cello, and orchestra, op. 102 (1887)Having premiered on October 18, 1887, Johannes Brahms’ Concerto for violin, cello, and orchestra expresses an intimate, autobiographical projection of the composer’s mind and his desire for reconciliation. Brahms had had an altercation with his violinist friend Joseph Joachim, when he sided with Joachim’s wife in a marital dispute. Years had passed without the friends speaking to each other, and the composer wanted to reconcile with a peace offering of a new work. Brahms made his intention clear when he wrote an opening that was deliberately similar to Giovanni Battista Viotti’s Violin Concerto No. 22, a work that both friends deeply admired.

Allegro portrays the estranged tension through the interaction between the violin and the cello. The orchestra authoritatively begins the movement declaring the first theme, only to be supplanted by the angst of the cello elaborating the melody with a cadenza. The woodwinds and horns then play a subdued second theme. The focus shifts again to the violin with an almost yearning sound, perhaps even apologetic. Both solo instruments have now been introduced, yet never in unison. As the movement progresses, the solo lines continue to struggle for harmony in the composer’s projected hopes that peace can be achieved. Andante finally allows the catharsis so sought after in the previous movement. The unpretentious melody is played in octave unison in the solo lines gently supported by the orchestra. Vivace non troppo features the style "hongrois" (Hungarian gypsy style) often found in Brahms’ works. The playful melody with its anapest (short–short–long) rhythm drives the orchestra and soloists to the climatic ending.

—Daniel J. Choi (P.S.C. '17, composition)

Andy Vores, Interim Dean of Music Lawrence Isaacson, Associate Director of MusicRyland Bennett, Concert Services Manager Rachael Stachowiak, Administrative Coordinator, Music Division Ryan Fossier, Performance Librarian Aileen Sullivan, Ensembles Coordinator

MUSIC OFFICE STAFF


BIOSBRUCE HANGEN, conduc-tor—was appointed as director of orchestral activities at Boston Conservatory in May 2003. Han-gen is in his 18th season as artistic director and conductor of the Or-chestra of Indian Hill, having been appointed in 1997. He has also served as principal guest conduc-tor of The Boston Pops Orchestra, a position created especially for Hangen in May 2002 as a reflection of the strong musical relationship built over two decades of regular guest conducting. Recent appear-ances as a guest conductor include concerts with the Florida Philhar-monic and Boston Symphony Or-chestra (BSO). His repeat engage-ments with The Boston Pops and Boston Pops Esplanade orchestras total more than 200 performances since 1979. Additionally, Hangen has guest conducted orchestras in Japan, Canada, Taiwan and New Zealand. A graduate of the East-man School of Music with a major in conducting, Hangen was a con-ducting fellow at the Berkshire Mu-sic Center at Tanglewood for two summers. Hangen is the recipient of an Honorary D.F.A. from the University of New England. Read Hangen’s complete bio at: boston-conservatory.edu/bio/brucehangen.

HALDAN MARTINSON, violin—made his solo debut with the Los Angeles Philharmonic in 1990 and made his national television de-but in 1988 performing on Johnny Carson's Tonight Show. Martinson has appeared as soloist with many other orchestras, including the Waterloo-Cedar Falls Symphony Orchestra, the Metamorphosen Chamber Orchestra and the Yale Symphony Orchestra. Martinson is the recipient of numerous prizes, scholarships, and awards, includ-ing the Spotlight Award of the Los Angeles Music Center. He has participated in the chamber music festivals of Ravinia, Taos, Santa Fe, and La Jolla. From 1996 to 1998, he was a member of the Metamor-phosen Chamber Ensemble. Mar-tinson graduated with a B.A. in mu-sic from Yale College (1994), where he was awarded the Louis Sudler Prize, one of the most prestigious awards granted by the university. He was concertmaster of the Yale Symphony Orchestra from 1991 to 1994. Martinson received an M.M. from New England Conservatory (1997). His former teachers include Robert Lipsett, Endré Granat, Da-vid Nadien, Aaron Rosand, and James Buswell Martinson is also a prize-winning composer whose works for string ensemble have been featured frequently in con-cert. One of Martinson's works, Dance of the Trolls for string or-


chestra, was commissioned by the Crossroads Chamber Orchestra in 1988 and has since been per-formed throughout Southern Cali-fornia. As principal second violin of the Boston Symphony Orchestra, Martinson is also a member of the Boston Symphony Chamber Play-ers. He joined the orchestra as a section violinist in November 1998 and was appointed to his current position in the summer of 2000. From 1998 to 2002, he was a mem-ber of the critically acclaimed Haw-thorne String Quartet.

MIHAIL JOJATU, cello—is a Ro-manian-born cellist. He joined the Boston Symphony Orchestra (BSO) in 2001 and became fourth chair at the start of the 2003–2004 season. Jojatu studied at the Bucharest Academy of Music before coming to the U.S. in 1996. He then attend-ed Boston Conservatory, where he studied with former BSO cellist Ronald Feldman, and worked pri-vately with Bernard Greenhouse of the Beaux Arts Trio. He also stud-ied with BSO principal cellist Jules Eskin at Boston University. Jojatu has collaborated with such pres-tigious artists as Yefim Bronfman, Lars Vogt, Sarah Chang, Glenn Dicterow, Peter Serkin, Gil Shaham, members of the Juilliard and Muir string quartets, and Seiji Ozawa, who asked him to substitute for Mstislav Rostropovich in rehears-

ing the Dvorák Cello Concerto with the Tanglewood Music Cen-ter (TMC) Orchestra. A winner of Boston University's concerto com-petition (subsequently appearing as soloist with Keith Lockhart and the Boston Pops Orchestra), he also won first prize in the Aria Con-certo Competition at the Boston Conservatory and was awarded the Carl Zeise Memorial Prize in his second year as a TMC Fellow. Jojatu now serves on the TMC fac-ulty and also at Boston University. Recent solo appearances include concerto performances with the New Bedford Symphony, Berkshire Symphony, Longwood Symphony, Radio Symphony Orchestra of Bu-charest (under Sergiu Comissiona), and the Indian Hill Symphony Or-chestra (under Bruce Hangen). Jo-jatu has given master classes and performed extensively in Romania, Japan, and Italy. He was invited to play at Senator Edward Kennedy's memorial service in 2009. He gave the Boston Pops premiere of Fried-rich Gulda's concerto for cello and wind orchestra in June 2011. Along with three of his colleagues from the BSO cello section, Jojatu is a founding member of the Boston Cello Quartet, who opened for the Grammy Award-winning band, Train, at Tanglewood in August 2011.


FLUTEColleen Carlson,

M.M. '17Yu-Han Chen, M.M. '17Kaegan Gregory,

B.M. '19Keren Satkin, B.M. '18

PICCOLOKathryn Downs,

B.M. '18

OBOEBridget Long, B.M. '19Aiden Rodier, B.M. '18Lindsey A. Stein,

M.M. '17Andrew van der

Paardt, B.M. '17

ENGLISH HORNAiden Rodier, B.M. '18

CLARINETMichael Gruender,

M.M. '18Sophie E. Kass,

G.P.D. '17Gary Liu, B.M. '17Jason Russo, B.M. '18

BASS CLARINETAveion Walker,

M.M. '18

BASSOONLiam Cunningham,

B.M. '19Nathaniel Edison,

B.M. '20Hillary Erb, G.P.D. '17

CONTRABASSOONTimothy Wisdom,

M.M. '18

TENOR SAXOPHONEZicheng Tang,

M.M. '18

HORNMaria D'Ambrosio,

B.M. '19 Jacob Factor, M.M. '18Ran Lu, M.M. '17Brian Nowak, M.M. '18Cristian Uraga,

M.M. '18Sean Wang, B.M. '20Emily Wiebe, M.M. '17Zhanglong Wu,

M.M. '18

TRUMPETMatthew Compagno,

B.M. '19Tricia Dyer, M.M. '18Ryanne Flynn, M.M. '17Justin Ploskonka,

G.P.D. '18

CORNETRyanne Flynn, M.M. '17

TROMBONEKevin Downing,

M.M. '17Joshua Thomas-Urlik,

B.M. '17

BASS TROMBONENeil Parsons, M.M. '17

TUBAAustin Comerford,

B.M. '17

TIMPANIWilliam Land, B.M. '19Neil McNulty, B.M. '18

PERCUSSIONTzu-En Chang,

M.M. '17Evan Grover, M.M. '17Gabriella Mayer,

M.M. '18Travis Newman,

M.M. '17Xinyi Zheng, M.M. '17

HARPGretchen Sheetz,

M.M. '17Amy Ahn, M.M. '18

PIANOChi Zhang, G.P.D. '18

CELESTEVladyslav Ustihov,

B.M. '19

ENSEMBLE


VIOLIN IWeiqiao Wu,

G.P.D. '17*Lizzie Jones, G.P.D. '18Caxton Jones,

G.P.D. '18Fu-Jung Yu, M.M. '17Veronica Riner,

M.M. '20Nikole Stoica, B.M. '17Melissa Taddie,

P.S.C. '17Ann Chun-Hui

Chuang, G.P.D. '17Shih-Lien Chang,

M.M. '17Jake Vincel, B.M. '19Marie Comuzzo,

G.P.D. '17Hyun-Ji Kim^Sven Skriveris, B.M. '18Alden Young, B.M. '19Sophia Bellino,

B.M. '19Tom Hoffman^

VIOLIN IIKelley McGarry,

B.M. '17Jiuri Yu, M.M. '17Sarah Coghlan,

P.S.C. '17Kim Busic, M.M. '18John Castore, B.M. '19Ran Seo, G.P.D. '17Fangye Sun, M.M. '17Igor Garcia, B.M. '18HanHan Zhu, P.S.C. '17

Chia-Hoa Wang, B.M. '17

Pia Bucci, B.M. '20Charlotte Meaders,

B.M. '20Shishi Zhou^

VIOLARay Dineen, G.P.D. '18Eve Caruso Whitman,

B.M. '18Mariya Ksondzyk,

B.M. '17Alexandria Wendling,

B.M. '19Rebecca Miller,

B.M. '18Lau Kwan Nok (Louie),

M.M. '18Yichun Huang,

M.M. '16Sofija Zlatanova,

G.P.D. '18Devon Duarte,

B.M. '20AlexisMarie Nelson,

B.M. '20Miriam Lee, B.M. '17Maureen Heflinger^

CELLOElisa R. Sádaba,

B.M. '17Johnny Mok, M.M. '17Victor Mooney,

M.M. '17Michael Mahler,

M.M. '18

Alexander C. Ullman, M.M. '17

Jennifer Jordan, M.M. '17

Julia Dornelas, B.M. '20

Gyosun Koo, B.M. '19Christian Kay, B.M. '19Sara G. Cook, B.M. '18

BASSMichael Alan Simon,

G.P.D. '17Harrison Greenough,

B.M. '19Justin Cheesman,

B.M. '17Thatcher M. Drake,

B.M. '20Eric R. Duback,

B.M. '19Adam Rowton,

B.M. '20Andrew W. Metzger,

B.M. '17

* Concertmaster^ Guest Artist


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Chairman’s Circle ($25,000 and above)AnonymousNicole D’AmoreDavis UWC Scholars ProgramFanny B. Reed TrustJan Veen Educational TrustPamela S. Kunkemueller

President’s Circle ($15,000–$24,999)Massachusetts Cultural CouncilDiana Dohrmann, D.M.A. '71Alfred D. and Patricia HoustonLaura D. Kunkemueller and John AndreiniSheila and Emanuel E. Landsman, Ph.D.Andrew and Joyce Miller P'17Charlotte Prescott NewtonWilliam E. and Bertha E. Schrafft

Charitable Trust

Ipswich Circle ($10,000–$14,999)Davi-Ellen Chabner and

Bruce A. Chabner, M.D.Oliver and Cynthia CurmeAna and Antonio Fernandez P'12Jephson Educational TrustsTeresa KosterAnthony Pangaro and Creelea HendersonMarillyn Zacharis

Hemenway Circle ($5,000–$9,999)AnonymousAlice Willard Dorr FoundationElizabeth S. BoverouxGregory E. Bulger and Richard J. DixRonald and Ronni CastyChristos and Eva E. Pappas FoundationMark H. Cooley, M.D.JoAnne and Charles DickinsonMichael and Donna EganJohn S. FosterHamilton Company Charitable FoundationMimi and Roger HewlettJanet B. KaminsteinB. J. KrintzmanLizbeth and George KruppGlenn E. MahnkenMaritza and Brian McKay P'16Kelly and Brian McKernanAnne and Lyle J. Micheli, M.D.Blake Middleton and Martha EddyGary R. Mikula and Holly Burnet Mikula

Richard OrtnerChristopher D. PerryCarmen A. PuopoloGeraldine R. and Stephen J. RicciWarren A. SeamansSeth Sprague Educational and

Charitable FoundationDarius Sidebotham and Cara QuackenbushKatherine and David Scott SloanThe Lawrence & Lillian Solomon Fund, Inc.Peter J. WenderAmy K. and Edward G. WertheimGeorge C. White

Fellowship Circle ($2,500–$4,999)Johanna and Jeffrey BlackJoan M. BroderickAnne N. Cuervo and Philip J. PoinelliNelson J. Darling, Jr.William H. DarlingKate Sides FlatherCynthia and Leonardo Galletto P'18Jane and Timothy C. GilletteRobert GoldsmithEdwin D. Graves '85Alice and Laurence B. JacobsCynthia King '77Erin V. Lehman, Ph.D.Marilyn Levitt and Andrew FriedlandMarla and Ricardo Lewitus, M.D.Frederick T. Miller and Kathryn E. CadeBrendan P. MurphySean N. Murphy '94 '96 and Peter A. RombultPamela A. MurrayRictor NorenBarbara Goodwin PapeschStacy and Mark Parkinson P'14 '16Paul and Virginia Cabot Charitable TrustRosalinda and Peter RossIvy and Francis ScriccoJan Steenbrugge '99 and Young-Shin

Steenbrugge-Choi '98 '00Corinne and Charles Straubing P'16The Presser FoundationAnne and Joshua TolkoffRosamond B. VauleJason S. WeissmanWells Fargo Private BankDavid W. White '66Diann Zenda '69

Boston Conservatory gratefully acknowledges the contributors below, whose generous gifts support the conservatory's educational and performance programs. To all, our deepest thanks.

(continued)


Fenway Circle ($1,000–$2,499)Cynthia AberAdelard and Valeda Lea Roy FoundationPamela and Ron C. AncrumHoward H. Bengele, Ph.D.Ira J. BenowitzLinda Cabot BlackScott W. Blake '76Cassandra and David BlattnerBoston Red Sox FoundationLance BrisboisWilliam D. BrohnAbra K. Bush, D.M.A.Catherine and Paul Buttenwieser, M.D.Peter P. Campisano, Ph.D.Judi Taylor Cantor and Murray CantorJudith ChasinClementi Family Charitable TrustNancy and Edward ConditDoreen Donovan CorkinWarren R. CutlerMike Delduchetto and Bassima BashourRonald and Brenda Duska P'17Leon Earl FernandezMiles A. Fish, III '63Edward Fleck and Eileen McCormackFM Global FoundationRemmi Franklin and Richard LyonJennifer A. FraserChristina and David GlenPreston B. GrandinJean HackettHalderstein Owl TrustMark Leland Held '69Bernadette and Charles Holdener P'12Donald F. Jemella '70 '73Lisa and Christopher P. KanebLeslie Jacobson Kaye '89Elaine B. KirshenbaumKaren KleinKate and Tom KushRoger and Sheila LockwoodLeigh and Brian Lytwynec P'08 '10Joseph Machota '95 and Matthew Wall '95Gregory MaillouxDavid and Kathy MaisterMichael and Alessandra Malanga P'17John F. NatoliEugenia L. Douglas O’Brien '73Jennifer C. OlmsteadDonna PinoNancy and H. Calvin PlaceConstance M. and Kirk RamsauerDiana B. Roberts and Robert C. Bray

Frank Boyd Ryland '50Elizabeth A. Seitz, Ph.D.Michael and Martha ThurkWilma Hernandez Tripodi '66Webster BankSamantha and John WilliamsKathleen and Jeffery Zavotsky P'18Marilyn H. Zuckerman, Esq.

Sponsor Circle ($500–$999)AnonymousCorey AdamsWaleed and Denise Al-AtraqchiSarah Schimmel and Cornelius BakkerRonald BarbagalloHannah Brückner P'17John and Paula BurnsLynn Wan-Hsin ChangJoseph and Sherry Chen P'18Anthony and Susan ConsigliAldo CrugnolaRita CukerMark and Lourdes Del Col P'17Christopher and Rebecca Ewing P'15Jill A. FopianoPhyllis and Thomas FroeschleMargaret GambleSusan Glancy '99Lili A. Gottfried, M.D. and

Philip L. Goldsmith, M.D.Karen F. and Mark V. GreenJianbing Chen, Ph.D. and Hong Guo, Ph.D.Shannon and Joseph GustafsonRosemary and John HarbisonKate HewlettLynn Hughes and Charles WrightRamona Cassandra Jayson P'09Peter Katz '85Shahn and Edwin KnightsMichael Kuhling '14Arleen R. KulinLaurie and Mark Kundla P'17Liberty MutualSuzy Mamann Greenberg P'18Hugues and Rebecca Marchand, Ph.D.Middlesex Musical Arts SocietyMarisa and Enrico MihichGabrielle Miller '82Paul MollicaJack Noseworthy, Jr. '87James R. O’DellAlison and Gregory O’Shanick P'16James Orleans '81Stephen P. Pentek '68

(continued)


Betsy and David PowellConstance M. and Kirk RamsauerMatthew Stover and Elizabeth RichterKatherine H. and Glenn P. StrehleAnn TeixeiraJames and Kimberly Underwood P'19Kyle and Susan WeaverTerry WhittumJudith and Jack WittenbergMary and Harlan Zeinstra P'16

Benefactor Circle ($250–$499)David AlbertPamela and John Andreas P'17Mary Jo Ashenfelter '83Jeannine M. AyotteCaroline and Michael Bawden P'18Amanda Beresford and David Lawton P'17Jerry BernhardBarbara and Keith Bingham P'17Carrie BourqueElizabeth Brew Boyd and John BoydNicole BrennanBrogna Law APCJames and Susan ButlerJillian CampbellFrank Campofelice P'15Stephen CeglarskiDavid Cerutti and Marc FelberbaumKatherine and James ChaceWalter and Maggie ClassChristine and Daniel Cook P'01Shirley and Robert Crane P'14Narda and Joel Derouin P'18Susan and Richard Dobbs P'14 '16Betsy Ehrenberg and Beth EisenbergSteven and Susan Eisenberg '17Judson EvansElizabeth FeinsteinJudith and John FeltonDenise Flood P'16Jeffrey E. FrancisJoao and Claudia Frota, P'18J. Ritchie and Carla J. Garrison P'05Marjorie GlazerHenry A. GoodrowThomas A. Gregg, D.M.A.

Joseph F. HaleyJohn Hendrickson and Elizabeth Jerant P'16Laura and Robert Hennessey P'16Jane and Mark HirshJon and Elizabeth Hollander P'14Celia E. Hottenstein '13Julian T. HoustonEdward C. JoyceJudi and Michael Kahn, M.D.Jeanine Kelly-Coburn and Dirk Coburn P'15Joan Bennett Kennedy '95Ellen Kennon '66Amanda Jo Kercher '79Robert King and Sarah Bender WulffNancy D. and William L. KingmanEdgar A. KnudsonSteven MalerIrma Fisher MannCharles and Dru Ann Miller P'16Kenneth Mok '10Suellyn Moore P'17Michael Nash, Ph.D.Jacquelyn and Robert Pascucci, M.D.Dan and Faith PerkinsKaren Peterson Corash '76Maureen and Stephen Pike P'12Harold I. and Frances G. PrattAnne M. and Robert PrensnerEdward Reisert '90William C. RobertsPaul RomaryLinda and Jay Russ P'15Robin Schmidlein and James CostelloMerrill SheaTed Smigielski '69 '94Rose Smiley and David Raderman P'17John Stapp '05Albert Stephenson '70 and John KanderNancy Thompson-KasselsJames VieraAndy VoresJulie Wilder-Sherman and Jeff Sherman P'16Kathleen Wilson P'15Cathy Young P = Boston Conservatory parent

Gifts are reflective of Annual Fund contributions in 2014–2015 or 2015–2016.

For more information about supporting Boston Conservatory, please contact the Office of Institutional Advancement at [email protected].


BOARD OF TRUSTEES

Berklee and Boston ConservatoryJeff Shames,

Board ChairSusan Whitehead,

Vice ChairRoger H. Brown,

President, BerkleeRichard Ortner, President, Boston

Conservatory at BerkleeDavid AbramsLuis AlvarezG. Leonard Baker, Jr.Michael A. Brown John ConnaughtonCynthia K. CurmeMichael R. EisensonEmilio EstefanGloria EstefanMonica GiraldoDean F. GoodermoteDavid Gross-LohJoshua GrussChristopher GuestNils GumsDan HarpleKristine Moyer HigginsCharles HirschhornSteven HoltzmanBill KaiserJoel KatzB. J. KrintzmanLaura D. KunkemuellerSara Lawrence-LightfootMiky (Mie Kyung) LeeMartin J. MannionDemond MartinMarc MayerJane L. MendilloFrederick T. MillerPeter Muller

Anthony PangaroAlexander RigopulosDarius SidebothamDavid Scott SloanSusan SolomontJeffrey C. WalkerAnn Marie WilkinsMarillyn ZacharisBarry Zubrow

Leadership Council Teresa Koster, ChairLaura Kunkemueller,

Conservatory LiaisonBetsy BoverouxGreg BulgerDavi-Ellen ChabnerCaroline CollingsDiana Dohrmann '71Kitty FlatherMimi HewlettKelly McKernanLyle J. Micheli, M.D.Pamela A. MurrayCharlotte Prescott NewtonMegan O'BlockChristopher D. PerrySantosh PerumbadiWanda ReindorfGerry RicciJan Steenbrugge '99Peter J. WenderEd WertheimTania Zouikin

Board of Overseers Ivy C. Scricco, ChairAnne N. Cuervo,

Vice ChairSteven E. Eisenberg P'17,

Vice ChairStacy Parkinson P'14, P'16,

AmbassadorHoward H. Bengele, Ph.D.

Joan M. BroderickDoreen Donovan CorkinWarren R. CutlerRonald F. Duska P'17Miles A. Fish, III '63Edward C. FleckJill A. Fopiano, C.F.A.Jennifer A. FraserJohn S. FosterRemmi Franklin Christina P. GlenPreston B. GrandinAlice JacobsElaine B. KirshenbaumKate KushTom KushMarilyn LevittRicardo Lewitus, M.D.Michele ManganaroPaul F. MollicaMichael G. MoyerBrendan MurphySean M. Murphy '94 '96Barbara G. PapeschH. Calvin PlaceSuzanne H. RollertWarren A. SeamansRobb SilvaAnne C. TolkoffRosamond VauleJason S. WeissmanAmy K. WertheimGeorge C. White

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Boston Conservatory Orchestra, 10/02/16

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