Borobudur temple World

7/24/2019 Borobudur temple World

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The magnificent Borobudur temple is the worlds biggest Buddhist monument, an

ancient site widely considered to be one of the worlds seven wonders. Built in the

9th century during the reign of the Syailendra dynasty, the temples design in Gupta

architecture reflects Indias influence on the region, yet there are enough indigenous

scenes and elements incorporated to ma!e Borobudur uni"uely Indonesian. This

awe inspiring monument is truly a marvel. #fter a visit here you will understand why it

is Indonesias most visited tourist attraction and a famous icon of Indonesias cultural

heritage.

$ocated on the island of %ava, the temple sits ma&estically on a hilltop overloo!inglush green fields and distant hills. It covers an enormous area, measuring '() * '()

meters. The monument is a marvel of design, decorated with (,+( relief panels and

-/ Buddha statues. The architecture and stonewor! of this temple has no e"ual.

#nd it was built without using any !ind of cement or mortar0 The structure is li!e a set

of massive interloc!ing $ego bloc!s held together without any glue.

The temple has remained strong even through ten centuries of neglect. It was

rediscovered in '1'-, buried under volcanic ash. In the '9s the Indonesian

Government and 234S56 wor!ed together to restore Borobudur to its former

ma&esty The restoration too! eight years to complete and today Borobudur is one of

Indonesia and the worlds most valuable treasures.

The temple is decorated with stone carvings in bas7relief representing images from

the life of Buddha. 5ommentators claim that this is the largest and most complete

ensemble of Buddhist reliefs in the world, unsurpassed in artistic merit.


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This monument is both a shrine to the $ord Buddha and a place for Buddhist

pilgrimage. The ten levels of the temple symboli8e the three divisions of the religions

cosmic system. #s visitors begin their &ourney at the base of the temple, they ma!e

their way to the top of the monument through the three levels of Budhist cosmology,

amadhatu :the world of desire;,


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B6


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of the site. great deal of work was also done to develop procedures to prevent the

microorganisms eating awa' the stone.

Finall', 45E&C6 listed Borobudur Temple as ;orld 2eritage &ite in +00+.

.ayer up

Borobudur temple represents man' la'ers of Buddhist theor'. From abirdarmawibhangga &utra,

the law of cause and e?ect. *llustrating the human behaviour of desire,the reliefs depict robbing, killing, rape, torture and defamation.
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Evidence suggests that the additional base was added during the originalconstruction of the temple. The reason for adding the base is not +$$@certain, but likel' to be either for stabilit' of the structure, to prevent thebase from moving, or for religious reasons A to cover up the moresalacious content. The added base is 8.3m in height and 3.m wide.

corner of the covering base has been permanentl' removed to allowvisitors to see the hidden foot, and some of the reliefs. &ee image to theright. 7hotograph' of the entire collection of +3$ reliefs is displa'ed atthe Borobudur (useum which is within the Borobudur rcheological 7ark.

/one 0 RapadhatuThe transitional sphere, humans are released from worldly matters.

The four s=uare levels of apadhatu contain galleries of carved stonereliefs, as well as a chain of niches containing statues of Buddha. *n totalthere are 8# Buddha on these balustrade levels which also have a greatdeal of purel' ornate reliefs.

The &anskrit manuscripts that are depicted on this level over + 8$$ reliefsare 9andhaw'uha, Dalitawistara, Jataka and wadana. The' stretch for.km. *n addition there are + + decorative panels.

/one $0 2rupadhatuThe highest sphere, the abode of the gods.

The three circular terraces leading to a central dome or stupa representthe rising above the world, and these terraces are a great deal less ornate,

the purit' of form is paramount.

The terraces contain circles of perforated stupas, an inverted bell shape,containing sculptures of Buddha, who face outward from the temple.There are " of these stupas in total. The impressive central stupa iscurrentl' not as high as the original version, which rose %m aboveground level, the base is 0.0m in diameter. 4nlike the stupas surroundingit, the central stupa is empt' and conicting reports suggest that thecentral void contained relics, and other reports suggest it has alwa's beenempt'.


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The Reliefs

The total of $% Buddha are in meditative pose, and the 3 di?erent handpositions represented throughout the temple, often according to thedirection the Buddha faces.

These mudra symbolise concepts such as charity, reasoning andfearlessness, it is said they tell a story that Buddhas serene face doesnot.The Temple Corridors!uring the restoration in the earl' $thcentur', it was discovered that twosmaller temples in the region, called 7awon and (endut, are positionedaccuratel' in line with the Borobudur Temple. 7awon temple is located+.+ km from Borobudur while (endut Temple is located 8 km fromBorobudur. *t is believed that there is mutual religious relationshipbetween the three temples, although the e)act ritual process remains a

m'ster'.The three temples are used to form a route for the ;aisak !a' Festivalheld each 'ear on the da' of the full moon in pril or (a'. The festivalcommemorates the birth, enlightenment and the death of 9autamaBuddha.

This important da' in the Buddhist calendar attracts man' domestic andforeign tourists to see the walk in procession of local and internationalpilgrims from (endut, through to 7awon and then on to Borobudur. *t is acolourful and festive occasion supported b' the 9overnment of *ndonesia.
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Taman 3isata Candi Borobudur

Jl. Badrawati, Borobudur, (agelang, Jawa Tengah 38 *ndonesia

hone 0 3 08 "## 33 G 3 08 "## 3"

5a6# 03 08 "## +87mail 0borobudurHborobudurpark.co.id

rambanan temple

7rambanan Temple is said to be the most beautiful 2indu temple in the world. *t is

the biggest temple comple) in Java with three main temples dedicated to the three

great 2indu divinities, &hiva, 1ishnu, and Brahma, the s'mbols of Trimurti in 2indu

belief.

ccording to the histor', akai 7ikatan, a 2indu prince from &anIa'a !'nast', who

had married into the

ruling Buddhist &ailendra monarch' built all the temples in the 7rambanan

archaeological park in the #thcentur' !. *n its original form, the temple comple)

contained over $ large and small temples. The temple compound was e)panded

b' successive (ataram kings with the addition of the hundreds of perwara temples


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around the central temples. *t served as the ro'al temple of the >ingdom of (ataram

for its religious ceremonies and sacrices. 2owever, in the +$ thcentur' the temple

was largel' abandoned because the (ataram d'nast' moved to East Java. *t then

collapsed during a maIor earth=uake in the +3thcentur'.

lso locall' known as oro Jonggrang, legend has it that the +,$$$ thstatue of the

temple was the statue of a slender virgin lad' named oro Jonggrang, who turned

into stone b' a 'oung and powerful man named Bandung Bondowoso after her

attempt to thwart Bondowoso


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*n +#++, a surve'or working for &ir Thomas &tamford aKes found the ruins of

7rambanan b' pure chance, 'et, the' were not long enough in Java to do much

about it and the temple remained neglected for decades. !utch residents started to

loot the reliefs to adorn their garden with priceless statues while local people were
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taking the foundation stones and using them as construction material. *t was in +08$

that the proper restoration began and continues to this da'.

*n +00+, 45E&C6 listed 7rambanan Temple Compound as ;orld Cultural 2eritage.

Stru"tural 'esin

The high structures are t'pical of 2indu architecture, and the plan of the temple

comple) is a (andala, as is Borobudur.As a symbol of the Hindu cosmos, the temple

is vertically divided into three parts, both vertically and in plan.

Bhurloka

The base of the temples, as well as the outer s=uare is the underworld. *t was a large

space marked b' a rectangular wall. This is a place for ordinar' folk, mortals, both
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human and animal. This is the place where lust and desire are commonplace. *t is an

unhol' area.

Bhuvarloka

The central bod' of the temples and the middle s=uare of the comple), representsthe Lmiddle world< the place for those who have left their worldl' possessions. This is

where people begin to see the light of truth. The middle world had four rows of %

small individual shrines, where all shrines are identical.

Svarloka

The top of the temples and the innermost s=uare represents the realm of the gods,

the holiest one, and is crowned. Three +3 temples that consist of 8 main temples/

Brahma the Creator, &hiva the !estro'er, and 1ishnu the >eeper. &hiva temple is the

biggest and the tallest amongst all with %".3m high, while Brahma and 1ishnu are

88m high. *n addition to the three main temples, there are three ;ahana Temples,

four >elir Temples, two pit Temples and four 7atok Temples.

3orshipin 2n"estors

*t is understood that when a king or prominent person died, the ashes of the

deceased along with various obIects representing ph'sical and spiritual s'mbols of

the cosmos, were placed in a stone casket.

This casket was placed in a shaft in the base of a temple, above it was built a statue

of a god, of whom the deceased was said to be an incarnation. This statue then

becomes the obIect of worship for those honouring and worshipping the king.

ncestor worship has been an *ndonesian cultural tradition since prehistoric times,

and it has been adapted into the local adaptations of 2induism and Buddhism. &ome

archaeologists suggest that the idol of &hiva in the central chamber of the

7rambananing Balitung, of the (ataram >ingdom.

6ne of the possible instigators of the temple building.

The casket found in the well of the &iva temple at 7rambanan was sitting on a pile of

charcoal, earth and animal bones. *t contained a variet' of obIects, including, coins,

Iewels, precious metals and ashes. 9old sheets with inscriptions of 1aruna, the godof the sea, and 7arvata, the god of the mountains were also found.

Taman 3isata Candi rambanan

2ddress 0Jl. a'a JogIa A &olo >m +3, 7rambanan, &leman, -og'akarta "+,

*ndonesia

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7mail 0prambananHborobudurpark.co.id


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&p"omin indoor Tri -urti9 performan"e dates0

J2&2R: ;1+ , %,


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5IRST C.2SS S72TI I'R ;;#;;;

S7C>' C.2SS S72TI I'R 1%#;;;

Ti")et pri"es for Trimurti theatre 0

S7CI2. C.2SS S72TI I'R


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Teater dan entas

2ddress 0Jl JogIa:&olo >m +3 -og'akarta

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5a6 0 3 "% %03 %$#

7mail 0teaterHborobudurpark.co.id

Conta"t erson

Suyadi 03 #+ 808 #00 3

onidi 03 # "00 $" %3

Sunardi 03 #+ "$% 30 $#

3ati 03 #" #80 +

T4 B6>6

The histor' of atu Boko is unclear, and much of what is understood about the site

comes from inscriptions and even folklore. The oldest inscription found on the site is

believed to date back to "0!, naming the site bha'agiri ;ihara.
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rchaeologists believe that the ruler of the &aliendra !'nast' between "3$:"#$,

akai 7anangkaran, built atu Boko after he resigned from his leadership. *t is said

that he resigned because he wanted to nd spiritual peace and concentrate on

religious matters. bha'agiri ;ihara means Lpeaceful Buddhist monaster'raton means 7alace. *t was akai

;alaing pu >umbha'oni, who was recognied as a king and ruled the d'nast' from

#3:#38 !, who changed the name of the site.

!uring the +"th Centur', a !utch man 2.J.!e9ra? noted that Europeans coming to

*ndonesia had reported a heritage site, and referred to it being the palace of 7rabu

Boko, a king who came originall' from Bali. This is the 7rabu Boko of the Doro

!Ionggrang folklore.

mi) of Buddhist and 2indu structures are found on the comple), including the

Buddhist !'ani Budha, &tupika, Terakota Tablet, and a gold and silver pla=ue with a

Buddhist inscription, three small 2indu temples, as well as -oni, a !urga statue, a

9anesha statue and a pla=ue with an inscription to udra, the other name for the

god &hiva.

Restoration

!utch researcher 1an Boeckholt was the rst to discover the ruins of atu Boko in

+"0$. 2owever, serious researches about the temple were done a hundred 'ears

after. ccording to archaeologists, atu Boko Temple served as >raton, religious

place and cave.

Stru"tural 'esin

The site splits neatl' into four areas. The building located on terraces up the hill with

the front 'ar located on the west side. There are three terraces, with each terrace

divided b' andesite stone fence.

West

ppro)imatel' hectares, this area is known b' locals as (ount Tlatar A hill of

arranged stones. The hill sides are =uite steep and onl' parts of it are used for

farming. The archaeological nds here have been interesting/ a sedimentar' rock

pathwa', small and large ponds, as well as local and foreign earthenware.

Central


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The large stone gates are impressive, the rst gate has three entrances, and the

second gate has ve entrances. The shape of these entrances is known as 7aduraksa

and is a traditional Javanese construction. 5ot far from the gates there is a limestone

Batu 7utih temple, the name means Lwhite stone


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This one also has a large pond and a series of base stones which would have held

building pillars. 4sing the traditional building techni=ues of the time, the pillars walls

and roof would have been made from organic materials, so the' are no longer

remaining.

Southeast

Evidence e)ists of an audience hall or pavilion surrounded b' a stone wall with

another 7aduraksa entrance wa'. The position of where the pillars would have been

located is evident. rectangular pool is nearb', as well as three small temples.

nother series of round and rectangular pools is in this area.

7ast


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The Eastern area has more ponds and also a series of caves. The caves are carved

into the rock. The Danang Cave houses three white stone statues. &tairs down to

some of the caves have been carved in to the hillside rock. statue of Buddha is

also found in this area.

Taman 3isata (eraton Ratu Bo)o

2ddress 0Jl 7rambanan:7i'ungan BokoharIo 7rambanan &leman -og'akarta

hone 03 "% %03 +$

5a6 0 3 "% %0# 8

7mail 0ratubokoHborobudurpark.co.id


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Sejarah Kraton Yogyakarta


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@ari #mbar etawang Ngarso Dalemmenentu!an ibu!ota era&aan Cataram di @esa

aceto!an. Sebuah wilayah yang diapit dua sungai yaitu sungai Dinongo dan 5ode. $o!asi ini

berada dalam satu garis ima&iner $aut Selatan, rapya!, raton, dan Gunung Cerapi.

Bangunan raton Aogya!arta sedi!itnya terdiri tu&uh bangsal. Casing7masing bangsal dibatasidengan regol atau pintu masu!. eenam regol adalah


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en&aga benteng diserah!an pada pra&urit !raton di antaranya, ra&urit %ogo!aryo, ra&urit

Cantri&ero, dan ra&urit Bugis. ra&urit %ogo!aryo mempunyai bendera apasan dan tinggal di

ampung %ogo!aryan. ra&urit Cantri&ero dileng!api dengan Bendera esatuan urnomosidi dan

tinggal di ampung Cantri&eron. ra&urit Bugis yang berbendera esatuan Dulandari tinggal di

ampung Bugisan.

Casa pemerintahan raton Aogya!arta Sri Sultan =ameng!u Buwono I :G


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layout of the buildings shows that the alace, the commemorative column and Count Cerapi lie

in one line. The palace meeting hall is called agelaran, where formal meetings of palace

officials are held, while the Canguntur Ting!il hall is the place where the Sultan is seated.

The visitors can en&oy the atmosphere of the !raton in former times by visiting the life7si8e

diorama of wedding ceremonies on the palace meeting hall, performed by puppets, which areintentionally arranged to create such an atmosphere. Sets of %avanese musical instruments,

anti"ues and heirlooms have made the palace of Aogya!arta worth to visit. Cany sets of

gamelan music instruments, anti"ues, and heirlooms ma!e the palace of Aogya!arta the most

interesting tourist attractions in Aogya!arta. The palace of 3gayogyo!arto =adiningrat is now the

dwelling place of Sultan =ameng!u Buwono E and the family.

Dest of the palace, there is Dater 5astle, built in '-1 by the prince, Sultan =ameng!ubuwono I.

The Dater 5astle is located in the older part of the city within wal!ing distance from the Bird

Car!et. art of the pleasure garden and castle is at present no more than an intriguing collection

of ruins, pools, arches and underground passages enclosed by massive walls, however, the

central courtyard with the nymph7baths has been restored. # number of bati! wor!shops line the

avenue leading to the pleasure gardens entrance.

*ndra'anti

Indrayanti beach become an alternative place to spend a family vacation, even this white sand beach is not as popular

li!e other beaches. There are lodging facilities that have been built there. If you bring a family to spend the night, an

area of /*- meter wooden huts can be rented. Terrace overhanging the beach. Dant to swimH &ump to live alone, or &ust

want to get la8y &ust sitting "uietly reading a boo! while occasionally hear southern ocean waves. If you want to stay inhotels, you must boo! a place one month earlier. =owever, if lodging is full, do not worry because it can set up tents

around the coast. Sloping plateau wide enough there, warm white sand floors. Some pandanus thatched ga8ebo has

been prepared to pamper guests playing on the beach. Dhile en&oying a light bree8e you can order typical beach

coconut ice and seafood.

The enchantment of Indrayanti beach can be en&oyed not only during the daytime. If the weather is sunny, you can

en&oy the sunset at dus!. #t night, fire dots coming from lantern torch of sailing fisherman will give you a uni"ue

atmosphere in Indrayanti Beach.

Some people usualy use this beatiful scenary of Indrayanti Beach as a spot for pre wedding photography. @espite the

heat in the daytime, you definitely wont miss chances to ta!e pictures in every corner of the beach. lant dominated

coastal pandanus trees add shade atmosphere. Some small trees from Goverment 4nvironment #gency are also grown

to withstand abrasion.

The cliff is a favorite place for fishing. Jishing activities could be done on the cliff that is located on the east coast. Some

visitors who suffer of asthma also utili8e Indrayanti Beach to perform salt vapor therapy. It is said, by coming to the

beach several times and doing the salt vapor therapy can help cure asthma.

Indrayanti beach proven safe enough for swimming. %ets!y is available for rent, the only one in the southern beaches

area. #lthough e*treme, this sport is safe because each &ets!y rider wearing a life &ac!et and get a companion from the

e*perts. Indrayanti beach opened si* months ago for public, adopt its name the beach administrators wife. The name

Indrayanti is considered easy to remember, because it is different from the names of other beaches in Gunung idul.

Its easy to get there. Aou &ust passed a few other beaches li!e ra!al, Baron, u!up, @rini, Sunda! before reaching

Indrayanti beach. recisely, four miles from Baron beach. Travel with bumpy roads can be reached by private or rental

vehicles li!e minibuses. Jrom Aogya!arta city it ta!es about (7) hours to get the location of the beach.


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Sendratari Ramayanamerupa!an sebuah pertun&u!an yang

menggabung!an taridan dramatanpa dialogyang mengang!at cerita


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The Ramayana epic is too long to be performed as a whole in one performance.Consequently, in the Sendratari Ramayana it is devided into four parts, each of which iscalled a lakon, viz. the bduction of Sinta, !anuman"s #ission to lengka, the $eath of%umbakarna, and the Reunion of Rama and Sinta.

There is one particular characteristic of the &avanese '(ndonsian) Ramayana whichdistinguishes it from its (ndian counterpart* rama is more human than godlike.

This Ramayana story was carved in the stone reliefs of the +th century rambanantemples located on the border between -ogyakarta and Surakarta. Ramayana series is

carved beautifully on the inner side of the balustrade wall of the Shiva temple beginningwith a scene of the god ishnu enthroned upon the world serpent nanta up to the

moment when the monkey army led by !anuman crosses the sea to /angka. The story iscontinued on the 0rahma temple south of the Shiva temple in tile rambanan templecompound. robably the Ramayana epic was translated orally from both the Sanskrit andthe rakrit to 1ld &avanese some time before the construction of these rambanantemples. The name Rama was mentioned in Canggal"s stone inscription erected inCentral &ava in .$. 234.5e also find scenes of the Ramayana carved on the base of the anataran temple in 6ast

&ava '74th to 78th centuries), beginning with !anuman"s mission to /angka as a scoutand ending with the death of %umbakarna, Ravana"s brother.(n &ava the story of Rama was first written by a poet 'possibly -ogishvara) who

composed the Ramayana %akavin 'Ramayana oern with Sanskrit metres), probably theoldest 1ld &avanese literary work dating from the beginning of the 79th century. This

oem is far from a mere translation of the (ndian epic. The poet apears to have drawndeeply from his own imagination.5orking with the Ramayana %akawin, the famous 7+th century &avanese poet -asadipura( composed a new version of the &avanese Ramayana, the Serat Rama. The present:day

&avanese stories from the Ramayana are performed primarily by leather puppets anddance:drama based on -asadipura"s version.

striking difference between the (ndian Ramayana epic and the (ndonesian versionoccurs in the last part, which narrates the burning of Sita. The (ndian Ramayana epicends tragically with Sita disappearing, swallowed up by the earth but in the (ndonesianversion there is a happy ending. s Sinta is in the fire, she becomes more and morebeautiful, and she remains unharmed. The burning of Sinta, a test of chastity, ends withRama being able to go living with his most faithful wife at his side.

The summary of the Sendratari Ramayana without dialogue is as follows.Rama, accompained by his wife Sinta '$ewi Sinta) and his younger brother /aksmana

'/esmana), have left yodhya and are wandering in the wild forest. 1n their way, theking of /angka 'lengka or ;galengka) named Rahwana sees them. Rahwana falls in

love with $ewi Sinta and decides to kidnap her. t Rahwana"s order, the giant %alamaricais changed into a golden deer to attract Sinta"s attention, tempting her to catch it.$ewi Sinta is indeed attracted by the golden deer and wants to catch it. fter the threehave chased the animal in vain, Sinta cries and asks Rama to catch it.


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(alioboro

Berasal dari bahasa Sansekerta yang berarti karangan bunga, Malioboro

menjadi kembang yang pesonanya mampu menarik wisatawan. Tak hanya

sarat kisah dan kenangan, Malioboro juga menjadi surga cinderamata di

jantung Kota Jogja.

@alam bahasa Sanse!erta, !ata MmalioboroN berma!na !arangan bunga. itu mung!in ada

hubungannya dengan masa lalu !eti!a eraton mengada!an acara besar ma!a &alan malioboro

a!an dipenuhi dengan bunga. ata malioboro &uga berasal dari nama seorang !olonial Inggris

yang bernama MCarlboroughN yang pernah tinggal disana pada tahun '1''7'1'+ C. pendirian

&alan malioboro bertepatan dengan pendirian !eraton Aogya!arta :ediaman Sultan;.

erwu&udan awal yang merupa!an bagian dari !onsep !ota di %awa, %alan malioboro ditata

sebagai sumbu imaginer utara7selatan yang ber!orelasi dengan eraton !e Gunung merapi di

bagian utara dan laut Selatan sebagai simbol supranatural. @i era !olonial :'97'9/-; pola

per!otaan itu terganggu oleh Belanda yang membangun benteng ?redeburg :'9; di u&ung

selatan &alan Calioboro. Selain membangun benteng belanda &uga membangun @utch 5lub

:'1((;, the @utch Governors


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er!embangan pada masa itu didominasi oleh Belanda dalam membangun fasilitas untu!

mening!at!an pere!onomian dan !e!uatan mere!a, Seperti pembangunan stasiun utama :'11;

di %alan Calioboro, yang secara fisi! berhasil membagi &alan men&adi dua bagian. Sementara itu,

&alan Calioboro memili!i peranan penting di era !emerde!aan :pasca7'9/-;, sebagai orang7

orang Indonesia ber&uang untu! membela !emerde!aan mere!a dalam pertempuran yang ter&adi

2tara7Selatan sepan&ang &alan.

&ekarang ini merupakan Ialan pusat kawasan wisatawan terbesar di -og'akarta,

dengan seIarah arsitektur kolonial Belanda 'ang dicampur dengan kawasan

komersial Cina dan kontemporer. Trotoar di kedua sisi Ialan penuh sesak dengan

warung:warung kecil 'ang menIual berbagai macam barang dagangan. !i malam

hari beberapa restoran terbuka, disebut lesehan, beroperasi sepanIang Ialan. Jalan

itu selama bertahun:tahun menIadi Ialan dua arah, tetapi pada +0#$:an telah

menIadi salah satu arah saIa, dari Ialur kereta api ke selatan sampai 7asar

BeringharIo. 2otel Iaman Belanda terbesar dan tertua Iaman itu, 2otel 9aruda,

terletak di uIung utara Ialan di sisi Timur, berdekatan dengan Ialur kereta api. Juga

terdapat rumah kompleks bekas era Belanda, 7erdana (enteri, kepatihan 'ang kini

telah menIadi kantor pemerintah provinsi.

(alioboro&uga men&adi se&arah per!embangan seni sastra Indonesia. @alam #ntologi uisi

Indonesia di Aogya!arta '9/-7( memberi &udul MC#$I6B6


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Untuk anda yang memiliki hobi menyanyi dan ingin menyalurkan hobi anda secara benar dengan di pandu oleh musisi-

musisi handal, RUMAH MUSIC PURWANGGAN 23 adalah salah satu solusinya. Kami hadir menawarkan fasilitas bagi

anda yang ingin menyalurkan hobi sekaligus belajar bagaimana cara bernyanyi yang...

Jl. Purwanggan No.23 Yogyakarta....

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Babylon Cafe adalah salah satu cafe di Jogja dengan nuansa Timur Tengah yang memperkenalkan SHISHA asli Timur

Tengah dengan kualitas terbaik di Jogja.Alat SHISHA yang kami pakai asli dibawa dari Timur Tengah dan semua

rasa/flafour shisha merupakan rasa pilihan yang kami racik sedemikian rupa agar...

JL WAHID HASYIM NO 47 GORONGAN CONDONG CATUR SLEMAN JOGJAKARTA....

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Borobudur temple World

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